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Banner of the Stars: Thunder of the Empire

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By Hiroyuki Morioka and Toshihiro Ono. Released in Japan by Hayakawa Bunko. Released in North America by J-Novel Club. Translated by Giuseppe di Martino.

And so we finally catch up with Banner of the Stars, a series whose last three volumes have come out over the course of the last twenty years, so I’m not sure when the next one in the series will be. This book takes place ten years after the last one, though honestly it took the author telling me that to actually make me understand it. The Abh are long-lived and don’t really age, so there’s a certain stasis to their lives, and it makes it hard to get a real sense of time. As for this book in particular, it’s very good news for those who love long, detailed descriptions of space battles, though as always these are somewhat remote, vaguely realistic space battles taken on by dry, sarcastic space elves, so don’t expect dramatic pew pew laser fights and heroes screaming out as they are killed. What we get instead is the Abh slowly trying to take back what they lost, and to regain contact with the other half of their split Empire, which is also trying its best.

Unlike the last book, Lafier gets quite a bit to do, as she’s promoted from training the new troops (which she’s been doing since the end of the previous book) to having a fleet of her own, whose job it is to retake the capital!… wait, no, that’s not its job, much to Lafier’s irritation. Instead they’re going after a different strategic site, trying to gauge the strength of the enemy, take out the enemy, force the enemy’s leaders to surrender, and seize the day. This is not quite as easy as it sounds… but it mostly is, with the Abh winning fairly one-sidedly. The drama comes from, as I said, Lafier not being a very happy camper. She’s still inexperienced for an Abh, and knows she would not have her own fleet if she weren’t Crown Princess. She has a minder on board, with orders to relieve her of duty if she screws up. And Jint, who is still by her side, is, well, starting to look older than her.

While talking about this book on Twitter, I noted that folks who started the series reading about the adventures of Jint and Lafier, who were hoping for more scenes of them together like we saw in Crest, are probably very disappointed by now, as it’s clear that’s not remotely what the author wants to write about at the moment. It was also pointed out to me that I don’t think like an Abh, and by their standards Jint and Lafier are sickening sweethearts, which is also true, I suppose. (We do see some good shots of Sporr and Cfadiss, which is the only other relationship we see in this series anything like the one Jint and Lafier have, and I appreciated it.) That said, Lafier does think about the fact that, as the years go on, Jint is going to look older and older and she isn’t. I’m not sure that makes her happy, but not much she can do about it. Still, any furthering of the romance will likely have to wait for the end of the war.

When will that end? Well, we’re not sure, as the next book isn’t out in Japan yet. This came out in 2018. I am hoping the gap between books will be more like the 5 year gap between 5 and 6, rather than the 9-year-gap between 4 and 5. till then, this is recommended for science fiction readers who like reading about military tactics.

The Matchmaking of Marielle Clarac

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By Haruka Momo and Maro. Released in Japan as “Marielle Clarac no Kyuuai” by Ichijinsha Bunko Iris NEO. Released in North America by J-Novel Club. Translated by Philip Reuben.

The author describes this book as a “calm and gentle” story, and I suppose, given that the previous book involved Marielle getting involved with pirates and her wedding had her kidnapped, falling into a river, etc. that that is correct. In reality, all it means is that all the action and danger to our heroine is packed into the last quarter of the book. Heck, even the main storyline in the book has Julianne, Marielle’s friend and BL reader, accused of attempting to poison the royal family. When you are the light novel equivalent of Murder, She Wrote, calm and gentle seems like a long time ago. That said, this novel also serves as a reminder that the only thing worse than the attitude of nobles towards commoners is the attitude of greater nobles towards lesser nobles. Marielle had to deal with this as well, of course, but at least Simeon was only an Earl. When the Prince of the Realm is head over heels in love with you, and your parents are social climbers, it can be quite the headache…

Marielle is happy as a clam as the book starts, but inevitably gets dragged into this mess. After all, Simeon and the Prince are friends, and she and Julianne are friends. She’s the reason the two even met in the first place. And the Prince is now doing his best to not act like a pathetic drip. Mostly. So it’s time to meet the parents, who are worried that a girl from a lesser barony winning over their son means she has intentions other than love. This is not helped by Julianne herself, who is firmly convinced that their classes are too far apart, and is in general far too practical to simply leap into something like this. The answer, of course, is to have Marielle around, as she is both very much a part of the royal world now and also frequently the opposite of practical. Can she get Julianne to admit her own feelings, get the King and Queen to learn what type of person she is, and not get stabbed preventing an assassination attempt? Note: the answer to the last question is no.

Yeah, as noted, this book leaves all its thriller aspects for the last quarter, and spends most of the time in mystery and romance mode. The King and Queen are both very likeable people – indeed, the whole royal family is pretty great – and the moral of the first 3/4 of the book might just be “don’t assume everyone loves dogs”. But there has always been the threat of war and politics lurking at the edge of this series, if not directly involved with it, and there is a definite anti-monarchist faction, which decides to take more decisive action. It is rather startling to see Marielle, who I have previously described as a flibbertigibbet sustain a serious injury in this book, though in best action heroine style this does not stop her from sticking around till everything is resolved before passing out. Heck, she even does the “I can’t run in this dress” clothing rip!

So yes, another strong volume, and fans of Marielle who notice that she doesn’t fangirl QUITE as much in this book will, I suspect, get more of what they want to balance it in Book 7. Will the nation go to war? And can Marielle find a way to write romance novel about it?

