Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Katherine Dacey

Pick of the Week: It Must Have Been the Roses

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SEAN: Come on. We all know what it is. This is the last time we can pick it, so it HAS to be the 5th and final volume of The Rose of Versailles. It’s just that good.

MICHELLE: Forsooth. And we’re all so grateful the whole thing actually got released!

ANNA: Me too, it is amazing!

ASH: I agree, the pick really can’t be anything other than The Rose of Versailles. The series is absolutely one of the gems of my bookshelf. I’m so, so glad we got such a nice release.

KATE: C’mon… what did you think I would pick: Skeleton Knight in Another World?!!! I’m also on Team Oscar this week. I gotta see how it all ends!

MELINDA: I mean, obviously. It’s The Rose of Versailles.

Pick of the Week: Many Choices

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MICHELLE: I don’t think I have ever chosen a light novel as a pick before, but I Have a Secret seems like exactly the sort of light novel I would love, by which I mean its cover is shoujo-tastic and no one has apparently been reincarnated or summoned into another world. I look forward to checking it out!

KATE: I’m always interested in Shuzo Oshimi’s work, so Shino Can’t Say Her Name vaults to the top of my list. My inner musicologist, however, is intrigued by Those Snow White Notes, so I’m going to add that to my pick and hope I can start reading it sooner rather than later. (Those digital releases really sneak up on you!)

SEAN: I was a big fan of Dorohedoro, so it’s not a big surprise that my pick is the new manga by its author, Dai Dark, I’m sure it will be far too violent for my tastes, but I will read it anyway, because some authors you read just because they’re COOL.

ASH: I’m interested in everything mentioned so far, but I’m joining Sean this week in picking Dai Dark. I’ll admit, I don’t even know what it’s about, but I loved Dorohedoro and am looking forward to reading more of Q Hayashida’s work a great deal.

ANNA: I’m going to pick I’m the Catlords’ Manservant because it sounds ridiculous and that’s what I’m in the mood for right now.

MELINDA: Okay, I’ve been out of the loop lately for multiple reasons, but apparently there’s a manga called I’m the Catlords’ Manservant and it originated in GFantasy. Based on those two things alone, I must read it. I simply must. So there you have it.

Days on Fes, Vol. 1

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Like many Gen-Xers, I cut my musical teeth at rock concerts. I didn’t have much experience going to festivals—they were rare in the 1980s—but I did catch the first Lollapalooza tour as it passed through the Boston area in 1991. My memories of that day are impressionistic; it was hot, dirty, and loud, and I considered leaving when I learned that Siouxsie and the Banshees had cancelled their appearance. I’m glad I didn’t, though, as the festival helped expand my musical horizons, introducing me to the sound of rap-metal and the Rollins Band, and reminding me just how phenomenal Living Colour was.

Reading Days on Fes reminded me of that formative experience, though not in the way I’d expected. I imagined that a manga about rock festivals would focus on the music, but Days on Fes is equally concerned with food stalls, merch, and concert-going logistics, even dedicating one chapter to finding the perfect campsite at an outdoor festival.

The first volume follows two characters: Otoha, a spazzy high school student, and Gaku, her thirty-something brother. In the first half of the book, Otoha persuades her classmate Kanade to attend the Meteorock Festival with her, while in the second Gaku drags his Eeyore-esque employee Ritsuru to the Fries & Sushi Festival. Both siblings face predictable hurdles in getting to the venue, from lack of interest—Kanade confesses that she doesn’t like rock—to lack of funds—Ritsuru bemoans the fact that he’s too poor to afford a ticket. Once at the festivals, however, both Kanade and Ritsuru succumb to the excitement of eating good food, wandering the grounds, drinking beer, sleeping under the stars, and—yes—hearing some concerts.

The most satisfying passages in volume one focus on getting ready for a festival. Oka vividly captures the feeling of pre-concert anticipation, carefully documenting the small but important rituals that festival-goers observe, from picking out an outfit to deciding what to bring; he even includes a two-page spread detailing the contents of Kanade and Otoha’s backpacks. Though this illustration serves a legitimate educational purpose, showing the festival n00b what they’ll need—suncreen, snacks—it also speaks volumes about the two girls’ personalities and expectations for the festival itself.

Less satisfying are the performances. Oka relies on reaction shots and close-ups of musicians’ faces to convey the excitement of hearing live music, but the blandness of the illustrations undercuts the efficacy of this time-honored strategy for showing what can’t be heard: whoops, claps, whistles, boos, sing-alongs. The dialogue provides the only clue that these performances were good; characters spend more time talking and thinking about how the music effects them then they do listening to music.

