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Reviews

Chitose Is in the Ramune Bottle, Vol. 8

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By Hiromu and raemz. Released in Japan as “Chitose-kun wa Ramune Bin no Naka” by Gagaga Bunko. Released in North America by Yen On. Translated by Evie Lund.

I have found that Chiramune is one of those series that glides along for a while till the author has a sudden explosive burst of inspiration where everything gets really good for the rest of that scene, and then it goes back to normal. This can sometimes be frustrating, especially if you’re reading it for the ongoing plot, but it does make those scenes instantly memorable in your head. Which is good given how this does not exactly release every three months or so. Here we get two such scenes, one short and one long. The short is the second conversation between Yuzuki and Kureha, where we start to see exactly why Kureha is doing things in this particular reckless way. The second is the final scene in Saku’s apartment, where Yuzuki drops all pretense of reserve and straight up tries to seduce him into sleeping with her. If you know Saku, you can guess how well this goes. But as a scene, it’s dynamite. The series works best in sprints.

The culture festival is almost upon us. While the core cast work on their cheer routine, Yuzuki also has a heart-to-heart with Kureha, and realizes that she’s going to have to stop trying to be “Yuzuki Nanase” and remove her limiters. This means suddenly she’s blowing away everyone else on the basketball court… including a dispirited Haru. This means that, when the Snow White play they’re putting on turns out to be literally the author writing the love triangle between Saku, Yuuko and Yuzuki into the plot – and having Saku improvise an ending – she wows everyone with her amazing acting skills. And it means that, when she gets the opportunity to cook dinner once more for Saku at his apartment, she puts on her best underwear and pins him to the couch. Unfortunately, talking to Kureha also gave her Kureha’s desperation.

I liked Kureha better here… or at least understand her more. Everyone’s annoyed at her for upsetting the status quo, but to her it feels like she’s started a race where everyone else is on the last lap. When you literally can’t catch up, sterner measures are needed. I also really loved the conversation between Yua and Asuka, where they both reflect on their breakdowns from the last book and both admit it’s their fault rather than Kureha’s. This book has a lot less Saku narration than usual, which makes sense as the series is getting into the second half and needing to resolve things, but also as Saku is discovering that trying to figure out who he loves and trying to figure out what he wants to do in the future involve the same things… and he’s reluctant to do anything – STILL – as he knows how much pain it will cause. Hence the final scene, which manages to be very painful and also pretty erotic.

This is the first of a two-parter, and I’m not sure when Book 9 will drop, but Chiramune fans should be quite pleased, especially if they think Yuzuki is best girl. Though the book is also hinting we should enjoy that while it lasts, like Yuuko.

Sword Art Online: Progressive, Vol. 9

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By Reki Kawahara and abec. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

I think I have come to the conclusion that Reki Kawahara, much like Ryohgo Narita, has too many balls in the air. The last time a Progressive volume came out here was in 2022. It is now 2026. That is bad, mostly as I can remember literally nothing about the last book other than “Kirito is a vampire now”. And I have bad news for you, 10 isn’t out in Japan, as he’s also writing the main series and Accel World, as well as supervising all those Alternative spinoffs, only some of which have been licensed over here. As such, it sure would be a shame if this volume got off to a slow start and really dragged through the first half, as I’m already a bit grumpy that it’s been so long and I have to try to tell dark elves alike that I haven’t seen in a while. Heck, even the plot regresses back to the fourth floor. That said, as with many books, the second half really picks up, and has some surprises.

Kirito and Asuna, having met up with Kizmel again, are trying to get back the keys stolen by the fallen elves. This ends up, as I noted, taking them back to the fourth floor, where they have a happy reunion with their boat, as well as with the dark elf they broke out of prison with. He wants to have a chat with the leader of the Dark Elves, and asks the three of them to get him out of the castle so they can talk. This requires Kirito using his new vampire powers (which, by the way, means this entire volume happens at night) to tame a Kelpie so they can ride it without the castle guards realizing their viscount has flown the coop. When they finally engineer the meeting, it ends up leading to a duel, but more importantly, backstory that’s actually interesting.

Not gonna lie, I worried I would have nothing to talk about when I reviewed this through the first hundred pages or so. Then Yofilis reveals his tragic backstory and my jaw dropped. Not just because it once again shows off how well coded these “AI” NPCs are (and I mean, almost everything Kawahara has ever written has involved AI becoming human in some way), or even how Kirito and Asuna picking the dark elf rather than the forest elf may have messed up the plot to the point where the frontliners are all in danger of being killed, but mostly because said tragic backstory revolves around Yofilis being gay, and how that messes with the way this game treats elves and aging. Essentially Elves age as they gain roles, such as “parent, grandparent, knight captain”, though obviously I’m simplifying. And the fallen elves specifically aren’t aging after “falling”. So we get an odd dovetailing of how a gay character might be coded in a fantasy like this one, as well as the fallout of same, which involves a literal metaphor for sinning and falling from grace. It’s… interesting.

And Kirito and Asuna are adorable and everyone except them agrees they’re a couple and should just kiss already. Rest assured, it still has that. Next time we resolve another cliffhanger, though a more happy one this time. Will it be another four years? Maybe.

