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Reviews

Private Tutor to the Duke’s Daughter: The Millennial Capital

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By Riku Nanano and cura. Released in Japan as “Koujo Denka no Kateikyoushi” by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by William Varteresian.

Imagine a horse race, with a lot of impressive participants. The race starts, everyone is going flat out… except one horse who just stands there, staring, and perhaps snorting with amusement. What’s going on? Is she just going to let the other horses win? Then, when everyone else is about 3/4 of the way into the race, the remaining horse starts to run. She ends up winning by 10 furlongs. That’s sort of how this book feels for those who are wondering who Allen will end up with in this series. It’s Lydia’s world and we just live in it. There are a few scenes dedicated to the rest of the cast, but even there, the main POV character is not the titular Duke’s Daughter, but her older sister, who is also possibly the only one of the harem herd Lydia regards as a rival. Tina? There was a character poll in Japan. Tina came in 6th. No prizes for guessing who won, and it wasn’t close.

(I want you to look at the cover to Volume 6, and then look at this volume. They’re the same character.)

After the events of the last book, Allen and Lydia (and Atra) have gone on the run to the City of Water, in the middle of the Southern Alliance that is currently at war with Lydia’s family. They check into a hotel under an an assumed name, and, Lydia ensures, as a married couple. What follows is about half a volume of the sweetest gloop you could possibly want. Sadly, the plot has to kick in sometime. The Doge is trying to broker for peace, especially after he and Allen have a secret discussion at a fantastic cafe, but one of the countries is being particularly difficult… because, of course, their reins are being held by the Church. The younger brother of the City’s Don has the Church trying to kidnap him for nefarious reasons. And there’s a mysterious woman who is, according to Atra, a “scary, sad fiend”. Which is true, especially the scary part.

I hate gushing (that’s a lie, I love gushing), but this book is a massive reward for Lydia fans who have been waiting for her to spend an extended period with Allen since the first volume. She’s at her most self-confident here, having Allen pamper her, declare that he will never hate her, and connecting their mana together, something she’s longed for for years, even if it’s just temporary. Even the climax of the book, which technically has Allen and Lydia fight against a powerful enemy and lose, is triumphant. As for the others? Well, Stella’s still having mana leakage issues, and I’m sure she’ll get a book of her own later. And, um… Felicia and Lily’s breasts are big? Yeah, I may love this series, but it’s still what it is, so of course there’s a “small-breasted girls vs. large-breasted girls” argument. All of them miss the point, as Allen is not the sort to pick a partner based on looks. Honestly, Allen is not the sort to pick a partner, period. Lydia’s working on that.

This looks like a multi-volume arc, and I’m sure the girls will intrude on Allen and Lydia’s love-love honeymoon in the next book. Till then, though, please enjoy a victory lap from the angriest redhead around. (OK,. the angriest redhead in this series, at least. Sorry, Lina.)

Agents of the Four Seasons, Vol. 1

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By Kana Akatsuki and Suoh. Released in Japan as “Shunka Shūtō Daikōsha” by Dengeki Bunko. Released in North America by Yen On. Translated by Sergio Avila.

This one took me completely by surprise. For one thing, I’ve never seen Violet Evergarden, the other series this author is noted for, which I know has a large cult fanbase. But even then, the cover art and plot description were sort of obfuscating things. I was expecting a soft little romance, with star-crossed lovers reuniting after ten long years and lots of crying and apologies. Actually, technically, I got all that except for the “soft” part, but that also does not describe the book at all. This is a dark and brutal story about recovering from severe trauma after years of torture, the devastation of those left behind, and living in an active terrorist state where at any moment you might get brutally murdered – or just kidnapped again. Fluffy this ain’t. That said, every page of this does its job to reward the reader, and if you can tolerate a lot of dark depressing angst, it’s one of the best light novels to come out this year.

This takes place in a world where the seasons are controlled by “Agents”, four people chosen to bring about the change to winter, spring, summer and fall. They are humans with powers, and when one dies, another one develops a birthmark which marks them as the next in line. In Yamato (i.e. alternate universe Japan), things have been terrible and rather wintery for the last ten years because of a disaster that took place – during an attempted assassination of the winter agent, the spring agent was kidnapped. She’s been missing all this time, and yet, because a new agent has not appeared, she isn’t dead. The book starts with her return, ready to perform the actions to bring about spring despite PTSD, what appears to be disassociative identity disorder, and a retainer who may be even worse off than she is.

We don’t get explicitly told what happened to Hinagiku when she was kidnapped, except for dialogue-only flashbacks that imply that heavy torture was done to her. But it left its mark, and it’s amazing that she’s here to bring on the spring and try to get things back to the way they were. Meanwhile, her retainer Sakura is still trying to cope with being unable to save her at the time, and being abused by nearly everyone around her in the interim. Rosei, the agent of Winter, has tremendous survivor guilt, given that Hinagiku sacrificed herself so that he could live. And Itecho, his retainer, also blames himself for not being strong enough to go up against dozens of terrorists with guns. There is, thankfully, a BIT of healing in this volume, but when the agent of Autumn is kidnapped in what looks like a repeat of the events of last decade, the Four Seasons decide enough is enough, and they’re not going to take it anymore.

