Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Sean Gaffney

Do You Love Your Mom and Her Two-Hit Multi-Target Attacks?, Vol. 5

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By Dachima Inaka and Iida Pochi. Released in Japan as “Tsujo Kogeki ga Zentai Kogeki de Ni-kai Kogeki no Okasan wa Suki desu ka?” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

This is a slightly stronger volume than the previous one, if only as the author has hit upon a very solid plotline for this book: a tournament arc. Do You Love Your Mom? is not exactly a Shonen Jump series, but certainly mom is overpowered enough to be a last boss in the sort of tournaments you see there. Here she fights against 15 other mothers who are all basically variants on the position. There’s elf mom, giant mom, robot mom, devil mom, angel mom, ninja mom… etcetcetc. There’s also our two minor comedy villains, who disguise themselves as “one girl on another’s shoulders wearing a coat” but get away with it because LOL. The most interesting competitor, though, is “Hahako”, who at first appears to be Mamako’s dark mirror or evil doppelganger. That’s not QUITE true, but it’s certainly playing on those ideas until we get to the reveal. As for Mamako, well, she even has a few points here where she struggles. Briefly.

The rest of the cast exist basically to a) get humiliated, and b) show that they have grown as well, if only slightly. Given the nature of the series, Masato gets humiliated a bit more and also has to wait longer to prove he’s not pathetic. He has at least gotten better at identifying the “powers” that his mom has and differentiating hers from, say, the other fifteen moms who all seem to love him and want him to be their son as well. (For one thing, he’s not attracted to his real mom. I appreciate that a series which at times seems entirely to have been released because of the incestual premise refuses to go down that road.) He also trusts her to do the right thing even when it might require a leap of faith, which helps to defeat Hahako, who “feels” almost exactly like Mamako. But isn’t.

I won’t go into Hahako’s actual identity, but I will say that I liked the attention devoted to “what is it that makes a mother?”. Mamako’s speech was actually good, and reminded us that the relationship need not be biological either. The rest of the book, well, is a lot of gags, some funny, some not very funny. The sports commentary stuff was great. I could have done without Mamako being changed into various different fetishes… erm, sorry, types of character. Even if the last one dies actually make her struggle for perhaps the only time in this series to date. There are also a few hints for future books… it’s now really obvious that Porta’s mom is one of the main villain group, and Shiraaase is also not infooorming nearly as much as she could be. There’s a lot of secrets going on here.

The next book, which features Mamako in a wedding kimono on the cover, fills me with dread, but oh well, it likely won’t go there. This remains rather silly, but not as bad as you’d expect.

Bookshelf Briefs 3/28/20

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The Ancient Magus’ Bride, Vol. 12 | By Kore Yamazaki | Seven Seas – I’m still really enjoying reading The Ancient Magus’ Bride, but there’s no denying that it’s become almost a totally different manga from where it started, even if it does bring back a few guilt-ridden special guests. Chise is all grown up and now has grown-up problems, albeit grown-up student problems. We continue to worry away at labels—what is a bride, what is a daughter, etc.—which makes sense given that this is a world of magic, where names and relationships carry far more importance than they otherwise might. And we even get to have an old-fashioned camping trip, though unfortunately that ends up going very badly for Lucy, who suffers the cliffhanger ending. Still top tier, but very different. – Sean Gaffney

Black Clover, Vol. 20 | By Yuki Tabata | Viz Media – This long arc STILL isn’t over, but we do get a few good highlights, as with any good Jump title. The start has “my dreams become reality” magic, which ends up leading to a fun confrontation between the real, possessed person and their fake, good other self. Gauche and Marie are still possessed by elves, and their relationship remains fascinating both despite and because of that. And, in the final chapter, we get a revelation about Charmy that makes sense and is also completely hilarious—let’s face it, we just assumed she was superdeformed because it was funny. But it looks like it’s her appetite more than her size that’s needed here. This is meat-and-potatoes Jump, never great but usually decent. – Sean Gaffney

Blood on the Tracks, Vol. 1 | By Shuzo Oshimi | Vertical Comics – I wasn’t a fan of Oshimi-sensei’s Flowers of Evil, but the psychological suspense aspect of Blood on the Tracks appealed to me so much that I gave his work another try, and I’m glad I did! Seiichi Osabe is a meek thirteen-year-old who learns from his cousin Shigeru that other family members think his mother is overprotective. Throughout this first volume, Shigeru repeatedly draws Seiichi away from his mother’s side, culminating in a potentially deadly incident during a family hiking trip. The best part, though, is how expertly Oshimi cultivates an ominous atmosphere. From the first panel, Seiko’s control over her son is emphasized and a sense of foreboding pervades every scene, from her creepy facial caresses to a wordless pair of pages in which Seiichi blankly watches his mother vacuum. By the end, it’s finally obvious to Seiichi that something is very wrong. I’m looking forward to volume two! – Michelle Smith

Can an Otaku Like Me Really Be an Idol!? | By Wacoco Waco | KUMA – Takumi Suzuki is an otaku in his second year of high school who’s been crushing on his classmate, Misaki Hayakawa, ever since the entrance ceremony. After Suzuki discovers that Hayakawa is a fan of the same idol group he is, Hayakawa attempts to secure his silence by taking compromising photos of him cross-dressing as an idol. Turned on, Suzuki forces himself on Hayakawa and later agrees to try to become a real idol as a way of making up for his criminal deed. Obviously, the consent issue here is concerning, but I was gratified that Suzuki takes it seriously, and Hayakawa later says he would’ve been the aggressor if given the chance. Mostly, this is the story of two guys getting to pursue the thing they love with the person they love. Some parts are kinda wholesome. Some parts SUPER AREN’T. – Michelle Smith

The Conditions of Paradise | By Akiko Morishima | Seven Seas – This author has been long awaited in coming over here, and this is a collection of some of her stories from Comic Yuri Hime. The main story, which gets the cover, has a woman who has a structured life and her best friend and not-quite girlfriend, who is a freelancer in all senses of the word. They’ve known each other since school, and getting together feels both natural and right. The other stories also deal with relationships between adult women—the only high school seen is in a flashback—and that’s the selling point here. We’ve seen more of these manga lately with actual adults in yuri relationships. It hasn’t gotten old yet. This doesn’t feel as groundbreaking as it might have in Japan, but it’s still very good. – Sean Gaffney

