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An Archdemon’s Dilemma: How to Love Your Elf Bride, Vol. 21

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By Fuminori Teshima and COMTA. Released in Japan as “Maou no Ore ga Dorei Elf wo Yome ni Shitanda ga, Dou Medereba Ii?” by HJ Bunko. Released in North America by J-Novel Club. Translated by Hikoki.

How much you like this volume probably depends on how much you like escalating shonen magic battles. About half of this book consists of a magic battle between Asmodeus and Phenex on one side, and Marchosias… erm (checks names), Glasya–Labolas, and Eligor on the other. This is entirely variations on “I will simply use the magic that always kills everything!” “Well, I’ve countered with the magic that ensures I never get killed!” over and over, with attempts to be ironic given that the battle has one combatant who can foresee their own death and another who has been desperately trying to die since before this world began. If you like this, you’re golden. If not, there is at least the rest of the book, where everyone watches videos of the long-lost tragic backstory of half the cast. I am begging the author to get back to cute romantic shenanigans. And so is Zagan.

Aside from Asmodeus’ glorious last stand against Marchosias, what else do we have here? Zagan’s still dead, but his soul at least shows up, and gets to see the story of Solomon, his grandfather, and Azazel, the seraph. Which should be very familiar to him, as they are basically him and Nephy, except unlike him and Nephy they do actually have sex. Alshiera and Marchosias are also there, as well as Azrael, who reminds me a lot of Chastille (well, competent Chastille… actually, it’s been a few volumes since crybaby Chastille, too. Oh, for the Archdemon’s Dilemmas of yesteryear…). Meanwhile, Alshiera and Asura are also watching memory videos of how everything went so badly. In the present, they’re all trying to rescue Kuroka, and Barbatos is trying to rescue Vepar… well, once he remembers to actually do it. Everyone’s fighting everyone else, in other words.

Death has always been fairly fluid in this series, with some folks genuinely being dead but a lot of the folks on the good guy’s side (though Zagan will, of course, insist archdemons are not good people) have been almost dying but not quite, or getting brought back from death. Here that’s directly addressed, as while Asmodeus would dearly love to bring back her departed loved ones from the dead, she knows that you cannot go back, only forward. Marchosias, meanwhile, presumably gestures at the previous volumes of this book as a response. Again, this isn’t badly written, though once again I wish it came with a bigger cast list than the small one it has at the back. It’s just this is not really why I started reading Archdemon’s Dilemma in the first place, and I desperately want everything to resolve soon so he and Nephy can moon over each other again. Unfortunately, it appears when this battle ends, the series may as well.

If you’ve been reading this series, there’s nothing here to make you stop. But man, please get out of Weekly Shonen Jump, Zagan.

Love & Magic Academy: Who Cares about the Heroine and Villainess? I Want to Be the Strongest in this Otome Game World, Vol. 3

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By Toyozo Okamura and Parum. Released in Japan as “Renai Mahou Gakuin: Heroine mo Akuyaku Reijou mo Kankeinai. Ore wa Otome Game Sekai de Saikyou wo Mezasu” by GC Novels. Released in North America by Cross Infinite World. Translated by Jordan Taylor.

I appreciate how the dungeon diving is so irrelevant to this series that by now we just never see it. Arius, in his spare time, goes into the dungeon constantly, but to the reader it’s simply “I went to the dungeon and leveled up 50 more times, then I came back.” This series does not actually care about the fighting all that much. You can definitely see this is the case in how it resolves the battle between Arius and the hero, which I won’t spoil, but wow, I was not expecting that resolution. I was, however, completely expecting another girl to throw on to the Arius harem pile, and she fits in perfectly. Not that this matters to Arius, who tells every woman in his life he has no interest in dating. Unless it’s dating a dungeon. He is here to get stronger, which means battle battle battle forever.

After the events of the second book, which was over seven months ago so I had forgotten what they were, Arius has ended up in the middle of the demon’s country talking with the Demon King Alanis, who is, amazingly, someone that he cannot in fact easily defeat – or defeat at all. Nevertheless, he almost gets in a few shots, so she intrigues him. He admits the issue is the hero, and says he’s going to do something about it. Meanwhile, back at the academy, Eric’s sister, Princess Ellyse, has shown up. This is a bit of a surprise, as she’s engaged to marry Crown Prince Dominic in the neighboring country. Unfortunately, Dominic is a louse and a rapist, so she’s escaped for the moment. Eric and Arius convince her that she should screw the politics and have them destroy that guy, and she eventually decides to agree once she realizes she’s fallen deeply in love with Arius – like the rest of the female cast except for Sasha. You go, Sasha, stay with your man.

For the most part, Arius remains exactly what he’s been in the first two books – a blank wall of a man whose lack of a personality allows everyone to read good intentions into him. The trouble is that, by being around all his friends and wannabe lovers, that is starting to actually be the case. He resolves the hero conflict the way he does because it’s what leads to the least casualties, and he wants Ellyse to choose what she wants as a person, not as a princess or as a lover. He’s gradually actually becoming a nice guy, though he’ll insist otherwise. Certainly he’s nicer than Eric, who now seems to be engaged to Princess “I Swear I’m Not the Evil Boss”, though at least he allows Sophia to be treated as well as he possibly can – so that she can pursue Arius as well, of course. I am fairly positive that the winning girl in a series like this will be “none of them”, but hope springs eternal, I guess.

There’s lots more webnovel to go, but in terms of the GC Novels version we’re caught up with Japan. This remains a decent “stoic guy and his harem” series.

The Tiny Witch from the Deep Woods, Vol. 4

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By Yanagi and Yoh Hihara. Released in Japan as “Mori no Hashikko no Chibi Majo-san” by TO Books. Released in North America by J-Novel Club. Translated by Nathan Macklem.

