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The 2009 Manga Hall of Shame Inductees

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I’m pleased to report that 2009 yielded fewer jaw-droppingly bad manga in the vein of Eiken, J-Pop Idol, or Shiki Tsukai — surely the most confusing manga ever written about weather — though it wasn’t devoid of clunkers. Below are my top five nominees for Worst Manga of 2009. Some earned demerits for lousy art or writing; others for gross sexism; and others for insulting my intelligence as a reader. Keep in mind that while I try to read widely, there are definitely titles I’ve missed or avoided — Tantric Stripfighter Trina, anyone? — so I encourage you to share you own nominees for The Manga Hall of Shame, as well as your reactions to this year’s dishonorees.

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Roureville, Vols. 1-3

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Roureville, Vols. 1-3
By E. Hae
Published by NETCOMICS

roureville
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Evan Pryce is a an acclaimed reporter for the New York Times, whose most recent story has earned him a spot on a terrorist hit list. When coworkers at the Times make it clear they want him out of the vicinity until things cool down, he is shipped off to the middle of nowhere to investigate a tabloid-esque ghost story tip, very much against his will. Having spent ten days searching vainly for an off-the-map town called Roureville, Evan is about to throw in the towel when luck appears suddenly in the form of a flustered priest who unintentionally leads him straight into the town. Though the ghost story appears to be unfounded, Roureville is fishy from the start and after Evan manages to score a place to stay with a quiet young local named Jayce, the townspeople make it very clear that they wish for him to leave, enough even to resort to attempted murder. As the series continues, Evan becomes closer both to his reticent host and to the town’s carefully protected secret, ultimately discovering that he shares more in common with them than he ever would have suspected.

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Manhwa Monday: Ghostly Holidays

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TimeAgainv1Last week could be considered a slow one in the realm of manhwa reviews, but what was there was well worth reading, making my choice for today’s feature quite difficult! In the end, I went with Joy Kim’s review of ghost story series Time and Again from Yen Press.

Though Joy admits that the first volume stumbles a bit, she still finds it to be, “… one of the most promising series openers that I’ve seen in a long while.” The series’ strength, in her view, is the two leads. “Though Baek-On and Ho-Yeon are very peripheral in some of the chapters … they are easily one of the best things about the book … The odd couple humor works, and there’s just enough mystery about their pasts to pique readers’ interest.” …

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Bamboo Blade, Volume 2

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Guest Review: Bamboo Blade, Vol. 2
By Masahiro Totsuka and Aguri Igarashi
Published by Yen Press

Review by Megan M.

bambooblade2
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Kojiro is his school’s kendo coach and is always broke and hungry. When his senpai, the coach of a rival school, bets him a year’s worth of free sushi that Kojiro’s girls’ kendo team can’t beat his, Kojiro can’t resist. The only problem is that despite his recent acquisition of Tama, the daughter of a dojo, he only has four girls on his team, one less than what’s required. That’s assuming that his other new member, Miya, can work through her behavioral issues, and that the elusive member, Saya, can actually be tracked down and make it to practice. Meanwhile, Saya and Miya (neither of whom realize the other is a teammate) become enemies when Saya scolds Miya for smoking on school property.

Not having read the first volume, I’m uncertain as to whether the bet is the central plot of the series or simply a prominent subplot. I had heard of “Bamboo Blade” but been leery of it, as the description painted a picture of a school-based shonen series with a pervy teacher and a lot of fanservice, though I was curious enough about the subject of a girls’ kendo team to give it a try. Thankfully, my suspicions appear to have been wholly unfounded, as this volume is extremely clean and the closest thing Kojiro comes to having wrong thoughts about his students is to bemoan the fact that they don’t trust him with money. Actually, despite his engaging in underhanded plots to address the problem of not having enough team members, he may function better as a coach than most teachers in manga.

The book is genuinely funny and its characters engaging. Of the characters, my favorites are Saya, who is obsessively driven to find her true calling in life, and the much more laid back (almost spacey) Kirino. The two obviously appear to be best friends. Thankfully, Kojiro and his students aren’t portrayed positively at the expense of making their rivals evil or cruel and both teams and coaches are presented as humorous and engaging, with plenty of focus on the friendships between teammates. The art is a bit cartoonish and the designs are nothing new, but it’s functional and the characters are easy to distinguish. More importantly, the action is very easy to follow, something that’s important in a series that focuses on the mechanics of a sport.

I wasn’t sure what to expect with this one, given my suspicions regarding the premise, but I ended up enjoying it far more than I expected to, and am looking forward to reading more, especially as it appears that the next volume will focus even more on practice matches between the two teams.

Review copy provided by the publisher.