Love Me, Love Me Not, Vol. 1 | By Io Sakisaka | VIZ Media – Love Me, Love Me Not is Io Sakisaka’s most recent series and features two co-heroines, something I don’t think I’ve seen since NANA. Yuna Ichihara is a shy, innocent girl who dreams of a destined, fairy tale love. Her new friend Akari Yamamoto thinks it’s possible to will yourself to fall in love with a boy who is available. They’ve just started high school and already they have romantic upheaval. Yuna has fallen in love with Akari’s princely brother Rio (which worries Akari since Rio is notoriously only interested in girls’ looks) and Akari’s been dumped by the boyfriend she thought loved her. She ends up confiding in Kazuomi Inui, Yuna’s childhood friend whom Akari hoped to set up with Yuna but who seems to have other ideas. Despite this synopsis, it’s not too melodramatic… until a reveal in the final pages. I’m already hooked. – Michelle Smith

The Quintessential Quintuplets, Vol. 8 | By Negi Haruba | Kodansha Comics – The start of this series had a lot of quintuplet-swapping antics, but it died down as Futaro got to know the others better. That changes here, as the majority of the book takes place on a trip to a hot spring he wins for his family… a hot spring that it turns out is run by the quintuplets’ grandfather, and they’re all there as well. What’s more, because of plot, they’re ALL dressed as Itsuki. What follows is mistaken identity shenanigans galore, showing off that Futaro still can’t guess which is the correct girl (which means he’s not ready to romance one) but also showing one of the quintuplets giving him a kiss… and we see in a flashforward it’s the bride. Who is the bride? Well, we have six volumes to go there. – Sean Gaffney

Snow White with the Red Hair, Vol. 6 | By Sorata Akiduki | Viz Media – Shirayuki and Yona may both have red hair, but it has to be said that Shirayuki is a more traditional heroine. Not that Yona doesn’t get captured as well from time to time, but the kidnapping here feels a lot more traditional. It also feels the prince riding to rescue her, which surprised me, as I thought we would continue the tradition of “he has to stay behind and be a prince.” We do get to see Kiki kicking ass, though I wish she’d finally get a storyline of her own. This series does a good job balancing its politics, romance and action sequences, and it actually does the commendable job of making me remember who the minor cast members are, always a danger. I’m still very happy this finally got picked up. – Sean Gaffney

The Isolator, Vol. 5

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By Reki Kawahara and Shimeji. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Jenny McKeon.

Last time I said it might be 2020 before we see the next book in this series, and here we are. More amusingly, last time I talked about this series have a better class of villains than SAO or Accel World, and in the afterword here’s Kawahara talking about how he hates it when villains turn good and always has his villains be “extra evil” because of it. Kawahara-san, you are wrong and should feel bad, at least about the second part of that. This particular book is sort of a breather volume in the series, with minimal battles but a whole lot of set up for what’s to come. Liquidizer, who gets the subtitle this time around as well as a second cover picture in a row, isn’t joining the good guys per se. But she wants Trancer back, and for that she’s willing to join forces with Minoru if she must. Meanwhile, Minoru is slowly (though he doesn’t realize this, which is honestly a good thing) letting others into his life.

We get a large chunk of the book that takes place at Minoru’s school, including a handsome guy who is highly interested in Minoru, mostly as he improves vastly on his midterm grades. Of course, the question is was this him being smart or others falling – there’s a rash of illness going around the school, leading the previous top scorers to all be too tired and drawn to do their best. This applies to athletics as well, including Minoru’s not-girlfriend Tomomi, who is feeling more and more as if she doesn’t want to run – to the point where she eventually collapses and goes to hospital. We do eventually figure out who’s behind this, but not till the cliffhanger ending. Still, it’s far more school than we’ve had in the previous book.

The rest of the volume is devoted to Liquidizer and her request for help in recovering Trancer from the hands of the… good guys? Well, that’s a good question. Given this is a book where the author has decided not to make all his villains evil beyond all measure, it makes sense that the people in charge of the good guys likely also have murky motives of their own. Of course, she’s not asking the others to work for free – she’ll give them the location of Oliver’s younger sister Claire, who is revealed to have been captured before Minoru joined them and also had Jet Eye powers. I… kind of wish this had been seeded into earlier books, as it really reads like a far-too-handy reveal here. The few action sequences that we do get are well-handled as always, and show off Minoru’s growing strategic thinking. Oddly, the one think missing here is romance – Yumiko is briefly seen to be annoyed that Minoru has had Suu to his house before, but Liquidizer’s relationship with Minoru rarely goes beyond allies, possibly as she spends a lot of it with a bullet wound.

I enjoyed this book despite it mostly feeling like putting pieces in place for next time. As for when next time is, shall we bet on 2022?

Yuzu the Pet Vet, Vol. 1

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By Mingo Ito. Released in Japan as “Yuzu no Dobutsu Karte” by Kodansha, serialized in the magazine Nakayoshi. Released in North America by Kodansha Comics. Translated by Julie Goniwich.

The afterword of this manga volume revealed that it was actually a collaborative spinoff of a game (Bow Meow Animal Hospital: Let’s Become a Great Vet) that came out for the 3DS. This surprised me, because as I read it in fact I was feeling a different kin of nostalgia: I was reminded of the older shoujo manga of the 1990s. Shoujo has mostly skewed older as the years have gone by, and these days when you think of it you think of high school girls having to choose between the sullen black-haired guy and the sunny blond-haired guy. (She chooses the former.) But older shoujo actually did feel much of the time like it was writing for a target audience of 10-12 year old girls. Nakayoshi in particular felt that way. And so this retro manga about an 11-year-old girl dealing with her nervousness around animals while working at her uncle’s vet hospital is really wholesome and refreshing.

Yuzu has had a tough life as we begin this volume. Her dad passed away when she was five. Her mother is sick enough that she has to be hospitalized. And so Yuzu goes to stay with her uncle Akihito, who’s a veterinarian. The trouble is twofold: first, she’s scared of animals (and the hospital’s mascot, a chihuahua, doesn’t like her much). Second, he’s putting her to work as his assistant, which… is child labor, but that’s really not what the manga is about, so I’ll ignore it for now. There’s an underlying plot of Yuzu learning to get along better with animals, as well as with her peers, make new friends, and try to stay strong as her mom recovers. That said, the main draw is that each chapter has a dog or cat with a problem, and Yuzu is instrumental in finding the solution, as she’s very empathic.

