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Memories of the Future 1 by Wil Wheaton: B

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memfuture1From the back cover:
The away team returns from the planet with some very good news: it’s clean, it’s beautiful, it’s populated with friendly humanoids… and they really like to do the nasty.

“At the drop of a hat,” according to Geordi.

“Any hat,” Tasha says knowingly.

Picard sends a second, larger team down to the planet to see exactly how many hats they’re going to need.

From “Encounter at Farpoint” to “Datalore,” relive the first half of Star Trek: The Next Generation‘s unintentionally hilarious first season through the eyes, ears, and memories of cast member and fan, Wil Wheaton (Wesley Crusher) as he shares his unique perspective in the episode guide you didn’t even know you were dying to read.

Review:
I came a little late to Star Trek: The Next Generation. I don’t come from a family of Trekkies and didn’t know anyone who watched the original show, so I was not glued to my set for TNG‘s 1987 debut (like I’d later be for Deep Space Nine‘s). Instead, I got into it in 1992, when my brother was watching the episodes in syndication every afternoon and hanging TNG action figures (still in the package, of course) on his walls. I began watching with him and was soon hooked, acquiring Larry Nemecek’s The Star Trek: The Next Generation Companion so that I could read all about the making of the episodes and keep track of the ones I’d seen. (Side note: I still haven’t seen 1.5 of them, but I kind of like it that way. It makes it seem like it’s not quite over.)

Although I eventually came to prefer DS9, TNG still holds a place in my heart. Like many people, I never did much care for the character of Wesley Crusher, but when I spotted Wil Wheaton’s episode reviews on TV Squad, I did read a few of them. In his introduction to Memories of the Future, Wheaton explains how the site lost a chunk of its funding and, therefore, the ability to pay him, but that he wanted to at least complete reviews for the first season, and so this book was born.

If you’re looking for a tawdry tell-all book, you’re not going to find it here. Wheaton doesn’t talk specifically about his castmates much, but when he does, he has nothing but positive things to say about them. Instead, his vitriol is reserved for the writers; he critiques the way various characters are written (Wesley, primarily, but also Worf and Troi, who are particularly one-dimensional during the first season) and points out many logic flaws and other problems with episode construction. I found his arguments to be compelling—especially how, contrary to many fans’ beliefs, Wheaton himself was in no way responsible for Wesley’s tendencies to save the day and be smug about it—and insightful.

There’s a chapter for each episode including a synopsis, quotable dialogue, obligatory technobabble, behind-the-scenes memory, bottom line, and final grade. The synopses are very snarky, though occasionally he’ll break from that mold to praise a particularly nice piece of acting. Many, many pop culture references abound—Strong Bad, Pulp Fiction, Animal Farm, et cetera—which is okay when I get them but rather annoying when I don’t. I have a feeling I was supposed to find some of the snark funny, but I never did, though I think there was a pretty clever/esoteric shabu shabu joke in there.

Memories of the Future is published by Monolith Press, which was founded by Wheaton “on the idea that publication should not be limited by opportunity.” I’m not sure, therefore, whether anyone else ever read and edited the book before its release. There are a few instances where an incorrect but not misspelled word is used—“marshal arts” or “when Picard apologies or something”—and a lot of inconsistency in the treatment of words that come after colons (don’t capitalize them unless they’re proper nouns!). Also, the header for each episode is accompanied by some grey bars with a lot of random numbers on them. I could never figure out whether they have any significance; perhaps they’re supposed to look like an Enterprise computer display or something? In any case, some tighter editorial controls would’ve provided a bit more polish.

(Update: After realizing that the numbers never go above 26, I tried my hand at cryptanalysis. All I could figure out is that the letters for the Introduction spell “Wesley.” Beyond that, it’s either gibberish or a code too complex for a lazy person like me to bother with.)

Ultimately, while I had some complaints I still wished I had volume two immediately on hand after finishing this one and I wish, too, that Wheaton will continue beyond the first season. While he is occasionally (and rightly) critical of some aspects of the show, his perspective is undeniably interesting and, above all, affectionate.