For anyone old enough to remember the original Lollapalooza tour, the contrast between the lackluster performance scenes and the rhapsodic discussions of festival foods may be jarring; it often feels like Oka has channeled too much energy into depicting the things you can buy and do at a festival rather than what you might hear. For younger readers, however, Days on Fes offers a safe but tantalizing glimpse of what it might be like to attend Coachella or Bonnaroo, as well as a down-to-earth reminder that festivals are an expensive habit—a message that’s sure to be music to parents’ ears.

DAYS ON FES, VOL. 1 • ART AND STORY BY KANAKO OKA • TRANSLATED BY AJANI OLOYE • LETTERING BY ALEXIS ECKERMAN • YEN PRESS • RATED TEEN • 208 pp.

Pick of the Week: Oscar, Oscar, Oscar…

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SEAN: There’s a veritable buffet of picks this week. I could go with Yona, or Natsume, or Versailles. But let’s face it, I want my Maple! This week’s pick for me is Bofuri: I Don’t Want to Get Hurt, So I’ll Max Out My Defense.

MICHELLE: I’m also happy for more Yona and Natsume and hopeful the fourth volume of Versailles will come out, but the most intriguing title for me this week is A School Frozen in Time. Kids trapped within an “eerily empty” campus? Sign me up!

ANNA: I’m team Rose of Versailles all the way!

ASH: Likewise! If Rose of Versailles is a choice, it will almost invariably be my pick. That being said, I’m looking forward to reading all of the titles that have been mentioned so far.

KATE: C’mon, you know what I’m going to pick… Rose of Versailles! I gotta stay on brand here; you’d be suspicious if I shilled for Fire Force or Please Put Them On, Takamine-san!

MELINDA: It’s gotta be Rose of Versailles!

Pick of the Week: BL, Shamisen, and Railway Stations

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KATE: I only have eyes for one series this week: BL Metamorphosis, a series that’s rueful, funny, and heart-warming without ever being sappy. One of the things I love most about BL Metamorphosis is that Kaori Tsurutani treats the main characters’ interest in BL with respect; there are no cheap jokes at either heroine’s expense, just a thoughtful and loving exploration of what it means to be a dedicated manga reader at any age.

SEAN: BL Metamorphosis is definitely on my list, and I agree with everything Kate said. My pick this week is Those Snow-White Notes, a series getting an anime soon, which is probably the only reason it got a digital release here at all, as it’s about the shamisen – no, not Kyon’s cat from Haruhi Suzumiya, but the traditional Japanese stringed instrument. This is, honestly, what “digital-only” releases were meant for.

ASH: As far as continuing series goes, BL Metamorphosis is at the top of my list this week – it’s a truly wonderful series. If Those Snow-White Notes is ever released in print, it will absolutely be my pick. (That being said, I might make an exception and read it even though I usually avoid digital releases.) While it’s not manga, my official pick this week actually goes to the novel Yokohama Station SF as I’ve been on a speculative fiction prose kick lately.

ANNA: I find the idea of shoujo horror intriguing and we haven’t had a ton of that genre translated, so I’m going to pick Love and Heart (Koi to Shinzou).

Pick of the Week: Tale As Old As Time

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SEAN: My pick this week is Beauty and the Feast, a title about a young widow who still hasn’t recovered from the loss of her husband, the teenage boy living alone next door who plays baseball, and the food that brings them together – she cooks it, he eats it. I do worry that this book – sold as a romcom, and with a mature rating – will go in a direction I’d rather it didn’t. But if it sticks with food and how to heal after a tragedy, I’ll be quite happy.

MICHELLE: I share your trepidation, but the cover for the first volume looks wholesome enough for me to also give Beauty and the Feast my pick this week.

KATE: I second Sean’s pick of the week; non-competitive food manga is my jam! (No pun intended.)

ANNA: I’m not going to be the one to break this streak!

ASH: I won’t be the one, either. Whether competitive or non-competitive, fantastical or realistic, I’m always here for another helping of food manga! Beauty and the Feast is my pick this week, too.

MELINDA: I hoped I might be the one to break the unanimity this week, but no. Beauty and the Feast is my pick, too! I’m a little worried about where it might lead, but I live in hope.