The manga is not afraid to shy away from topics that are common around vets: the first chapter begins with a dog dying of old age (there’s even an (owner hugs the dying dog as they talk about them going to heaven) shot – this manga is not afraid to slam on the cliches when it wants to pull at the heartstrings). Most of it is telling pet owners to be more observant in how their pets are acting, to pick up on little signs that they may be in distress. This goes both ways – the reason that Yuzu is so quick to solve these “cases” (it reads a bit like a mystery at times) is that she can spot the owner’s emotional deficiencies – the owners also being kids her age. There’s chapters on not overworking your pets, on being able to move on from one pet to another after the first passes away, and (the strongest of the four chapters) on dealing with dogs who have dementia.

There’s not much story here – I expect Yuzu to bond more with the chihuahua, get less nervous overall, and be a ball of sunshine. It’s about the cute animals. Some of them may err on the side of ‘cute’ rather than ‘accurate’ (that Golden Retriever at the end made me laugh at how bad it is), but that’s fine. This feels like a manga for young girls about cute animals and overcoming fears. Recommended for all ages.

Manga the Week of 4/1/20

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SEAN: Let’s briefly talk turkey here. I try to do these lists about a week before the books come out. And given what’s going on over the world, some of these release dates are going to shift. A lot. I know one publisher has already pushed all their May and June titles to later in the summer. And Diamond Comics is not distributing to comic shops till this has passed, meaning more outlets are gone. I will continue to do my best to keep up with this, but… well, I’d expect a lot of delays. For obvious reasons.

ASH: Thanks for keeping track as best as you can! There’s a lot in flux right now.

SEAN: We start with Ghost Ship, which has two new debuts, both smutty, but with one for the ladies and one for the gentlemen. Fire in His Fingertips: A Flirty Fireman Ravishes Me with His Smoldering Gaze (Yubisaki Kara Honki no Netsujou ~ Charaotoko Shoubou-shi wa Massuguna me de Watashi o Daita ~) is a josei title from Shueisha, about our heroine (an OL) and her childhood friend (a fireman) who turns out to like her a lot more than she expected.

ASH: As Ghost Ship’s first josei title (if I recall correctly), I’m curious.

SEAN: Parallel Paradise, meanwhile, is very much for the young man. Running in Kodansha’s Young Magazine, it’s your standard “young man summoned to another world” story… except he’s the only man in a fantasy world filled with hot women.

Ghost Ship also has a 3rd volume of Creature Girls and World’s End Harem 8.

No debuts for J-Novel Club, but a lengthy list of titles. We get The Economics of Prophecy 2, Full Metal Panic! 6, I Shall Survive Using Potions! 4, Infinite Stratos 12, The Magic in This Other World Is Too Far Behind! has a 4th manga volume, Record of Wortenia War 5, The Unwanted Undead Adventurer 5, and The World’s Least Interesting Master Swordsman 2.

Kaiten Books are a new entry into the publishing world, and they debut this week with Loner Life in Another World, from Overlap’s Comic Gardo. They certainly know what the hot new trend is.

Kodansha has but one print release: the 19th UQ Holder!.

Digitally there’s a lot more. A Sign of Affection (Yubisaki to Renren) is a new series from the creator of Shortcake Cake, which runs in… you got it… Dessert. Our heroine is a college student, who runs into a nice young guy, who speaks three languages! Sadly, she’s deaf, so that won’t help. This actually looks really good and has gotten great buzz.

MICHELLE: I really like Shortcake Cake and tend to enjoy titles from Dessert, so I’m definitely looking forward to this!

MELINDA: This sounds great!

ANNA: I agree!

SEAN: And there’s also 1122: For a Happy Marriage 6, Ace of the Diamond 25, Atsomori-kun’s Bride-to-Be 4, Let’s Kiss in Secret Tomorrow 2, Space Brothers 35, and That Blue Summer 3.

MICHELLE: Atsumori-kun’s Bride-to-Be is very cute, in an Itazura na Kiss kind of way. And, of course, I’m always keen for more Ace of the Diamond!

SEAN: Seven Seas has another spinoff, Dance in the Vampire Bund: Age of Scarlet Order. It runs in Media Factory’s Comic Corona, and is, well, for fans of Dance in the Vampire Bund and its spinoffs.

There’s also Blank Canvas: My So-Called Artist’s Journey 4, Made in Abyss 8, the 6th novel for Mushoku Tensei (digital), and the 2nd Reincarnated As a Sword manga.

MICHELLE: I really am going to catch up on Blank Canvas.

ASH: It is really good, so I support you in your effort!

SEAN: Vertical has two novels. Owarimmonogatari: End Tale 2 finally tells us what was going on with Araragi and Kanbaru during that very busy week in August; and Seraph of the End: Guren Ichinose, Resurrection at Nineteen 2 finally tells us… um… dunno. It’s a prequel?

On the Yen On end, there’s The Dirty Way to Destroy the Goddess’ Heroes 3, 86 ~Eighty-Six~ 4, and So I’m a Spider, So What? 8.

And Yen Press has Dimension W 16, For the Kid I Saw in My Dreams 4, Goblin Slayer (manga) 7, IM: Great Priest Imhotep 2, and Konosuba Explosion 4 (manga).

ASH: I’ve been reading but need to catch up with For the Kid I Saw In My Dreams.

SEAN: What manga is raising your spirits?

The White Cat’s Revenge As Plotted from the Dragon King’s Lap, Vol. 1

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By Kureha and Yamigo. Released in Japan as “Fukushuu wo Chikatta Shironeko wa Ryuuou no Hiza no Ue de Damin wo Musaboru” by ArianRose. Released in North America digitally by J-Novel Club. Translated by David Evelyn.

