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Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

MJ

About MJ

MJ has written about comics at Manga Bookshelf, PopCultureShock's Manga Recon, and CBR's Comics Should Be Good. They’ve also been spotted as a guest writer at MangaBlog, The Hooded Utilitarian, Comics Worth Reading, The Beat, and other websites, and as a guest on the podcasts Manga Out Loud and Fandomspotting. MJ's columns at Manga Bookshelf have included Fanservice Friday, 3 Things Thursday, Off the Shelf (with Michelle Smith) and many more.

Pick of the Week: Catching Up

August 4, 2025 by Michelle Smith, Sean Gaffney, Ash Brown and MJ Leave a Comment

MICHELLE: There aren’t any debuts that wildly excite me this week, so instead I’ll pick a series that I have fallen behind on but still read a great deal of, which is Natsume’s Book of Friends. Its release schedule is pretty slow, but now I’ve amassed enough unread volumes to have a proper marathon, which is appealing!

SEAN: Same here, so I’ll pick Colette Decides to Die again, because it’s one of my favorite recent shoujo licenses.

ASH: Similarly, none of this week’s debuts are a priority for me, but I must say that Don’t Hold Back, Lord Hades has one of the prettiest Hades I’ve seen in a very long time.

MJ: Can I admit to being hopelessly in love with The Apothecary Diaries? I’ve been following the anime and the manga adaptation more closely than the light novels, which I know is backwards in terms of source material, but we’ve been picking up the light novel volumes over here anyway. So that’s probably my pick!

Filed Under: PICK OF THE WEEK

Pick of the Week: Girls, Priestesses, and Nameless Horrors

June 30, 2025 by Sean Gaffney, Michelle Smith, Katherine Dacey, Ash Brown, MJ and Anna N Leave a Comment

SEAN: Lotsa good stuff in a busy week, but I mist admit I Wanna Be Your Girl leapt out at me as an obvious pick, despite the award winning Who Killed the Hero? and the license rescued The Twelve Kingdoms glaring at me from offstage.

MICHELLE: I am definitely interested in I Wanna Be Your Girl, but the one on this list that made me gasp and rush to pre-order it was volume two of Fushigi Yûgi: Byakko Senki. That seems like pretty strong evidence for making it my pick of the week.

KATE: I’m putting The Colour Out of Space at the top of my to-buy list; I could use a good spooky manga right now.

ASH: I’m looking forward to reading The Colour Out of Space and I Wanna Be Your Girl, too, but I’m so excited that Twelve Kingdoms is getting another chance, I’m making that my pick.

MJ: Seeing I Wanna Be Your Girl on the list has made me interested in a new manga more than I have been in years (I already pre-ordered!) so let’s hope it’s part of a trend!

ANNA: I’m extremely excited for Fushigi Yûgi: Byakko Senki, I didn’t even realize it was about to come out!

Filed Under: PICK OF THE WEEK

Manga the Week of 7/2/25

June 26, 2025 by Sean Gaffney, Michelle Smith, Ash Brown, Anna N and MJ Leave a Comment

SEAN: The second half of the year begins, appropriately, with a lot of stuff.

ASH: A belated Happy Solstice, everyone!

SEAN: The big light novel of the week is not an Airship title (and technically not a “light” novel), so we’ll have to wait. Till then, Airship does have the third volume of Heroine? Saint? No, I’m an All-Works Maid (And Proud of It)! in print.

And in early digital we see Reincarnated as a Dragon Hatchling 11 and The Too-Perfect Saint 3.

Cross Infinite World debuts I Want to Be a Saint, But I Can Only Use Attack Magic! (Seijo-sama ni Naritai no ni Kougeki Mahou shika Tsukaenain desu kedo!?). A young woman desperately wants to not be isolated. She wants to be a saint. But when she goes to magic academy, it turns out she can only use attack magic (men’s magic) and not healing magic (women’s magic) at all! I hope this kicks against gender binaries more than it sounds.

ASH: It would be great if it does.

SEAN: There’s also The Do-Over Damsel Conquers the Dragon Emperor 7.

Dark Horse has another Lovecraft title, The Colour Out of Space (Isekai no Shikisai), a one-shot which ran in Comic Beam. A spooky town with a spooky university gets a spooky meteorite. This is award-winning (the manga, that is).

ASH: Gou Tanabe’s Lovecraft adaptations have been excellent thus far; I expect this one to be no different.

SEAN: Ghost Ship has Tamamori’s Fantasies Never Stop! 2.

Random House is debuting a new imprint, Ink Pop. Their first title is a manga hardcover, I Wanna Be Your Girl (Kanojo ni Naritai Kimi to Boku). This ran in the magazine Ganma!. A girl has been in love with her childhood friends for years… but now finds that she identifies as female. Wanting to be supportive, she helps with her friend’s transition… and starts to dress as a man to see what it feels like. This is apparently a great LGBT title, and the imprint is being pitched for younger readers.

MICHELLE: Interesting!

ASH: Very! The manga itself as well as the emergence of yet another manga publisher!

ANNA: Great to see!

MJ: It’s been a while since I weighed in here, but uh… hello?? I might need this.

SEAN: J-Novel Club has one digital debut, a manga. Zero Damage Sword Saint (Kougekiryoku Zero kara Hajimeru Ken Hijiri Tan). Based on an as-yet unlicensed light novel, it’s about a young man who wants to be a magic swordsman. But it turns out he can only use healing and defensive magic! Running away from mockery to a magic academy, he probably finds life there a lot better than the woman in the CIW title above.

ASH: That’s probably true.

SEAN: There’s also, for light novels, From Old Country Bumpkin to Master Swordsman 7, Knight’s & Magic 7, The Otome Heroine’s Fight for Survival 5, and Yuri Tama: From Third Wheel to Trifecta 4.

And for manga we get The Banished Former Hero Lives as He Pleases 7, The Brilliant Healer’s New Life in the Shadows 3, The Coppersmith’s Bride 6, My Instant Death Ability Is So Overpowered, No One in This Other World Stands a Chance Against Me! —AΩ— 11, The Reincarnation of the Strongest Exorcist in Another World 6, The Retired Demon of the Maxed-Out Village 2, and Tearmoon Empire 8.

No debuts for Kodansha. In print we get The Dashing Zaddy and His Icy Protégé 2, In the Clear Moonlit Dusk 8, Thunder 3 5, and Wind Breaker 12.

Digitally we see Blue Lock 22, How to Grill Our Love 15, and Those Snow White Notes 30.

The big debut for Seven Seas is the debut of The Twelve Kingdoms novel, which had come out about 20 years ago but is getting a proper release now. They’re dividing the first book in half, and it has a new translation. A high school girl finds herself in another world, beset by dangers, and far more important than she expects. Can this overcome the fact that everything has tried to imitate it since its original release?

ASH: This series is fantastic; I am so incredibly excited that it’s being re-released! (And hopefully we get the whole thing this time.)

ANNA: Wow, I would love to be able to read the end of this series!

SEAN: Seven Seas also has a 5th volume of Heaven Official’s Blessing: Tian Guan Ci Fu (the deluxe hardcover version).

Their first manga debut is BL Game Rebirth: My New Life as the Hero’s Younger Brother (BL Game no Shujinkou no Otouto de aru Koto ni Ki ga Tsukimashita). An office worker who loves BL dies and is reincarnated in her favorite game as the main character’s younger brother! …wait, the main character’s already hooked up? …wait, did he have a younger brother?

ASH: Hmmm…

SEAN: The second debut manga is a manwha. What It Means to Be You features a couple who are currently shunned and shamed by society. Our heroine, knowing everyone hates her, tries to kill herself… only to wake in her husband’s body! And he’s in hers! Can a Freaky Friday plot save their marriage?

ASH: Maybe it can!

ANNA: Worth a try!

SEAN: There’s also a new omnibus, Tokyo Revengers: Brilliant Full Color Edition.

Also from Seven Seas: 365 Days to the Wedding 8, The Ancient Magus’ Bride 20, Easygoing Territory Defense by the Optimistic Lord 5, Glasses with a Chance of Delinquent 3, Otaku Elf 9, Punch Drunk Love 3, Re-Living My Life with a Boyfriend Who Doesn’t Remember Me 4, A Tale of the Secret Saint 9, and Yakuza Reincarnation 13.

MICHELLE: Hooray for more of The Ancient Magus’ Bride!

ASH: Yes, indeed! (Though I do need to catch up…)

SEAN: Square Enix brings us Daemons of the Shadow Realm 8 and The God-Slaying Demon King 2.

Steamship has At Your Service in Another World 2 (the final volume).

Titan Manga debut Cosmic Censorship (Uchuu Kenetsukan), a mecha series from LINE Manga. A track girl suddenly finds herself involved with mysterious powers and needs to save the world.

ASH: This sort of thing seems to happen from time to time.

SEAN: Tokyopop debuts SANCTIFY: Lost Paradise, a sequel to the Sanctify BL series. Expect dark supernatural smut.

Udon is listed as having the second volume of Veil, which surprises me given how the first book just a) came out and b) sold out.

ASH: I did manage to get my hands on a copy; hopefully I can snag this volume, too.

ANNA: Yikes, I need to get this!

SEAN: Viz debuts Nue’s Exorcist (Nue no Onmyouji), a Weekly Shonen Jump title. A boy who can see spirits has tried to avoid them most of his life, but when asked by a spirit to defeat evil haunting his school, he gets swept up in adventure.

Also debuting is a sequel. The Demon Prince of Momochi House: Succession (Momochi-san Chi no Ayakashi Ouji: Tsugu) picks up where the last series left off. It also runs in Asuka.

MICHELLE: Huh. I don’t think I ever finished the first one.

ASH: I’m not sure I did either, but I enjoyed the volumes that I read.

ANNA: I actually finished it, I think! Will be curious to check this out.