Natsume’s Book of Friends, Vol. 1

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Natsume’s Book of Friends
By Yuki Midorikawa
Published by Viz Media

natsume1
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Teenaged orphan Takashi Natsume has spent most of his life passed around from relative to relative, each anxious to be rid of him thanks to his habit of talking about things they can’t see. As it happens, Takashi is able to see spirits (yokai), an ability he inherited from his grandmother, Reiko. He also inherited the innocuously named “Book of Friends,” a book Reiko used to write down the names of yokai, effectively enslaving them to her every command. Now living with distant relatives near the home where his grandmother grew up, Takashi begins to encounter the many yokai she bullied over the years. Desperate to claim the book for themselves, the yokai first appear simply as enemies, but as Takashi discovers what it is they’re really after (thanks to an uneasy alliance with a cat-shaped demon he accidentally frees from its protective ward) he becomes determined to give them back their names. Word spreads, and soon the yokai are seeking him out, most with the purpose of gaining their freedom, though not all are so benign.

This story is a pleasant surprise on all counts–art, characterization, storytelling–providing something much more charming than I would have gathered simply from its PR material. It possesses a sort of xxxHolic meets Mushishi vibe I’d hoped for (but never found) in Tokyopop’s Tactics, which is not to suggest that it lacks its own unique charms. This volume is charming from start to finish, thanks to Takashi (whose good heart shines even as he faces rejection from family and peers) and the spirits he meets along the way, ranging from downright adorable to genuinely frightening.

The chapters are fairly episodic, each introducing a new spirit who has come to retrieve his or her name from Reiko’s book. Some especially poignant stories include that of a yokai who spent his life in a shrine, worshiped by locals as a god, now reduced to the size of a tiny doll as his worshipers have dwindled to one. His devotion to the last old woman to continue to offer respects is unexpectedly touching. Another especially moving story is that of a spirit (once a swallow) who attaches herself to Takashi in hopes of catching a glimpse of a human who once comforted her years ago. It is Takashi’s own loneliness that allows him to understand the feelings of these yokai and it is through his experiences with them that he learns the value of connecting with others. “Man and beast…even yokai… they search for that connection,” he says to himself at the end of the volume. “I love their fervent striving.” An emerging subplot involving another student at Takashi’s school promises more through-story as the series continues, which is something I’ll definitely look forward to.

This series is touching and even solemn in its treatment of both humans and yokai, but not without humor. Takashi’s supernatural companion, for instance (whom he refers to as “Nyanko-sensei”) is not a warm, fuzzy yokai by any means and only stays with Takashi because he’s been promised the “Book of Friends” should Takashi die before returning all the names. Yet he spent so many years trapped in the form of a Lucky Cat that he has taken on the form himself, much to his dismay. Several of the story’s characters, in fact (such as a couple of trickster yokai who at one point insist on becoming Takashi’s entourage) exist mainly to provide comic relief, but what makes the humor really work in this series is that it is never there purely for its own sake.

Yuki Midorikawa’s artwork is understated and perhaps nothing special, but she manages some beautiful imagery at just the right moments. There is a genuine feel to the story’s yokai, bringing a traditional sensibility into this modern story, much as the modern dress of Mushishi‘s Ginko does the reverse for its nineteenth-century setting. I particularly enjoy Midorikawa’s imaginative and intuitive panel layouts which are especially effective in terms of pacing.

Though many elements of its story are well-trodden territory in girls’ supernatural manga, Natsume’s Book of Friends brings a quiet thoughtfulness to the genre more characteristic of adult series like Mushishi or delicate shojo romances such as We Were There. An unexpected treasure among recent Shojo Beat titles, Natsume’s Book of Friends is definitely a series to keep an eye on.

Review copy provided by the publisher.

Fairy Tail 8-9 by Hiro Mashima: B

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fairytail8The battle between Fairy Tail and rival guild Phantom Lord rages on. Two of Phantom Lord’s elite group, Element 4, have been defeated, but Gray must finish off his opponent (Juvia, a lovelorn lady possessed of rain magic) while a wounded Erza summons the strength to achieve a victory of her own. Though they’ve foiled part of Phantom Lord’s plans, however, Lucy still ends up getting kidnapped by Gajeel, the Dragon Slayer of Phantom Lord.

After some encouragement from Erza, Natsu heads to Lucy’s rescue and several chapters of fighting between he and Gajeel ensue. Unfortunately, I didn’t find these very fun to read, since there seemed to be more speedlines than usual and sometimes the action was confusing. Also, there was an unnecessary pervy spectator who kept commenting on Lucy’s undies whenever the latest explosion of battle happened to toss her about.