There’s definitely a shift between the first three books and this one. It’s almost as if the writer was told by their editor that the series is reasonably successful, so go ahead and plot something that will pay off further down the road. Which they definitely do, as this book enjoys setting up things that don’t really pay off in this particular volume. Misha accidentally gets involved in a throne war. Misha meets her uncle’s researcher friend and his very hot not-quite-wife. Misha goes mountain climbing, is drawn off a cliff, and becomes an agent of the spirits. The usual things. The People of the Forest are already by definition very special folks (and they’re still basically elves without the long ears), but Misha is more important even than that, she’s a light novel protagonist. She’s even got the very special set of modern surgical tools in a box, which I’m sure will become relevant once she works out what they are.

Misha is being taken by her Uncle Ryne back to the People of the Forest, where she will spend several years growing up, learning amazing medical things, and not interacting with the outside world in any way. …yeah, you and I both know that’s probably not happening. She promptly gets mugged by a ragged bandit… who’s actually a desperate knight, and finds that he’s leading the remains of a country’s royal family to safety, despite the horrible dangers of scurvy. (Another light novel where folks have to be taught about scurvy, take a shot.) They then go to a hot springs town where they meet Ryne’s friend Ganz, and Misha bonds with a sexy but scarred ex-prostitute whose life was saved the last time Ryne was in town. As it turns out, a terrible carriage accident will allow Misha to assist in saving a different life this time around. Finally, she and Ryne go mountain climbing, and she has to deal with a very ominous fog, a very ominous cave, and a very ominous box.

The amusing part of this book is seeing Misha, an innocent kid who wears her heart on her sleeve and wants to help everyone, contrasted with her uncle, a cynical, world-weary sort who talks to her constantly about not giving away secrets, trying to stay unnoticed, and picking your battles… who nevertheless also ends up saving everyone he comes across, and it’s very clear that most of what separates Misha from her elders is just experience. Which she certainly gets here, I liked some of the medical details we get in this book, such as the operating theatre with the slightly sloping floor. But again, a lot of this book feels like setup to a future payoff. We see Misha helping to rescue and repatriate a prince and princess and their entourage, setting them up at her old cottage she grew up in with her mother, and… TBC, I guess. Which isn’t too big a problem, as this series remains lovely to read, but after the last book it feels a bit less taut.

The book ends with the two of them getting on a boat that will take them to their destination. Again, doubting it will, but we shall see. Good kinda-slow-to-medium life series.

Long Story Short, I’m Living in the Mountains, Vol. 6

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By Asagi and Shino. Released in Japan as “Zenryaku, Yama Kurashi wo Hajimemashita” by Kadokawa Books. Released in North America by J-Novel Club. Translated by N. Marquetti.

Never let it be said that the author’s firm commitment to no romantic pairings in this series doesn’t apply to BL as well. In an earlier volume, the author’s afterword got annoyed at the people trying to ship Sano with Katsuragi… and then added Katsuragi’s younger teen sister to the cast. Here we see Sano and Aikawa continuing to spend almost the entire winter hanging out, complete with a Valentine’s Day where he gets chocolates from Aikawa. The clerk at the local candy store clearly thinks they’re a couple. And yet only Aikawa notices this, and he gets Katsuragi and her sister to play up Sano being a very attractive heterosexual male to “clear up” the misunderstanding. Everyone understands what’s going on but Sano, which you could ascribe to his ongoing depression, but honestly, in this volume Sano also comes across as a bit dim. If he’s going to be the perfect boyfriend, he’s probably the himbo sort. That said, he’s nowhere near being ready for romance again.

I would summarize the plot here, but why bother? Sano watches the others hunt, but doesn’t do so himself. They all gather together to have delicious meals. Sano’s chickens are weird, and strangely overprotective. The Katsuragi sisters do return at the end of the volume, in time for the big event of the book: Sano’s birthday. Note that this party happens a bit late, because Sano doesn’t tell anyone about his birthday at all. Unfortunately, he lives next to a village which believes in community, and he is going to be dragged into that community like it or not. Even if the community has people like Kawanaka, who fills that role I hate in these sort of series, the creepy not-quite-predator friend that nobody likes but he’s a friend anyway. Less of him having to promise not to go after middle school girls would be great.

There is, of course, an actual plot to this series besides slow life – what the heck is up with those chickens? And that dragon? And those snakes? Here we see the hunters moving to the other mountains on either side of Sano’s. Katsuragi’s doesn’t go all that well due to a lack of trees (she has a lot more fields), but Aikawa’s is oddly eerie, as when they get to a certain point all the animals disappear. It’s suspected to be the work of Aikawa’s “pets”, but they’re both very cagey about it. In this book we get more clear evidence that actual Gods are managing these mountains, and are very likely behind Sano getting his chickens. The chickens function as pets and companions, but as we especially see in this book, they’re also bodyguards. They’re reluctant to leave Sano by himself for any period, and will only go off as a trio when he’s surrounded by humans. This could be related to his depression, but is that all it is?

Judging by the cover of Book 7, Sano will get a new addition to his family soon. In the meantime, this remains interesting to me almost despite itself.

Botan Kamiina Fully Blossoms When Drunk, Episodes 1-12

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Written by Yoko Yonaiyama, directed by Takashi Sakuma for Studio Soigne. Based on the manga written by Hey, published in Japan by Akita Shoten in the magazine Champion Cross. Released in North America on the Crunchyroll Streaming Service.

I started to write a long, involved review of Kamiina Botan giving the basic plot and breaking down the relationships and then scrapped the whole thing. Yes, I loved the relationships, but that’s not why I got so obsessed with Kamiina Botan per se. Honestly, I think if the manga had been licensed and I’d gotten the first volume, I may not have continued on. This is a series that runs almost entirely on VIBE. The anime studio was handed a series that, let’s face it, is a cute college girls drinking cute things series. Instead of happy scenes of the girls building a house, or going camping, instead we get discussions of obscure art films, the joy of 80s and 90s vinyl LPs, and so. much. alcohol. And the anime studio took one look at this and said “You know what? Let’s turn this into an experimental cauldron. Instead of making sure everything is consistent, let’s let each storyboarder and episode director do whatever they want. The result is a rare yuri anime that elevates almost everything.