I didn’t even have time to get into the Summer agent/retainer, who have twin issues, or the Autumn retainer, who is the only retainer with no real issues and therefore gets to be the one to suffer. I do know that I really, really, really want to read the next book in this series, and I am thankful that the series seems to do 2-book arcs, so things should reasonably wrap up in it. Highly recommended.

Villainess Level 99: I May Be the Hidden Boss but I’m Not the Demon Lord, Vol. 3

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By Satori Tanabata and Tea. Released in Japan as “Akuyaku Reijō Level 99: Watashi wa Ura Boss Desu ga Maō dewa Arimasen” by Kadokawa Books. Released in North America by J-Novel Club. Translated by Satori Tanabata.

I’ve said this before, but I will say it here again: these books are just too long. Normally I don’t carp too much about the length of a book, but it’s relevant in this vase because Villainess Level 99 is a comedy. The bulk of the humor comes from Yumiella being ridiculous, and everyone’s reaction to this. And she’s very funny here, but the trouble is, about 50-60% into the book, you just flag a bit, and want it to be over faster. Luckily, by around 80% or so complete, the actual serious plot kicks in, so it ends strong. But there’s no reason this had to be 300 pages, dangit. Especially since, as the author says in the afterword, this is no longer a villainess series ad there’s no longer a demon lord. Well, mostly. Covers always spoil, and maybe the reason that this book was so long is because the presence of two Yumiellas means that there needs to be twice the pages to contain them.

After the events of the last book, things have settled down mostly, and all Yumiella really has to worry about is Eleanora being around her far more often and a sinking suspicious that she’s dead weight even though she’s running her territory. But then the God of Darkness shows up, and through him Yumiella finally learns the way to get past that Level 99 cap and get even stronger – she has to kill a version of herself from another parallel world. Believe it or not, Yumiella is not as gung-ho about this as you’d expect, especially since there’s only one other Yumiella left – all the other parallel Yumiellas have been killed by virtue of the otome game plot that our Yumiella subverted. Unfortunately, the remaining Yumiella is still alive as she’s destroyed her world… and is heading for our Yumiella next!

The core of this series remains Yumiella’s combination of deadpan humor, oblivious ditziness, and meathead tendencies, and all three of those are in full effect. You’d think that the alt-Yumiella would be quite a different person give that she destroyed the world, but remember even our Yumiella, with her “isekai” personality, had those feelings a few times in Book 1. Honestly, and this is part of the gag, the alternate Yumiella is a heck of a lot more sympathetic than the one we know. Things do turn serious in the end – alt-Yumiella’s trip to this world was not just for evil kicks, and there is a higher power behind all of this. I had sort of guessed how things were going to have to turn out, but the book did enough hoop jumping that I was able to accept a lot of the hand-waving near the end that kept everything from getting too depressing – this IS a comedy, after all. And the epilogue is the best joke in the book. Maybe our Yumiella should be #2 after all.

This volume is well-timed, as the anime starts in January and will likely get through 2-3 books at most. It should be fun to watch. Especially as the episodes won’t all be 75 minutes long. Also, Patrick is just Kyon, right? He’s even doing the Kyon pose! Yare yare.

Fake It to Break It! I Faked Amnesia to Break Off My Engagement and Now He’s All Lovey-Dovey?!, Vol. 1

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By Kotoko and Esora Amaichi. Released in Japan as “Konyaku Haki o Neratte Kioku Sōshitsu no Furi o Shitara, Sokkenai Taidodatta Konyakusha ga “Kioku o Ushinau Mae no Kimi wa, Ore ni Beta Boredatta” to Iu, Tondemonai Uso o Tsuki Hajimeta” by SQEX Novels. Released in North America by J-Novel Heart. Translated by Stephanie Liu.

If I’m being honest, as a romance novel this one felt like a bit of a chore. It’s another in the line of Japanese books that I’d summarize as “communication is important”, as we first meet our main couple when they are having the most awkward lunch ever, not even bothering to look at each other. Then we get, well, the title, and after that there’s a lot of lies piling up, on both her side and his side, and the subsequent “falling in love again” part mostly happens because of said lies. This can be a bit hard to take. On the bright side, I did find myself interested throughout the book, as the reader gets no backstory at all before things start, so we’re as much in the dark as Violet supposedly is – how did things get as bad as this? The book is a mystery.

