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Alya Sometimes Hides Her Feelings in Russian, Vol. 9

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By Sunsunsun and Momoco. Released in Japan as “Tokidoki Bosotto Russia-go de Dereru Tonari no Alya-san” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Matthew Rutsohn.

There was only so long that the main mystery of this series that doesn’t involve “who will the winning girl be” got cleared up. (And honestly, “who will the winning girl be” is not much of a mystery, either – this isn’t the sort of series that’s going for a last-minute swerve.) So yes, Masachika admits to Alya what the relationship between him and Yuki really is, and then goes to visit her. That said, the series still wants to be a romcom, even in what amounts to the most serious volume to date, and so it also flashes to Alya’s POV during these scenes, which amounts to “OMG we’re holding hands no stop I’m comforting him, shut up brain” over and over again. Alya may be a romantic wreck, but thanks to the boy she not-so-secretly loves she’s found a way forward in life. In this book, Masachika also finds a way forward in life, but sadly he manages to botch that in a really bad way.

Yes, that’s Yuki on the cover, only the 2nd person to feature on a cover that isn’t Alya. She’s looking surprisingly serious as well, which fits the tone of this serious volume. After arriving at his sister’s house, and seeing how far Yuki has relapsed, Masachika decides that it’s time he stop running away from everything and has a long chat with his mother about why she started to reject him. Unsurprisingly, the answer turns out to be that they have a lot more in common than they possibly imagined. He then comes to a decision – he’s going to return to the family and become its head, which means Yuki doesn’t have to. He talks with his father about this, who is as easygoing and hands-off as always. He talks to his grandfather about this, who is grumpy but will let him try. He does NOT talk to Yuki about this. That’s where he botches things.

Of course, not all the upcoming chaos is going to be caused by Masachika. Nonoa still exists, of course. I’ve talked before about how much I appreciate her role in this, and I still do. I really liked her showing up late to “comfort” Masachika, and being genuinely a bit annoyed at Alya for getting there first. Which leads to what she does best, making Alya doubt Masachika. She frames things she found out by coincidence – which she freely admits – as if Alya ended up being the last to find out, and this plants seeds that I’m sure will extend this series into at least three to four more books. She’s also seemingly working on Ayano, and I have a sneaking suspicion that will be Nonoa’s downfall. Don’t try to outplot the woman who freely tells Masachika he makes her womb tremble.

I also did not mention Yuki’s complete meltdown when she hears what happened, or her heart-to-heart with Alya, where we realizing just how much all the incest subtext we love (OK, everyone but me loves) is an act – ALL of it. Basically, the next volume promises to be filled with a lot of repressed rage and tension…..short story volume? (checks) Oooh, differently numbered short story volume! So may be 10, may be BTS, which I assume stands for Behind The Scenes rather than a crossover with the KPop band.

The World’s Strongest Witch: I’m Starting My Free Life in a World Where Only I Can See the Online Strategy Guide, Vol. 2

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By Mochimaru Sakaki and riritto. Released in Japan as “Sekai Saikyou no Majo, Hajimemashita: Watashi dake “Kouryaku Site” wo Mireru Sekai de Jiyuu ni Ikimasu” by SQEX Novels. Released in North America by Yen On. Translated by Phil Charbonneau.

This series is definitely written to be incredibly silly first and think about everything else second. That said, it is at least thinking about other things. This volume makes it very clear what it would be like to be in a game world – not one with a linear through plot, like most isekais that have game elements are based around, but something where there’s a weekly “event”, which is a valuable opportunity for amateur players to earn skills killing monsters, or there’s a way to get “familiars” that involves a random gacha pull. Only it turns out that the town that the weekly event happens in is tormented by the fact that it happens over and over and there’s nothing they can do to stop it. And duplicate gacha pulls, mostly annoying for a player, can lead to existential crises. Fortunately, this is also a “no thoughts, head empty” sort of series.

Lorna is still heading to the capital, barring a few shortcuts, such as through the evil swamp to the evil church staffed by the evil minions, who are no match for her niceness and mayonnaise. She ends up at the shore, but unfortunately the ferry to the capital is a little booked, because tomorrow is … WEDNESDAY. Every Wednesday the monsters attack and destroy the town, and then they do it again the next week. Sure, sometimes strong adventurers can stop it… but it always comes back, so they get discouraged. Luckily, Lorna has her wiki page and her cheat guides. She then ends up looking for a “cute familiar” sort and accidentally summoning the Water Dragon Princess… and then the same Princess again, as she got a duplicate pull. Now there are two identical princesses… who she’s accidentally kidnapped? Uh oh…

I was worried this would get old fast, and it does still worry me a bit. So far, though, the humor is mostly dead on and very funny. (I could do without the lesbian guild leader into cute little girls, but I think I may have to sigh and just give up on telling Japan not to do that stereotype.) Lorna’s horror at finding that looking up guides in front of others may lead to unskippable ads of incest pornography games is hysterical, though. And there is a BIT of non-silly near the end, as the villain of this book (who is taken down ludicrously easily due to Lorna’s cheats) turns out to have been a bitter thousand-year-old sacrifice, and there’s a message from the man she loved apologizing for it. Again, one game’s mid-tier boss is a fantasy world’s tragic victim, and while this series is never going to lean too hard on the tragedy, it’s nice to know it’s there, if only so Lorna can make things better. Also, it turns out the Princess’ father is fine with twins, so that works out as well.