Downfall

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Downfall is the story of Karou Fukazawa, a deeply flawed, forty-something manga artist whose career has stalled, marriage has soured, and self-esteem has curdled into a toxic form of self-pity. He lies; he procrastinates; he cheats on his wife; he berates his assistants. Though he eventually finds a path forward, his journey is not one of self-discovery or personal growth, but of resignation, of realizing that the life he’d imagined for himself turned out to be deeply disappointing.

Inio Asano underscores the depth of Fukuzawa’s self-loathing in the way he depicts Downfall‘s female characters. Fukazawa’s wife Nozomi, for example, carries herself like a remorseful child, her shoulders slumped, her eyes downcast, and her lips pursed. Through several excruciating exchanges between her and Fukuzawa, Asano reveals the degree to which Fukuzawa’s narcissism has poisoned their marriage. Fukuzawa bitterly complains that Nozomi devotes too much time to her job as a manga editor, criticizing her for paying more attention to the artists in her portfolio than to him, and excoriating her for not supporting him. His sense of entitlement is so powerful, in fact, that he coerces her into sex during a particularly nasty argument, a scene that’s so visceral, awkward, and claustrophobic that it’s genuinely hard to read.

Other female characters fare worse than Nozomi. Yunbo and Marimekko, two sex workers whom Fukazawa visits, are drawn in the same grotesque fashion as the pompous, foolish, and hypocritical characters in Dead Dead Demon’s Dedededestruction and Goodnight, Punpun. Fukazawa’s contempt for these women is thrown into sharp relief when Yunbo and Marimekko are viewed alongside Chifuyu, an escort who reminds Fukazawa of an old girlfriend. Chifuyu is a gamine figure, with stylishly cropped hair, cat-like eyes, and a lithe body—a symbol of youth, possibility, and sexual desirability, unburdened by years of marital and professional disappointments—whereas Yunbo and Marimekko are awkward and unattractive, less individuals than vessels for Fukuzawa’s rage.

As damning as all this sounds, Downfall isn’t simple misery porn. Fukuzawa is a rotten person, to be sure, but his ennui is genuine, rooted in the question of what it really means to turn one’s passion into a career. For Fukuzawa, that question is all-consuming, as he wrestles with the difficulty of making art in the context of the commercial publishing industry, where deadlines, reader surveys, and fickle fans exact their tolls. Fukuzawa also struggles with the manga industry’s voracious appetite for new talent, as he watches his book sales plunge while young, inexperienced artists find the kind of readership and acclaim that he himself once enjoyed.

Even as I recoiled from Fukazawa’s sourness and misogyny, his professional dilemma resonated with me as a fellow forty-something with a career in the arts. What is the emotional and creative cost of making art on demand? How do you continue telling a story, creating art, or writing music when you are fundamentally disillusioned with the process? If you allow work to consume you in the name of becoming an expert, what remains when you reach those benchmarks of success? 

To explore these questions, Asano eschews a conventional narrative form, instead juxtaposing past and present in a rondo-like fashion (ABACA). The “B” and “C” sections take place in the present, unfolding in a linear manner, while the “A” section revisits a specific moment in Fukuzawa’s past: a youthful relationship that ended when Fukuzawa’s girlfriend declared, “As long as you keep drawing manga… you’ll keep on hurting people.” Asano is particularly adept at capturing the way in which the past and present sit side by side in the mind of an agitated person; Fukuzawa’s memories are rendered as vividly as the present-day scenes, with consummate attention to small but meaningful details. From the way Fukazawa remembers this relationship—reciting the same observations about his girlfriend over and over again—it’s clear that he views this moment as a turning point in his life, and an explanation for who he has become. 

Yet these final pages feel less like a condemnation of Fukuzawa’s selfishness than a plea to understand his behavior: I renounced love for art. For me, at least, that feels like a cop-out, a way for Fukuzawa—and perhaps Asano—to tacitly acknowledge the character’s monstrous behavior while suggesting that it was somehow inevitable, pre-ordained, or natural. Viewed from a feminist perspective, though, it’s awfully hard to muster sympathy for a character who justifies his tantrums, violence, and vicious remarks as necessary to his art, especially when so much of his vitriol is directed at women. Your mileage may vary.

DOWNFALL • STORY AND ART BY INIO ASANO • TRANSLATED BY JOCELYNE ALLEN • EDITED BY PANCHA DIAZ • TOUCH-UP ART AND LETTERING BY JOHANNA ESTEP • VIZ MEDIA • 246 pp. • RATED MATURE (sexual situations, violence)

Pick of the Week: Penguins, Legends and Childhood Friends

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SEAN: Given that it turns out Manga Bookshelf are top-tier futurists, I’m tempted to pick March Comes in Like a Lion, but that will have to wait for 2022. And there’s plenty coming out this week anyway, including the new Shigeru Mizuki and a new volume of Rozemyne’s latest antics. But no, I am too tempted by the wonder that is Penguin Gentlemen, which wins for cover art alone. Hot damn.