Bookshelf Briefs 4/16/21

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Dead Dead Demon’s Dededede Destruction, Vol. 9 | By Inio Asano | Viz Media – By the ninth volume of Dead Dead Demon, any hope that this series was a “lighter, softer” version of Inio Asano’s usual manga has long since left town—this is the bleakest, most depressing volume in the series to date, with even the Doraemon parody going into the “you will die old and alone” bin for its “comedy.” Last time I said that I could not see the current situation ending in any way but tragedy, and that’s absolutely the case, as Kadode essentially turns this series into a new volume of Death Note, to the point where it takes Oran beating her up in sheer horror to make her… well, let’s just say we know why Oran hopped universes. As for the universe they’re in now? Not optimistic. Brilliant, but ugh. – Sean Gaffney

I Was Reincarnated as the Villainess in an Otome Game but the Boys Love Me Anyway!, Vol. 1 | By Sou Inaida and Atakai | TOKYOPOP – Another villainess otome that can best be described as “Bakarina only taking itself seriously,” this volume does not really make any major mistakes but also suffers from not really doing much to stand out. The heroine is trying to avoid her death flags, but doing it in perfectly sensible ways, and the fact that the boys fall for her anyway baffles her. Again, I like the message, which is that being good rewards you with good things happening to you, but I keep waiting for the deconstruction or the zany antics. If you really love otome game villainess stories, read this, but if you want a serious Bakarina, read Accomplishments of the Duke’s Daughter instead. – Sean Gaffney

I’m in Love with the Villainess, Vol. 1 (manga) | By Inori and Aonoshimo | Seven Seas – This early digital version is out a good four months before the print release, but I’ll still take it, as I adore this series. This being the first volume, and thus concerned with setting the table, it’s filled with light and goofy comedy, as Rae is very, very concerned with getting Claire to make angry faces at her, which are the poses she loves to see. There is a bit of foreshadowing of future events here, which the manga should be getting into soon, but for the most part, this is breezy fun, and I especially love how Rae explains that Claire’s bullying is much better than the garden variety sort—she does it herself, she makes sure there’s no permanent damage, etc. Rae sees the beauty of Claire, and soon we will too. – Sean Gaffney

Oresama Teacher, Vol. 28 | By Izumi Tsubaki | Viz Media – As the series begins to come to a close, it’s definitely getting around to wrapping up the main problems that the final arc has left our cast with. Maki learns that sometimes your actual memories can be papered over by other things, such as grudges and hatred, and you have to remove those to see what’s underneath. Toko learns not only that when it comes to madcap, zany schemes she has nothing on this school’s students, but also that she can’t win against her older brother… who also cares about her far more than she imagined. And then there’s Mafuyu, who manages to be cool and awesome in about five different ways even when in her Natsuo persona. Not as popular as Nozaki-kun, but I will miss it. – Sean Gaffney

Rainbow and Black, Vol. 1 | By Eri Takenashi | Seven Seas – I have a soft spot for weird, peculiar manga, so the bizarre creature on the the cover of Rainbow and Black immediately piqued my interest in the series. What sold me on the first volume, however, was the lead character punching out a man within the first few pages. (Unfortunately, this does lead to her losing her waitressing job, but the ill-behaved customer absolutely deserved what he got after groping her.) Shirahoshi Kuroe is a college student who likes things to be very clear-cut; life, of course, has a tendency to be anything but. And so when circumstances lead to Kuro taking in an abandoned “happy mouse”—an animal that defies being neatly categorized—she finds herself having to start thinking about things a little differently. In part, Rainbow and Black is a cute story about (incredibly strange) pet ownership, but it’s also about Kuro’s charming growth as a person. -Ash Brown

A School Frozen in Time, Vol. 1 | By Naoshi Arakawa and Mizuki Tsujimura | Kodansha Comics – On an especially snowy day, eight students of an elite prep school find they are the only people to have shown up to class. Not only that, once they’re inside the building, they can’t leave. Soon, all watches and clocks stop at the exact time that a suicide occurred two months ago during the school festival, resulting in the death of a classmate that none of them can remember. And what’s more, that classmate’s spirit might actually be among them right now! I enjoyed this first volume a good bit. The creepy vibe is well done, and though I at first found the characterization a bit shallow, it improves as it goes along. It seems we might focus on one kid at a time as they finally remember who it was who died and are then eliminated from the scenario in bloody yet ambiguous fashion. Okay, I’m hooked. – Michelle Smith

Skip Beat!, Vol. 45 | By Yoshiki Nakamura | VIZ Media –I have been reading Skip Beat! for thirteen years now. THIRTEEN. And for the majority of that time, I’ve been anticipating something that finally, finally, finally happens at the end of this volume. The build-up is suitably epic, as Kyoko begins the volume believing Ren is in a sordid relationship with a porn star, but after he explains the embarrassing truth to her (in Bo costume), she’s back to believing it’s manipulative Morizumi that he loves. Still, she wants Ren to be happy more than anything, and right now the girl he loves thinks he’s a creep, so Bo convinces him to confess his real feelings. Cue Ren spotting Kyoko in the lobby, a two-page sprint scene, a dramatic elevator entry, and Ren finally clearing away all the Morizumi mess until Kyoko believes him: it’s been her all along. Sniff. Can’t wait for volume 46! – Michelle Smith

An Incurable Case of Love, Vol 7

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An Incurable Case of Love Volume 7 by Maki Enjoji

Especially in these pandemic times, sometimes I just want to read something light and fairly predictable. I don’t want surprise plot twists or social commentary, but seeing a couple work through and resolve all the impediments to their romance and end up with a happy ending is often just the diversion that I’m looking for. The Shojo Beat “stealth josei” titles like An Incurable Case of Love tend to be limited, with only one or two coming out at a time but I really enjoy them.

An Incurable Case of Love Volume 7

This is the final volume of An Incurable Case of Love! I’ve been feeling like the past couple volumes have been stretching out the story a little too much, this would probably have been a very tight 5 volume series as opposed to a slightly meandering 7 volume series, but I very much enjoyed it overall. I’m a sucker for repeated plot tropes and anything in shoujo manga that reminds me of a k-drama, so I was delighted when there was a time skip involved when Dr. Tendo had to study abroad for a number of years only to finally reunite with Nanase at the end. I do not feel like I’m even revealing any major spoilers as all of this has been telegraphed to the reader all along. Still, by the end of the manga the Dark Lord and the Valiant One have become an adorable couple and it is nice to see Nanase win in her steadfast goal of bagging the one doctor that she feel in love with at first sight so many years ago. For fans of predictable workplace romance, An Incurable Case of Love absolutely delivers. I’m hoping to get some more josei titles that are set in places beyond offices, because this series was amusing and the medical setting gave the author plenty of opportunities to explore extra drama.

