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Reviews

Since I Was Abandoned After Reincarnating, I Will Cook With My Fluffy Friends: The Figurehead Queen Is Strongest At Her Own Pace, Vol. 5

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By Yu Sakurai and Kasumi Nagi. Released in Japan as “Tenseisaki de Suterareta no de, Mofumofu-tachi to Oryouri Shimasu: Okazari Ouhi wa My Pace ni Saikyou desu” by M Novels F. Released in North America by Cross Infinite World. Translated by Emma Schumacker.

It’s been so long since the start of this series that I had honestly forgotten the setup, which is, of course, the standard “disgraced fiancee” story that I’m trying to stop calling “Villainess” when it doesn’t apply. To be fair, we spend so little time dealing with it that it was very easy to forget. But now, as if the author realized that there was more material to mine here, we’re going back to where it all began. Not just as the reigning queen of a foreign country, that would be too simple. Laetitia is also going back to school, which she of course left when she left the country, in order to complete her education. And you know what that means… the horrible guy and the horrible girl who started this are back, and they’re determined to get right back on the “why are you bullying her, you terrible woman?” cliche bandwagon.

Laetitia and Glenreed are going back to Laetitia’s home country, Elltoria. While Laetitia is going to get her education finished while she’s there, the main purpose is the celebration of the King reigning for ten years. And honestly, given how much of a family feud everyone has going on during this, you can see why ten years is a big deal. Sadly, the candidates for taking the throne after the King steps down are a) Laetitia’s old fiance, who is shallow and annoying, and b) Princess Velta, who judges men by how handsome they are and is a conniving backstabber. Honestly, neither one is all that appealing, but you can bet that Laetitia’s going to get dragged into this anyway, protected only by her magic power that is so high that it’s literally unheard of.

It was nice to see the author poking at their own setup, as well as the typical setup for novels like this. The idea that a prince of the realm can dissolve a long-standing engagement with a woman who has been trained for years to be the next Queen, just by shoving her into a fountain and saying, “the engagement is off!”, boggles the mind. What’s more, after hearing so much about Laetitia’s brilliant, talented brothers, who adore her, it’s rather odd that ALL of them were away when this played out. Sadly, we don’t learn WHY this scheme was hatched, but at least learning that it’s a scheme is sufficient. As for Laetitia and Glenreed, sorry, she’s still ludicrously oblivious. Hell, Glenreed’s main issue is that, because he hasn’t told anyone about her past life in Japan, he is jealous of a dog. Who he thinks is a former lover. This is funny but also quite sad. But mostly funny.

A lot of this book felt like the “your series is popular enough now, start spinning out subplots that will allow it to continue for a long time” sort of thing, but it read well enough. And there’s frozen oranges, lest you worry food doesn’t get a look in here.

Ascendance of a Bookworm: I’ll Do Anything to Become a Librarian!, Part 5: Avatar of a Goddess, Vol. 4

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By Miya Kazuki and You Shiina. Released in Japan as “Honzuki no Gekokujou: Shisho ni Naru Tame ni wa Shudan wo Erandeiraremasen” by TO Books. Released in North America by J-Novel Club. Translated by quof.

With each successive volume in this arc, that subtitle is becoming more and more like foreshadowing. We see here that Hartmut is already brainwashing everyone in the temple to add Rozemyne to the list of Gods, and though she tries to shut him down you get the sense that she won’t be able to for very long. We also see, even if they may not think of her as a Goddess just yet, they definitely think of her as a Saint. The bulk of the first half of this book is that the Liesegangs, now the dominant power after Sylvester p;urged his own base to get rid of the Veronica Faction, think that Wilfried is useless and awful, and that Rozemyne should absolutely be the next Aub. While they’re not wrong about Wilfried (I’ve sort of given up on him, the narrative makes it clear why he’s gotten so awful but it doesn’t make me like him), they forget that Rozemyne simply has no interest in this.

Rozemyne arrives home to find that things are… not great. She’s surprised and rather upset to find Sylvester telling her to try to lay off getting the duchy elevated for the moment, because they’ve done it so fast that no one is ready for what it entails. Of course, what that really means is that the older generation like things as they are and fear change. Sylvester is essentially unable to do anything because the Liesegangs are dominant, but fortunately Rozemyne’s retainer Brunhilde has a wonderful solution that will solve most of these problems. Meanwhile, Rozemyne returns to the temple, now filled with a lot more children whose parents were executed or imprisoned, and gets ready to train Melchior to take over for her. And there’s still time to visit other areas of Ehrenfest and learn some very important past history of the duchy.