The basic pitch: a new first-year at a girls’ college dorm comes across her RA drinking alone, and looking happy about the booze but not much else. The new girl admits she’s never had alcohol before, and has a drink as well. It turns out that alcohol makes her extremely flirty and forward, and since she’s also outgoing and pretty, the RA starts to fall for her. This is terrible news for their sempai, who has an unrequited crush on the RA and has been trying to get her to have a drink together but to no avail. Halfway through the series, they get a new resident, a Taiwanese girl who sees all the yearning, unspoken feelings, and utter lack of any forward progress and just kicks it all down, which helps the girl and her RA to “stop being friends” (and become girlfriends), and also pushes the sempai to finally give up on the RA and find new love with someone who’s head over heels in love with her – the Taiwanese girl herself. Akane and Yaeka are also in it.

A lot of anime seems to fall under “no one knows about it, but if you get someone into it they’ll love it just as much as you”. This is not one of those series. As far as I can tell, there are two kinds of Botan watchers… well, three. Either they immediately get it and fall deeper in love with the series with each new episode (expect Episode 3… more on that later), or they struggle to like any of the characters, particularly Ibuki, and find themselves getting more and more frustrated about why people keep praising this nothingburger of a series. There is also a third kind, which is “I want to love it but all the alcohol consumption upsets me”. I totally get that, but if that’s the case, I’m sorry. Part of the series shows how Ibuki goes from using alcohol as a crutch to try to forget her trauma to the power of love causing her to reinvent alcohol as her hyperspecific obsession, just as Kanade has films, Akane has music, and Chin-lan has Kanade.

I’m not very familiar with the unlicensed manga, but from what I can understand there wasn’t too much added or subtracted in terms of the plot or dialogue of each episode. One episode had a special section written to give Akane and Yaeka something to do, but the author then posted it as a chapter on the manga’s website, so in a sense it’s also an adaptation. The manga covers also, frankly, seem to want it to attract a far more male, hornier audience than I think the anime really deserves – the anime doesn’t really have all that much fanservice, even if we get several scenes of the girls bathing, whereas the manga covers really want to emphasize Botan’s “gigantic cans”, as one social media person put it. The anime takes us through the first four volumes, with the last couple episodes setting up Akane and Yaeka finally getting a plotline of their own… unfortunately, that will have to wait for a mythical second season, meaning their characters suffer far more than the others.

One thing I appreciated, possibly due to the girls being in college, and possibly as the author just wasn’t interested in that part of the story, is that none of the girls have a “wait, am I interested in g-girls?” moment. The girls all appear to not only be gay but know that all the others are gay, and all the relationship drama is very much “is she as interested in me as I am in her” without the “what if they find out I’m a lesbian?”… which, yes, can also be read as a copout, but maybe it felt more refreshing as they are written to be older. Speaking of which, the writing and the art direction are both incredibly vague and elliptical. Botan and Ibuki’s confession is “let’s stop being friends”. Chin-lan’s gorgeous plea to Kanade ends with “won’t you come out to the sea with me?” The final episode’s climax ends in mutually pierced ears as a metaphor for a first time. The metaphor is the issue – I did see some people complaining that without a kiss of explicit “we’re gay lovers!”, it didn’t quite count as much. To that, I say stuff and nonsense.

The cast can very easily be divided into three parts: the ones everyone loves to one degree or another (Botan, Kanade, and Chin-lan), the two forgotten underdogs (Akane and Yaeka, also the only ones who are clearly already a couple from the start), and Ibuki. Ibuki has a lot going against her. She’s the cause of the brief romantic rivalry that makes Kanade sad, and her rejection of Kanade, because it’s couched in the same vague style that the rest of the series is, is felt to be unclear and mean. Her past trauma (she was drinking at a mixer and could not stop hiccupping, leading to a senpai she admired calling her annoying) affects her deeply, to the point that it’s ruined her life before Botan shows up, and brings her to tears just remembering it. A lot of folks felt that this was not enough to justify her anguish, and I saw “get over it” quite a few times. To be fair, she does. With the help of Botan she becomes, by the end of the series, filled with joy and hope for the future.

Botan started out as everyone’s favorite, especially with her “I want to make that tongue of yours mine!” line, but as the series went on and Botan fell in love with Ibuki more, we started to see a transformation. Just as Botan Kamiina Fully Blossoms When Drunk, it turns out that when she’s relatively sober, she is as doubtful as every other person in love for the first time. Especially since, as she states incessantly in the last two episodes, her relationship with Ibuki revolves around alcohol. Botan misses what we’ve already seen with Ibuki, which is that alcohol is no longer her crutch but now her hobby, which means she gleefully wants to share it with the woman she loves, just like Kanade and films like Wild Strawberries. Botan, on the other hand, wants more. Since they’re “no longer friends”, why is everything the same? Her raw desire in the last episode is startling, though I also appreciated she knew when to stop and listen when Ibuki explained what was going on.

Kanade was everyone’s favorite from about Episode 2 onward, and especially with Episodes 4 and 5, mostly as she was a failure pile in a sadness bowl. A tall, beautiful older woman who smokes and deliberately styles herself as cool, in reality Kanade can’t work up the courage to confess to the girl she likes and watches every moment of Botan seducing Ibuki, cringing all the way. Botan, of course, gets this – she even helps Kanade to pull off the best confession possible, though it’s one Ibuki will obliquely reject. Fortunately for Kanade, she wins the entire anime by getting Chin-lan, everyone’s favorite from Episode 6 till the end. Dubbed the “yuri bomb”, Chin-lan was from Taiwan, and when she arrived she immediately figured out the relationships in the dorm and noticed that there was one woman not taken. She spent the rest of the series defying the anime itself. While everyone else avoided directness or used a metaphor, Chin-lan would say “I love you”. Multiple times. In many ways, her journey with Kanade is even more exciting than the main one.