Manga the Week of 4/21/21

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SEAN: The end of April, and the daffodils are blooming. What manga do we have?

Airship gives us a print version of the 10th Mushoku Tensei novel and digital versions of The Hidden Dungeon Only I Can Enter 4 and PENGUINDRUM 3 (the final volume).

ASH: I still need to read PENGUINDRUM.

SEAN: J-Novel Club has new digital volumes, as we get Full Metal Panic! 11, The Great Cleric 2, The Master of Ragnarok & Blesser of Einherjar 15, and My Friend’s Little Sister Has It In for Me 2.

In print… theoretically… Kodansha Manga has the 7th volume of My Boy, a former Vertical title. It’s nowhere on their website, but all the major outlets list it.

The digital debut is The Honey-blood Beauty & Her Vampire (Mitsugetsuhime to Vampire), a shoujo title from Palcy about a vampire and his charge, a girl whose blood tastes amazing. This comes with the usual “lead guy is pervert and sadist” warning that a lot of these shoujo titles do. I’m sure he will get better, it’s only 4 volumes.

MICHELLE: I’ll be passing on this one.

ANNA: Me too.

MELINDA: Ugh.

SEAN: There’s also Blue Lock 2, Dr. Ramune -Mysterious Disease Specialist- 4, A Girl & Her Guard Dog 3, Orient 11, We’re New at This 5, and Will It Be the World or Her? 4.

The big debut for Seven Seas is SUPER SENTAI: Himitsu Sentai Gorenger. This manga ran in Weekly Shonen Sunday in the mid-1970s, and almost every sentai series since owes a debt to it. You may recognize the author from Cyborg 009 or Kamen Rider. It’s in one big deluxe hardcover, containing the whole manga.

ANNA: Sounds cool, I’m glad that we’re getting more retro manga!

ASH: I really enjoyed what we got of Cyborg 009, and I’m likewise excited to see older titles being licensed!

MELINDA: Same here!

SEAN: The other debut also involves heroics, but in a more yuri way. Superwomen in Love! Honey Trap and Rapid Rabbit (Hero-san to Moto Onna Kanbu-san) is a Yuri Hime title about a villainess who can’t defeat her arch-nemesis… as she finally sees her face and is in love! Cast out of her villain society, she ends up moving in with the hero. I’ve heard very good things about this.

ASH: I’m not particularly interested in superheroics, but my curiosity is piqued.

MELINDA: I’m intrigued!

SEAN: Digitally we get Alice in the Country of Joker: The Nightmare Trilogy, which as you might guess is three volumes.

There’s also the 4th Arifureta Zero manga, Blue Giant Omnibus 3-4, Magika Swordsman and Summoner 14, PENGUINDRUM 4 (the manga this time), and Tamamo-chan’s a Fox! 2.

ANNA: I still have the fist volume of Blue Giant sitting on my bookshelf unread but I’m looking forward to reading it!

ASH: I actually have read the first omnibus and am definitely looking forward to reading more of Blue Giant.

SEAN: Tokyopop has three debuts. I Was Reincarnated as the Villainess in an Otome Game but the Boys Love Me Anyway! (Akuyaku Reijou Desu ga, Kouyaku Taishou no Yousu ga Ijou Sugiru) is from TO Books’ Corona Comics, is based on a light novel, and the plot you can probably guess. That said, it’s surprisingly serious-minded.

Laughing Under the Clouds (Donten ni Warau) is a new shoujo series from Mag Garden’s Comic Avarus. This historical tragedy has spawned many sequels, and deals with three brothers hired to bring criminals to a prison.

The last debut is Our Not-So-Lonely Planet Travel Guide (Bokura no Chikyuu no Arukikata), another Mag Garden title about two men taking a vacation around the world before they marry each other. The vacation is the point of the manga.

MICHELLE: Huh. That might be interesting.

MELINDA: This does sound interesting.

SEAN: The debut for Viz is a new Junji Ito story collection, this one called Lovesickness. it’s a 400-page hardcover of more of the author’s scariest works.

ASH: I’m always here for Junji Ito manga.

MELINDA: Count me in!

SEAN: Also coming out: Asadora 2, the 3rd and final novel for Bleach: Can’t Fear Your Own World, Blue Flag 7, Golden Kamuy 21, and Ultraman 15.

ANNA: I need to get caught up on Blue Flag.

ASH: I just recently caught up on it myself; it’s good!

SEAN: Yen On has reprints of Haruhi Suzumiya 7 & 8, the third and final volume of A Mysterious Job Called Oda Nobunaga, and Our Last Crusade or the Rise of a New World 6.

Yen Press debuts Hana and the Shape of the World (Hana-chan to, Sekai no Katachi), a one-shot collection revolving around a young girl exploring her town. This ran in Comic Beam.

ASH: I’m expecting this one to be good – it was one of the jury selections from last year’s Japan Media Arts Festival.

MELINDA: This sounds lovely.

SEAN: There’s also a 2nd Cirque du Freak omnibus, The Dark History of the Reincarnated Villainess 2, Mint Chocolate 2, Plunderer 7, RaW Hero 4, Sasaki and Miyano 2, So I’m a Spider, So What? 9, and Yowamushi Pedal 17.

Vampires? Sentai? Villainesses? Vacationing gay men? What holds your interest the most?