Additional reviews of the first volume of Memories of the Future can be found at Triple Take.

Vampire Knight, Volume 8

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Guest Review: Vampire Knight, Vol. 8
By Matsuri Hino
Published by Viz Media

Review by Megan M.

vampireknight8
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Cross Academy is divided into two groups of students: the Day Class, made up of seemingly normal high school students, and the Night Class, whose members are actually vampires. Protecting the human students from the vampires are Yuki Cross (the headmaster’s foster daughter) and her childhood friend, Zero Kiryu. Yuki has always had a strange relationship with the head of the Night Class, Kaname, on whom she must rely to explain the mysteries of her past. Fortunately for Yuki, circumstances have reached a point where Kaname has no other choice but to do so.

I read the first three volumes of this series when they first came out in the U.S., but eventually dropped it. While I found the main plotline interesting and liked Yuki and Zero, I found Kaname to be extremely creepy and his relationship with Yuki even more so. The real deal breaker for me, however, was that the entire cast (excepting Zero) behaved as if Yuki was one of Kaname’s personal possessions. Having now read this volume, there is virtually nothing I can say on this topic that would not be considered a major spoiler, but suffice it to say that the story itself now appears to support this view of Yuki. Not only has Kaname been firmly established as a love interest, but we also learn that Yuki was literally created purely for the purpose of being Kaname’s bride. There are other plot elements that briefly appear–the mythology of the vampire hunters and the dangers of twin hunters, for instance–but these items are clearly secondary.

In addition to giving life to the creepiest implications of the story’s core premise, the overall quality of the series seems to have declined. In early volumes, I recall that Yuki had quite a bit to do. In this volume, she literally does nothing but run around in a nightgown. In addition, Zero does nothing but point his gun and angst. Only Kaname has anything of real substance on his plate, which unfortunately consists of obsessing over Yuki and seeking revenge. Had I not read previous volumes, I would wonder if Hino’s characters were capable of anything but angst (alternately tragic and angry), aside from some supporting characters, whose range extends to ominous, mysterious, and tragic.

The series’ art has also suffered a serious decline. In the past, I’ve found Matsuri Hino’s art to be too cluttered for my taste–more focused on looking pretty than storytelling–but her designs and backgrounds were interesting and appealing, and her art very detailed. Unfortunately, she has degenerated to substituting backgrounds with white space or hazy textures and her characters have become so generic that they are difficult to tell apart except by hairstyle.

I decided to give Vampire Knight another try thanks to a growing fondness for other gothic shojo titles over the last two years. Unfortunately, whatever it is that CLAMP, Higuri You and Kaori Yuki have, Matsuri Hino doesn’t.

Review copy provided by the publisher.

Serenity 2: Better Days by Whedon, Matthews, and Conrad: B

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serenity2From the back cover:
When the Serenity crew uncovers a heaping pile of cash—marking their first successful heist—they divulge their most outlandish fantasies, and look forward to a little R&R in a tropical paradise. Unfortunately for these space cowboys, someone is hot on their heels in search of a prize more precious than money.

Joss Whedon, creator of Buffy the Vampire Slayer, joins Brett Matthews and Will Conrad—the team that brought you the smash hit Serenity: Those Left Behind—with a new chapter in the lives of Malcolm Reynolds and his roving band of space brigands in Better Days.

Review:
While Serenity: Better Days is the second comic miniseries based on the TV show Firefly to be released, I am not sure whether its events take place chronologically after the end of the show or not. The one thing that would help establish its place in the timeline—Inara’s decision to depart the ship—is not mentioned at all, nor is any reference made to Shepherd Book’s wish to leave (first stated by him in Serenity: Those Left Behind). While the story works just fine without knowing when it happens, this still bugs me a little bit.

