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Reviews

Sister Mafioso: O God, Let This Lie Stand

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By Adachi and Kyozip. Released in Japan as “Gisou Shi Shita Moto Mafia Reijou, Nidome no Jinsei wa Zettai ni Ikinobimasu ~Kamisama, Douka Kono Uso dake wa Minogashite Kudasai~” by Dre Novels. Released in North America by J-Novel Heart. Translated by Emily Hemphill.

It’s been a while since we’ve had a straight up thriller light novel. Oh sure, this is in the Heart imprint, and the romance is there, but the romance is not why you read this. You read this worrying that our heroine is about to die, and you do so for almost 300 pages. There’s lots of lies and deception, there’s a truly horrible family that does some truly horrible things (woe to the woman who poses as our heroine, you don’t want to know how she turns out), there is a very high body count, and there’s a lot of people who hate themselves. And of course, as the title might tell you, when I say family I mean “Family”. Like the Hotel California, our heroine discovers that you can check out any time you want (figuratively), but you can never leave.

In a remote nunnery, Novice Sister Dina Tosca has been there for ten years, being a pious young nun in training. Unfortunately, a ne’er-do-well comes looking for a Dina Ferletti, a blonde daughter of a mafia don who went missing ten years ago and was presumed dead. Now, Dina Tosca is not blonde, and she’s a year younger than the other Dina is supposed to be, but that’s good enough for the Ferletti family, who kidnap her and drag her back to the current head of the family, Aurelio… and if it tursns out not to work, well, they can always kill her. Fortunately, there’s a mole in the Forletti family who’s trying to take them down, and he wants to help Dina. Though to do so she’ll have to pose as Dina Ferletti. Which should not be hard, as well, she really *is* Dina Ferletti, and she really doesn’t want to tell her new ally as he may just kill her.

There’s some good intrigue here, much of it nasty. Dina’s dinner with her brother and his lover turns out to be “do you remember the right way to eat to avoid being poisoned?”, and when another “Dina Ferletti” shows up, our Dina worries that, even if she is the real deal, she may not be real enough. The romantic leads are both good, but my favorite character may be Luca, a member of the family who brought Dina there and who doesn’t like Teodoro… and the feeling is mutual. He’s the classic “I am mostly a terrible person, but I am also attracted to the main heroine” sort, and I was delighted by his character arc. Let’s also say that he and Teodoro are very lucky this is the Heart line and not the Knight line. If there’s a weakness it’s Aurelio, whose backstory didn’t really resonate for me, as well as a bit TOO much “are they really poisoned this time” set pieces.

This is very much told in a single volume… but it’s Drecom, so you know they were asked to write another, and it’s coming. If you like a good dark action thriller, this is right up your alley.

The Too-Perfect Saint: Tossed Aside by My Fiancé and Sold to Another Kingdom, Vol. 6

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By Fuyutsuki Koki and Masami. Released in Japan as “Kanpeki Sugite Kawaige ga Nai to Konyaku Haki Sareta Seijo wa Ringoku ni Urareru” by Overlap Novels f. Released in North America by Airship. Translated by Amelia Mason. Adapted by Shaenon K. Garrity.

I suppose if you’re going to have a romantic age-gap romance, you might as well lean right away into the fact that it’s very problematic. From the moment that Philia hears about Lena’s engagement to the knight Elmhardt, an engagement that was arranged right after Lena was born, and when Elmhardt was already a young man, her reaction is essentially the reader’s: what the heck? As it turns out, the engagement mostly comes down to a whole heaping helping of guilt from almost all parties – even Lena, whose innocent question to her fiance several years ago led to him just giving up and avoiding her. But Lena’s an adult now, at least by the standards of this world, and the book makes it very clear that everyone’s been going around doing things without asking what she wants. Fortunately, Philia, who is learning about this strange thing called friendship, is different.

Despite the fact that things are still fraught after the events of the last book, there’s a pilgrimage coming up, and Osvalt is in charge of it. The neighboring country of Alectron journeys there for religious reasons. Unfortunately, Philia also hears that assassins are plotting to kill her – again. So they’re adding lots of extra security, including knight (and friend of Leonardo) Elmhardt, who it turns out is Lena’s fiance. Though both of them seem very uncomfortable about it. After an attack on Philia (maybe?) by monsters, it turns out that the assassin is using a magical tool that’s been stolen from the kingdom’s vaults… a tool that was also used years ago, when there was a coup attempt. Which also involved the current king of Alectron. And Elmhardt.

I mentioned the friendship thing earlier, and it may be my favorite moment of the book. Lena’s been around from the start, but she’s basically been fulfilling a “maid/bodyguard” role. Philia has her mother and sister, she has other saints who are more like disciples, and she also has Erza, but she hasn’t been around for a while. More importantly, Philia is still having to deal with normal human emotions after repressing them for her entire life, so the idea that she cares about Lena and wants what’s best for her is more important than it normally would be. There’s also a convoluted plot and backstory here, which mostly checks out fine, though it feels like an excuse for romantic conflict more than anything else. If there’s a flaw here it’s probably Lena, who’s simply too nice about the whole thing – yes, even when she’s furiously attacking near the end – and who I wish would at least kick back a little against a setup she’s had since birth.