Fushi no Kami: Rebuilding Civilization Starts with a Village, Vol. 3

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By Mizuumi Amakawa and Mai Okuma. Released in Japan as “Fushi no Kami: Henkyou kara Hajimeru Bunmei Saiseiki” by Overlap. Released in North America by J-Novel Club. Translated by Maurice Alesch.

It’s rare that you suspect that an author feels that his series has too many readers, but that seems to be the case with Fushi no Kami, which is really going to be pushing the limits of reader tolerance here in just how much the cast can praise every single thing Ash does. It really is ridiculous, and that’s not even counting Maika and Arthur, who are in love with Ash, or the maid that he gains in this book, who clearly is also falling in love with Ash. Now, to be fair, in their eyes Ash is this weird combination of Thomas Edison, Abraham Lincoln, and God, so I suppose it is perfectly reasonable in some ways. Adn yes, Ash is trying to bring back many of the ancient civilization’s conveniences, as well as ruthlessly fending off assassination attempts. Still, I would love it if in future books he gets a complete failure or two under his belt.

We start off with Ash finding a new outlet for his creativity, and this time he isn’t alone. Fellow study group friend Hermes turns out to have an obsession with planes, and has built a model that is being made fun of by the local bullies. Naturally, Ash is over the moon about this, and decides to help him build, if not a full-sized passenger plane, at least a working model. Ash is also getting rewarded, as he gets a medal for taking out the demon monster in the previous book… which promptly gets stolen, leading a vengeful Maika to do some investigating. In the most serious story in the book, some spies have been snooping around from the capital city, and they are looking for a girl. Given this is happening at the same time as Ash’s class is doing survival training, he has to protect said girl while also drawing away the spies turned assassins who have been ordered to kill her. Which… sounds like a fairly sedate book for Ash, given the previous two.

Frustratingly, we still don’t quite get all of Arthur’s backstory here, but we get enough to know why they have to unfortunately return to the capital, though I’m sure we’ll be seeing them again in the future. Much is made near the end of their rivalry with Maika, and I agree they share wonderful moments of closeness, but let’s face it, Maika is going to be married to Ash eventually, he just doesn’t know it yet. I would not necessarily call her a yandere, as she doesn’t really fit the criteria, but she’s certainly obsessed with Ash to the point where it’s almost disturbing, and moves heaven and earth to make sure that he stays by her side for future books. The book’s chapter titles all deal with planes, which makes it a bit frustrating that we only get proper plane building in the first section – I hope they return to this again. More to the point, the cast have now graduated and are essentially adults… how much more can Ash actually pull off now?

As noted, these books require a lot of patience in terms of the cast calling Ash the greatest thing since sliced bread. There’s also what amounts to a torture scene about 3/4 through the book, and the fact that Ash does not realize what he’s doing does not really make it any less (deliberately) creepy. That said, Fushi no Kami remains resolutely readable, which is one of the best qualities in a book.

Outbreak Company, Vol. 17

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By Ichiro Sakaki and Yuugen. Released in Japan by Kodansha Light Novels. Released in North America by J-Novel Club. Translated by Kevin Steinbach.

One thing that has always remained reliably on brand about this series is how all in it goes on its otaku evangelism. The author is clearly just as bad if not worse than his lead character, and it shows, as the books are littered with references to anime, manga, books, films, games, etc. And what’s more, this is shown in a (mostly) very positive light, with people who would otherwise be indifferent to if not hate each other bonding over their shared obsessions. This particular volume seems to really lay the references on thick – it trusts that readers will not only know what Area 88 is, but also buy into the extended Star Wars riff that comes at the climax of the book. It even affects the plot, as the Americans who show up in Eldant towards the end are somewhat stunned to see the princess swearing at them, as she’s quoting the cliched stock American from Japanese media. That said, the guys who show up in Eldant very much DO feel like stock characters – Outbreak Company is not only a huge fan of cliches, it’s also a client.

We pick up where the last book left off, after a brief prologue from the POV of Shinichi’s family showing how things are going back in Japan. Not well. The hyperspace tunnel is starting to really go to pieces, which is leading to lots of natural disasters. As such, Japan has decided to punt, and tells Shinichi and company they’re pulling out of Eldant in five days. Needless to say, the cast are varying levels of upset by this – Minori is pretty cool with just going back, Hikaru suddenly realizes his own feelings for someone else in the cast, and of course Shinichi is still waffling about what love really is and if he’s in it with anyone. If he stays behind, lacking any ability to either import or create anime and manga, isn’t he just useless? If he takes a girl back with him to Japan, won’t they just be captured and experimented on? And then suddenly the USS Nimitz appears on top of a forest in rival nation Bahairam, and everything gets blown to hell.

As is typical of this series, Shinichi can be thick or clever when the situation demands it, as with his being unable to understand why Petralka seems to be OK with him leaving forever, missing the subtleties of her response as well as her own true feelings. We’ve still got one volume to go, and it’s possible that he won’t pick anyone, but I’d still lay odds on Myusel, who also has a bit of a love revelation in this book. As for the subplot, it’s basically pure action movie – the book makes many references to the 1980 movie The Final Countdown, as our heroes have to infiltrate Bahairam – again – and try to stop the war breaking out between their country, already upset about losing the Dragons Den, and some very jumpy naval officers. Can Shinichi talk everyone down? Can they figure out how to return a battle carrier to its proper place in the world? And can we actually get anyone to confess their love at all without being under the influence?

The next volume is the last, though there’s also a short story collection that I’m not sure is licensed. Fans of the series should enjoy it, though I suspect, like me, they’re happy it’s finally drawing to a close.

Tearmoon Empire, Vol. 4

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By Nozomu Mochitsuki and Gilse. Released in Japan as “Tearmoon Teikoku Monogatari” by TO Books. Released in North America digitally by J-Novel Club. Translated by David Teng.