MICHELLE: Penguin Gentlemen certainly has the most unique premise of this week’s batch, but I’m most drawn to some sweet Boys’ Love in the form of the first volume of I Cannot Reach You.

KATE: After reading Ash’s lovely review of Tono Monogatori, that’s my top pick for this week. But I won’t lie: a little animal-themed manga sounds pretty good, too, so add Penguin Gentlemen and Wonder Cat Kyuu-Chan to my list of “things I’m going to check out this week.”

ANNA: I’m not sure when I’ll actually get around to reading it, but Penguin Gentlemen sounds hilarious so that’s my pick.

ASH: It probably isn’t much of a surprise that Mizuki’s adaptation of Tono Monogatari is my pick this week – I’m thrilled that this manga is now available in English – but I will also admit that Penguin Gentlemen has caught my attention, too. Granted, for entirely different reasons.

Zom 100: Bucket List of the Dead, Vol. 1

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If your chief criticism of King of Eden was “not enough boobs,” have I got the manga for you: Zom 100: Bucket List of the Dead, a comedy about a corporate drone whose life is transformed by the onset of a zombie plague. Its hero, Akira Tendo, sees opportunity where others see only chaos, and decides to make a bucket list of 100 things he wants to do before he, too, becomes one of the walking dead. His top priorities? Telling his voluptuous co-worker Ohtori how much he likes her—even if she is the “boss’ side piece”—and tracking down a mysterious hottie he encounters in a convenience store.

While Akira’s quest doesn’t sound particularly memorable, his new-found optimism makes him an agreeable guide through a Tokyo overrun by zombies. His palpable joy in quitting a soul-crushing job is infectious—if you’ll pardon the expression—as he finds pleasure in small things: riding a motorcycle for the first time, scavenging for his favorite beer, playing video games during normal business hours. No matter how much carnage he encounters, or how many of his bucket-list errands don’t go according to plan, Akira’s can-do spirit remains undiminished. So, too, is his loyalty to others, as evidenced by his willingness to rescue his childhood friend Tencho from a hotel overrun by zombies.

The hotel scene is indicative of what’s good and not so good about Zom 100. On the one hand, the friends’ shared ordeal leads to a heartfelt exchange in which they discuss why they drifted apart after college. Their dialogue is a little on-the-nose—“I got jealous of how successful you were and took my anger out on you,” Akira confesses in a torrent of tears and snot—but the characters’ sincerity makes Akira and Tencho’s reconciliation feel like a genuine moment of maturity.

On the other hand, the main reason this scene begins in a hotel—specifically, a love hotel—is to offer some good old-fashioned fan service, as Kencho is trapped in a bondage chamber with an irate, naked zombie who’s been chained to the wall. The zombie is drawn in loving detail, right down to her perky breasts, but serves no real dramatic purpose; she exists mainly to make young male readers gawp at Kencho’s predicament. The same goes for several other gratuitous moments of nudity and pin-up posturing, none of which feel necessary or demonstrate artist Kotaro Takata’s skill at drawing attractive, anatomically correct women. (All of his figures seem to have a few extra vertebrae.)

The fan service is indicative of a deeper problem as well: the zombies—or the boobs, for that matter—don’t feel essential to Akira’s story. Almost any catastrophe or life-altering event could have set the plot in motion, whether it was a devastating medical diagnosis or Earth’s impending collision with a meteor. Equally disappointing is that Akira’s quest feels more like a to-do list than a real emotional journey; even he seems disappointed in his inability to come up with a sufficiently long or imaginative bucket list. As a result, Akira seems like just another standard-issue shonen lead, blessed with an optimism that sometimes makes him seem a little dim, a superhuman ability to escape life-threatening situations, and an uncanny knack for stumbling into situations with hot women. I don’t know about you, but I would have enjoyed this series 100% more if the gender roles had been reversed, if only for the sight of a former office lady cheerfully riding a Harley through a zombie horde on her way to score a few brews.

To read a brief excerpt of Zom 100: Bucket List of the Dead, click here.

ZOM 100: BUCKET LIST OF THE DEAD, VOL. 1 • STORY BY HARO ASO • ART BY KOTARO TAKATA • TRANSLATION BY NOVA SKIPPER • TOUCH-UP ART & LETTERING BY VANESSA SATONE • EDITED BY KARLA CLARK • VIZ MEDIA • RATED: OLDER TEEN (PARTIAL NUDITY, GORE, VIOLENCE) • 159 pp.