SEAN: Also out: Blue Box 16, Blue Exorcist 31, Dark Gathering 14, Fushigi Yûgi: Byakko Senki 2, My Special One 10, One Piece 109, Otaku Vampire’s Love Bite 4, Pink Candy Kiss 2, Tamon’s B-Side 8, and Wolf Girl and Black Prince 14.

MICHELLE: Byakko Senki! It’s been almost five years since the first volume came out.

ANNA: Yay!!!!!!!!!

SEAN: Yen On debuts Who Killed the Hero? (Dare ga Yuusha wo Koroshita ka?), an award-winning light novel. The demon lord has been defeated, though it cost the hero’s life. Now, several years later, a writer doing a book on the hero’s party wonders… is that really what happened?

They also have Love Is Dark 3.

Yen Press debut The Hitman Stans (Koroshiya no Oshi), a seinen title from Harta. A hardcore hitman feared by all says he’s retiring… to devote his life to his favorite idol.

ASH: This could potentially be fun.

ANNA: It does sound fun.

SEAN: The other debut is I Made Friends with the Second Prettiest Girl in My Class (Class de 2-banme ni Kawaii Onnanoko to Tomodachi ni natta). Based on an as-yet unlicensed light novel, it’s about a loner who discovers that his pretty classmate also likes B-movies, and they become secret friends. This runs in Comic Alive+.

And there’s also Spring Storm and Monster 3.

Too much manga? Maybe. But don’t buy all of it, just what you want!

Filed Under: FEATURES, manga the week of

Pick of the Week: This Pick Goes to 11

January 20, 2025 by Michelle Smith, Katherine Dacey, Ash Brown, Anna N, Sean Gaffney and MJ Leave a Comment

MICHELLE: I am obviously looking forward to They Were 11, as I have never read the continuation that will be included in Denpa’s edition. But I’m also interested in I’m Here, Beside You. Something about that cover is kind of haunting.

KATE: Is this a trick question? The correct answer is ANYTHING BY MOTO HAGIO! I am delighted to see They Were 11 back in print, as it’s one of Hagio’s most tightly plotted and delightfully weird stories.

ASH: Only a trick question if it doesn’t actually come out this week! If it does, They Were 11! is absolutely my pick. And if it doesn’t, it looks like a decent week for other interesting manga to tide me over, like Dogs and Punching Bags or Tokyo Alien Bros.

ANNA: I WANT TO BELIEVE! They Were 11! is totally my pick, but as a backup I also want to celebrate the rerelease of Red River.

SEAN: And yes, of course my pick is They Were 11! as well, though I will admit I’m equally looking forward to The Trials and Tribulations of My Next Life As a Noblewoman.

MJ: I haven’t weighed in here in a while, since I haven’t been keeping up with new manga releases. But I’ve loved They Were 11 in every form it’s been released here so far, and I’m really excited about any additional material being included in Denpa’s edition. If it doesn’t show up on shelves this week, I’ll be waiting for the day it does!

Filed Under: PICK OF THE WEEK

Pick of the Week: March in April

April 10, 2023 by Ash Brown, Katherine Dacey, Sean Gaffney, Anna N, Michelle Smith and MJ Leave a Comment

ASH: While it’s the opposite of a debut, my pick this week goes to the final volume of The Legend of Zelda: Twilight Princess. I’ve certainly been enjoying Akira Himekawa’s adaptation of the titular video game, but it also makes me wish that some of the team’s original work would be licensed, too.

KATE: March Comes in Like a Lion. (I mean…. what else did you think I’d pick?!)

SEAN: Apparently it came out and immediately sold out, so I won’t be able to read it yet, but my pick this week has to be March Comes in Like a Lion, the long, long, LONG awaited shogi and angst masterpiece.

ANNA: March Comes in Like a Lion! I hope one day I will be able to order and read it!

ASH: Oh! The ship actually came in? I won’t get my hands on my copy for quite some time yet it seems, but I’m excited for March Comes in Like a Lion, too!

MICHELLE: I’m kind of in “I’ll believe it when I see it” territory on this one, but what the heck. Count me in for March Comes in Like a Lion!

MJ: I mean… it’s obviously March Comes in Like a Lion.

Filed Under: PICK OF THE WEEK

Manga the Week of 4/5/23

March 30, 2023 by Sean Gaffney, Michelle Smith, Ash Brown, Anna N and MJ Leave a Comment

SEAN: It’s April! The best month! Let’s see what’s coming out next week.

ASH: Let’s!

SEAN: We start with Airship, which has some print releases. There’s Irina: The Vampire Cosmonaut 4 and The Weakest Tamer Began a Journey to Pick Up Trash 3.

And for early digital, we see The World’s Fastest Level Up 3.

Per Denpa’s twitter, they say that they should have Gambling Apocalypse Kaiji 4 and Heavenly Delusion 5 out next week, so we’ll go with that.

ASH: Oh! I’m reading both of those series.

SEAN: Ghost Ship debuts Please Go Home, Miss Akutsu! (Kaette Kudasai! Akutsu-san), a Young Ace Up! title that is another in the genre of “girl teases the guy she likes”. This one takes place at his apartment, though, and is apparently pretty sweet – the Ghost Ship imprint is more for nudity than actual sex, I think.

ASH: There is definitely a range when it comes to Ghost Ship titles.

SEAN: Also from Ghost Ship: Might as Well Cheat: I Got Transported to Another World Where I Can Live My Wildest Dreams! 5.

No debuts for J-Novel Club, but we do have a large number of ongoing series. Ascendance of a Bookworm 24, Bibliophile Princess 6, Black Summoner 12, Holmes of Kyoto 14, The Ideal Sponger Life 11, The Master of Ragnarok & Blesser of Einherjar 22, The Misfit of Demon Academy 4 Part 1, Private Tutor to the Duke’s Daughter 7, The Saga of Lioncourt 4, and To Another World… with Land Mines! 6.

ASH: As always, yay, Bookworm!

SEAN: Kaiten Books has a 3rd print volume for Gacha Girls Corps.

Kodansha has a print debut of a formerly released digital title, Quality Assurance in Another World (Kono Sekai wa Fukanzen Sugiru). It’s a Comic Days title about a young girl who meets a “Seeker”, someone who tries to fix problems in their world. But… just what *is* their world, anyway?

ASH: I am glad to see more of Kodansha’s digital titles released in print.

SEAN: Also in print: Attack on Titan Omnibus 10, Lovesick Ellie 9, and Sweat and Soap Manga Box Set 2 (which comes with a free thing of soap).

ASH: Ha! Hopefully it’s a good as the series itself.

SEAN: The digital debut for Kodansha is Lovely Muco! (Itoshi no Muco), the story of a dimwit Akita dog and their glass-blower owner. It comes from Evening magazine, and is based on a real dog.

We also get Chihiro-kun Only Has Eyes for Me 8, Chihayafuru 37, The God-Tier Guardian and the Love of Six Princesses 7, Life 2, Medaka Kuroiwa is Impervious to My Charms 6, MF Ghost 12, Phantom of the Idol 5, Raised by the Demon Kings! 7, and Watari-kun’s ****** Is about to Collapse 13.

Seven Seas has one new debut. Cinderella Closet is a shoujo title from Betsuma about a plain jane girl who gets transformed by her office coworker with the power of makeup! But that same coworker has a secret…

MICHELLE: Hm…

ANNA: OK, I’m a bit intrigued.

MJ: Is the makeup… magic? I must know.

SEAN: Also from Seven Seas: Bite Maker: The King’s Omega 7, The Knight Blooms Behind Castle Walls 2, Let’s Buy the Land and Cultivate It in a Different World 3, My Sister, The Cat 2, She Professed Herself Pupil of the Wise Man 8, and World End Solte 2.

Steamship gives us GAME: Between the Suits 3.

Udon Entertainment has a 5th volume of Daigo The Beast: Umehara Fighting Gamers!.

Viz Media debut Tista, a title from the creator of Spy x Family, it ran in Jump Square back in 2007. A young, church-going girl turns out, in the evenings, to have a job as a deadly assassin! Spy x Family fans will recognize the subplot.

ASH: Oh, ho!

ANNA: Nice!

MJ: Here for this.

SEAN: Also from Viz: Dr. STONE 25, Kaguya-sama: Love Is War 25, Moriarty the Patriot 11, My Love Mix-Up! 7, One Piece 102, Rainbow Days 3, Romantic Killer 3, and Snow White with the Red Hair 24.

MICHELLE: I look forward to catching up on My Love Mix-Up!.

ASH: Likewise! I have some reading to do.

ANNA: Oh man, I’m quite a bit behind.

SEAN: Actually relatively short for the first week of the month. Any good stuff here for you?

Filed Under: FEATURES, manga the week of

Pick of the Week: Not You, Manga

March 27, 2023 by Michelle Smith, Sean Gaffney, Anna N, Katherine Dacey, Ash Brown and MJ Leave a Comment

MICHELLE: I really loved The Last of Us, and one thing I can enthusiastically plug this week is HBO’s official companion podcast, in which the creator of the game, his co-showrunner, and the original voice of Joel go through each episode offering up all kinds of extra detail and interpretation.

SEAN: I’m running behind on this series, which everyone I know has already read, but The Locked Tomb has been my reading in between light novels lately (which is to say, about a chapter a day). Gideon the Ninth was fantastic, and I’m halfway through Harrow the Ninth, which is confusing but also fantastic. “Lesbian necromancers in space!”, as the pull quote says.

ANNA: I’m currently watching the k-drama Hometown Cha-Cha-Cha on Netflix. It is about a dentist who moves to a small town and gets involved with the quirky community in unexpected ways. I’m around halfway through, which is when I assume the hero’s psychological trauma appears to make everyone start crying after several solid episodes of rom-com antics.

MICHELLE: That reminds me that live-action version of The Full-Time Wife Escapist is on Netflix now and is also a great deal of fun!

