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News: Welcoming Lorena Nava Ruggero!

July 20, 2009 by MJ 2 Comments

Please give a warm welcome to new guest reviewer, Lorena Nava Ruggero! I first encountered Lorena’s writing at her blog, i heart manga, and I’m thrilled that she has agreed to become a contributor here.

To quote her bio, “Lorena Nava Ruggero is a professional writer and editor in Southern California. She loves nothing more than reading manga with her French bulldog, Rocky, at her side. When she’s not writing reviews or reading manga, she enjoys cooking, hiking and watching movies, including anime. Each year since high school, she has saved up all her nickels and dimes to head to San Diego Comic-Con International, where she immerses herself in all things “nerd” for an all-too-glorious four and a half days. In addition to writing for There it is, Plain as Daylight, she also contributes to MangaCast and writes daily reviews for her own blog, i heart manga.”

Please enjoy Lorena’s first review here, for volume one of Sesuna Mikabe’s Tena on S-String from Yen Press, and make her feel at home!

Also, don’t miss other reviews posted here over the weekend, for the final volume of beloved shojo series Fruits Basket and for the first volume of CMX series Venus Capriccio! Happy Monday!

Filed Under: NEWS Tagged With: guest reviewers, lorena

Il Gatto Sul G. 2 by Tooko Miyagi: B

July 19, 2009 by Michelle Smith

From the back cover:
The crescendo builds as “Black” Riya becomes more dominant and, if he has his way, would erase “White” Riya from existence. But whichever personality surfaces, kind and compassionate Atsushi is ready to burst into a torch song for Riya, after realizing that he is in love with the confused young man. Upperclassman Kousaka, however, is set on derailing the symphony that is Atsushi’s and Riya’s relationship. Kousaka, you see, has feelings for Riya as well.

Review:
Seriously, you guys. Enough with the musical terms.

This volume suffers a bit from middle book syndrome. Some important things occur, but there are also some slow passages and I think it’d be pretty impossible to jump into the series with this volume and enjoy it. Essentially, Riya gives a concert and performs admirably, then promptly switches into “Black” mode and spends the next ten days at home, where Atsushi has been hired by a family member to be a live-in housekeeper and submit status reports on Riya’s condition.

One of Riya’s schoolmates overhears the details about his other personality and history of childhood abuse, and shares this information with the upperclassman (Kousaka) who has been tormenting Riya. When Kousaka runs into Riya’s Black personality, the Black personality tells him off (calling him a loser because of his nonconsensual desires!) and then promptly asks Atsushi to sleep with him. Atsushi nearly does, but doesn’t want it to happen that way, telling Riya he loves him. Next morning? Riya’s back to his White personality with no memory of the incident.

There are some things about this series I like and some I just don’t get. For example, I like that Riya’s two personalities, despite being called Black and White, are not really complete opposites wherein one is weak and one is strong. Black, while more willful, has a special attachment to Atsushi and gets really upset when people talk about White in front of him. White, while more obedient, has a lot of pride and doesn’t want to allow himself to rely on anyone. Also, I like how the intimate scene between Atsushi and Riya is entirely about the characters. That makes it all the more sexy, in my opinion.

On the negative side, I’m confused about Riya’s relationship with his pushy upperclassman, Kousaka. In volume one, it seemed that Riya didn’t enjoy Kousaka’s attentions even though he didn’t fend them off. Here, we see that he supposedly has admired Kousaka all this time and might be a bit interested in him. Is this just filling in backstory or is it retcon? I can’t tell. Also, both Riya (in “Black” mode) and Kousaka claim that they slept together, but honestly, after much careful perusal of volume one, I can’t see it. While Riya’s pants do suffer a hull breach, they’re never jettisoned that I can tell. Yes, I totally just made a Star Trek reference.

Filed Under: Uncategorized Tagged With: digital manga publishing, Juné

Fruits Basket, Volume 23

July 18, 2009 by MJ 4 Comments

Fruits Basket, Vol. 23
By Natsuki Takaya
Published by Tokyopop

furuba
Buy This Book

Finally, after the intense drama of the last two volumes (particularly the breaking of the zodiac curse) things begin to settle for everyone here in Fruits Basket‘s final volume. Tohru and Kyo begin to plan their life together away from the rest of the Sohma family, Yuki gets ready to go away to college, and everyone begins to pair off with nothing now standing in their way (except, of course, themselves). The easing of all that drama, however, does not mean this volume is at all lacking in tear-inducing moments. There are touching scenes throughout the volume, between Akito and Shigure, Yuki and Machi, and Tohru and everyone. The most heart-wrenching scene of all, however, is a look at the sequence of events inside Kyoko Honda’s head as she lies dying in the street–truth that Kyo can never know and that Tohru believes without knowing.