The story of Eisenreich is another reminder that women in this world have to struggle to get any headway at all, and that frequently even after achieving their goals they’re still unhappy. The aub’s daughter who essentially saved the country centuries earlier was given a poisoned chalice of a position, and it’s not a surprise that trying to keep the duchy together eventually broke her. We get this history after all the politics with the current generation, with Brunhilde stepping forward to offer herself up as Sylvester’s second wife… but this only comes after her father sires a son, meaning all the power that she would have been coming to will now be taken from her. She ends up consoling Charlotte, who (as we saw in the short story book last time) is bemoaning the exact same thing. We know that Charlotte is the most obvious choice to be the next Aub. But that knowledge does not help us… or Charlotte.

All this plus Angelica gets extra blessings!… with the help of her sword literally telling her what to say. Angelica, I love you. And hey, only three more books till THAT spoiler!

Dahlia in Bloom: Crafting a Fresh Start with Magical Tools, Vol. 7

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By Hisaya Amagishi and Kei. Released in Japan as “Madougushi Dahlia wa Utsumukanai” by MF Books. Released in North America by J-Novel Heart. Translated by Osman Wong.

One thing I haven’t really talked about with Dahlia in Bloom is a fact that it shares with a lot of more male-oriented isekai/reincarnation titles, which is polygamy. It’s made clear here that a lot of nobles have multiple wives (it does not go the other way round, btw), and that commoners can also do this, but most don’t. And this is important because Dahlia and Volf are still denying that they have anything but friendship between each other, which makes Dahlia very vulnerable, not only to single men, but to married men who see her as a hot commodity and can afford a second wife. The trouble is that Dahlia is a one-man woman, and she wants her partner to be a one-woman man. Plus, y’know, Dahlia’s usual self-deprecation. Things are going to have to come to a head soon, because as this volume shows, Dahlia’s inventions are revolutionizing everything, be it military-grade weaponry or a kotatsu.

There are basically two subplots in this book. The first involves Dahlia and Volf’s quest for the perfect magic sword, which in this case ends up being two swords connected by a wire. When showing them off to his fellow knights, Volf doesn’t want to make Dahlia more popular than she is, so says it came from a weapons company started by his brother. Sadly, the weapon proves SO popular that everyone then goes to his brother to talk about it. The other subplot is Dahlia making a kotatsu, which immediately becomes the biggest thing since sliced bread. Everyone wants one, they’re (relatively) easy to make, and the lead to “degeneracy” as no one wants to come out from under them after they first try it. Even the royal family are buying it. Which, again, reminds you that Dahlia has come up with at least 7-8 history-changing inventions during this series, and is still single. Please be careful, Dahlia.

This volume has a much larger role for Dahlia’s friend Lucia, probably because Lucia’s spinoff series, Lucia and the Loom (also licensed by J-Novel Club recently) debuted between books 6 and 7. Lucia is basically what Dahlia would be if she had confidence, and she’s a lot of fun. She too is single, and she too is vulnerable to getting marriage proposals, this time from Forto, whose wife shows up asking if Lucia will become Forto’s second wife. The first wife is basically pure nobility, which does not help, but also, like Dahlia, Lucia wants to marry for love, to one man, who will also only have one partner. That last one is the definite sticking point in this series, as there’s a lot of guys who are “not exclusive”. Dahlia’s solution is obvious – just hit her and Volf in the head over and over till they get it – but I’m not sure what will be happening with Lucia down the road, especially if her star is hitched to Dahlia’s.

There’s only one more volume to go till we’re caught up with Japan, so folks waiting for the payoff may have to wait even longer. Till then, this is fine.

The Apothecary Diaries, Vol. 8

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By Natsu Hyuuga and Touko Shino. Released in Japan as “Kusuriya no Hitorigoto” by Hero Bunko. Released in North America by J-Novel Club. Translated by Kevin Steinbach.

For most of the volume this almost seems like a short story book, with Maomao running around dealing with various things one by one. It’s only when we get near the end that we realize that all the stories we’d seen earlier are all tying together, and all of them are there to show off Maomao and how good she is at what she does, whether that be medicine, or crime-solving, or even just being blunt as hell. She may be annoyed about all of this, but she still does it, mostly for the promise of good food, good medicine, or the chance to avoid people that she’d rather never deal with again, i,e, Lakan, who is slightly less annoying than he normally is in these books, but that’s only because he’s performing the equivalent of a wake. And this all culminates in a final scene that I really don’t want to spoil, which is basically “who gets Maomao?”, and the consequences are larger than you think.

