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Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Reviews

The Dorky NPC Mercenary Knows His Place, Vol. 6

October 22, 2026 by Sean Gaffney

By Toryuu and hamm. Released in Japan as “Kimo Ota Mob Yōhei wa, Mi no Hodo o Wakimaeru” by Overlap Novels. Released in North America by J-Novel Club. Translated by Josh DM.

The highlight of each volume of this series continues to be John vs. the plot. The plot has John involved in major battles, John being highly desired by everyone around him, both professionally and personally, John being colleagues with most of the movers and shakers in the galaxy, John is the star of this book. John, meanwhile, considers himself “just a guy”, makes sure to be one of the nameless mercs involved in battles, avoids interaction with other women as much as he possibly can, with the exception of his friend Gonzalez, who is a man in a woman’s body. John resolutely regards getting recruited as being a huge hassle and a mistake. And, as we see at the end of this volume, John is right. I wish that it didn’t come down to “I hate him because he is fat” as much as it does, but it’s also because, while the Empire is trying its best, nobles still think commoners are there to get glory for the nobles and then be sacrificed. No thanks.

What was implied in the last book becomes reality here: the Empire is at war with another Kingdom, who are very much on the “nobles rule, commoners drool” side of things. As such, John and most of the cast are corralled up to be part of the army fighting them, which mostly goes well until the kingdom shows off that they have a literal planet destroying weapon. John eventually does have to subtly ask for help there. The rest of the book involves the aftershocks of this war, as John’s “mind the store” mission goes south due to a sandstorm and robot dogs, and escorting a corporate group goes very badly as the group ends up killed, which leaves a bad taste in John’s mouth – he may be an NPC but he hates failure. Heck, even seemingly kind old men turn out to secretly be watching him very closely. As are the many women in this series.

Last time I avoided mentioning it, but I will briefly discuss the elephant in the room here, which is Scuna’s subplot. She’d been seen the least of the main girls, mostly as it’s just harder to find excuses to get her in John’s orbit. This works very well. It will probably also have repercussions down the line, and I’d worry about her chances of surviving if this weren’t a series with cover art like what we have. I also liked Shiora, and the fact that she was straightforward and earnest because, as the author says in the afterword, he already had a tsundere in the group with Fialka. John’s advice on how to be a great pilot like him amounts to “do it over and over and over again”, and I hope we see more of her. I also liked the Mei Hatsume addition to the cast. Every light novel seems to get its own Mei Hatsume these days.

The next volume in the series came out in Japan literally two days ago, so we’ll be waiting a bit. Till then, assuming you don’t mind a harem that goes nowhere due to the lead’s total lack of interest, this is great fun.

Filed Under: dorky npc mercenary knows his place, REVIEWS

Is It Wrong To Try To Pick Up Girls In A Dungeon? On The Side: Sword Oratoria, Vol. 15

October 20, 2026 by Sean Gaffney

By Fujino Omori and Kiyotaka Haimura. Released in Japan as “Dungeon ni Deai o Motomeru no wa Machigatte Iru Darou ka? Gaiden – Sword Oratoria” by GA Bunko. Released in North America by Yen On. Translated by Dale DeLucia.

This series, as well as the main one it’s spun off from, really requires the reader to remember who everyone is, which is tricky as there are eleventy billion characters in it. So you either get a spreadsheet going or you hope that the series comes out every three months like it used to. Well, bad news and good news on that front. The bad news is that it’s been a year since the last Sword Oratoria, and even worse, that was a prequel. The good news is that Japan had a “year of Danmachi” a while back, with books galore, and we are starting to see the output of all that over here. We had the main series volume two months ago, which ended with the same cliffhanger we see here, only from Bell’s side. And now we get to find out what led to that cliffhanger… well, after half a volume of comparative fluff. The author has to save the pain for the end.

Loki Familia are headed back into the Dungeon, down to the 60th floor to take care of the plot that’s been driving this spinoff once and for all. They know that they’re plenty strong, but are they strong ENOUGH? So they grab Tsubaki, and a powerful healer, and even some Freya Familia folks who reluctantly come along, mostly to protect Riveria. Notably absent is Bell, who they want to take along but the plot of the main Book 20 will explain why he doesn’t. They head on down, and the second half of the book is basically pure horror – and I mean that literally. There’s spider monsters who do some nasty things to two of the party members, there’s souls trapped in anguish, there’s souls fractured into multiple pieces. And there’s the corrupted spirit, who has one goal and one goal only: Aiz.

This series has ping-ponged back and forth with its central character. Lefiya was so much a parallel to Bell that it was hard for the author to resist. The Big Three of the Loki Familia all get to be very cool. And frankly it’s more fun to write the comedic, air-headed side of Aiz, which works better when she’s not the focus. But this spinoff is meant to be about her, and so when the big danger comes Aiz is the one who has to take the brunt of it. Along with, well, most everyone else. And that leaves, oddly, Raul. He’s been a supporting presence throughout this series, being the guy who’s always scared – of adventuring, of expectations, of confessing to his best friend – and now that cowardice is his best weapon… and I hope that everyone eventually realizes that, because boy, everyone in Orario really really hates him right about now.

So yeah, things are VERY VERY bad right now. Fortunately, the next book in the main series should help, and it’s out in 5 months. Also fortunately, the spinoffs keep coming! Did you enjoy Astraea Record? Did you wish there were more novelizations of that game? Do you like the Bell/Lefiya crack pairing but wish it was also incest? Great news on all counts! See you in a month.

