Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Katherine Dacey

The Manga Review: Year-End Spectacular

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As 2022 draws to a close, there’s still time to support your favorite manga charity with a book or cash donation. Two organizations I highly recommend are Reader to Reader, which is based in Amherst, MA, and the Carolina Manga Library, which is based in Fayetteville, NC. Reader to Reader has dedicated itself to providing books “free of charge, to under-resourced school libraries and public libraries across the United States,” while the Carolina Manga Library brings its collection directly to readers: “The Library travels to conventions, book festivals, schools, and other libraries to set up free reading rooms of graphic novels” with the goal of “using graphic novels, comics, and Japanese manga as genuine tools for improving literacy.” Another way to make a difference in a young person’s life is Donors Choose, a site that enables public school teachers to crowd-source funding for supplies, books, and projects. Right now, over 150 educators around the country need your help purchasing manga for their students. No donation is too small; even a few dollars can make a difference!

One programming note: The Manga Review will be on hiatus until Friday, January 6th. If you have a best-of-2022 post that you’d like included in the January 6th column, leave a comment below or DM me on Twitter (@manga_critic). Wishing everyone a safe and happy new year!

NEWS AND VIEWS

Don’t forget to take the 2022 Yuri Fandom Survey; Erica Friedman is keenly interested in hearing about your experiences with yuri. Why now? Friedman explains: “Over the years there has been a lot of research into Boys Love and BL fandom and it seemed time to set up something to get a feel for what Yuri fandom is like in the 2020s, now that it has an established presence in most Japanese pop-culture media.” [Okazu]

Good news from Japan: Akira Toriyama’s criminally under-appreciated SAND LAND is getting the big-screen treatment. No word yet on when the film will be released, but there’s already a teaser trailer. [Otaku USA]

Also coming to the silver screen is an adaptation of Shinichi Ishikzuka’s Blue Giant, which will arrive in theaters on February 17, 2023. [Otaku USA]

Ed Piskor and Jim Rugg dedicate a recent episode of Cartoonist Kayfabe to one of my all-time favorite manga: Jiro Taniguchi’s Hotel Harbour View, a collection of intertwined stories that owe a big debt to Dashiell Hammett. [Cartoonist Kayfabe]

Also worth a listen is Katie Skelly, Sally Madden and Bhanu Pratap’s in-depth conversation about Seiichi Hayashi’s Red-Colored Elegy. [Thick Lines]

The newest issue of the Journal of Anime and Manga Studies is now available online, with articles about Grave of the Fireflies, Sailor Moon, Stop!! Hibari-Kun!, and Mobile Suit Gundam, as well as essays about the impact of COVID-19 on anime conventions. [JAMS]

Jocelyne Allen is cautiously optimistic about Natsume Ono’s newest series Bokura ga Koi o Shina no wa. “This is the story I have wanted to read from Ono for so long,” Allen notes. “Her thoughtful style with an eye for capturing little moments works so well on this kind of leisurely character study. She knows just what to put on the page to evoke a certain mood or give us a little insight into a particular character’s thinking, often letting her images speak entirely for themselves. So I will dare to pick up volume three and hope that Ono keeps going in this very welcome direction.” [Brain vs. Book]

THE BEST AND WORST OF 2022

Whether you’ve been a long-time listener or just discovered the Mangasplaining podcast, you’ll want to check out their year-in-review episode for some great recommendations. [Mangasplaining]

Kory, Helen, and Apryll name their favorite–and least favorite–manga of 2022. [Taiiku Podcast]

Krystallina posts a two-part round-up of 2022’s biggest anime and manga news stories, from the Seven Seas unionization effort to the debut of Square Enix’s MangaUP! platform. [The OASG]

The Multiversity Comics crew name Shuna’s Journey the best manga of 2022. [Multiversity Comics]

The New York Public Library offers a list of the year’s best new manga for adults, from Talk to My Back to Rooster Hunter. [NYPL]

Kotaku’s Best Manga of 2022 list is a nice mixture of crowd-pleasers and serious titles. [Kotaku]

Also offering a list of this year’s best manga and manhwa is Barnes & Noble. [B&N]

REVIEWS

This week’s must-read review is Masha Zhdanova’s thoughtful reflection on Good-Bye, Eri. She starts with a deceptively simple question–“Why is Goodbye, Eri a comic?”–then proceeds to do a rigorous analysis of the panel structure and narrative flow. “Fixed grids allow the cartoonist to control the pacing of the narrative in a different way than more experimental layout choices can, by repeating images and intercutting sequences together, much like a movie,” she observes. “In a movie, this sequence would require a linear juxtaposition, probably with a soundtrack behind it. In a comic, all of the individual moments of this wordless sequence can be viewed by the reader simultaneously, and the reader can choose whether to perceive them all at once or down each page, right to left.”