Maomao spends a lot of the book with Yao and En’en by her side, wondering offhandedly if this might be that thing humans call… friendship? She’s just gotten a pile of Go books written by Lakan, presumably as a present, and she’s desperate to sell them, especially when she hears how much people might actually be willing to pay for a book written by a legendary player. But first she has to solve the question of why the consistency of the makeup at a store has changed, the question of which of three identical triplets raped an underage girl, and the question of who stole – or sabotaged – the Empress’ hair stick, perhaps as a threat. All of this culminates in a massive Go tournament, with the rumor being that if anyone can defeat Lakan, he will grant them one wish. The rumor is fake, but that doesn’t stop someone from wondering if this is a way to solve his problems…

After featuring heavily in the first few books, we haven’t seen much of Gyokuyou recently, and this book tries to make up for it. She’s not having a great time right now. Her servants keep leaving (as tends to happen, they mostly leave to get married), and new ones are not coming her way because of her manipulative brother. Fortunately, she has a set of identical triplets (no relation, though they also are caught up in one of the crimes Maomao has to solve) to help her, but her oldest attendant is now over 30 and still not married, which is worrying. She *really* misses Maomao, who is a masterclass at cutting to the heart of everything. Unfortunately, she’s reckoned without the fact that Jinshi is ALSO really missing Maomao, and he’s far more obsessed with her than Gyokuyou is. I will not spoil the final scene, but it’s dynamite, with Maomao for once not being able to do anything as the three most powerful people in the country fight over her.

It does leave the question of where we go from here. The blurb for the 9th novel is suitably vague, so we shall see. Till then, please enjoy another book of this very prickly young woman who absolutely everyone adores.

Villainess Level 99: I May Be the Hidden Boss but I’m Not the Demon Lord, Vol. 1

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By Satori Tanabata and Tea. Released in Japan as “Akuyaku Reijō Level 99: Watashi wa Ura Boss Desu ga Maō dewa Arimasen” by Kadokawa Books. Released in North America by J-Novel Club. Translated by sachi salehi.

One of the frequent complaints about fantasy light novels that I’ve seen is that everything tends to be dependent on stats and levels, even when the novel in question is not depicting a world based on a came or people trapped inside a game. Because of Japanese RPGs being the default fantasy for everyone rather than, say, Lord of the Rings or Narnia, everything is about level grinding and raising your stats to the point where you can do things. It’s fine if you’re the reincarnated from Japan person – like our heroine in this book. But to the rest of the cast, this is just their world, and it just… has levels, for some reason that no one quite knows. Even the king thinks it’s baffling. Unfortunately, that’s also the plot of this series, as our heroine is all powerful and ALSO has the stereotypical hair color that makes her clearly EVIL. Fortunately, she’s not evil. Well, mostly. She wavers a bit.

Yumiella Dolkness remembers fairly quickly her past life from Japan (which we get no details about except that she was killed by a car) and knows she’s in a game she played – as the villainess, who also turns out, once you’ve beaten the game, to be a hidden super-strong final boss. Yumiella wants nothing to do with this, at first… but then realizes that if she wants to actually survive, she’d better be strong enough to stand up to the heroine and her love interests. Plus, she loves grinding levels. And, helpfully, her parents have essentially abandoned her in the countryside with only a servant or two, so it’s easy to go out and find monsters and dungeons. Now she’s arrived at the Academy, ordered to do so by her parents (who she’s still never met), and just wants to quietly get through school… despite being 99 times more powerful than most of the student body.

The strength of this book is Yumiella, though she’s also one of the weaknesses, as her personality can vary highly depending on what the writer wants to do. At the start, she’s relatively stoic and blase about everything. As the book goes on, though, she starts to get a lot more “eccentric” in a Katarina Claes sort of way, especially when she ends up raising a dragon as her pet, not understanding why anyone wouldn’t think it was anything but adorable. Then at the end, when things have to turn serious, she’s mostly back to the first, with an added helping of “why aren’t you trying to destroy the country?” from the demon lord. He has a point, given how the very shallowly written heroine treats her. The answer might be Patrick, Yumiella’s love interest, and the only one who really treats her as a person – though he has to work at it. Frankly, given when we meet Yumiella she really DOES think about blowing up the school once or twice, it’s not hard to see where the “hidden boss” thing came from.

Still, overall this was more good than bad, and everything wrapped up nicely in one book. Except, of course, there’s five books and counting, plus an anime on the way. Guess we’ll see you back here in a couple months.

Spy Classroom: Fool Erna Once

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By Takemachi and Tomari. Released in Japan as “Spy Kyoushitsu” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Nathaniel Thrasher.

It should go without saying, but the series Spy Classroom involves spies. And spies can sometimes be not nice people. Downright unpleasant, in fact. We’ve seen that in previous books, with villains working for other countries ranging from weak to comically evil. But for the most part, we know our girls. Those wacky, lovable scamps who are all dropouts but come together in the end with the power of friendship. Surely they’re all different! Well, OK, not Annette. We already know fro previous books that Annette is one of the only girls in Lamplight who can, when push comes to shove, do something cruel. But she may not be alone, as we learn in this book that focuses, for once, on the character the anime tried desperately to adapt and failed miserably. The character that even the publisher tried to avoid drawing for the longest time. A girl plagued by misfortune. Which even extends to this review, because sorry, Erna, Sara is my favorite character in this book.