…

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Filed Under: MANGA REVIEWS Tagged With: fruits basket, manga

News: Manga Recon 2009 Midterm Report Card

July 17, 2009 by MJ 5 Comments

9781421521923Today is Midterm Report Card day at Manga Recon, where we each list what we think were the best volumes of manga released in the first half of 2009. This was an incredibly difficult question for me, and there are so many titles I would like to have listed and didn’t have room for.

The volumes that made the top five for me were Hikaru no Go, Vol. 15, Future Lovers, Vol. 2, Sayonara, Zetsubou-Sensei, Vol. 1, We Were There, Vol. 4, and Pluto, Vol. 3. Check out the full report to find out why and to read everyone else’s fantastic lists!

A few volumes I wanted to mention, but couldn’t: xxxHolic, Vol. 13, One Thousand and One Nights, Vol. 7, NANA, Vols. 15 & 16, Mushishi, Vol. 7, Fullmetal Alchemist, Vol. 18, Fruits Basket, Vol. 22, and Age Called Blue.

One title I hadn’t read yet, but might have included if I had: Venus Capriccio, Vol. 1.

It’s been a fantastic six months for manga! What have been some of your favorites?

Filed Under: NEWS Tagged With: manga, midterm report card

Kimi ni Todoke: From Me to You 1 by Karuho Shiina: A-

July 17, 2009 by Michelle Smith

kiminitodoke1Sawako Kuronuma doesn’t mean to terrify her classmates. In fact, she wants nothing more than to befriend them, but her resemblance to a character from a horror movie combined with her reserved demeanor keeps them at bay. Everyone, that is, except for a cheerful boy named Kazehaya, who is friendly to all and known to look out for those who don’t quite fit in. When Sawako accidentally says something about him that might be construed as insulting, Kazehaya gives her the opportunity to explain her true feelings. Learning from this experience, she henceforth attempts to clear up misunderstandings about her temperament and rumored psychic powers by revealing her true feelings all over the place, earning her a few additional friends who are moved by her earnest efforts. Kazehaya continues to encourage her to open up, though the attention he pays Sawako causes rumors to fly, including one that might put her new friendships in jeopardy.

I could tell before I even confirmed it that Kimi ni Todoke was serialized in Margaret or one of its offshoots. There’s a similar (but not identical) kind of warmth to series like High School Debut and Crimson Hero that really I really like, and Kimi ni Todoke possesses it as well. Part of the appeal is the importance of friendship as the basis for a relationship, as in each of the series mentioned, the romantic leads have many reasons to like and respect each other, with their feelings developing as a result of one another’s good qualities rather than reasons more shallow. Friendships between female characters are also important, something which is sometimes lacking in shojo manga.

Another point in Kimi ni Todoke’s favor is that the main cast is genuinely likable. True, Sawako is somewhat clueless at times, but her inability to realize that Kazehaya has feelings for her is not due to ditziness; she just’s so very happy and grateful to have him as a friend that it simply doesn’t occur to her that he could possibly want something more. I’m also quite fond of Sawako’s first new friends, Yano and Yoshida, who look kind of tough but end up rallying around her at crucial moments. Sawako, with her long dark hair and spooky vibe and Yoshida, who is brash and rumored to be an ex-gang member, also remind me of Hanajima and Uotani from Fruits Basket, which is definitely a compliment.

Karuho Shiina’s panel layouts and sparse backgrounds pretty much adhere to the shojo standard, but she does possess a unique style where faces are concerned. They’re drawn simply yet expressively, perfectly suited to all of the sincere feeling on display. Sawako is depicted in a variety of ways—creepy-looking, super-deformed—and only manages an unselfconscious smile once, eliciting surprise from all around and prompting Yano to remark later that it actually made her seem “pretty normal.” It does take a little while to tell Sawako’s new friends apart, but they’re distinct enough that it’s not a major problem.

The bottom line: Kimi ni Todoke is feel-good shojo at its best.

Review copy provided by the publisher. Review originally published at Manga Recon.

Filed Under: REVIEWS Tagged With: Karuho Shiina, shojo beat, VIZ

Venus Capriccio, Volume 1

July 16, 2009 by MJ 3 Comments

Venus Capriccio, Vol. 1
By Mai Nishikata
Published by CMX

venuscap1
Buy This Book

Takami is a tall, pretty second-year high school student and also a life-long tomboy. When her most recent date dumps her for not being feminine enough, she runs straight to her childhood friend Akira for comfort, just like always. Akira, whom Takami first met as a child in piano school, is two years her junior and an accomplished young pianist who regularly plays at a local jazz nightclub. Since Akira is as delicate and beautiful as a girl (with unusually fair features thanks to his half-Austrian heritage) Takami has always treated him like a beloved little sister. When it becomes clear that Akira–now grown into an extremely attractive and confident young man–has feelings for Takami, she is forced to recognize that he is not her “sister” after all. Though Akira’s confession makes Takami feel happy, she is not yet sure how she really feels about him so, they continue on as friends for quite some time. The more time Takami spends with Akira, however–now with her eyes wide open–the more she begins to recognize his true worth, though it takes the appearance of a few determined rivals to help her finally understand her own feelings.