While this is going on, the headquarters of both Fairy Tail and Phantom Lord are destroyed, at which point the Fairy Tail guildmaster, Makarov, recovers his powers and proceeds to be a great badass. A subsequent investigation by the Magic Council finds Fairy Tail innocent in the affair, but Lucy feels responsible (it was, after all, her wealthy father who hired Phantom Lord to retrieve her in the first place), so she heads home. I really like how this chapter plays out; I was all set for a tiresome and angsty, “Oh no, it’s my fault. You’ll all be better off without me” story where her friends have to show up and convince her that she’s worthy. Instead, Lucy goes home simply to tell her dad that if he pulls anything like that again, he’ll have made an enemy of her and Fairy Tail, which is like her second family and, so far, much better than her first one.

fairytail9Upon her return, Lucy, Natsu, Gray, and Erza officially become a team and handle a couple of episodic missions without straying too far from home. I really like that most of the focus these two volumes has been on Fairy Tail itself, which has presented many opportunities to introduce or flesh out other members of the guild. The latest character to merit that treatment is ladies’ man Loke, who has a rather surprising backstory and needs Lucy’s help in order to continue to survive. Help that she, I might add, very competently provides (although it is managed a little too easily, I thought). Even though Mashima continues to use Lucy’s appearance for fanservice, he is, at least, allowing her to grow in confidence and general usefulness as the story progresses. At first, it was inconceivable that she could be an equal member of a team with powerhouses like Natsu, Gray, and Erza, but now it doesn’t seem so unlikely at all.

Although it has its ups and downs, Fairy Tail continues to offer a fun escapist story that works on a few levels; if you aren’t thrilled by the requisite shounen battles, then perhaps Lucy’s impassioned speech about finally finding acceptance will be more your cup of tea. Or maybe it’ll be the giant cow-man. Who knows?

Review copy for volume nine provided by the publisher.

Holiday Special Round-Up!

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antbake‘Tis the season for holiday sales and manga is no exception! Since it would be a shame for anyone to miss out on the fairly fabulous deals I’ve seen floating around over the past week, I thought I’d gather some links all in one place along with a few recommendations. These are the sales I know about, featuring titles from Viz Media, Yen Press, Aurora Publishing, and Digital Manga Publishing. If there are any I’ve missed, please drop me a comment!

Viz Media: Buy 3 manga, get 1 free on all manga priced at $9.99 or less at the Viz Store. Truthfully, the selection is pretty limited, but there are good deals to be found on popular titles like selected volumes of Naruto and Vampire Knight. Here are a few recommendations from me:…

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Beast Master 1 by Kyousuke Motomi: B+

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beastmaster1From the back cover:
Leo Aoi looks like a crazy animal with wild eyes—and no one at his new high school will go near him! He does seem to have a special connection with animals, though, which intrigues overzealous animal lover Yuiko Kubozuka. In reality, Leo isn’t as frightening as he appears, but Yuiko finds out that he goes berserk whenever he sees blood! Will Yuiko be able to get through to Leo during these violent fits? Or will Leo’s ferocious side eventually devour her?

Review:
I initially didn’t expect much from Beast Master but, like other reviewers before me, I found it to be surprisingly adorable.

It’s the story of an enthusiastic animal lover named Yuiko Kubozuka whose attempts to hug and squeeze various furry friends all end in disaster. One rainy day, after her attentions have driven her pet cat up a tree, a bloodstained boy with wild eyes rescues the kitty then runs off. As always happens in shoujo manga, the boy, named Leo Aoi, turns up as a transfer student in her class the next day. The other students are all frightened of him, save Yuiko, and when some thugs arrive to seek retribution for a fight in which Leo thrashed several of their compatriots, it’s Yuiko who explains his circumstances and, with her natural ability to get along with anyone, handily converts the main thug, referred to simply as “Boss,” into a recurring ally and resource. She’s less successful in deflecting the violent intentions of another gang, though, and Leo ends up going into a berserker mode and nearly biting a classmate until Yuiko soothes him.

What follows from there is a series of chapters in which Yuiko is threatened and Leo’s bloodlust is triggered. Simultaneously, she uses her social skills to introduce him to others and show that he’s not really a bad guy, despite what his appearance may indicate. What makes this different than other series in which “heroine requires rescue” is a common theme is that sometimes Yuiko is able to take down the suspicious person herself, even if that person is actually Leo’s guardian, Toki. Sometimes, unfortunately, she’s a liiiiitle stupid, like when she decides that she’s capable of calming a violent stray dog despite much evidence to the contrary and a sincere warning from Leo. I found this lapse in reasoning especially disappointing, because up until then Yuiko had seemed competent and quick-thinking.

Leo himself is completely endearing, much more like a kitten than a wild beast and transparently overjoyed to have met a kind person who isn’t afraid of him. His plight actually reminds me a lot of Sawako from Kimi ni Todoke: he looks frightening until he smiles, at which point he’s utterly transformed. In fact, Leo in chibi mode bears a striking resemblance to Sawako in the same state; is this a case of long-lost manga siblings?! My very favorite moment in the volume comes in a rooftop scene when Leo, wanting to cheer up a depressed Yuiko, puts his arms around her so that birds will land on her like she’s always wanted. It’s very, very sweet.