We’ve now had three books filled with Princess Mia doing something for either selfish or silly reasons (or, increasingly, because she is a very nice person) that ends up misinterpreted by everyone around her as pure brilliance, and we get plenty of that here as well. But we’re starting to also see the rest of the cast accomplish things away from Mia and have their own subplots. No, alas, I don’t mean Miabel, who’s still pretty much the mascot character of the series, and gets left behind for the second half of the book while the rest of the cast have a cruise. Instead, it’s Ludwig, thinking of some offhand remarks of Mia’s as well as what he thinks she would be doing in his place, that leads him to uncover a web of political intrigue that could end up crippling the Empire if things do end up happening the way that Mia predicts they will. His investigation and detective work is a refreshingly sedate part of this book. That said, rest assured there’s still a lot of Mia vs. reality here to love.

As with a couple of other Tearmoon books, the main plot is divided into two large chunks. The first picks up where the previous book left off: the school Mia had planned to start up is floundering, as ,most of the teachers and the headmaster have left. The answer is sadly obvious: Mia may be a very atypical noble now, but most nobles are far more like what Mia was in her previous “life”, and they are not having which this school where horrible farmers will be taught. To solve this, Ludwig suggests bringing in his former mentor, an eccentric old man whose grumpy tendencies and dislike of most nobles play right into Mia’s hands. After this, she is invited on a sea cruise to a tropical island by fellow noble Esmeralda, who IS like most nobles are – you will expect her maid to stab her in the face before the book finishes. Accompanied by Sion, Abel and Keithwood, all of whom supposedly go to “guard” Mia, they sadly run into a typhoon, leaving them stranded on an island that no longer looks as fun.

To get a big negative out of the way first, there is a subplot here about Mia getting a swimsuit for the cruise and realizing that she has tummy bulge, which unfortunately leads to a bunch of fat jokes, though Mia does end up losing most of the weight before the cruise itself. It’s not welcome. The rest of the book is filled with Tearmoon shenanigans, as most of the cast are content to listen to what she says and then make the most amazingly wrong conclusion imaginable, usually to the benefit of everyone involved. The semi-exception here is Keithwood, who knows Mia can be a flake, and is irritated with her mushroom obsession (especially as most of them are poisonous), but still regards her as a force for good. Which, honestly, she is. The narrative may frame Mia’s actions much of the time as self-interest or cowardice, but more and more we’re seeing Mia just be really nice to everyone – and get irritated when other nobles are not, as her anger towards Esmeralda’s treatment of her servant shows. Mia may be no Great Sage, but if things continue to go like this, she may make a very good leader.

The books are getting quite popular in Japan – the author talks about a stage play being made, and a 2nd one is due out this year – and it’s not hard to see why. Mia is fun, the books are exciting, there’s some good politics, and each book is long enough that you get a lot of bang for your buck. Hopefully fewer fat jokes next time, but otherwise still essential.

Holmes of Kyoto, Vol. 4

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By Mai Mochizuki and Shizu Yamauchi. Released in Japan by Futabasha. Released in North America by J-Novel Club. Translated by Minna Lin.

Rarely have I had to eat my words quite so much as I have in the gap between my review of the third volume and this one, and I urge readers to absolutely not go back and read it. Still, it does mean we have to confront the elephant in the room, though admittedly the book is doing it as well. This series features a man just out of college in love with a girl still in high school, and Japan sure has no issues with this whatsoever given the sheer number of titles out lately featuring age-gap romances, but Western readers tend to dig in their heels a lot more. Now, let’s not kid ourselves, things are not going anywhere anytime soon. Indeed, I will be very surprised if anything happens before Aoi turns 18. Mostly as Aoi continues to delude herself about Holmes’s feelings towards her, which are not only obvious to the reader but are starting to be obvious to everyone else as well. Fortunately by the end of the book, Aoi has at least come to a different realization.

As with other books in this series, we get a short story and three longer ones. The short story is simply Holmes taking Aoi on a date, though she doesn’t actually realize that’s what it is. We then get to meet Holmes’ grandmother, who has a bisque doll that strangely is the distaff counterpart to one they have in the antique shop… and one which might be haunted! After that, despite the author’s assurances in previous afterwords, we get what amounts to a murder mystery, albeit one where the victim survived, and Holmes is forced to deal with a case whose only artwork is the books of an author. Lastly, we meet the owner’s stepson Rikyu, who idolizes Holmes and who clearly is NOT loving Aoi at all. Will she be able to win him over by being a quasi-appraiser at an event thrown by Rikyu’s grandfather to determine who gets his inheritance?

As noted, the second case, while quite well done, feels a bit different to the other “cases” we’ve read, even though we’ve dealt with death and attempted assault in previous books. Possibly for this reason, it also feels a bit overdone, with Holmes’ talents not feeling as natural as they do when he’s looking at antiques. The third story was the best, as Rikyu is a fun addition to the cast, basically being a sullen teen who’s unhappy that his favorite relative is being taken away from him by another woman. I will admit that Aoi’s preternatural progress in learning about artwork and antiques is almost as unrealistic as Holmes turning into Hercule Poirot, but the moment is set up really well and you feel so happy for her I’ll grant it. And we do get an awful lot about Holmes clear feelings for Aoi and mistrust of other men (he’s right, she is awfully naive) as well as Aoi’s tendency towards self-loathing cropping up, thinking that Holmes is “far beyond her”… but at least, right at the end, she can admit to herself she’s fallen in love with him.

So yes, last time I said this wasn’t one for romance fans, and I will have to take that back, but I do think that mystery fans will get more out of this. We’ll see what happens in the next volume, this is a long-running series.

Call of the Night Vol 1

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Call of the Night Volume 1 by Kotoyama

I’m always a little curious about Shonen Sunday titles, as they tend to be a little more sophisticated than Shonen Jump manga so I was intrigued by the idea of a shonen vampire romance like Call of the Night. Ko Yamori starts out by being the typical hapless shonen protagonist but he’s isolated and has just started having terrible insomnia. He’s not attending school regularly and one night he slips out of his house and starts wandering around in the middle of the night while searching up ideas for insomnia cures on his phone. Seeing many people posting about the benefits of alcohol he stands in front of a vending machine contemplating buying a beer when he’s suddenly accosted by a mysterious blond girl in a cloak who says she can help him if he’s having trouble sleeping. She brings Ko back to her place to crash, and he quickly discovers that his new acquaintance is a vampire named Nazuna.

