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Since I Was Abandoned After Reincarnating, I Will Cook With My Fluffy Friends: The Figurehead Queen Is Strongest At Her Own Pace, Vol. 4

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By Yu Sakurai and Kasumi Nagi. Released in Japan as “Tenseisaki de Suterareta no de, Mofumofu-tachi to Oryouri Shimasu: Okazari Ouhi wa My Pace ni Saikyou desu” by M Novels F. Released in North America by Cross Infinite World. Translated by Emma Schumacker.

Sometimes your worst enemy is yourself. Sure, you could be reincarnated as a stunningly attractive noble lady. And yes, you could be married off to a cool yet attentive king of a neighboring country and end up their (temporary) queen. And you may also be possessed of truly staggering amounts of magic powers. And you could also be a genius chef, continually coming up with ideas that astound the nobility of this pre-industrial land, such as pizza toast. You could also be surrounded by cats, wolves, and other animals who all adore you and want to do your bidding. And yes, it could be that one of those wolves is ALSO your husband, the King. You’ve got a pretty good thing going on here. Unfortunately, if you are Laetitia, only one single word in the preceding paragraph stands out, and that word is ‘temporary’. She can’t get it into her head that the king has fallen for her.

The kingdom is about to be visited by representatives from the Wildam Empire, which is to pegasi what her home base is to wolves. Unfortunately, it gets off to a bad start when one of the Pegasus Knights ends up picking a fight with… a little dog that barked at him. Believe it or not, this does almost cause an international incident, but Laetitia helps to smooth things over through her negotiating skills and her prowess at flying her gryphon. Then there’s a ball where she has to meet and greet, and she discovers that… well, no, she does not discover that her husband is jealous of anyone who comes near her, please see above. Things then go even further south when a lady in Lady I-Liena’s camp supposedly helps the disgraced Pegasus Knight escape, and is now in prison. Which… makes no sense. Can Laetitia figure out what’s really going on?

I must admit, sometimes it can be hard to tell “this is background informatoin I’m giving out to give a character depth” from “this is a clue and hint for what happens later on in the book”, and as such, I was rather surprised at a revelation that happens late in the book. Mind, I knew that there was something deeply suspicious about them, and that they were likely a spy… which was true, but the rest of it was news to me. Speaking of being news to me, I had assumed that laetitia was the only one in this world who had been reincarnated from Japan, but the more we hang around her older brother Claude, the more I think that he is as well and she’s just in denial about it. Which works, given everything else she’s in denial about. Honestly, given that she already hits a lot of the “overpowered character” buttons, we can grant her this flaw.

If you enjoy romance, political dealmaking, or are simply hungry, this is a fun series to read.

Tearmoon Empire, Vol. 8

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By Nozomu Mochitsuki and Gilse. Released in Japan as “Tearmoon Teikoku Monogatari” by TO Books. Released in North America digitally by J-Novel Club. Translated by David Teng.

Tearmoon Empire is a very funny series. There are tons of scenes of Mia being silly or smug, other people misunderstanding her to comic effect, etc. But the series also knows when it’s time to be 100% serious, and that time is whenever get get a glimpse of what life was like in the original timelines. We’ve already seen how things progressed in Bel’s world (and see why Dion is her absolute hero, something that baffles both the Dion of this world as well as Citrina), but we’ve also seen the main cast occasionally have dreams of their prior lives. They’re never good dreams. It’s Tiona’s turn here, and it hits especially hard given that Mia was thinking that she hopes the Tiona and Sion of her past life, the “perfect couple”, lived happily ever after. Instead, in both Tiona and Sion’s case, we see that the need for vengeance, justice and revolution ended up driving them away from each other, and nobody ends up happy. Everyone should be relieved Mia went back in time.

Because no Tearmoon Empire volume can ever QUITE get the arcs to line up properly, we start with the end of the previous arc, as Mia fosters better relations between the Empire and its domain by doing the one thing that even the narrator admits she’s fantastic at: dancing. Feeling good about things, but reminded of her previous complacency, she decides to read her Bloody Diary. It’s a good thing she checked – now it says that Sion is assassinated in a month’s time. Coincidentally (or is it?), Esmeralda comes to Mia in a panic, as her father has said she'[s to be married off to a Sunkland noble. Realizing that she can go to Sunkland and stop Sion getting killed if she tags along with Esmeralda’s engagement party, Mia and her entourage visit Sion’s country for the first time. And, as it turns out, getting assassinated by bandits may be the least of Sion’s worries…

We do sometimes get the device of seeing Mia’s POV of a scene and then seeing the same scene again with another character, though not nearly to the extent of, say, My Next Life As a Villainess. And sometimes we don’t even need to get the other half of the scene because we can infer the heartwarming in our heads. Now that Citrina is no longer an enemy, she’s ready to do anything she can to help Mia – including, she assumes, what she’s be best at – killing people. But Mia assures her that she will never ask her to kill someone else for her, something that poleaxes Citrina. Yes, it’s framed around Mia wanting delicious mushrooms (as is most of the book, really) but the sentiment is also genuine. Mia wants as few people killed as possible, even if that might affect her end goal. It inspires Citrina, who is really crafty for such a young girl, to try to help Mia in slightly less permanent ways. Her growth was my favorite part of this book.

This volume spent most of its time setting up a stack of dominoes, but unfortunately we have to wait for the 9th volume to knock them over. Till then, this remains one of my absolute favorite light novel series.