The Alchemist’s Fluffy Island Getaway, Vol. 1

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By Kisetsu Morita and Matsuuni. Released in Japan as “Renkinjutsushi no Yurufuwa Ritou Kaitakuki” by GA Novel. Released in North America by Yen On. Translated by Tristan Hill.

Sometimes I pick a book to read based on vibe, and only afterwards do I realize the actual creative team behind it. This is definitely one of those books. I got it as I like the mini-genre of “alchemist in a remote land a la the Atelier series”, and it felt cute. And then I finished it, and it turns out it’s freaking Morita AGAIN, with I believe his fourth LN series licensed over here, not counting spinoffs. And then I realized how an awful lot of this felt familiar if you’ve read Killing Slimes for 300 Years, especially the main character picking up two fighting monster girls who bond with her. That said, Killing Slimes for 300 Years is a very static series, with little to no growth or change. This one seems to know it can’t be that. Because when we meet Freya, well, she’s kind of horrible, and getting exiled to the middle of nowhere to learn to be a better person is what she richly needs.

Freya Corvidge is an orphan girl who ends up at a premier academy for alchemists, and ends up with the highest grades of her year. We don’t see any of that. We start with her graduation speech, where she talks about finding a cushy job where she can be lazy. And when other graduates accidentally summon a massive wolf monster, she steals supplies without asking to paralyze it and make it invisible so it’s not killed. All this means that, far from a cushy job in the capital, she’s being treated like the bottom of the class, and sent to a remote island where she should reflect on her actions. When she gets there, while the locals are very friendly, her alchemist shop is so overgrown it will take her weeks to uncover it. Then she meets the island’s god… who seems very familiar.

Freya is a hoot, frankly. Her obnoxious tendencies are to a certain degree a front for the fact that she’s a nerd who had no friends and was bullied a bit at school. Unlike Killing Slimes, her character journey over the course of the book, where she grows to like island life and discovers the joy (and embarrassment) of doing good things that others praise her for, is the point, and it’s handled well. I also liked Lilil, the wolf god who ends up becoming her apprentice and tsukkomi, there to bring Freya back to reality when need be. Given the author, it’s not surprising that there’s a bit of yuri in this title, though thankfully it’s not punctuated with reassurances that everyone is straight like their other series. There’s also a lot of “this is how we do alchemy” stuff, which is the norm in these sorts of titles, and unlike, say, Management of a Novice Alchemist, Freya is talented but also inexperienced and is not going to be OP right off the bat.

So yeah, this is a lot of fun, and I will cut the author a bit of slack and cheerfully read the second in the series, which will no doubt add another cute girl somewhere.

The Isle of Paramounts: Reborn into a Slow Life Among the Strongest in the World, Vol. 3

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By Heiseiowari and Noy. Released in Japan as “Tenseishitara Saikyou Shu-tachi ga Sumau Shima deshita. Kono Shima de Slow Life wo Tanoshimimasu” by SQEX Novel. Released in North America by J-Novel Club. Translated by Alex Castor.

This is a slow-life series that has things happening, but it can be a bit difficult to review as, due to its nature, deep character development is just not on the table. The closest Arata gets to it are his struggles to fight back against everyone judging him by his god-like powers and insisting he’s human, and even he is half-hearted about it. There is a more interesting plot happening… away from the island, where the hero’s team are still being hunted by the Church as heretics. This means that they’re being hunted by two Celestial Archmages, who are ludicrously powerful… till they do another summoning, and pull not Arata this time, but Reina and Zelos, who are suddenly in front of their former allies. The interesting bit is they’ve lived with Arata and the other OP folks on the island so long that they’ve also gotten much stronger than anyone else, to the point where they can easily fight off colleagues who used to beat the stuffing out of them before. It pays to be around Arata!

Arata and Reina are headed to the Alfin village where Katima lives, there to meet up with her Village Elder and mostly have fun at Katima’s expense. While there it is revealed that the Great Spirits that normally watch over the village have been absent for a while, so Arata and Katima go searching for them.. and find that the Great Spirits are, unsurprisingly, a lot like humans, which is to say that two of them are having a “man’s battle” while the third has locked them in a sphere to shut them up. It turns out they’re fighting over who gets to raise the new Great Spirit who’s just been born… but when Arata, with all his power, interrupts, the Great Spirit ends up choosing him as her new “Daddy”. Now he’s raising Snow, the Great Spirit, along with her “mommy” Reina. The trouble is, Snow is having a bit of trouble controlling her ice powers…

The main reason to read this series remains the still adorable, still virginal romance between Arata and Reina. Indeed, it’s astonishing to everyone except Arata and Reina that they’re not already lovers. Every time they talk to each other the folks around them complain about the flirting. It also goes without saying that when they’ve got to take care of Snow, who calls them Mommy and Daddy for good reason, they become the perfect parents. There’s even the obligatory “we’re finally giving in to our feelings and leaning in for a kiss when we’re interrupted because this book has seven volumes to go till the wedding” scene. That said, I’m pretty sure we’re getting him more than one wife in this series. It’s hinted heavily that polyamory is OK, and Tailtiu has made it very clear she’s not going to be an unlucky anything. But the thrust of the goopy romance is still these two.