Pick of the Week: Last Picks Before Xmas

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SEAN: There are two wolves fighting inside me. One wants to appreciate tougher, more realistic manga and is interested in the debut of Run Away with Me, Girl, which has been politely described as “heavy”. The other wolf is going “the first new Railgun manga in 18 months? Score!”.

KATE: I’ve recently been re-watching Seinfeld, and saw the episode where George can’t stop singing “Master of the house, doling out the charm/Ready with a handshake and an open palm.” Therefore, my pick of the week *has* to be Les Misérables. Sorry, I don’t make the rules…

MICHELLE: Heavy or not, Run Away with Me, Girl really does have the majority of my attention this week, so I’ll go with that this time.

ASH: I’ll admit, Run Away with Me, Girl is definitely the debut that has caught my eye this week, too. But, I also want to give Sweat and Soap a shout out—I was late to reading the series myself, but it really is a great one.

The Manga Review: Super-Sized Edition

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Before I get to this week’s links, a quick programming note: next week’s Manga Review will be my last of 2022. On the following Friday–December 30th, to be exact–I’m going to do something I haven’t done since 2017: compose my own list of the year’s best manga. Regular link-posts will resume on the first Friday in January.

NEWS AND VIEWS

This week’s must-read essay comes to us courtesy of Kayleigh Hearn, who uses Rumiko Takahashi’s short story “The Laughing Target” as a jumping-off point for reflecting on Takahashi’s artistry. In particular, Hearn emphasizes the idea that Takahashi’s versatility and creativity are best appreciated in her shorter works. “As sprawling as her work is — Inuyasha, her longest series, ran 40 volumes – I find myself drawn to her shorter titles, like the macabre Mermaid Saga or the one-shot (ha) The Laughing Target,” she observes. “Their sheer brevity gives them extra power, a sunburst of raw creativity that never overstays its welcome or crumples under oversized expectations.” [The Gutter Review]

Erica Friedman recently shared clips from her November book signing at Kinokuniya in Manhattan, where she was interviewed about By Your Side: The First Hundred Years of Yuri Anime & Manga. [Okazu]

If you’re looking for a complete list of all the new manga and light novels coming out in December, Bill Curtis has you covered. [Yatta-Tachi]

Brett Michael Orr compiles a list of the five “most surprising” manga of 2022. [Honey’s Anime]

Laura Grace adds a new letter to her Shojo Alphabet series: F! [Beneath the Tangles]

The Reverse Thieves name Wandance their manga of the month. “Manga-ka Coffee uses a fresh, frenetic line style that gives movement, energy, and a fast pace to the dance sequences,” Kate explains. “Plus, Wandance integrates plenty of dance theory, ways of approaching dance, and instructional sections into the story in a way that feels natural and helps you see each character more clearly.” [Reverse Thieves]

On the latest Chatty AF podcast, Dee, Vrai, and Alex discuss how Sex Ed 120% addresses “subjects like consent, gender identity, and abortion.” [Anime Feminist]

The crack team at No Flying No Tights compiles a list of teen-friendly graphic novels in which “art plays a significant role in the story.” [No Flying No Tights]

Jocelyne Allen highlights the feminist storytelling of Peko Watanabe, praising her latest work Koi Jaa Nee Kara for its frank exploration of two forty-something women’s lives. “Watanabe’s a great storyteller who treats her characters with real empathy,” Allen notes. “While she often deals with difficult subject matter, she handles it in a seriously sensitive manner, so that you feel she is trying to dig in and understand and make us understand deeper truths, rather than merely show readers some tragedy porn. Her art is expressive, and she’s skilled at leading us through the mazes she creates with minimal backgrounds, so that our focus remains on the people who are at the heart of the story.” [Brain vs. Book]

Danica Davidson interviews Alex Dudok de Wit about translating Shuna’s Journey for English-speaking readers. When asked what he liked best about Hayao Miyazaki’s story, he answered, “The mystery. Miyazaki often introduces surprising elements into his plots, not necessarily explaining them, but integrating them into the story in a way that makes some kind of intuitive sense. He does this a lot with Shuna’s Journey: the sea whose level rises and falls dramatically, for instance. This is the language of symbolism, of visual metaphor.” [Otaku USA]

REVIEWS

File this under Better Late Than Never: Helen Chazan’s most recent Comics Gridlock column focuses on three horror titles: Cat-Eyed Boy, Be Very Afraid of Kanako Inuki, and The Town of Pigs. If you’ve been disappointed in the latest crop of Junji Ito manga, let Helen steer you towards a great book by Kazuo Umezz or Hideshi Hino instead. Also worth a look is Megan D.’s excellent review of Yamada Murasaki’s Talk to My Back. “Murasaki was apparently one of the first women to find success in gekiga, and her career took off around the same point that josei manga first came into being,” she notes. “Talk To My Back is kind of the perfect intersection of the two in how it combines gekiga’s more literary structures and frank confrontation of societal norms with josei’s willingness to explore the hearts and minds of adult women.”