The Demon Sword Master of Excalibur Academy, Vol. 6

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By Yu Shimizu and Asagi Tosaka. Released in Japan as “Seiken Gakuin no Maken Tsukai” by MF Bunko J. Released in North America by Yen On. Translated by Roman Lampert.

One of the sure fire ways to give a character suitable pain and determination is a good tragic backstory. And there’s no tragic backstory quite like the death of beloved family members. That’s what Sakuya, the Japanese — sorry, Sakura Orchid — swordswoman in Leo’s cadre of hot, powerful friends has dealt with since she was six years old. The death of her older sister right in front of her still gives her nightmares, and it informs not only her actions and, to a degree, disregard for her own future and safety, but also others also from Sakura Orchid, who are being far more, well, kamikaze about the whole thing. (Look, you don’t get subtlety in this series, read some other one for that.) As such, if you need to up the stakes a lot and devastate your character with the tragic past, nothing quite gets it across like resurrecting the family member who died in front of her. it’s not clear if Sakuya’s sister is actually still alive or merely a zombie of some sort, but either way, she’s still better than Sakuya in combat.

Leo may have taken over a terrorist group, but he’s having a lot of trouble keeping them from, well, doing terrorist things. Which is especially bad news when they find a cargo hold filled with… voids? How? Meanwhile, the aforementioned Sakura Orchid is having a festival, and our hero and heroines decide to attend it. It’s very much a standard Japanese summer festival, complete with yukatas (that Leo is reluctant to wear) and fireworks (that Leo thinks are an actual attack.) Unfortunately, there actually IS a real attack, but it’s not attacking the festival but the core of the entire Seventh Assault Garden. In order to stop it, Leo may not only have to push himself farther than he’s had to before, but also make another pact similar to the one he has with Riselia. Is Sakuya prepared to be no longer human?

Again, the calling card of this series is that it does not really do things well but it doesn’t really do things badly (apart from, as always, Leo being ten but being treated like he’s sixteen half the time). The fights in this one are particularly good, especially near the end, where Sakuya has to figure out what her new ability is and how it works while in a match where one false move would mean her death. On the down side, the threat of the Kenki gathering was rather pathetic – kamikaze or no, having them all suddenly be betrayed and turned into monsters was a bit too pat given they had not really accomplished much of anything. And of course there’s still the cute slice-of-magic-academy-life stuff, which such boffo gags as Leo’s minion using her spy work as an excuse to find the best places to snack and Leo’s monstrous wolf familiar essentially becoming Sakuya’s pet dog.

The next volume of the series has not been scheduled by Yen yet, so we may have to wait a bit. but that’s fine. This series does not require us to remember much about it except what’s on the surface.

The Hunger Games Trilogy by Suzanne Collins

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The Hunger Games
Though I was, of course, aware of the fervor surrounding this series, I’d never read it until now, nor have I seen the movies. (I do own some nail polish inspired by it, though!) Still, I managed to absorb a few facts through cultural osmosis.

1) The heroine is named Katniss.
2) There is also a boy called Peeta.
3) There is an MC lady with pink hair.
4) A competition and various districts?

I came close to immediately casting the book aside when Katniss casually admits to having once attempted to drown a kitten in a bucket, but this turned out to be an effective way of showing how her impoverished, hardscrabble existence in “the Seam” of District 12 has forced Katniss (now 16) to become ruthlessly practical in order to keep her family alive after the death of her father five years previously in a mining accident.

Katniss lives in Panem, which we learn “rose from the ashes of a place that was once called North America.” There were originally thirteen districts, but when they rebelled against the Capitol, District 13 was obliterated and the Hunger Games were established to discourage future rebellion attempts. Each year, during a ceremony called “the Reaping,” a boy and girl from each District are selected to fight to the death in the games, which are televised across the nation. Watching them is mandatory. It’s the Capitol’s way of saying, “Look how we take your children and sacrifice them and there’s nothing you can do.” The person Katniss loves most in the world is her 12-year-old sister, Prim, so when it’s Prim’s name that gets drawn at the Reaping, Katniss immediately volunteers to take her place. A boy who once showed kindness to Katniss when she was starving, Peeta Mellark, is chosen as the male “tribute.”

I’m extremely thankful I didn’t abandon this book at the outset, because what ensues is fascinating YA dystopia at its best. Katniss and Peeta are assigned a drunken mentor named Haymitch (a past victor from District 12) who advises them in various aspects of strategy, part of which is keeping Katniss’ archery prowess a secret from her competitors and part of which is creating a narrative that the two of them are actually in love. Katniss believes for a long time that Peeta is faking it every bit as much as she is, but that’s not the case.

Katniss is an extremely resourceful protagonist, and watching her brainstorm solutions to tricky problems reminded me a fair amount of Sarasa in Basara, which is quite a big compliment. There was a little more of the romance stuff than I really wanted, mostly Katniss being confused about what her real feelings for Peeta are and what that means for her relationship with her hunting buddy, Gale, back home. But most of the time, she’s extremely capable and badass and yet not emotionally closed off.

I loved learning about her world and am sufficiently worried that she’s now under increased scrutiny from the Capitol due to her actions in the games. I cannot possibly start book two soon enough.