Island stuff is all well and good, but I do hope we dovetail back with the main world again soon, as that adds a bit of spice to this otherwise very relaxing series.

Starting on Hard Mode: God Levels, Got Problems, Vol. 1

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By Hanmenkyoushi and ririnra. Released in Japan as “Level Count Stop kara Hajimaru, Kamisama-teki Isekai Life: Saikyou Status ni Tenseishita node Suki ni Ikimasu” by DRE Novels. Released in North America by J-Novel Club. Translated by Jessica Speed.

There are series rich in depth, with multiple layered plots and character development galore, the sort that you read by a roaring fire in your study. And there are books that you read when you’re lying on the beach and want brain candy, something that really does not require you to think. Take a wild guess which one this falls into. There’s a smorgasbord of all the things that you’d expect from a series that looks like this cover and with this title. Overpowered guy, cute girls of elf and beast variety, adventuring parties, lots of monster killing, and even a backdrop of racial discrimination crushing the souls of everyone who isn’t a human. OK, not all of it is brain candy for the beach, but I’m letting people know not to raise their expectations above about knee level. If you manage to keep them there, this isn’t all that bad. It hasn’t really made any of the more egregious errors titles like these do.

It’s possible our nameless Japanese guy was hit by Truck-kun, but as he doesn’t remember anything we won’t find out. God, talking in his head, tells him he’s been reincarnated in another world! And he’s overpowered! In fact, ridiculously overpowered. His stats are about 25 times stronger than the strongest humans. Oh, and his physical appearance looks just like, well, God. Surely this will not lead to misunderstandings! No sooner is he dumped in a forest full of monsters than he saves a desperate elf girl. Unfortunately, no haughty or powerful elves in this world. Here elves are treated like dirt. What’s more, after arriving at the nearby town and going to the obligatory adventurer’s guild, he meets a beastgirl… who is also despised, despite being really strong. Why was he reincarnated into racism world? To make things better, of course.

I do appreciate that Merlin (said nameless hero has a name in fantasy world) has an immediate and visceral reaction to all the prejudice going on around him, and that he takes pains to be extra nice to the elves and beastgirl as a result. (Oh yes, cute elf has a dying sister. It’s OK, Merlin is powerful enough to heal anyone.) The girls are all cute, and due to the genre I can let slide that they are torn between worshiping him and falling in love with him, and sort of decide to do both. There’s also some obligatory fanservice, but Merlin is the “I will blush and turn away they’re like little sisters” sort, so don’t expect any romance anytime soon. For the most part, though, we’re here to watch Merlin be awesome and then try to cover up the fact that he’s being awesome. It’s hard enough getting a slow life in a series like this without being gorgeous, all-powerful, and a budding activist.

This is a DRE series, so should not run too long. Recommended for folks who like what the cover art shows them.

Proud to Be the Villainess: If My Doom Can Be Her Happily Ever After, So Be It!

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By Mary=Doe and Kuga Huna. Released in Japan as “Akuyaku Reijou no Kyouji” by SQEX Novel. Released in North America by J-Novel Club. Translated by Bérénice Vourdon.

It’s always interesting seeing a Villainess title on the Club side of J-Novel rather than the Heart side. Usually it means that the romance isn’t the point of the exercise, and that is the case here, though that might surprise you after you see what the plot is, as there is an awful lot of romance in this book. But in the end this isn’t a romance as much as a twisted caper film. Our protagonist has a goal, that will take years and involves lots of moving parts, and eventually everything comes together until she’s able to pull off the goal… or at least, she hopes that’s what happens. Heck, since she’s not reincarnated from Japan, this doesn’t even have to involve a game world at all, and there’s no pesky heroine either. There’s just two sisters, with one of them being noble and abused and the other being arrogant and haughty. All is as it should be… except, as you may have gathered by the title, the other sister is the main character.

We open the way a lot of villainess books open – with the seeming romantic lead cruelly breaking off his engagement to his poor fiancee. However, we see this from the perspective of Iora’s sister Wellmy. While Iora has been abused by her parents, barely fed, forced to live apart from the main house, and essentially tortured, Wellmy has had it good. The best dresses, the finest jewely. She even has fantastic grades… which also happen to have her forcing her sister to write her papers for her and sign Wellmy’s name. She is every inch the terrible stepsister we see in these books, and she even manages to get Iora married off to the horrible Marquis, rumored to hate women. It is therefore no surprise whatsoever that, six months from now, Wellmy arrives at a party only to have Aides, the Marquis in question, reveal all of her horrible deeds in front of everyone. Just as Wellmy planned.

This book does have its flaws. It’s horribly overbalanced towards the front, having its climactic and best scene (the slap) only 1/4 of the way through, with over half the book devoted to looking at the “other side” of what’s been going on. It’s also clearly written as a standalone, and it is hard to see how it has 7+ volumes in Japan now, which it does. That said, I loved this to bits. Not a surprise, everything in it was designed to be catnip to me. It’s not as dark as I expected, frankly – there is a lot of funny business here, especially when Wellmy discovers her inner submissive – but there is a core of despair that falls over the main events. Wellmy’s grand plan means that she’s never considered what to do with her life besides “die”. Iora is forced to watch from afar as her sister deliberately destroys herself. Even their mother, who is written off for most of the book as a scheming woman who loathes her adopted daughter, turns out to have a terrible backstory. There are definitely reasons why Wellmy had to go so far, though in the end she and Iora reap the rewards… even if Wellmy does so reluctantly.