KATE: I was disappointed in the second season of Picard, but the new season is a blast; sure, it’s got plenty of fan service, but the old gang have such great chemistry together that I can forgive some of the show’s clumsier references to characters and events from the original Next Generation series.

ASH: I finally got around to reading R. F. Kuang’s The Poppy War trilogy and am just about finished with the third book. An award-winning epic fantasy partly inspired by twentieth-century Chinese history, the series can be brutal but it’s also excellent. I already have more of Kuang’s work lined up ready to read (Babel: An Arcane History) and on pre-order (Yellowface).

MJ: In anticipation of its season two *hopefully* coming out in April sometime, I’ve been rewatching the first season of Link Click, a Chinese animated series about a trio who run a unique time travel service, available from Crunchyroll (originally licensed by Funimation before they merged). The English subtitles are… well. Um. But the story is so good and the characters so compelling, we’ll take what we can get. Check out the trailer for season one here and the opening theme here. It was one of our greatest finds during the pandemic and I’m pretty hyped up for the new season.

Filed Under: PICK OF THE WEEK

Manga the Week of 3/8/22

March 2, 2023 by Sean Gaffney, Michelle Smith, Anna N, Ash Brown and MJ Leave a Comment

SEAN: It’s March, and to celebrate New England is finally getting a bit of snow. But what manga are we getting?

Airship has no print releases, but they do have an early digital one: Reincarnated as a Sword 12.

Dark Horse gives us a 13th volume of Berserk Deluxe Edition.

ASH: I’ll be picking this one up, surprising no one at this point.

SEAN: Denpa Books has a second omnibus volume of Nana & Kaoru.

There’s a debut from Ghost Ship. Rise of the Outlaw Tamer and His Wild S-Rank Cat Girl (Dappou Tamer no Nariagari Boukentan ~S Rank Bishoujo Boukensha ga Ore no Juuma ni Natteimasu~) is a Comic Ride series. A low-ranked tamer is asked by a high-ranking catgirl to “tame” her in hopes she’ll evolve. In reality, it’ll probably just lead to horniness.

ASH: Sounds about right.

SEAN: Also from Ghost Ship: World’s End Harem: Fantasia Academy 2.

J-Novel Club has a debut, but it’s one of the Sol Press rescues: Let This Grieving Soul Retire (Nageki no Bourei wa Intai Shitai – Saijaku Hunter ni Yoru Saikyou Party Ikuseijutsu). Our hero’s friends have cool powers. He does not. But for some reason they keep expecting things from him.

Also from J-Novel Club: Culinary Chronicles of the Court Flower 9, D-Genesis: Three Years after the Dungeons Appeared 3, An Introvert’s Hookup Hiccups: This Gyaru Is Head Over Heels for Me! 2, Invaders of the Rokujouma!? 41, Reborn to Master the Blade: From Hero-King to Extraordinary Squire 8, the 4th manga volume of Tearmoon Empire, and the 7th manga volume of Welcome to Japan, Ms. Elf!.

Kodansha, in print, gives us Am I Actually the Strongest?, which has been out in digital since 2020, but I think is either getting or just got an anime.

Also in print: As a Reincarnated Aristocrat, I’ll Use My Appraisal Skill to Rise in the World 4, I Was Reincarnated as the 7th Prince so I Can Take My Time Perfecting My Magical Ability 4, Magus of the Library 6 (!!!), and SHAMAN KING Omnibus 12 (the final volume).

ASH: Ooh! Magus of the Library!

SEAN: The digital debut will be familiar to old school Tokyopop fans. Life is a shoujo manga from Betsufure, and TP published 9 volumes of it before cancelling it. Now Kodansha is doing a digital version, which hopefully will go the distance. This is an award-winning manga, but be warned, it’s a tough one: our heroine starts cutting herself in the first book.

MICHELLE: Amazon shows I purchased the first volume back in 2006, but I don’t think I ever actually read it, so now’s my chance!

ANNA: Maybe this is an indication (Silver Diamond) of other (Demon Sacred) Tokyopop (Immortal Rain) series getting picked up.

ASH: I live in perpetual hope!

MELINDA: My well of hope runs dry, but… maybe?

SEAN: Digitally we see Abe-kun’s Got Me Now! 10, Doing His Best to Confess 4, I Guess I Became the Mother of the Great Demon King’s 10 Children in Another World 7, MF Ghost 11, Raised by the Demon Kings! 6, Shangri-La Frontier 10, The Shape-Shifting Witch’s Kiss 4 (the final volume), and Tying the Knot with an Amagami Sister 7.

MICHELLE: Doing His Best to Confess looks cute. I’ve been meaning to try it out.

SEAN: From Seven Seas, we see Grandmaster of Demonic Cultivation: Mo Dao Zu Shi The Comic, the webtoon adaptation of the popular danmei series, in full color.

ASH: Looking forward to giving this one a try!

SEAN: We also see orange -to you, dear one-, the final epilogue to the orange series, which tells the story of the rest of the main cast in this new future.

MICHELLE: So excite.

ANNA: I still have the first volume of orange lurking around my house, unread!

MICHELLE: It’s so good!

ASH: It really is. Very glad to see the epilogues being released.

MELINDA: !!

SEAN: Seven Seas also has The Ancient Magus’ Bride 17, The Girl in the Arcade 3, Level 1 Demon Lord and One Room Hero 5, Mushoku Tensei: Jobless Reincarnation 16, and Yokai Cats 3.

MICHELLE: It’s been 84 years since I read any of The Ancient Magus’ Bride. I’ve really been missing it.

ASH: I’m somehow behind in my reading, but I enjoy this series so much.

SEAN: Square Enix debuts My Clueless First Friend (Jijou o Shiranai Tenkousei ga Guigui Kuru), a Gangan Joker series which is getting an anime. A bullied elementary school girl is startled when a new transfer student arrives and finds that all the things people bully her for are, to him, cool!

From Steamship, we get Ladies on Top 2.

ASH: Which reminds me I still need to read the first volume.

Udon debuts Persona 4 Arena, a Dengeki Maoh series for all you folks who wished Persona 4 were a fighting game. This is, in fact, an adaptation of a video game.

Viz Media debuts Ayashimon, a Shonen Jump series from the creator of Hell’s Paradise: Jigokuraku. A guy who wanted to grow up to be strong like a manga hero does his job a bit TOO well.

ASH: I am intrigued.

SEAN: Also from Viz: Black Clover 32, Blue Box 3, The Elusive Samurai 5, Ghost Reaper Girl 4, Ima Koi: Now I’m in Love 5, Kakuriyo: Bed & Breakfast for Spirits 8, Kubo Won’t Let Me Be Invisible 6, and Yona of the Dawn 38.

MICHELLE: Must have a Yona binge soon!

ANNA: Need to get caught up on Ima Koi and always excited for new Yona!

SEAN: That’s it! What will you read if you’re snowed in?

Filed Under: FEATURES, manga the week of

Pick of the Week: Mermaid Josei

February 20, 2023 by Sean Gaffney, Katherine Dacey, Michelle Smith, Anna N, Ash Brown and MJ Leave a Comment

SEAN: Josei? From a magazine we almost never see anything licensed from? Complete in one volume? Sold! Mermaid Scales and the Town of Sand also looks quite pretty, and is definitely my pick this week.

KATE: My thoughts exactly, Sean–done-in-one josei? With gorgeous, stylish art? And a plucky heroine? Sold! (Literally… I pre-ordered this one.)

MICHELLE: What else is there to say besides, “I concur”!

ANNA: Me too!

ASH: Ditto! (I really have been looking forward to this one and already have my pre-order in.)

MJ: Not to be predictable, but I’m going to go along with everyone else here! I’m so ready for this!

Filed Under: PICK OF THE WEEK

Manga the Week of 2/15/23

February 9, 2023 by Sean Gaffney, Michelle Smith, Anna N, Ash Brown and MJ Leave a Comment

SEAN: It’s Valentine’s Day, or Galentine’s Day, or whatever you might celebrate. What manga do we have?

We’re still in a kinder, gentler time when Yen Press no longer has sliding release dates, so we start with Viz. Their debut is the one shot The Girl That Can’t Get a Girlfriend (Kanojo ga Denai Onna), which ran online on various services like Tapas and pixiv, and which Viz is publishing as a collected volume. It’s an autobiographical story of love, and what to do when that love does not work out.

ASH: I’ve been curious about this one since I first heard about it.

MJ: I hadn’t heard about it, but it does sound interesting!

SEAN: Viz also has The Hunters Guild: Red Hood 2, Komi Can’t Communicate 23, Radiant 16, Sakamoto Days 6, and Splatoon 16.

Tokyopop debuts Confessions of a Shy Baker (Futari de Okashi na Kyuujitsu o) which runs in the amusingly named magazine Flat Heros. A real estate agency owner worries that advertising the agency as LGBT-friendly might out him. Fortunately, he bakes, so there are always sweets.

ASH: I generally avoid Tokyo these days, but I am seriously tempted by some of these titles.

MJ: Must… stay… strong..

SEAN: They’ve also got Formerly, the Fallen Daughter of the Duke 3.

SuBLime has a debut. Megumi & Tsugumi (Megumi to Tsugumi) runs in Qpa. It’s an Omegaverse story, so the plot is basically all about that sort of thing.

Also from SuBLime, Candy Color Paradox 6.

ASH: Though I’m a little behind, I have been enjoying this series.

SEAN: Square Enix has My Isekai Life: I Gained a Second Character Class and Became the Strongest Sage in the World! 5 and Tokyo Aliens 2.

Seven Seas gives us two debuts. Gap Papa: Daddy at Work and at Home (Shokuba to Jitaku de Gap no Aru Papa) is a Kadokawa title based on a webcomic. It’s about a cool, distant work colleague who turns into a sweet and doting husband and father at home. The Gap is as in “gap moe”.