Call of the Night

Ko finds the idea of becoming a vampire immediately intriguing but Nazuna finds the topic incredibly embarrassing because the only way for a human to become a vampire is to fall in love with one and let that vampire drink from them. Ko is determined to make this happen, and while Nazuna likes to joke about sex, the idea of any type of emotional intimacy is something that she shies away from. Ko and Nazuna keep finding each other in the middle of the night and hanging out. There’s an undercurrent of loneliness to this manga that makes it a little more interesting and poignant than I was expecting, as Ko and Nazuna keep seeking each other out. Ko’s not done with the human world though, as he reconnects with an old friend of his who encourages him to go back to school. Kotoyama’s art is stylized and angular, making the world of the night seem more mysterious. I definitely felt intrigued by the end of the first volume and I’m curious to see how this relationship will develop over time.

The Reincarnated Prince and the Hero of Light

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By Nobiru Kusunoki and Arico. Released in Japan as “Herscherik” by M Novels. Released in North America by J-Novel Club. Translated by afm.

The last two volumes of the Herscherik books have had the subtitle refer to a new vassal that is the focus of that particular book, so you might be coming into this one wondering who the Hero of Light is going to be. But no, Herscherik has a full army of weapons in his cache now, both in terms of the men he has at his side and also his family, who are increasingly rebelling more and more against the chains of Marquis Barbosse. He has tried assassinating the royal family to depress the King into doing his bidding, he has tried introducing lethal drugs into the kingdom, and he has tried using his own daughter in a plot to kill Herscherik, one that ends in her own death instead. And yet here is Herscherik, a literal seven-year-old running rings around him. Of course, the reader knows that’s because he has the mind of a brilliant Japanese middle manager in hi, but no one ELSE knows that. So there’s only one thing left to do: send Herscherik off to die in war.

Yes, in an incredibly convenient coincidence, the country next door has decided to amass a huge invasion force at the border, so the army needs to take their much smaller force and go investigate. Barbosse suggests that Herscherik should go, despite being seven, as … well, he comes up with excuses over and over as to why no one else in the family should go, to the point where by now everyone in the room is aware he’s doing his best Snidely Whiplash imitation. But that’s fine by Hersch, who has also decided to stop pretending to be an innocent seven-year-old and act his age + his reincarnated age. As a result, they head off into an obvious trap and, well, get ambushed. Surprise! That said, Herscherik is a good two or three steps ahead of Barbosse here, and, of course, has Kuro, Orange, and Weiss, who together are the equal of at LEAST one invading army.

The book reads as if the editor said “you know those scenes you always get near the end of a book that make the reader punch the air? Could you fill the book with them?”. Every confrontation is a joy, and while sometimes the plot does verge on the ridiculous (I will give the fall from the cliff a pass because every book needs at least one hand wave) other parts are very well crafted, bringing in events from the first three books and tying them together, and also answering the very obvious question we’ve had for some time: given Barbosse can kill off the royal family with impunity, why hasn’t he done away with the youngest prince? The book is also very good about talking about the difference between doing what’s right for the nation and doing what you personally want to do, and how even Hersch finds that hard to handle at times. And, as I mentioned before, the dramatic confrontations are to die for. (Literally, sometimes.)

The series is not over, and reassuring us that we’re still only in the prologue of the Tales of the Prince (though we do meet the author of the books here, a scrub in the army trying to survive so he can send his pay back to his family), but this book definitely closes the book on the plot that’s run through the previous three. Where does it go from here? We shall see. Till then, enjoy a fantastic light novel series that makes the reincarnation isekai bits work well and also not be overused.

Days on Fes, Vol. 1

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Like many Gen-Xers, I cut my musical teeth at rock concerts. I didn’t have much experience going to festivals—they were rare in the 1980s—but I did catch the first Lollapalooza tour as it passed through the Boston area in 1991. My memories of that day are impressionistic; it was hot, dirty, and loud, and I considered leaving when I learned that Siouxsie and the Banshees had cancelled their appearance. I’m glad I didn’t, though, as the festival helped expand my musical horizons, introducing me to the sound of rap-metal and the Rollins Band, and reminding me just how phenomenal Living Colour was. Reading Days on Fes reminded me of that formative experience, though not in the way I’d expected. I imagined that a manga about rock festivals would focus on the music, but Days on Fes is equally concerned with food stalls, merch, and concert-going logistics, even dedicating one chapter to finding the perfect campsite at an outdoor festival.

The first volume follows two characters: Otoha, a spazzy high school student, and Gaku, her thirty-something brother. In the first half of the book, Otoha persuades her classmate Kanade to attend the Meteorock Festival with her, while in the second Gaku drags his Eeyore-esque employee Ritsuru to the Fries & Sushi Festival. Both siblings face predictable hurdles in getting to the venue, from lack of interest—Kanade confesses that she doesn’t like rock—to lack of funds—Ritsuru bemoans the fact that he’s too poor to afford a ticket. Once at the festivals, however, both Kanade and Ritsuru succumb to the excitement of eating good food, wandering the grounds, drinking beer, sleeping under the stars, and—yes—hearing some concerts.

The most satisfying passages in volume one focus on getting ready for a festival. Oka vividly captures the feeling of pre-concert anticipation, carefully documenting the small but important rituals that festival-goers observe, from picking out an outfit to deciding what to bring; he even includes a two-page spread detailing the contents of Kanade and Otoha’s backpacks. Though this illustration serves a legitimate educational purpose, showing the festival n00b what they’ll need—suncreen, snacks—it also speaks volumes about the two girls’ personalities and expectations for the festival itself.