The plot of Better Days is extremely simple. For once, things go well and the crew of Serenity is suddenly rich. Several members share the way they plan to spend their money in scenes that nicely capture the warm, family-like times the crew occasionally shares. Meanwhile, the Alliance is looking for Mal (when are they not?), though this guy is special in that he’s one of Inara’s clients, and a builder whose drone Mal stole is out for revenge. I must admit that this peril did not interest me very much, though I’m used to looking past occasionally lame plots in Whedon shows in favor of character interaction. The best character goodness happens here between Inara and Mal, especially in their final scene together, though there’s also some nice continuity between Wash and Zoe as well as an intriguing tidbit regarding Inara and Simon.

Will Conrad is back as the artist for this miniseries, and seems to have a little better feel for the characters now. The likenesses are more consistent and Inara is vastly improved, finally meriting some impressively realistic close-ups of her own. Although a new cover was created for this trade paperback, the original covers of the three comic issues—forming a triptych that depicts the crew lounging atop sacks of money—are reproduced within.

I have now read all of the Firefly-inspired comics currently in existence and enjoyed them a good bit. Any time Dark Horse would like to make more, I’ll be happy to give them my money.

Sayonara, Zetsubou-Sensei, Vol. 4

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zetsubou4By Koji Kumeta
Del Rey, 192 pp.
Rating: OT (16+)

Suicidal schoolteacher Nozomu Itoshiki (Zetsubou-sensei) and his students are back, with a satirical take on such topics as Christmas, leftovers, societal hierarchies, cooling-off periods, second opinions, and how to deal with dead space. Even exam students are taken to task in this volume, as Zetsubou-sensei despairs over their ability to get away with nearly anything–a privilege he attempts to recapture for himself by engaging in a series of increasingly ridiculous certification programs. Easily passing tests for certifications in flower arrangement and animal breeding (and scraping by in subjects like “love”), he finds himself ultimately unqualified for either “life” or “death” (a certification that requires numerous sub-licenses, such as “writing a suicide note” and “how to leave your shoes”), leaving him trapped ever further in despair.

Since this series has been dismissed by some as relying too heavily on inside jokes and obscure cultural references to be effective with North American readers, it is important to note that volume four is easily the most accessible in the series so far, requiring very few trips to the translator’s notes provided in the back (and virtually none for readers familiar with Japanese manzai characters—the only cultural reference in this volume absolutely required for the understanding of an entire chapter). Smooth reading facilitates smooth comedy, making this volume more universally hilarious than its predecessors as well. For those who have loved this series from the beginning, volume four is yet another fabulous treat provided by tireless translator/adapter Joyce Aurino and the folks at Del Rey Manga. For those who have yet to warm to the series’ charms, perhaps this is the place to start.

Review copy provided by the publisher. Review originally published at PopCultureShock.

Ciao Ciao Bambino by Momoko Tenzen: B

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ciaociaobambinoI think I must be a Momoko Tenzen fan, because this is the second time I’ve been impressed by her ability to create compelling characters in a short story format (the first being Unsophisticated and Rude). Not only that, she’s able to write stories about romance between middle schoolers and teachers that aren’t completely icky (only mildly icky).

There are five stories in this volume, though the first four focus on the same set of characters: Kaname, a lecturer at a cram school; Yuuta, Kaname’s student, seven years his junior; and Kei and Mako, friends of Yuuta’s who have feelings for each other. What I liked about these stories is that Kaname and Yuuta take several years to get to a point where love is openly discussed, and although Yuuta is still too young (in my opinion) when they finally sleep together, his character is developed enough that it’s clear he’s not being taken advantage of by an adult in position of authority.

The fifth story, “Brand New Wednesday,” is about a tall kid named Kana—and seriously, both he and Yuuta must attend one of the junior highs from Prince of Tennis, because they’re far bigger than any ninth graders I’ve known—who is in love with his home tutor. I found the tutor’s perspective especially poignant here, as he realizes how fragile a love like this can be when the younger person has so much changing left to do in their life.

I admit to feeling a little guilty that I liked these stories as much as I did, given their subject matter, but Tenzen’s approach is not salacious whatsoever. If you can get past the squick factor, these stories do offer some truly touching moments.

Review copy provided by the publisher. Review originally published at Manga Recon.

Special Edition: Favorite Manhwa of 2009!