If you can’t stand the broadest of comedy, stay away. If you love the broadest of comedy, though, dig right in.

Bofuri: I Don’t Want to Get Hurt, So I’ll Max Out My Defense, Vol. 17

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By Yuumikan and KOIN. Released in Japan as “Itai no wa Iya nano de Bōgyoryoku ni Kyokufuri Shitai to Omoimasu” by Kadokawa Books. Released in North America by Yen On. Translated by Andrew Cunningham.

Last time I was quite happy, as the author was setting up the end of the series, and there was a lot of non-gaming stuff… well, a little bit of non-gaming stuff… that I could get my hands on. This volume is gaming gaming gaming, and the number of times ‘Kaede’ and ‘Risa’ appear in it is zero. As such, here I am again trying to wring five hundred words (see what I did there?) out of “and then Maple put on her angel throne thing again and they all won”. That said, there are differences here. Maple started this series by essentially playing by vibes, and getting ahead by doing stuff no normal gamer would think of. While the words “normal gamer” still don’t apply to her, she is now thinking like a veteran, and knows when to use her gonzo build to acquire additional buffs that will help her get by in future levels. Our Maple has grown up.

The nostalgia tour continues, as Maple and Sally wander the tenth level, which is made up of bits of the previous levels, and try to get bits of the “demon king’s mana” which will help them in the final floor battle. This means hitting the third level part to teach Maple how to use those flying shoes a lot better than she did last time, as well as help Iz (who reminds us again that everyone in Maple Tree is eccentric and looney tunes a bit). They walk the clouds of the fifth level, where they deal with clouds that may suddenly be less walkable than is ideal. They help Kasumi with her quests on the fourth level, meaning it’s a lot of antiquing and sword battles. And they even team up with Lily, which mostly means that she and Maple can combine to make an even more terrifying atrocity. That said, we all know the Demon Lord battle is not gonna be the end of this book.

There is one bit of through line with the previous book, and it’s Sally pining for Maple. No, not that way – I wish – but there’s a scene where they have to decide if one part coming up will be PvP or party vs. monsters, and you can feel Sally’s anguish as Maple obviously chooses the second. Sally really really REALLY has a fight boner for Maple by now, to the point where she fights both Frederica *and* Velvet and neither one can touch her because she’s saving her first time for … look, sometimes a cigar isn’t just a cigar. The trouble is that Sally has internalized “Maple hates PvP and will agree to this but be unhappy” in her mind, and has therefore decided without bothering to ask Maple at all. I other words, in case it wasn’t clear, Sally is a teenager. Maple is not the girl you remember, Sally. She’s grown up.

All this plus Iz has a tank, something that I really feel should have had the cover art, but oh well. Two volumes to go, hang in there, yuri fans. Your scraps that are plausibly deniable will be coming.

Ascendance of a Bookworm: Hannelore’s Fifth Year at the Royal Academy, Vol. 2

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By Miya Kazuki and You Shiina. Released in Japan as “Honzuki no Gekokujou: Hannelore no Kizokuin Gonensei” by TO Books. Released in North America by J-Novel Club. Translated by quof.

It’s been a while since we last saw Hannelore, chasing her love into the past and learning a valuable lesson, that lesson being “Wilfried is not the one”. (Wilfried waxes and wanes as the books require it, but he is absolutely not at his best in this book – I equated his thought process on social media to that of a bagel.) On the bright side, the goddess has allowed her to remember everything she did in the past, and all her character growth. Oh, don’t worry, she still blushes a lot and shies away from the idea that anyone would be in love with her for anything other than political reasons. But in many other ways she’s grown and matured a huge amount. Which is good, as, well, she accidentally created a huge crisis, and Rozemyne is not around to help fix things this time. Mostly as Rozemyne is off in her own adventures… offscreen. Yeah, sorry, she is Miss-Not-Appearing-In-This-Book.

Hannelore is back in the present, and everything has gone bonkers. Since the Goddess of Time used Hannelore’s body as a vessel, everyone is now also saying she’s chosen by the Gods, despite Hannelore pointing out that she was just a messenger. That, plus the fact that she fixed her poor reputation during the recent war, means EVERYONE now wants her hand in marriage… and are challenging Dunkenfelger for it. Sometimes this is merely annoying (most of the lower duchies). Sometimes it’s a lot more serious (Ortwin, who tries to make his case that he really does love her, but suffers from his reputation). And sometimes it’s a nightmare, as Sigiswald is still after her, and he’s set up this Bride-Stealing Ditter match to get her, by hook or by crook. Unfortunately, for everyone who is not part of Dunkenfelger, no one knows what Bride-Stealing Ditter really entails.