As for Akane and Yaeka, as I noted, they seem to be a couple from the start. Akane’s a musician who really likes music, but wants to love it, wants to be obsessed with it – and that’s not something she thinks she can do at college. She hasn’t told Yaeka, who is a pint-sized grumpy girl who has more common sense than the other five, possibly as she knows what the response will be. Unfortunately, this is left open at the end of the series, and I think it’s the main plot of the next volume, leaving the two of them unexplored to a large degree, which is a big flaw of the series. Fortunately, they have their ending cards. The endings of this series become legendary, filling in the tragic gay backstories of the entire cast (except, very notably, for Botan, whose backstory remains unknown). We see Kanade’s smoking habit came from a previous crush on an older girl. We see Akane’s old band getting famous without her. We see Yaeka’s budding ballet career cut short. We see Ibuki’s high school yearning. And we see Chin-lan’s sister’s marriage to another women, which explains so much about Chin-lan’s motivation. They’re amazing.

Speaking of the anime, it was a bit startling when the second episode was in a different artistic style than the first, but that was nothing compared to episode 3. The entire episode was animated by one person – storyboards, key animation, inbetweening, everything. And its style was deliberately old-school and scratchy, reminding me very much of series like Hidamari Sketch. It fit with part of the episode, as Akane shows off her old-school LP collection to Botan, and they listed to Radiohead’s Kid A – well, no, they don’t, music rights, but they listen to BGM while we see the cover of Kid A. The analogness of the experience fits with the animation style. That said, I suspect this may have been one experiment too far – the rest of the series was more content to experiment with camera angles (5), musical score and songs (8), and SHAFT-style Monogatari Series homages (11) rather than make the girls look TOO different – though we saw Botan with dead cat eyes again, as well as Yaeka’s fanged exit on Akane’s arm.

One last thing about the anime and manga both – this series is Pretentious with a capital P, and if that bugs you, you should flee for your life. It’s the sort of show that needs annotations, from Akane’s record collection, to Kanade’s string of art school directors (her final romantic gesture in Episode 2 is a postcard book by Wim Wenders – again, the “I love you” in this series is not said out loud by anyone but Chin-lan, instead it’s made through “please immerse yourself in my hyperfixation”), to the endless alcohol brands consumed by the entire cast. Like Super Cub, I don’t think this was explicitly underwritten by any brewery or corporation, but I think they were, much like Super Cub, quite happy for the free publicity. The 10th episode’s hilarious after-credits scene features 100 Years of Solitude and Eric Dolphy, and both Chin-lan and Akane, respectively, are stunned that those aren’t common knowledge to everyone. Even Botan is giving everyone lectures on perfume brands.

I’m not sure this will ever get a Season 2 – I don’t think it quite has the needed manga material to cover it – and I will also be shocked if we see a Blu-Ray over in North America. For me, though, this entire spring season with Botan has been a delight. If you take the series too seriously, get too invested in the interiority of Ibuki and what she’s doing to herself, or Kanade’s cursed love life, I think it would be quite unwatchable. But I think just accepting this is how things go in this world, you open yourself up to some truly lovely dialogue, and some amazing animation experimentation. The fact that it happened on a yuri anime, a genre that far too often has an aura of “well, this is fine, I guess” low budget dullness to it, makes it even more compelling for me. The final shots of the ED of Episode 12 show Botan and Ibuki, still a couple and now seemingly running the dorm together, welcoming a very tall and very small pair to the dorm for the first time. I hope one day we see their own inevitable love story.

The Trials and Tribulations of My Next Life As a Noblewoman: A Ray of Hope, Part 2

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By Kamihara and Shiro46. Released in Japan as “Tensei Reijo to Sūki na Jinsei o” by Hayakawa Shobo. Released in North America by J-Novel Heart. Translated by Hengtee Lim.

I like Karen, I really do, but there are times when she does things that annoy me. Or rather, that she doesn’t do things. This book doubles down on its Lubeck, and makes it very clear that a) he is a terrible person and obsessive to a disturbing degree, and b) it will be very, very hard to escape having to marry him unless she does something drastic. I had assumed, once Lubeck made this clear, that she would finally bite the bullet and see if Reinald can help out by, say, getting engaged to her again. But no, she still doesn’t want to involve him in that way, still thinks her feelings are one-sided, and still tends to regard herself as “that plain nobody” even as she now has magically white hair and everyone in the world wants to have her on their side. As a result of this, I’m fairly sure we’ll get more Lubeck in the next book… assuming Karen survives.

No, Ern has not been resurrected, not really. The girl on the cover is Luca, who essentially starts acting like a familiar for Karen. Which is sorely needed, as it turns out that the best way to free Six from the box is to sort of connect him to Karen via a magic funnel. The trouble with this is Karen’s magical power is absolutely minimal, so everyone expects it might be a bit difficult. Actually, the opposite. It’s super easy. Which ends up being even more terrible, as suddenly Karen can use magic, but it gives her nosebleeds and the usual “I am overloading my brain” symptoms. Elsewhere, she meets up with Wilhelmina, who admits that she and Arno are an item, and also asks Karen to join her side, pointing out Reinald is the Napoleon type who won’t stop till he conquers the world. Little realizing that Karen not only knows that, but is helping him along.

The series started, in case folks have forgotten, with Karen trying to figure out the best way to escape from all her trials and tribulations so that she can live the life she wants, able to go from country to country and free from restraints. In this book, she officially admits that will never happen, and that like it or not, she is tied too tightly to the issues of the Empire and its people. No slow life for you, young lady! Unfortunately, this does mean that she probably needs to do something about Reinald, who is being sent off to another country to solve an impossible to solve problem at the same time that the Emperor has decided which child he’s aligning with, and it’s not Reinald. I think Karen knows instinctively she’s chosen the “wrong” side, or at least the more difficult side, but she’s going to have to be a lot less passive in future if she wants to get what she needs… or just survive. Fortunately, Six is sending her on a journey that will surely be safe and fun!

Two more books to go, which means four more book in this release. Will Karen and Reinald manage to unite the Empire? Will Karen manage to implement gun control? Will Karen immediately get captured the moment the fifth book starts? One of those is more likely than the others.

A Tale of the Secret Saint ZERO, Vol. 5

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By Touya and chibi. Released in Japan as “Tensei Sita Daiseijyo ha, Seijyo Dearuko Towohitakakusu ZERO” by Earth Star Novels. Released in North America by Airship. Translated by Sarah Burch. Adapted by Melanie Kardas.