Less satisfying are the performances. Oka relies on reaction shots and close-ups of musicians’ faces to convey the excitement of hearing live music, but the blandness of the illustrations undercuts the efficacy of this time-honored strategy for showing what can’t be heard: whoops, claps, whistles, boos, sing-alongs. The dialogue provides the only clue that these performances were good; characters spend more time talking and thinking about how the music effects them then they do listening to music.

For anyone old enough to remember the original Lollapalooza tour, the contrast between the lackluster performance scenes and the rhapsodic discussions of festival foods may be jarring; it often feels like Oka has channeled too much energy into depicting the things you can buy and do at a festival rather than what you might hear. For younger readers, however, Days on Fes offers a safe but tantalizing glimpse of what it might be like to attend Coachella or Bonnaroo, as well as a down-to-earth reminder that festivals are an expensive habit—a message that’s sure to be music to parents’ ears.

DAYS ON FES, VOL. 1 • ART AND STORY BY KANAKO OKA • TRANSLATED BY AJANI OLOYE • LETTERING BY ALEXIS ECKERMAN • YEN PRESS • RATED TEEN • 208 pp.

Yona of the Dawn, Vol. 28

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By Mizuho Kusanagi. Released in Japan as “Akatsuki no Yona” by Hakusensha, serialization ongoing in the magazine Hana to Yume. Released in North America by Viz Media. Translated by JN Productions, Adapted by Ysabet Reinhardt MacFarlane.

As many have noticed, this has gradually become a light novel review site, with the manga that I read generally being reviewed in Manga Bookshelf’s Briefs columns. There are one or two exceptions, though, the most obvious of which is Yona of the dawn, a series I keep finding new things to say about (even though I’m still one volume behind in my reviews). This volume is an excellent example of why I keep coming back to it. There’s really big goofy comedy, as Kyo-Ga is knocked unconscious due to Happy Hungry Bunch antics and essentially becomes a giant comedy prop for a while. There’s romance, as we see in the scene where Yona and Hak take comfort in being each other’s strength. There’s politics, as Keishuk has arrived at the absolute worst time, and we get more of “what is Yona’s goal”. There’s cool action sequences. And there’s intrigue, as the cliffhanger makes you wonder if Ogi is going to be selling Yona out. There’s SO MUCH GOING ON.

Yona of the Dawn sometimes has a Shakespearean feel to it, particularly with everyone being worried about where Yona is and what she’s doing. Su-Won’s position as leader is fairly secure, and yet… everyone assumes that as long as Yona is alive, she can easily lead a rebellion to take over. This is very Richard II/Henry IV stuff here. It does not help that Yona is wandering around the land with a bunch of superheroes/monsters (delete where applicable), who could and have taken out entire armies on their own when at full power. But no one knows what Yona’s real goal is. Well, the reader might have a clue. The highlight of the volume is Yona’s big speech where she talks about how everyone is expecting her to get revenge for the death of her father, and… she doesn’t have to? She doesn’t have to forgive Su-Won, and won’t, but she can simply go around doing good things? Sadly, I suspect forces will continue to stop her doing that.

We also get a glimpse of Kyo-Ga and Tae-Jun’s mother here, and I enjoyed her showing off another classic comedy stereotype, the regal woman with the fan over her face who (almost) never speaks… until she does, as her fury at how Keishuk treats her son forces her to complete entire sentences, to the surprise of her attendants. She’s a very different kind of powerful woman from Yona, and doesn’t exactly clash with her, but she does worry that Yona is not doing what the traditional woman should. Putting herself in danger every day, after all, is dangerous. But this is what Yona has chosen to do, and she’s not backing down now. (Yona in general is filled with women wielding power in very different and varied ways, and I really appreciate that. This is not to say that Yona is not vulnerable, but for the most part that’s a side of herself that she tries to show only to Hak.

As you can see, there are always new things to discover about one of the best shoujo manga currently being published in English. Always a must-read.

Manga the Week of 4/14/21

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SEAN: There certainly is a lot of manga coming out. Remember years ago when some weeks had three or four titles?

ASH: It’s almost unimaginable any more.

SEAN: Airship has the 11th Arifureta: From Commonplace to World’s Strongest in print, and the 4th volume of The Invincible Shovel in early digital.

Cross Infinite World has another villainess reincarnation story with Since I Was Abandoned After Reincarnating, I Will Cook with My Fluffy Friends: the Figurehead Queen Is Strongest At Her Own Pace (Tenseisaki de Suterareta no de, Mofumofu-tachi to Oryouri Shimasu: Okazari Ouhi wa My Pace ni Saikyou desu). A woman newly shunned by her fiance, the prince, finds herself now married to a different prince – one who hates women! But… his kingdom is filled with adorable creatures, and she doesn’t have to do anything but her hobby – cooking! No death flags here, just fluff.

ASH: I mean, I do like cooking stories?

SEAN: Denpa’s website lists femme fatale: The Art of Shuzo Oshimi for next week. An artbook dedicated to the creator of Flowers of Evil, Blood on the Tracks and more.

J-Novel Club has a veritable plethora of digital releases. Are You Okay with a Slightly Older Girlfriend? 2, Banner of the Stars 6, Black Summoner 4, Der Werwolf 11, The Ideal Sponger Life 2, Slayers 7, Sorcerous Stabber Orphen: the Wayward Journey 11, The Tales of Marielle Clarac 6, and Tearmoon Empire 4.

Kodansha Manga has one print release, which is Witchcraft Works 15. Kodansha Books also has the 3rd volume in the Pretty Boy Detectives Club series. Thus all the Kodansha print releases next week are ex-Vertical.

MICHELLE: I didn’t love the first Pretty Boy Detective Club as a novel, but I’m still looking forward to the forthcoming anime!