It’s hard to talk about this book in brief, as it’s filled with terrific moments. My first favorite moment comes when Hannelore meets with Eglantine, and it becomes very clear that Eglantine, like most people (and the readers) assume that this is just a big soccer match. In reality, Bride-Stealing Ditter is frequently lethal, and a lot more like the war they just had. Eglantine assumes that Hannelore, being a fluffy bunny sort of person, will object to this. Hannelore, though, is only a fluffy bunny sort of person compared to the rest of her friends and family, and is not backing down on this. They need to prepare to die, she says. (Eglantine does not have a fun book.) My other favorite moment is right at the end, when she turns down Ortwin’s marriage proposal. She explains that the protection and sympathy he can offer her, even if it does come from love, is something she doesn’t need anymore and has grown past. She admits if he asked a year ago she might have accepted, but his “timing was poor”. Given that this is something Hannelore has always seen as her biggest weakness, the irony is absolutely delicious.

We end before we get the ditter itself, and while I would never wish death on anyone, Sigiswald is fictional, so come on, throw me a bone. Bookworm fans should be quite happy.

The Tanaka Family Reincarnates, Vol. 6

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By Choko and kaworu. Released in Japan as “Tanaka-ke, Tensei Suru” by Dragon Novels. Released in North America by J-Novel Club. Translated by Sasha Schiller.

Haaaah. Did I say the 5th volume was Part 1 of 2? Try Part 1 of 3. That said, a lot of what was potentially horrible was taken care of in this volume, and for once it was not directly due to Emma and her family. Though you could argue they did it indirectly. It’s also a great example of how this series can have drama, with real consequences, and then turn on a dime and have the most hilarious bullshit imaginable. The first prince returns from the West, and there’s something… off about him. The Queen can tell something’s wrong, but can’t prove it, and everyone else thinks that things are absolutely fine. But then, he talks to Rose, the king’s concubine who we remember from previous volumes… and doesn’t stare at her enormous breasts. And this fact is SO mind-boggling that everyone immediately gets on board with him being compromised and starts to investigate. The sublime and the ridiculous are married in this series, ad it makes things even funnier, as it takes the edge off the fact that there’s about to be a war.

Emma is back at school, despite most of the student body convinced that she’s dying due to being Too Frail For Words. And just in time, as they’re all going on a field trip to view monsters in the forest, an incredibly dangerous foray that few usually do… except not only are all three Stewarts going, but so are all of Emma’s besties. Naturally the rest of the student body falls into line, including Edward and Arthur… and the King, who has somehow managed to finagle himself onto this so he can see what monsters are really like. What they all find is that this is all part of a crafty plan the Western Empire have been doing to invade and wipe out the kingdom, something unheard of in an age where all nations unite to fight monsters. Is it already… too late?

Lest you think that there’s not enough of Emma being a disaster here, think again. One of the big emotional climaxes also balances between trying to bring the King, who is out of his mind due to being covered with monster blood (which acts like a drug), back to his senses, and also trying to feel the King up because Emma is a giant pervert who loves middle-aged dudes. That said, it’s not ALL laughs. The invasion is very real, and while Juana feels bad about it she is also very dedicated to firing the cannons that will lead to mass death in the capital… death that does not happen thanks to the cats and bugs playing a giant game of “hit the cannonball”. And of course the book ends with the Western Empire sending in very dangerous monsters, which make even the Stewarts act seriously as opposed to just seeing them as food and/or goods. By the end of this book, we’re still about to be at war.

So yeah, things look bad, but they’ve already solved most of the really dangerous issues, and I’ve no doubt that Book 7 will be really silly. Let’s just remember the lesson learned from this volume: no man can resist looking at a pair of really exceptional tits. Unless they’re mind-controlled.

Long Story Short, I’m Living in the Mountains, Vol. 5

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By Asagi and Shino. Released in Japan as “Zenryaku, Yama Kurashi wo Hajimemashita” by Kadokawa Books. Released in North America by J-Novel Club. Translated by N. Marquetti.

Yes, it’s time to write the same review for the fifth time. I’ve talked before about slow life books that are not actually slow life at all, but “I want a slow life but I keep having all these girls and wars and battles” books. This is a genine slow life book, with plot twists such as “they go hunting”, “they go hunting again”, and “they eat what they hunted”, where the only surprise is that Sano, a relatively non-athletic sort, doesn’t go with them, so we never see any of the actual hunting. I suppose this fits with previous books, where we’ve heard about the chickens doing amazing things offscreen, but never get to see it. This book is laser focused on Sano, his depression, and his bonds with the folks who live at the foot of his mountain and in the mountains next door. And, of course, his non-romance with any of them. I think by now the author is genuinely trolling the readers about that, though.

Winter is here, and with this book we see the first snow hit Sano’s mountain retreat. His efforts to keep his screen door from freezing over work well, but you get the sense he’s not prepared for a really deep freeze. What’s more, the Katsuragi sisters have gone to town for the winter, so aside from one meal before the snows hit, they mostly communicate by text. Fortunately, he has Aizawa, who stays over at his place for a bit… then he stays over at Aizawa’s for a bit… then the two of them bond at a restaurant over the fact that society expects them to marry. Honestly, a large chunk of this book is BL except for the obvious. That said, not only is Sano still gaga over his chickens, particularly Yuma, the “chicken wife” of the group, but Aizawa still has Rin, his lamia, who is holed up in the house for the winter but you get the sense is definitely what Yuma is to Sano.