Well, here we are back in the past again, with six-year-old Serafina. We’re still quite a few years away from her death, but the series has been teasing that it’s going to get dark, and this book continues that trend… though in an odd way. We open with an ominous scene of a demon waking and finding someone who smells “quite delicious”. No prizes for guessing who that is… and then we have the entire rest of the book, with the demon’s actual meeting with Serafina coming right at the end, in order to provide the cliffhanger ending. In between that… well, in between that is a typical Secret Saint ZERO volume. Serafina is cute and ludicrously powerful. The knights are all weirdos. Sirius is deeply in love with a six-year-old girl but in a pure, non-sexual way. The same old “this is good but Japan, why you gotta do this?” sort of stuff.

A meteor has fallen, and thus everyone is predicting terrible things. Serafina wonders why portents always have to be bad, and wishes we’d have dire portents of cake and meat raising from the sky. (The portents, unfortunately, are correct in this case – but not immediately). She then finds out that the knights have opened a “knight cafe” for the month… which is basically a butler cafe, with the hunky knights catering to young women. And at night it becomes a knight bar, which is basically the same only sexier, as they open up a swimming pool and the knights dive into it for fruit and other ingredients. Serafina wants to see them… so Sirius comes along. In disguise. That’ll go well. Elsewhere, she goes to a show and accidentally gets proposed to, she plays a game of straw millionaire which reminds us she has no concept of what is normal, and Ludo rescues a child who I’m sure will be more relevant in the next volume, as they sure aren’t here.

There’s an interesting bit near the end of the book, where Serafina meets the spirit of wind, who has come to see her after he found out she speaks spirit languages. This leads to a bit of conflict with Seven, who we’ve always seen as a cute, child-like spirit… and it’s now very clear that Seven is staying that way deliberately, and does not want to grow up. Serafina brushes off Seven’s worries, saying she only wants to be contracted with him no matter his apparent age, but to the reader, choosing not to grow up makes me immediately think of Peter Pan. It’s not really a good thing. It also reminds me that, unlike the main series, this spinoff has, theoretically, a shorter shelf life. How many cute mini-stories can the author wring out before they’re forced to have Serafina grow to her teenage years and face her cruel destiny?

As ever, for fans of the series, but it does remind me, kind of like Kuma Bear does, what a juggling act it can be balancing “adorable children” and “this world is kinda dark”.

Dahlia in Bloom: Crafting a Fresh Start with Magical Tools, Vol. 12

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By Hisaya Amagishi and Hachi Komada. Released in Japan as “Madougushi Dahlia wa Utsumukanai” by MF Books. Released in North America by J-Novel Heart. Translated by A.M. Cola.

It has not escaped my attention that the Lucia and the Loom spinoff series to Dahlia in Bloom has not had a volume out in Japan for the last three years. I was reminded of it with the plot for this book, 2/3 of which revolved around Jonas, Guido’s attendant and one of the many suitors in the Lucia partner sweepstakes. You’d assume that, with a much larger role for Lucia than actually happens here, this should be something happening in that series. And yet, here we are, Lucia is back to being a minor character, and every man in the series is though to be in love with Dahlia or actually *is* in love with Dahlia. Sorry, Lucia. Still, good news for Dahlia, who gets something to do other than work at her company and have delicious food and drink with Volf, her platonic bestie. Unfortunately, some of the things that happen in this book end up being things Dahlia really doesn’t WANT to experience. At least not again.

Dahlia and Jonas are still not QUITE barons yet, as they need to visit the Castle first. Dahlia has fewer issues, as she merely has to deal with stress about the visit and her own dreadful self-confidence (she’s back to calling herself plain and dull again, and I dearly want to slam her head into a heated table till it fills with confidence). Jonas has far more problems. He wants to remain Guido’s attendant and bodyguard, but Guido’s family is also getting elevated, so guess what? Class issues are happening again. What’s more, he needs to be adopted by a noble family for this to work, and for some strange reason, no one seems to want to do it. And then there’s the matter of his actual mother, who is back in Israna, and his stepfather, who is here, who really want to mend fences that Jonas is still very reluctant to mend.

Aside from the usual frustrating “just bang already!” romantic antics, the highlight of this book is undoubtedly Jonas’ stepfather, Yusef having a stroke, and Dahlia recognizing the signs because of what happened to her father. It’s wonderful that because of her quick thinking she’s able to help save Yusef’s life, but it does end up stirring up a whole host of grief-stricken memories. As you may recall, the “extra story” that’s been at the end of each volume reached an end last time with Dahlia’s father’s death (it turns out that tragic backstory is still on the menu, fear not, we merely get Volf’s mother before HER death), and she’s still trying to come to terms with it. This is another reason why, much as they understand his reasons for not wanting to, everyone wants Jonas to reconcile with Yusef. Fortunately, it’s not all downers: watching Dahlia and company twist themselves into pretzels to try to avoid taking huge rewards for things and feeling that it’s overkill takes on even more hilarious proportions.

The next volume is also not getting near Dahlia finally getting her barony, so instead we’ll see more monsters, more Volf and Dahlia drinking, and meeting more really powerful women. Till then… again, Lucia, hang in there.

The Condemned Villainess Goes Back in Time and Aims to Become the Ultimate Villain, Vol. 8

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By Bakufu Narayama and Ebisushi. Released in Japan as “Danzaisareta Akuyaku Reijō wa, Gyakkō-shite Kanpekina Akujo o Mezasu” by TO Books. Released in North America by Airship. Translated by Alyssa Niioka. Adapted by Vida Cruz-Borja.

So yeah, I get to deliver a big apology here. I was fuming at the end of the 7th book in the series, which I saw as throwing away most of the good character development that we’d seen at the start of the volume as if someone accidentally set Fermina’s switch to ‘good’ and now it was back to ‘evil. As it turns out, the author was doing this deliberately, and it played into the start of THIS book, which shows us what happened between all that character development and the big brutal ending. Which is a whole heaping helping of gaslighting from “Father Norris”, who is of course Cardinal Nigel. Essentially, after hanging out with the most evil character in the series and being fed lies, of course Fermina is going to snap. Fortunately, this is still a cut above most other villainess books with “bad heroines”, and we get a nice subplot where she realizes that, in fact, being played for a sucker is not something she wants to experience the rest of her life.