New and Noteworthy

Complete and Ongoing Series

Pick of the Week: Kowloon Generic Picks

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ASH: There certainly are a fair number of releases this week! Debut-wise, I find that overall the novels have caught my attention the most, with Sword of the Demon Hunter being of particular interest. That being said, I’m likely to actually have time to read some of the new manga, first…

SEAN: I’m actually going to pick Konosuba: God’s Blessing on This Wonderful World! Memorial Fan Book. We get so few of these guidebooks translated over here, so I want to support it.

MICHELLE: I can’t possibly resist BL described as ” Two men struggling with life find each other.” Midnight Rain for me this week!

KATE: I can’t say enough good things about Kowloon Generic Romance: the Mangasplainers compared it with Wong Kar-Wai’s films, and I think that’s an apt comparison. If I’m making it sound like a Very Serious Manga™, though, rest assured it isn’t; Kowloon Generic Romance is moody and romantic, but it’s also raunchy, funny, and frank with a boisterous cast of characters. This is hands down one of my favorite books of the year!

MJ: Okay, at first I was sure I was going to side with Michelle, but then Kate’s description of Kowloon Generic Romance hooked me completely. I think that’s going to have to be my pick this week, no matter what else is on the table!

MICHELLE: Okay, I have just realized this takes place within Kowloon Walled City so I am definitely going to read this, previous pick notwithstanding!

Pick of the Week: Rainbows and Boats

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MICHELLE: I usually like manga from Margaret and its spinoffs, so I’ll go with Rainbow Days this week despite knowing absolutely nothing about it.

KATE: I second Michelle’s recommendation, and raise it one artbook: I’ll be adding Studio Ghibli: The Complete Works to my cart this week as well. I’m still under the spell of Shuna’s Journey…

SEAN: This is the final volume of Hello Melancholic, so I’ll make that my pick. Best to read it while listening to J. J. Johnson.

ASH: Sean’s called it with Boat Life—as a fan of alternative manga and manga history, it’s easily my pick this week. In addition to the manga itself, I’m also really looking forward to reading Ryan Holmberg’s accompanying essay.

The Manga Review, 12/3/2022

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If you’re interested in writing about comics for a website that already has a sizable readership, there are a number of great outlets looking for contributors. Nola Pfau, Editor-in-Chief of Women Write About Comics (WWAC), took to Twitter earlier this week to encourage writers submit pitches. WWAC has won three Eisner Awards for Best Comics-Related Periodical/Journalism, and welcomes “pitches from anyone along the marginalized gender spectrum—women, NB, agender, trans men.” You don’t need experience to submit an idea; WWAC prides itself on publishing new voices, and has “a proven track record of training new voices in comics journalism and helping them achieve success at other outlets.” Interested? Take the first step by visiting WWAC’s Pitch Us! page.

Also looking for writers is The Fandom Post, which is in need of an Anime/Manga Reviewer, and Anime Feminist, which is always receptive to pitches.

NEWS AND VIEWS

If you’re curious about Glacier Bay Books’ latest project, click over to The Comics Journal, which has just posted an excerpt from PANDORA, a collection of short stories by Hagiwara Rei. The stories, which are rendered in delicate watercolors, “simultaneously reflect on current events as well as the 10th anniversary of the Fukushima Daiichi nuclear disaster.” [The Comics Journal]

Tony Yao reflects on the Cool Japan Fund‘s flawed efforts to promote Japanese pop culture here in the US. [Drop-In to Manga]

Journalist Madeline Blondeau posts a thoughtful reflection on transfeminine desire in Eguchi Hisashi’s Stop!! Hibari-kun. [Anime Feminist]

Get your holiday off to a good start by entering The Manga Test Drive’s Annual Holiday Review Giveaway! The winner will receive a $25 Right Stuf gift certificate. [The Manga Test Drive]

ICYMI: Justin shares his thoughts about “the good, the mixed, and the bad” at Anime NYC 2022. [The OASG]

The latest episode of Shojo & Tell focuses on Wotakoi: Love Is Hard for Otaku. [Shojo & Tell]