If you’ve read the previous reviews of this series, you know what I’m gonna talk about next. Sano is, for the most part, fairly laid back and mellow this book… except for Christmas, where for obvious reasons he slips back into depression. Aizawa too is struggling, as he tried to reconnect with his family recently, only to find that they just wanted to marry him off, so he fled again. Combine this with the Katsuragis fleeing from stalkers and you have a book whose entire premise seems to be “shut up and leave me alone”. That said, it also loves the community living in this area, and shows that they all love Sano as well. You don’t have to conform, you don’t have to get married and have kids and a normal job. You can, in fact, run away and live on a mountain. Provided, of course, you’re getting passive income from the apartment complex you’re renting out. I hope Sano is not a slumlord.

This is 11 volumes and counting, and I’m not exactly sure where it can really go except to explain why the animals on this mountain are bananas. Perhaps next time.

Betrothed to My Sister’s Ex, Vol. 2

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By Tobirano and Mai Murasaki. Released in Japan as “Zutaboro Reijou wa Ane no Moto Konyakusha ni Dekiai Sareru” by M Novels f. Released in North America by Airship. Translated by Rymane Tsouria. Adapted by Zubonjin.

(There’s a spoiler I talk about, but I’ll try to wait till after the summary. Also, the spoiler is obvious.)

I will reiterate that those who cannot accept that Marie’s entire life to date has revolved around being told how terrible she is will find this volume very hard going, because it will feel grating that she loathes herself to such a degree that it almost drowns the narrative. The third quarter of the book is awash in everyone just being very, very sad, and I get the feeling the author knew this and wanted to make sure it didn’t overflow. As such, eventually, when Marie ends up fleeing from her engagement and the castle, things proceed to turn into farce, starting with Mio driving around and around the castle while pretending to be driving her back home, waiting for her to change her mind, and then getting capped off by Kyros leaping onto the carriage to follow them around the castle. It’s so over the top it’s fun.

Marie is doing her best, even though she may not think that it is. As we learn more about her childhood, we discover that she can speak/write in multiple languages, that her dancing is excellent, and that the fact that her favorite children’s book was delivered to her may be the holding thing keeping her from a breakdown. Meanwhile, Mio investigates back at her parents’ manor, and discovers that things are far more disturbing than they or we imagined, especially in regards to the death of Marie’s sister. Even a lovely outing in the merchant district to look at rings and clothing can’t pass by without Mio hearing the voice of her sister calling her and having nightmares. Surely the best thing to do is to simply call everything off and go back to her abusive home.

Rest assured, dear reader, this does not happen. For one thing, Anastasia isn’t dead. I know this will come as a shock to no one. What came as a shock to me was that I was expecting her to have deliberately faked her death to go off the the capital to make things. As it turns out, no, she was almost raped by her coach driver, escaped by the skin of her teeth, and only by miraculous fortune did she wind up in the capital. Oh yes, and her hair is being used to pacify her half-insane mother. Suffice it to say, neither sister has had it easy, and they both love each other yet also deeply envy each other’s positions. Towards the end of the book, when both parents are taken into custody, Marie has to decide what to do with them, and we get a bit of backstory that explains but does not excuse their actions. Much as I liked the wackiness in the middle of the agony, the agony is very much there.

That said, there’s more to this series. Marie and Kyros aren’t married yet. The third prince is hitting on a former noble turned commoner who just wants to be left alone. And what of Mio, the best character in this series? We’ll find out next time.

Dinners with My Darling: How the Former Monster King Ate Her Way to Happiness, Vol. 3

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By Mugi Mameta and Nagisa Hanazome. Released in Japan as “Aisanai to Iwaremashite mo – Moto Maou no Hakushaku Reijou wa Kimajime Gunjin ni Ezuke wo Sarete Shiawase ni naru” by M Novels f. Released in North America by Cross Infinite World. Translated by JC.

The scope of this series is expanding a bit as we get to the third book, and as we continue to deal with the fallout of what happened with Abigail’s parents. Their domain is currently turning into a bit of a nightmare, and while Gerald doesn’t really wish otherwise, he does have to help investigate it. Moreover, Abigail may be human now, and theoretically able to do magic, but it’s clear that she has a foot in both worlds, and that she needs to be very careful to keep that balance, because right now her ability to talk to and control monsters may be more important than things like learning to do healing and recovery magic. That said, rest assured that we do get a lot of food here, and Abigail regales us with how good it is. The series is not going to abandon its title anytime soon.

As the book opens, Abigail and Gerald are still being pestered by the fourth prince, who desperately wants their help because Abigail is the only one who can possibly decipher the horrible bookkeeping of her old domain. Gerald agrees, albeit very reluctantly, but Abigail is fine with it. She meets some old schoolmates of Gerald as well, who are very different personality types but who both share a trait of being far too blunt and direct about everything. And she has to cope with managing the household when Gerald has a military maneuver that takes him away for a while. Unfortunately, her stepmother takes this opportunity to try to invade and demand that Abigail return with them. Even more unfortunately, she seems to have tried to stage a rockfall to kill off Gerald. Can food save the day?