I was excited to read this one, but unfortunately I think it ended up a bit of a mess, for several reasons. It certainly improves after the first section, which is good, as I was tempted to drop it ten pages in. Our heroine is Ruri, who is pretty, smart, has a mother who’s a model, etc. The trouble is she has a “best friend” named Asahi, who clings to her like a limpet… and whenever Asahi’s around other people, they start to love Asahi and hate Ruri. As a result, her life has been miserable, with various attempts to get away from Asahi always meeting with failure. This even includes accidentally getting transported to another world. Ruri ends up there, but so do Asahi and four of her classmates… and now the kingdom they’re in is hating on Ruri too. Will being exiled to certain death in the forest actually improve Ruri’s life? And where are the Dragon King and the White Cat in all of this?

I had several issues with this book, but let’s start with the biggest, which is Asahi. She’s meant to be annoying, and I am grateful she only shows up at the start and the finish (I started calling her “C-Ko” after a while.) But her passive powers mean that, as Ruri herself says, she’s ruined Ruri’s life but can’t be actively blamed for it. She has some sort of passive brainwashing power and isn’t aware of it. This is annoying, as she’s not really evil, just aggravating and oblivious. To a reader, that’s worse. Things are not helped by the Kingdom they find themselves in, populated by humans in a world of demi-humans and beastmen. The King and his Head Priest are so cartoonishly evil that Yosemite Sam would be telling the writer to make them more nuanced. Now, it’s possible that Asahi is getting an important character arc ahead, which this sets up for. But somehow I doubt it.

The rest of the book is better, though still variable. The second large chunk, showing Ruri living in the woods with an elder Dragon woman and learning that she’s got piles of mana and is beloved by spirits, is important because it shows us she’s not really cranky all the time except around Asahi… but it also takes a long time. It’s not until over halfway through the book that we get to the Dragon King’s land, and Ruri ends up as a White Cat. Though she can turn back when she wants, so even this was slightly less than I expected. The not-romance between the Dragon King (who’s drawn to her but thinks she’s a cat) and Ruri (who, having heard humans are hated here, is not willing to change back) is sort of sweet but also potentially troubling.

Things are set up for a climax where Ruri’s true form is revealed, she stops the war, and she confronts Asahi and makes her see the truth. Only one of these things happens, and the confrontation is a damp squib. I think I’m so used to light novels that are written as one-shots, which then develop extra books when they get popular, that I was not ready for a book intended to be multi-volume from the start. This means no plots are resolved at the end. There’s potential in the future, which is why I’ll read the next volume, but mostly this book existed to frustrate my expectations.

Also, the revenge is really half-assed. And why is this another isekai with slavery? And… OK, I’ll shut up now.

The Magic in This Other World Is Too Far Behind!, Vol. 9

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By Gamei Hitsuji and Yuunagi. Released in Japan by Overlap Bunko. Released in North America digitally by J-Novel Club. Translated by Hikoki.

This was, for the most part (I’ll get to the one really annoying bit at the end) a solid volume that gave fans what they wanted: Suimei back on Earth and reconnecting with everyone, and the three main heroines marveling at life in a science-based world and eating lots of delicious sweets. I will admit that those who like the battle scenes in Too Far Behind might find it wanting – the only battle here is about 3/4 of the way through, and it’s a one-way curbstomping. But honestly this is meant to be a pure fanservicey break before we go back to confront the Big Bad, and as such it functions fine. It also introduces us to a new heroine, though it doesn’t appear as if she’s going to be a love interest. Hydemary, Suimei’s disciple, is the girl on the cover art (with the series’ third artist, by the way, which may be why it was so late in coming), and she’s both more and less complex than I was expecting.

I mentioned three main heroines – Hatsumi does return with the rest of them, but spends the entire book essentially recuperating with her family, so is not participating. Her family being a set of terrifying swordsmen who work with Suimei’s family, the whole “we went to a parallel world” explanation is accepted very rapidly. (Reiji and Mizuki stayed behind, and we briefly hear about Suimei mind controlling their parents and the school to smooth things over, which ergh.) As for the other three, Liliana gets her cursed eye fixed at last, though given that it’s fixed by a mad scientist otaku it apparently got a few bells and whistles added to it. Also, she’s still wearing the eyepatch, because of course she is. Lefille learns that the best thing for her swordplay right now is to take a break and not obsess over winning, two very good pieces of advice. And Felmenia basically gets to immerse herself in books and sweets, but that’s good enough for her.

The main plotline involves Suimei, after telling the Magician’s Society sending Suimei (after he briefly explains where he was – they don’t really care) to stop a group who are trying to revive a God somewhere in Germany. Suimei keeps putting this off, much to the irritation of Hydemary, who has had to deal with a) him being gone for 6 months or so, b) him returning with a bunch of other girls; and c) her own self-worth issues, as she’s a homunculus, and this while she has all the knowledge of the world her experience is minimal. Honestly, I was expecting this to be bigger than it was – I expected her to turn evil for a bit, whereas a pep talk was all it took to cheer her up. It helps that she’s about seven years old in actual years, and thus not a romantic partner – at least not that we can tell. Suimei treats her like a wayward but loved child.

The book ends with a side story showing how Suimei and Hydemary first meet, which was fine except when it turns out her creator was once pals with Hitler before he went bad. Keerist. The whole “Hitler was under the control of other magical forces” plot is very hard to do without being offensive, and it’s impossible when it’s done as a brief dash of backstory before it’s dropped. I really didn’t need to know Hyudemary’s creator was an ex-Nazi. That aside, though, we nearly wrap up the Earth arc and are set to return to Felmenia and company’s home – this time with Hydemary, as well as someone else who is evil and appears to be hitchi8ng a ride. When will we see it? Will it have a 4th artist? Who knows? But this was a pretty good entry in the series.

Pick of the Week: Cross-Eyed

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MICHELLE: I am a little wary of Star⇄Crossed!!, since the creator’s other series to be licensed here was not my thing, but its wacky premise has undeniable appeal in these dark days. I hope I love it.

SEAN: I’ve been enjoying J-Novel Club’s line of shoujo light novels even more than I expected to. As a result, the series I’m most looking forward to this week is the debut of The White Cat’s Revenge as Plotted from the Dragon King’s Lap, which if nothing else has KITTIES!

KATE: Any manga that has Erica Friedman’s endorsement is automatically on my must-read list, so my vote is for The Conditions of Paradise.

ASH: I’m certainly interested in everything that’s been mentioned so far, but my pick this week goes to the second volume of Toilet-Bound Hanako-kun with it’s quirky characters and interesting takes on yokai.