As noted above, the prologue shows Nigel twisting the truth into a pretzel about the very real issues with refugees. This leads to the start of the book proper, where Claudia is being taken by Nigel to an Inquisition, where she will quietly be burned to death. Fortunately for all concerned, Claudia has friends in low places, so manages to get rescued and have Nigel put under house arrest for re-entering the country. Unfortunately, this does not solve her being accused of witchery, so she heads to a port to lay low for a bit… and ends up running into a drug-fuelled conspiracy that’s supposed to manufacture more evidence that she’s evil. Can she fix things and also help the adorable children of the town who are just worried why their daddies aren’t coming home? Meanwhile, Sylvester has started to have nightly dinners with Fermina. Which are only partly about manipulating information from her.

So now that I know what was going on, I can once again really love Fermina’s plotline, which only lacks a reunion with her little red-haired girl from the previous book. Sylvester is very patient with her, but frankly, he doesn’t have to do much at all, because it turns out when she’s free of both Claudia *and* “Father Norris”, she’s actually pretty good about thinking things through and realizing how much everyone around her is trying to use her for their own purposes… even when it’s not “evil purposes”. I have also never been so happy that someone keeps a diary. I did appreciate the end when she and Claudia are reunited, as it’s very clear Fermina still is not remotely near being friendly with her, despite literally coming to her defense at her Inquisition. Some things are personal. As for Claudia, she’s reunited with Sylvester (though Helen gets all the affection… damn, why isn’t this yuri?), and they’re both determined to be married ASAP. I also really enjoyed her confession to Sylvester, which, contrary to her assumptions, mostly made him go “ah, so that’s why”.

The next book… does not have a wedding outfit, so don’t expect it to happen there. Still, it feels like we’re nearing an ending. Recommended to all villainess fans.

Private Tutor to the Duke’s Daughter: The Star Rod, Herald of Dawn

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By Riku Nanano and cura. Released in Japan as “Koujo Denka no Kateikyoushi” by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by William Varteresian.

Last volume I started with the plot synopsis to avoid instant spoilers, but there’s no need for that here. The last volume featured several big surprises, not least of which was Lydia taking a curse meant for Allen and almost dying, a state that she pretty much stays in this entire book, so Lydia lovers may be a bit sad. (Good news about the next in the series, fear not.) But again, I think we were all expecting that. We were also expecting Allen’s reaction, and the theme of this book is that everyone knows what he’s going to do, they just have to figure out when he’ll do it and bring enough firepower to stop him. Allen’s never met a problem he won’t solve on his own by trying to sacrifice his own life, after all. They can read him like a book, despite his best poker face. Also, as it turns out he’s just like Lydia, really. When faced with her possible death, he also goes bonkers. Just… politely.

The author says the cover is a contrast to Tina on the cover of the first book, and certainly the climax of the story shows how far she’s come, both in terms of overall magic power and in terms of strategic thinking. (Admittedly, I think much of the strategy was Stella.) She is technically the second protagonist, so her doing cool things is welcome. No worries for Tina haters, though, she gets the first half of the book, where she’s so naive that she gets called a sucker by a great elemental. I also joked online about this biggest shock of the book being Ellie doing something, but she also gets more than once chance to be awesome. I really appreciated Allen trying to distract Ellie by mentioning her mother is actually alive, and her response being “fantastic but I’m going to stop you anyway”. And the other main heroines (bar Lydia, obviously) all get nice bits to do and show up near the end (bar Stella, Lily, and Cheryl, who are on “don’t let Lydia die” watch.)

The series remains a breezy, fun read, but its flaws are still its flaws. This series has a monstrous, gigantic cast, and you’re supposed to remember everyone. And just in case you don’t, the characters make sure to use everyone’s full name, nickname and job title whenever they meet them, just so that you can update your boards with little pins in them. The characters spend any time that they’re not having wacky romantic hijinks praising each other to the skies, to the point where it starts to get annoying. I love Ellie, don’t get me wrong, but I don’t need the entire cast to tell me how awesome she is. As for what they say about Allen, I can think of an appropriate metaphor, but I’ll keep this clean. It’s why this series will always be fun but not great.

Still, good news, Lydia fans! No, not her eventual return in Book 21, though I’m pretty sure that happens too. But we’re getting a Volume 0, taking place during Allen and Lydia’s time at the academy. Will we finally see the backstory that’s been hinted for so long? (This came out in Japan at the same time as Book 20, but you know North American publishing doesn’t work that way.)

Once Upon a Witch’s Death: The Curtain Rises on a Neverending Story

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By Saka and Chorefuji. Released in Japan as “Aru Majo ga Shinu Made: Hateshinai Monogatari no Maku ga Agaru” by DENGEKI no Shin Bungei. Released in North America by Yen On. Translated by Megan Turner.

I guess I should start with something of a content warning. If you are deeply religious… well, you’re likely not reading Japanese light novels. But it did not escape my attention that a large chunk of this book gives the word “messianic” a whole new meaning. To be fair, Meg Raspberry being the greatest thing since sliced bread is not new to this series. However, she’s taking her act on the road now, and there’s a section in the Middle East where we learn about an all-loving savior who used prayer to heal the world. Named Asura, so we’re mixing and matching mythology here, and I guess I should be grateful he wasn’t explicitly called Jesus. Suffice it to say, though, Meg manages to do everything he did and even more, and saves the world to an even greater extent. It is a bit ridiculous, to be frank, and my “folks who hate OP don’t read this” warning should now be extended to “folks who hate literal miracle working.”

(See, even the cover is religious-tinged.) After the events of the last book, Meg is something of a celebrity among the Witch community. Back home, though, she’s not having a good time, being plagued by prophetic nightmares that are interrupting her sleep. Also, Faust invites Eldora to their home, and Meg discovers that Eldora was once Faust’s apprentice and daughter surrogate as well… and also learns much darker secrets. Now she and Faust are all awkward around each other so it’s great timing that she’s asked by Bennett, the Head Witch, to go on a tour of war-torn battlefields to use the emotional magic that she showed off in order to help save lives and heal the land. She agrees, mostly as this tour will end in Orloff, the country she was born in, laid waste and destroyed by… the witch Eldora.