Filed Under: is it wrong to try to pick up girls in a dungeon?, REVIEWS

Frieren: Beyond Journey’s End ~Prelude~, Vol. 2

October 20, 2026 by Sean Gaffney

By Mei Hachimoku and Tsukasa Abe, based on the manga by Kanehito Yamada. Released in Japan as “Sousou no Frieren: Zensou” by Shogakukan. Released in North America by Yen On. Translated by Jenny McKeon.

I wasn’t expecting a second volume of these short stories, and it’s interesting to see what we get. Frieren is the obvious one who gets a story devoted to her in both books – it’s her series, after all – but Fern and Stark only appear briefly at the end of that story, and are not otherwise in this book. And while I’d love to get more of Methode, she too only has a small supporting role here. Still, there are a few things the author can do. The stories involving Ubel and Serie are clearly heavy hitters, ones that will automatically get in readers who just like them – especially Ubel. But the other thing the author can do is pick out a very minor character and flesh them out as they know the manga creators won’t be doing that. We get that here as well, and the results are heartwarming and horrific, respectively. Horrific in the horror way, not in the bad way. Frieren still has demons.

As with the first volume, we get five stories. 1) The receptionist for the Magic Exams, whose name apparently is Uhu, is asked to deliver something to Serie, and along the way asks everyone else connected with the exams why the world needs strong mages, and what that even means; 2) Ubel, after killing her exam proctor, leaves the city for a bit until they cool off, and comes across a kidnapped young boy who wants to be a mage; 3) That really upbeat demon girl we saw in the Divine Revolte arc doesn’t get a name, but they get a backstory, and this is it. It involves impersonating humans and killing humans; 4) We see Frieren, before she left her village, bored and at a loss for what to do with her life. She gets advice from other elves around her, who all have hyperfixations of some kind; 5) Serie trains a young Flamme, but the two of them, get in a fight over who should be learning magic.

There aren’t really any bad stories in this book, though the demon girl one was so grim I didn’t really enjoy it. The first one plays with Uhu’s role as “faceless minor character”, with the running gag that almost no one can remember her name – except, notably, Serie. Ubel’s story was fun, and reminds us that while she’s amoral and quick to kill, she’s not evil or psychopathic – and she also knows mages need to be able to kill in this world. Frieren’s story is sweet and touching until it gets tragic and we are reminded why Frieren bothered to start traveling in the first place… till it rolls around to heartwarming again at the end. The best story is the final one, as Serie gradually realizes she’s become a mom, and is not really sure how to deal with it. Flamme breaking off with her is handled well, and leads to my favorite bit of the book. “Attacking me out of nowhere, eh? How barbaric. Don’t you even know how to have a conversation?” “I’m afraid you only taught me how to use magic.”

As with the first book, don’t read this if you’re not caught up on the manga. But if you are, this is well worth the buy.

Filed Under: frieren, REVIEWS

Reign of the Seven Spellblades, Vol. 15

October 18, 2026 by Sean Gaffney

By Bokuto Uno and Miyuki Ruria. Released in Japan as “Nanatsu no Maken ga Shihai suru” by Dengeki Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

Reign of the Seven Spellblades is one of those rare light novel series that has, if not a huge fan wiki, at least a relatively up to date wiki, which is very useful when you have dramatic tragic deaths and you cannot actually remember who these people are. At one point I paused, looked up a name, went “ah, right, from Book 8!”, and moved on. That said, this is the final volume of the big Kimberly invasion arc, and we’re fifteen books is, so the author is finally killing off, permanently, actual people who have been around a long while and who we care about. I’ll get into the details of that a bit below, so spoiler warning. But I also need to emphasize that, even though this is a book filled with war, death and grieving, it never quite hits despair, and the overall theme is triumph, even if it’s at a painful cost. This book is optimistic. Well, as optimistic that a book about a boy killing off all the faculty can be.

Summarizing this is hard, as it’s mostly 250 pages of fight goes one way, then the other way. Bad guys die tragically. A few good guys die tragically. A lot of people we’ve never heard of die tragically. We also do find out why the bad guys are doing this, or at least why they’re saying they are. And we get some flashbacks that remind me that, much as I’m enjoying our main cast working their way through magic college, all their parents did the same thing a generation before, and they were all equally eccentric/bonkers. (The book is mostly serious, but the funniest bit has the students asking Katie if she’s all right and then having to clarify they mean “not possessed or consumed, we know you’re completely bananas”). In the end, the school is saved… just barely.

So, first of all, none of the six main characters die. (I have to be careful not to say “main six” because I know one day I’ll mistype it and this will become My Little Pony.) Katie, aside from the comedy bit I mention above, is entirely absent. Chela is mostly there to be support, the author clearly didn’t have anything for her to do. Nanao too is mostly absent aside from the very end. But if you like Oliver, Pete, and Guy you’re gonna be happy. Certainly happier than they are. Rita Appleton has been around since the 4th book and her crush on Guy has been around almost as long, and she gets to do what a lot of teenage girls with a crush would fantasize about, die to save her beloved. Richard Andrews has been around since the very start, the definition of the “arrogant rival guy turned reluctant ally turned reliable ally”, and it’s that reliability, as well as compassion, that leads to him saving Oliver, Nanao and Chela. Now a few characters I was sure would die somehow did not (there is more than one teacher given a backstory that is literally “I want to die”, and yet…), but this victory came at a cost. Still, it was damn cool as a fictional story.