Still, overall this was solid. And next time we have Mia’s wedding. Which I’m sure will be trouble-free and totally boring. Right.

In Another World with Household Spells, Vol. 5

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By Rika and HIROKAZU. Released in Japan as “Isekai ni Kita kedo, Seikatsu Mahou shika Tsukaemasen” by Mag Garden Novels. Released in North America by J-Novel Club. Translated by sachi salehi.

For once, Patience ends up having a really good volume with minimal chaos. Sure, her summer vacation keeps getting interrupted with visits to every single noble family around, but as is pointed out to her, this is what noble girls her age are supposed to be doing, in preparation for her coming out party in a couple of years. It’s all about connections, and while she has made many connections with the eccentric nerd population of the school, her female friends pretty much consist of Princess Margaret and her relatives. What’s more, given this is one of those noble families in a magic academy books, everyone’s getting engaged when they’re eleven or twelve, and the option of “don’t get married but have a career instead” is likely not going to be happening. Alas for Patience, most of her suitors are obsessed nerds. Or literal royalty. Fortunately, there’s one exception, and he’s the one she is starting to fall for. A bit. Maybe.

Patience and her two brothers are headed off to Samuel’s family territory, which is near the sea. You know what that means, especially with that cover. Beach time! Which means it’s time for Patience to buckle down and invent waterproof swimsuits, even if she has to make them more modest than she’d like, and also use monster materials that gross her out a bit. The territory also has an extensive set of ruins, which are actually in very good shape, from the country’s shrouded past of war. Indeed, some of the ships shown in the murals are so advanced Patience suspects they were invented by other folks reincarnated from Japan. Elsewhere, she’s making dyes, making pool floats, and avoiding Albert’s father, who remains so obsessed with music he would happily marry an eleven-year-old just to lock her away. Fortunately, even her marriage-happy aunt realizes this is not the marriage Patience wants.

I appreciate that Patience, as she grows up, is getting some character development. For all that she suspects her poor horse-riding is due to the OG Patience’s reticence, in reality it’s likely more due to her just being too skittish of the horse, which is therefore skittish of her. That said, Patience is very much an “if all you have is a hammer” sort of character, so it should not come as a surprise to find that the solution is Household Spells. She also starts to realize that, Japanese knowledge or no, she’s very sheltered when it comes to THIS world, and like most nobles she has no idea what the value of money is here, or how she looks when she walks into a normal store dressed as she usually does. And it’s just going to get fancier, as she finally gets some good news about her father… who stays behind the entire book, so how that plays out will have to wait.

Technically this is a two-parter, as the rest of her obsessed alchemy friends have only just arrived to explore/excavate the ruins. We’ll see that next time. Stay strong, Patience, and stop using the word shotacon.

Tearmoon Empire: Short Story Collection, Vol. 1

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By Nozomu Mochitsuki and Gilse. Released in Japan as “Tearmoon Teikoku Monogatari” by TO Books. Released in North America by J-Novel Club. Translated by Madeleine Willette.

It’s honestly rather surprising that we haven’t had one of these yet for Tearmoon Empire. Other light novel series are very fond of their .5 volumes or added bonus story collections – hell, Spy Classroom almost has more short story collections than regular volumes. But Tearmoon Empire has pretty much been too busy with Mia trying to save history and make it so she’s not guillotined, poisoned, or does not otherwise live to see her grandchild grow up. As a result, we not only have this collection, which seems to go up to about the 9th or 10th book in the series in terms of the timeline, but there’s a second already out in Japan. I’m not certain if they’re bookstore exclusive-type short stories or if they’re written for this volume. One thing is for sure, though, which is that while Tearmoon Empire is hilarious, and also a thriller, and sometimes a mystery, one of the things it does best is show off that doing good things, and paying it forward, makes everyone happier.

There are too many short stories here to give a breakdown as I sometimes do. I will therefore note some of my favorites, starting with the wraparound plot. Empress Mia, now a grandmother, is having trouble sleeping because her husband Abel is away visiting Sion, no doubt for another sword battle. As it turns out, Bel is also awake, mostly so she can get into mischief. To prevent this, Mia starts telling Bel old stories from back in her teenage years, i.e. around Book 1-10. Anne later shows up, and the whole vibe of these sections is just so nice to see. Seeing Mia at rest, having accomplished what she set out to do, and everyone else living their best lives, just puts a big silly grin on your face. I also loved the glimpses into Mia’s mother, and how this passes down into the wedding dress she shows her father before she marries Abel.