After the triumph of the fourth book, and becoming an official team, things are not going very well for Lamplight. They’ve been screwing up mission after mission, and believe it or not, it’s not JUST Lily. Things take a turn for the worse, though, when they meet two members of another spy organization working for their country, Avian. If Lamplight is composed of dropouts and washouts, Avian is composed of only the top graduates of spy schools. And recently, their handler was killed, meaning they don’t have a leader. After discerning that Lamplight are pathetic and awful, Avian decide that Klaus should be their leader instead, and Lamplight can all go back to spy school where they truly belong. Of course, the girls are not going to take this lying down, and it ends up becoming a competition to see who the best spy team really is!

If you thought that my description of Lamplight in the last paragraph was a bit mean, you ain’t heard nothing yet. Avian may be just as eccentric as Lamplight, but they’re far, far more skilled, and they have a heaping helping of arrogance to go with it. They’ve also had actual completion of spy school, which means they have an extra technique the Lamplight girls do not, and much of this book amounts to our heroines “trying to reach their second form”. Sara comes close, and actually manages to kick ass and take names (yes, Sara, the animal girl), but of course Erna is the star of the book, for spoilery reasons, and it’s her own development that provides the big climax. It also allows Klaus to have a paternal talk with her, which I appreciate, as Klaus as a hottie everyone wants to bone is not my favorite thing. (That also comes up here, alas.)

All this plus one of THOSE epilogues, the ones that really like to kick you in the teeth and then make you wait for months or so for the next book. This book, though, was good, and arrives just in time for the second half of the anime, which… has nowhere to go but up.

March Comes in Like a Lion, Vol 1

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March Comes in Like a Lion Volume 1 by Chica Umino

March Comes in Like a Lion was one of the releases I was most anticipating this year, and it was so worth the wait. The opening panels show Rei Kiriyama waking up, getting ready, going to a shogi hall, playing a game against a man he knows. Throughout this introduction Rei says nothing, and the panels of the shogi game are intercut with scenes from Rei’s childhood. When Rei wins the game and his opponent gets up and mentions that he and his family members are worried for him, Rei waits until he’s alone to say “Liar.” Rei then heads home, just as isolated, but he’s interrupted by a flurry of texts and goes over to the Kawamoto sisters’ house, where he’s immediately enveloped in a warm family gathering.

March Comes in like a Lion

Umino balances portraying isolation, trauma, and depression with great skillfulness and moments of humor. She packs in so many slice of life character development vignettes into just a few panels. I appreciated the shonen battle stylings of Nikaido, who proclaims himself Rei’s rival and soon-to-become best friend. Rei goes to the hostess bar where Akari Kawamoto works with some other shogi players, and she cheerfully manipulates his companions into promising to look after Rei. Rei’s background is shown through a series of non-linear flashbacks, and while by the end of the first volume the reader has a sense of what has caused Rei to be so isolated, it is certain that there will be plenty more revelations ahead. One thing I really enjoyed is that the relationship between Rei and the Kawamoto sisters isn’t one sided – Rei also supports the sisters in his own quiet way.

Denpa’s production quality is excellent, with extras like french flaps and a color fold-out poster included at the start of the volume, which makes the manga feel like a bit more of a special collector’s edition. I also appreciated the essays about shogi that accompanied the story. I’m all in for this manga and seeing how Rei’s journey unfolds.

The Saint’s Magic Power Is Omnipotent, Vol. 8

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By Yuka Tachibana and Yasuyuki Syuri. Released in Japan as “Seijo no Maryoku wa Bannou desu” by Kadokawa Books. Released in North America by Airship. Translated by Julie Goniwich.

This may sound like a comparison only I would make (because it is), but a lot of Saint’s Magic Power Is Omnipotent is starting to feel like Der Werwolf to me. Specifically, our saint tends to regard herself as just an ordinary researcher who can use ingredients really well, whereas in reality everyone else in the world knows that she’s a… well, a SAINT. Literally, as we see here, as a gift that she gives to a colleague ends up healing permanent burn scars that another woman had on her face. It’s as biblical as they come, frankly, lacking only Sei literally laying hands on her. That said… no one actually mentions this happened to Sei, because I think they realize quickly that telling her “you did a miracle that saved by friend, I would die for you” would just make Sei feel uncomfortable. And she’s got enough trouble as it is, because a simple visit to the opera might torpedo her first love!