Pick of the Week: Listen to Our Picks

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MICHELLE: I’m looking forward to getting caught up on Wave, Listen to Me! and Haikyu!! and Spy x Family are extremely high on my list of favorites, but there is not much that could top a new volume of Skip Beat! for me, unless it actually was an announcement about March Comes in Like a Lion.

SEAN: Agreed, March Comes in Like a Lion would be the perfect pick if it were licensed, but alas. There’s tons of great Shojo Beat titles out this week as well, including Oresama Teacher and Skip Beat!. But my pick goes to the light novel Re:ZERO -Starting Life in Another World-, which ends its fourth arc just before the anime currently airing does. I will just barely be able to finish it before I would have been spoiled.

KATE: I’m behind on SPY x Family, so I’ll plug another series I like: Wave, Listen to Me, an appealing dramedy about a twenty-something woman who discovers she has the voice and the presence to be a radio host. If you’re yearning to read about messy people getting their act together, Wave is your jam.

ANNA: If Skip Beat! is coming out that is my pick! There can be only one and Skip Beat! is it!!!!

ASH: Despite greatly enjoying the series, I’m further behind in my reading of Skip Beat than I would like to admit. So my pick this week instead goes to another series that I’ve been enjoying Wave, Listen to Me, seconding everything that Kate has already said about it.

MELINDA: I’ve been embarrassingly behind on all these series, but I’m still pretty hyped up about Wave, Listen to Me!, which is the first of these I’d catch up on. So I guess that’s my pick!

Pick of the Week: Affection, Romance & Rock ‘n’ Roll

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SEAN: I’ve gushed about A Sign of Affection before, so I’ll make my pick Golden Japanesque – A Splendid Yokohama Romance, because anything that runs in Flowers, even if it’s the online version of Flowers, demands my attention.

MICHELLE: I have to concur. I love suu Morishita’s Shortcake Cake, so I’m confident I’ll also love A Sign of Affection, but it’s hard to compete with Flowers.

ANNA: I’m very interested in Golden Japanesque – A Splendid Yokohama Romance, but since Sean has handled the gushing for A Sign of Affection before I feel I must take up the banner and do some additional gushing, because it really is one of the best romance manga that I’ve read recently. I hope the arrival of the print version will inspire more people to check it out.

KATE: As someone who teaches a Rock History survey course, I am irresistibly drawn to Days on Fes. I can’t wait to see how the artist handles 20-minute guitar solos, long lines at the bathroom, and crazy pyrotechnics….

ASH: All three of the manga mentioned so far are at the top of my list this week, too! A Sign of Affection is probably the one that I’ll be reading first, though.

MELINDA: Like Ash, I’m interested in all the manga that’s been mentioned by my colleagues, but the one for which I’m most ravenous is A Sign of Affection. It’s at the top of my list!

Pick of the Week: Adults and Knights

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SEAN: Even Though We’re Adults. Boy, that was easy. Next?

KATE: This week, I’m all about the DRAMA–specifically, romantic drama. I second Sean’s recommendation of Even Though We’re Adults, but am also stoked for a new volume of Knight of the Ice. (No, it’s not as awesome as Tramps Like Us, but it is deliriously silly and fun.)

ANNA: Knight of the Ice! Who could fail to love this josei manga about socially awkward office lady’s romance with an otaku elite figure skater??? I am consistently delighted by each volume.

MICHELLE: These two definitely top my list, as well!

ASH: Multiple josei releases in the same week! It happens a little more frequently than it used to, but it still thrills my heart. The debut of Even Though We’re Adults will be getting most of my attention this time, but I have been enjoying Knight of the Ice, too.

MELINDA: Same here! I’m totally here for Knight of the Ice, though Even Though We’re Adults may be my ultimate pick. Either one could easily grab my vote!

Pick of the Week: On and Off the List

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KATE: If you’re looking at this week’s new arrival list and thinking, “been there, read that,” why not check out Glacier Bay Books’ catalog? This indie manga publisher has been putting out a small but steady stream of manga by artists who aren’t writing stories about super-powered boys or boy-crazy teens. Though the catalog is a little hit-or-miss, Popicomi and <i<Glaeolia have some genuinely awesome material, and Glacier Bay’s new series En-Chan’s House looks promising.