The Reverse Thieves name Rumiko Takahashi’s Urusei Yatsura their Manga of the Month. “For better or for worse Rumiko Takahashi’s later series always have a much tighter theme and flow,” Alain notes. “You have a fairly good idea what your going to get in any chapter of Inuyasha or Maison Ikkoku. But Urusei Yatsura feels much more like jazz in its freeform nature. One chapter could be a sexy comedy about aliens, the next is nothing more than a giant set up for a pun with folk creatures, and the next chapter a touching romantic interlude. The only main theme is that the Urusei Yatsura cast are horrible people who are very amusing when they are horrible to each other.” [Reverse Thieves]

REVIEWS

This week’s must-read review is Sarah’s take on The Gay Who Turned Kaiju, a collection of short stories about a teenager struggling to come to terms with his sexual orientation. “Some manga are so compulsive a read that you just have to keep feverishly turning the pages until you get to the end. The Gay Who Turned Kaiju is one of those special titles: well-written and aptly drawn,” she observes. “Even though several of the protagonists are far from sympathetic, especially in the way they treat Takashi, nevertheless they resonate as believable, complex individuals.”

 

Pick of the Week: Clear Moonlit Picks

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SEAN: My pick this week is The Food Diary of Miss Maid, because I have the first of many office Christmas parties this week and I will probably be overeating.

MICHELLE: This week is full of new volumes of series that I really should be reading. Witch Hat Atelier and Skip & Loafer are high on the list, but I think I’ll make Classmates my official pick, as I’ve been hearing good things about that series for years.

ASH: Most of what I’m planning on reading this week are new volumes of continuing series, but at least one print debut has caught my interest, too—my pick goes to In the Clear Moonlit Dusk!

MJ: I will admit to being kind of interested in Reincarnated as an Apple: This Forbidden Fruit Is Forever Unblemished!, because… I mean. Apple. But my pick is almost certainly In the Clear Moonlit Dusk, so I guess I’m going along with Ash this week.

KATE: It’s always a good day when there’s a new volume of Skip & Loafer!

The Manga Review: Black Friday Edition

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Yet another Anime NYC has come and gone, bringing with it a raft of licensing announcements from Azuki, Kodansha, Seven Seas, and Yen Press. While most reports from the show floor were positive, The Beat’s Ricardo Serrano Denis noted that the convention suffered from some of the same issues that plagued it before the pandemic. “One thing I thought was seriously underrepresented in the 2019 show was manga and anime booths, places to acquire them,” he noted. “For an anime convention, I felt the number of booths dedicated to the medium were on the slimmer side of things. Fast forward to 2022, a whole pandemic later, and those same shortcomings are still accounted for, perhaps even worse so.” Other attendees gave mixed marks to the panels, noting that the Spy x Family session lasted a mere 30 minutes, while the online ticketing for the Attack on Titan event was marred by computer glitches and limited seating. Still, many folks left satisfied. Summarizing her experience at Anime NYC, for example, Erica Friedman observed there’s more great yuri anime and manga than ever before, noting how many vendors were prominently displaying series such as Lilies and The Executioner and Her Way of Life.

NEWS AND VIEWS

Looking for a great deal on manga or anime? Krystallina has you covered with an extensive list of Black Friday deals. [The OASG]

Mary Lee Sauder jumps in the WABAC machine for a look at the ani-manga craze of the early 2000s. [Honey’s Anime]

Over at Women Write About Comics, Carrie McClain sifts through a batch of new releases from Seven Seas, including I’m a Terminal Cancer Patient, But I’m Fine, The Savior’s Book Café in Another World, and The Titan’s Bride. [WWAC]

The latest essay at Sports Baka focuses on Gunjo no fanfare (Fanfare of Adolescence), a series about “a rich ensemble of teenage characters who, except for their common goal to become jockeys, couldn’t be more different.” [Sports Baka]

The Mangasplainers are all business this week with an in-depth look at Division Chief Kosaku Shima, a salaryman manga from the 1980s. [Mangasplaining]

Psyche Kale exposes the not-so-hidden sexism of Claymore. “Consistently, when given the chance to treat its characters with grace, to give them control of the story, to have their struggles understood, to have their humanity appreciated, Claymore chooses to undermine itself with a juvenile emphasis on unnecessary carnage, a lack of interest in the inner worlds of the characters depicted, and a callousness to their emotional suffering. And it sucks,” they observe. “For many it was the first time they saw a female protagonist in an anime or manga that was allowed the spotlight, who could fight and kill as well as anyone else, who was allowed to get beat up instead of wilting like a dainty flower. There’s still merit in those experiences, and moments of the story where it knows what it’s doing and how to give its female characters that grace and to focus on their emotions.” [Anime Feminist]

REVIEWS

Rebecca Silverman reviews Be Very Afraid of Kanako Inuki, arguing that this short-story anthology feels more “like a sampler rather than a full collection in its own right,” but asserts that “Inuki is a creator worth knowing, and if you’re a fan of Kazuo Umezz and Junji Ito, this is well worth checking out.” Over at The Manga Test Drive, Megan D. takes Naoki Urasawa’s Pluto for a spin. “Pluto works as both a tribute to a classic and as a stand-alone mystery,” she opines. “You don’t need to be familiar with Astro Boy to understand the story, but if you do you’ll be able to appreciate just how Urasawa adapts it for modern tastes.”