As with the prior two volumes, I still have an issue with Abigail frequently sounding like a six-year-old rather than a young woman who used to be the Monster King. It makes the lovey-dovey stuff a bit weird. Apart from that, we get two new cast members here, though one may also leave us here. The Wendy subplot feels a bit half-baked, mostly as she’s not really aggressive or awful, she’s just direct and can’t take a hint. I was expecting her to clash with Abigail, but that didn’t happen, she just sort of finally gets the message and decides to go be a good girl from now on. You get the sense she was there for Abigail to pick up healing magic from. Much better is the other woman, Rickman, a brilliant but autistic (it’s not explicitly stated in the text, but it’s pretty obvious) aide to the prince who finds Gerald scary but warms to his fiancee right away, telling her stories. Frankly, she’s really good at telling the stories, and I wonder if a career change is in the offing. She’s also fun, as she too can’t seem to stop saying – well, stuttering – what she thinks.

This isn’t great, but it’s decent, and there’s enough meat on the bones for me to keep going despite my issues.

Her Royal Highness Seems to Be Angry, Vol. 3

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By Kou Yatsuhashi and Mito Nagashiro. Released in Japan as “Ojou Denka wa Ookari no You desu” by Overlap Bunko. Released in North America by Tokyopop. Translated by Katie Kimura.

Generally speaking, it must be fun to be a petty noble in a world like most of these otome game-esque magic academy worlds. The protagonist being a little too perfect, a little too attention-grabbing, reinventing all of modern magic to replace it with the powerful ways of old? Just do your best to discredit and ruin her. What’s that? Didn’t work? Her fiancee the prince is now seemingly a vegetable? Not a problem. She has friends. You just have to show them what a bad idea it is to be friends with her. Make it really clear that being tight with her can destroy not only your life but that of your entire town. Hrm? That didn’t work either? It’s OK, there’s a school festival. You can show up to belittle and crush her with your sneering, mocking ways… hrm? Is that the third Queen? Going gaga over what they’re selling? Talking with the protagonist about her health and inviting her to the palace soon? Maybe it’s NOT fun to be a petty noble…

Leticiel has a lot on her plate. Despite doing well in nearly everything at school, she’s struggling in liberal arts. She’s still getting the odd nightmare flashback to Drossel’s memories, including time spent with the mysterious Alec. Her older sister is trying to manipulate her twin sister into hating her even more, which… honestly does not really need that much of a push. The two spirit kids she made friends with last time have spirit parents who are very angry that they deigned to talk with a human. Heck, even the book she really wanted to buy from a mysterious merchant who totally doesn’t have a secret identity isn’t for sale. Oh, and innocent people are being kidnapped and shipped to another country to be sold as slaves. With all this going on, it’s no wonder that she’s behind in black cloud investigation.

The big climax of this book, in addition to allowing for a really cool sorcery battle (and showing off alchemy, which apparently also exists, and I’d love to see the final volume somehow combine magic, sorcery AND alchemy), Leticiel discovers that it’s not just Drossel’s past that she needs to worry about but her own. The bad guys are using some very familiar sorcery, and that means that someone else has returned from the dead like she has. As for the Drossel side, that’s also getting harder, as it’s becoming more and more clear that this is not simply a case of “if I just pretend everything’s fine, no one will notice I am a blank slate”. The Third Queen I mentioned before has been ill, and apparently she and Drossel used to be “sick buddies”, so it’s hard to just say “yeah, I totally know who you are” and nod politely. Especially when you may be asked to heal said Queen later on.

Basically, this series has a LOT of balls in the air, and whenever the fourth volume comes out, I hope I remember what they are. Also, I still would not describe her as angry. Peeved? Vexed?

The Brooding Duke’s Guide to the Lie-Detecting Lady

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By Mayo Momoyo and Wan Hachipisu. Released in Japan as “Fukigen na Koushaku-sama wa Uso Hakkenki Tsuki Reijou no Torisetsu wo Goshomou desu: Ophelia ni wa Uso wa Tsukenai” by Maple Novels. Released in North America by Cross Infinite World. Translated by Victoria Kasahara.

I saw the premise for this and I thought it would just be another one of those “girl has an ability that no one understands except the guy who is perfect for her” books, sort of the distaff equivalent of “everyone says my power is useless but it’s the strongest power”. But the author does not go down that road, mostly as Ophelia’s power is literally crippling. Being able to tell someone is lying is bad enough given how the world functions around lies, but her body literally shakes the longer and worse the person is lying, to the point where she falls over just because her limbs are vibrating too hard. This is not a cute power, it’s actually a bit horrifying. Fortunately, the girl with the power is cute enough on her own, though it’s unsurprising that she has a bit of an anxiety problem, and she’s now found the perfect job… maybe?

Ophelia is an earl’s daughter, but unfortunately she’s rarely left the domain since she was a child, because… well, see the previous paragraph. In a world where divorce is almost unheard of because cheating is considered socially acceptable, she’s simply unable to cope… and her parents are one of the few couples who have ever had to divorce, for that very reason. All she has is her very overprotective brother and a job cleaning at the Architectural Institute. However, she is a young woman, and as such has wants and needs. She wants to see the Duke, who is very, very handsome, and that means forcing herself to go to a party. Unfortunately, when she’s near the duke and his fiancée Stella, she has a bad reaction and has to leave. Unfortunately for her, the duke eventually figures out what she can do, and requests she change jobs, as he’s in charge of interrogating lying nobles. And boy does he hate liars.