MICHELLE: Hm. Possibly cute!

ASH: Awkward title, but promising premise.

SEAN: The other debut is Marmalade Boy: Collector’s Edition. Originally running in Ribon in the early 1990s, getting a very popular TV anime, and then getting a Tokyopop release in 2002, it’s getting a deluxe reissue here, with color pages and a new translation. Miki is horrified to find her parents are swapping spouses with another couple! And they’re all living together! And her new stepbrother Yuu, is such a jerk! Voted “most likely to read badly in retrospect” by old-school manga fans. Don’t mention Namura.

MICHELLE: It’s been 20 years since I read Marmalade Boy so I’m really looking forward to revisiting it. I hope I won’t be too horrified.

ANNA: Ha, I still have my old edition of Marmalade Boy, maybe I’ll check out the new version.

ASH: I somehow haven’t actually read this series yet, although I definitely know about it!

MJ: I also still have my old editions of Marmalade Boy, and I’ll probably leave it at that.

SEAN: Also from Seven Seas: CANDY AND CIGARETTES 3, Correspondence from the End of the Universe 2, Monologue Woven For You 3 (the final volume), and The Most Heretical Last Boss Queen: From Villainess to Savior 3 (the final manga volume).

One Peace Books has a 2nd volume of Usotoki Rhetoric.

MICHELLE: Yay! I really liked the first volume.

ASH: As did I! Really looking forward to reading more.

SEAN: Kodansha has a print debut, a 528-page done-in-one collection. Break of Dawn (Bokura no Yoake) ran in Afternoon, and it’s by the author of Alice & Zoroku. A young boy watches everyone else in the country be obsessed with a comet, but he’s found something even more out of this world.

ASH: This seems like something I would be interested in (and as a single volume, might actually have a chance of reading in a timely fashion).

SEAN: Also in print: Drifting Dragons 12, The Iceblade Sorcerer Shall Rule the World 4, Parasyte Full Color Collection 2, Phantom of the Idol 4, Real Account 18-20, and Wandance 4.

MICHELLE: I’ve already fallen behind on Wandance.

SEAN: While digitally we see The Fable 11, Fungus and Iron 2, Gang King 2, Giant Killing 35, The Girl, the Shovel, and the Evil Eye 4, Girlfriend, Girlfriend 12, Island in a Puddle 5 (the final volume), A Kiss with a Cat 5, Police in a Pod 21, Rent-A-Girlfriend 17, Tokyo Revengers 29, and The Witch and the Beast 10.

Kaiten Books has the 8th manga volume of Loner Life in Another World out digitally.

J-Novel Club has some print titles. We see the debut of Seirei Gensouki: Spirit Chronicles, the manga version, which runs in Comic Fire. We also get I Shall Survive Using Potions! manga volume 9, Infinite Dendrogram 17, and The Unwanted Undead Adventurer 9.

Digitally they’ve got Backstabbed in a Backwater Dungeon: My Trusted Companions Tried to Kill Me, But Thanks to the Gift of an Unlimited Gacha I Got LVL 9999 Friends and Am Out For Revenge on My Former Party Members and the World 2, Black Summoner’s 10th manga volume, Death’s Daughter and the Ebony Blade 3, The Mythical Hero’s Otherworld Chronicles 2, and Reincarnated as an Apple: This Forbidden Fruit Is Forever Unblemished! 2 (the final volume).

Lastly, Airship has the print debut of Raven of the Inner Palace, which was excellent.

ASH: I really ought to pick this one up now that it’s in print!

SEAN: And we get early digital for I’m the Evil Lord of an Intergalactic Empire! 4 and Though I Am an Inept Villainess: Tale of the Butterfly-Rat Body Swap in the Maiden Court 3.

What manga are you grateful for?

Filed Under: FEATURES, manga the week of

Pick of the Week: Get Up, Stand-Up

February 6, 2023 by Sean Gaffney, Michelle Smith, Katherine Dacey, Ash Brown, Anna N and MJ 1 Comment

SEAN: Not a lot of must-buy titles for me this week, but I will say that if you never got the original manga, the box set of Wotakoi: Love Is Hard for Otaku looks like a great buy, and has a sticky notepad as a bonus.

MICHELLE: I’ll be checking out Show-ha Shoten!. It’s less that I’m into comedy duos and more that I’m into Takeshi Obata’s artwork, though.

KATE: I second Michelle’s recommendation: comedy tonight!

ASH: Likewise! As much as I enjoy Wotakoi, my pick this week goes to the debut of Show-ha Shoten! Though I’m unfamiliar with the author, I do find myself intrigued by the series’ premise and I’m definitely looking forward to Obata’s illustrations.

ANNA: Put me down for Show-ha Shoten! as well!

MJ: As a certified Takeshi Obata superfan, there is no other choice for me this week but Show-ha Shoten! I have been a diehard fan since Hikaru no Go, and I’m admittedly happy to see him working with a new writer, so count me IN for his beautiful work.

Filed Under: PICK OF THE WEEK

Manga the Week of 2/8/23

February 2, 2023 by Sean Gaffney, Michelle Smith, Ash Brown, Anna N and MJ Leave a Comment

SEAN: It’s February now, everyone’s least favorite month. Let’s see what’s on tap.

ASH: At least it’s short? Which I guess could be both a good and a bad thing…

SEAN: We start with Airship, which has one print release, Classroom of the Elite: Year 2 4.

And there are early digital releases of Skeleton Knight in Another World 10 and Vivy Prototype 3.

Dark Horse Comics has Blade of the Immortal Deluxe Edition 8 and Mob Psycho 100 10.

ASH: Still happily double-dipping on that deluxe edition.

SEAN: DMP has the 8th Vampire Hunter D manga.

ASH: While DMP annoys me for a variety of reasons, I have been known to enjoy this manga series.

SEAN: Ghost Ship has a 2nd volume of “too spicy for Viz” Shonen Jump title Ayakashi Triangle.

No debuts for J-Novel Club, but we do see Ascendance of a Bookworm’s 14th manga volume, Did I Seriously Just Get Reincarnated as My Gag Character?!’s 3rd manga volume, The Faraway Paladin’s 9th manga volume, Min-Maxing My TRPG Build in Another World 5, Monster Tamer 12, The Reincarnated Princess Spends Another Day Skipping Story Routes 6, and Yashiro-kun’s Guide to Going Solo: After Story.

Kodansha has a big print box set: Wotakoi: Love Is Hard for Otaku Complete Manga Box Set. This contains the entire series, which I found very enjoyable.

MICHELLE: I need to finish Wotakoi!

ASH: I really enjoyed it.

SEAN: Also in print: Attack on Titan Omnibus 9, Lovesick Ellie 8, Orient 13, Sailor Moon Naoko Takeuchi Edition 6, The Seven Deadly Sins Omnibus 8, Vampire Dormitory 9, and Wistoria: Wand and Sword 2.

Digitally we see Chihayafuru 36, The God-Tier Guardian and the Love of Six Princesses 6, Grand Blue Dreaming 18, I Was Reincarnated as the 7th Prince so I Can Take My Time Perfecting My Magical Ability 8, Kounodori: Dr. Stork 32 (the final volume), Matcha Made in Heaven 4, Raised by the Demon Kings! 5, The Shape-Shifting Witch’s Kiss 3, and Shonen Note: Boy Soprano 2.

ANNA: I need to get caught up on Matcha Made in Heaven!

SEAN: Kodansha Books is starting to put out digital editions of the old Japanese fiction titles Vertical released 20 years ago. Next week we get Ashes, by Kenzo Kitakata. They already released the same author’s The Cage and City of Refuge digitally back in October.

ASH: Oh, that’s good news! Some of those titles were really great and becoming hard to find.

SEAN: One Peace Books has the 20th manga volume of The Rising of the Shield Hero.

Seven Seas has Tokyo Revengers Omnibus 7-8.

Steamship has Outbride: Beauty and the Beasts 3.

There’s two debuts from Viz Media. My Special One (Kimi ga Tokubetsu) is a new Betsuma series from the author of No Longer Heroine, which is also being released over here by a different publisher. A high school girl hates pretty boy idols… but now one of them is trying to woo her?

ANNA: Oh no, not the pretty boy idols!

MJ: Why am I a sucker for this exact type of plot?

SEAN: Show-ha Shoten! is a Jump Square title that’s gotten a release on the Jump app but is now getting a physical book. It’s by the artist of Death Note/Bakuman/etc, but with a different writer, so I am hoping it is not a giant car crash like Platinum End was. A young man gets his friend to help him do a comedy act at their school… then begs him to help him with his dream of being part of a stand-up comedy duo!

MICHELLE: Different, at least!

ASH: In general, I do like the artist’s work.

ANNA: Me too. Here’s hoping the story is as good as the art.

MJ: OH HELLO

SEAN: Also out next week: Boruto: Naruto Next Generations 16, The King’s Beast 9, My Hero Academia 33, Rainbow Days 2, and Snow White with the Red Hair 23.

ANNA: Nice to see some ongoing shoujo!

SEAN: And that’s it! What gets you through this month?

Filed Under: FEATURES, manga the week of

Off the Shelf: Still kicking

February 7, 2019 by Michelle Smith and MJ Leave a Comment

MICHELLE: MJ, after we finish this one we will have done as many columns in 2019 as we did for the entirety of 2015-2018! Go us!

MJ: *laughs weakly* Yes… “go us.” Um. Wow. When you put it that way, we sound terribly unimpressive.

MICHELLE: Well, the alternative would’ve been to let it disappear, so I think we deserve a bit of credit for resuscitating it! Anyhow, I expect that you’ve been reading some manga!

MJ: I suppose you’re right! WE ARE BASICALLY GODS.