Violet Westley is currently miserable. She’s been engaged to her fiancee Phillip since birth, owing to a debt owed by one family to the other from over a century ago. Unfortunately, Phillip is quiet, reserved, impassive, and uninterested in conversation, and Violet is also shy and awkward. Then one day she’s in a carriage accident and doesn’t wake up for a week. When she does, she has a “brilliant” idea – she’ll fake amnesia, and use that as an excuse to end the engagement. Unfortunately, Phillip runs over to see her the moment that he’s heard she’s awake, and tells her all about their relationship – they were madly in love with each other and very doting. Violet stares – what the hell is he lying for? Why has he suddenly become vibrant and outgoing? Is this really her fiance?

The best part of the book is gradually tracking down what Violet and Phillip’s past was really like, and how the two of them came to be the way they are at the start. Part of it is the usual romantic misunderstandings (Violet hears a staged conversation meant for someone else), and some of it is just down to Phillip being a giant introverted dork in a genre which needs its romantic leads to not be giant introverted dorks. Once you realize what his real feelings are like, they actually feel a bit heavy – s I said, the romance part of the book is not that great, and he feels a bit too obsessed and overdramatic post-amnesia. As for Violet, she doesn’t really have a strong enough personality beyond “the reader” – she’s the equivalent of those isekai protagonists who are all “generic guy with black hair”. Even her faults – well, aside from the lying – are “cute” faults, like being a terrible cook and a terrible embroiderer.

If this was done in one volume, I’d say it was all right. It has a second coming out, though, and I worry that it will feature more annoying misunderstandings. I may stop with this one.

The Ideal Sponger Life, Vol. 14

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By Tsunehiko Watanabe and Jyuu Ayakura. Released in Japan as “Risou no Himo Seikatsu” by Hero Bunko. Released in North America by J-Novel Club. Translated by MPT.

And so the author has finally achieved his dreams. We’re 14 volumes into a series that began with the idea that our hero was being isekai’d solely to impregnate a queen for the sake of the country, and he never would have to do anything else. Now, 14 volumes later, the sex is basically absent, there’s not even any action in this volume, and the entire book is devoted to political wrangling, all of which needs to be done by Zenjirou, because Aura can’t exactly go gallivanting all over the world. We are now finally in complete, 100% opposition to the title of the series. Fortunately, in this case that’s a good, thing. The worldbuilding is stepping up its game, and we’re also (finally!) seeing a lot of Aura in this volume, and seeing how she is stating to deal with Freya now that she’s married to Zenjirou and living in the same palace. It actually goes pretty smoothly, though now that Freya has gotten her man her eccentricity is more pronounced than ever.

Everyone is back in Capua, at least for the moment. That said, there’s a lot still to do. Lucretia is still trying to become Zenjirou’s second concubine, and while she’s changed her approach to be more mild, she still doesn’t really get him, and does not understand why “I have no actual wants or needs beyond what you have for me” is a bad thing. Aura, meanwhile, hears a secret from the Twin Kingdoms that is potential dynamite – they were once part of the White Empire, long long ago. And there’s a high chance that some people still hold a grudge about it. This is also stunning news for Freya, who realizes that she may have accidentally gotten her little Northern country involved in a massive global conflict by her marriage. And then Zenjirou gets a very odd invitation…

There’s some very funny jokes in this book, most of them involving Freya. Having seen in the previous book that she is thought of in her own country as “that out of control lunatic”, we get to experience a bit of that here, with her having to be literally dragged away from the fridge in Zenjirou and Aura’s room and also declaring that she’s moving in with them when she sees the air conditioner. (Aura says no, sorry, threesome fans.) There’s also her twin brother, who is basically her as a man, and this is emphasized by the color artwork, showing each of them throwing the exact same tantrum when being told they can’t do something they really want to do. Mostly, though, this book is setup for the next major arc. Zenjirou is at a point where he has to accept Lucretia as a concubine, but it makes him unhappy, which will not help anything. And then there’s his mystery invitation. The next book should be really exciting.

Hrm? What’s that? We’re caught up? It’s been over two years since the last book in Japan? Ah well.

From Old Country Bumpkin to Master Swordsman: My Hotshot Disciples Are All Grown Up Now, and They Won’t Leave Me Alone, Vol. 1

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By Shigeru Sagazaki and Tetsuhiro Nabeshima. Released in Japan as “Katainaka no Ossan, Kensei ni Naru: Tada no Inaka no Kenjutsu Shihan Datta noni, Taisei Shita Deshitachi ga Ore o Hōttekurenai Ken” by SQEX Novels. Released in North America by J-Novel Club. Translated by Hikoki.

It can be difficult when writitng a book to keep the reader’s attention. Conversely, one little mistake may make you lose all the goodwill you gained. A little ways into this book, there was a description of a character that was saw jaw-droppingly awkward that it took me right out of the book. The first thing I thought was “oh boy, this book is going to be A CHORE”. Now, I kept going, and honestly, the book turned out far better than I would have expected – the description really was just a one-off, not the sign of worse things to come. But it did mean it took till the final long chapter for me to appreciate that this book wasn’t making the mistakes that a lot of books in this genre make, but was instead basically doing what Der Werwolf does, and making fun of the Japanese habit of humility to ridiculous levels.