Sei has wrapped up all the monster hunting in Albert’s hometown, and is free to do things like sampling the local dried sausages and giving recommendations on how to turn a hot spring into a hot spring village. After that, she’s back home, trying to figure out how to get more land for her herbs and plants when everyone else in the research department also wants land. Thankfully, the King comes to the rescue by giving her and Johan an estate just outside the city which can house, essentially, top secret stuff – including most of what Sei deals with. And then there’s that trip to the opera I mentioned before. She goes with Yuri, and everything seems fine, but all of a sudden the rumor goes around that she and Yuri are getting engaged! Has Albert heard this rumor?

I really do love that this series is basically bereft of children (especially now that the prince has been exiled) and everyone has normal, sensible reactions. Albert hears the rumor, and his reaction is not “wow, it must be true, time to panic”, but to immediately understand what happened. Indeed, Sei may be the most immature one here, and the reason Albert has been courting her at a snail’s pace is for that very reason – he can tell she’s not ready for love yet. But she’s more ready than he might think, and what’s more, events have made it so that he HAS to take action. What follows is what I usually describe as “the payoff”, and it’s absolutely sweet and heartwarming. I could do without that ominous cliffhanger, though…

I would have liked to have seen more of Aria aside from the stories at the end (which are, like Bofuri, store exclusives from past volumes), but since she has her own spinoff I suppose it makes sense not to involve her. Fans of Sei and Albert will eat this up, though.

Bofuri: I Don’t Want to Get Hurt, So I’ll Max Out My Defense, Vol. 9

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By Yuumikan and KOIN. Released in Japan as “Itai no wa Iya nano de Bōgyoryoku ni Kyokufuri Shitai to Omoimasu” by Kadokawa Books. Released in North America by Yen On. Translated by Andrew Cunningham.

Bad news, folks: I think Bofuri may be starting to bore me. This is a combination of several factors, really. The anime decided to speedrun its second season, and as such this volume consists of stuff that I already watched for the first time in a few volumes. This volume is also almost entirely a “kill monsters” book, which means there’s very little for me to talk about and glom on to, and of course no character development. Hell, the nature of this book makes some characters worse – Mii appears throughout, but she’s always surrounded by people from other guilds, so she’s always in super serious mode. But super serious is not why I want to read Mii. Add all this up and we’re left with a volume that I found majorly underwhelming, not helped by a pile of pointless short stories from various retail giveaways added at the end. Honestly, the most interesting character now might be Iz, who’s become the star of Kaboom!.

The second part of this event has started, and Maple Tree rapidly set up a base (complete with ludicrous deathtraps) and go to find some monsters and dungeons to clear out. As the event goes on, though, they get split up, and each seems to hook up with members of the other two guilds we know, Mi’s group and Payne’s group. This leads to some different dynamics as the groups are forced to work together, though honestly, everyone in the groups is nice, so it’s not that much of a struggle. Eventually they decide to just do this level as a massive 16-person superunit, and, as the mods note, that’s terrible news – for the monsters. Still, the difficulty level gets higher and higher as the event goes on, with even Maple starting to have trouble killing these guys off. can Maple Tree all survive to the end and get their medals?

I mean, yes. This is not a “struggling underdog” sort of series, this is Maple. The most interesting part of her journey here might be the signal everyone sets up in case they’re separated, which turns out to be Maple literally blowing herself up over and over to create the equivalent of a flare. As I said before, Iz has become more and more relaxed and willing to “go crazy” with each book, and here we see her basically applying “when all you have is a hammer” only with bombs. Which work nicely. She also helps the twins essentially play lethal croquet, which was also amusing. If I recall, fans of the books complained the anime changed a part of this book which separated the twins briefly. Which might have been true, except neither twin did anything while separated. I think the author thinks of them as one character, too.

So the event is over, and we presumably start a new arc next time. I’m hoping that it will grab my attention more. Perhaps Maple and Sally on a date… erm, exploring together?

Alya Sometimes Hides Her Feelings in Russian, Vol. 3

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By Sunsunsun and Momoco. Released in Japan as “Tokidoki Bosotto Russia-go de Dereru Tonari no Alya-san” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Matthew Rutsohn.

I must admit, I’m growing increasingly frustrated with this series. I really do enjoy the romance between Alisa and Masachika, which is cute. And I also definitely like the family drama that is Masachika’s backstory, as well as the “war” he’s currently having with his sister. So basically I like the rom and the drama. The problem is the com. This book frequently tries to be funny, and while the jokes sometimes land, much of the time it’s more annoying than anything else. Masachika thinks in otaku terms a lot, as does his sister, and the conversations the two have frequently deviate into bizarre and depraved topics. Which is in character. But sometimes it seeps into the main story. The entire hypnosis chapter was ludicrously bad, and I kept waiting for a deconstruction or reversal. But no, it was exactly what it seemed. The same goes with Ayano, whose gimmick is that she’s a masochist and constantly aroused. At least she doesn’t mention uteruses. This time.