…

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Filed Under: MANGA REVIEWS Tagged With: manga, venus capriccio

Cat Paradise, Vol. 1

July 16, 2009 by Katherine Dacey

When I was applying to college, my guidance counselor encouraged me to make a list of amenities that my dream school would have — say, a first-class orchestra or a bucolic New England setting. It never occurred to me to add “pet-friendly dormitories” to that list, but reading Yuji Iwahara’s Cat Paradise makes me wish I’d been a little more imaginative in my thinking. The students at Matabi Academy, you see, are allowed to have cats in the dorms, a nice perk that has a rather sinister rationale: cats play a vital role in defending the school against Kaen, a powerful demon who’s been sealed beneath its library for a century.

Yumi Hayakawa, the series’ plucky heroine, is blissfully unaware of Kaen’s existence when she and her beloved pet Kansuke enroll at Matabi Academy. Within hours of their arrival, however, they find themselves face-to-face with a blood-thirsty demon who describes himself as “the right knee” of Kaen. (N.B. He’s a lot more badass than “right knee” might suggest, and has a coat of human skulls to prove it.) The ensuing battle reveals that the school’s six-member student council is, in fact, comprised of magically-enhanced warriors who fight in concert with their pets. Each Guardian has a different ability; some possess super-strength, while others transform their cats into powerful weapons. Though prophecy foretold only six “fighting pairs,” Yumi and Kansuke quickly discover that they, too, have similar powers that obligate them to fight alongside the Guardians. Iwahara hasn’t explained why the prophecy proved wrong — a cloudy crystal ball, perhaps? — but it’s a safe bet that Yumi and Kansuke will have a special role to play in the impending showdown with Kaen, who has yet to materialize.

Though the plot sounds like an amalgam of manga cliches, Cat Paradise proves fun and fresh, thanks to Iwahara’s rich imagination and wicked sense of humor. The Guardians’ powers are handled in a particularly droll fashion: each student’s ability is based on his best talent, whether that be great physical speed or the ability to make a mean dumpling. The scenes in which Yumi and the other Guardians unleash their powers are both hilarious and horrifying, as Iwahara pokes fun at fighting-pair manga (e.g. Loveless) while punctuating the action with scary, visceral images (e.g. the demon’s coat). Iwahara also milks the talking animal concept for all its humorous potential, giving each Guardian’s cat a distinctive voice. The jokes are predictable but amusing; Kansuke speaks for many cats when he voices disdain for sweaters.

At first glance, Iwahara’s artwork looks a lot like other manga-ka’s. His cast is filled with familiar types, from the bishonen who’s so pretty people mistake him for a girl to the steely female fighter who looks older and more worldly than her peers. Yet a closer inspection of Iwahara’s drawing reveals a much higher level of craftsmanship that his generic character designs might suggest; he’s a consummate draftsman, favoring intricate linework over screentone to create volume and depth. (Even his character designs are more distinctive than they initially appear, as each human’s face contains a subtle echo of his cat’s.) The story’s good-vs-evil theme is neatly underscored by Iwahara’s use of white spaces and bold, black patches to create strong visual contrast and menacing shadows.

I’d be the first to admit that Cat Paradise defies easy classification. Is it a parody? A horror story? A plea for greater human-cat understanding? Or just a goof on Iwahara’s part, as his afterword suggests? No matter. Iwahara demonstrates that he can make almost any story work, no matter how ridiculous the premise may be. The proof is in the pudding: you don’t need to have a special fondness for cats, manga about cats, or manga about teen demon fighters to enjoy Cat Paradise, just a good sense of humor and a good imagination.

CAT PARADISE, VOL. 1 • BY YUJI IWAHARA • YEN PRESS • 192 pp. • RATING: OLDER TEEN

Filed Under: Manga, Manga Critic, REVIEWS Tagged With: Animals, Cats, Horror/Supernatural, yen press

Cat Paradise, Vol. 1

July 16, 2009 by Katherine Dacey

catparadise_1When I was applying to college, my guidance counselor encouraged me to compose a list of amenities that my dream school would have — say, a first-class orchestra or a bucolic New England setting. It never occurred to me to add “pet-friendly dormitories” to that list, but reading Yuji Iwahara’s Cat Paradise makes me wish I’d been a little more imaginative in my thinking. The students at Matabi Academy, you see, are allowed to have cats in the dorms, a nice perk that has a rather sinister rationale: cats play a vital role in defending the school against Kaen, a powerful demon who’s been sealed beneath its library for a century.