Pick of the Week: Kaiju, Foxes, and Apocalypses

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MICHELLE: There are a lot of appealing BL or BL-adjacent works out this week. I need to get caught up on I Think Our Son Is Gay and Sasaki and Miyano (so that I can read the spinoff), and The (Pet) Detective Agency looks pretty cute too, but quirky and retro-looking BL will always win out with me in the end, and thus my pick this week is The Gay Who Turned Kaiju.

ASH: The Gay Who Turned Kaiju is certainly one of the highlights for me this week, and I will happily be reading the others Michelle mentioned, too. That being said, I really enjoy Tomihiko Morimi’s work and have been reading a fair number of short stories these days, so I’m actually going to make Fox Tales my official pick.

SEAN: My pick this week is the yuri-ish Touring After the Apocalypse, which really, really REALLY sounds like Girls’ Last Tour.

KATE: Touring After the Apocalypse. I don’t know that I have a particularly thoughtful or well-informed reason for choosing it, but I like the cover’s juxtaposition of two totally normal, cheerful people going about their business in a hellscape. That feels like a pretty accurate reflection of what 2022 has been like for most of us!

MJ: I suppose I am also choosing Touring After the Apocalypse as my pick this week. Even with so many titles coming out, my feelings echo Kate’s this this week!

The Manga Review, 11/18/22

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Last week, ICv2 publisher Milton Griepp sat down for a lengthy conversation with Dark Horse Comics’ CEO Mike Richardson. The two discussed the company’s history–particularly its early investment in manga–as well as current trends in graphic novel sales. Among Richardson’s most interesting revelations was that a significant portion of Dark Horse’s business is happening outside of comic book stores. “85% of our sales are found in traditional bookstores,” he notes. “We’ve been told by PRH (Penguin Random House) that we consistently outsell Marvel and DC in bookstores and it’s bookstores that have pushed Dark Horse sales over nine figures.” Richardson also expressed his frustration with the media’s tendency to report Diamond Distributor figures as an accurate indicator of comic book sales. “Last I checked, we had sold almost five million copies of Berserk,” he notes. “Yes, that’s what I said, and we have a number of books that have sold seven figures.  None of them are included in the Diamond market share because we don’t distribute our books through Diamond.”

NEWS AND VIEWS

Jocelyne Allen explains the appeal of Asada Nemui’s Sleeping Dead, a new entry in the growing sub-genre of zombie BL. “I honestly love every page of this,” she notes. “There’s really not a wasted panel, and while I’m not one hundred percent on board with the explanation for the zombie effect, I am here for the actual zombie action. The developing relationship between mad scientist and zombie is fascinating, especially with the bumps in the road as they each discover things about themselves, and I seriously can’t wait to see how this story resolves in the second volume, which came out only recently.” [Brain vs. Book]

VIZ has just added a new Shonen Jump title to its line-up: The Ichinose Family’s Deadly Sins. The story focuses on a middle-school student who’s reunited with his family after an accident wipes his memory. The catch? His family seems to harboring some big secrets from him! The first chapter is available online. [VIZ]

On the fifteenth anniversary of its original publication, Kara Dennison revisits the first volume of Takashi Okazaki’s Afro-Samurai. [Otaku USA]

Congratulations to SKJAM! Reviews for ten years of thoughtful manga, movie, television, and book reviews; that’s a milestone worth celebrating! [SKJAM! Reviews]

Morgana Santilli leads a spirited roundtable discussion of three shojo titles: MARS, Midnight Secretary, and Ouran High School Host Club. [Manga Machinations]

In the latest installment of Multiversity Manga Club, Walt Richardson, Emily Myers, and Zach Wilkerson recap chapters 956-981 of One Piece. [Multiversity Manga Club]