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goong7Welcome to a special year-end edition of Manhwa Monday! With “best of” lists popping up all over the manga blogosphere, I thought it might be fun to put together a manhwa-specific list of favorites for the year. Then when Michelle Smith expressed dismay over the lack of a manhwa category in this year’s Manga Recon round-up, it seemed like a perfect opportunity to invite some other bloggers along! So I asked a few of my favorite manga bloggers, Michelle Smith (Soliloquy in Blue, Manga Recon), Danielle Leigh (Comics Should Be Good), and Connie C. (Slightly Biased Manga) to talk about up to five of their favorite series for the year, with one special mention, one special discussion topic, and a few words about what they’d like to see in 2010. To see what they came up with (and how we broke the rules), read on!…

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Serenity 1: Those Left Behind by Whedon, Matthews, and Conrad: B+

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serenity1From the back cover:
Here’s how it is—in a universe filled with hearts and minds as cold and dark as the reaches of space, one small Firefly-class starship named Serenity takes its ragtag crew of mercenaries, outlaws, and fugitives in search of a job, any job, that’ll earn them enough cash to afford that most elusive commodity—peace.

Joss Whedon, creator of Buffy the Vampire Slayer, unveils a previously unknown chapter in the lives of his favorite band of space brigands in this prequel to the Serenity feature film—the blockbuster follow-up to Whedon’s cult-hit TV show, Firefly.

Review:
Serenity: Those Left Behind takes place shortly after the final episode of Firefly, “Objects in Space.” Inara has not left yet; while the ship is en route to her destination, they’re taking jobs along the way and though Mal proclaims this is necessary it’s Wash, who’s well acquainted with doing stupid things (like working a dangerous job when he could make a cushy living) to remain near the woman he loves, who realizes that he’s just trying to keep her around a while longer.

After one such job, a bank heist, goes poorly, the crew is offered another job by Badger: to retrieve a stash of cash left at the scene of one of the bloodiest battles in the war. Meanwhile, Dobson (the federal agent who appeared in the first episode of the series) is teaming up with the hands-of-blue fellows to track them down. It’s unclear whether Badger is in on this or not, but it all boils down to an ambush in a field of spaceship debris, no payoff, and Dobson’s death. Too, in the final page, we seem to be witnessing the moment that the Operative (from the feature film) receives the assignment to bring in River. Another important thing that happens here is that Book decides he needs to leave the ship. He’s an active participant in helping the crew escape at one point and later hits Mal, something that the Captain is ready to forgive but which Book is not.

For the most part, Will Conrad’s art is decent. In some panels, the characters don’t look much like the actors who played them—Simon and Inara fare pretty poorly in this respect—but Conrad is an absolute ace at close-ups. There’ll be a page, for example, with a vaguely Kaylee-looking person in a few panels and then, once you zoom into her face, it’s “Oh, now she looks like Jewel Staite!” This happens with Mal a few times, too, and there are also a few outstanding close-ups of River. Different artists have also contributed some color portraits of members of the crew. Again, Simon and Inara get the short end of the stick—are their actors just too pretty to be drawn easily or well?—while Book (drawn by Tim Bradstreet), Jayne (Brian Hitch), and Wash (Sean Phillips) look fabulous! Honorable mention goes to Jo Chen’s Kaylee who, while she doesn’t really look like Jewel Staite, is positively adorable.

All in all, while this isn’t as good or as fulfilling as an episode of the show, it’s really great to see all of these characters again and fill in a little background for where we see them in the movie. Now on to the second comic miniseries, Better Days!

not simple by Natsume Ono: A

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notsimpleFrom the back cover:
A story within a story,
A book within a book,
A tale about the search for family,
For an emotional home.

Ian, a young man with a fractured family history, travels from Australia to England to America in the hope of realizing his dreams and reuniting with his beloved sister. His story unfolds backwards through the framing narrative of Jim, a reporter driven to capture Ian’s experiences in a novel: not simple.