…

Okay, maybe not. But yes, I have indeed been reading some manga, or at least rereading, which is to say that I took some time this week to look at the new omnibus edition of CLAMP’s four-volume manga, Wish, originally published in Kadokawa Shoten’s Mystery DX, adapted into English in the early 2000s by TOKYOPOP, and resurrected just a few weeks ago by Dark Horse Comics, with their usual omnibus treatment—larger trim size, very nice-looking print, and a somewhat refreshed translation.

For those who missed Wish the first time around, it’s the story of an angel, Kohaku, who has been sent to Earth to find Hisui, one of the four “Master Angels” (why they don’t just say “Archangel” is a mystery to me, but maybe there’s something I don’t get), who disappeared from Heaven after a visit to the bridge between Heaven and Hell. During their mission, Kohaku—who appears human-sized during the day but reverts to tiny cherub form at night—is rescued from an attacking crow by Shuichiro, a local human doctor. Complications ensue when it turns out that Hisui actually defected to Earth in order to be with Kokuyo, the actual son of Satan, with whom they have fallen in love. Meanwhile, Kohaku becomes confused by their own growing feelings for Shuichiro.

There’s a whole lot packed into this short series, including more angels and demons, time travel, reincarnation, messenger rabbits, cats (some of whom are actually demons), and a tree fairy, but generally speaking it’s all just incredibly CLAMP from start to finish, and if you’re into that, you know what I mean. Someone even sacrifices an eye. This thing honestly couldn’t get any CLAMPier. It’s not my favorite of their series—I could live very happily never reading another manga about angels for the rest of my life—but as most CLAMP fans will know, the big deal about this edition is the translation, which is certainly what caught my attention.

In CLAMP’s original vision, there is no gender in Heaven or Hell, but in early 2000s publishing, it was unthinkable to convey that in English, especially when it came to the angels, who, in Japanese, referred to themselves with genderless pronouns. This led to a decision to choose genders for each of the angels, based on heteronormative standards regarding appearance and romantic entanglement, outraging some fans but satisfying style guides. Fast forward to 2019, when publishing has finally recalled that singular “they” is a thing, and our angels are genderless at last.

I’ve already mentioned that Wish is far from my favorite of CLAMP’s work, so I wasn’t especially eager to reread it, but I was surprised to note just how much more enjoyment I got out of it this time around. As someone who identifies as nonbinary, I realize this may be of greater importance to me than most, but whatever CLAMP’s intention really was when they filled their comic with genderless angels, it feels like representation, and for something originally published in the 1990s, that is kind of a big deal. Freeing the angels from gender expectations breathed new life into them for me, made the story richer, and opened up its universe to the notion that love and attraction might be based on something other than a person’s gender expression or whatever reproductive organs they happen to possess. These are not novel ideas for many of us, but with all the hand-wringing over this series back in 2002, it feels revolutionary. Mostly, though, what I’m struck with as I read this edition, is how easy it would have been to publish it exactly as it is now, then. The sentences are not awkward. There is nothing that feels labored or unnatural in this translation. How has it actually taken publishing this long to figure that out?

MICHELLE: It’s been a long time since I read Wish, and it was also not my favorite, but I definitely feel a greater spark of interest when I imagine a translation that represents the angels as genderless! It makes me want to shake TOKYOPOP and demand, “Would that have been so hard?!?!” (They had other similar issues back in the day, too, and not just with genderless protagonists. I distinctly remember a character in GetBackers being assigned feminine pronouns when, in fact, he is very much a dude and if anyone had actually bothered to learn anything about the series they were translating, they would’ve known that. SIGH.) I can totally see how it would make the whole story richer as a result.

MJ: Yeah, nobody could be more surprised than I am to be describing Wish as “rich” in anything other than CLAMP’s beautiful, swirly artwork, but I genuinely enjoyed rereading it, and I’d even recommend it, at least to fans of shoujo manga, and particularly to other enbies. It’s an unusual treasure of representation for the time period. And messenger bunnies! Who doesn’t love messenger bunnies?

There is one jarring panel in the first volume, where one of the demons seems to misgender Kohaku as “she,” but I don’t know if that was an editorial oversight (that’s how it’s translated in TOKYOPOP’s version, too) or if it was actually written that way in Japanese. But in over 800 pages, that one panel wasn’t significant enough to mar my enjoyment overall.

So what did you read this week, Michelle?

MICHELLE: Maybe that demon was intentionally being a jerk.

I checked out the first volume of Hitorijime My Hero by Memeco Arii, one of the first boys’ love manga published in print by Kodansha Comics. (They did release a handful of others digitally in 2018.)

As a kid, Masahiro Setagawa hated tokusatsu shows because he knew that, no matter how miserable his life was, no hero would come to save him. But when he fell in with a group of delinquents in middle school and became their gofer, a hero did come in the form of Kousuke Ohshiba, the so-called “bear killer,” who defeated the thugs and ended up with Setagawa as his new underling. Setagawa befriended Ohshiba’s younger brother, Kensuke, and as the manga begins, some time has passed. He’s dealing with the fact that Kensuke is now in a relationship with another boy named Asaya Hasekura and that Kousuke is a teacher at their high school.

Almost immediately, Kousuke is confronting Setagawa about the feelings he believes Setagawa has for him, saying, “Even if you feel that way I won’t be able to return those feelings.” Setagawa is too dumbstruck to deny it, and then Kousuke (an adult) keeps sending him (a teenager) mixed signals, like suddenly smooching him or calling him “the guy I like.” It turns out that Kousuke is basically trying to make Setagawa realize he is gay. This eventually works. And then they do it. Eyeroll.

Because this series is a spinoff from an earlier series, we’re just kind of thrown into a confusing timeline and a mix of characters without a lot of context. I’ve seen the first couple of episodes of the anime, and they handle all of this material far more clearly. The manga does a little to show why Setagawa likes Kousuke—he’s strong, smart, and capable—but none at all to show why Kousuke likes Setagawa, aside from one page where he talks about how his devotion helped him retain his humanity or something. Really, it’s all pretty disappointing so far. I know it’s a popular series, so I’m hoping it gets better.

MJ: I can’t help but roll my eyes along with you. This basically sounds like a collection of my least favorite BL tropes, though maybe (hopefully??) at least without the younger, smaller guy wincing in pain and horror every time they have sex? Please tell me it at least doesn’t have that. Though maybe it doesn’t matter. I know the student/teacher thing is a common trope too, but I really hate it, especially when it’s the main romantic plot line. I know it’s a popular series, but I honestly can’t imagine reading it by choice.

MICHELLE: To its credit, it absolutely does not have that. It’s fully a fade-to-black scenario with some evidence afterwards that Setagawa enjoyed himself tremendously. As for the student-teacher thing, this is a slightly different variation in which the two people concerned knew each other for years before Setagawa came to the school where Kousuke teaches, so the power imbalance between them is not so much that Kousuke is in an official position of authority but that Setagawa has kind of idolized him.

MJ: Either way, I’m guessing it’s not for me. I’ll wait to hear what you think of future volumes before taking the risk.

MICHELLE: Okay. I can handle at least one more. Speaking of Kodansha’s advances into the realm of print BL, would you care to do the summary honors for our mutual read this time?

MJ: Sure!

This week, we both read the first volume of the much-anticipated series 10 Dance, by Inouesatoh, also from Kodansha Comics, as Michelle mentioned above.

The story involves two ballroom dancers with similar names—Shinya Sugiki, who is an international champion in Standard Ballroom, and Shinya Suzuki, who is the Japanese national champion in Latin Dance. Their relationship with each other is both admiring and rivalrous, and when Sugiki asks Suzuki and his partner to train with with him (and his partner) for the 10-Dance Competition (combining the 5 Standard and 5 Latin dances), Suzuki finds it impossible to refuse.

Over the course of the first volume, the four dancers train together—the men in particular working to be able to lead in each other’s specialty—and that’s literally all that happens in the story, but as we watch the two of them butt heads (and other things) throughout the training, it’s honestly just riveting. This story is all about personality and relationships, and certainly we’re expecting some steamy romance between the two male leads down the line, but even in this preliminary volume, where nothing overtly romantic happens, there’s so much interpersonal entanglement to enjoy.

The two men couldn’t be more different. Suzuki, who grew up in Cuba, has been dancing with his partner since childhood, while Sugiki changes partners constantly, never quite settling in with anyone. Suzuki’s strength is showing passion on the floor, while Sugiki’s is the elegance of his form. And though things are slowly heating up a bit, I honestly believe I would be happy just watching them dance together as I learn new details about Standard and Latin ballroom rules, pretty much forever. It’s that entertaining.

MICHELLE: I enjoyed it tremendously! From the start, the cover art reminded me of est em, and the content within does, too. With est em, I was always struck by the way her characters would talk while engaged in intimate acts, and although Sugiki and Suzuki aren’t having sex, they’re still engaged in physical activity—indeed, they’ve been dancing until dawn together for months—that puts them in close proximity, gettin’ sweaty, maintaining eye contact, et cetera. And they’re talking throughout, gradually becoming closer and revealing details about their personal lives in the process. I love the slow development of their relationship and how this, in turn, makes small moments so pivotal. The one that stands out is when Sugiki has gone to London to defend a championship title. When he succeeds, it’s Suzuki that he calls, and when this reserved man actually smiles when being told “Hurry up and come home,” it has such impact! Of course, they go right back to butting heads after that.

MJ: I agree on est em, though I’d go even further and say it feels like an est em/Fumi Yoshinaga hybrid, with the additional warmth of their observations about each other’s habits and idiosyncrasies and the scene where they dance together at a restaurant, because trying to make points about dance while sitting at the table just isn’t working. It’s got all of est em’s sexiness and suave, along with Yoshinaga’s warm goofiness, and the underlying elegance of both.