Catching Fire
As Catching Fire begins, Katniss and Peeta—rich, famous, and hated by the Capitol—are about to embark upon their victory tour. After President Snow puts in a personal appearance to inform Katniss that she and Peeta must convince the nation that they defied the Capitol simply out of love for one another, they do their best but are unsuccessful. Unrest continues to foment. As Katniss debates whether to flee with her family or stay and fight, President Snow announces the rules of this year’s Quarter Quell, a special Hunger Games that occurs every 25 years. This time, the tributes will be chosen from past victors, which means Katniss and Peeta are going back in.

I found the first half of the book to be pretty slow. Katniss spends a lot of time being wishy-washy regarding her feelings for Gale and Peeta and it becomes tiresome. There’s literally a line that says, “I really can’t think about kissing when I’ve got a rebellion to incite.” “NO YOU CAN’T, KATNISS,” I wrote back in my notes. However, the action picks up considerably once the rules of the Quarter Quell are announced.

This time, Katniss has half a dozen allies in the arena, so doesn’t have quite as many opportunities to solve tricky problems entirely on her own. (Mostly, she’s focused on keeping Peeta alive and has extracted a promise from Haymitch that this time he will prioritize Peeta’s survival over her own.) Yet, she is the one who understands what brilliant Wiress, who struggles to communicate clearly, is trying to tell the group about the arena and, later, quickly grasps what inventive Beetee is really trying to achieve with his electrical trap.

I did not see the ending coming at all, and while I don’t think this book is quite as strong as the first, it still ends with our characters in an interesting place. Haymitch has broken his promise and saved Katniss because she is the one who’s the face of the rebellion and she’s absolutely furious with him, and yet is that something she can walk away from? Meanwhile, Peeta is in the grip of the Capitol. Onward to the final installment!

Mockingjay
Mockingjay is quite a bit different than the other two books in the trilogy, and wound up being my favorite. Katniss, Finnick, Beetee, and a small group of survivors from District 12 find themselves in District 13, which had not been destroyed as the Capitol claimed. Katniss blames herself for the destruction of District 12 and spends the opening chapters in misery, not knowing whether Peeta is alive or dead, hating everyone and herself most of all. Meanwhile, she’s being pressured by the rebels to take on the symbolic role of the Mockingjay to unite the districts against the Capitol. It’s only after Peeta appears on television, calling for a ceasefire, that Katniss agrees to the arrangement, forcing President Coin (leader of District 13) to agree that Peeta won’t be executed as a traitor and also hoping to negate his influence on the populace.

I loved that District 13 is not some utopia, and is almost as controlling as the Capitol. I loved that Katniss, a volatile teenager, isn’t actually leading the revolution, but is initially just a figurehead who features in propaganda videos designed to inspire the districts. I loved the scenes where the people of District 13 flee to caverns during an air raid, and the fun-starved citizens are entertained by the antics of Buttercup chasing a flashlight beam. I loved Prim’s growing skill and confidence as a healer. I loved Finnick and his revelations about how Snow abuses victors, particularly attractive ones, and how we see a totally new side to him when he’s able to finally marry the woman he loves. I loved that, after the districts are united against the Capitol, the rebels have no more use for Katniss and intend to leave her behind until she manages to complete a grueling training course and qualifies to go to the Capitol as part of a sharpshooting squad, led by Boggs. I really loved Boggs, who acts a sort of father figure to Katniss and wants to protect her from President Coin’s machinations. I loved all the scenes of battle in the Capitol, especially the fact that Katniss doesn’t storm the president’s mansion and take out Snow single-handedly. The ending is great and very satisfying.

I didn’t love the romantic triangle stuff, though it’s obvious by now that it isn’t really a triangle anymore. Katniss loves Peeta, but she hasn’t realized it yet. Things are complicated when he is rescued from the Capitol and immediately tries to kill her, having had his memories altered as part of Snow’s torture. It takes a long time for glimmers of his real self to emerge, but once that happens they begin to grow back together. I did feel that some of this was rushed at the very end, which is a complaint I could also make about the deaths of some major characters. I realize that in the heat of battle there’s no time to stop and grieve, but it was still kind of a bummer.

All in all, this is an excellent trilogy. I regret that it took me so long to read it but am happy that I finally did!

Note: Ten years after Mockingjay was published, a prequel was released. Alas, reviews are not good and I’ve decided not to potentially sully my opinion of the series by reading it.

The Festivities of Marielle Clarac

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By Haruka Momo and Maro. Released in Japan as “Marielle Clarac no Shukusai” by Ichijinsha Bunko Iris NEO. Released in North America by J-Novel Club. Translated by Philip Reuben.

We’re nine volumes into Marielle Clarac, and she’s been happily married for quite a few of them. That said, the audience is still more interested in her as the heroine of a mystery/thriller than it is her as a socialite and wife. Which she would probably think is a good thing, as Marielle is starting to doubt herself as a socialite and a wife. Growing up inevitably means feeling that you have not grown up enough, and Marielle is worried that she is not really bringing to her marriage the things that wives should be doing. Instead, she’s getting kidnapped, solving crimes, causing international incidents, etc. Fortunately for her, her husband is having the same sort of issues, wanting to always be there to protect her but knowing that that’s impossible, and still dealing with being jealous of any other man who’s remotely close to her. Which, in this series, is pretty much every man. Basically, they’re both awkward dorks, and made for each other.