All this plus casual verbal abuse of a crown prince. What’s not to love? For all fans of this genre, and I hope the author can figure out what comes next.

Heroine? Saint? No, I’m an All-Works Maid (And Proud of It)!, Vol. 6

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By Atekichi and Yukiko. Released in Japan as “Heroine? Seijo? Iie, All Works Maid desu (ko)!” by TO Books. Released in North America by Airship. Translated by Matthew Jackson. Adapted by Michelle McGuinness.

A lot of these “we’re in the world of a game” series tend to fall into two categories. Either the game just goes off the rails immediately but the main character doesn’t realize it and is determined to fight against a fate that no longer exists (e.g. Observation Records of My Fiancee), or the game has a malevolent mind of its own and is determined to make sure those pesky villainesses die and heroines save the day. This title is firmly in the second category, and while the bulk of most of the book is fairly light and maid-related, it does not let you forget it. The climax of this book does feature the “heroine”, Melody, but because she’s already derailed this game as far as possible, even she cannot save the day in the end. And it’s not going to be the tsundere duke’s daughter either, who comes a lot closer but falls short. No, in the end it’s past tragedies that will have to win out.

Despite the fact that you’d never imagine it with a culture like the one we have, it’s school festival time, and thanks to the dumbass Prince Christopher suggesting something anonymously assuming no one would go along with it, their class is doing a maid cafe. Since Cecilia is currently convalescing back home, Melody will of course not be participating (yet… the festival will be in the next book, and I have my suspicions), but she can advise folks on what works and doesn’t work when it comes to a practical maid uniform. Celedia would like to be getting closer to the capture targets, but alas all she’s doing is secretarial work related to the festival, and she thrown a hissy fit that goes wrong thanks to the evil lurking inside her. Unfortunately, said hissy fit is stopped by Christopher, and even though he and Anna-Marie have done their best to avoid having the plot impact them, it’s time for him to turn evil.

Christopher and Anna-Marie have been around since the start, usually complaining about the fact that they’re trying to stop the plot of the game but that it’s been stopped before it gets to them, but they’ve been relatively minor characters. Here they get more to do, though I’m sure they wish they didn’t. I feel bad for Christopher, who didn’t do anything wrong, really, but ended up almost destroying the world, because thanks to Celedia’s extra added evil Melody is NOT strong enough to head him like the game says. The final scenes are really dark and horrific, both because Christopher is slowly being mind-controlled and also because we get a flashback showing Maika’s reaction to her brother and his “childhood friend’s” death, and how deeply that affected her. It’s pretty heartbreaking, and Christopher and Anna-Marie are appropriately heartbroken. It also allows the Maika that’s HERE to accidentally save the day, though she’s unaware of it. I really enjoy the way this series interweaves everyone’s past lives into the mix.

As I noted earlier, we get all the buildup to the festival but not the festival itself. And by the time the next book comes out, the anime will have aired. We’ll see how that goes. Sometimes it helps, sometimes you’re Private Tutor to the Duke’s Daughter. But the books are good.

The Bladesmith’s Enchanted Weapons, Vol. 4

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By Kazuma Ogiwara and CARIMARICA. Released in Japan as “Isekai Toushou no Maken Seisaku Gurashi” by Kadokawa Books. Released in North America by J-Novel Club. Translated by Ryan Burris.

This remains a series written almost entirely for teenage boys, but it’s worth noting that this isn’t just one aspect of things teenage boys like. Obviously there’s the stuff about the swords, because teen boys love swords, and fantasy authors love treating the swords like they’re women, which this book absolutely does. It’s also written for teen boys in terms of the sexuality – Lutz and Claudia remain very sexually active, and a princess of another country’s city/tribe is mostly described by her large breasts. But there’s something else teenage boys like, and that’s grimdark, and this series has that as well. It never quite spills over into actual tragedy, but there’s a lot of bleak, depressing stuff in this series, ranging from the start with Claudia being saved from a fate worse than death (more on that later), to a clan leader who has let the love of a sword turn him evil, to a vengeful knight seeking to atone for past sins by killing his fellow sinners. It’s not fluffy.

This story essentially consists of two parts. In the first, Lutz, Claudia, and Ricardo head to the federation to see what’s going on there after the death of their king. Turns out things aren’t great. They meet up with Gwynn, the guy who asked Lutz to create a katana he could give painless death with, and together they head to a wretchedly poor city where the chief seems to really, really hate them. He has a daughter who’s far more sensible, but he also has a bewitching katana that has killed three of her brothers when they challenged dear old dad. Maybe an unbewitching katana from Lutz can help. When they return home, they find that there’s a masked avenger going around killing the lazy knights, and while Lutz and especially Claudia have no love lost for those guys, Lutz decides to investigate just in case this turns out to be the fault of one of his katanas, like almost everything else in this series.