MICHELLE: “Warm goofiness” is a great way to describe the scene where Sugiki, frustrated by Suzuki’s attempts to lead the waltz, gets Suzuki to adopt the woman’s role and proceeds to very thoroughly make him feel like a princess. “I feel like I could pop out a dozen babies for you right now!” And you’re absolutely right about elegance, too; these dance scenes are drawn so beautifully.

If you’ll forgive somewhat of a non-sequitur, although I don’t know the kanji used for Sugiki and Suzuki’s given names (and, indeed, it might not even be the same), one definition for “shinya” has a meaning that’s very applicable to the story. Check it out.

MJ: I believe I read somewhere that the kanji for each of their names is slightly different from the other, but I’m tickled by that meaning all the same. It certainly is appropriate!

Bottom line, I can’t wait to read more of this series, and I’m thrilled that Kodansha brought it over for us!

MICHELLE: I enthusiastically concur!


Thanks for joining us for another installment of Off the Shelf! The winner of last column’s giveaway is Joseph Miller! Joseph, send over an email or drop a message to MJ on Twitter to collect!

Filed Under: OFF THE SHELF

The Shoujo Beauty of X

July 29, 2012 by MJ 5 Comments

Those of you who have followed the evolution of the Manga Moveable Feast, and particularly the way in which subjects for the Feast are currently chosen (unlike the original democratic model, hosts now select topics on their own), have most likely assumed that, as the host of the CLAMP MMF, I’m a big fan of their work. This is a fair assumption, and it’s not exactly wrong, but the truth is a bit more nuanced. Though I count several of CLAMP’s manga among my very favorites (Tokyo Babylon, Cardcaptor Sakura, and xxxHolic are a few I’ve praised vocally over the past few years), my feelings for others range anywhere from general indifference to extreme impatience and even dislike.

One of the titles that originally registered with me somewhere between “impatience” and “dislike” is the very popular and tragically unfinished X (X/1999 when it was originally published in English), the first of CLAMP’s series to officially reach American shores. As a huge fan of Tokyo Babylon, my initial reaction can probably be chalked up to the fact that CLAMP waits several volumes before introducing Subaru into the story. But once I’d finally forgiven X for not being Tokyo Babylon II, I still found myself growing impatient with its sprawling cast, its convoluted plot lines, and its maddeningly repetitive exposition. Fortunately, VIZ’s new omnibus releases of X have not only reintroduced it into the North American market, they’ve also given me a second chance to try to grasp its charms—and grasp them I have, though they haven’t been at all what I expected.

Bloggers like my Manga Bookshelf cohort Kate Dacey have often referenced X‘s gory battles and body count as a major draw for readers. In one of her features for this month’s MMF, in fact, she likens X‘s apocalyptic imagery to the work of Katsuhiro Otomo (Akira), and goes on to conclude, “The battle scenes are kinetic and violent, executed with a gory zest that’s difficult to resist. The dream sequences, too, are suitably shocking: characters are dismembered, crucified, impaled, and engulfed in flames, often right before their loved ones’ eyes. I hesitate to suggest that X‘s body count is a victory for women, but it is a sharp and welcome rebuke to the idea that female readers strongly prefer conversation and character development to butt-kicking and carnage.”

She’s right, of course. X is filled to the brim with bloody battles that don’t shy away from gore. But I admit that my primary reaction to VIZ’s new, larger format omnibus editions has been the realization of how astoundingly, gorgeously shoujo it all is, especially in its imagery.

Here’s a sequence from X‘s first volume, in which burgeoning dreamseer Kotori receives a disturbing dream about her childhood friend, Kamui.

(click images to enlarge)





X, Vol. 1 © 1992-1993 CLAMP, English edition published by VIZ Media

When I look at a scene like this… well, first of all, I think it’s freaking beautiful. With its flowing lines and minimal use of traditional boundaries, CLAMP creates a surreal, dreamlike landscape that manages to be remarkably easy to follow while also completely immersing the reader in Kotori’s state of mind. The evolution of the spherical images in her dream from a whimsical, globe-like ball to an apocalyptic nightmare is a genuinely striking progression, enhanced by the abstract panel placement—a collection of emotional slivers mirrored by the shattering of the earth itself.

That this type of page composition is quintessentially shoujo is no revelation of course. But its emotional resonance as well as its style of imagery reminds me immediately of other shoujo series from the same period.

Kotori’s initial descent into her dream reminds me of this section from Reiko Shimizu’s Moon Child, in which Teruto slides into the depths beneath a city fountain in order to make a deal to save his sibling’s life. Though Teruto’s journey is a waking one, in both cases, there is a sense that the main character of the scene is falling into a state that is both familiar and perhaps dangerous. Teruto’s and Kotori’s bodies are completely relaxed as they descend, while the water and the scattering fish around them create a sense of otherworldliness and tension.


Moon Child, Vol. 3 © 1988 Reiko Shimizu, English edition published by Wildstorm Productions

The second spread of this sequence is dominated by the image of Kamui, holding and standing dominant over a representation of the earth, which reminded me immediately of this scene from Saki Hiwatari’s Please Save My Earth, in which Alice ponders the emotional state of Rin, whose previous incarnation, Shion, is pictured as if holding his world in thrall. Though the POV character in both series here feel love and affection for the subject of these images, there is also a sense that the person being pictured is potentially dangerous and capable of real harm.


Please Save My Earth, Vol. 20 © 1993 Saki Hiwatari, English edition published by VIZ Media

The rapid, stream-of-consiousness images in the third spread of Kotori’s dream bears a similarity to this sequence from Keiko Nishi’s short manga Promise (note: Promise reads left-to-right). I find this particularly interesting given Promise‘s real-world setting, because it demonstrates so clearly how this type of mental imagery is just as much a part of our “real” lives as it is our dreams and fantasies. In both cases, these scattered, tumbling images create a sense of panic and impending emotional danger.


Promise © 1996 Keiko Nishi/Shogakukan, Inc., English edition published by VIZ Media

Though the content of the last bit I’ve chosen from Kotori’s dream bears very little similarity (at least in terms of plot) to what is happening in this spread (again from Please Save My Earth), Kotori’s and Mokuren’s states of mind are quite similar. They’ve both had a sudden realization about a loved one that results in complete horror. Kotori has been hit with the realization that her loved one, Kamui, may destroy her world, while Mokuren has been hit with the realization that she may be taken from the world before she’s able to tell Shion that she loves him in the first place. While the Kotori’s predicament may seem more serious and vital than Mokuren’s, the artwork tells us differently. Whatever the scope of the situations’ consequences, Mokuren and Kotori are equally devastated by their respective realizations.


Please Save My Earth, Vol. 19 © 1993 Saki Hiwatari, English edition published by VIZ Media

This kind of emotional tension combined with abstract imagery is found all over in shoujo from the late 1980s and early 1990s (here’s a beautifully rendered scene from Naoko Takeuchi’s Sailor Moon)—which is part of why it’s become my favorite era for shoujo artwork.


Sailor Moon, Vol. 2 ©2003 Naoko Takeuchi, English translation © 2011 Naoko Takeuchi

Though I’d be remiss if I didn’t mention that the very first scene that came to mind while pondering artwork for this article came from Moto Hagio’s They Were Eleven, which was published in the 1970s (note: these pages read left-to-right). The accelerated tumbling of the elevator buttons at the top of the first page has stuck with me since I first read this manga several years ago, and I immediately associated it with Kamui’s tumbling earth. There’s something about shoujo and circles…


They Were Eleven © 1996 Moto Hagio/Shogakukan, Inc., English edition published by VIZ Media

It doesn’t get better than this, my friends.

Time will tell, of course, if my new infatuation with the shoujo spectacularness of CLAMP’s X will help me weather its narrative messiness in the long-term, but I’m certainly enjoying myself so far. Kudos to VIZ for presenting this unfinished series in a format that finally shows it off to its best advantage. I think I may speak for all fans of 1990s shoujo when I say, “Thank you. I thank you with all my heart.”

Let’s hope this becomes a trend.

Filed Under: FEATURES Tagged With: clamp, Manga Moveable Feast, MMF

Off the Shelf: Moon Child

March 31, 2012 by MJ and Michelle Smith 21 Comments


MJ: “There is this fish.”

That’s the sentence that first comes to mind when trying to describe Reiko Shimzu’s Moon Child, the subject of this week’s Off the Shelf. I hear it in my head, a la the Boy from Jones & Schmidt’s The Fantasticks. “There is this fish.”

Let me see if I can do a little better. I first became acquainted with Moon Child by way of Shaenon Garrity’s Overlooked Manga Festival, which she begins with the sentence, “How insane does a manga have to be in order to be the insanest manga I’ve ever read?” She goes on to describe Moon Child, and I don’t know whether it was simply due to her delightful writing style or the truly bizarre train of thought behind Moon Child itself, but it was an article that seared itself into my brain forever. I’ve probably shared that link with more people since the first time I read it than anything else I’ve found on the internet, and that’s saying quite a lot.

Eventually, curiosity got the best of me, and I started collecting the series—if only to confirm that what Shaenon had presented to me could really, honestly exist. Result? It does, exactly as she describes it, and though it’s probably one of the most problematic manga I’ve ever read (on quite a number of levels), it’s also one of the most beautiful and one of the most intriguing.

MICHELLE: I am not exactly sure how I started collecting Moon Child. It was probably something along the lines of, “Ooh, look, here’s some more shoujo from CMX. Shoujo from CMX can’t be bad!” I bought the volumes religiously and have actually owned the whole series for a while without ever reading it… until this past week. And yes, indeed, it is quite insane!

MJ: So in the interest of helping our readers better understand all these cries of “Insanity! Insanity!” let me see if I can describe the basics of Moon Child‘s plot.

There is this fish.