There’s also another ongoing plotline throughout this, which has to do with how Mia’s story is being retold. I’ve talked before about who I think the identity of the snarky narrator of this series is, and while we don’t delve into that we do get two other strands of the story escaping from the bounds of reality. Mia and company go to see a theater group putting on a “fictional” play that seems a little too real to Mia… it’s her life, right down to the time travel! The writer seems to get divine inspiration, rather than it being sinister, but I did love Mia wondering when she’ll tell Abel the truth about herself, as she knows she’ll have to one day. The other subplot shows Mia trying to stop everyone overselling her accomplishments – Elise’s history books have Mia literally flying, something that causes the actual Mia to cringe in embarrassment. She reassures herself that everyone will realize it’s exaggerated. That does not, in fact, happen. Sorry, Mia, you’re just that amazing to everyone. Even Ludwig. (The fountain pen gift, and how Mia makes him accept it, was also brilliant.)

Basically, these stories put a smile on your face and a song in your heart. Now let’s get back to the main plot, as if Mia is killed off in Book 17 all this may be irrelevant.

Royal Spirits Are a Royal Pain! Give Me a Regular Romance, Vol. 3

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By Rei Kazama and Fujiazuki. Released in Japan as “Tensei Reijō wa Seirei ni Aisarete Saikyō Desu…… Dakedo Futsū ni Koi Shitai)” by TO Books. Released in North America by J-Novel Heart. Translated by okaykei.

It continues to be entertaining watching Deirdre wondering why everyone in the cast considers her to be less of a human and more of a monster – or worse, a bomb. It’s especially amusing watching Chris and Alan doing it, because of course those two are also considered to be not quite the same as normal humans in their peer group. In this book full of nobles and their politics,l this is definitely a top-down series – the crown prince, dukes, and marquises are heavily involved, as are their children, and it tends to be counts and barons who end up wither as the villain of the subplot or struggling to accomplish what the rest of the cast can easily do. One reason that light novel authors have glommed onto noble teenage politics is that it’s the best of both worlds – you can write all the pretty rich kids and courtship you want, and then see them screw it up, as they’re teens. Albeit teens with assassins after them, in some cases.

Deirdre is ten yours old, which means at last she gets to attend the magical noble academy that’s a staple of all these books. If nothing else, that should at least slow down Prince Andrew, who continues to drop by their estate to chat whenever he feels like it. She also reunites with Kamil, the young boy she mistook for a girl four years prior. He and his suspicious merchant friend are trying to sell them chocolate… but alas, it’s “we don’t have modern conveniences” chocolate, so she’s not as delighted as they hoped. And there’s also a heaping helping of romantic tomfoolery, as almost all kids are engaged by the time they’re fifteen in this world. The prince is interviewing marriage candidates, an arrogant guy is trying to break up a true love couple (we know how that will go). As for Deirdre? Well, she’s not interested in anyone right now, but the author does give us a few hints.

Sorry to anyone thinking she’d end up with the prince, but a) clearly having her as a queen would be a disaster and they both know it, and b) Kamil is given over one-third of the entire novel, as we hear of his entire tragic backstory and his present struggles, including his own POV of his initial meetings with Deirdre. Foreign prince, still somewhat a secret prince, who’s handsome and clever but has also renounced his title so she can do whatever she wants with him? Yeah, this guy’s endgame, though it may take a while. Taking less time is Deirdre and her posse starting to grow up to be incredibly powerful young women… though admittedly with some of them it may be with regret. (Karla, you need to get it together, as I suspect you’re right in Andrew’s sights.) There’s also some really good heartwarming stuff among this intrigue – I enjoyed Deirdre’s happy memories of her family back in Japan, which had a “difficult dad”, and I was also surprised when the standard “there’s a rumor of a ghost” turn out to be not only 100% true but they even got the identity of the ghost right.

This thankfully lacks the high body count of the 2nd book, so is more relaxing (leaving aside Kamil’s backstory), but I’m still intrigued to see how things play out in future books. A lot of fun.

My Next Life As a Villainess: All Routes Lead to Doom!, Vol. 15

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By Satoru Yamaguchi and Nami Hidaka. Released in Japan as “Otome Game no Hametsu Flag Shika Nai Akuyaku Reijou ni Tensei Shite Shimatta…” by Ichijinsha Bunko Iris. Released in North America by J-Novel Club. Translated by Joshua Douglass-Molloy.

While it’s still a disappointment to the Western fandom who still wishes it were a lot more gay, there’s no doubt that recent volumes of Bakarina have been much better than the doldrums of the single digits where the author was asked to write more but didn’t really have much of a plan. This now reads like it’s traveling to a destination, at least in terms of the dark magic plotline and the state of the country. In terms of the romance, things are still pretty much at 1) Jeord, 2) Maria, 3) everyone else. This volume has a new character (though don’t get attached to them), lots of backstory going back hundreds of years, a final battle that comes close to taking out our heroine and villainess, and a bountiful amount of produce. All this plus Mary at her absolute cattiest, and Jeord at *his* absolute cattiest. These are getting to be a lot of fun again.