The main plot of this book concerns Prince Gracius, the orphaned son of Orta’s former king. He’s recovered his memories, but is now having to deal with something that all rich and powerful people have to: sycophants and hangers-on. Indeed, the people around him seem particularly bent on making sure he listens to them, and they seem to hate Marielle in particular. She doesn’t really care about that, however, as she wants to make the prince experience Noël, their Christmas equivalent, without fear of getting assassinated. Even if this means having to call in Lutin in order to disguise him. For once things actually work perfectly, but Marielle does not endear herself to Gracius’ entourage. And now there are rumors that she’s being unfaithful?!

There’s a running gag in this book that’s actually about the series’ main running gag, which is that Marielle still thinks of herself as being able to blend into the background and be dull and plain, and it’s increasingly untrue. Sure, she can get away with it while hiding from those who want to frame her by having her sexually assaulted (a rare unpleasant part of this otherwise pleasant book), but when she’s around her peers she is now increasingly the center of attention… mostly because of what she’s been doing the previous eight volumes. This also means that the rumor doesn’t really go anywhere – anyone who knows Marielle even a little bit will know how ridiculous it is. I was also amused to see that she’s learning – she suspects a letter from Gracius is fake, brings her servants and a guard, tells Simeon where she’s going… and STILL gets drugged and kidnapped. Sorry, Marielle, it’s the genre, not you.

This series is simply a barrel of fun, and also one that is easy to recommend to casual readers, as Marielle’s BL obsession is the sole “this is definitely Japanese” element – no reincarnated villainesses, no isekais, and no game stats. Just a series of mystery thrillers.

Fushi no Kami: Rebuilding Civilization Starts with a Village, Vol. 6

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By Mizuumi Amakawa and Mai Okuma. Released in Japan as “Fushi no Kami: Henkyou kara Hajimeru Bunmei Saiseiki” by Overlap. Released in North America by J-Novel Club. Translated by Maurice Alesch.

The last volume of Fushi no Kami finally resolved the burgeoning romance that’s been in this series since the first volume, as Ash and Maika are now old enough, at least in Ash’s opinion, so that he can’t get away with “she’s too young for me to be attracted to”. As such, they are now engaged, though not yet married, and apparently haven’t really consummated anything, despite Maika’s murmurings about wanting a baby. That said, fear not, romance is still in the air, as beta couple Reina and Hermes are still working on it… mostly because they’re essentially carbon copies of Maika and Ash, which is amusing but also lazy writing to an extent. And of course there is “foreign spymaster” Seire, who is clearly still very interested in Ash, not to mention Princess Alicia, aka Arthur. That said, everyone had better get on Maika’s good side if they want to get anywhere, and even so, I’m pretty sure this is not a polycule sort of book.

Ask and Maika may be engaged, but that’s not the plot of the series, the Industrial Revolution is. As such, we see the attempts at making a gas-powered engine (which sadly blow up), a steam engine (more successful), and other instances. Unfortunately, their little city has gone up in the world a bit too much, and the nearby areas have leaders who are Very Unhappy. Thus they’re seeing more bandits than usual, more refugees than usual, and, when all else fails, a full-blown invasion, supported by a few very familiar traitors who have always been jerks in previous books so it’s no surprise to see them being the bad guys here. That said, our good guys have Ash and Maika, who between them are good enough to stop any human plotting. Unfortunately, towards the end of the book, we get what every city fears – a demon invasion. We’ve seen Ash beat a werewolf beast before, can he beat over 200?

This remains a good series provided you accept all of its faults. Ash’s narration is always trying its hardest to pretend that he is just this ordinary dull normal guy, and sometimes it succeeds more than the author intends. Maika’s attachment to Ash and desire to protect him is funny much of the time, but when she has to be reminded not to murder people it’s a bit less fun. And, as noted, Reina and Hermes’ not-relationship is less interesting to me precisely because we’ve seen this sort of thing before. An attempt is made to give them a rival to draw them closer together, but he’s such a horrible person in every way that the big surprise at the end of the book was that he was NOT in fact a spy working for the bad guys… and I’m still not 100% convinced. On the bright side, the worldbuilding and fight scenes are still fun, and the humor can be very good.

This will probably always fall under the definition of “solid” rather than “good”, but sometimes solid is all you need.

Unnamed Memory, Vol. 5

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By Kuji Furumiya and chibi. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Sarah Tangney.

The six books in this series are divided into three books each, and this is the middle one of the second arc. As such, it tends to mirror the middle one of the first arc, in that it’s a bunch of shorter events that happen to our two leads rather than one big storyline. Of course, there’s a lot going on in those shorter events. The author describes this book as the lighter, fluffier one before the final book, and that does make me a bit worried, because this book was not all THAT light and fluffy. That said, there are many sweet moments in here, as Oscar accepts Tinasha’s love and they get engaged. We also get to know more about Travis and his relationship with Aurelia, which is also adorable in its own twisted way and I really hope does not end badly. But there is an ominous core to this volume that definitely will continue to the next: time travel made things bad, and the world needs to reset itself to its proper place.

We start things off with Tinasha solving the curse that’s on Oscar and (presumably) making him able to have children again. She’s then able to return to her coronation… but has a big announcement to make that will upend Tuldarr. We see Tinasha solve a particularly nasty incident at a magical academy, and help to fight off an invasion by another country, who are primarily using zombies as troops, which is annoying. Unfortunately, Valt is also still around, and he explains to Tinasha what the two orbs currently locked up in the two kingdoms do. Fortunately, we won’t have to deal with that particular subplot till Book 6. Oh, yes, and we also meet the Witch who cursed Oscar in the first place, and she’s very unhappy with everyone… and a lot more familiar to some than was expected.