No, sorry, I promised better. Okay. So. Art Gile is a former ballet prodigy whose career was abruptly stalled in his youth, thanks mainly to his inability to deal with the success of his partner, Holly, whom he’d helped along on the road to stardom. Now Art is a failed Broadway dancer with anger management issues and a tendency towards domestic violence. Driving back to his apartment after a bad audition, Art strikes a young boy with his car, sending both of them to the hospital. Though the boy appears physically uninjured, he seems to have lost his memory. Feeling responsible for the boy’s condition, Art unofficially adopts him, naming him “Jimmy.”

(read right-to-left | click images to enlarge)

As it turns out, “Jimmy” is actually an alien mermaid named Benjamin, still in a sort of genderless larval form. Though, by day, he looks like a pre-adolescent boy in a suit and bow tie, moonlight transforms him into a beautiful (female) mermaid with long, flowing hair and soulful eyes and the inability to speak when it counts. We soon learn that these mermaids, scattered all across the universe, return to earth every six hundred years or so to spawn a new generation. We also learn that Jimmy/Benjamin is a descendant of the actual “Little Mermaid,” and that her entire clan is dedicated to making sure that Benjamin, unlike her mother, will appropriately mate with a merman instead of falling for a human, thereby thwarting a prophesied environmental catastrophe certain to wipe out their entire population.

(read right-to-left | click images to enlarge)

Complicating matters further, Benjamin is left to the care of her two siblings, Teruto and Seth, who have long been instructed that their purpose in life is to see that Benjamin matures into an egg-bearing female and mates properly, at which point they will merely dissolve into foam.

Seeing that Benjamin may potentially defy her duty by falling for the human, Art, her siblings battle (not quite successfully) the desire to remove her from the picture so that one of them can properly take her place.

MICHELLE: But the siblings are unable to actually do anything to Benjamin themselves, so Teruto, the more active of the pair, strikes a deal with the same witch who brokered his mother’s bargain to become human, and ends up possessing Gil Owen, the heir to an influential investment group, which results in the story being all about Chernobyl and Gil’s exceedingly convoluted plans (I am not even sure about this) to get Art to come to Kiev and then drive him so insane with the belief that Benjamin will destroy the world that he kills her. From a story that starts off about mermaids it really is entirely, as Shaenen Garrity wrote, all about water pollution.

MJ: Though there are numerous details we’ve declined to mention so far, as you can see, the series’ plot is fairly… esoteric. Furthermore, as I mentioned in the beginning, the series is problematic on a number of levels, including the visual age gap between “Jimmy”‘s usual form and that of his romantic prospects (Art, of course, and a merman named Shonach who is captivated by Benjamin’s beauty), his cheerful acceptance of Art’s physical abuse, and the highly unfortunate depiction of the mer-people’s prophet, Grandma, as a cross between a minstrel show caricature and a woman from the Burmese Kayan Lahwi tribe. (Click if you really want to know.)

But amidst all the crazy plotting, questionable characterization, and possible racism, there is a poignance and a unique beauty to this manga that is difficult to fully convey, though we’ll certainly do our best. And I hate to jump right to the ending, but I’ll admit that the series’ final volume—which provides two different possible endings, without making it fully clear which one is real—pretty much redeemed all its faults for me in one go. How often does that happen?

MICHELLE: The ending is very interesting, indeed! I will say, though, that leading up to it is a lot of stuff that doesn’t make a lot of sense, and for me, once you’ve reached the critical mass for “wtf” it spills over into “whatever,” so there were certain aspects of the conclusion that didn’t affect me as much as they might’ve, though there were a few subplots I liked very much.

MJ: I have a feeling there will end up being a bit of a divide here between us at some points—not because I think things necessarily made sense, but because that doesn’t matter nearly as much to me as it does to you. But I expect the conversation will be lively! So, why don’t we start off with some of the things we most liked, and then move on to the rest later? Where would you like to begin?

MICHELLE: With the twins. Really, I thought they were the most interesting aspect of the story, much more so than crybaby Benjamin who beguiles men purely on the basis of being lovely. I sympathized a lot with Teruto, who was bitter at having sullied his soul to provide for his gentler siblings and was to be rewarded for all that he had done with dissolving into foam. I also really enjoyed Seth’s journey, as after Teruto embarks on his plot for revenge he is given a chance to spread his wings and become more independent. I rooted for his relationship with Shonach from the start and enjoyed just about everything involving them up until the final volume. I didn’t care about Jimmy/Benjamin and her love for Art nearly as much.

MJ: I think I’m sort of half with you and half not. I absolutely agree with you about how fascinating the twins are, and I love the fact that though Teruto is, ultimately, the villain of the story, he’s also one of the most relatable characters by far. It’s pretty much impossible not to understand his resentment over his fate, which seems tragically unjust, and his devotion to Seth is quite moving. Seth’s journey, as you say, is also one of the most interesting aspects of the series, and he ends up being the character we care most about in the end.

On the other hand, I’m not quite with you on either the Seth/Shonach relationship or your feelings about Benjamin/Jimmy. I have to admit that I kind of hate Shonach. Probably he doesn’t deserve it—I realize that—but it really bothers me that his obsession with Benjamin’s beauty (her beauty only—he doesn’t care about her as a person at all, really) keeps him from being able to appreciate the best parts of Seth, to the point that even at the end, when Seth has matured into a female, he can only see her as Benjamin. That the only expression of true affection Seth ever really gets from Shonach is when he believes she is Benjamin really breaks my heart.

(read right-to-left | click images to enlarge)

Also, I admit I really do care about Jimmy/Benjamin, and I see her as being wronged pretty much throughout the story. She’s not responsible for her pre-destined role as this super-important mermaid who holds the fate of her race in her hands any more than Teruto or Seth are responsible for their pre-determined futures as bubbles of foam. Benjamin doesn’t want to mesmerize men with her beauty. If anything, she wants to be able to live indefinitely as Jimmy, so that she can preserve the relationship she (inexplicably) treasures with Art. But with everyone tugging at her fate from every side, what she’s got is a lot of unwanted attention from Shonach (for all the wrong reasons), a deteriorating relationship with Art (who is incapable of accepting her as an adult woman), and everyone and their mom out to kill or ruin her in one way or another. If I were Benjamin, I’d cry too!

MICHELLE: You know, it never occurred to me that Shonach was to blame for his fixation on Benjamin, but you’re absolutely right in terms of the limits of his feelings and how that blinded him to Seth most of the time. And yeah, I know that Benjamin doesn’t mean to mesmerize men, but… maybe Teruto’s plight just resonated with me extra strongly for various personal reasons, and so I came to regard her much like he does. I certainly didn’t feel this way about her in the beginning!

Also, I think I could’ve liked Benjamin more if I had really seen what she saw in Art, but because I couldn’t it affected the way I perceived her feelings for him. Of course, one can have genuine feelings for shitty people, but I got so irked at various times that my capacity for being thoughtful was impacted. It didn’t help that she—incapable, as Teruto pointed out, of doing anything for herself—eventually seemed to be trying to ruin Art so that he would kill her.

MJ: I can definitely agree that it’s really difficult to understand what Benjamin sees in Art. For my own various personal reasons (heh) I can understand her desire to help him rise up out of his professional slump so that he can regain his self-esteem, and he also proves his devotion to her in many ways throughout the course of the series, and I can see why she’d desire that, especially from someone outside the mer-world where she’s valued only as a sort of angel/demon icon. But it’s so difficult for me to swallow his abusive tendencies, that my view of him is ultimately pretty negative.

On a different note, one of the characters I ended up liking most by the end was Holly, who I’d hated early on for her manipulation of Art and her cruelty towards Jimmy. I was actually pretty surprised that I could end up liking her as much as I did, given where we started. But by the end, she was one of the few likable characters left.

MICHELLE: Speaking of Art’s profession, I did wonder whether the parts where we actually see him performing were among your favorites!

I never entirely warmed to Holly, but it did seem that concern over her brother’s fate—he’s in Colombia when an earthquake strikes—tempered her bitchy tendencies in a major way, and she was actually pretty horrified by what Gil was attempting to do, and much more attuned to there being something really wrong than Art, who was basically like, “I’m responsible for my sponsor’s injury so I will do whatever he says, especially if that happens to be touring a nuclear facility.”

Another unexpectedly fun character is Gil’s personal secretary, Rita. I admit, she’s quite a favorite for me. Tall, large, and unlovely, Rita harbors a crush on Gil even before Teruto takes possession of his (secretly terminally ill) body. When Teruto realizes her psychic gifts can amplify his own powers, he makes her his right-hand woman, and quells her questions with sex. I was disappointed that she turned out to be crazy, but her bizarre actions did help ratchet up the tension.

MJ: I loved Rita! I hate that she’s easily manipulated by her interest in Gil, but I can understand it, and really it only made me feel more indignant on her behalf. I suppose I, too, was disappointed that she turned out to be crazy in the end, but she wasn’t any crazier than Teruto/Gil by that point, so I was still rooting for her on some level. I kept sort of hoping she would ultimately prevail, but I’m not even sure what that would have meant. I am sad that she never got to see how her crush on the real Gil might have played out. I suppose she would have had little chance (even if he wasn’t dying) but I really hated the way she was treated by Gil’s overprotective sister, and I would have loved for the sister to have been proven wrong for real. You know. Not just because her brother’s body got taken over by the soul of a vengeful alien mermaid.

And to answer your earlier question, yes I really did love the parts where we saw Art actually performing! I loved all the ballet stuff, actually, including the bits with Artem Zaikov, the Russian dancer who (for his own personal reasons—I guess we shouldn’t spoil everything) has it in for Art, but who ultimately won my heart by way of his charming family.

MICHELLE: Characters who look like Rita are so rare in manga that I think it’s utterly natural to root for them and hope they will prevail. Which… I suppose in a way she did, but not in a way that made her feel any better about herself.