After a brief “let’s have all the original love interests together in one scene” bit where they harvest the sweet potatoes from Katarina’s garden, she’s off to the ministry, trying to stop Raphael from overworking himself to death… which he has to do as Larna has been busy at the palace lately. Katarina knows that’s because she’s really Susannah, but the other’s don’t. Things really get going, though, when Katarina’s body is possessed by a dark spirit… one who’s been asleep for five hundred years! Katarina knows this plot, it’s part of the 2nd game that she’s watched in dreams… only there it happened to Maria. As it turns out this spirit, Lucie, is closely tied to a tragedy from long ago… the details of which may be very important to stop it reoccurring. Especially as those folks from 500 years ago seem awfully familiar.

Lest folks misunderstand, there’s no indication that Katarina and Maria are somehow going to go back in time or anything. But several people mentioned here, particularly Susannah’s magic tutor and Lucie’s master, are described in such a way that makes me suspect they’ve been reincarnated from Japan and are, like Katarina, a wee bit eccentric. It’s even more obvious with Jean, who has her own Maria Campbell as her best friend… or rather Maria’s ancestor. I liked how this tied into a folklore tale from her own family, rather than (as I suspected would happen) reading it in the white magic book she’s been translating. As for Lucie, she’s sweet and cute and what happened to her was very tragic… and what happens to her here is slightly less tragic, but also bittersweet. I’m not exactly sure what we’re doing with all this backstory, though it may also tie into a generation before, when the throne war wiped out so many people. Unfortunately, a cliffhanger implies the wrong sort of people might also be better informed.

If you’re reading Bakarina for the plot or characters, this is really solid. And she’s still not interested in romance at all, so status quo there.

Fired? But I Maintain All the Software!, Vol. 1

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By Yuki Kashirome and icchi. Released in Japan as “E, Shanai System Subete One Operation Shite Iru Watashi o Kaiko desu ka?” by PASH! Books. Released in North America by J-Novel Club. Translated by Minna Lin.

Content warning: This review will be discussing a book that deals with multiple companies that use AI, and it discusses AI throughout the book, usually in a positive way (though it does emphasize AI without humans making decisions is a disaster). Reader discretion is advised.

It’s always an event when a book gets licensed in a genre that no one really dabbles in much. We’ve seen a lot of bad companies, overworked office staff, and overtime from hell in light novels, but usually that’s as a setup to killing them off and setting them up in another world. This book is not going to do that, as it is very much interested in this world. It’s essentially a story of how you should not stay tied to a job that is destroying you, that effective communication can still be learned even years after school. and that you need to be careful about getting rid of the weirdo in the company because usually the weirdos are in companies for a very good reason.

Ai Sato (punny first name very much intended) gets to say the title as the first line of the novel. A new executive has taken over her company, goes to see the revolutionary new system that they’re famous for, and discovers that the woman who runs it is dressed in a sexy succubus bikini. With horns. She’s drowning her sorrows in an izakaya with melon soda (none of the main characters drink) when she’s spotted by her childhood friend Ken Suzuki, who’s running a startup programming school and thinks she’d be perfect for it. As it turns out, both of them have major flaws in their respective business personalities that are complemented by the other, and with two other employees they’re ready to take the world by storm. Unfortunately her old company is falling apart at the seams, and the CEO has decided it’s all her fault and he wants revenge.

This series, frankly, drips with idealism over realism, and if that bothers you it will probably taste like acid. That said, I did mostly enjoy it. It’s odd seeing a manic pixie dream girl sort from the narrative perspective of the dream girl herself, though the book is pretty good about showing us her flaws and that, under all the tech genius and overly peppy gung-ho attitude is a socially awkward young woman who is nearing 30 but is very much a child at heart. There’s suggestion of a romance between her and the childhood friend, but I get the feeling that’s all it’s ever going to be – this isn’t a romcom, it’s a workplace handbook. (Also, one of their “students” is a young woman who blatantly has a crush on Ai, and is not ashamed to show it.) I did also enjoy seeing the long, lingering interludes showing the CEO of Ai’s old company slide from “I’m here to streamline things and there is a girl in a succubus bikini in my office” to “BWAHAHAHAHAHAHA!” evil cackling over the course of the book.

If you’re a corporate drone, or an engineer, this is probably right up your alley. If not, I don’t think Ai actually does enough cosplay throughout to justify it. Also, naming the leads Ai Sato and Ken Suzuki is like naming your leads John Smith and Jane Jones.

Return of the Corpse King: Reining in My Cringe Secret Society, Vol. 1

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By Sty and Tsumeki. Released in Japan as “Shiou no Kikan: Moto Yuusha no Ore, Jibun ga Soshikishita Chuuni Himitsukessha wo Tomeru Tame ni Futatabi Isekai ni Shoukansareteshimau” by MF Books. Released in North America by J-Novel Club. Translated by Roy Nukia.

Occasionally there are series where I’ll buy it for one reason, usually because it’s advertised as something that intrigues me, only to end up enjoying the book for a completely different reason. This was one of those. The book seems to have been pitched (and judging by that cover, it was pitched in Japan that way as well) as being very much “for fans of The Eminence in Shadow”. There’s a guy prone to making over the top statements, there’s a society of evil made up of extremely loyal servants (though not all of them are women in this one), and there’s lots of fun comedy. But there’s another book that exists behind this book, the prequel that the author thankfully never wrote. And that book certainly is not a comedy. And it drives everything that happens in this book, and makes it a lot more interesting.