Probably my favorite story in this volume was the academy one, which was simple tragedy with no purpose except to show that this world still has a tendency to run on death. It even gives us a little side plot with three students talking about the disappearances, and you wonder if we’re going to take a detour into a side story, but alas no. I also really liked Aurelia, who has a touch of the Maria Campbells to her but (like Maria) also a strong cure. She also works well with Oscar, which would create a love triangle in any book which is not this one. This book is all about the OTP. As for the witch, well, it certainly opens up Oscar’s past, which we finally get to see for the first time, and explains why his late mother has never dwelt much in his thoughts. But the key takeaway from that is “Oscar should be dead”, and I expect the final book may try harder to push on that.

This is another very solid volume. If you’re sick of the usual light novel brand of fantasy, you should absolutely be reading this.

Accomplishments of the Duke’s Daughter, Vol. 6

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By Reia and Haduki Futaba. Released in Japan as “Koushaku Reijou no Tashinami” by Kadokawa Books. Released in North America by Seven Seas. Translated by Andria Cheng.

It would be more accurate to call this volume, and apparently the two following it, “Accomplishments of the Duchess”, as we now begin an extended side story telling us about Iris’ mother Merellis. Featured in the first few books of the main series as a caring mother who seemed the sort to speak with her mouth behind a fan, the final book in the series showed us that behind all that etiquette is a dangerous swordswoman who will cut you down as soon as look at you. I said I wanted to hear her story, and it turns out iris does as well. Merellis’ past had never been revealed to her daughter, so Iris asks and Merellis tells up about her childhood, starting with the tragic murder of her mother by bandits, which sets her on a path leading to revenge and… well, revenge. What else does one need? the book was excellent, but fans of the series who loved it for the economic theory might be a bit thrown off.

After her mother’s funeral, Merellis is consumed with rage and a desire to take revenge on the bandits who did this to her family. Her father decides to train her in the sword to at least try to distract her, and, although from her own perspective the gains she makes and slow and inadequate, it’s actually rather terrifying how quickly she takes to it. Soon she is Mer, impersonating her own body double and rising through other guards, then knights, rapidly becoming an amazing military commander. Unfortunately, when all your life is dedicated to one goal, there are obstacles that are hard to overcome, such as your father getting his own revenge for his wife’s death and leaving you with no purpose in life. If only there was a guy her own age she could talk to about this…

As I said before, this feels like a completely different story. Merellis is not a meathead swordswoman, and very much shows she can take charge on a battlefield, but the book shows her worldview gradually opening up, as she goes from “I only care about my revenge” to “now what the hell do I do?” to “I want to protect my family” and then to “I want to protect others around me so that they do not suffer as I have”. At her side, though they’re not a couple yet (the two haven’t even hit puberty by the end of this first novel in the subseries, though the inner artwork may not have gotten that message) is Louis, son of the Prime Minster and Merellis’ future husband. She’s fairly smitten with him by the end of the book, but they also fight,as he tries to get her to see the bigger picture.

I suspect the next book will feature a lot more nobility and gowns and less fighting, but who knows? Merellis was clearly a little hellion until she got married (and then became a big hellion). This is a great book, but it’s nothing like its parent series, except maybe as it regards the greater good and how to move towards it.

Arifureta: From Commonplace to World’s Strongest, Vol. 12

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By Ryo Shirakome and Takayaki. Released in Japan as “Arifureta Shokugyou de Sekai Saikyou” by Overlap Bunko. Released in North America digitally by J-Novel Club. Translated by Ningen

It was about 18 months in Japan between Vol. 11 and 12, and it’s been about the same here in the West as well. I was briefly worried that I’d forget literally everything that had been happening before, but that was before I remembered what series I was reading. Arifureta is not particularly interested in its own plot, or even that much in its characters. Arifureta is interested in people powering up and getting new special moves. The author has clearly drowned himself in Jump series as a kid, and as a result this book, especially the back half, can be summed up by using the “It’s over 9000!” meme over and over again. That said, there is a little bit of character stuff in the front half, but I was less happy with that, as it leans too heavily into an evil cliche stereotype I dislike. This is also NOT the final volume of the series – we’ve got one more to go after this. Fortunately, it’s scheduled for the fall in Japan.

Kaori gets a nice cover art picture, which makes it a shame that she’s the only one not in the main book, getting left behind to guard everyone else and make sure they’re not killed. (She gets a nice short story at the end to make up for it.) The rest of the book is divided almost exactly in half. In the first part, Shizuku, Ryoutarou and Suzu head over to try and beat Kouki and Emi up and return them to their senses. Only one of them actually gets beaten up enough to have that happen, and you can probably guess who. But hey, Suzu gets to say goodbye. In the back half, Hajime is sent ahead to go rescue Yue (which will clearly be most of Book 13), so we get Shea and Tio taking on a whole bunch of apostles and monsters, as well as Freid. Unfortunately, the bad guys seem to have forgotten how our heroines are basically nightmares themselves by now.