Next time I assume we will be back to Oliver’s vengeance… whenever next time is. The 15th book came out in Japan over a year ago, and the series is now caught up. We wait for the author, and remember the fallen.

Filed Under: reign of the seven spellblades, REVIEWS

Agents of the Four Seasons, Vol. 7

October 18, 2026 by Sean Gaffney

By Kana Akatsuki and Suoh. Released in Japan as “Shunka Shūtō Daikōsha” by Dengeki Bunko. Released in North America by Yen On. Translated by Sergio Avila.

My friend Erica Friedman has talked before about an annoying characteristic of many light novels, manga and anime, which is the “emotional torment of children for plot purposes”. It’s relatively easy to win over the reader by doing this, and lets the main characters being abused be sympathetic – you really want them to have a nice blanket and a hot cup of cocoa. But as the author said in the afterword to Book 6, that is just not happening in Agents of the Four Seasons. These kids (and we’re introduced to more kids in this new book, all of whom are in some way, shape, or form broken by the adults they trust and by their peers) are broken down, beaten, and occasionally killed and resurrected – and this includes their guardians, who are either also children or in their late teens at most. The narrative says that while sometimes the abusers will be brought to justice, there will always be new ones ready to manipulate you, and the only thing you can do is get mentally stronger to withstand it all and grasp what happiness you can. Kinda depressing.

We pick up where we left off last time, with Jude seemingly betraying his agent and forcing Nadeshiko to make an impossible decision on who gets to live and who gets to die. The way Nadeshiko handles this will surprise no one, but it does lead to her and Liam ending up kidnapped – this makes how many times Nadeshiko has been kidnapped? – and everyone else having to try to track them down. After she wakes up, Jude explains what’s going on – turns out that not-America is using the Agents as a cash cow in order to line the pockets of the rich and powerful, which is technically a spoiler but is so thuddingly obvious that I am happy just mentioning it here. Jude wants to expose the man in charge of it all, and this kidnapping attempt was the best way to do it. Unfortunately for Jude, he doesn’t bother to explain this to Liam.

On the bright side, this is very well written. The thriller and action aspects are impeccably done, and you want to keep turning the pages as fast as you can. Nadeshiko’s powers, when they are inevitably explained as being different from what everyone thought, make a lot of the book lighter than expected… but look, that’s only a matter of degree. It is astonishing how literally EVERYONE in this series hates themselves with a passion. Even the arrogant, obnoxious Agent of Winter that not-America has proves to be an insecure child who is deeply upset that her mentor turns out to be a bad guy, and whose attempts at “making friends” with their agent of Spring have traumatized the other girl. Rindo and Nadeshiko are the highlight of this, and past, present and future collide to let us see a confession that we don’t really want but is inevitable anyway. I’ve joked before about how this book is Codependency: The Light Novel, but it’s no joke here – everyone knows the relationships between Agents and their Guards are totally fucked up, and yet they can’t do anything about it except say “that’s the way it is, I guess”.

The next book in the series is not scheduled in North America yet, and that’s probably for the best, because I’m exhausted. If you love the emotional torment of children for plot purposes, this will be like catnip for you. For everyone else, just endure, like the cast has to.

Filed Under: agents of the four seasons, REVIEWS

Even a Replica Can Fall in Love, Vol. 5

October 17, 2026 by Sean Gaffney

By Harunadon and raemz. Released in Japan as “Replica Datte, Koi o Suru” by Dengeki Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

While I’ve very much enjoyed this series, each of the previous four volumes has explored topics related to replicas in some way. What are replicas, why do people have replicas, can replicas fall in love (title drop), and what happens when a human with a replica dies. This led us to the climax of the fourth book, which was about what happens if a replica dies… except no, it did not work out that way, because in the interim Sunao decided to get her life together, move beyond the need for having a replica, and finally grant Nao autonomy so that she could be with the one she loved. The problem, of course, is that the books were mostly written from Nao’s perspective, and so there was a gap of “what actually happened here?” left to be filled. It was fine for the climax of the “main” series, because really all that was waiting for was a dramatic run and love confession, but I’m glad we get to see what happened before: Sunao’s path to loving herself.

The subtitle of this volume is “Side: Original”, and that’s exactly what we get here. We start with Nao’s declaration to Sunao that she’s going back inside her, and just like the reader, Sunao knew that’s exactly what would happen. Fortunately, Sunao decides to simply make Nao vanish rather than fully integrate her into herself. Unfortunately, that means Sunao has to negotiate the rest of her time in high school without a safety valve or a way out, and it’s hard, given that Sunao regards herself as a bad person and thinks no one else could like her. Despite this, over the course of the book, she learns to stand up for herself over her former friends turned bullies, learns to stand up for others, and learns to give support when it’s needed but only the support that’s needed. And she even gets her own love story, with a somewhat unexpected person.

This volume was a lot simpler to read in many ways – replicas barely come up – but that doesn’t mean it was less affecting. Sunao’s POV is suffocating a great deal of the time, especially in the middle of the book when everything seems to be going wrong, and watching her deflect and avoid those problems was not only painful to read but honestly felt a bit TOO familiar. I wondered if she would avoid Ricchan entirely the whole book, regarding it as “she’s Nao’s friend now”, but honestly it ended up being that most of the entire incident in childhood that led to their falling out turned out to be something that Sunao just wasn’t emotionally mature enough to connect the dots on. She gains that emotional maturity here, in a number of really good scenes, and it all leads to a confession that she’s very reluctant to hear, and instinctively wants to reject, simply as she cannot come to terms with why anyone would feel like that about HER. (It’s very important, by the way, that her love interest has, without knowing about replicas, definitely fallen for Sunao and not Nao.)