Beryl has spent the last twenty-odd years teaching kids in his father’s dojo. He likes to think he’s done a good job, and is quite happy to live his single life out in the boonies. But then he gets a request from one of his old students, Allusia. She’s now the commander of the knights in the royal capital, and she wants Beryl to go there to teach the other knights his swordsmanship. This is fine with Beryl’s dad, who kicks him out of the family home and tells him not to return until he’s married. So Beryl goes to the capital, and keeps running into old students of his, who all happen to be beautiful young women. That said, why are they all so interested in his teaching swordsmanship? He’s just a normal, average, everyday guy. Who can, um, win a battle against the second-in-command of the knights, the top-ranked adventurer in the country, and the top mage in the country. Yeah.

I picked up this series because I wondered if it would be similar to S-Ranked Daughter, and it is and it isn’t. It isn’t because, with no family to deal with here, all the girls he’s taught clearly have massive crushes on him. But it is because, to my surprise, that’s not the point of the book. The romance is actually ignored for the most part, and the focus is instead on Beryl being one of the greatest swordsmen of his generation but being totally unaware of it. This actually extends to every aspect of his life – he does not pick up on any of the signals other women give that they’re into him, and he even talks about his home village being “way out in the boonies, far from the capital” when it’s less than a day’s carriage ride away. How much you enjoy this depends entirely on how much you can tolerate “excessive humbleness” to the point of parody.

But yes, there were no annoying characters, the fights were cool, and I’ll give the next volume a try. Just please never say ‘She looked like a handsome man with breasts” ever again, I beg you.

Sabikui Bisco, Vol. 6

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By Shinji Cobkubo and K Akagishi. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Jake Humphrey.

You know, I appreciate its use as a plot twist or a way to get the characters to do something they would not normally do, but as I was reading this 6th volume of Sabikui Bisco, I began to think that this series goes to the “I am mind controlled” well a few too many times. Half the cast in this book is, at one time or another mind controlled, including Pawoo, who spends nearly the entire volume at the beck and call of the villain. It can be a tad predictable. That said, I can’t really talk about just mind control. Sabikui Bisco is a series that overdoes everything and dares the reader to object. This volume has reality-warping powers pulled out of nowhere, to the point where everyone remarks on this. It brings back every single cast member of the last five books to do a cameo. It has Milo veer so far into the yandere stereotype that I’m comfortable using the term. The book is just A LOT.

Kurokawa, the villain of the first book, is back. She’s in a female body now, she’s a film director, and she’s taken over all of Japan. If you’re thinking that makes no sense, clearly you have not read the other volumes of this series. Bisco and Milo are forced into action by the evil director, who wants to use Bisco’s attempts to stop her as the plot of her latest film. To do this, she has her assistant director/muscle (Pawoo, mind-controlled as I noted before), as well as any number of minions wearing rabbit masks, who she will happily kill if they don’t get her film trivia correct. As the book goes on, and Bisco keeps pulling out ludicrous solutions to Kurokawa’s even more ludicrous problems, I am once again left with the odd dilemma: how do I sum up the plot in this second paragraph if the book doesn’t have one?

This may make it sound like I did not like the book, which is not true. I actually think it’s the best book since the first. The series has always had an element of “action movie” to it, which normally feels like a Shonen Jump series but here is far more like a Western action film, complete with expensive sequences and CGI. The author now trusts the reader to not particularly care that none of this makes a lick of sense, or that Bisco can defeat the bad guy if everyone just claps for Tinkerbell (the second time I have written that this week). And, as with previous volumes, I am highly amused at the contrast between every single woman in the series falling for Bisco, and he and Pawoo still being married, with the fact that he and Milo are clearly destined for each other and the gayest things ever. The whole book is ridiculous.

But that’s why we read this. I don’t need self-examination from Bisco, even when he goes through genuine tragedy. Just keep pulling out more arrows.

The Genius Prince’s Guide to Raising a Nation Out of Debt (Hey, How About Treason?), Vol. 11

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By Toru Taba and Falmaro. Released in Japan as “Tensai Ouji no Akaji Kokka Saisei Jutsu ~Sou da, Baikoku Shiyou~” by GA Bunko. Released in North America by Yen On. Translated by Jessica Lange.

We’ve always had the backstory of “the college years” simmering through this series, even if we’ve never had an entire book dedicated to it. We get the odd flashback, such as in this volume. First there was Wein and Ninym. Then, gradually, they added Strang, Glen, and Lowellmina. And the five of them pretty much shook the world as a team. Now each of them is deeply caught up in political intrigue as an adult. Wein and Ninym theoretically have it easier. They’re not from the Empire. They don’t have to participate in this throne war the way the other three do. But of course they really do, and in fact Wein and Ninym have been dragged into it since it began. It’s a proxy war. A war to se which of the five is truly the best, the top strategist, leader, and person. Wein is, frankly, looking down from on top of the pile. He’s the protagonist. But this book suggests it may not last forever.