ANNA: I’m throwing in with Michelle and picking Star⇄Crossed!! too!

MELINDA: While I’m very much interested in The White Cat’s Revenge as Plotted from the Dragon King’s Lap, I’m going to have to go along with Anna and Michelle this week. Star⇄Crossed!! looks like everything I need to battle the social-distancing blues!

Kakushigoto: My Dad’s Secret Ambition, Vol. 1

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By Kouji Kumeta. Released in Japan by Kodansha, serialized in the magazine Monthly Shonen Magazine. Released in North America digitally by Kodansha Comics. Translated by Kevin Gifford.

Kouji Kumeta, back in the olden days when he was romanized as Koji Kumeta, wrote a series called Sayonara, Zetsubou-sensei that was dear to my heart. Featuring a despairing teacher, his eccentric class of students, and overanalysis of Japanese trends and cliches, it ran for 30 volumes and features a very surreal, quite disturbing ending. Sadly, it sold less and less well over here in North America, and petered out with the fourteenth volume. But now, moving from Weekly to Monthly Shonen Magazine, we have a new series from Kumeta, starring a father who desperately wants to hide his profession from his elementary school-aged daughter… because he draws ecchi manga. Indeed, his most popular series, Testicoooool, probably gives you an idea why he does not want his daughter to know this. That said… despite the more realistic premise, this series is for fans of what Kumeta does best: overanalyse things to death, make obscure references, and draw striking poses of most of the characters. The art continues to be fantastic.

There is, to be fair, more of an attempt to hold to the plot and characterization of the title than there ever was with Zetsubou-sensei, which was an excuse for anything to happen. Most of the chapters are about two things: Kakushi’s attempts to hide his manga profession from his daughter and actually drawing the manga with his assistants, and Hime’s school life with her teacher and the cast of Zetsubou… OK, yeah, there’s no getting around that. Hime’s classmates are very obviously elementary school versions of the girls from Zetsubou-sensei. I spotted Chiri, Akira, Nami, Kafuka, Manami, Maria, Matoi… they all have slightly different names, of course, but even then, “Riko Kitsuchi” is clearly “Chiri Kitsu” swapped around. He’s having fun. That said, apart from Riko being a bit overbearing, they don’t ACT like their counterparts. It’s pure fanservice.

Hime’s mother is not in the picture, and Kakushi is shown to be a single parent. This allows him to occasionally be a “harem protagonist”, though like most of those he’s clueless about it. Hime’s teacher clearly has a crush on him, one chapter has him accidentally winning over several single women in the area, and a high school girl trying to be an idol, who finds that Kakushi actually listens to her rambling, might be a stalker in the making. That said, Kakushi only has eyes for his little girl, who he is deeply overprotective of. Many of the chapters show him trying to watch over her and make sure she isn’t bullied by the other kids (which is not going to happen, mostly as Hime is a sweetie pie). As for whether she will find out… well, the manga begins with her, as a high school girl, having the secret deliberately revealed to her, and the end of this volume implies that’s because Kakushi has died. (I’d say that ending is too dark for a comedy manga, but then remember how Zetsubou ended, so maybe…)

It’s the in between that counts, though, and this series ended up running for twelve volumes. I’ll be reading more, though I admit I read it for the creator, not the characters or plot.

Arifureta: From Commonplace to World’s Strongest Short Stories

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By Ryo Shirakome and Takayaki. Released in Japan as “Arifureta Shokugyou de Sekai Saikyou Shouhenshuu” by Overlap Bunko. Released in North America digitally by J-Novel Club. Translated by Ningen

This was not the Short Story collection I expected, to be honest, at least not till the final third of the book. What it is is a rounding up of most of the very short stories that the author wrote for giveaways, store-exclusives, etc. A lot of series have these, few bring it out as a real volume. (J-Novel Club has quite a few of them as Premium Extras for subscribers, and indeed I think a lot of these originally appeared as exclusive extras in earlier books.) The book breaks down in four sections: the first are short-short stories taking place within the timeline of approximately Books 1-5 of the main series; the second is an alternate universe where the characters are at a “magical academy” type school; the third has three short takeoffs on popular fairy tales; and the fourth is the short story written exclusively for this book, which has the main cast (along with Myu and Remia) ending up in the crossover event we all wanted to see.

The cover features Hajime, reminding us why he’s rarely on the cover as he looks far more chuuni than grimdark; and Myu, whose character trait in this volume is to show off how she’s taking after her “daddy” despite only having been around him a short time. As for the content… I’m gonna be honest, while these were cute, about 2/3 of the book does not lend itself to a review. There’s lots of harem fights, there’s characters being dorks, there’s indiscriminate destruction of anyone who would dare go after Myu, etc. The Academy/Fairy Tale chapters are even less important, so I’ll skip them entirely. I did enjoy the chapters showing Hajime’s parents, first in a flashback showing off their otaku occupations (honestly, they remind me far too much of the parents from Outbreak Company) and then showing how upset they are at their son’s disappearance.

The main reason to get this is the last story, which has the cast, taking a final voyage with Myu (and Remia) before leaving her behind, and ending up spirited to a cursed city by a phantom whale that seems to only communicate with Myu. Unfortunately, the monsters here are too powerful for this group to handle. Yes, even Hajime. Fortunately, this whale can also reach back… in TIME! Yes, you guessed it, the cast of Arifureta meets the cast of Arifureta Zero, with Miledi being somewhat baffled as to why everyone hates her, Meiru becoming a total siscon about little Myu, etc. Eventually they do team up to take down the Big Bads, and we see Miledi and Yue comparing themselves to each other, as do Oscar and Hajime. Sadly, due to plot contrivance, they don’t remember the meeting afterwards, but hey. (This story also serves to show that Remia’s “ara ara” personality is for show, as if we hadn’t guessed, and also that she may be falling for Hajime for real.)

So in the end, this is pretty light and fluffy, and not an essential purchase. But it’s reasonably fun, and the last quarter was quite entertaining. Arifureta fans should like it.

Something’s Wrong with Us, Vol. 1

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By Natsumi Ando. Released in Japan as “Watashitachi wa Douka Shiteiru” by Kodansha, serialization ongoing in the magazine Be Love. Released in North America by Kodansha Comics. Translated by Sawa Matsueda Savage.