There’s one last volume, apparently short stories. This feels like the big finale, though. A must read for fans of the series, especially those who watched the anime try to speedrun events as anime often does.

Filed Under: even a replica can fall in love, REVIEWS

Alya Sometimes Hides Her Feelings in Russian: Insider Stories

October 15, 2026 by Sean Gaffney

By Sunsunsun and Momoco. Released in Japan as “Tokidoki Bosotto Russia-go de Dereru Tonari no Alya-san” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Matthew Rutsohn.

Oh god, store exclusive stories. Let’s try to break it down here: 1) Alya gets hit on and stalks Masachika; 2) Yuki buys otaku merch and stalks Masachika; 3) Touya and Chisaki are super in love, Part 1; 4) Test of courage; 5) Alya is tricked into wearing a sexy cat costume; 6) Touya and Chisaki are super in love, Part 2; 7) Alya and Masachika go to a fancy dessert place; 8) Yuki briefly feels guilty for manipulating Alya; 9) Alya is tricked into wearing a sexy maid costume; 10) Masachika goes on amusement park rides with Nonoa and deals with her personality; 11) Touya and Chisaki are super in love, Part 3; 12) Watermelon splitting; 13) Alya is tricked into wearing a sexy Chinese dress; 14) Alya and Ayano recover from the spicy food debacle; 15) Touya and Chisaki are super in love, Part 4; 16) Maria eats a lot; 17) Alya, under hypnosis, is tricked into wearing a sexy bunny girl costume; 18) Masachika buys priceless antiques but doesn’t realize it; 19) Yuki and Ayano have a water fight; 20) Touya and Chisaki are super in love, part 5; 21) Alya is tricked into wearing a sexy gothic lolita costume; 22) Alya, Masachika and Yuki get a fortune reading; 23) Touya and Chisaki are super in love, Part 6; 24) Alya is tricked into wearing a sexy Arabian dancer outfit; 25) Ayano discovers josei maid porn; 26) Chisaki destroys everyone in the athletics competition; 27) Maria is tricked into wearing a sexy bunny girl costume; 27) An anime store employee rants at the cast in his thoughts; 28) The cast play a word game; 29) Masachika dreams about Alya in a sexy succubus costume.

As you may have gathered from the brief descriptions of all of those, a large part of this collection is dedicated to getting Alya into sexy outfits; The art inside the book… and outside the book… is almost entirely devoted to each of the sexy outfits I mentioned above. This series knows its audience, and it’s folks who like big-breasted Russian girls. Though, to be fair, their magnificent asses are also mentioned quite a bit. Yes, I know it feels a bit crass to bring it up in a review, but this is a short story collection, so we can’t develop the characters or have much drama at all. What we’re left with is Alya being a bit tsundere, Yuki and Masachika being otaku-brained, and… well, there are the student council president and vice-president. Who are indeed cute and in love, but the bulk of the gimmicks in the stories are “Chisaki is very, very, very strong”.

That said, there are two original short stories for this collection at the end. In the shorter one, Elena, having a breakdown because people want to live their own lives rather than dedicate them to music, demands they all go to a cat cafe. We get to see how the cats treat the bulk of the cast (they all have trouble, especially Chisaki and Maria) and we get to see the cat version of Alya, who promptly gets into a… erm, catfight… with the real Alya. The second story has the cast, trying to prepare for the athletics festival, going to a hotel pool rented out by the rich Sumire, to see if practicing in a pool might be less exhausting. As you might guess, this is an excuse for some of the most blatant fanservice in the book, including Masachika almost drowning because every time he comes up for air he slams his face into Alya’s crotch by accident. It ends with a heartwarming moment, but again, we’re here for the service.

If you enjoy the Alya series, you’ll enjoy this. If you’re trying to save money, though, there’s nothing here that I think will come up again in later books, unlike Vol. 4.5.

Filed Under: alya sometimes hides her feelings in russian, REVIEWS

Bofuri: I Don’t Want to Get Hurt, So I’ll Max Out My Defense, Vol. 18

October 15, 2026 by Sean Gaffney

By Yuumikan and KOIN. Released in Japan as “Itai no wa Iya nano de Bōgyoryoku ni Kyokufuri Shitai to Omoimasu” by Kadokawa Books. Released in North America by Yen On. Translated by Andrew Cunningham.

I’ve enjoyed Bofuri over the years, but as I hit the end of this volume, and realized that the next book would be the final one in the main series (yes, of course there are after stories), I could not help but think “thank God”. This is a classic example of a series that just went on far too long. In this penultimate volume, the author is not about to introduce any fun new characters, or give Maple a weird new skill. The series has also shifted away from its “look at what Maple’s doing now” sense of humor, and while I do like seeing Maple using strategy and not just relying on vibes, it also means it’s not really funny any more. As a result, what we’re mostly left with is what this series has been about from the start: reading someone else’s game logs, and watching them fight. Even worse, the fights are all pretty anticlimactic. No one’s really giving Maple trouble any more.