So yeah, we get Eri’s backstory here to explain why she’s incredibly evil, and it’s because her father died saving her from getting run over, her mother blamed her and abused her, and she was almost raped by her mother’s new boyfriend. Getting abused as a child leading to a bad person later in life is something we need to see less of. Kouki, meanwhile, remains a shallow parody of the standard shoujo boyfriend, so it’s no surprise that once the mind control is removed and he’s punched a lot he manages to recover what wits he has… though we’ll see what happens when he sees Hajime again. But really the majority of this book is exactly what I said earlier: yelling out attacks, just barely avoiding lethal moves, pulling off near lethal moves in return, and lots of shouting.

The return of everyone’s favorite Zero protagonist at the end of the volume is interesting, and I wonder if she’ll help Hajime in the next volume. Till then: boy, this sure was a volume of Arifureta.

So I’m a Spider, So What?, Vol. 14

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By Okina Baba and Tsukasa Kiryu. Released in Japan as “Kumo Desu ga, Nani ka?” by Kadokawa Books. Released in North America by Yen On. Translated by Jenny McKeon.

The subtitle of this volume could be summed up as “At Long Last”. At long last, we have finally caught up with where we left Shun, Katia and the rest of the human cast in Book 5. At long last, we get several extended flashbacks explaining to us the origins of Ariel, Potimas, and Guli-Guli… erm, Guliedistodiez. But perhaps most importantly, at long last, Potimas is dead dead dead. Yes, technically this is a spoiler and it happens at the very end of this volume, but I think most readers of the series won’t blame me too much, because every single one of us have wanted that asshole dead for almost ten books now, and it’s about damn time. Of course, there’s one slight problem with all these things happening at once, which is that none of them really land as satisfyingly as I want them to. For a book that should have been a home run, this ends up being merely “okay”.

The Imperial Army, augmented by hidden demon army members, has arrived at the Elf Village to kill every single elf there, including Potimas (but excluding Ms. Oka, who gets a pass for being nice to our spider long ago). Ariel asks White to leave Potimas all to her, which White very reluctantly does. But that’s fine, as it turns out there’s a lot more going on, including robots, giant robots, even gianter robots, massive sea urchin robots, and UFOs. All of these force White to work harder than she’s ever…. well, no, White barely breaks a sweat, but she does have to use a few tricks she’d been saving for later. As for the rest of the human cast? Erm, sorry, the title of this book is still about the spider. They barely get a look in. In the meantime, Ariel has flashbacks to her past, and the previous end of the world apocalypse, which is mostly thanks to Potimas, though the dragons helped.

There is some funny stuff here. White’s narration is always amusing, especially as Potimas keeps topping himself with more and more dakka. Her four spider daughters are also very amusing as they have to team up with Ronandt, something which pleases them a whole lot more than it does him. But for the most part I think the parts of this book set in the past don’t land as hard as they should, because they’re told from the perspectives of three people who were not present at the major events. It is interesting to see Ariel as a wheelchair-bound near death teenager, and helps to explain a lot of her actions (as well as her relationship with Potimas). That said, I’m going to be honest, the most interesting part of the book was the final line. White has always been a bit of a villain protagonist. Is she finally going to turn full evil?

So yeah, Spider fans will like this, but not a lot. The next book promises to be a banger, though.

Reborn to Master the Blade: From Hero-King to Extraordinary Squire, Vol. 5

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By Hayaken and Nagu. Released in Japan as “Eiyu-oh, Bu wo Kiwameru tame Tensei su. Soshite, Sekai Saikyou no Minarai Kisi ♀” by HJ Bunko. Released in North America by J-Novel Club. Translated by Mike Langwiser.

I am deliberately not reading prior reviews of this (which I normally do), because I know I will be typing the exact same goddamn thing again. There’s just no avoiding it. So here we go: This series only has one joke. It’s STILL a good joke. That said, the dichotomy between Reborn to Master the Blade as amusing reading about a meathead and her slightly less meathead sister and Reborn to Master the Blade as a dark fantasy with a lot of casual death is widening, and it does not always mesh together well. There’s a moment in this book where an entire city rises into the air, and Inglis notes that this is likely due to a LOT of people being executed to harvest their energy. And, as it turns out later, she is correct. However, we barely notice this as we’re listening to Inglis trying to figure out how to clone herself to solve her fighting problems.

Inglis and company are traveling in secret to Alcard, in order to try to do something about the impending war. Unfortunately, Alcard has changed a LOT since the last time Lahti, Pullum and Ian were there. The people are starving to death, their food having been taken at the behest of their heiral menace, Tiffanyer, who has the power to make anyone sing “I Think We’re Alone Now”… erm, well, I’m not sure if her power is literal brainwashing or merely incredible charisma, but she’s won over a lot of the knights of Alcard, including Lahti’s older brother. She’s also hella strong, meaning Inglish is having trouble focusing on the mission and not focusing on getting a really good fight with Tiffanyer. That said, the thing that shows up at the very end of the book makes even our favorite meathead step back and pause to reflect.

Again, the one joke is a REALLY GOOD JOKE. The running idea of Inglis thinking about cloning herself, and being told the many ways this is a bad idea, then trying to fix it by tripling herself… it’s hilarious. It will never happen, and THANK GOD, but it’s hilarious anyway. I also loved the desperate stupidity of the world’s two hungriest girls trying to get by on eating snow with sugar and salt sprinkled on top of it. Beyond that, however, things are pretty dark. There’s one point where they literally find a church full of dead children who starved to death due to the machinations of Tiffanyer. What’s more, she’s not merely evil for evil’s sake – she’s grabbing what she can because she knows the penalty for failure. It’s increasingly likely that peace is not something that’s coming anytime soon. And given what shows up at the end of the book, apocalypse is looking a bit more likely.