The battle for the Empire has been going on since the start of the series, and it’s finally reaching its climax. Each of the three candidates for Emperor are making their moves. Lowellmina is dealing with assassination attempts, Strang is trying to show Wein that standing back and doing nothing is going to do nothing but drag his own nation into a war, and Glen is just trying to do his best as a soldier while his boss runs amuck with the largest army. There’s Levetia, which is secretly backing one of the princes basically for the lulz. There’s Eastern Levetia, which just want to have a nice word with Prince Wein but get dragged into the conflict anyway. There’s Falanya, who is cognizant that forces are trying to overthrow her brother and put her in power, but is not sure she wants it. And there’s the Flahm, who are desperate for a beacon of hope to guide them, and may end up being the final stake in Wein’s heart before all this is over.

I admit I was faked out a bit by the author. When Strang asks Ninym if she’s ever wanted to go up against Wein, it feels like a big moment, one that will pay off with her willing betrayal. But that reckons without the fact that she and Wein are joined at the hip, as well as in (unspoken) love, and while it is an intriguing idea (we have not gotten nearly enough of Ninym as a strategist on her own in this series, as opposed to Wein’s sounding board), it’s not something she can do of her own volition. That’s why the cliffhanger for the book is so important. This is the sort of thing that could break the two apart permanently, and I don’t think either of them could stand that. This series is too lighthearted to end by killing off its two leads, but, as I’ve said since the start, I would not be surprised if it ends with Wein “winning” by heading off with Ninym to some quiet place where he can not be a ruler.

The 12th book isn’t scheduled yet, so I’m not sure when we’ll see what happens next. At least the giant throne war is over. For now.

86 –Eighty-Six–, Vol. 12: Holy Blue Bullet

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By Asato Asato and Shirabii. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Roman Lempert.

During the course of reading 86, we’ve been following soldiers who are very, very good at their job. Sometimes that job is simply not dying, but that doesn’t matter. They get the job done, they know what to do, they follow orders, but they also think about what’s behind them. They’re good folks. But of course we’re in the middle of total war right now, and the entire Federation cannot be made up entirely of really fantastic elite soldiers. Someone else has to fill out the ranks, to be bodies or ticks on a ledger. Someone who may not have the right schooling or tactical training, but can drive a truck or count supplies. They’re also very frustrated with the war, and increasingly upset with those in charge of it, especially after the hideous events of the last book. All this plus a company made up entirely of a low-level noble and those who follow her unquestioningly, and what do you have? A nightmare is what you have.

The repercussions of last book’s disaster are still being felt throughout the Federation. Everyone is feeling guilty and on edge. Lene is so burned out that she’s sent on enforced leave, and sits this entire book out. But there’s still work to be done. Years ago dams were built to change the course of a massive river, but the war has gone on, the habitats that were in the basin created by the dams are wiped out, and the best way to impede the legion now is to blow up the damn and reverse the effect. That’s what the Strike Package is here to do, and it should be quick and easy, since the Legion don’t know they’re there. Sadly, a rogue regiment called the Hail Mary have decided enough is enough, they’re going to win this war their own way, by stealing some leftover radioactive material left at a nuclear power plant and using it to make a bomb. Um. Yeah.

The books continue to examine prejudice very well, trying to show that it’s not simply a matter of “all the bad guys do it, all the good guys do not”. The Federation is supposedly all about freedom, but freedom also comes with responsibility for having that freedom, and that can be a very hard idea to get across. The people rescued from the Republic have not magically become good and kind after being rescued, and in fact are actively making things worse and using abused children to spy on enemy movements. And the soldiers formerly in the Republic who are now in the Federation army, like Lene, Annette, and others, are faced with resentment and anger, which simmers in the background of this whole book. On the bright side, once the Hail Mary Regiment are brutally dealt with, the actual dam mission goes swimmingly, and they defeat the Legion easily, giving everyone a big mood pickup. Maybe this isn’t a spiraling failure after all.

This series is now basically once a year, so we’ll wait a while for the next book. Till then: war is hell.

Chitose Is in the Ramune Bottle, Vol. 5

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By Hiromu and raemz. Released in Japan as “Chitose-kun wa Ramune Bin no Naka” by Gagaga Bunko. Released in North America by Yen On. Translated by Evie Lund.

This has spoilers for the entire volume, sorry. They’ll be after the cover art.

We have been slowly working our way through the main female characters of this series. The second volume focused on Yuzuki, the third one Asuka, and the fourth one Haru. The cover of the first volume was Yuuko, but that volume was more an introduction to the entire cast, and the “heroine” of the volume was actually Kenta, the otaku “saved” by Chitose. So we haven’t really had a volume about Yuuko till now. The group seems to revolve around her and Chitose, and much of the time when she suggests something everyone automatically agrees to it. As we learn here, that’s been the case pretty much her entire life. She’s a spoiled princess, but unlike a lot of these characters remains kind and likeable. That said, she really wants people to treat her normally, and when someone does (Chitose), she falls for him hard. How’s that work out this book? Let me put it this way: she AND Chitose both think “I wish these happy days could last forever”.