We’re still in the race for Student Council President. One of the three contenders has dropped out (and is dealing with nasty rumors about dropping out), but the other ones are still going strong. Yuki and Ayano, frankly, have things in the bag almost certainly… but it’s the almost that’s the problem, as Yuki knows that with Masachika at her side, Alisa can pull off pretty much anything. Then fate steps in, as after working himself into a frenzy trying not to scream at his mother during parental visits, Masachika gets a bad cold and is bedridden for two days. This allows Yuki to force Alisa to try to campaign on her own… and she’s wretched at it. Can a now recovered Masachika manage to help Alya regain her confidence and give a suitably dramatic, powerful speech? Or is “powerful” not what they need here?

In case folks are wondering, no, she still doesn’t realize he speaks Russian. This is despite his Russian-loving grandfather appearing, which I was sure would spoil things, especially when he meets Alisa’s mother, and the fact that, at the climactic speech, he literally says something to her in Russian, which she interprets as him learning it specially for that moment to encourage her. I anticipate a big blow-up when she eventually finds out. For the moment, though, once you ignore most of the comedy (though I did laugh at “Dammit! I forgot I was human garbage!”, this can be quite sweet, particularly when Alisa takes the lead on their not-dates and Masachika allows himself to simply relax and enjoy her company rather than being… well, himself. As for Yuki, she’s deliberately playing the villain to get her brother to step up and try again, and it’s working, but I have to wonder what it’s going to do to her own life.

So this is a flawed romcom, but the dramatic moments are good, and the lead couple is sweet. Just… try to ignore the author being funny.

Sasaki and Peeps: The Psychics and the Magical Girl Drag the Death Game Crew into the Fight ~Alert! Giant Sea Monster Approaching Japan~

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By Buncololi and Kantoku. Released in Japan as “Sasaki to Pi-chan” by Media Factory. Released in North America by Yen On. Translated by Alice Prowse.

I observed as I was reading this new volume of Sasaki and Peeps that I felt the author had read a lot of the Bakemonogatari Series. Their writing style isn’t anything like NISIOISIN, but this is a story of a guy who saved the world while being surrounded by underage girls, and it also has a tendency sometimes to actively drive its audience away. There’s a scene halfway through the book where Sasaki is trying to rescue the first prince, a rival to Sasaki’s group in the other world, and comes across the aftermath of a sexual assault, which is described in detail. This then turns out to be a trick to get him to lower his guard, and what follows is sort of mind control but also involves homoerotic flourishes and… just describing the scene is difficult. I felt like screaming out, WHY? And yet the rest of the book is quite entertaining. This is, in my mind, very much the same experience I sometimes have with Bakemonogatari, especially when Araragi molests Mayoi for the lulz.

After managing to resolve the cliffhanger stand-off from the previous book, Sasaki, Hoshizaki and Futarishizuka end up spending most of the book dealing with, as the title might give away, a giant sea monster. Sasaki pretty much feels he has to deal with it, as Peeps confirms the monster is actually a dragon from the other world, somehow brought over here. It draws in a worldwide response, which not only brings in Sasaki and company, but the magical girl from previous books, who works with her five-person magical girl team to try to destroy it. Unfortunately, bullets can’t stop it, rockets can’t stop it, we may have to use nuclear force! And then of course there’s also the death battle between angels and demons, which ends up affecting Sasaki very personally when his apartment building is bombed.

As always with this series, I find the neighbor most fascinating, even though it’s been four books and we’re no closer to learning her name. (She in turn does not refer to Sasaki by his name, even after she heard other people use it.) She’s growing more confident and outgoing now that she’s around Abaddon all the time – frankly, he’s a better romantic match for her than Sasaki, though I wouldn’t wish that on him. The aforementioned bomb was meant to kill her, and does kill her mother. Sasaki spends the rest of the book thinking that her somewhat remote attitude is due to processing her grief. In reality, she doesn’t even think of her mother a single time after the bombing. This is not unexpected, given her mother’s abuse of the neighbor girl, but Sasaki’s idea of what she’s like versus her own POV (she’s the only other character who gets POV narration) can be amazing.

As for who Sasaki will end up with in his harem of little girls and girls who look like little girls, if I were a betting man I’d say Futarishizuka, but this volume also makes it clear he has no real romantic or sexual drive at all. That’s not what this series is about. It’s about mashing genres together, making salaryman jokes, and occasionally throwing in truly appalling scenes to weed out the casuals. If that floats your boat, read on.

High School DxD: Ouroboros and the Promotion Exam

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By Ichiei Ishibumi and Miyama-Zero. Released in Japan by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Haydn Trowell.

This contains spoilers for the end of Book 11, but not till the third paragraph.