There is some humor in this, of course. The darkness of the village chief and his bewitching sword is offset by the adorableness of the first love between Gwynn and Melty. There’s another subplot about Ricardo asking for a second katana to be used with Tsubaki as a dual wield, and it’s up to Lutz to show Ricardo that dual wielding is something mostly done by fictional heroes for good reason. But we see slavery here, and a village whose people are starving to death just because its chief wants a second priceless katana to go with his first. There’s also the entire plot with Donaldo, who worships Lutz for all the wrong reasons. Lutz has to secretly meet with Donaldo to resolve this, because much as Claudia likes to pretend that she’s over the terror of what the knights did to her in the first book, she’s really not, and he knows that he needs to handle this away from her. The darkness of this world leaks in whether you want it to or not, and it’s impossible to get rid of.

It will be interesting to see where this series goes next – especially given we’re now seeing Enchanted Weapons by people other than Lutz. I’m still really loving it.

Observation Records of My Wife: The Misadventures of a Self-Proclaimed Villainess, Vol. 3

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By Shiki and Wan Hachipisu. Released in Japan as “Jishō Akuyaku Reijō na Tsuma no Kansatsu Kiroku” by Regina Books. Released in North America by Hanashi Media. Translated by Ethan Holms.

Since I last reviewed this series, the anime has debuted, and a few things are becoming clear. First of all, like many light novel adaptations, the anime is speed running things a bit, so I suspect we’ll get into the “wife” part of the series before the end of the season. Secondly, I’d forgotten how some of the characters looked at the start of the series compared with now. In the first volume, Zeno was a beleaguered but relatively calm butler who normally served to snark at Cecil when Cecil was being particularly evil. In this sixth book, Zeno is an absolute wreck of a spirit, constantly whining and yelling at everyone around him. Part of this is due to the dreaded “oh, his partner looks really young, ha ha he’s a lolicon” joke we get in light novels, which is never funny and isn’t here either. But partly it’s because family, no matter how much you may try to avoid it, will always be embarrassing.

Cecil and Bertia are home from Seahealby, and everything seems relatively peaceful. So it’s now time for Zeno to go visit the spirit kingdom, so that he can ask permission from Kuro’s parents to marry her. This isn’t required, but he wants to be polite about it. Bertia is going as Kuro is very attached to her. Cecil is going as Bertia is going. And everyone else is suffering, because Cecil was already gone for an extended period and now he’s leaving again. When they arrive, they have to deal with Zeno’s parents, who are merely very embarrassing, and who also set up the plot of the 4th book in this series, when we’ll meet his seemingly overbearing sisters. The main plot, though, has the “ha ha he’s a lolicon” jokes hit at exactly the wrong time, meaning he and Cecil are now locked out of her parent’s castle till he completes some herculean tasks. No worries, Cecil is here to help. Wait, no, here to observe.

I have to admit, the stakes in this one are pretty low, mostly because you know all that has to happen is Kuro putting her foot down and the problem is solved. Also, Bertia is mostly sidelined in this book, as she stays behind while Zeno and Cecil go off to do the plot, staying behind mostly to try to be villainous again, as Kuro’s mother hits a bunch of her “so cool!” buttons and she goes off into la-la land. (I will admit, Bertia trying to have herself get tied up is a very funny bit.) The bulk of the heavy lifting goes to Cecil, though, as is appropriate. here he’s smug, a bit sadistic, and also accidentally helps Zeno save the day. While Cecil is pretty much an expert at anything he’s ever done, he also has a fair bit of “golden boy” luck, which helps him out here. I also appreciated that Kuro’s parents end up being just as socially awkward as she is, and it explains quite a bit.

This series feels like it’s coasting, but I still like the cast, and it’s fun most of the time.

Earl and Fairy: How to Win Over a Gentleman

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By Mizue Tani and Asako Takaboshi. Released in Japan as “Hakushaku to Yōsei” by Shueisha Cobalt Bunko. Released in North America by J-Novel Heart. Translated by Alexandra Owen-Burns.

Well, I was suckered in once again. I was all set to talk about the fact that Earl and Fairy is a product of 90s shoujo, and that like a lot of 90s shoujo (and indeed a lot of manga and comics in general), it had a habit of snapping back to the default whenever anything important happened. I was ready to rage against no one seeming to have learned their lesson and everyone forgetting what happened the previous book. But no, it’s another stealth short story collection. Which means I can’t be really annoyed at Lydia and Edgar for behaving like they used to eight or nine books ago. There’s just one issue with this: I am annoyed anyway. Given that getting these two to meet in the middle and come to an understanding has been like pulling teeth, I feel no need to go back to the days where Lydia was stubborn and quick to believe the worst, and Edgar helped her along very well in that regard. On the bright side, the last story is terrific.