SEAN: I think the digital version has been out for a few weeks now, but any excuse to pick Witch Hat Atelier is a good excuse. That said, I am also intrigued by She’s the Cutest… But We’re Just Friends!”, whose plot appears to be “I met this hot girl who loves gaming and we did not immediately fall in love.” Certainly a rare plot in Japanese media!

MICHELLE: I’m definitely intrigued by Sasaki and Miyano and The Vampire and His Pleasant Companions, but since I know for sure that I enjoy Rei Toma’s particular brand of shoujo fantasy, I’m going to choose The King’s Beast this time!

ASH: I’m very happy to back up Kate’s highlighting of Glacier Bay Books – I just recently go my hands on the second Glaeolia anthology and it looks great. That being said, like Michelle, I’m also really looking forward to the debut of Rei Toma’s The King’s Beast.

ANNA: I’m a big fan of Witch Hat Atelier, but I have to say that I’m really looking forward to Rei Toma’s The King’s Beast. I thought that The Water Dragon’s Bride was a great artistic leap forward, so I’m curious to find out what will happen when she returns to the world of Dawn of the Arcana.

Pick of the Week: Asadorable Manga

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SEAN: Naoki Urasawa tends to be one of those authors I know I should get into but I never really have for various reasons, but let’s face it, there’s one really obvious pick this week and it’s Asadora, his new Big Comic Spirits series. Though Mama Akuma sounds good enough to be my runner-up.

MICHELLE: I’m in absolute agreement with Sean. The only Urasawa series I’ve actually finished is Monster, but it was great and I really did like what I read of Pluto and 20th Century Boys, as well.

ANNA: I’m picking Asadora as well, I’m always curious about new Urasawa.

KATE: I admit that I was pretty disappointed in both Mujirushi and Sneeze, so I’m a little hesitant to recommend Asadora. Instead, I’m throwing my weight behind the fourth volume of Shuzo Oshimi’s creepy thriller Blood on the Tracks. Love or hate his work, it’s impossible to deny his phenomenal artistic chops or his crack sense of pacing, whether he’s re-imagining The Drifting Classroom for adult readers or recalling the unbearable horrors of being fifteen. Blood on the Tracks is no exception: it’s tense, uncomfortable, and filled with the kind of panels that invite 4,000 word think-pieces.

ASH: Normally Asadora would be the easy pick for me, but this week I find that I’m intrigued by all the debuts about girls dealing with the supernatural – Rozi in the Labyrinth, Dear NOMAN, Mama Akuma – so I’m just going to choose that entire subgenre. That being said, Kate is spot on about Oshimi and Blood on the Tracks!

MELINDA: There’s a lot to choose from this week, including all the series everyone has mentioned so far (as well as the re-release of Saiyuki!) but I’m getting behind the one Sean called for me from the beginning. I’m going with Mama Akuma as my pick this week.

Pick of the Week: White Roses

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SEAN: It’s an embarrassment of riches the first week of 2021. There’s the new Ascendance of a Bookworm novel, the new Sweat and Soap, and any number of Viz titles. But the book I’m most interested in is A White Rose in Bloom. When Classmates came out I loved its tone, and I’m hoping that we’ll see the same attention to tone and character in this new series.

MICHELLE: I am very interested indeed in A White Rose in Bloom. Not just because of its pedigree, but because I’m a sucker for boarding school stories. However, I must admit that what most fills me with manga squee this week is the prospect of a mini-marathon to get caught back up with Haikyu!!. This will probably be the last catchup I do before I hoard the volumes leading up to the 45th and final one.

ANNA: There’s a ton of great manga coming out this week, but I’m going to pick Daytime Shooting Star, because that always seems to be on the top of my to-read pile whenever it comes out.

KATE: I never miss an opportunity to plug Drifting Dragons, which is one of the best-looking fantasy/adventure series on the market right now, but I’m also going to sneak in a recommendation Blue Period, an engaging drama about a high school student whose foray into painting leads him on an unexpected journey of self-discovery. Paging Bob Ross!

ASH: I’ve really been enjoying Drifting Dragons, too, but this week my eyes are on A White Rose in Bloom. The manga is good-looking and distinctive in an entirely different way and Asumiko Nakamura’s work is always a must-read for me.

MELINDA: I’m typically late with my picks each week, so Sean always has to nudge me for them. Then sometimes I’m still slow, so he’s always having to come up with some kind of clever line to get me off my butt. But his week was easy. He said, it “has a manga by the author of Doukyusei.” A White Rose in Bloom had me right there. That’s all there is to say.