It’s summer vacation, and there’s a lot of fun things Chitose could choose to do. He could go on a “we’ve agreed not to date but are still clearly hung up on each other” date with Asuka. He could play catch with Haru some more, who confessed to him last time if you recall. He could go see the fireworks with everyone, and have Yuzuki steal him away for a moment all to herself. He could meet Yuuko’s mom, who’s one of those “gosh, she’s so young-looking she looks like an older sister” types. Heck, he can even stay at home and have delicious food cooked for him by his not-wife Yua. But the back half of the book is dedicated to the cast going on a study camp, a 3-day outing where students and pick teacher’s brains while studying in a beachfront hotel. Studying does get done, I promise. That said, of course there’s beach time as well. In the midst of all this, Yuuko, who is very aware that she has not had a “plot” with Chitose to herself by now, takes drastic measures.

This book is written like a tragedy, with the wait for the other shoe to drop being excruciating. I kept waiting for Yuuko to tell everyone she’s moving to America or that she’s dying. But no, she’s just in love, very aware that all her other best friends are in love, and it’s killing her inside. The most devastating scene in the book has her asking Yuzuki, Haru and Yua if there are any guys they like, because they’re at a study camp getting ready to sleep, and that’s when you talk about boys. But the others girls, knowing Yuuko is in love with Chitose and “has dibs” because she’s the obvious choice – first girl we meet, got the first cover, etc. – all say they’re not in love with anyone. And that kills it. That makes her decide to knock it all over. So she confesses, knowing Chitose, who is absolutely not ready for this, will reject her. Which he does.

The book ends with Yuuko, surrounded by everyone else in the group, sobbing, and Chitose, also sobbing, surrounded by just Yua, who plays the saxophone to try to cover up his incoherent grief at the loss of his static but wonderful high school days. I bet she gets the next book, she’s the only one left. This is a great series, but the romcom aspect is definitely romdram this time.

Sword Art Online Alternative: Gun Gale Online: 5th Squad Jam: Finish

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By Keiichi Sigsawa and Kouhaku Kuroboshi, based on the series created by Reki Kawahara. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

This is the 13th volume of the SAO:GGO series, and I’m pretty sure it has probably gone on longer than Keiichi Sigsawa originally planned it for. The nature of the series, after all, is basically “death game” only for once it really IS a game so we don’t need to worry about death. Which actually helps with the longevity. The cast here is large, and except for our main group we may not remember everyone all that well, but Llenn is not the only one who’s gotten famous, she’s just the poster child. We’ve also grown to see David’s seriousness as he tries his hardest to finally achieve something in a Squad Jam and always seems to not quite get there. There’s Vera, who took the series’ funniest running gag (the machine gun bros) and made them into the most dangerous team out there, taking out more of our main characters than anyone. And there’s SHINC, of course, who still don’t get to face off against Llenn. Alas.

The last volume ended with the shock of Shirley sniping Pitohui and removing her from the game. But there’s no time to dwell on that, as Llenn still has a bounty on her head and everyone wants the money associated with it. M, Fukaziroh, Boss, and Anna are trying to protect her while also getting to the center of the castle that is their final battlefield… because they’ve been told that the rest of the castle except that battlefield will soon ALSO drop off and doom everyone still in it to death by extreme falling. Clarence is holed up in a tower with good defense, but can’t really move. And Shirley has had her fondest wish granted, but is finding that “Sniper” is not really a good choice for the REST of this game. And wait, are those… ghosts?

Usually there’s one part of each book in this series that I am surprised, and here it was Pitohui returning as a ghost. I thought for sure she’d be back sooner, and torment Shirley, but no – the ghosts don’t show up till the climax, and she and Shirley never interact. Instead, the series does one of the things it does best, with is provide some ridiculous death, badass deaths, and badass AND ridiculous deaths in one book. The climax of the book is hilarious, exciting, and thrilling – I was not actually sure if Llenn really would get killed off by someone else or not till the last few pages, and everything about the rivalry between Fukaziroh and Anna – and, let’s face it, Fukaziroh in general – makes me giggle. There is even a smidge of depth here, as Karen/Llenn starts to realize, and later is told point blank by Fukaziroh, that she’s not the same shy wallflower she was at the start of the series – the game has been good for her in real life as well. It’s therapeutic.

We’ve caught up with Japan, so I’m not sure when we’ll get another of these. It’s a satisfying finish for fans of the series, though.