ICYMI: Hagai Palevsky deconstructs Yuichi Yokoyama’s Plaza. “Such a project is perfect for Yokoyama, as a cartoonist who is interested in the temporality and kinesis of comics and completely uninterested in narrative components such as emotion and character development,” Palevsky observes. “It is elevated by his careful balance between the overall simplicity of lines and the density of objects: he does not bother with overwrought rendering, making do with economic recognizability of objects and putting most of his efforts into a ‘clutter’ both tangible and sensory. There is a lot going on in every single panel, but there is always an order to it, a clarity that rearranges the space in the eyes of the cooperative reader.” [Solrad]

REVIEWS

Over at Okazu, Erica Friedman explains how you should read Tatsuki Fujimoto’s Look Back. “Read it slowly. Pay attention to the details,” she advises. “It’s a slim volume, and not terribly complicated in terms of concept. In fact, I’d call this a very typical ‘the second story a manga artist does after their series goes mega-hit and they need to write about creating manga’ manga. But it is loaded to the gills with feels.” Also worth a look: Sarah offers a frank (and fair!) assessment of The Poe Clan‘s second volume, while Bradathon Nu critiques Tatsuki Fujimoto’s newest one-shot Just Listen to the Song. On the capsule review front, Masha Zhdanova looks at three new VIZ titles, while the gang at Beneath the Tangles offer short-n-sweet assessments of Rooster Fighter, The Remarried Empress, and Tower of God.

Pick of the Week: Quality Assortment

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MICHELLE: This may well be too far out of my comfort zone, but I’m still too happy that we’re getting danmei here to refrain from picking The Husky and His White Cat Shizun!

SEAN: I’ll go with the first volume of <i.Futari Escape, which seems to be a fun read for a quiet week.

KATE: I’ve been enjoying Naoki Urasawa’s Asadora!: it’s a period piece featuring a plucky heroine and crusty old pilot who will stop at nothing to save Japan from a Godzilla-like threat. The characters are all drawn in broad strokes, but the artwork is terrific and the story unfurls at such a brisk pace that it’s easy to forgive Urasawa a few narrative missteps. The last volume came out in… (checks notes)… April, so I’m primed and ready for volume six.

MICHELLE: I’ve been meaning to check out Asadora!.

ASH: I was really excited to learn that a rendition of Atsushi Nakajima’s The Moon Over the Mountain was scheduled to be released later this year, not realizing that it was part of a series. Now that I know that it is, I’m really looking forward to reading the series’ debut volume, Hell In a Bottle.

ANNA: Even though I am so far behind, I’m going to pick Requiem for the Rose King.

MJ: There are a number of interesting-sounding options this week, but I’m going with Requiem for the Rose King, too! I can’t resist!

The Manga Review, 11/11/22

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File this under Weird Twitter Kerfuffles: on Monday, manga-ka Kentaro Sato tweeted that “CEO Elon Musk has been posting my drawings without permission, so I’d like a usage fee of one billion. In dollars.” Musk had apparently re-tweeted a meme that used imagery from Sato’s Magical Girl Site, which is currently running in Weekly Shonen Champion. Though it’s not clear from context if the post was tongue-in-cheek, a number of Twitter users rallied to Sato’s cause, urging him to take action against Musk:

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There’s been no response from Musk so far.

NEWS AND VIEWS

Jocelyne Allen explains why she soldiered through the rocky first chapter of Kemutai Ane to Zuro Imoto. “I almost had to annoyance-quit reading this title,” she confesses. “But you know I love Battan’s sharp-nosed ladies with their cat eyes and strands of hair everywhere, so I kept pushing forward and found a lot more to like, including a much-needed window into Ran’s side of this story.” [Brain vs. Book]

Over at Shonen Flop, David and Jordan dissect the first chapter of Super Smartphone, a new Shonen Jump series. [Shonen Flop]

Artists Sally Madden and Katie Skelly devote the latest episode of the Thick Lines Podcast to Moyocco Anno’s In Clothes Called Fat.[Thick Lines Podcast]

ICYMI: Joe McCulloch dropped by the Thick Lines Podcast a few weeks ago to discuss Kazuo Umezz’s Orochi: Blood. [Thick Lines Podcast]

In the latest installment of Screentone Club, Andy and Elliot go to extremes–tonal extremes, that is, as they discuss Days on Fes and Franken Fran. [Screentone Club]

Erica Friedman praises Eike Exner’s Comics and the Origins of Manga: A Revisionist History, which won the 2022 Eisner Award for Best Academic Work. “You’re probably familiar with orthodox manga history, tracing today’s modern sequential narrative art from Japan from early scrolls, through sketches of the Ukiyo-e period to (time jump) modern manga,” she notes. Exner’s book, however, “stops the story and asks us to look – really look – at that time jump, and at one of the factors that shaped Japanese comicking into what we know today as manga… Exner’s voice is readable and friendly, with a sense of genuine conviction, rather than an argument that was made to be made.” [Okazu]

REVIEWS

Johanna Draper Carlson gives a mixed review to Blue Box, characterizing the artwork as “adequate but not inspiring,” while praising the series for flipping the script. “What I liked most about this book was a boy developing a crush on a girl because of her determination and accomplishments,” she notes. “A lot of shojo has the girl being aggressively normal, even shy, with no reason to stand out, unless it’s due to her cuteness.”