Lest you worry this is all drama and tragedy, there is still a heaping helping of Meg being incredibly bubbly and annoying, and hitting on women while she continues to talk about a harem of hot guys. That said, the bulk of this book is to expand Meg’s world. She visits places where you have to prioritize which lives to save, and it’s no surprise that “the poor” is lowest on the list. She goes to places where a tree, much like the one she dealt with in the second book, has leeched all life and hope from the land, and the country’s religion is reduced to thievery. And she goes to Orloff, filled with the crystallized corpses of the country’s people, including Meg’s mother (who she finds a bit ridiculously easily, but hey, I’ll handwave it.) This is all well and good, but there’s also ominous foreshadowing. She’s got about 100 tears of joy to collect with 50 days to go, but I think the reader pretty much has figured out that there’s one witch who won’t survive the next book, and it’s not Meg. What is Faust planning, besides trying to assuage her guilt by any means necessary?

I’m really enjoying this series, and the next volume will be the finale. For those who like witches who are full of themselves but absolutely can back up their talk.

Re: ZERO ~Starting Life in Another World~ Short Story Collection, Vol. 5

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By Tappei Nagatsuki and Makoto Fugetsu. Released in Japan as “Re: Zero Kara Hajimeru Isekai Seikatsu: Tanpenshuu” by MF Bunko J. Released in North America by Yen On. Translated by Sarah Moon.

I tend to enjoy these collections quite a bit, mostly as they are the exact opposite of a “let’s just throw together all the bookstore exclusives” short story collections we see from other light novel series. Most of these were taken from my nemesis Monthly Comic Alive, to be fair, but they are very much canon to the main series, and the author uses them to give us characterization and backstory that they can’t put into the main series itself. It also teases future events, or ties in with the present volume coming out in Japan. Basically, much like the Index series, you don’t need to consult the wiki, but it sure helps. It also allows for lighter fare, as I’m fairly certain that, while there are certainly stories dealing with death and tragedy, we are unlikely to have the main series’ own struggles here. It’s fun to see the gang. Especially if we haven’t actually seen them in about two years or so.

We’re down to three short stories this time around, and glory be, none of them have Priscilla. 1) About 4 years before the start of the series, we see Ferris learning healing magic from the foremost authority in the land… though he’s also an eccentric weirdo who Ferris doesn’t get on with. When his teacher is murdered, Ferris and Crusch try to figure out who the killer is. (published between Book 8 & 9) 2) About 9 years before the start of the series, Anastasia is trying to get the guardian of the three cats she met in the previous SS story she was in to join her, which accidentally ends up with her foiling a robbery/assassination and making a compact with a fox spirit who we all know well from the 6th arc. (published between Book 16 & 17, i.e. well before the 6th arc.) 3) A little while after the 4th arc, Otto is directed to visit his family, and Subaru and Garfiel come along. They not only find his younger brother, who is a vet, but also Otto finds a familiar face from the previous short story book, and they take on a dangerous spirit… but is it evil? (Published right before this book came out in Japan, i.e. with Book 21.)

As I said, all these stories are good in and of themselves, but also serve to jog our memory and plant seeds. The Ferris story reminds us of the close, deep bond that he, Crusch and Fourier all had for each other at this point in the story, and therefore reminds us of the tragedy to come. We also get to see more of Heinkel being the most hateful person in the entire series… though we’re also shown a big reason why, and you can see why it’s driven him to drunken fury. We get to see Anastasia’s stubbornness and greed, but also her intelligence and compassion, and it’s clear exactly why Echidna (no, not that one) saw something in her. As for the Otto story, I suspect maybe too many people were asking when Otto was gonna marry the cute girl he met in the last SS book he featured in? This author doesn’t usually torpedo ships, but it’s pretty clear that they see Otto’s value in being unlucky in general, and having a cute girl in love with him would only get in the way.

Next time we’ll get more of “the idiot” trio, as well as Rem and Ram, but we also introduce exclusive side story characters! re: Zero fans, of course, will want this. Non-Re: Zero fans will not.

New Game Plus After Defeating the Last Boss: All These Beautiful, Problematic Girls in the First Town Have Gotten Really Attached to Me… , Vol. 2

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By Touwa Akatsuki and Falmaro. Released in Japan as “Last Boss Toubatsu Go ni Hajimeru Nishuume Boukensha Life: Hajimari no Machi de Wakeari Bishoujotachi ga Mechakucha Natsuite Kimasu” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Kamishiro Taishi.

And here’s where we find out why this series didn’t last past the second volume, and any goodwill I had towards it quietly vanishes. There’s a reason that writers love to create conflict for their characters: unless it’s handled well, everyone getting along is boring. Rearguard has a similar problem, but usually moves at a fast enough clip that it can avoid the worst of it. This book, though, really doesn’t pick up till about 2/3 of the way into it. Not great. And there’s also Falmaro’s art. I used to, if not like, at least not mind Falmaro as much. But as time as gone on, their art is not only fanservice for fanservice’s sake, but looks tedious. Everyone seems to fall with their legs spread open, or dance so their panties fly up. I think it’s meant to be funny? Hey, look at the obvious? It made me groan and want to move on.