Rascal Does Not Dream of His Student

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By Hajime Kamoshida and Keji Mizoguchi. Released in Japan as “Seishun Buta Yarou wa My Student no Yume wo Minai” by Dengeki Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

With the first two books in the “college” part of this series, I have struggled to see why it’s been ongoing at all beyond “this is now a franchise with ongoing multimedia, you will write more until we tell you to stop” coming from Dengeki Bunko. With this book, I think I’ve gotten a handle on where this is going, helped out by a much stronger “cover character” than the others, even if she’s far less likeable. The original Rascal books were, for the most part, “a traumatic event in someone’s past displays itself as external symptoms that are horrible”, with Sakuta attempting to fix things in the same way that Koyomi Araragi or Hachiman Hikigaya try to fix things, i.e. throw themselves at it with little regard to danger. But Sakuta has learned better by now, helped by Mai literally dying for him, and so self-sacrifice isn’t on the menu. More importantly, the external symptoms are now wonderful.

Sakuta is still doing his cram-school job while also attending college, working his part-time job, trying to figure out what’s up with the Santa girl only he can see, and also spending time with his girlfriend. This is a lot. The prophetic dream thing is still ongoing, and Sakuta has a dream that on Christmas Eve he’s on a train … not with his girlfriend, but with Sara Himeji, a new student in his cram school class who has had two cram school teachers apparently try to make a move on her and be fired. Sakuta is #3, and is determined to avoid that possibility, despite events conspiring against him at every turn. And there’s also the fact that Sakuta from the other world where he’s more competent has told our Sakuta that Mai is in danger because of Touko.

Sara may not be 100% likeable, but she’s one of the best characters we’ve seen in this series for a while. She’s basically not had to struggle her entire life, and people are naturally drawn to her. As a result, when something does not go the way she wants, it ends up devastating her in a way that’s pretty easy for Touko to exploit. The best part of the book is the solution to the problem, as Sakuta spends most of it doing detective work to try to find a way out of this dream future, and ends up going with “do what the dream says and see what happens. But then Mai invites herself along. Mai being part of the solution is something that works very specifically for Sara, who is poleaxed at seeing what a real couple really in love is like, and when Mai starts reeling off things she loves about Sakuta and informs her she can do this all day, it cracks the Adolescence Syndrome like an egg. You can see and hear Sara grow up.

There is an ominous cliffhanger to this book, which implies that once again the universe is out to kill Mai. That said, the title of the next book is Rascal Does Not Believe in Santa Claus, so presumably we’ll confront Touko at last.

High School DxD: Supplementary Lesson Heroes

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By Ichiei Ishibumi and Miyama-Zero. Released in Japan by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Haydn Trowell.

I’ve talked before about how difficult I find it to review this series without just constantly saying the same things over and over again. There’s only so many times you can say “this is just combining shonen battle manga with ecchi harem manga” before the audience starts to nod off. And it’s the same with this book. Boy, those sure are some cool fights. They sure do bust out new special moves they got after training hard. And yeah, Issei really likes tits, news flash, film at 11. With this one I thought I’d have a bit more to work with, given the last volume ended with Issei being killed off. As I read it, I also realized that I could talk about how all the women were sidelined so that the male characters could get all the important fights. I could talk about that as well! Then the author, in the afterword, says “hey, did everyone notice the women were sidelined and the men got all the fights?”. So back to the first of those points, I guess.

As you might guess, the bulk of this volume is narrated by Kiba, given that Issei is dead. Kiba is devastated by this, of course, but he’s also the only one who is not romantically in love with Issei (possibly… more on that running gag later), so he’s the only one who can actually tell us what’s been happening and what’s going to happen next without having it just be silence or sobbing. Because the Gremory Family is shattered. Rias and Akeno won’t leave their rooms, Koneko, Ravel and Asia can’t stop crying. Fortunately, the rest of the family is off getting extra training/powerups after getting the crap beaten out of them, so they’re not there to be devastated by the news. That said, even from the end of last volume we suspected Issei would be back. After all, the dragon has not found a new person to give its power yet. And the Evil Pieces are still linked to Issei. Can he possibly return from the dead? In a way that doesn’t involve breasts?

Believe it or not, the answer to that last question is mostly yes, though there is a certain amount of “clap for Tinkerbell” involving chanting the Breast Dragon catchphrase involved. But yes, Issei comes back from the dead, and may arguably be more powerful by the end of the book. And he gets a date with Rias at the end as a reward. As for the rest of the heroines, I hope that they take a lesson from this and try to get a bit less dependent on Issei, but I’m not all that optimistic – they are young women in love, and it is a shonen series. The heroine who comes off best in this book is, of course Kiba – and yes, he is described in the afterword as a heroine. I’m not usually fond of the whole “make lots of jokes about men being attracted to Issei but have him no homo his way out of it” as a plot device, but for some reason with Kiba it just works. It helps that he has no concrete romantic interest in anyone female.

We’re told this is the end of an arc, and the next arc will be introducing magic users and also getting deeper into Gaspar’s nature. That said… there’s another short story volume next. Gotta be patient, I suppose.

Haibara’s Teenage New Game+, Vol. 5

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By Kazuki Amamiya and Gin. Released in Japan as “Haibara-kun no Tsuyokute Seishun New Game” by HJ Bunko. Released in North America by J-Novel Club. Translated by Esther Sun.