And I was just going to ask you about Artem! When Gil was first introduced, I thought, “Wait, who is this guy?” It soon became clear what his story was, however. Shimizu duplicates this feat near the end, with Artem’s introduction providing another “Wait, who is this guy?” moment that eventually proves pivotal to the climax of the series. I really liked him, and was especially impressed by the way his dancing was drawn—I swear, Shimizu was able to perfectly capture the ways in which his style differs from Art’s.

(read right-to-left | click images to enlarge)

MJ: Yes, she really does! I feel pretty strongly that Shimizu must be a real ballet fan. Okay, I’m going to end up spoiling things after all, here, but it seems likely to me that she based Art and Artem’s mutual father, “Rimsky” on the legendary Russian dancer Vaslav Nijinsky (despite entirely glossing over his sexuality), right down to the mental illness that ultimately ended his career, and she passed down some of his defining characteristics to Artem.

Among other things, Nijinsky was known for his sensuality and androgynous appearance onstage, which is exactly how she characterizes Artem. There’s a little Nureyev in there, too (which is more appropriate to the time period), but I feel like her real interest is Nijinsky. And despite Artem’s claim that it’s Art who is “the reincarnation of Rimsky,” it’s Artem who most resembles what we know of Nijinsky, body type notwithstanding (Nijinsky was kinda stocky).

Vaslav Nijinsky in Le Spectre de la Rose E. O. Hoppé, 1911

MICHELLE: Check out MJwith the ballet knowledge!

I think Shimizu likes the idea of parental characteristics being split between siblings. Rimsky’s look and style are passed down to Artem, but his must-kill-love-interest-she-is-dangerous traits are passed to Art. Meanwhile, Seira’s love for the human prince is inherited by Benjamin, while her love for her original mer-person fiancé is embodied in Seth.

MJ: Oh, what a smart observation, Michelle! I hadn’t thought of that, but you’re absolutely right. With that in mind, it becomes even easier to understand Teruto’s tragedy. He’s the only one of Seira’s offspring to receive basically nothing from her. I think one of the most poignant moments in the series is the flashback in which Teruto overhears one of their caretakers talking about the fact that it’s really only Benjamin and Seth who are priorities, because Teruto is (essentially) barren. And since these mermaids seem to be valued only for their ability to bear eggs, they might as well be saying that Teruto has no soul. It’s that devastating.

MICHELLE: You can’t see me, but I am nodding emphatically. Teruto’s entire purpose is to protect the other two; he’s not destined to have any future of his own. Really, though, none of the mer-people are, as we learn late in the series (and I can’t tell if this was planned all along or what) that they will all die shortly after spawning. I feel like Shimizu could’ve emphasized the biological imperative a bit more—early on, there are many comparisons to fish, along with visuals of the spacefishies returning to Earth, but at the time we didn’t know that this would also be their final journey. Though, I guess if I were really up on my ichthyology, I might’ve expected it.

MJ: Mostly, I feel that revealing this late in the story was really effective. I thought it was kind of a brilliant way to suddenly change the reader’s perspective and it’s interesting, too, because it simultaneously makes things seem both more and less urgent, in terms of the relationship issues we’ve been following the entire way through. But since we’ve managed to stumble on one of the areas where you feel Shimizu fell down a little, let’s steer our way in that direction. I’m sure you’ve been bursting all along with the need to scream, “BUT IT DOESN’T MAKE SENSE!” Am I right?

MICHELLE: Not exactly bursting, and (perhaps surprisingly) not at all over the general concept itself. Once something crosses that surreal threshold, it becomes easier to accept whatever kooky setup the creator wishes to explore. But certain particulars of the plot did bug me, like “Why do these guys love Benjamin?” or, most significantly, “How does Teruto/Gil doing all this stuff accomplish his goal of having Seth turn into a female and bear eggs?”

MJ: Well, I think the first question we pretty much have to chalk up to Benjamin’s physical allure, which is made out to be pretty spectacular in a very specific, fantasy-driven way. Benjamin is drawn as a classic fairy-tale princess, all wide eyes and golden, billowing hair—a stark contrast to all the sleek, modern women in the series, like Holly. I think we’re supposed to pretty much take it as a given that all men are helpless in the face of that kind of beauty.

The only reaction that is a bit more complicated is Art’s, since he’s more attached to the (in his mind) sexually null Jimmy. By the way, am I the only one who noticed that Jimmy seems to get younger and younger as the series goes on? At first it really bothered me, but after a while I started to think that Benjamin might be achieving that by pure strength of will, in her ongoing effort to try as hard as possible to be what Art most wanted her to be— almost like some kind of automatic defense mechanism. Like a chameleon.

Regarding Teruto/Gil… well, I think it becomes pretty clear after a while that Teruto is much more driven by his need to destroy Benjamin than he is by his desire to put Seth in her place. I mean, the idea is supposed to be that if Benjamin dies, Seth will be the next in line to mature into a female. But it certainly seems like this could have been accomplished much more easily by other means. Somehow.

MICHELLE: Yeah, I don’t think Chernobyl needed to blow up in order for Benjamin to die. A suggestion to Rita would’ve done the trick, I’m sure.

I’m glad you mentioned that about Jimmy, because I definitely noticed it, too! There’s one scene in volume three (pages 86-87) where her size is extremely variable. Sometimes he looks more five than twelve! I wondered if it was intentional on Jimmy’s part, but Art doesn’t react at all, so I suspect it’s a Shimizu issue.

(click image to enlarge)

MJ: And when we first see Jimmy, she looks pretty much exactly the same as Teruto and Seth do later on, which is to say maybe mid-to-late teens. Originally, I thought maybe Shimizu changed her mind about Jimmy’s visual age to avoid dealing with any issues regarding Jimmy’s sexuality except when she appears as Benjamin, and maybe to avoid Art having to be confronted by that as well. But I was never really sure.

MICHELLE: Yeah, me neither. Probably “never really sure” is just a state of mind one has to become accustomed to with Shimizu’s works.

Alas, no others have been licensed in English and aren’t likely to be now that CMX has disappeared. (Please bow your heads for a moment of silence.) I have thirteen volumes of Princesse Kaguya in French waiting to be read, though, and her josei series Top Secret is also coming out en Français.

MJ: I really would like the opportunity to read more of her work. As weird as Moon Child is, it feels really… I don’t know… organic. And I think Shimizu’s omake sections are actually really telling, here. I don’t always read these, but I poked through a few of hers, and my immediate impression was, “Oooooh, this is what it’s like in her mind all the time.”

MICHELLE: Yeah, those are really kooky! The two robot characters who feature in the omake, Jack and Elena, star in a string of stories by Shimizu, beginning with Milky Way, so they’d be familiar to her regular readers. It makes me wonder if, in some subsequent series, there might be similar omake starring the cast of Moon Child!

MJ: So, before we wrap up, I just want to gush a little bit about Shimizu’s artwork. You know I’m a huge fan of shoujo from this era, and really, there could be no better example of why that is. I chose a scene from this series back on our Let’s Get Visual column Celebrating the Pretty, and seriously that is still one of my favorite sequences of all time.

(read right-to-left | click images to enlarge)

Yet, I’m leafing through the books now, and page after page, I’m seeing visuals that just pretty much blow me away with their haunting beauty, like the dream tidal wave in volume seven, or the creepy, creepy fish inquisition in volume eight. In many ways, it’s the series’ weirdness that makes it work so well for me, visually, because it’s so well-suited to Shimizu’s artistic mind.


MICHELLE: That wave! Here’s what I wrote about it in my notes: “A… very trippy sequence with a wave ensues.” There are many strange and lovely sequences in the book.. I was disappointed that we saw less and less of the fishy manifestations as the series went on, but I believe that’s tied in to Benjamin’s form stabilizing as she matured. I also really liked the exquisitely detailed line drawings that frequently appear in between chapters.


Another thing that impressed me was Seth’s female form, who was so very beautiful—more than Benjamin, even—and entirely feminine, and yet everything about her mannerisms still made it clear that she is Seth. She actually appears on the cover before she appears in the manga, and I blinked for a second in puzzlement and then got geekbumps when I figured out who it was.

MJ: Oh, you’re absolutely right! Honestly, I felt chills through the entire scene in which Seth finally transforms. Not only is she so completely, utterly Seth, but the way Shimizu reveals the transformation, in rapid, chaotic spurts, just as Seth must be experiencing it, is absolutely stunning.


MICHELLE: I just got geekbumps again thinking about it. Although I admit, I have to squash the logical part of my brain that’s demanding to know how she and Shonach did the deed when she was in her neither male nor female state.

MJ: I feel that adolescent mermaid sex is one of those things we’re just better off not really thinking about.

MICHELLE: I cannot help but concur.

MJ: You don’t know this yet, but I’ve been going pretty much crazy here with scanning in artwork. There’s just so much I want to share with our readers. I know that Moon Child is in many ways a great big mess, but honestly this is the kind of series I most long to see more of in English. It’s just so beautiful and so unique. There are a lot of current shoujo series that I love very much, but it’s this stuff that I really hunger for as a reader. It’s something I can’t get in any other medium. Not like this.

MICHELLE: I wish I could be hopeful that we’ll see more manga like this in the future, but taking chances in this business doesn’t seem to pay. Every series has its faults, and Moon Child is not an exception, but that doesn’t mean I’m not infinitely grateful to CMX for making it possible for us to read it.

MJ: I most certainly am. And yes, I know that historically these series have not been strong sellers. I guess all we can really do is to continue to write columns like this, in hopes of getting more readers interested in the kind of manga we wish we could see more of.


More full-series discussions with MJ & Michelle:

Fullmetal Alchemist | Paradise Kiss | The “Color of…” Trilogy | One Thousand and One Nights| Please Save My Earth
Princess Knight | Fruits Basket | Wild Adapter (with guest David Welsh)

Full-series multi-guest roundtables: Hikaru no Go | Banana Fish | Gerard & Jacques | Flower of Life

Filed Under: OFF THE SHELF Tagged With: moon child

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