Sally is on the cover, looking like she’s auditioning for Made in Abyss. The book is more about her than Maple, as she tries and fails to work up the nerve to ask Maple to marry her… er, sorry, to ask Maple for a 1-on-1 fight. They’re all going through the 10th floor, which has aspects of the other floors, in order to be able to fight the demon lord. They’re fun dungeon battles with tough bosses, there’s fun dungeon battles with tricky puzzles, there’s teaming up with other groups to help them clear tough areas with the power of Maple and Sally simply being really, really good, and there’s the dreaded 6th floor battles, where Sally must try to overcome her fears. By the end, everyone’s now ready to take on the Demon Lord, with the help of Mii and her friends and Frederica and her friends. The developers are sure the Demon Lord is not something anyone can take out on their first try. I suspect Book 19 will prove them wrong.

In terms of things I can actually review, there are two. The first is the series’ longest running gag that isn’t Maple acquiring new powers, namely Sally’s fear of ghosts. Give the nature of this floor, it was inevitable that they’d need Sally to get past this. She doesn’t, but she’s actually pretty clever in how she manages to battle enemies while at the same time remaining utterly terrified. And then there’s Sally’s request of Maple, which she STILL isn’t able to spit out. Maple clearly knows Sally wants to say something but is never going to push, so it lies there, and you just get more irritated with her. (Maple has the patience of a saint.) Maple, meanwhile, when asked by Sally what she wants to do for some downtime activities, takes Sally to a secret cafe where they have a repeat of the food dates they’ve had in the past. This is never going to be explicitly yuri, but the best part of it has actually become the implicit yuri. It’s why I read the series now.

The demon lord is set up as the focus of the final volume, but come on, we know Sally will eventually ask for that PvP match with Maple, and that’s gonna be the big end. Who will win? Will it have a kiss? (No.) One thing’s for sure, next volume will sound like a game log most of the time.

Filed Under: bofuri, REVIEWS

Your Castle’s Little Helper: Please Feed Me, I’ll Work!, Vol. 1

October 13, 2026 by Sean Gaffney

By Kazuhito Minagi and PenekoR. Released in Japan as “Anata no Oshiro no Kobito-san ~Gohan Kudasai, Hatarakimasu~” by SQEX Novels. Released in North America by Yen On. Translated by Taylor Engel.

I really enjoyed reading this book, but if it has one big flaw it’s that it cannot settle down with one genre. And unlike, say, Sasaki and Peeps, I’m not sure how deliberate it is – it just feels unfocused. Judging by the cover and blurb, I was expecting the story of a plucky and adorable orphan winning the hearts of everyone she encounters. And it definitely is that. But it’s also the story of a reincarnated Japanese woman who wakes up in a middle-ages sort of monarchy and gradually introduces new foods while also winning over the monsters of this world with her powerful magic. And it’s also the story of a child left for dead who has tremendous PTSD about the whole thing and keeps getting triggered over and over again, either accidentally or on purpose. It’s about how sometimes abuse through neglect cannot simply be waved away or fixed. Still, if you can handle the ping-ponging, it’s a compelling read.

A Japanese woman, who passed away due to a car accident, wakes up in a deserted storeroom as a two-year-old dying of starvation and thirst. Not great. She manages to stagger to a kitchen and is found by the cooks, and it turns out that she’s in the royal castle. In fact, it turns out that her connection to royalty is a lot more intricate and filled with secret plans than anyone realizes. For Chihiro, though, all she wants to do is quietly live her life, eat nice food, and maybe try to find sweets, as this world lacks sugar or honey. Well, it has honey, but in the forest, and there are bees. Pshaw! Who’s afraid of some bees? Well, when she manages to get a mysterious stranger to take her to the forest, it turns out you’re afraid of bees if they’re the size of a human and feed on magic. Good thing that, as it turns out, Chihiro has TONS of magic…

Chihiro is absolutely the best reason to read this. A lot of these “I’m two years old but have my adult memories” series feature the main character trying their best to act like a kid and failing. Chihiro doesn’t even try, she’s like one of the kids in Full House. A scene early on just made me throw up my hands and realize the author was writing this on vibe, where she not only figures out how the commoners are getting their sums wrong, but asks the nobles to forgive them as it’s not the expected “we’re corrupt” but just “we suck at math”. There is an occasional hand wave towards people realizing that a girl as young as her cannot POSSIBLY be doing everything she is (she’s doing perfect embroidery, coming up with new recipes, etc. At two years old), but every time that happens the person ends up thinking “well, whatever, she’s so cute I don’t actually care to investigate this”. As for the conspiracy that led to all this happening in the first place, it never really gets resolved beyond “yeah, those evil maids did this and then vanished”.

Basically, this book is a mess. But it’s a fun mess, and I had a great time reading it. I want more.

Filed Under: REVIEWS, your castle's little helper

Dahlia in Bloom: Crafting a Fresh Start with Magical Tools, Vol. 13

October 11, 2026 by Sean Gaffney

By Hisaya Amagishi and Hachi Komada. Released in Japan as “Madougushi Dahlia wa Utsumukanai” by MF Books. Released in North America by J-Novel Heart. Translated by A.M. Cola.

It feels like every review I whine about this slow burn romance being too slow, but, I mean, look at it. Indeed, the author is now anticipating us whining, as we not only get to see Volf once again having people ask if he’s in love and essentially saying “what’s that? Food? Can you eat it?”, but we also see Dahlia realize that she might actually be in love with Volf and practically have a trauma response to the idea. Which makes sense, given what happened with Tobias, who I’m amazed has not been quietly murdered by now by the rest of the cast. But that’s OK, as we also have a lot of other things going on to make sure that we stop paying attention to the lack of romance… or indeed, the lack of barony, as we’re still ALMOST there but not quite, and having looked at the synopsis of the Japanese Vol. 14, I suspect I will be saying the exact same thing next time. Anyway, what DOES happen in this book?