There are three short stories here, two of which were written for magazines and feature Edgar and Lydia towards the start of the series. In the first, a “stork fairy” arrives posing as a baby, and a delighted Edgar takes this opportunity to play as if he and Lydia are already parents… while Lydia tries to hook him up with his own maid, despite the fact that she sort of hates that idea. In the second, a nightingale (fairy version, not bird version) tries to get Lydia to fall in love, because otherwise she will perish, but runs up against the problem of, well, Lydia in general. The final story is new to this volume, and takes place after Book 11. A newly engaged Edgar and Lydia are having dinner with her father, Frederick, and he takes the opportunity to reminisce (to himself, Lydia has no idea) how he met her mother.

I have mentioned this before, but will bring it up again: The author is much better at writing action, suspense and supernatural intrigue than they are writing romance. The first story really rubbed me the wrong way, mostly as I had forgotten this is what most 90s shoujo was actually like. The 2nd was a bit better, and we did get to see Raven in drag, which was a lot more fun for us than it was for Raven. But no, the main reason this was a decent book is the back half, with the story of Frederick and Aurora. They meet cute, and you do get the sense that she falls for him almost immediately, but as the story goes on you see that’s not quite true. It also has some unnerving and scary bits. This is an insular community, and her father is unpleasant. What’s worse, her “second fiance” is abusive, and it’s hinted that if she doesn’t get away with Frederick getting abused will be her lot in life. It’s well known to the village that she’s a changeling, and not everyone seems at peace with that – though more people are than Aurora expects, leading to the sweetest part of the book.

I assume next time we’ll get a full volume. I also assume some fairy-related or Edgar’s past-related thing will get in the way of our heroes getting married, because that’s how this sort of series rolls. Less of past “always angry, always caddish” Lydia and Edgar, please.

Our Party Nearly Wiped and Then Everything Went Downhill, Vol. 1

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By Ameria and kodamazon. Released in Japan as “Zenmetsu End wo Shi ni Monogurui de Kaihishita. Party ga Yanda” by Enterbrain. Released in North America by Yen On. Translated by Leah Sargent.

Our main character, Walker, remembers his past life from Japan, and also that he’s in a grimdark manga that begins with an adventuring party getting murdered (him) and raped and murdered (the rest of his party) by a monster almost no one has defeated called Grim Reaper. He remembers all this just in time to figure out a way to defeat it. He does not remember this in time to avoid losing an eye and a leg to it. Now he’s recuperating in the Church and trying to combine his stoic, overly serious in-world memories with his somewhat current personality, as well as try to work out if he can ever use a sword again. Because boy, does Walker love swords. He’s invented a new sword style this world doesn’t know. Which is probably why he was able to survive. As for the rest of his party… well, they’re a bit traumatized and guilt-ridden. He really should do something about that too.

Things that annoyed me about this book:

• Lisellarte, the girl with the giant witch hat on the cover, is a supposedly hundred year old magic user who acts like a 7-year-old child most of the time, even before the tragic event that starts things off. She feels like she was added to fulfill the “loli” quotient.

• Euritia, a 13-year-old swordswoman who has a problem with men constantly trying to pick her up, has decided that the best way to deal with her grief is to kill everyone who even comes close to being against Walker.

• Atri, the obligatory Amazon girl, has been told by her grandmother that when she finds the one she loves she needs to “Accept his seed”, but of course every time she tries to he assumes she’s trying to fight him because he is dense.

• Walker himself started off (in the fantasy world) as a stoic blank slate dedicated to his sword fighting and his party. Adding the memories of his past life mostly makes him more annoying than anything else, and the book could easily have happened without any of that.

• Anze, the holy woman who knows their party, gets the fanservice jokes. I’m mostly annoyed at this as otherwise the book is relatively free of a leering fanservice gaze. There are rape mentions throughout, as that’s what originally happened to the party in the “manga”, but Walker doesn’t see the girls as anything but family.

• This is far more serious than I expected it to be, and that works to its detriment. I had assumed, based on the premise, we’d be in for some yandere stuff, and that’s true, but it’s really mild and not funny. Honestly, I wish there was more yandere stuff, it might lighten up the book.

• Most importantly, though, is that the author’s barely disguised fetish in this book isn’t yanderes or lolis or large-breasted nuns. It’s the girls all crying brokenly and feeling guilt-ridden and sad. They say in the afterword this is true, I’m not reading into it. And that makes this a different kind of book. It’s not about this group having to overcome a severe setback and tragedy, about Walker overcoming his disability, and about the girls regaining their confidence. We won’t see the girls regaining their confidence because the sad crying guilt-ridden monologues are the point. This is about the reader going “awwww” while seeing them castigate themselves.

And you know what that is? It’s torture porn. Bye-bye. You weren’t enjoyed.

Imperial Reincarnation: I Came, I Saw, I Survived, Vol. 5

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By Masekinokatasa and Kaito Shinobu. Released in Japan as “Tenseishitara Koutei deshita: Umarenagara no Koutei wa Konosaki Ikinokoreru ka?” by TO Books. Released in North America by J-Novel Club. Translated by Gwendolyn Warner.