One of the first things I noticed when I began to heavily overanalyze manga artists is that shoujo artists started out in the magazines for younger readers – the Margaret, Nakayoshi and Hana to Yume types – and then, after many years of long and faithful service, graduated to the magazines for adult women – You, Be Love, and Silky. I used to wonder if it was like being kicked upstairs into the House of Lords. I suspect it may be more that the josei magazines come out with far less frequency and are thus easier to handle on a schedule basis. The reason for this drawn out prologue is that this new series is by Natsumi Ando, famous – or infamous – for her shoujo potboilers that ran in Nakayoshi over the years, such as Kitchen Princess and Arisa. And now she’s “graduated” and started a series for Be Love, which seems to be doing quite well given it’s 11 volumes and counting over there.

Nao is a happy young child, who adores her mother, a sweetsmaker who has take a job at a prestigious sweets shop. She’s shy, but makes friends with the cute young boy who’s the heir to the business. Then there’s a murder, which Nao witnesses, and the very same cute young boy accuses her mother of the murder. Fast forward to Nao at age 21, still dealing with PTSD from the murder, her mother having died in custody meaning Nao can’t hold a job, suddenly finding work at the very same sweets shop, whose young heir is now gorgeous… and about to get married. That said, the family seems to be as cruel and overdramatic as ever, and Tsubaki is no exception. Can Nao find out why her mother was framed all those years ago? And can she do it while being used as a pawn… and possibly fall in love?

I will admit that I tend to start off enthusiastically reading Ando series and then gradually lose interest, and I’m not sure if this will be the same. It’s a very good start, though. Ando has used dark, dramatic arcs before, but rarely from the start, and Nao being 21 rather than a teenager helps lend heft to the murder accusation and aftermath plot. Tsubaki seems like the sort of asshole who will gradually be shown to have a nice side deep down that we see in many of these series, but so far he’s hiding it pretty well, and he has a MUCH harder hurdle to clear than simply “I am a rude jerk” to win Nao’s heart. I am expecting, given the nature of the series, that his accusation of Nao’s mother is not all that it seems, and in fact the entire family looks like they wanted a scapegoat… and may want one again. Given that “like accused criminal, like accused criminal’s child” is a thing in Japan, I am in fact expecting it soon.

I haven’t mentioned the sweets, for which I apologize. This book is also all about sweets, and the endnotes are mostly about the nature of them – these are Japanese sweets, not Western. They do help relieve a bit of the darkness that this series exhibits. If you liked Ando’s shoujo drama, her josei drama should definitely appeal. As for me, we shall see how long I last with this one.

Bibliophile Princess, Vol. 1

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By Yui and Satsuki Sheena. Released in Japan as “Mushikaburi-hime” by Ichijinsha Bunko Iris NEO. Released in North America by J-Novel Club. Translated by Alyssa Niioka.

The great thing about first-person narration is that not only is it a good way to get inside the head of the main character, but it can also be used to obfuscate, and even to fool the reader entirely. The Murder of Roger Ackroyd by Agatha Christie is probably the most classic example, but Japanese light novels are also filled with narrators who conceal and/or lie about their own thoughts. Fortunately, Elianna Bernstein is not that sort of narrator. No, instead her narration is sort of like a puffball, floating alongside events while missing the point of most of them. This is especially true of the first half of the book, when she tries to figure out why everyone is avoiding her – particularly her fiancee, the prince, who seems to be charmed by another woman. Now, it should come as no surprise to the reader that this proves not to be the case (indeed, so little surprise that I’m spoiling it here). But the journey it takes to get there is funny and sweet.

Elianna comes from a family of book-lovers – indeed, they’re famous for it, and their family are also knowledge brokers of a sort. She does not seem, at first, to be the same – indeed, it’s hard to get much of a sense of personality out of her beyond “loves to read”. She herself tells us about kids calling her “the library ghost” due to her pale complexion, and the current nickname of Bibliophile Princess is only a mild step up. Now she’s seeing her fiancee with another woman. This is it, right? The end of their engagement. Even if it means… shudder… giving back the book that Prince Christopher once gave to her. But is that what’s really going on? What’s more, is Elianna really just an insular book-loving heroine? Or is she actually changing the entire nation in many and varied ways… and then promptly forgetting about what she said as she’s moved on to her next book?

The book is in three parts. The first is Elianna’s narration of the “cheating” story, and reads like a standalone short story that an editor told her to expand into a novel. The second comes from other narrators, showing us other perspectives on Elianna, particularly the prince’s. Then we’re back to Elianna, mostly, for a third chunk which also reads like a short story, about a traveling book fair and its people. The first part was the most fun, but I think the last story was the strongest, as it gets into themes of racial prejudice and poverty, as well as seeing Elianna suddenly become an action heroine when she hears someone is about to burn a pile of books. It also shows Elianna gaining depth beyond the fun airhead we saw at the start – her uneasiness as she realizes that she can’t remember the first meeting between her and Chris is well handled.

Not only did the first chunk of the book read like a done-in-one short story, but the book feels like a standalone novel. Still, there are more novels in the series, and I’ll definitely want to read more. Elianna is fun to read, even if, as the author notes, when not reading a book she seems to look at people with a question mark over her head.

Also, Christopher, and particularly Prince Chris, reads terribly to me. I wish he’d been an Edward.

Manga the Week of 3/25/20

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SEAN: It’s getting near the end of March. Are you getting some manga delivered to you?

Dark Horse debuts the Dangan Ronpa 2: Goodbye Despair manga, which I believe tells the story from the POV of the actual lead this time, as opposed to the semi-antagonist.

J-Novel Club continues its rollout of shoujo light novels with The White Cat’s Revenge as Plotted from the Dragon King’s Lap (Fukushuu wo Chikatta Shironeko wa Ryuuou no Hiza no Ue de Damin wo Musaboru), another series from the Arianrose label. A young girl ends up in another world, abandoned by her “friend”, trapped on a dangerous land, and turned into a white cat. But does she let that get her down? Hell no!

ASH: It make me happy to see more shoujo novels being translated.

SEAN: They’ve also got Ascendance of a Bookworm’s third manga volume, and Outbreak Company 13.