After an amusing start where Dahlia and company try to figure out how to stop killer pigeons nibbling on their vital green slimes, we get down to what has now become a running theme of this series: Dahlia trying to create a cool magic sword for Volf. Volf clearly wants a sword that shoots lasers or somesuch, but instead he gets something that increases speed and is very durable. Indeed, perhaps a bit TOO durable, as after seeing the sword in action Dahlia is asked to visit the Magical Toolmaking Department to explain why this sword has slaughtered twenty huge monsters and still doesn’t need to be sharpened? While there, she meets a duke with a comically evil face, and also discovers that her accident as a child where she dissolved her own hands by touching black slime may have more consequences than just mental trauma. Finally, she and Volf go to meet Guido’s wife Rosaria, who has wanted to see Dahlia… and that also goes off the rails, thanks to Volf wearing his special disguise glasses.

It’s been apparent for a while, but one thing I really like about this series is that Dahlia is not simply doing things like inventing mayonnaise or soy sauce like the usual isekai potatoes, but is essentially creating aides for people who are disabled. We get that really clearly here with Rosaria, who it turns out has facial blindness – she can see, say, a portrait of her husband, but can’t see his face as more than a blur. This is why Volf wearing the glasses that mask his appearance was such a shock – to her, this means she now CAN see Volf’s face. I also enjoyed seeing the magical tool creator who assumes that Dahlia is this smug powerful woman who comes up with amazing ideas every breakfast, and as he watches her struggle to create another pair of fairy glasses – which requires her to hallucinate a terrible nightmare – the creator realizes the reason Dahlia’s stuff is so great is because she’s not got a political bone in her body, and is not thinking of gain at all – she’s just there to help. This is also, of course, why she’s in danger, and I worry that she may run into the equivalent of a stranger offering candy from a van before long.

Next time we’ll get the investiture, right? Surely there’s nothing that can possibly put that off even longer… wait, I forgot what series I’m reading. In any case, still great.

Filed Under: dahlia in bloom, REVIEWS

Earl and Fairy: When You Wish Upon the Crimson Knight

October 8, 2026 by Sean Gaffney

By Mizue Tani and Asako Takaboshi. Released in Japan as “Hakushaku to Yōsei” by Shueisha Cobalt Bunko. Released in North America by J-Novel Heart. Translated by Alexandra Owen-Burns.

I always tend to have the same pattern when I read a new volume of Earl and Fairy. I start off a bit reluctant, remembering the slow pacing and the fact that Lydia always seems perpetually angry and Edgar has a tendency to always make things worse. I think to myself, “if it weren’t for the fact that I’m the only reader, I would drop this”. Then as the book goes along, it gets more exciting and the thriller aspects take over, and I am reminded once again why I do keep going and why I like it so much: the romance is meh, but the supernatural thriller is great. This book actually manages to improve on the romance a bit as well, as Lydia has admitted her feelings for Edgar, and he is deliberately trying not to mack on other women. Unfortunately, as we will see, both of those things combine to once again make everything terrible for our still not married couple.

Lydia is trying to figure out what to get Edgar as an engagement present, given that he can buy anything he wants. After shopping with Lotta (been a while since we’ve seen her), she goes home and is accosted by a young Scottish man who insists that they need to get married to save the clan. Turns out the short story regarding Lydia’s mom, from the previous volume, is more relevant than expected: the village she left is suffering, and they all think marrying Lydia will solve the problem. Unfortunately, there’s also someone else who wants to marry Lydia – no, not Edgar, although yes, him too. A trow kidnaps her, Lotta, Raven, Nico, and the Scottish guy and says that Lydia will, in fact, be marrying him. Meanwhile, Edgar is still dealing with having the Prince’s memories, and the fact that every problem lately has one obvious solution: access the Prince’s memories and turn more evil.

So I got my wish of Lydia and Edgar growing and changing, but I did not get my wish that this means the entire book won’t be about romantic conflict. Lydia still has huge piles of self-loathing, and while she trusts Edgar now she worries about the depth of his love – especially when, for the plot reasons above, she has to disguise herself as another woman and have Edgar intuitively realize it’s her. Unfortunately for her, reality is not quite as kind, and Edgar, for once trying to be a good fiancee, just finds her suspicious. Much as it makes me uncomfortable, I can’t deny its effectiveness. There’s even a dollop of humor in these otherwise mostly serious books, as Raven learns what it means to forgive someone, and applies it in very funny ways. Oh Raven, one day you will be a real live boy.

All this plus an Ermine cameo! This series is down to twice a year, so I expect we’ll get Book 14 in the spring. But I still really do love it.

Filed Under: earl and fairy, REVIEWS

From Bumbling Prodigy to Villainess: Will the Duke’s Love Go Unnoticed?, Vol. 1

October 4, 2026 by Sean Gaffney

By Saki Ichibu and Yukako Fujimura. Released in Japan as “Munou Saijo wa Akujo ni Naritai ~Gimai no Migawari de Totsuida Reijou, Koushaku-sama no Dekiai ni Kizukanai~” by Dengeki no Shin Bungei. Released in North America by Cross Infinite World. Translated by Joshua C Shupp.