New and Noteworthy

Complete and Ongoing Series

The Manga Review, 11/4/22

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This week’s biggest news story: Kadokawa has purchased Anime News Network. On November 1st, publisher Christopher MacDonald posted an open letter to ANN’s readership to reassure them that the site’s “editorial independence is contractually guaranteed,” and explain that the biggest changes would be in the site itself, not the content. “KWE will be investing significantly in ANN’s software development,” he noted. “A number of new projects will be launched, and a number of projects that have been stuck in development for way too long will be prioritized.” As expected, reader reactions were mixed, with some posting congratulations, and others voicing skepticism about having a major Japanese publisher as a corporate parent. “Yeah, gonna be tough to trust reviews for Kadokawa stuff now,” opined user Albion Hero. “You can say all you want about ‘we will keep our independence’ but its [sic] been long proven that companies that own sites and magazines don’t like those reviews to be critical of their products… Seen this same song and dance plenty of times in gaming media. All the staff say how good their new corporate overlords are, and how they will keep their independence and all. Then 2 years later all the staff is gone and the site no longer has their original integrity.” They concluded: “Would love to be proven wrong but I’ve seen this story too many times.”

NEWS AND VIEWS

Earlier this week, Seven Seas unveiled a fresh crop of licenses, among them Homonculus, a horror series from the creator of Ichi the Killer; Soara and the House of Monsters, a fantasy manga; and Cat on the Hero’s Lap, a comedy about a warrior whose efforts to save his homeland from destruction are thwarted by a cute cat. [Seven Seas]

In other licensing news, Azuki announced two new acquisitions: BLITZ, a sports manga set in the world of competitive chess, and Zombie Makeout Club, a horror manga about–you guessed it–a teenage zombie. [Azuki]

The October 2022 NPD Bookscan numbers are in, and once again Spy x Family, My Hero Academia, and Chainsaw Man dominated the Top 20 Adult Graphic Novels chart. [ICv2]

Bill Curtis posts a complete list of manga and light novels scheduled for a November 2022 release. [Yatta Tachi]

If you’re an avid sports manga enthusiast, you’ll want to check out the newly launched Sports Baka substack, where you’ll find essays on Hajime no Ippo, Dive!!, Days, Ryman’s Club and more. [Sports Baka]

The Manga Mavericks dedicate their latest episode to Red Sprite, a Shonen Jump title from 2019. [Manga Mavericks]

On the latest episode of Shojo & Tell, Ashley and Asher critique Skull-Faced Bookseller Honda-san. [Shojo & Tell]

Walt Richardson and Emily Myers dissect the October 2022 issue of Shonen Jump. [Multiversity Manga Club]

In keeping with the Halloween spirit, Gee and Ray explore the highs and lows of Junji Ito‘s extensive catalog. [Read Right to Left]

Parents, teachers, and librarians interested in learning more about yokai manga will find Brigid Alverson’s latest article for the School Library Journal a helpful resource; not only does she delve into the history of the genre, she also compiles a list of age-appropriate titles for kids, tweens, and teens. [School Library Journal]

Over at TCJ, Ritesh Babu and Ari Gardner interview Juan Albarran, a Spanish artist who’s currently working with Shoji Fujimoto on Matagi Gunner, a seinen action series about “an elderly rural hunter who proves unexpectedly skilled at video game first-person shooters, and soon becomes embroiled in the colorful world of e-gaming.” [The Comics Journal]

Max explains how BL manga such as Go For It, Nakamura! offered him an alternative model of masculinity. “I could be kind, thoughtful, and cute like the boys in BL anime and manga,” he notes. “Maybe some people wouldn’t understand, but I’d always have BL to reassure me that there was nothing wrong with me, and that it was okay to be myself.” [Anime Feminist]

REVIEWS

It’s a measure of how mainstream Hayao Miyazaki’s work has become that both the New York Times and the New Yorker commissioned reviews of Shuna’s Journey, available in English for the first time this month. Writing for the Times, Susan Napier declares Shuna’s Journey “eerie, enchanting, and surpassingly strange,” while Sam Thielman observes that “Shuna’s Journey moves and surprises because of the reader’s disorientation at being dropped into a world that is both generously detailed and miserly with explanations.”