Kodansha’s print debut is Yuzu the Pet Vet (Yuzu no Dobutsu Karte), a Nakayoshi series about an 11-year-old who lives at her uncle’s pet hospital. She’s scared of animals, but wants to help out. Can she slowly come to love them? This looks, pardon me, goddamn adorable.

MICHELLE: It does. I wonder if it’ll be a little too cutesy for me, but I will definitely be checking it out.

ASH: I plan on giving it a look, too!

ANNA: It does sound cute!

MELINDA: Oh!

SEAN: Also out in print is Cells at Work: Code BLACK 4, If I Could Reach You 4, Living-Room Matsunaga-san 2, and The Seven Deadly Sins 37.

MICHELLE: I liked the first volume of Living-Room Matsunaga-san. I’m glad it’s getting a print release.

ASH: I’ve been meaning to give it a try.

SEAN: The digital debut is Star⇄Crossed!! (Oshi ga Watashi de Watashi ga Oshi de), which is from the creator of Kiss Him, Not Me! and looks to be about as bananas as that one was. It runs in Betsufure, begins with the hero and heroine dying, and features bodyswaps via kissing.

MICHELLE: I am so down for this. I hope it doesn’t involve ludicrous, spontaneous weight loss as a plot point.

ANNA: That sounds hilarious.

MELINDA: I’m so ready for this.

SEAN: Other digital titles next week: Altair: A Record of Battles 16, Boarding School Juliet 15, DAYS 17, Elegant Yokai Apartment Life 19, I Fell in Love After School 2, Vampire Dormitory 3, and Watari-kun’s ******* Is About to Collapse 4.

MICHELLE: I really need to read Elegant Yokai Apartment Life.

SEAN: Seven Seas has three debuts. The Conditions of Paradise is a short-story collection from celebrated yuri artist Akiko Morishima. The stories ran in Comic Yuri Hime.

ASH: I’m curious about this one.

MELINDA: I am, too!

SEAN: Cosmo Familia is by the artist of the Madoka Magica manga, and appears to appeal to that demographic, but replaces magical girls with alien invaders. This one runs in Houbunsha’s Manga Time Kirara Forward.

We’ve already seen the PENGUINDRUM manga, and the PENGIUNDRUM anime, now enjoy the first light novel volume as well. This is an early digital release.

ASH: I’m sure I’ll get around to reading this once it’s available in print.

SEAN: They’ve also got Didn’t I Say to Make My Abilities Average?! 8 (print) and 9 (digital), Grimgar of Fantasy and Ash 12 (print), Machimaho 5, Mushoku Tensei: Roxy Gets Serious 3, and the 3rd Skeleton Knight in Another World manga.

Square Enix gives us a manga version of a light novel Yen On is releasing, Suppose a Kid from the Last Dungeon Boonies Moved to a Starter Town. The novel was a lot of fun. The manga runs in Gangan Online.

ASH: It does sound like it would be fun.

MELINDA: It does!

SEAN: Vertical has a 14th volume of Devils’ Line.

Yen On has three titles. A Certain Magical Index 22 is the final volume of the first Index series… is it the end of the Index novels in North America as well? There’s also Do You Love Your Mom? 5 and You Call That Service? 2.

And Yen Press has a pile of manga, though no debuts. Instead we get Bungo Stray Dogs 14, Cocoon Entwined 2, Hatsu*Haru 11, Kiniro Mosaic 10, KonoSuba’s 10th manga volume, Laid-Back Camp 10, My Youth Romantic Comedy Is Wrong As I Expected’s 13th manga volume, Smokin’ Parade 7, So I’m a Spider, So What?’s 7th manga volume, Toilet-Bound Hanako-kun 2, and Triage X 19.

MICHELLE: The first volume of Cocoon Entwined was atmospheric and intriguing, and I very much look forward to more!

ASH: I just recently read the first volume of Toilet-Bound Hanako-kun and kind of loved it, so I’ll definitely be picking up the second.

SEAN: Does any of this ring your chimes?

Bookshelf Briefs 3/18/20

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Dr. STONE, Vol. 10 | By Riichiro Inagaki and Boichi | Viz Media – Dr. STONE thrives on ridiculous ideas, of course, but that does not mean that it cannot briefly pause when bad things are happening. Tsukasa is saved from immediately dying, but he is still dying, and the only solution that Senku can come up with is to cryofreeze him. This is handled rather well, though Senku is not shown to the reader when he is being emotional about it. After that,things get ridiculous again, as we need to go searching other continents. This means ships, which means unstoning the world’s most ridiculous ship captain, who iss also an arrogant SOB. Fortunately they have Yuzuhira, who can transform into JoJo when she is doing anything with sewing, be it bodies or sails. A ton of fun. – Sean Gaffney

Ex-Enthusiasts: MotoKare Mania, Vol. 3 | By Yukari Takinami | Kodansha Comics (digital only) – At 27, Yurika Namba is obsessed with “Makochi,” a guy she broke up with five years ago. When they meet again at her new job, she discovers that the real Makochi is not like her fantasy version. After initially trying to forget him by dating someone else, by volume three Yurika has told Makochi that she has feelings for him and is trying to project as much “cool girl” as possible so as not to scare him away from the prospect of a relationship. At first, I thought I might not like this series, as Yurika came off as unhinged and stalkery, but as it has gone on, I’ve come to enjoy it quite a bit, especially the fanciful sequences where various facets of Yurika’s brain (and sometimes Makochi’s!) debate and comment on what’s happening to their hosts. I’m intrigued to see where this goes next. – Michelle Smith

In/Spectre, Vol. 11 | By Kyo Shirodaira and Chashiba Katase | Kodansha Comics – I had been joking about whether “Kotoko is terrible” was a running theme in this book (along with “Kotoko is thirsty”), but it looks like it may be the actual main plot, as Rikka’s machinations seem to be to get Kuro to realize what a horrible person she really is. This is a tall order, mostly as I think Kuro has realized this from the beginning. In the meantime, we get the end of the family murder mystery, which is done very well with lots of twists and turns and Kotoko being the perfect arrogant detective. I particularly liked the granddaughter, who is the one who comes off as the least self-serving (and the only one who didn’t plot to kill her grandmother). All this and a nyotaimori reference. – Sean Gaffney