In my review of the last book I mentioned that I was not entirely sure where the series would be going after this, since it seemed to end so decisively with the fourth volume: Natsuki has confessed to Hikari, rejected Uta as best he could, and also done a “God Knows” musical moment on the crowd. But of course, having a fulfilling high school life is the goal that he had when he went back in time, and romance is not the only thing in high school. That said… it is a pretty big thing. The Fellowship is still a bit broken after he made his confession, with Uta pouring everything into basketball and Tatsuya completely remaking his entire personality. And there’s the fact that he’s childhood friends and best friends with Miori… which makes everyone think they’re ALSO dating, and makes Hikari a little jealous (though she won’t say it out loud). That said, most of what we get in this volume is the other high school mainstay: sports!

No, it’s not a full blown sports festival (which is a shame, as I wanted to see some bread eating and scavenger hunt antics), but a ball game competition. The class divides into groups, each doing a different sport. For Natsuki’s class, the boys have basketball and the girls have soccer. That’s fine by Natsuki, who has all the training he got in his past life when he was trying desperately to be a cool athlete. But the actual cool athlete, Tatsuya, is still in an incredible funk over giving Uta up to Natsuki and then having Natsuki reject her anyway. As a result, he’s trying to BECOME Natsuki, pouring effort into studying to raise his grades. But does Uta even want someone who’s “just like Natsuki”? Also, is Miori finally going to snap, or will that wait till next book?

We’ve guessed that Miori has a hidden crush on Natsuki since the start of the series, but it’s now getting a lot less hidden. For one thing, she’s dealing with nasty rumors that she’s cheating on Reita with Natsuki, because they’re both on the Sports Committee and also clearly close. She’s also not dealing with with his new relationship with Hikari, trying to distance herself from him but failing, and pulling off a genuine “What if… I was in love with you all this time… ha ha just kidding… unless?”. Most importantly, Reita is well aware that she loves Natsuki, and is basically patiently waiting for her to either get past it, confront Natsuki, or break up with him. None of those things is happening. She and Natsuki are both much better at giving advice on love than dealing with it themselves, to be honest – Natsuki is flailing around trying to figure out how to behave when dating someone, and both he and Miori are fantastic when getting their cute nerd friends to confess to each other but less so otherwise.

So yeah, it turns out that returning to high school not only gets you a rainbow-colored youth but also typical high school drama. Still a fun series in the high school romcom genre.

I Swear I Won’t Bother You Again!, Vol. 4

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By Reina Soratani and Haru Harukawa. Released in Japan as “Kondo wa Zettai ni Jama Shimasen!” by Gentosha Comics. Released in North America by Airship. Translated by Molly Lee. Adapted by Lorin Christie.

As I was reading the previous two volumes of this series, I was starting to get very disturbed by Yulan’s obsession with Violette, mostly as he’s clearly also meant to be the main love interest. That doesn’t really change all that much in this volume, at least on his end. That said, after reading this volume, I think I’ve changed my mind. Yes, Yulan and Violette are totally codependent, and, amazingly, they also have a maid who is also codependent to Violette along for the ride. But if it gets Violette out of this house, away from her abusers, and away from this family forever, then I honestly am OK with it. Be as codependent as you like. It’s better than the alternative. That said, there’s still another volume coming, so there’s surely some fresh new awfulness that can happen. I said in an earlier review I read light novels to have fun. This is not “fun” per se. But it’s spellbinding.

Yulan has finally arranged everything he needs to get Violette away. All he needs to do is to tell her. Unfortunately, Maryjune intercedes as he’s trying to do this and asks if she can speak with him first. What follows is Yulan ripping his mask off completely and destroying a young women in front of us all. He reduces her to ashes. Unfortunately, that also means he’s forced to wait till tomorrow to talk with Violette… and there may not be a tomorrow for Violette, as that evening she’s also visited by a devastated Maryjune, who begs her to say it ain’t so, say that they’re a real loving family and Violette is a wonderful sister… right? Violette makes a choice that I think was necessary, telling Maryjune exactly what she thinks about her and her family. Unfortunately, this also brings her father to the room.

I’ve left out a good 2/3 of the book, which reads like a thriller a lot of the time, because I don’t want to give it all away. I spent a lot of the time, as with the 3rd book, worried that Marin was going to die. She’s one of my favorites, essentially being in a non-romantic relationship with Violette that nevertheless is even more codependent than Yulan’s. He straight up says he wants Marin to come with as he’s pretty sure they cannot live without each other. The other fascinating character in this is Maryjune, who remains very NICE, in a derogatory way. She basically spends the book having her entire life torn to shreds in front of her, and if the last scene in the book suggests what I think it does, she may end up having an ending that I’d worried would happen to the rest of the cast. She’s done nothing wrong except be unaware of the reality of everyone around her since the day she was born. But that’s enough.

So yes, one time I Swear I Won’t Bother You Again! punched me in the face! It was awesome!