Back in middle school, an entire class full of students was summoned to another world by God to defeat the Demon King, each of them gaining special cool powers. At the end of this battle, the demon king is dead, but so are all the classmates, except one, whose special power gains strength whenever an ally dies. He’s returned to Japan, a month after he left, and after police questioning and hospitalization, he’s left to pick up his shattered life. Three years later he’s about to graduate high school when suddenly he’s summoned again. It turns out the “secret society of evil” he created while he was there, made up of various eccentrics, is causing havoc in his absence, and he has to return to clean it up. Two problems. One, he hates remembering his chuuni phase and wants nothing to do with all this edgelord stuff. Two, it’s almost 200 years later!

As noted, while there is humor in this it’s not the reason to read it. It’s mostly “ha ha, it’s funny as he’s horrified by his middle school dramatics being written in stone”. But there are several better reasons. First of all, Shio has suffered genuine trauma from his isekai stunt, and has lingering PTSD. He also feels guilt because, albeit unintentionally, he abandoned his secret society allies for two hundred years… and now it turns out someone is committing genuinely evil acts in its name, as opposed to merely using it to look cool which actually doing good. Most of all, thanks to his actions at the start of the book, ANOTHER class of students has been isekai’d to this world… to stop him. And they may not survive either.

So yeah, the dark, tragic edges in this series interested me a lot more than the funny parts. It was good, I’ll read another.

The BS Situation of Tougetsu Umidori, Vol. 4

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By Kaeru Ryouseirui and Natsuki Amashiro. Released in Japan as “Umidori Tougetsu no “Detarame” na Jijou” by MF Bunko J. Released in North America by Yen On. Translated by Andrew Cunningham.

I worried this would be something of a disappointment because the author was clearly being told to end it with the fourth book. That turns out to be both true and false. it’s false as I think this contains some of the best writing in the series, with some great comedy that is also kind of horrifying. It also, like a good penultimate volume, starts giving us a lot of answers, particularly in regards to Bullshit-chan and Tougetsu. The problem, of course, is that it’s not a penultimate volume, it’s a final volume. As such, it’s pretty much a failure, as it does not resolve any of its important plots, it just reveals the answer sheet. It’s a good answer sheet! But the ending just made me sigh and go “well, this is what happens sometimes, and I suppose we should be glad the author wasn’t signed to Futabasha.” I do recommend that fans of the series read this last book. But temper your expectations.

After a confrontation that makes Bullshit-chan uncomfortable, she decides to finally come clean to Tougetsu about her past and her powers… or at least she says she is, but mostly she just takes Tougetsu out on a date and dresses her in a cat hoodie… which looks far more like fetish gear on Tougetsu than on Bullshit-chan. Unfortunately, as this is going on, Mud Hat has decided he’s going to have a giant festival with all the faction’s core members letting loose at last… which will probably destroy the city, but can’t make an omelet without breaking eggs! What’s worse, they’ve kidnapped Tougetsu… and then one of the faction kidnaps her again, having found the World’s Most Perfect pre-reader. Can Tougetsu’s harem weaponize itself to do something about this? And will Bullshit-chan admit her past, or will it all just be given as flashbacks to the reader instead?

I’ve talked about the issues with this book, so let me talk about what I really liked. The scene between Nara and Seiryoin in the car, where they talk about their dreams, is possibly my favorite scene in the series, if only as it’s hilarious. That said, if looked at objectively, these dreams are also horrific, which at least Seiryoin can admit. I also do really love that Mud Hat is such an utterly unlikable asshole here that even his collaborator and bodyguard lets Bullshit-chan have one free shot to almost break his jaw, because he’s just that much of a dick. Unfortunately, despite being warned that Tougetsu can amass a yuri harem to change the world, and also giving hints as to how the series would have ended had it gone on, this ends where it began, with Tougetsu and Bullshit-chan back in the apartment, and nothing much changed except the reader now knows their backstories.

So a solid series with a few big flaws, only some of which are due to the publisher. I still quite enjoyed it.

The Executioner and Her Way of Life: Otherworlders Must Die

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By Mato Sato and nilitsu. Released in Japan as “Shokei Shoujo no Virgin Road” by GA Bunko. Released in North America by Yen On. Translated by Jenny McKeon.

So let’s get the bad news out of the way, and it’s not really a spoiler. This volume came out in Japan on the same day as the 11th and final volume did, and they are clearly meant to be read as a pair – the author even says so in the afterword, which at least Yen translates properly. Unfortunately, that’s not Yen’s policy. On the bright side, the 11th and final volume *is* on the schedule, so we know vaguely when it will be coming out – six months from now. So you are reading half a book, and the ending is very abrupt. On the bright side, we’re pretty much in the home stretch, and as such the author does not have to faff around and delay things until the second half of the book as they normally do. This is a very solid volume, possibly the best to date, and folks who do choose to read it now and then wait will be quite satisfied. Lots of folks are cool, even the ones who don’t think they will be.