If you can tolerate the book turning from “this is a horrible tragedy with the corpses of children” to “dur hur Inglis love fighting!” this is still a fun series. Plus the books read fast.

Slayers: Hatred in Selentia

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By Hajime Kanzaka and Rui Araizumi. Released in Japan by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by Elizabeth Ellis.

At last, I have something to talk about. That is not a good thing. The Slayers novels are fast-paced, action-packed, have some interesting fantasy plotting, and Lina and Gourry are fun, but let’s face it, the reason this series is beloved is that the anime took the characters and fleshed them out, made them human. Character development and deep emotional pain is not something that Kanzaka specializes in or is good at. And that’s going to be a problem with this book, whose second half relies entirely on the death of a beloved character and said death driving another character to an extended murder spree, one that I suspect may continue in the next book. There’s just one problem. The emotional impact is taken as read. The author assumes we will be devastated when this character dies, but mostly we’re merely surprised at how fast and pointlessly it happened. And the roaring rampage of revenge is more of a mildly simmering rampage of revenge. Slayers runs on snark and fighting. When there isn’t either of those, it gets into trouble.

Lina and Gourry come to Selentia, a city where religion is the biggest mover and shaker. There’s a high priest as well as four other slightly lower priests. Unfortunately, the high priest has just burned to death in an “accident” that no one thinks is an accident. Lina and Gourry are hired by the Sorcerer’s Guild to investigate, and find that there’s a lot of motive but not a lot of evidence. That is until we get more killings happening. What’s more, Luke and Mileena are here again, being hired bodyguards for one of the priests. Can Lina and Gourry figure out what’s happening and stop it before the entire city turns into a blood-soaked canvas? Answer: no.

Kanzaka apologizes to readers in the afterword for Amelia and Zelgadis not being in this, but for the wrong reason. He states that if they’d been there, they could have healed the fatal wound and thus avoided everything that came after. That said, I think the bigger problem is: this should have been Zel and Amelia, not Luke and Mileena. After being introduced in Book 9, the two of them have had “replacement scrappy” written all over then, despite occasional attempts at depth. Frankly, if Kanzaka had simply used Amelia and Zel in Book 9-14, and had Amelia killed off and Zel go on a rampage, the impact would have been much greater because we actually care about them. And, see, I say that, but I can’t bring myself to believe that either. Because Mileena’s death is so fast, so lame, and so emotionally void that it took me a while to realize it had happened. Kanzaka cannot write depth. And that means this book winds up suffering terribly, because it’s where depth is needed the most.

This second “arc” in the S;layers series will end in the next volume, and I suspect will wrap up Luke’s plot as well. I hope it’s filled with cool action sequences and magical battles. Because really, why else would you read this?

Ascendance of a Bookworm: I’ll Do Anything to Become a Librarian!, Part 4: Founder of the Royal Academy’s So-Called Library Committee, Vol. 7

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By Miya Kazuki and You Shiina. Released in Japan as “Honzuki no Gekokujou: Shisho ni Naru Tame ni wa Shudan wo Erandeiraremasen” by TO Books. Released in North America by J-Novel Club. Translated by quof.

Each of the parts of this series expands and builds on the one before it. We begin with Myne pretty much confined to her tiny home and the immediate area around it, and this expands when she starts doing her paper thing and meets Benno. Then we expand into the temple environment, where we see our first exposure to the religion of this world, Myne’s role in it, and noble society, where there is a chasm so great that Myne has to die and Rozemyne has to be born in order for the plot to move forward. The third arc gives us all we want to know about nobles and their infighting, and ends with Rozemyne in a two-year coma. In the fourth arc, we move to the Royal Academy and begin to see Rozemyne seriously influencing people beyond her duchy, up to and including the royal family. We’ve still got two more books after this, but after this one I think we all know where things are headed. Civil war.

Rozemyne may spend the first half of the book away from the Academy, but that does not mean that this is a laid back and relaxed sort of book. Things get serious right away when she reads the Bible, trying to find the bits of the Book of Exodus describing how to build an altar (this world, alas, does not seem to have that), and finds that she can suddenly see a magic circle hovering over her Bible. Ferdinand is so unnerved by this that he urges her to never mention it to anyone or even remember she saw it… but then she has to give testimony about all the cool things she did in the previous book, and admit that she learned dark spells form the Bible she has… which is not the same as the Bible other duchies have. This almost sparks a holy war, and I’m pretty sure we aren’t done with it. But I suspect that the terrorist attack we get at graduation time will distract people from it just a tad.

There are many funny moments in this book, not least of which is the introduction of the perfect partner for Hartmut, a woman who is just as obsessed with Rozemyne as he is AND able to threaten to kill him with a knife. Every man’s dream. That said, it’s hard not to focus on the more serious parts. The attack is harrowing, and has a body count… though the body count is not from Ehrenfest, which sadly, given the way nobles think in this world, means they’re actually under suspicion. We also get a prologue showing us how much stress Hannelore is under merely by being in Rozemyne’s orbit, and an epilogue showing us the tragic past of Eglantine is even more tragic than we had previously been told. I have a sneaking suspicion that Eglantine’s pacifism is going to tie into future books, and I’m not sure if that’s a good or a bad thing.