New and Noteworthy

Complete and Ongoing Series

Pick of the Week: More Sports Manga? In This Economy?

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MICHELLE: Oh, man. I’m forced to choose between perennial fave Skip Beat! and a promising new sports manga. I reckon I’ve gone on record enough about the former at this point, so I’ll pick Blue Box this week.

SEAN: What Michelle said. Blue Box is my pick.

ASH: I’m definitely interested in Blue Box and am glad to see more than one series being brought back into print this week, but my official pick goes to Berserk. It may not technically be the end of the series, but it’s certainly an end of an era.

ANNA: I’m sorry I’m not going to deny my pick for Skip Beat! even with the temptation of a promising sports manga!

KATE: Blue Box for me as well–it looks like fun, and I can’t resist a good basketball manga.

The Manga Review, 10/28/22

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Over the last year, The Comics Journal has been translating essays by prolific manga critic Natsume Fusanosuke. The topics have run the gamut from Taiyo Matsumoto’s distinctive visual style to the enduring appeal of Sazae-san and Rumiko Takahashi’s role in bringing romance to shonen manga. The latest installment focuses on Miyaya Kazuhiko, a key figure in the gekiga movement who’s not particularly well known to Western readers. In their helpful introduction, translators John Holt and Teppei Fukuda compare Natsume’s essay to Tatsumi Yoshihiro’s A Drifting Life, arguing that both Yoshihiro and Natsume write their “autobiograph[ies] as a history of gekiga. For Natsume, Miyaya’s gekiga form the pivotal ‘chapters’ in his own life as a ‘manga youth’ (manga seinen), coming of age in Japan in the 1960s and 1970s.” That’s a helpful way of understanding the essay’s mixture of self-reflection and analysis; Natsume uses his personal experiences to show the reader what Miyaya’s work meant to Japanese readers during a period of immense social, cultural, and technological change.

NEWS AND VIEWS

Seven Seas announced that it will be publishing LUPIN III (Lupin the Third): Thick as Thieves – Classic Manga Collection, “a curated collection of some of Monkey Punch’s best stories and chapters of Lupin III from throughout the classic manga’s history.” The book will be available in digital and hardcover editions next summer. [Seven Seas]

If you missed the first issue of Glaeolia, fear not: Glacier Bay Books is currently raising money for a reprint. (N.B. The crowdfundr page is not yet accepting pledges; the site should go live this weekend.) [Glacier Bay Books]

Jocelyne Allen sings the praises of Japanese SF Comics, a collection of sci-fi stories by Keiko Takamiya, Osamu Tezuka, and Junko Sasaki. Someone license this, please! [Brain vs. Book]

Found on Twitter: Kiuchi Niboro’s manga memoir about his time in a Soviet POW camp. It’s a fascinating look at a forgotten chapter of World War II history. [tara_chara]

What does Space Brothers have in common with M*A*S*H? The Mangasplainers are big fans of both, and divide their latest episode between a discussion of Chuya Koyama’s sci-fi drama and a discussion of the beloved seventies sitcom. [Mangasplaining… er, M*A*S*Hsplaining]

Tom and Joe, a.k.a. the Anime Sickos, sit down with one of Twitter’s most popular manga influencers, Minovsky Article. [Anime Sickos]

The Manga Machinations crew dedicate their latest podcast to Franken Fran, Wonderland, and Muhyo & Roji’s Bureau of Supernatural Investigation. [Manga Machinations]

Scholar Kathryn Hemmann explores the relationship between dojinshi and Western zine culture, drawing on their own experiences “both as an indie zine maker and as someone who has participated in big anthology fanzines.” [WWAC]

REVIEWS

In keeping with the spirit of Halloween, this week’s featured review analyzes Junji Ito’s Black Paradox, just out from VIZ. Christoper Farris argues that the book isn’t “especially ‘scary’ in a traditional sense, noting that “[t]here aren’t a lot of page-turn jump-scares included, and even the idea of gnawing, anxious dread is tied more to a character’s interior development rather than tangibly imparted to the reader. Black Paradox instead mostly thrives on general conceptual weirdness, letting Ito cut loose with body horror in time with the broadening of the plot.”

Also worth a look is Megan D.’s review of Happiness, a vampire manga by Shuzo Oshimi (Blood on the Tracks, Flowers of Evil). “Happiness is at its best when it tries to visualize the terror and confusion of a vampiric transformation against one’s will,” she observes, “but it’s hard to shake the feeling that from this point onward Oshimi was starting to rely on a story formula that was starting to get a little repetitious and questionable in its gender politics.”