High School DxD remains one of the most shonen series ever written, because it’s absolutely filled to the brim with what makes a shonen series – on both sides. On the one side we have the shonen battle manga, with lots of powerful enemies, dealing with almost certain defeat, discovering that the person you just struggled to take out was merely the weakest of the ones you have to fight, etc. It’s the classic old-school “you defeat the bad guy by everyone in the cast shouting the hero’s name in unison as they hit him” shonen. But it’s also very much the other kind of shonen, in that the hero is excessively horny and can only think of sex, the girls are all in love with him and have big breasts, and the one who doesn’t have big breasts asks him to marry her once she grows up and gets them. That kind of shonen series. And when we combine them, what do we get? Well, we get the Breast Beam, of course, possibly the most High School DxD thing ever.

Issei, Kiba and Akeno have been through a lot recently, and have many accomplishments to their names – enough that they really should be high-ranked demons. But there are procedures to follow, so first they must take the exam to become MIDDLE-ranked demons, which, because demon society bases a lot of things on humanity, consists of a written and a practical test. The test itself proves to not be too much of an issue, even for a “poor grades” guy like Issei. The problem is that they’re being forced to take in a hideously powerful infinity dragon, Ophis, because Azazel is trying to achieve a greater peace with the other factions and hopes that she can help. Ophis, for her part, just wants to sit back and observe Rias’s group. Unfortunately for Azazel, if he wants peace, he’s in the wrong series.

Most English-speaking High School DxD fans, and yes, that includes the ones who actually *buy* the books, are familiar with the series to a ridiculous degree. They know that it’s 25 volumes long, and has a sequel that might equal that. And, of course, there’s the afterword from the author, where they discuss what’s going to happen in Book 12. That said, if High School DxD was not selling as well here, maybe if it was more like Index, it would be cruelly amusing for Yen On to simply cut the afterword and pretend that this was the final book in the series. “Yup, Issei dies. Bit of a downer ending, huh?” Of course, even someone who isn’t spoiled probably doesn’t buy that Issei’s death is anything but temporary. Still, it does make the final moments in this book nicely depressing, and also makes me wonder who’ll be narrating the next volume.

Solid book in the series. Fights. Breasts. And tragedy.

Baccano!: 1935-D Luckstreet Boys

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By Ryohgo Narita and Katsumi Enami. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Taylor Engel.

At last, we are forced to discuss the elephant in the room. This volume came out in Japan in August 2016, and there has not been another one since. Ryohgo Narita has been battling a lot of health issues. He’s also been writing another Bleach novel series, which was licensed in North America, and an ongoing manga series, which was licensed in North American AND got an anime. And, most importantly, there has been Fate/strange Fake, a light novel spinoff of the super duper popular Fate series, which began in 2014 but has had five new light novels since the last Baccano!, the most recent being this year. And it’s ALSO getting an anime. It has to be said, Dengeki Bunko know what is popular and what is merely a cult series. It has gotten to the point where, after I joked on Twitter about Narita forgetting about Baccano!, he actually replied to me to apologize and say it’s coming. So we’ll hold out hope. But till then, hope you enjoy this, as it may be a while till the conclusion we’re supposed to get with 1935-E.

The main thing that happens here which ends up dragging everyone into one place is that Charlie, the massive grizzly bear from a previous book, is now wandering around the streets of Manhattan. Fortunately, he very quickly ends up at the Grey Doctor’s office, where he finds friends in Isaac and Miria (who will befriend anyone). Unfortunately, Firo and Victor are also there, and they’re quickly joined by Ladd and Graham. Then everyone there (including the bear) is lured to Central Park, where ALL the Lemures have gathered, along with Maria and Luck’s other paid shit-stirrers. Oh yes, and Chane has come running, seeing that Ladd is there and really, really, REALLY wanting to kill him. None of this is surprising. What *is* surprising is that Lua gets a couple paragraphs all to herself, possibly the most she’s spoken in this entire series.

Usually in Narita’s books there’s always some normal guy who has to pretend not to be normal in order to get by. In Durarara!! it was Mikado, though he very quickly shot past that character type in a big way. It’s been a few people in Baccano!, most notably Jacuzzi. But in this entire arc, it’s been Nader, and that continues here – he’s basically the protagonist of this arc. (Melvi should be the antagonist, but everyone the last two books has spent all their time talking about how pathetic he is compared to the rest of the cast, so nah.) Nader is a two-bit villain who does not have the drive to be anything more, but when he finds out that Sonia is not only no longer in his hometown waiting for a hero to save her, but is actually the protege of Spike… well, let’s just say this is where the dramatic theme music starts playing behind him. Even Ladd notices the difference. I hope he lives, but it’s gonna be tough.

It’s also gonna be tough waiting for the next book, but at least we’re waiting a lot less time than Japan. Come back to Baccano! soon, Narita-san!