Despite its premise being a bit more focused on how much Ophelia’s ability affects her, this isn’t as dark as I expected. Claudio turns out to be an awkward guy who doesn’t like admitting things straight out, and boy has he fallen for the wrong girl in that regard. After hearing about Ophelia’s childhood I was worried that her family was torn apart by it, but as it turns out her mother still meets regularly with her and her brother, and seems very happy married to her lover. Indeed, this turns out to be an important plot point, as it turns out she’s not the only one dealing with wanting to marry someone else. Oh yes, there’s also a lot of talk of religious symbols and how important they are, and a different duke with a big secret. Actually, the other duke may be my favorite character, and I’m glad Ophelia and Gian ended up bonding.

This is complete in one, though if you like the author you may want to watch the Always a Catch! anime, based on another LN of theirs. If you like cute, awkward people falling in love despite a disability this is a good one.

Loner Life in Another World, Vol. 14

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By Shoji Goji and Saku Enomaru. Released in Japan as “Hitoribocchi no Isekai Kouryaku” by Overlap Bunko. Released in North America by Airship. Translated by Andrew Schubauer. Adapted by Zubonjin.

This is the second volume in a row that can be described as “nothing happens except dungeons and fanservice”, with one exception, but even that exception stays pretty local. Haruka even remarks on the fact that the Empire, who you’d expect would be very angry about everything that’s been happening in the four months (!) since the arrival of our main cast, are instead being ominously silent. So instead Haruka concentrates on improving himself so that he can run dungeons without everyone being terrified he’s going to die, which he manages to make… some progress on. And he also manages to have a lot of sexy encounters with all the women in the cast, culminating in a scene I suspect I’ll have to simply not talk about in this review. Throughout this, though, we’re never allowed to forget how Haruka feels guilty over every bad thing that happens in this world, even things he can’t control, and that all the girls adore him, much as they might yell.

The one bit that’s not dungeon crawling or fanservice involves a ceremony to honor the dead. The dungeon crawls at the start of the book are less wacky than usual, and we’re reminded that all of these dungeons were, until the arrival of Haruka & Co., handled by the people of Omui, who fought to save their city and often died horribly. And that doesn’t even get into folks like that village that was destroyed by monsters, the one that Haruka continues to agonize over. So they decide to do a Shinto-esque ceremony, complete with a shrine on top of the hill (there is no hill, so Haruka built one expressly to have a hill for a shrine to be on top of), and the girls are all dressed as Shrine Maidens. Including Angelica, which is a bit awkward, as this shrine is dedicated in her name, and there’s a statue of her at the center of it. Should she really be eating yakitori next to it?

Moving on to the other 4/5 of the book, the dungeon sections are more interesting than usual as it shows, over the course of the book, that Haruka’s current style of “react so fast that he never dies” is not going to be sustainable. Eventually he is going to get hit – and indeed we see his HP rapidly go down. So he actually listens to what the dungeon emperors are saying, sits back and watches as they kill all the monsters, and takes notes. He’s got to be fast AND clever, not just instinctual. As for the fanservice, it continues to be the reason why, as much as I love this series, I cannot recommend it to anyone except people who are already reading it. There’s another round of underwear making (the series continues to imply that Haruka and the girls are gradually getting a bit less than human, as the girls’ bodies are basically “evolving” a bit too rapidly), and the girls’ attempts to flirt with/get a rise out of Haruka, in the hope that he’ll stop avoiding the very concept of being with anyone other than dead monster girls, ends up getting very… messy. This was the scene that, having read a Japanese wiki about the webnovel, I was waiting for to see if the light novel would cut it. It did not.

The next volume promises a new girl, if the cover is any indication. Until then, enjoy a book that uses the phrase “and stuff?” a lot, only the stuff is more like what you get in Oreo cookies. Also, another MariMite reference, the 2nd in the series!

Goodbye, Overtime! This Reincarnated Villainess Is Living for Her New Big Brother, Vol. 7

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By Chidori Hama and Wan Hachipisu. Released in Japan as “Akuyaku Reijō, Brocon ni Job Change Shimasu” by Kadokawa Beans Bunko. Released in North America by J-Novel Heart. Translated by Rymane Tsouria.

This is a relatively plot-lite book. Apart from introducing the next presumed antagonist (who shows up to be menacing and then goes away until the next book), the main thrust is that, as much as Ekaterina would like to just quietly work behind the scenes and let other people shine instead of her, that’s simply not going to fly. Not only is she gorgeous, smart, compelling, etc, but everyone around her also sees her as if… well, as if she’s the main character in a light novel. When she tries to deflect, people interpret it in the best possible light. Especially her brother. Yes, it’s another volume of Goodbye Overtime so we get a lot more of Alexei and Ekaterina talking about how devoted they are to each other, though thankfully it’s as sexless as always. And for all that she’s trying to do her best to avoid getting a bad end/executed, I think she may have more trouble NOT marrying the crown prince. The universe wants her to be Queen.

