By Hisaya Amagishi and Hachi Komada. Released in Japan as “Madougushi Dahlia wa Utsumukanai” by MF Books. Released in North America by J-Novel Heart. Translated by A.M. Cola.
It feels like every review I whine about this slow burn romance being too slow, but, I mean, look at it. Indeed, the author is now anticipating us whining, as we not only get to see Volf once again having people ask if he’s in love and essentially saying “what’s that? Food? Can you eat it?”, but we also see Dahlia realize that she might actually be in love with Volf and practically have a trauma response to the idea. Which makes sense, given what happened with Tobias, who I’m amazed has not been quietly murdered by now by the rest of the cast. But that’s OK, as we also have a lot of other things going on to make sure that we stop paying attention to the lack of romance… or indeed, the lack of barony, as we’re still ALMOST there but not quite, and having looked at the synopsis of the Japanese Vol. 14, I suspect I will be saying the exact same thing next time. Anyway, what DOES happen in this book?
After an amusing start where Dahlia and company try to figure out how to stop killer pigeons nibbling on their vital green slimes, we get down to what has now become a running theme of this series: Dahlia trying to create a cool magic sword for Volf. Volf clearly wants a sword that shoots lasers or somesuch, but instead he gets something that increases speed and is very durable. Indeed, perhaps a bit TOO durable, as after seeing the sword in action Dahlia is asked to visit the Magical Toolmaking Department to explain why this sword has slaughtered twenty huge monsters and still doesn’t need to be sharpened? While there, she meets a duke with a comically evil face, and also discovers that her accident as a child where she dissolved her own hands by touching black slime may have more consequences than just mental trauma. Finally, she and Volf go to meet Guido’s wife Rosaria, who has wanted to see Dahlia… and that also goes off the rails, thanks to Volf wearing his special disguise glasses.
It’s been apparent for a while, but one thing I really like about this series is that Dahlia is not simply doing things like inventing mayonnaise or soy sauce like the usual isekai potatoes, but is essentially creating aides for people who are disabled. We get that really clearly here with Rosaria, who it turns out has facial blindness – she can see, say, a portrait of her husband, but can’t see his face as more than a blur. This is why Volf wearing the glasses that mask his appearance was such a shock – to her, this means she now CAN see Volf’s face. I also enjoyed seeing the magical tool creator who assumes that Dahlia is this smug powerful woman who comes up with amazing ideas every breakfast, and as he watches her struggle to create another pair of fairy glasses – which requires her to hallucinate a terrible nightmare – the creator realizes the reason Dahlia’s stuff is so great is because she’s not got a political bone in her body, and is not thinking of gain at all – she’s just there to help. This is also, of course, why she’s in danger, and I worry that she may run into the equivalent of a stranger offering candy from a van before long.
Next time we’ll get the investiture, right? Surely there’s nothing that can possibly put that off even longer… wait, I forgot what series I’m reading. In any case, still great.