Of all the series to be reminded of while reading this isekai military fantasy, I was not expecting it to be The Executioner and Her Way of Life. But with this volume, it’s unavoidable. Executioner has at its core the premise that being isekaid’s to another world can be bad, especially if you’re not the only one. Catastrophic world ending things happen because Formerly Japanese folks get magical power and abilities and go slightly mad. And while that’s not happening here, it is very clear that this world has the potential for also wiping out civilizations because of their interdimensional travelers. Not only is Carmine not the only reincarnator, but there are absolute piles of them out there, some of whom are on his side but some of whom are working for the enemy… and easily manipulable. And they’re also having children, who sometimes have to suffer for the sins of their parents. Carmine will have a rough ride ahead.

When we last left Carmine, he was finding that his legendary victory was not without a cost, that being everyone suddenly deciding that now is the time to turn and wipe him out. Fortunately, (military things) and he is able to return to the palace, where plans are afoot for him to marry Rosaria… at least in two years, once he’s fifteen, the age of adulthood in this world. He also is urged by Rosaria to take Nadine and Vera-Sylvia as his concubines, which he pushes back against at first but is reminded that this world runs on politics rather than love and caves in… that said, he clearly also likes them, and they love him. After this he goes on a campaign to take Teyanave… which ends up going very badly indeed because (military things). He is barely able to make it back in time for his wedding.

As you may have guessed by reading the above, I am the wrong audience for this series, even though I enjoy it a great deal. I really do not have any interest in the battles, the strategies, and how we get from point A to point B while losing as few men as possible. This series, and this book, really do love that. Expect more of me eliding in future reviews. For now, let me focus on my favorite part, which is Carmine and his wives. He is a classic case of “does not realize what a smooth player he is”, and it’s very amusing seeing him say bluntly to Rosaria, who lives in a world where everything is couched in subtle metaphor, how gorgeous she is and how much he owes to her. Other than that, the most interesting thing in the book was the introduction of Mei Hatsume… erm, Lady Valenriehl, the daughter of a reincarnator with a grudge against the Church but a fantastic mind for taking apart magic things. I like her. Carmine is very wary of her.

If you like military history you will eat this up. If you don’t, you are me, and I still liked the smaller parts of the book that were not that.

Lady Bumpkin and Her Lord Villain, Vol. 7

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By Ageha Sakura and Kurodeko. Released in Japan as “Imokusa Reijou desu ga Akuyaku Reisoku wo Tasuketara Kiniiraremashita” by Overlap Novels f. Released in North America by J-Novel Heart. Translated by Vasileios Mousikidis.

I had forgotten last volume, when we were dealing with Robin, the horrible villain from the start of the series, that there were of course other terrible people at the start as well. There’s Princess Mia, who has been exiled to Conveniently Close Prisoner Island. She gets a brief cameo here, though unfortunately she and Agnes don’t get to see each other again. And then there’s a family I had completely forgotten about. I’m so used to Kelly being the unflappable supermaid that she is in this series that I forgot how we were introduced to her, and it comes back to haunt her here, as her family, long used to treating her as a combination slave and object, demand she return to get married to an old guy twice her age. Even unflappable Kelly is flapping a bit here. Fortunately, Agnes is not going to take this lying down. Also fortunately, her family are so comically evil that it takes no effort to absolutely destroy them.

Kelly’s impending arranged marriage is not the only thing going on in this book. It turns out that the second prince of Myzahn has more abilities than he’d let on, and he’s gone back to his country with something extra that will make invading other countries a lot easier. Agnes’ son has magic powers that are far more active at his age them most people, and she has to stop him from constantly running away. She and Nazelbart are finally going back to the capital (sans child) to talk to the King and Queen, helped out quite a bit by the Purge finally having taken place, meaning Agnes is surrounded by people who at least don’t hate her. Unfortunately, all this pales in comparison to the second half of the book – Polypstan is being invaded, and the war is going badly thanks to a certain prince. Can Desnim help without getting too involved?

Well, of course not. For one thing, this is a light novel series with a bit of action in every book. For another, the Queen is from Polypstan, and is not going to sit back while her homeland gets wiped out. That said, if you like tense battles where you’re not sure who will come out on top… this isn’t that. It’s laughably easy once Agnes forcibly invites herself along. Actually, the bigger issue may be the number of people who find out about other secret powers. The Myzahn Prince has multiple abilities, including a copying ability. The King’s teleportation ability is also a storage ability, something he’s tried to hide to avoid being used… well, like he’s used here. And of course more people find out that Agnes’ cool power is really a SUPER cool power, which is unavoidable when you accidentally cure a lethal poison. Agnes, honey, you need to try harder not to be the next saint, y’know?

Fortunately, Agnes will have other things to worry about next time: she’s pregnant again, and I suspect the next book will deal with that child. Till then, please don’t treat your daughter like a slave just because she’s a competent girl.

Zero Damage Sword Saint: I Enrolled in a Magic School and Wound Up in a Contract with the Demon Queen, Vol. 3

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By Isle Osaki and kodamazon. Released in Japan as “Kougekiryoku Zero kara Hajimeru Kenseitan: Osananajimi no Oujo ni Suterare Mahou Gakuen ni Nyuugakushitara, Maou to Keiyakusuru Koto ni Natta ” by Overlap Bunko. Released in North America by J-Novel Club. Translated by Stephanie Liu.