This does take place at a magic academy, and even though it’s not Japan and there are nobility and commoners, all that is irrelevant as it’s School Festival time. Ekaterina is worried as she vaguely recalls the game has their class doing a play where she’s cast as the wicked villainess, and she’s like to avoid that, thank you. She wants to do a choir, seeing as they now have classmates beloved by the God of Music. Unfortunately, her classmates have other ideas, and want a play. But it’s OK. She can write it, and, well, direct it, produce it, and stage manage it, but she doesn’t have to BE in it, she can cast everyone else! Flora is the heroine, of course. And Olga is the villain, and will get the big weepy song, as sung by Susan Boyle on Britain’s Got Talent! Nothing could POSSIBLY go wrong!

The highlight of the book is the performance, because of course, something goes wrong. In a world where you have Gods who can literally whisk people away to Valhalla for concert performances, casting their new talent in your play is perhaps not the best idea. So Ekaterina has to play the villain after all, and try to fit into a dress that’s far too tight for her more voluptuous figure, sing a song that requires hitting a few high notes she’d rather not, and also try to remember her lines. She succeeds at two of these, but fortunately not only does everyone adore her, but her desperation fits the character she’s playing anyway. And she’s as oblivious as ever, not realizing the danger she’s in in the student council room, and also not realizing the song she’s ripping off from Les Mis could also describe her own childhood. Let’s just say the sister complex is not getting smaller anytime soon.

The next volume only came out in Japan a few months ago, but seems to continue the festival. Fans of the series should enjoy this new volume.

From Two-Bit Baddie to Total Heartthrob: This Villainess Will Cross-Dress to Impress!, Vol. 5

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By Masamune Okazaki and Hayase Jyun. Released in Japan as “Mob Dōzen no Akuyaku Reijō wa Dansō Shite Kōryaku Taishō no Za wo Nerau” by TO Books. Released in North America by J-Novel Heart. Translated by Caroline W.

All otome game villainess stories are, by definition, somewhat metatextual. It has characters who are trapped in a world based on a game, trying to avoid Bad Ends. Even if they don’t talk to others about their choices, they narrate to the reader about them. But Two-Bit Baddie is even more meta than most. We have two people who’ve both played the game and know what’s coming, and discuss it with each other. We have a narrative that occasionally tries to lure them back into canon, even if they both want to disregard it. More to the point, the entire reason Elizabeth dresses and acts the way she does is to avoid a bad end that’s already passed. There’s no need to keep doing it. So when Richard asks why she’s dressed as a man, she answers “because I like it”, and I think not only does this surprise her but she means it. This is who she is now.

The book picks up where it left off last time. Elizabeth, Christopher, Edward and Lilia have to stay a little longer than planned. Sure, thanks to Lilia accidentally turning Diana into a BL fangirl, the marriage seems to be off the table. But there’s the troubling information that people are kidnapping nobles, and then giving them back the next day. What’s going on there? Meanwhile, Elizabeth and Lilia get an opportunity to explore a dungeon, and while they don’t find any monsters, they do come across some very human villains. When they are finally allowed to go home, after everyone finally realizes that Elizabeth is a woman and her brother is rejecting the marriage proposal, Elizabeth finds new problems. Yoh, the villain from the last book, has joined the knights and become a masochist. And worse, the plot of the second fandisc is beginning… four years too early!

The otome game mechanics are not the only things analysed in this volume. There’s an extra bonus route involving Lilia getting romanced by her teacher, a forbidden love sort of thing, and while Lilia is not interested in anyone but Elizabeth, Elizabeth is furious at the very concept of the route’s existence. She delivers a multi-page takedown of “teacher/student romance” as a concept, stating that anyone who would take advantage of a student in real life is the worst of the worst. Lilia finds this baffling, but that’s because Lilia is still caught up a bit too much in thinking in terms of tropes and fiction – to her, teacher/student romance is hot because of the forbidden aspects. It’s a very interesting diversion in what ends up being a solid but typical volume in the series. Elizabeth remains handsome and seductive but unable to see the very obvious affection anyone has for her – except Lilia, who had to literally confess. Subtlety is not gonna fly here.

The main drag on this volume is that it ends not even 2/3 through, and the rest is taken up with other POV stories and side stuff. It’s the equivalent of a LaLa volume, and I hate it. But the bulk of this is still pretty good.

Frieren: Beyond Journey’s End ~Prelude~

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By Mei Hachimoku and Tsukasa Abe, based on the manga by Kanehito Yamada. Released in Japan as “Sousou no Frieren: Zensou” by Shogakukan. Released in North America by Yen On. Translated by Jenny McKeon.

It’s another tie-in novel, and by now I think we know what to expect with these. The title says “Prelude” because it’s the safest place to play around it. You can’t change the story the original author is still getting to, and sometimes you can’t even tell stories set at the same time as the manga. But things that take place before the manga starts, or in the past, are fair game, provided you don’t change the future. As such, it’s no surprise this is a short story collection, and honestly of the five short stories three of them are really obvious: seeing Fern and Stark before they met Frieren is a gimme, and seeing Frieren with Himmel and party is also unsurprising. The other two stories are more interesting choices, and they’re also both pretty strong. I usually talk about whether a short story collection is front or backloaded, and this is the latter, which is good, as that means it gets better as it goes.