Review:
I normally reserve my comments about a comic’s art for somewhere near the end of my review, but since the fact that Natsume Ono’s style deviates from the manga norm is glaringly obvious, I thought I’d address it first. Her art is spare and kind of squiggly, true, and yet it’s absolutely perfect, adding to rather than detracting from the narrative. I honestly cannot imagine this heartbreaking story being illustrated in any other way; to pair it with pretty art would be too wrong for words, so don’t let the lack of same be a deterrent.

If you, like me, have ever thought, “Why don’t more stories have sad endings?” then not simple is the manga for you. That’s not even a spoiler, really, since the structure of the story reveals the fate of Ian, the hapless protagonist, practically immediately. The book begins with a conversation between Jim, a writer, and Ian, in which Jim announces, “You’re going to be my next novel.” From there, a prologue depicts the end of Ian’s story, in which he is a drifter looking to keep a rendezvous with a woman he met years earlier, before shifting back in time to chronologically cover his life from childhood until the moment he leaves for the meeting.

The hardships and misfortunes of Ian’s existence are beyond many, and just when you think it couldn’t get worse, it does. Growing up in Australia as the child of a drunken mother and absentee father, he’s extremely close to his sister, Kylie. When Kylie is sent to prison for robbery—her means for funding a new life with Ian by her side—he’s left alone at home, and after his parents divorce, ends up living in London with his mother. Upon her release, Kylie finds him there and they have the briefest of brief reunions before she sends him back to Melbourne to be with his dad and promises that they’ll meet again once he achieves his dream.

Years pass. Ian has always loved running, and his dream is to break a certain runner’s record. He and Jim originally met when Jim was assigned to interview him, and they reconnect when Ian’s peculiarly jubilant response to placing fourth in a race attracts the notice of Jim’s editor. Ian, having achieved his goal, now feels free to seek out his sister. His search is long and disappointing, hindered by a series of terribly unlucky near-misses and a set of relatives that don’t care much about Kylie or Ian, let alone helping them achieve a reunion.

If this sounds like just about the most depressing story around, that isn’t far off the mark. And yet, it never strays into implausible territory. Ian is a likable guy—a strangely pure and innocent person who is, simultaneously, somewhat of an enigma—but the stresses of his life begin to take their toll and the final time he shows up at Jim’s place, after an absence of two years, the change is palpable. For years, he’s been matter-of-fact about the horrible things that have happened to him, but finally is so worn down that he’s become haggard and yearns only for the warm personal relationships that have been denied him. Jim’s an interesting observer, as well, ignoring his own family about as strenuously as Ian searches for his. If there’s anything I could complain about with not simple, it’s that we don’t learn more about Jim’s particular circumstances.

Depressing or not, not simple is masterfully told and completely unforgettable. If I had to sum it up in one word it would be this: haunting.

Review copy provided by the publisher.

Black-Winged Love by Tomoko Yamashita: A

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blackwingedloveAs in her excellent Dining Bar Akira, Tomoko Yamashita has created in Black-Winged Love a set of boys’ love stories focusing more on a universal aspect of human relationships rather than what goes on between guys in the bedroom. Each story relates in some way to the difficulties of communication, be it the crippling fear that keeps gay men from confessing their orientation or feelings to those they care about or the problem of convincing someone of your sincerity when sexual kinks keep getting in the way. By turns, these seven stories are amusing, disturbing, sexy, and heartbreaking.

My favorite in the amusing category is “It’s My Chocolate,” which is the story of a closeted gay man, Minori, who still lives at home because he feels a responsibility to help look after his many younger siblings. He’s gotten used to self-denial in order to keep the peace at home and feels that coming out to them would be impossible. The dam finally breaks and he blurts out all of his grievances in a heartfelt and thoroughly undignified manner, resulting in a wonderfully low-key response from his mother.