SEAN: The digital debut next week is a full-blown josei title. It even runs in Be Love! Nina the Starry Bride (Hoshi Furu Oukoku no Nina) is an orphan girl who ends up being sold as a slave… to the royal family? Turns out she looks a lot like the recently deceased princess. Now she has to live her new princess life… no matter how much she does NOT want to. I’m interested in this, despite the well-worn premise.

ANNA: I am too, but I have a very poor track record with digital titles.

ASH: Likewise.

SEAN: Also out digitally: the final 16th volume of GE: Good Ending, Peach Boy Riverside 6, Shojo FIGHT! 16, Tokyo Revengers 20, and the 27th and final volume of Yozakura Quartet, whose first volume was put out by Del Rey in 2008.

ASH: Oh, wow, Yozakura Quartet is a series I haven’t thought about in a long while.

SEAN: One Peace has the third and final volume of I Hear the Sunspot: Limit.

MICHELLE: Oooh.

ASH: It’s a big one, too! (I got my hands on an early copy.)

SEAN: Seven Seas has some debuts, both based on light novels they’ve also released. Failure Frame: I Became the Strongest and Annihilated Everything With Low-Level Spells (Hazure Waku no [Joutai Ijou Skill] de Saikyou ni Natta Ore ga Subete wo Juurin Suru Made) runs in Overlap’s Comic Gardo, and Muscles Are Better Than Magic (Mahou? Sonna Koto Yori Kinniku da!) runs in Kadokawa’s Comic Walker.

ASH: For some reason I was expecting Failure Frame to be about windows and defenestration.

SEAN: We also get Gal Gohan 7, The Girl from the Other Side 10, Harukana Receive 7, How Heavy Are the Dumbbells You Lift? 6, Love Me for Who I Am 3, My Next Life As a Villainess! 5 (manga version), and Reincarnated As a Sword 5 (also manga version).

ASH: Always glad to see a new volume of The Girl from the Other Side (although I will admit to being behind in my reading).

SEAN: And there’s three more Alice books – Nightmare, The Lizard Aide, and Toy Box – that get digital releases.

SuBLime has a 5th Candy Colored Paradox and The World’s Greatest First Love 14.

ASH: I’ve largely been enjoying Candy Colored Paradox.

SEAN: Viz debuts a new Shonen Sunday series, a phrase not heard often these days. Call of the Night (Yofukashi no Uta) seems to combine romcom and vampire stories together, and looks fun.

ANNA: Always up for more manga vampires.

SEAN: Viz also has more Shonen Sunday! Case Closed 78, Komi Can’t Communicate 12, Persona 5 6, Pokemon Adventures Collector’s Edition 7, Pokemon Adventures: Black 2 and White 2 3 (that title hurts me to type), Sleepy Princess in the Demon Castle 14, and Splatoon: Squid Kids Comedy Show 3.

ASH: Yay, Sleepy Princess!

SEAN: Lastly, Yen Press debuts the manga version of the beloved light novel In Another World with My Smartphone. This early in the series there’s far less genocide to worry about, so I will cautiously recommend it. It runs in Kadokawa Shoten’s Comp Ace.

What manga will you read while waiting for your vaccination appointment?

The Hero Is Overpowered But Overly Cautious, Vol. 6

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By Light Tuchihi and Saori Toyota. Released in Japan as “Kono Yuusha Ga Ore TUEEE Kuse Ni Shinchou Sugiru” by Kadokawa Books. Released in North America by Yen On. Translated by Matt Rutsohn.

And so the series that really should have ended after Book 2, and then had another perfectly good stopping place 3with Book 5, continues with a new arc. So we get the usual sense of the author taking stock and continuing with what works while throwing out what doesn’t. Somewhat vexingly, this means that the romance, such as it is, between Seiya and Ristarte is at an all-time low in this book – on both sides! Ristarte has one or two brief fantasies about Seiya here, but for the most part has simply grown used to his treatment of her, and he is (as its typical at the start of these arcs when we don’t have all the information we need) being rather rude to her. On the bright side, there’s less actual physical abuse, as we bring along a different God for that, but that does not mean that there are not moments that are literally designed to humiliate her. The book can be frustrating.

Last time I wondered if we’d have a Civil War in Heaven, and we come close, though it’s more of a one-sided battle. Yes, Mersais and their allies are back, and they’re here to destroy everything. Now Ristarte, along with Cerceus, is seemingly the only survivor and must try to salvage something from this and restore the spirit world… which means summoning Seiya again, of course. He’s got to train in the Underworld now, but that doesn’t make his training… or attitude… any less bananas. Then we find out what’s happened to the actual worlds they usually save – they’ve become dark, twisted versions of themselves. So we need to go back to the beginning, as Seiya and Rista return to Gaeabrande, the world of the first two books, which is now ruled by the Dragon Lord, as humans and demons alike forge an alliance to stop his dreadful reign of terror. Wait… isn’t the Dragon Lord a bit familiar?

As always with this series, what interests me most is Rista’s character development. The very fact that we have to being the God of Cakes… erm, Swords along with her and Seiya is a sign that she’s moved past the punching bag that she used to be, and for the most part has settled into realizing that when Seiya says he’s going to do something ludicrous, it’s usually necessary. That said, she and Seiya are still clashing. Because these are twisted, dark worlds that will theoretically be fixed and restored once they defeat the Big Bad, Seiya is seemingly of the opinion that it doesn’t really matter if they have to kill people to solve the problem, as they won’t really be dead. Rista, as she herself points out, can’t have that callous a viewpoint – seeing people suffer in front of her causes her pain and distress. I’m inclined to be on Rista’s side here, and thus am annoyed at Seiya right now. Still, he’s always had a good reason before, and this arc isn’t over, so I’m sure we’ll get another one soon.

We’re almost caught up with Japan, so I suspect these books will come out far slower soon. Still, if you’ve been enjoying the series for its goofy comedy and seeing Rista get humiliated, there’s plenty of that here, including her having to imitate a gorilla. I will cautiously read the next volume.