The five stories: 1) A young Fern practices her magic and worries about Heiter, who is not only very old but is also down with a cold, so she decides to go searching for herbs; 2) Stark is at the village with the dragon, which he “drove off” by being in its face when it decided to go away, and frets about his reputation, while also saving the one guy who doesn’t like him when he goes missing; 3) Kanne and Lawine are taking the test to prove they’re mages back in their hometown, but have to deal with a bratty rich girl mage and a stronger than usual monster; 4) Aura the Guillotine runs into the hero’s party and lives to regret it; while recovering from her wounds, she talks with other demons around her, most of whom are familiar to us; 5) Frieren wakes up on a wagon headed for… well, somewhere, and is distressed to see her friends getting off it and leaving her behind.

Fern and Stark’s stories aren’t bad, but they’re both very predictable and stay in their lane. Kanne and Lawine’s story is surprising in that it happens at all, but I enjoyed seeing them again, and their teamwork and bond is in full force here. Aura’s story may be the best in the collection. She’s a terrible… well, demon, not person, but you know what I mean. But the story is designed to poke around Frieren’s “all demons are evil and you need to kill them on sight” philosophy, as we see some demons trying o understand why humans do things and failing, and some continuing to make the effort regardless – we’ll be getting to that in the 3rd anime season late next year. Finally, the Frieren story is basically an “all things must one day pass” metaphor, but it’s well written and emotional, and works well with Frieren, who is coming to terms with people she cares about passing, bit by bit.

So yeah,k this is a solid book. Fans of the manga will definitely enjoy it. Casual buyers… read the manga first, OK?

Though I Am an Inept Villainess: Tale of the Butterfly-Rat Body Swap in the Maiden Court, Vol. 10

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By Satsuki Nakamura and Kana Yuki. Released in Japan as “Futsutsuka na Akujo dewa Gozaimasu ga: Suuguu Chouso Torikae Den” by Ichijinsha Novels. Released in North America by Airship. Translated by Tara Quinn.

Something we’ve seen throughout this series but especially in this volume is the idea of what an “ideal” woman is in this Court Intrigue series. The series began by showing us that Reirin was delicate, fragile, and good at all the things that men prized in a woman, whereas Keigetsu was boorish, clumsy, and the one thing she’s really good at she has to keep hidden. Of course, we now know that delicate flower is not the word anyone would use to describe Reirin – except maybe Seika, and even she, by the end of this volume, has had the Reirin pedestal in her mind taken down. Here we also get a foreign delegate who explicitly regards all Ei women as weak and unable to fight back, and Seika (who among the five maidens has been the most feminine one) has to come to the realization herself, and then tell him, that in fact the Maidens all learn to be silk hiding steel. No more so than Reirin.

After the events of the last two volumes, everything is seemingly back to normal, and the maidens are back to learning how to be consorts. However, a foreign prince is visiting the country, and Seika is in charge of the welcome. She decides to rope in Reirin (because she adores her) and Keigetsu (because Reirin won’t go without her) to help her with the ceremony, which is mostly ceremonial – they roll out the red carpet and the prince says he is content, and everyone is happy. Unfortunately, it turns out that Seika, especially after torturing and starving the consort and effectively moving up in the power structure, is battling family who very much want to bring her down. What’s more, Seika’s seaside city is a lot less happy and content than she thought when she grew up there. And the prince, who has his own agenda, is far from content. Worst of all, I used the word “seemingly” at the start of the paragraph for good reason.

When I started this volume I was a bit puzzled. The last book ended with such a dire cliffhanger for Reirin, what happened to it? As it turns out, I had reckoned without Reirin’s powers of trying to make everyone around her think things are totally fine. We’ve had lingering in the background the fact that the bodyswaps seem to be affecting Reirin’s health to a degree, but it’s only to a degree – and after the last extended swap, she’s actually worse than before. Reirin has a chronic unknown illness that no one can find a cure for. She has been dying for years, and it feels much closer now. And she just cannot quite work up the strength to tell Keigetsu about it. Unfortunately, that means that when Keigetsu, trying to protect Leelee by being brash as usual, ends up in a dire situation., a bodyswap means that Reirin is now in the dire situation. Reirin, who has come very, very close to accepting this is how she dies.

Keigetsu, needless to say, is utterly devastated when she finds out, especially when she realizes that she doesn’t have the power for several days to swap them back. Keigetsu still has a tendency to feel that everything she has achieved is thanks to Reirin, and even more so, that everything bad that’s happened to Reirin is her fault, leading to her literally saying “let’s stop being friends” at one point. Keigetsu, of course, fails to realize that she is the best thing in Reirin’s life right now. One of the funnier scenes in this book is seeing Gyoumei trying his damndest to talk to Reirin via Keigetsu’s fire every day, and realizing, as does Keishou, that Reirin honestly is just not that into him – or anyone, really. Again, this isn’t yuri, but if there’s anyone Reirin is interested in most at the moment, it’s Keigetsu.

Fortunately, the fact that there’s been another body swap, as well as Keigetsu literally begging Reirin to live, makes things better for the moment. Though I’ve no doubt that Reirin’s chronic illness is the series’ final boss. In any case, next time, it’s Reirin’s time to fight back. And we all know what that means. There’s going to be utter chaos. Highly recommended, and I hope the anime is good.