After the events of the last book, Menou is back to normal, Akari is back to normal, and Momo is cranky. Which is to say, she’s as normal as ever. Heck, even Ashuna, after making me worry for the cliffhanger of the last book, is pretty much back to normal. Which is good, as they’ll need everyone at their best to try to deal with both Hakua and Pandæmonium. It’s time to plan. Unfortunately, after the events of the last few books, Akari is no longer in control of time, but she can do a few things. Momo, of course, can kick ass. Sahara… exists. And then there’s Maya, who has the perfect plan – sacrifice herself to get rid of Pandæmonium. It *is* a sensible plan if you support the needs of the many philosophy, but after watching Menou do the same thing recently, I don’t think it’s where we want to go. They do have a complicated plan, which will send Pandæmonium back to Japan… leaving them to fight Hakua. Who decides to show Akari her tragic backstory.

I’ve made no secret of my favorite character in this series, and I was absolutely over the moon with how she was handled here. Sahara is grumpy and dour and wants to run away, and that doesn’t change. She also hates herself, as she’s made explicitly clear in this volume. But there is one thing that has changed, and that’s what makes her – finally – take a stand and fight. As for Menou and Akari, they’re both clearly still in love, much to Momo’s displeasure, but Hakua has just as much a right to Akari, seeing as they knew each other in Japan. Hakua’s backstory has a lot of stuff we suspected or could guess – and there’s some really disturbing stuff that does right back to the gimmick this series became known for – but it also shows how these powers everyone has are too easily corruptible. Gotta do something about that.

But we gotta wait, even if in Japan could could just reach for the next book. So goes life. This is a top-notch entry in the series, though.

The Princess of Convenient Plot Devices, Vol. 7

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By Mamecyoro and Mitsuya Fuji. Released in Japan as “Watashi wa Gotsugou Shugi na Kaiketsu Tantou no Oujo de aru” by B’s-LOG Bunko. Released in North America by Yen On. Translated by Sarah Moon.

Since it’s been over a year and a half since the last volume of this series, a series where I had a tendency to forget about the plot and characters already. I decided to review my old reviews to see if they jogged any memories. And they did! As with the bulk of this series, the plot involves Octavia stubbornly trying to fix her broken country and also score a man, which she is currently doing by having her bodyguard and obvious future love interest pose as her fake boyfriend. Unfortunately, every time she tries to break the story, the story keeps coming back. It turns out that I forgot all about the Tanya the Evil aspect of this series… she’s fighting with a pissed-off God! Who threw her into this world of BL tropes and wanted to watch her suffer. Job well done, God. That said, Octavia’s still got a few more tricks up her sleeve, despite more and more hot men getting mind controlled.

At last, Octavia has an official fake boyfriend. Sure, it’s Klifford, which is not at all what she planned, but it’s working out, and he seems strangely OK with it! Honestly, perhaps a little too OK with it. That said, there are other issues. Prince Yarsh is now in the castle as a royal guest and official suspicious person. Rust Byrne, who Octavia had been desperately avoiding, is not only at the castle but is now her second bodyguard (as Klifford is also her lover, he’s thought to not be objective enough). Alec has been desperately avoiding HER. Derek has also been avoiding her, and doesn’t even seem to like her anymore. And the Council of Feudal Lords is coming up. In the original game there was a drink spiked with aphrodisiac. But Octavia has already dealt with that plot, so surely it won’t happen anyway. Right?

There are quite a few good scenes here, so it’s been worth the wait. As the author notes in an afterword, several parts of the book are from POVs other than Octavia. The biggest being Edgar’s, as we finally get the full missing backstory that explains why he’s married to Enoch but seems to despise him. I like how his rage can’t really go to far as he knows this was his sister’s choice, and also how his revenge is also hampered by sympathy with what’s been going on with the king lately. We get more close examination of how utterly screwed up a world run on BL really is, and how there’s a lot more straight people in it than you’d expect. And we get a few more sexy scenes between Octavia and Klifford. The last of which may be aphrodisiac-induced, but come on, if we have to wait for Octavia to actually get a clue about her own feelings, we’ll be waiting as long as readers are going to be waiting for Book 8.

Which isn’t out in Japan yet, so here we go again. See you in 2028. Good, though, isn’t it?

Chitose Is in the Ramune Bottle, Vol. 8

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By Hiromu and raemz. Released in Japan as “Chitose-kun wa Ramune Bin no Naka” by Gagaga Bunko. Released in North America by Yen On. Translated by Evie Lund.

