chitose is in the ramune bottle

By Hiromu and raemz. Released in Japan as “Chitose-kun wa Ramune Bin no Naka” by Gagaga Bunko. Released in North America by Yen On. Translated by Evie Lund.

It was once said, a couple decades ago, that no one would ever license a sports manga because it wouldn’t sell. Nowadays, given the enormous number of people who obsess over series like Haikyu!, that seems a bit ridiculous, but it was true. I’m not entirely sure if there are a large number of unlicensed light novels that follow baseball or basketball teams the way that manga does, but I’m inclined to say probably not. And we certainly don’t have them licensed over here. You’re allowed to dungeon crawl, or try to break off your engagement so you don’t die, but please don’t mention the K word. And by K I mean Koshien. That said, Chitose Is in the Ramune Bottle is notable for having a LOT of jocks in its cast, by the nature of its premise. And it’s this fourth volume that drills right down to the heart of the jock, showing us what it means to dream big, and also balancing the harem again with its shortest member.

We’ve known since the start of the series that Chitose used to play baseball but quit. Now the team is back, begging him to come back as their star is injured, and won’t be ready in time for the first knockout game. Chitose, needless to say, is rather pissed off about this, as he had reasons for leaving the team – which, you’ll be grateful to hear, we finally hear about. He’s also dealing with the girls’ basketball team, which has a new captain, Haru, who’s a taskmaster and is pushing the others past their limits – which they hate. It’s needed in order to make them a better team, but it also makes Haru a very convenient target. Will Chitose manage to help Haru to reconcile things with her basketball team, and can he do that by giving in and playing his last ever baseball game? Even if it means breaking himself to do it.

The series’ best feature remains its ability to convince you, in each new volume, that the girl being focused on is definitely the one who should “win” the Chitose romantic partner sweepstakes. Last volume I said that Asuka was written out in the third book as she was so far ahead of the others. (As it turns out, she’s still around, though Chitose is mooning over her less.) In this volume, it feels like he and Haru also really belong together – they’re birds of a feather, basically, and a reminder that “opposites attract” is not always true. The book is also very good at showing the frustrations of the high school athlete. Haru is a fantastic basketball player. But she’s 4’9″, and there’s simply no way to make up that difference in height in a sport like that. As for Chitose, well, he’s cool. The best scene may have been when he’s wavering back and forth on what to do, and when he tries to do an uncool option Haru chimes in “I don’t like this Chitose.” It was adorable.

So yes, the light novel for normies remains excellent. We’ll see what the next volume brings – Yuuko is on the cover, will she be the lead girl?

By Hiromu and raemz. Released in Japan as “Chitose-kun wa Ramune Bin no Naka” by Gagaga Bunko. Released in North America by Yen On. Translated by Evie Lund.

One problem I have with reading light novels that are “high school romcoms”, is that I tend to regard them as taking place in “generic Tokyo suburb”. That’s actually rarely the case. There are a few exceptions – My Youth Romantic Comedy Is Wrong As I Expected will not shut up about Chiba long enough for me to put it anywhere else – but most of them fall into “generic place”. So I was a bit surprised with the subplot here, which is that our hero and heroine-of-the-book head off from their “big city”, Fukui, which has about 275,000 people, to Tokyo, which is 14 million people. I was even more surprised with the message that the story was giving us, which is that the big city can be awesome, despite its huge number of people and occasional creep. If your dream requires you to be in the biggest city in Japan, go there. Because chasing dreams is important. Even if it means giving up on a potential series-killing romance.

Our cast of second years are getting guidance from their seniors as to what to expect in regards to future plans, and one of those seniors is Chitose’s friend/crush Asuka. She has a dream of being an editor at a Japanese publishing house, but there’s just no way that you can do something like that in someplace like Fukui. Her parents are also dead set against it, and want her to become a librarian or civil servant. Chitose is determined to help her, even though he knows that her heading to Tokyo likely means that any relationship they might have would be dead in the water. So he comes up with an idea: visit Tokyo, and see what it’s really like, to find out if it’s overwhelming to her. Of course, to do that, he’s going to have to essentially kidnap her.

The back half of this book finally gives us the full backstory, with one exception, of Chitose, and we also see why much of it was elided – it was being saved for the book focusing on Asuka. I can certainly see why the author is writing Asuka out of the series (though she doesn’t quite leave for Tokyo yet, as it’s still months before graduation), as in a series that prides itself on Chitose balancing his “harem” of four girls fairly equally, Asuka is simply too powerful. That said, there are a few flaws here, The book is much longer than it needed to be, for one. And Asuka gaining all of her strength and coolness that we’ve seen in the series to date by essentially imitating the boy she liked may not sit well with some viewers, though Chitose is quick to point out that that sort of imitation is what everyone does, and eventually it becomes second nature.

In any case, Asuka may not be in Tokyo yet, but she and Chitose have “broken up”, which leaves him free to solve someone else’s problems in the next book. And that also seems to answer my question from last time about the plot of this series: Chitose solves problems, at great expense (his own).

By Hiromu and raemz. Released in Japan as “Chitose-kun wa Ramune Bin no Naka” by Gagaga Bunko. Released in North America by Yen On. Translated by Evie Lund.