The light novels are still ongoing in Japan, but the webnovel this is based on finished last month. The author gave their feelings about all the characters, and for Eugene they wrote, essentially, that they felt a little guilty, given that he was an incredibly cool swordsman who has a loving family and good friends who believe in him, as well as multiple beautiful lovers. The author has a point, this once again falls into the category of “if you like your protagonists to struggle, reading this must feel like acid in your veins”. But I dunno, it’s so unassuming I actually enjoy it more with every book I read. There’s a lack of surprise so far, but that fits – this isn’t slow life, but it’s almost the OP equivalent, and so we see Eugene go home to meet the folks with his new lover, make up with his childhood sweetheart (eventually), and save the world. As a treat.

Eugene is off to his home city, taking along Sumire, who is delighted she gets to ride an airship. Sara is trapped in the land of demon paperwork and will have to arrive later. Erinyes is, of course, still sealed in her “prison”. Sumire has an even easier time than expected, as it turns out Eugene’s dad is from not-Japan, and therefore his favorite foods are things like sukiyaki and bento boxes. Eugene’s father takes him to visit the palace, where he’s made a baron, and he also sees his ex Airi, who keeps trying to speak with him but gets prevented from doing so for some reason. He also goes to visit… no, not his mother’s grave, but a church, where he makes a very startling discovery about his origin and why he has his white healing magic. It’s also a good thing he’s there, as one of the legendary sealed beasts of the kingdom is becoming unsealed, and it’s up to everyone to do something. Even if that means sleeping with more girlfriends.

Like a lot of light novels these days, this has a lot of sex in it without actually being all that sexually explicit. We cut away before the deed is done. That said, the sex is a combination of “we both are really hot for you and have decided that this isn’t happening unless we both do this at the same time” and “sex will help our magic power up and save the world!”. In other words, patently ridiculous, but likely why a lot of folks are reading this. As for Airi, unsurprisingly she’s still in love with Eugene, never dumped him at all (the girl who made the catty remarks ends up getting mojo’d by Eugene to be his spy, in one of the more uncomfortable scenes in the book. Don’t do that), by the end of the book she wants to be one of the lovers as well, but circumstances will likely prevent that for a bit. Other than that… good sword battle, he’s a real sweetie, lookit all the babes.

We’re back to school/dungeon crawling next book, and I do wonder if the polycule (I’ll call it that as Sara and Sumire at least now seem to get along pretty well) adds anyone else or if this is it. If you like male fantasy … fantasy novels, this gives you what you want.

A Tale of the Secret Saint, Vol. 10

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By Touya and chibi. Released in Japan as “Tensei Sita Daiseijyo ha, Seijyo Dearuko Towohitakakusu” by Earth Star Novels. Released in North America by Airship. Translated by Kevin Ishizaka. Adapted by Michelle McGuinness.

I’ve talked before about the series’ biggest draw, which is that Fia is a complete airhead who runs on instinct and misapprehension of everything. The big reveal over the course of these ten books is that it’s not due to her having the memories of someone who lived 300 years ago, but that 300 years ago she was exactly the same – no common sense, head empty. But it’s important to remember the other half of this, because when you have one of those ditzy, strong women protagonists, invariably they amaze everyone around them with their goodness and niceness, and that’s been the case here as well. We meet several new saints, most of whom are either doing the saint gig because they have been forced to, or are trying to use the saint gig to get a good husband. And then they run into Fia, and they’re reminded no, wait. I forgot what I felt when I first gained powers. I forgot that healing people and making them happy is wonderful. That’s Fia’s greatest strength.

We pick up where we left off, with the Evil Queen Hyacinthe being told that Fia will be entering the next Saint Competition. Hyacinthe is against this, but Cerulean is determined to have Fia put Hyacinthe in her place. He does this without bothering to ask Fia, who keeps insisting she’s a knight, and has very good reasons why she does not want to be recognized as the next great saint. (Her backstory of her first death, mentioned in the first book and then quietly dropped, is alluded to here, mostly as to why she’s still viscerally afraid of meeting another demon.) Plus for some reason Fia still can’t really think of Hyacinthe as evil, even after we get backstory of Colette, who is of course sweet as pie and tragically ill. As for the Saint Competition itself… well, that’s where we get back to the funny part of the series.

It is a sign of how desperate everyone is in regards to Colette that they decide the answer is simply to let Fia do her Saint stuff and just tell her to be careful, which is sort of like pulling the pin off a grenade and telling it not to explode. They give Fia a veil to hide herself… except her red hair is immediately recognizable, and in any case she takes it off almost immediately. She realizes that some folks may regard her as Fia the knight, so she decides to skip instead of walk. During the saint ceremony. In front of everyone. She skips. I laughed till I cried. She explains that she’s dropping out as she doesn’t have a lot of mana, but she heals people almost instantly and never feels tired. The only time I was surprised is when she met the guy who lost both legs and didn’t magic them back, and I then realized the only reason she didn’t do that is it’s probably being saved for Book 11. She is an adorable, sweet, all-loving menace to society.

Unfortunately for Fia, I think she is going to attract attention, and that demons will show up again. That said, this is the slowest light novel series out there in terms of dribbling out its plot, so it could be Book 20 by the time that happens. In any case, this is fun.