I have found that Chiramune is one of those series that glides along for a while till the author has a sudden explosive burst of inspiration where everything gets really good for the rest of that scene, and then it goes back to normal. This can sometimes be frustrating, especially if you’re reading it for the ongoing plot, but it does make those scenes instantly memorable in your head. Which is good given how this does not exactly release every three months or so. Here we get two such scenes, one short and one long. The short is the second conversation between Yuzuki and Kureha, where we start to see exactly why Kureha is doing things in this particular reckless way. The second is the final scene in Saku’s apartment, where Yuzuki drops all pretense of reserve and straight up tries to seduce him into sleeping with her. If you know Saku, you can guess how well this goes. But as a scene, it’s dynamite. The series works best in sprints.

The culture festival is almost upon us. While the core cast work on their cheer routine, Yuzuki also has a heart-to-heart with Kureha, and realizes that she’s going to have to stop trying to be “Yuzuki Nanase” and remove her limiters. This means suddenly she’s blowing away everyone else on the basketball court… including a dispirited Haru. This means that, when the Snow White play they’re putting on turns out to be literally the author writing the love triangle between Saku, Yuuko and Yuzuki into the plot – and having Saku improvise an ending – she wows everyone with her amazing acting skills. And it means that, when she gets the opportunity to cook dinner once more for Saku at his apartment, she puts on her best underwear and pins him to the couch. Unfortunately, talking to Kureha also gave her Kureha’s desperation.

I liked Kureha better here… or at least understand her more. Everyone’s annoyed at her for upsetting the status quo, but to her it feels like she’s started a race where everyone else is on the last lap. When you literally can’t catch up, sterner measures are needed. I also really loved the conversation between Yua and Asuka, where they both reflect on their breakdowns from the last book and both admit it’s their fault rather than Kureha’s. This book has a lot less Saku narration than usual, which makes sense as the series is getting into the second half and needing to resolve things, but also as Saku is discovering that trying to figure out who he loves and trying to figure out what he wants to do in the future involve the same things… and he’s reluctant to do anything – STILL – as he knows how much pain it will cause. Hence the final scene, which manages to be very painful and also pretty erotic.

This is the first of a two-parter, and I’m not sure when Book 9 will drop, but Chiramune fans should be quite pleased, especially if they think Yuzuki is best girl. Though the book is also hinting we should enjoy that while it lasts, like Yuuko.

Sword Art Online: Progressive, Vol. 9

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By Reki Kawahara and abec. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

I think I have come to the conclusion that Reki Kawahara, much like Ryohgo Narita, has too many balls in the air. The last time a Progressive volume came out here was in 2022. It is now 2026. That is bad, mostly as I can remember literally nothing about the last book other than “Kirito is a vampire now”. And I have bad news for you, 10 isn’t out in Japan, as he’s also writing the main series and Accel World, as well as supervising all those Alternative spinoffs, only some of which have been licensed over here. As such, it sure would be a shame if this volume got off to a slow start and really dragged through the first half, as I’m already a bit grumpy that it’s been so long and I have to try to tell dark elves alike that I haven’t seen in a while. Heck, even the plot regresses back to the fourth floor. That said, as with many books, the second half really picks up, and has some surprises.

Kirito and Asuna, having met up with Kizmel again, are trying to get back the keys stolen by the fallen elves. This ends up, as I noted, taking them back to the fourth floor, where they have a happy reunion with their boat, as well as with the dark elf they broke out of prison with. He wants to have a chat with the leader of the Dark Elves, and asks the three of them to get him out of the castle so they can talk. This requires Kirito using his new vampire powers (which, by the way, means this entire volume happens at night) to tame a Kelpie so they can ride it without the castle guards realizing their viscount has flown the coop. When they finally engineer the meeting, it ends up leading to a duel, but more importantly, backstory that’s actually interesting.

Not gonna lie, I worried I would have nothing to talk about when I reviewed this through the first hundred pages or so. Then Yofilis reveals his tragic backstory and my jaw dropped. Not just because it once again shows off how well coded these “AI” NPCs are (and I mean, almost everything Kawahara has ever written has involved AI becoming human in some way), or even how Kirito and Asuna picking the dark elf rather than the forest elf may have messed up the plot to the point where the frontliners are all in danger of being killed, but mostly because said tragic backstory revolves around Yofilis being gay, and how that messes with the way this game treats elves and aging. Essentially Elves age as they gain roles, such as “parent, grandparent, knight captain”, though obviously I’m simplifying. And the fallen elves specifically aren’t aging after “falling”. So we get an odd dovetailing of how a gay character might be coded in a fantasy like this one, as well as the fallout of same, which involves a literal metaphor for sinning and falling from grace. It’s… interesting.

And Kirito and Asuna are adorable and everyone except them agrees they’re a couple and should just kiss already. Rest assured, it still has that. Next time we resolve another cliffhanger, though a more happy one this time. Will it be another four years? Maybe.

The Alchemist’s Fluffy Island Getaway, Vol. 1

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By Kisetsu Morita and Matsuuni. Released in Japan as “Renkinjutsushi no Yurufuwa Ritou Kaitakuki” by GA Novel. Released in North America by Yen On. Translated by Tristan Hill.