Reign of the Seven Spellblades, Vol. 8

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By Bokuto Uno and Miyuki Ruria. Released in Japan as “Nanatsu no Maken ga Shihai suru” by Dengeki Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

I have grown used to this series casually killing people off. It’s easy to guess when they’re one of the people on Oliver’s hit list, but we’ve also seen the glorious death of Diana Ashbury and others. The author knows this, of course, and plays with it throughout this book, making me assume once or twice that we were going to see yet another tragic student fate. Because, well, every student at this academy has a mission just as important to them as Oliver’s, a mission that they will kill for (OK, maybe not Guy, I can’t see Guy turning into an instrument of vengeance), and that unfortunately a lot of these goals and missions end prematurely and in death. It’s the nature of how they’re being taught in this academy that, frankly, takes sink or swim to all-new heights. It doesn’t help that – again – this volume ends with no epilogue or cooldown, just a climactic final scene and then the end.

The combat league continues, but there’s a more important issue to deal with: Godfrey’s sternum bone has been stolen by Cyrus, and without it his abilities are down to about 1/20th what they should be. No, this is still enough for him to slip through the early rounds of this tournament, but he needs that bone back if he’s going to get further – or win the election. And so everyone who is supporting him in the election, including our heroes, go on a journey to find Cyrus and get the bone back. Along the way they discover exactly WHY Cyrus is going around stealing everyone’s bones, and it will come as no surprise to find that it’s not because he’s just a giant jerk, but because of a life goal he has to achieve.

Fans of Spellblades will find a lot of things they like in this, including the fact that every single time Oliver and Nanao converse with each other at all, it’s interpreted by everyone else as “flirting” – much to the annoyance of Katie and Pete, the others in his unwanted harem. (I say again, poor Guy, who has so many issues. He’s the least developed character of the six, he’s clearly being paired off with Katie but she likes Oliver, and he’s R*n W**sl*y in all but name.) There are also some truly fantastic fights, and we get to spend time with the badass Lesedi Ingwe and the badass but also hilarious Tim Linton. That said, the best part of the book is Cyrus and why he’s doing this, and the final pages are really well handled. To say more would be to spoil.

I have no idea what’s going to happen next, thanks to this volume ending so abruptly. I assume more combat league stuff, as you can’t really drag a tournament arc on too long… (stares nervously at The Asterisk War)… right?

Maiden of the Needle, Vol. 1

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By Zeroki and Miho Takeoka. Released in Japan as “Hariko no Otome” by Kadokawa Shoten. Released in North America by Yen On. Translated by Kiki Piatkowska.

This book’s plot and characters have a familiar feel, to the point where the biggest surprise I had in the first volume is that the male love interest has a goatee. So permit me to talk about one of my pet problems with light novels in general, which is that the writers don’t feel content to have antagonists be bad people, they’ve got to be THE WORST PEOPLE EVER. Sure, you could have a simple parent who favors one daughter over the other and just, y’know, frowns when she walks by, but why do that when they can starve her to death, lock her in a room, not teach her anything (which is an issue given the heroine is inevitably a reincarnation from Japan), etc? Oh yes, and let’s make them incompetent as well. And secretly housing possible terror weapons? Hell, even the heroine’s Japanese family was awful. Of course, this means you don’t have to worry when they’re all inevitably executed. Serves them right! Easy peasy.

In Japan, Tsumugi was dealing with an abusive father, a cowed mother, and her joy was hanging out with friends. Then she dies (I assume from the traditional traffic accident) and she is reincarnated as Yui. In this world, which is the traditional sort of fantasy kingdom, her family is supposed to have a special power to weave protective magic. Unfortunately, they’ve fallen on hard times, possibly as they’re all evil (see above), and the first fifteen years of her life are a living hell. Then she’s sold to another merchant for a large sum and, once given adequate food, water, and actual explanations about how things work, turns out to not only be a prodigy but close to a goddess, with her powers being able to heal fairies (the main source of magic here) and also cure fashion faux pas. But will she survive long enough to be acknowledged?

Yui is probably the reason I enjoyed this more than it possibly deserved. She’s a character that has to walk a fine line. She is definitely still suffering the effects of her abuse – even after proper food and water, she still looks thin and years younger than she is, and she has trouble speaking through the entire book, with extended conversations leading to coughing fits simply due to her never speaking before this. But she’s relatively matter of fact about things, not being too excited or too depressed. The book does not have much time to devote to her suffering in any case, as this is 100% the story of Yui being amazing and everyone praising her for being amazing. It’s fairly charming, and never annoyed me the way I’d expect, but this is a book you should only read if you love Cinderella stories, and it definitely has a lot of light novel cliches. In addition to the abusive family, we also get the shy but large-breasted knight, and the maid who loves cute things (including our heroine).

This could easily have ended in one book, but there is apparently a second, as Yui needs to power up so that, when she cuts off ties with her family, she isn’t cursed. I’ll probably pick it up.