Kaguya-sama: Love Is War, Vol. 13 | By Aka Akasaka | Viz Media – The festival starts but doesn’t end in this volume, and we have several interlocking plots. Kaguya wants to confess but doesn’t. Chika is busy being herself and trying to find a balloon thief. Ishigami manages, somehow, to accidentally confess to Tsubame, which is a problem as she wants to concentrate on gymnastics and not dating but also doesn’t want to hurt him. And then there’s Shirogane, of course, who finally, in the cliffhanger, tells Kaguya he’s leaving to go to Stanford. This is all done with the usual heaping helping of humor, of course, but it’s also heartwarming that the reader has come to prefer the emotional character moments to the gag moments. Will we finally get a confession in the next volume? – Sean Gaffney

Stravaganza: The Queen in the Iron Mask, Vols. 2-3 | By Akihito Tomi | Udon Entertainment – This is one of the more frustrating series I’ve read in a while. The art is absolutely gorgeous, with amazing backgrounds and scenery, and some good action sequences. There are some horrific moments that bring to mind Attack on Titan and its better moments. But then there’s the constant nudity and sadism that is also throughout the books—the author seems to love to put the queen in danger and have her menaced/stripped/flogged by various bad guys. Rape does not come up, thank goodness, but it’s still annoying, because I’d love to recommend this to a wider audience, but once again it’s a series for those who really like the nude female form. Shame. – Sean Gaffney

Takane & Hana, Vol. 13 | By Yuki Shiwasu | VIZ Media – Finally, finally, Takane and Hana manage to honestly admit their feelings for each other and become a couple. I loved Takane’s silent fist-clench of relief and joy, as well as some of the dialogue that follows, like Hana telling her father “He means the world to me,” and Hana’s mother being concerned about her daughter’s future options being limited. (Takane awesomely tells Hana, “Do whatever you want to do. The only difference is that I’m at your side.”) The family trip to Okinawa gets a little silly, with Hana working herself up to ambush him with a kiss again, but there are nice moments as well, and I appreciated the reminder that Takane is really not going to try anything physical with her at this point in time. I had a few volumes to catch up on for this review, and now I’m bummed not to have any more. – Michelle Smith

What’s Michael? Fatcat Collection, Vol. 1 | By Makoto Kobayashi | Dark Horse – When I was first introduced to What’s Michael?, it was after the series had already gone out of print in English and was difficult to find. I am thrilled that the manga is being released again, making it available to a wider audience. The first “fatcat” omnibus collect the first six volumes of Dark Horse’s previous edition with no real changes, as far as I can tell. It also includes a newly written essay by Zack Davisson which provides additional context for the series. What’s Michael? may simply be one of the best cat comics that I’ve read. Generally episodic in nature—although with some recurring characters and running jokes—Kobayashi perfectly captures not only the peculiarities and personalities of cats but also those of their human admirers. Some of the stories are more fantastic than realistic but What’s Michael? is a manga that is consistently funny and solidly entertaining. – Ash Brown

Can Someone Please Explain What’s Going On?! ~A Sign-on-the-Line Wedding Story~, Vol. 1

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By Tsuredurebana and Rin Hagiwara. Released in Japan as “Dareka Kono Joukyou wo Setsumei Shite Kudasai! ~Keiyaku Kara Hajimaru Wedding~” by ArianRose. Released in North America by J-Novel Club. Translated by Mattias Hirsch.

Sometimes you go into a book with expectations. Perhaps the book is part of a new line of romance novels for young women the publisher is putting out. Perhaps the title features the words ‘wedding story’. Perhaps the cover, which shows the heroine in a wedding gown and a handsome young man, draws you in. Perhaps you read the manga version, which is available on the Renta ebooks site, and every single chapter was filled with a breathless romantic description of what was happening. Indeed, the book does indeed hit all these points. There is indeed a wedding. There are balls where the heroine shines. There is another woman, constantly trying to call out the heroine so that she can prove who’s top dog. There’s even the tried and true “hero asks for marriage of convenience and then gradually falls in love anyway” plotline. The startling thing about this book, though, is that its heroine, Viola, starts the book completely uninterested in romance and Cercis, the hero… and ends it the same way.

Viola is the daughter of an Earl whose landholdings have fallen on hard times, and is used to doing most things herself with a minimum of fuss and servants. She is rather startled when Duke Cercis arrives at her door with a proposal. Well, more of a contract. He has a woman he already loves, but she’s a dancing girl and therefore he can’t marry her and his family won’t approve. So Viola is to be his “show wife”. Viola, after securing enough funding to save her family’s debt, agrees very matter-of-factly, and a year later they are married and she’s living in a fabulous mansion. Wondering what to do with herself at first, she’s soon winning over the servants (and indeed dressing as one), cutting back on the extravagant meals, brightening up the gardens and house, and putting her own stamp on everything while the Duke and his lover live in the cottage elsewhere on the estate. All well and good… but why is the Duke coming over more and more often?

Viola’s narrative voice is all over this book, and it’s a fun one. She has a fair amount of snarkiness to her, but there’s also a heaping helping of unawareness, and those two don’t usually go together. She’s the sort to describe herself as scrawny, plain and flat-chested, and has absolutely no idea why her maids, when given the opportunity to put her in real fashion and jewelry, go absolutely ga-ga. The answer, of course, is that Viola’s scrawny and flat-chested is everyone else’s tall and willowy, and she looks fantastic dressed up. She doesn’t put on airs, she actually cares about the people around her, and she shows absolutely no interest in getting involved with the Duke and his mistress. Indeed, I was sort of hoping for more Duke and mistress – there’s a running gag where the mistress keeps showing up looking for the lady of the manor and runs into Viola (dressed in her normal black “maid dress” and therefore unrecognizable), but for the most part the book is content to gradually work its way up to the inevitable breakup that comes when the Duke realizes he does love Viola after all.

This leads to the climax, where the duke confesses his love, and Viola says she doesn’t really think of him that way. Given that the series is nine volumes long to date, one would assume he will eventually get his point across, but if he’s going to be wooing her, he’d better try a bit harder – rewriting their contract (which had said she, as a “show wife”, could also have lovers) to say she can only love him is not a terrific start. Still, the combination of the oddly shaped not-romance and the intelligent (if somewhat too self-deprecating) heroine makes me want to read further.