Sometimes I pick a book to read based on vibe, and only afterwards do I realize the actual creative team behind it. This is definitely one of those books. I got it as I like the mini-genre of “alchemist in a remote land a la the Atelier series”, and it felt cute. And then I finished it, and it turns out it’s freaking Morita AGAIN, with I believe his fourth LN series licensed over here, not counting spinoffs. And then I realized how an awful lot of this felt familiar if you’ve read Killing Slimes for 300 Years, especially the main character picking up two fighting monster girls who bond with her. That said, Killing Slimes for 300 Years is a very static series, with little to no growth or change. This one seems to know it can’t be that. Because when we meet Freya, well, she’s kind of horrible, and getting exiled to the middle of nowhere to learn to be a better person is what she richly needs.

Freya Corvidge is an orphan girl who ends up at a premier academy for alchemists, and ends up with the highest grades of her year. We don’t see any of that. We start with her graduation speech, where she talks about finding a cushy job where she can be lazy. And when other graduates accidentally summon a massive wolf monster, she steals supplies without asking to paralyze it and make it invisible so it’s not killed. All this means that, far from a cushy job in the capital, she’s being treated like the bottom of the class, and sent to a remote island where she should reflect on her actions. When she gets there, while the locals are very friendly, her alchemist shop is so overgrown it will take her weeks to uncover it. Then she meets the island’s god… who seems very familiar.

Freya is a hoot, frankly. Her obnoxious tendencies are to a certain degree a front for the fact that she’s a nerd who had no friends and was bullied a bit at school. Unlike Killing Slimes, her character journey over the course of the book, where she grows to like island life and discovers the joy (and embarrassment) of doing good things that others praise her for, is the point, and it’s handled well. I also liked Lilil, the wolf god who ends up becoming her apprentice and tsukkomi, there to bring Freya back to reality when need be. Given the author, it’s not surprising that there’s a bit of yuri in this title, though thankfully it’s not punctuated with reassurances that everyone is straight like their other series. There’s also a lot of “this is how we do alchemy” stuff, which is the norm in these sorts of titles, and unlike, say, Management of a Novice Alchemist, Freya is talented but also inexperienced and is not going to be OP right off the bat.

So yeah, this is a lot of fun, and I will cut the author a bit of slack and cheerfully read the second in the series, which will no doubt add another cute girl somewhere.

The Isle of Paramounts: Reborn into a Slow Life Among the Strongest in the World, Vol. 3

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By Heiseiowari and Noy. Released in Japan as “Tenseishitara Saikyou Shu-tachi ga Sumau Shima deshita. Kono Shima de Slow Life wo Tanoshimimasu” by SQEX Novel. Released in North America by J-Novel Club. Translated by Alex Castor.

This is a slow-life series that has things happening, but it can be a bit difficult to review as, due to its nature, deep character development is just not on the table. The closest Arata gets to it are his struggles to fight back against everyone judging him by his god-like powers and insisting he’s human, and even he is half-hearted about it. There is a more interesting plot happening… away from the island, where the hero’s team are still being hunted by the Church as heretics. This means that they’re being hunted by two Celestial Archmages, who are ludicrously powerful… till they do another summoning, and pull not Arata this time, but Reina and Zelos, who are suddenly in front of their former allies. The interesting bit is they’ve lived with Arata and the other OP folks on the island so long that they’ve also gotten much stronger than anyone else, to the point where they can easily fight off colleagues who used to beat the stuffing out of them before. It pays to be around Arata!

Arata and Reina are headed to the Alfin village where Katima lives, there to meet up with her Village Elder and mostly have fun at Katima’s expense. While there it is revealed that the Great Spirits that normally watch over the village have been absent for a while, so Arata and Katima go searching for them.. and find that the Great Spirits are, unsurprisingly, a lot like humans, which is to say that two of them are having a “man’s battle” while the third has locked them in a sphere to shut them up. It turns out they’re fighting over who gets to raise the new Great Spirit who’s just been born… but when Arata, with all his power, interrupts, the Great Spirit ends up choosing him as her new “Daddy”. Now he’s raising Snow, the Great Spirit, along with her “mommy” Reina. The trouble is, Snow is having a bit of trouble controlling her ice powers…

The main reason to read this series remains the still adorable, still virginal romance between Arata and Reina. Indeed, it’s astonishing to everyone except Arata and Reina that they’re not already lovers. Every time they talk to each other the folks around them complain about the flirting. It also goes without saying that when they’ve got to take care of Snow, who calls them Mommy and Daddy for good reason, they become the perfect parents. There’s even the obligatory “we’re finally giving in to our feelings and leaning in for a kiss when we’re interrupted because this book has seven volumes to go till the wedding” scene. That said, I’m pretty sure we’re getting him more than one wife in this series. It’s hinted heavily that polyamory is OK, and Tailtiu has made it very clear she’s not going to be an unlucky anything. But the thrust of the goopy romance is still these two.

Island stuff is all well and good, but I do hope we dovetail back with the main world again soon, as that adds a bit of spice to this otherwise very relaxing series.