It can sometimes be hard with these villainess books that are on the lighter end of the scale, such as this one, for me to wholeheartedly recommend a big, dumb, goofy heroine. Frequently when I ask “gosh, I wonder what in her life led her to being as fun to read as this”, the answer is inevitably “a lifetime of abuse from her family”, and that’s the case here as well. And yet I want to write about Avril anyway, as she’s simply a joy to read. The author’s other big series, Formerly the Fallen Daughter of the Duke, has certain similarities to this one, especially with the obnoxious younger sister who threatens to throw the book off its axis. But that heroine was nice but dull. Our heroine here has a perfect photographic memory and nothing else going for her, and is the sort of person who will speak her own thoughts out loud, then remind herself she should not be doing that.

Avril Allingham has had a rough life. Her mother died when she was young, and her father remarried. And her new stepsister looks really suspiciously just like her. Avril has a photographic memory, which you’d think would be praiseworthy but her family finds it creepy. They use her as a servant. She never goes out or really interacts with others. She *does* have servants who support her, but that’s about it. Meanwhile, Corina, her younger stepsister who looks a lot like Avril, is going out to parties and seducing young men. Using Avril’s name. As such, when an engagement is inevitably broken due to Corina’s actions, it’s Avril who has to pay the price, getting married off to the horrible old lech the Duke of Lanchester. Only, on arriving there, she finds he’s quite young and handsome. Oh well, no worries. She’s out of the house, and can now live her own life. Provided she maintains her cover as Avril, the hussy who seduces men, of course. But that should be easy!

Avril is a wonderful example of “dumbass (affectionate)”. She’ll happily eat stale bread and half-spoiled food because it’s what she ate back home. She’s kind to all the servants, and covers for them when they (very briefly) try to bully her. She’ll help her new husband with managing his territory, and a young noble child who doesn’t have his sheet music, thanks to her perfect recall. And yet every time she does this, she reminds herself she’s supposed to be evil and tries to act like a bad person. I cannot begin to tell you how cute this is. Everyone agrees with me as well, including the noblewoman whose fiancee Corina bonked to start this whole plot in the first place. (Alexandra is great too. She can crush apples with her bare hands.) They would all be perfectly happy if Avril simply admitted she’s covering for her evil sister and settle down with her fiancee, who falls for her almost instantly. But they don’t have the heart. She’s trying so hard to be a villainess.

For some reason (anime soon?), the second volume of this is out in less than a month’s time. I won’t complain. This was a lot of fun.

Filed Under: from bumbling prodigy to villainess, REVIEWS

Sorry Darling, but You Won’t Kill Me Again!

October 3, 2026 by Sean Gaffney

By Tsuta Sonehara and Lemon Natsume. Released in Japan as “Konse mo Todome o Sasareru no wa Gomen nanode, Saiai no Otto wa Mou Iranai” by DRE Novels. Released in North America by J-Novel Heart. Translated by Hunter Prigg.

I decided to go with the lack of a “Volume 1” in the title. The book seems very much finished, with no real sequel hook in sight, and the cover art does not have a 1 on it. On the other hand, the credits say Vol. 1, and Dre Novels are known for releasing 2-3 volume series, not standalones. If it does get more, and I decide to read it, I’ll edit the review. As for this volume, it was good! Definitely more on the serious end of the Disgraced Noble Lady genre, the bad guys are very bad, but they do at least get interiority, which is more than I can say for a lot of series of this kind. As for the main couple, their adorable and relatively innocent romance is meant to be the light relief (and the justification for the Heart imprint) – you want to see these two succeed, because frankly, the alternative is absolutely dreadful.

The first chapter is called “The Queen Is Run Through By Her Beloved”, and it’s not lying. Etoile has already dealt with the death of her father, a weak and conciliatory king, and an ongoing war against another country that they are losing. Now her fiance Isar, the Knight Commander, has announced they’re going to surrender, he’s been sleeping with and is marrying the saint Posenia, and what’s more, he’s going to kill Etoile. And then he does, running her through with a sword just like the title suggests. Another knight, Reigh, who has essentially been her only friend and ally, discovers this and uses forbidden magic to kill himself and throw Etoile back in time five years. Now she’s given an opportunity to avoid her fate… but Isar and Posenia have already been turning everyone against her for a while now. Can she change their opinions and win more allies? And what about Reigh?

The author also wrote The Villainess Is Dead! Long Live the Empress!, which I liked but wasn’t wild about. This is a step up, especially if it sticks to being a single book. Etoile is absolutely not interested in trying to hide the fact that she’s become a new person overnight, and she absolutely will take advantage of future memories and training to her her way in public. This is because she really does have a LONG way to go – no one trusts her or listens to her except for Reigh. This genre tends to have time-traveled noble ladies either be silly or serious, and while this doesn’t hit the heights of I Swear I Won’t Bother You Again!, it’s definitely serious, and has a high body count. I did very much like the POV sections from Isar and Posenia. I know better than to expect sympathetic villains in this genre by now, but at least they gain a dimension by letting us see inside their nasty little heads. Great final art of their end as well.

For those who like their noble ladies with a bit of bite to them.

Filed Under: REVIEWS, sorry darling but you won't kill me again

Looks Like a Job for a Maid! The Tales of a Dismissed Supermaid, Vol. 4

October 1, 2026 by Sean Gaffney

By Yasuaki Mikami and Kinta. Released in Japan as “Maid nara Touzen desu. Nureginu wo Kiserareta Bannou Maid-san wa Tabi ni Deru Koto ni Shimashita” by Earth Star Novel. Released in North America by J-Novel Club. Translated by Sylvia Gallagher.