“A Villain’s Teeth” is an extremely interesting story with some disturbing elements, though they thankfully don’t dominate. The tale begins with daughter of a yakuza boss informing his long-time devotee, Yuikawa, that her father is dying of cancer. She’s convinced Yuikawa is in love with her father and encourages him to seize this final opportunity to let him know his feelings. Because of his laid-back demeanor, she can’t quite understand why Yuikawa has chosen the life of a thug, resulting in a marvelous panel in which Yuikawa replies, “Young lady, I am a thug.” His claim is proven a few pages later when he violently deals with an underling who’d thought to involve him in a plot against the ailing boss. It’s rather disconcerting to see graphic violence so casually perpetrated in a BL story, but definitely sets this story apart.

The title story offers the most complicated and fascinating relationship in the volume. “Black-Winged Love” involves a masochist named Futakami who has declared his love to a hot-headed coworker named Nakazu. Knowing Futakami’s special quirk, Nakazu doesn’t take the confession seriously and whenever he gets angry about it, Futakami starts swooning. In another’s hands, this situation might be played for comedy, but Yamashita approaches the problem seriously, getting inside Futakami’s head to show that he genuinely loves Nakazu, but that his fetishes—like a pair of black wings shielding his heart—keep getting in the way. I always love stories in which the obstacle keeping two people apart comes from within, and Futakami’s anguish at his own inability to express what he really feels is positively heartbreaking.

Artistically, Yamashita’s style continues to remind me of est em. Her men all look like men, with no weepy uke types in sight, though a few of them do greatly resemble characters in Dining Bar Akira. Most stories have no sexual content whatsoever, but when such moments do occur, they’re understated and brief. One special feature I really like is the gallery of deleted scenes that appears at the end of the book, including an epilogue of sorts to one of the stories.

The two BL works by Tomoko Yamashita currently available in English are some of the best the genre has to offer. I hope we see more of her other creations—including this josei title—in the near future!

Review copy provided by the publisher. Review originally published at Manga Recon.

The 2009 Manga Hall of Shame Inductees

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I’m pleased to report that 2009 yielded fewer jaw-droppingly bad manga in the vein of Eiken, J-Pop Idol, or Shiki Tsukai — surely the most confusing manga ever written about weather — though it wasn’t devoid of clunkers. Below are my top five nominees for Worst Manga of 2009. Some earned demerits for lousy art or writing; others for gross sexism; and others for insulting my intelligence as a reader. Keep in mind that while I try to read widely, there are definitely titles I’ve missed or avoided — Tantric Stripfighter Trina, anyone? — so I encourage you to share you own nominees for The Manga Hall of Shame, as well as your reactions to this year’s dishonorees.

pigbride5. Pig Bride
By Huh Kook-hwa • Yen Press
Si-Joon, scion of a powerful family, has a strange experience as a child: while lost in the woods, he accidentally becomes engaged to a girl cursed with a pig’s face. Mu-Jeon, she of porcine features, remains a hazy memory for Si-Joon until his sixteenth birthday, when she returns to claim him, demanding that they consummate their marriage right now. There’s just one problem: Si-Joon has his eye on Doe-Doe, a beauty who terrorizes her female classmates but makes nice with the boys. Lest Pig Bride sound like a wacky romantic comedy, let me say that there are few, if any, laffs to be found. The author’s contempt for women her female characters is palpable: the female characters girls are either hysterics (Mu-Jeon pursues Si-Joon with abandon, dignity or common sense be damned) or ice queens (Doe-Doe seems more interested in collecting hearts than actually being with anyone). The hyper-stylized art is similarly awful, with characters sporting grossly distended necks and chins so pointy that they’d made a razor bleed. I love manhwa as much as the next gal, but Pig Bride isn’t doing much for the cause of Korean comics in translation. (Text revised 12/24/09; see end of article for further commentary.)