Yumi Hayakawa, the series’ plucky heroine, is blissfully unaware of Kaen’s existence when she and her beloved pet Kansuke enroll at Matabi Academy. Within hours of their arrival, however, they find themselves face-to-face with a blood-thirsty demon who describes himself as “the right knee” of Kaen. (N.B. He’s a lot more badass than “right knee” might suggest, and has a coat of human skulls to prove it.) The ensuing battle reveals that the school’s six-member student council is, in fact, comprised of magically-enhanced warriors who fight in concert with their pets. Each Guardian has a different ability; some possess super-strength, while others transform their cats into powerful weapons. Though prophecy foretold only six “fighting pairs,” Yumi and Kansuke quickly discover that they, too, have similar powers that obligate them to fight alongside the Guardians. Iwahara hasn’t explained why the prophecy proved wrong — a cloudy crystal ball, perhaps? — but it’s a safe bet that Yumi and Kansuke will have a special role to play in the impending showdown with Kaen, who has yet to materialize.

…

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Filed Under: Manga Critic Tagged With: Animals, Shonen, yen press

Twilight Comic… For The Win?

July 15, 2009 by MJ 20 Comments

The big news in the manga blogosphere today is EW’s announcement about the upcoming Twilight graphic novel from Yen Press. Adapted by Korean artist Young Kim with Stephanie Meyer “reviewing every panel,” the character designs so far resemble manhwa versions of the film actors without the over-the-top movie-star perfection. Though comments on the EW article online are mixed, this announcement is undoubtedly a cause for many fans of the book to rejoice over yet another means by which to experience the source material.

For manga/manhwa fans… maybe not so much. …

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Filed Under: FEATURES Tagged With: manga, manhwa, twilight, yen press

84, Charing Cross Road by Helene Hanff: B+

July 15, 2009 by Michelle Smith

84charingFrom the back cover:
This charming classic, first published in 1970, brings together twenty years of correspondence between Helene Hanff, a freelance writer living in New York City, and a used-book dealer in London. Through the years, though never meeting and separated both geographically and culturally, they share a winsome, sentimental friendship based on their common love for books. Their relationship, captured so acutely in these letters, is one that will grab your heart and not let go.

Review:
As promised, 84, Charing Cross Road is indeed a completely charming collection of letters, selected from twenty years’ worth of correspondence between Helene Hanff and Frank Doel. It all begins in October 1949, when Helene writes to Marks and Co., Booksellers—located in London—to inquire whether some out-of-print items on her wishlist might be located. Her letter is answered by an employee who signs his replies “FPD.” While Helene is personable from the start, and definitely quirky, her correspondent takes some time to warm up. After she hears of the rationing going on in England, however, and arranges for a package of rare food items to be delivered to the shop (a practice she will continue for several years), he writes to thank her for her kindness and reveals that his name is Frank Doel.

Helene can sometimes come across as rude in her letters, though even complaints about delays or unsuitable editions typically have a postscript inquiring about what kind of eggs the staff at Marks and Co. would like her to send (fresh eggs being extremely hard to come by in the postwar years) or something along that line. Part of this can be attributed to her attempt to “puncture that proper British reserve,” and in time, the letters from England do grow quite warm and friendly. When Frank first addresses her as Helene, I actually got a bit verklempt! Eventually, she begins to correspond with Frank’s wife as well as a few other employees of the shop. Through the years, Helene is urged many times to come visit. Though she makes several attempts to save money, life always intervenes, in the form of dental bills, new home expenses, or a lack of work as a TV writer. At the time that the book was published (1970), she had not made it there yet.

I consumed this little volume—its brevity is my chief complaint!—in unabridged audio format. Many thanks to Erica Friedman who recommended this particular edition. What’s so lovely about it is that each letter writer has their own narrator. Helene is given voice by the talented Barbara Rosenblat and Frank by John Franklyn-Robbins, with many other notable Recorded Books regulars making an appearance. It’s lovely to hear the increasing affection in each voice and it makes one particularly amusing part—during which Frank is dismayed that a “thank you” letter for the latest package hasn’t been sent to Helene when in fact several people from the shop have surreptitiously written to her already—work even better than it would in written format.

For a period of correspondence spanning twenty years, 84, Charing Cross Road does seem to go by awfully fast. But if you’re looking for a cozy read one afternoon—or a cozy listen while you toil away at some harried task—then I definitely recommend it.

Filed Under: Books, Letters Tagged With: Helene Hanff

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