(See? Even the cover art is an upskirt shot.) Returning back to their hometown after defeating the demons from Volume 1, Might and company get a hero’s welcome. They’re headed off to the capital as well, but there’s a bit of a worry. As Raksha, the dead demon who manages to nevertheless be alive enough to exposit, tells them, there’s another demon, a vampire, who’s even stronger than the ones from the previous book. And as they set off for the capital, it would appear that the vampire’s kin have been getting busier and busier recruiting new women (always young women), and they’ve even gotten a hold of one of Might’s old allies, Elk. Actually, Might’s old allies from his former “life” may end up being the cause of all these issues, along with a goddess who may not be what she seems…

So now that I’ve bitched about the entire book, what did I like about it? I did like how they worked in the old cast, though “mischievous sister goddess pretends to be her good twin to cause chaos” is a bit eye-rolling. Falina’s a good, noble girl who’s tricked badly and has to do her best not to turn evil. Unfortunately, vampirism is a real threat here, plus of course she’s in love with Might along with every other woman in the cast, so it’s hard to simply sit and do nothing. And given this is a book where everyone gets along, it was appropriate that Might’s vampire cure ended up making everyone fine with no after effects. Likewise, when Lystia returns home after running away, the reaction of most everyone is “ah well, you had your reasons.” Also, when we hear that Might’s so young at this point his voice hasn’t dropped yet (isn’t he 15?!), it makes sense why all the sexy teasing goes absolutely nowhere. This is about family, not who gets to be his lover.

The end of this volume wraps up most of the plot points that were outstanding, and it’s pretty easy to not write more. The author seems to have returned to Rearguard after a hiatus to write this. I hope they concentrate more on that, Best Lizard could kick the ass of any of these girls.

The Magical Revolution of the Reincarnated Princess and the Genius Young Lady, Vol. 9

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By Piero Karasu and Yuri Kisaragi. Released in Japan as “Tensei Oujo to Tensai Reijou no Mahou Kakumei” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Haydn Trowell.

There was a long gap between Book 8 and Book 8.5 in North America, which allowed the series in Japan to not only get further ahead but even finish – the final volume will be lucky number 13. Fortunately, there’s less of a gap between 8.5 and this book, so we can start to catch up. This is the start of the final arc, according to the author, and as such we’re finally going to be looking outside of Palettia to other countries – in particular the Ailean Empire. Anis and Euphie have spent most of the series dealing with troubles in their own backyard, be it Anis’ magical inventions, the wicked nobles scheming to make her a puppet Queen, Euphie’s own broken engagement, etc. Now that most of that has been resolved, it’s time to look outward… though Anis and Euphie really don’t want to look outward. They’re still laser focused on progress at home. Unfortunately, when you’re making really cool things that can change the world, “sorry, they’re not for sale” isn’t going to cut it.

As Anis tries to deal with all the paperwork that starting a new Magicology City entails, she ends up discovering something terrible – denizens of the Ailean Empire want to assassinate her! See, the Empire had a massive “take over everything” phase a while back, and took over some countries that bordered on Palettia and traditionally hated them – and that tradition hasn’t gone away even though they’re now subjects of the Empire. Fortunately, Anis now knows in advance, and can take precautions. This leads her and Euphie to meet with the emperor, who sounds like a freak, and acts it too a lot of the time, but ends up being one of those “I disguise my intelligence behind an annoying false front” sorts, and he’s here to psychoanalyze Euphie – much to her displeasure. Can all this be resolved by a visit to the Empire?

I really did like the Emperor’s talk with Euphie. He points out, and he’s not wrong, that she has no desires of her own as ruler. She’s only doing it for Anis. In that sense, Anis really is the driving force behind the country at the moment. It’s a good point, and I can see why people would be wary of someone who doesn’t seem to have any wants or needs. There’s also what amounts to a resolution of Tilty’s storyline – I get the sense the bulk of the rest of the series is going to be visiting the Empire, and she’s definitely not coming. Searching or a way to fix her issues has led to a solution that works well for her, but I agree it should stay secret till they sort everything out. I also really liked the way to bring Ilia back into the plot, as she’s done very little lately, short stories aside. She also does nothing in this book, but the future looks better for her and Lainie.

In the end, my favorite scenes in this series remain Anis and Euphie being lovey-dovey even as they discuss assassins, empire building, and a turbulent future. Still great fun to read.

Even Exiled, She’s Still the Beloved Saint! St. Evelyn’s Weird and Wonderful Friends, Vol. 3

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By Harunadon and Kurodeko. Released in Japan as “Tsuihousareta Seijo desu ga, Jitsu wa Kunijuu kara Aisaresugitete Kowain desu kedo!?” by Earth Star Luna. Released in North America by J-Novel Heart. Translated by Camilla L.

And then it all falls apart. The afterword of this series mentions that the author really wanted to do this sort of plot, which made me raise an eyebrow, and that they suspect no other author has taken a swerve like this, which I know isn’t true. They then tell us that the editor has asked that the next cover they want to see Evelyn smile, and encourage us with a “so you’d better buy this enough!” threat. Reader, they did not buy this enough, and this third and final volume came out in 2023, with Evelyn still not quite married. That said, unlike another series I read recently, everything is pretty wrapped up here. In fact, everything was pretty wrapped up in Book 2. The most painful thing about this book is that it’s unnecessary, flabby, and will do something for a laugh and then abandon it when exposition is needed. It’s not good.

Evelyn wakes up in a room with the other eleven supporting characters of this series, where they are told by a mysterious rabbit that they are going to be playing… a DEATH GAME! Evelyn, needless to say, finds this horrifying, especially when she’s told that a lot of people in the kingdom go missing every year, and it’s now assumed they’re killed off in this game. In the first game, they run a relay race against zombies, who bite Alex and Mary, who are theoretically now zombified… though it seems to be taking a long time. In the second death game, they’re divided into two teams of six to play “Wolves and Villagers”. Evelyn’s group is narrated by her, and Kira gets the narration for the other group. This allows everyone to play detective… some badly. But who’s really behind all this?

I appreciate that this series runs on Rule of Silly, but I do expect some consistency. We get an extended gag of Evelyn not getting the Wolves and Villagers rules as she’s too thick, but then near the end she’s able to rattle off all the various deductions she’s made with ease. I am generally not a fan of death games in general, so his was always going to be an uphill battle. But the relay race vs. zombies thing didn’t really make any sense, and only worked as a sort of way to force Mary to apologize to her sister without making it sound out of character. Evelyn is engaged to Theodore, and loves him, but really the only reason she’s not marrying Kira is his age – they have the far stronger bond. And the revelation of the culprit’s motivations just made me sigh, but at least it fit in with everything else in this series.

I don’t expect more of this. It was very silly but fun, then very silly and a lot less fun. Go read the author’s other series, which are far better.