SEAN: Naoki Urasawa tends to be one of those authors I know I should get into but I never really have for various reasons, but let’s face it, there’s one really obvious pick this week and it’s Asadora, his new Big Comic Spirits series. Though Mama Akuma sounds good enough to be my runner-up.
MICHELLE: I’m in absolute agreement with Sean. The only Urasawa series I’ve actually finished is Monster, but it was great and I really did like what I read of Pluto and 20th Century Boys, as well.
ANNA: I’m picking Asadora as well, I’m always curious about new Urasawa.
KATE: I admit that I was pretty disappointed in both Mujirushi and Sneeze, so I’m a little hesitant to recommend Asadora. Instead, I’m throwing my weight behind the fourth volume of Shuzo Oshimi’s creepy thriller Blood on the Tracks. Love or hate his work, it’s impossible to deny his phenomenal artistic chops or his crack sense of pacing, whether he’s re-imagining The Drifting Classroom for adult readers or recalling the unbearable horrors of being fifteen. Blood on the Tracks is no exception: it’s tense, uncomfortable, and filled with the kind of panels that invite 4,000 word think-pieces.
ASH: Normally Asadora would be the easy pick for me, but this week I find that I’m intrigued by all the debuts about girls dealing with the supernatural – Rozi in the Labyrinth, Dear NOMAN, Mama Akuma – so I’m just going to choose that entire subgenre. That being said, Kate is spot on about Oshimi and Blood on the Tracks!
MELINDA: There’s a lot to choose from this week, including all the series everyone has mentioned so far (as well as the re-release of Saiyuki!) but I’m getting behind the one Sean called for me from the beginning. I’m going with Mama Akuma as my pick this week.