We’ve seen in this series that Nina tends to lack a sense of self, or rather that her sense of self is “maid” and nothing else. Certainly she has what amount to magical maid superpowers, which only she and her mentor seem to possess. But the question is, why does she have to be a maid? Why can she not use all of her various talents for something else? The most interesting scene in this book has merchant and yuri spoiler Firth showing Nina around a country that believes in equality to such an extent that the idea of servants is anathema to them. We see Nina use her maid superpowers as sort of a consultant, seeing how workers do things and then making them better and more efficient. You briefly think “maybe Nina could be a bureaucrat sort? Does she NEED to be a maid?”. And then she has a brief nervous breakdown, and you remember what this series is.

After a third volume that stayed in one place and told one story, we’re back to Maid & Co. traveling from city to city, and we’re also back to this functionally being a collection of four long short stories. In the first, they come to a city always rebuilding itself, and Astrid is fascinated by a complex water supply machine. They then hear a rumor of a lupalune arrested for poaching, and (since they always try to find any info on Tien’s parents at all) they try to investigate and get around a police chief who tries to do as little as possible to rock the boat. After this, they’re discovered by Myriad (the magic sage from the previous book), who wants to recruit Emily but is OK with recruiting the rest of them as well, and they try to take care of a new dungeon that’s pouring out undead. Finally, they arrive in the town of equality I mentioned in the previous paragraph, and Nina’s faith is shaken once again – as is that of the Queen, who discovers that when everyone’s equal it’s fine to treat the Queen like shit.

Firth appears throughout this book as well. He’s quit his family merchant company, determined to start a new company revolving around Astrid and Nina, even if they don’t really want to. He’s nice and sensible enough, but I was amused that the series literally points out the issue with him. When he’s traveling with Maid & Co., and they have to get an inn or food or what have you, it looks like it’s him and his women. It lessens the four of them. This doesn’t really happen with Myriad, who is also interested in recruiting them for their cool powers but also gives off strong “do not come near me” vibes to everyone around him, so it’s mostly Firth that we want to go away. And, to be fair, he does at the end of the book. As for Nina, I’m glad she got her groove back, and was able to help the Queen, but I am wondering if she is ever going to make it to her mentor, as Book 5 also appears to involve the journey, not the destination.

The 9th volume of this series, just announced in Japan, has big “final volume cover” vibes, so we might have an endpoint. In any case, if you love maids, this is still a must read.

Filed Under: looks like a job for a maid, REVIEWS

A Wicked Lady’s Guide to Accidentally Saving the Kingdom, Vol. 1

September 29, 2026 by Sean Gaffney

By Manzi Mazi and Yuuya. Released in Japan as “Gokuaku Reijou no Kanchigai Kyuukokuki” by PASH! Bunko. Released in North America by J-Novel Club. Translated by Amanogawa Tenri.

There is a running gag throughout this book where a character is screaming at the top of their lungs in the face of Lettie, the titular wicked lady, and she tells them “TOO LOUD!”. That’s sort of how I felt about the book. It’s a comedy, you see, and it makes sure you know that on every page. There aren’t any straight men here – or rather, because there aren’t, Lettie is frequently forced to be the straight man, which is annoying as it’s her own weird quirks that are supposed to be what this series is about. Her conceit is that she does wonderful things for everyone in her land while pretending that it’s all due to her selfish evilness, but we never really get a backstory about how she came to that idea, and it honestly reads, as many of the newest light novels read, like the author noticed a trend and decided to do a book with that trend. And, well, this has 4+ volumes, so I guess it worked?

Lettie Ungaria is a wicked, evil villainess. She’ll tell you so herself, as she walks through her fancy mansion, announcing to her strangely devoted and grateful servants that she will work them to the bone (for 8 hours, after which they get free time, and of course weekends off). She’s horrible! She buys slaves from a slave trader (who turn out to be the first prince and his loyal army, fleeing from a revolution). She’s wicked! She walks through her city denigrating passersby as she tells them about the potential skin cancer and dental issues that they really should get looked at. Sure, OK, she’s yet another sixteen-year-old who looks ten, but can’t have everything. Unfortunately, everyone keeps calling her really sweet and kind, and there’s a rumor she’s even nicknamed a saint! What’s a wicked lady to do?

So, aside from Lettie being forced to be the least eccentric person in this book about her eccentricities, what else annoyed me? I’m never going to like the pervert guy character, even if you do make him super powerful as well. The prince’s emotional reserve bordering on stoicism is meant to tie into a tragic backstory but, again, looks like the author just wanted that type. The revolution itself gets a brief look-in and it’s the only part of the book that’s not “wacky” – which is a problem because that means it’s a wacky comedy with a scene where a villain decapitates multiple women and talks the new King into murdering his vassals and engineering wars. Clearly we’re going to see more of him later, but since he only shows up in that one scene, it’s just off-putting. And while I do think Lettie’s excuses for handing out money like it’s candy are meant to be seen as flimsy, we still don’t have the backstory to make that work, so it just looks halfhearted.

While Livid Lady made me livid, Wicked Lady just makes me sad. Where are the villainesses of yesteryear?

Filed Under: a wicked lady's guide to accidentally saving the kingdom, REVIEWS

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