zone00cvr_01.indd4. Zone-00
By Kiyo QJO • Tokyopop
Zone-00 is easily one of the most confusing and unappealing books I’ve read this year, a fever dream of decapitations, impalements, and half-naked bodies. The layout is dark and busy — overstuffed, really — looking more like a Tokidoki handbag pattern than sequential art, with images and word balloons filling every inch of the page. From time to time, Kiyo Qjo’s rich, weird imagination shines through, as when she introduces a pair of possessed Harley Davidsons, or stages a hilarious conversation between a cat and a dog about the merits of fanservice. (The cat is pro-panty shot; the dog is more modest.) Too often, however, Zone-00 seems like a grab bag of half-baked ideas and pin-up drawings in search of a story; about the best I can say for Zone-00 is that the fanservice is equal opportunity, as almost every page features ladies with gravity-defying H-cups and men with granite six-packs. If your vision of the future includes stripper nuns armed to the teeth and shirtless motorcycle gangs, Zone-00 might be your cup of tea; all others are advised to stay away. (Reviewed 9/3/09.)

blackbird13. Black Bird
By Kanoko Sakurakouji • VIZ Media
“You can be eaten, or you can sleep with me and become my bride.” So declares Kyo, a handsome demon who’s been waiting for years to make Misao his wife and secure his position as Head Tengu. (Or something along those lines; drinking her blood is key to becoming the World’s Most Powerful Supernatural Being, hence the scores of demons interested in sampling Misao’s goodies.) Kyo’s declaration underscores the main problem with Black Bird: the entire story revolves around its heroine’s repeated degradation, making a fetish of her injuries and her helplessness. Demons slash her throat, poison her, push her off rooftops, and slam her against walls, yet she never defends herself or runs away, relying instead on Kyo to save her. Kyo’s “rescues” are as icky as the attacks themselves, as Kyo licks Misao’s wounds (he says he’s healing her; I say,  ewwwwwwww), pins her down, and browbeats her for not sticking close to him. Some readers may find him sexy, but grouchy old feminists like me will see him for what he is: a wolf in knight’s clothing, posing as Misao’s savior while manipulating her for his own selfish interests. (Reviewed 7/21/09.)

LuckyStar2. Lucky Star
By Kagami Yoshimizu • Bandai Entertainment
Dear Manga Publishers: Please stop licensing 4-koma titles. Most of the translated material in this format is at best dull — wait, was that a joke? — and at worst incomprehensible — wait, the heroine has a semi-romantic relationship with her cat-eared clone? Lucky Star is a prime example of why 4-koma manga don’t work well in English: the punchlines aren’t funny, and the characters are so one-dimensional that their daily travails aren’t interesting enough to hold our attention. (If the only “personality trait” a character manifests is a preference for watching anime over doing homework, I’d say the manga-ka needs to flesh her out just a little bit more.) Add to the mix a translation that, in Melinda Beasi‘s words, “strips the characters of any recognizable voice” and kills the jokes, and you have a recipe for one seriously dull read.

mariaholic1. Maria Holic
By Minaru Endou • Tokyopop
In a more charitable mood, I might characterize this mean-spirited comedy as a lame attempt at satirizing yuri manga. The jokes aren’t smart enough, however, to qualify as satire; most of them involve humiliating the series’ naive heroine, whose lesbianism is held up to constant ridicule. Author Minaru Endou beats a single joke into the ground, with poor Kanako developing crushes on all of her classmates and suffering nosebleeds whenever she catches sight of them changing, wearing gym clothes, tossing their hair, talking to friends… you get the idea. (Did I mention that Maria Holic runs in Monthly Comic Alive, a magazine aimed at men?) Mariya, Kanako’s cross-dressing nemesis, is a truly repellent character, threatening to expose Kanako and mocking her interest in women. I think we’re supposed to find Mariya deliciously evil — and gee, nothin’ says eeeeeeeeeeeeeeevil like cross-dressing — but he comes across as sadistic, homophobic, and desperate; I spent most of volume one wishing for a great big foot to drop from the sky and squash him, a la Monty Python’s Flying Circus. (Reviewed 9/23/09.)

UPDATE, 12/24/09: Kurt Hasseler of Yen Press posted an eloquent and thoughtful rebuttal to my assessment of Pig Bride, which you can read by clicking here. His comments prompted me to revise my review to make it clear that I’m not accusing the author of being a misogynist, but am critiquing the way in which she depicts her female characters. I want to thank Kurt for a spirited and intelligent debate, even if I remain unpersuaded about Pig Bride‘s merits.