I’m enjoying the Chitose series a great deal, but if there’s one thing that worries me it’s that I don’t know what the series’ overall plot is. Other series have ‘each volume has a girl in distress” about them, most notably Rascal Does Not Dream Of (insert girl here), but we know by the end of Book 2 what the basic thread of the series is (the supernatural manifestations of psychological trauma). I suppose it veers closest to My Youth Romantic Comedy Is Wrong As I Expected, which also features a lead guy who will throw himself under the bus to solve a problem, but I think if I tried comparing Chitose with Hachiman the latter would be very angry with me. The question is, are we meant to be figuring out who is “best girl” in a romantic sense? Is this about ripping Chitose’s mask off? Or is it just a series where a group of high schoolers give an excuse for a plot of the week, like many TV shows?

As you might have guessed, the girl on the cover is the main girl of this book, Yuzuki Nanase. She’s lately been worried that she has a stalker, and asks Chitose to pretend to be her boyfriend in order to either drive them off or draw them out. He’s the obvious choice as the two of them are extremely similar, and so she knows he won’t be getting any misconceptions about what this relationship is about. Unfortunately, her fears turn out to be quite justified, as delinquents from a different school are forcing her to revisit an incident from her past that she’s been trying to bury. In the meantime, the fact that he’s now dating Nanase has Chitose in a spotlight he’d rather avoid, and he ends up having ANOTHER guy that he tries to give life advice to.

The other similar series I didn’t mention in the first paragraph is Bottom-Tier Character Tomozaki, and there is an element of that here in Chitose’s trying to hammer home the idea that girls are not pure fantasy creatures and fart and masturbate and everything else that’s normal. But, as with the first book, one of the big draws here is that the popular kids are the leads, allowing the ability to tell a different kind of story. Even something like Tomozaki relies on the outsider who has a past where he always thought “goddamn normies” to get past. Kenta, the nerd from the first book, is still here and is now part of their group, but he’s not the narrator and doesn’t drive the plot. This is a story of popular kids dealing with a specific popular girl problem in a way that, say, Hachiman would be unable to pull off. Good thing, too, as this book also gets more serious towards the end, with suggestions of sexual assault in both past and present.

So I’m still not sure where this series is going, but I’m greatly enjoying the ride. That said, I suspect that all the potential romantic interests for Chitose, including Nanase, are going to have to take a back seat to his upperclassman crush, and the cover for Vol. 3 suggests we’ll get a lot more of her next time.

By Hiromu and raemz. Released in Japan as “Chitose-kun wa Ramune Bin no Naka” by Gagaga Bunko. Released in North America by Yen On. Translated by Evie Lund.

Manga and light novel trends tend to feel into each other, with parodies, homages, and deconstructions of the hot new thing happening three years later and becoming the next hot new thing. Nowhere is this more apparent than the halls of Gagaga Bunko, home to the cover art where every series looks exactly the same. Gagaga, I’m sure, must also have fantasy and isekai titles… but those aren’t licensed here. Instead we started with My Youth Romantic Comedy Is Wrong As I Expected, where a cynical so-called loner psychoanalyses the nature of high school cliques. Then we saw Bottom-Tier Character Tomozaki, easily the most popular of the subgenre of “the popular kids can even turn you, a loser, into one of their own”. And now we get Chitose Is in the Ramune Bottle, where the main character IS the popular kid, and you will be surprised and shocked that he too has something to say on the nature of popular kids and high school cliques. Everyone’s riffing on someone else.

No, that’s not Chitose on the cover – Chitose Saku is our hero, a handsome cool high school kid who enjoys school and hanging out with his equally popular friends. He has several girls who are interested in him. He’s almost immediately made class president. He’s living the good life. And now he has a job to do, as the teacher has asked him to try to get Kenta, an otaku nerd type, to come back to school – he’s stopped going after getting shut down by a girl he confessed to. Chitose goes along with this, managing to get Kenta out of his room with a nice combination of encouragement, hot girl and good old fashioned violence. But Kenta, who whines about how Chitose gets everything handed to him and an easy life as a popular kid, decides to show Kenta how to actually make an effort.

As you can see, this synopsis bears more than a little resemblance to Tomozaki (Kenta is even named Yamazaki), and we do indeed get the “let’s shop for clothes that are not otaku schlub” and “here is how to actually converse with another person” scenes. At the same time, it also mocks that trend of “self-help” books as unrealistic, showing how difficult it can be to try to change your image and personality and not immediately get attacked. There’s a whole lot of jerks in this book, and the way Chitose and his friends handle them is a good look at “don’t punch down”. As for Chitose himself, he’s a protagonist who cries out for more than one book, so it’s a good thing this won an award and got a series. There’s hints of his past as well as his need to live up to his reputation that might get darker in later books. But overall, he and his friends are very likeable, fun people. If you’re reading this as you heard it was “romcom starring the popular kids”, you won’t be disappointed.

I will note that Chitose can come across – deliberately, he’s clearly doing it on purpose – as smug much of the time, and this may grate on readers who are more used to cynical sad sack narrators. That said, I am very curious to see how this handles being an ongoing series and how much we can peel back Chitose’s hero complex.