If you’re reading this series and wondering if you should pick up Book 19, you don’t need my review. But I’ll tell you anyway: yes, you should pick up Book 19. This remains a top-tier light novel series.

Forget Being the Villainess, I Want to Be an Adventurer!, Vol. 3

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By Hiro Oda and Tobi. Released in Japan as “Tensei Reijou wa Boukensha wo Kokorozasu” by Kadokawa Books. Released in North America digitally by J-Novel Heart. Translated by Kim Louise Davis.

One of the gimmicks in My Next Life As a Villainess is that every reader laughs at Katarina continuing to prepare for her own doom, as they know that if she’d just relax and enjoy life with her harem, everything would be fine. Of course, later volumes show that’s not actually true. One of the things we’ve seen about villainess novels is that the narrative does not like being flouted, and will do its very best to make sure our villainess dies as she’s supposed to do. And few series have quite gone as hard about it as Forget Being the Villainess, I Want to Be an Adventurer!. Even though last book ended with Serephione safely ensconced in another kingdom, and with a fiance who adores her, there’s still the “heroine” to deal with. And this heroine may be the nastiest, most evil one we’ve seen to date. actually, that may be the book’s one big flaw: Maribelle gets no tragic backstory she’s just The Adversary.

As Serephione settles into her new kingdom, various parties try to bring her back to the old one. Her family is OK with her being there as long as she’s safe, though they want to actually see her again. But when the first prince comes himself to beg her to side with him, and her grandmother is cursed and nearly dies, it becomes apparent that there’s no real way of getting out of this throne war. Especialyl when the king is a drugged puppet, the queen is getting revenge on everyone, Schneider is still trying to destroy the book series he hated when he was back in Japan, and Maribelle… well, Maribelle remains a bit of an evil in the shadows until she’s finally forced to come out. When she does, it’s time for a magical duel, which normally Serephione would have no problems with, but Maribelle has the power of a different god on her side.

I get the sense that the writer of this book wanted to go for the tragic ending but the publisher made them stop. The ending, with Serephione resolving to be reincarnated as a warm breeze to always follow her beloved (and woe, that’s an absolutely wonderful moment) feels a lot more valid than what we actually get, which is “remember that scene where you wished on a star? No? Well, we’re cashing it in.” I was also annoyed that Erza came back, as I wanted her to, only to essentially be written out of the book due to Maribelle’s curse. That said, as I mentioned above, the biggest flaw in this book is that Maribelle is a one-note antagonist, whining and screaming when things don’t go her way. She gets the “love interests” on her side due to the power of the narrative, but I would have appreciated at least a little better idea as to what drove her to this.

So, in the end, a flaws series, but I was happy to read it. Three volumes seems just about right. Recommended for villainess fans.

You Like Me, Don’t You? So, Wanna Go Out with Me?

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By Kota Nozomi and Azuri Hyuga. Released in Japan as “Kimitte Watashi no Koto Suki Nandeshou?” by GA Bunko. Released in North America by Tentai Books. Translated by Noor Hamdan.

After getting a very old series licensed by J-Novel Club (When Supernatural Battles Become Commonplace), Kota Nozomi now has a more recent series out over here, one tying in to the current trend of “relaxed, sweet and syrupy teen romances”. The artist may also be familiar to readers, having done illustrations for Our Crappy Social Game Club Is Gonna Make the Most Epic Game. And the plot is, of course, very familiar, as the whole point of this genre is to give the single teenage mane a book to read that will make him sit up and think “yeah, that could be me! Maybe! If the hottest girl in the school decided to do all the heavy lifting!”. This is not a series to read if you want unique plot or characterization. But if you enjoy the genre, and are thinking “is there just enough here to entertain me and make me want to pick up the second (and so far, last) volume? Yes. Just barely.

The book opens with the title and then backtracks to review how we got here. Our sad sack protagonist is Kouichi, one of two members of the “Literature Circle”, which is to say a literature club that lost its members and became unofficial. He has a dark past that we will eventually find out about. The other member of the Literature Circle is Kasumi, his sempai at school and one of the school’s “Four Heavenly Beauties”. She is known for her mature attitude and looks (and yes, she has large breasts,. which are mentioned frequently – it’s that genre, after all). And, after about a year of being in the same club, reading books, and getting shamelessly teased by Kasumi, she asks him if he likes her. He does, so she asks if he wants to start “trial dating”, i.e. dating the way we do it in the United States, rather than Japan’s “confess and die” approach. He suspects a trap, but goes along with it.

This book had to have its protagonist clear one low bar in order for me to want to read more of it, and it did – just. We gradually get to hear about Kouichi’s tragic past – it doesn’t involve death or past romance, but it does involve being taken advantage of by someone in authority, and it’s pretty much broken him. Unsurprisingly, it’s Kasumi’s enthusiasm and optimism that makes him decide that he wants to try again. The good thing is that, to get help, he turns to a third, more experienced person who he trusts a great deal. I was hoping that this would not merely be a two-person book, with literally any positive thing he did caused by his love for the hot girl who likes him. Instead, he’s making progress without her input. That’s good. As for Kasumi, we do occasionally get her viewpoint, and it helps us see she’s not nearly as put together and perfect as Kouichi thinks, but she’s definitely taking more leaps than he is here.

So this falls under the heading of “okay”. If it were as long as When Supernatural Battles Become Commonplace, I’d pass. Since it seems to be only one more volume, I might get it.