Overall, Beast Master is adorable and, though it employs a few shoujo clichés, unique. It’s not quite a romance yet, but I have no doubt that the second and final volume will take care of that!

Review copy provided by the publisher.

We Were There, Vol. 8

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By Yuki Obata
Viz, 200 pp.
Rating: T+ (Older Teen)

As Yano’s mother prepares for her move to Tokyo, it becomes painfully clear that her financial plans are far from sound, forcing Yano to confront the possibility of leaving Nana behind to join her, something he swore he’d never do. Meanwhile, with things still shaky between Yano and Nana, Takeuchi’s sister urges him to take advantage of the situation, but, unwilling to be a consolation prize, Takeuchi instead confronts Nana to let her know what’s going on, in hopes she’ll convince Yano to stay. Though the news shocks Nana out of her most recent bout of insecurity, she is determined to support him regardless of whether he stays or goes and tells him so, a declaration she ultimately regrets.

Though it’s quite a relief to see Nana finally released from the excruciating indecision that has plagued her for several volumes, it is decision that ends up hurting her most, regardless of whether she’s doing the right thing. One of this series’ greatest strengths, of course, is its refusal to pretend that there is a “right thing,” regardless of established romantic conventions. Obata’s characters make grand declarations in one breath and waffle in the next, ringing more true in their inconsistency than a hundred shojo heroines “doing their best.” Even as the story falls into familiar scenarios of rivalry and forced partings, it does so with a level of nuance so rarely brought to this type of manga that it manages to feel genuinely fresh, even in its most dramatic moments.

Even eight volumes in, this series has lost none of the emotional ambiguity that has characterized it since the beginning, while gaining a romantic momentum that has only enhanced its likability, at least for this reviewer. Its depth and poignancy, matched by very few titles in the current lineup of translated shojo (only Sand Chronicles immediately springs to mind), should be more than enough to place We Were There at the top of anyone’s must-read list.

Review copy provided by the publisher. Review originally published at PopCultureShock.

Crimson Hero 12 by Mitsuba Takanashi: B

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crimsonhero12From the back cover:
With one of their ace players injured, Nobara and the Crimson Field girls must fight harder than ever. Their challenge is the Newcomers’ Tournament, and their performance in this venue will determine just how far the team can go. But Nobara’s distracted when she learns that one of her not-so-secret admirers seeks to crush Yushin and destroy the boys’ team!

Review:
The girls’ team has done fairly well in the Newcomers’ Tournament, but losing Tomo to injury means they’ve got to hurriedly train a stand-in just to have the minimum number of members required to play. Meanwhile, when Nobara is injured during one of those “locked in the gym storage room” scenes followed by a “creepy stalker tries to corrupt me but I’m protected by my virtuous true love” rescue, this puts them at enough of a disadvantage that they end up finishing in 13th place, though they’re not entirely out of the running as far as their dream of reaching the Spring Tournament goes.

Despite the fact that the finals round of a tournament is underway, most of the volume actually centers on the love triangle of the series. Haibuki’s solicitude after Nobara’s incident with the stalkery guy makes her feel even more guilty for not telling him about her proto-relationship with Yushin, and she begins to think it wouldn’t be so bad if he knew. Yushin decides to handle things himself and, after the boys win their tournament and Haibuki both compliments Yushin on his captainship and the team on their general awesomeness, Yushin judges that the time is right.

I’ve never really liked Haibuki much, but the way he reacts to this news makes me want to smack him. I mean, nobody would react well to finding out they’ve been duped for months, but he plays the role of the wounded party to the hilt, moving out of the dorm in a huff and considering an offer to transfer to another school. I would’ve been more sympathetic, perhaps, if Takanashi-sensei hadn’t depicted him so woodenly during crucial scenes; an opportunity to really make us feel the horrible pain of betrayal was squandered there. Still, even had she done a better job, I still would’ve ended up hating him for immediately ringing up Tomo, whom he knows still has feelings for him. Don’t mess with her heart, you ass! I could get behind the storytelling decision to transition Haibuki into more of a villainous role, but I have a feeling we’re supposed to believe his actions are the result of profound heartbreak and not simply self-pity.

Crimson Hero may not be the best Shojo Beat has to offer, but I do still like it enough to want to follow the story, even if I can’t really get invested in the romantic plotline. I think I’d like it more if it were simply about Nobara and Yushin trying to strike a balance between loving each other and simultaneously pursuing their goals of volleyball greatness. If I’m lucky, Haibuki really will transfer out and leave the two of them alone, but I don’t think that’s very likely.

Review copy provided by the publisher.