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Manga the Week of 10/7/20

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SEAN: It’s October, and we are all having pumpkin spice something!

Dark Horse debuts Blade of the Immortal!… again. Deluxe hardcover this time, 576 pages, even has a bookmark ribbon to show it’s class.

ASH: Blade of the Immortal holds a very special place in my heart. While I didn’t double-dip for the paperback omnibus edition, I will be picking up these new deluxe hardcovers; Dark Horse has been doing a beautiful job with them.

ANNA: I’m sort of tempted but I also have such limited bookshelf space!

SEAN: J-Novel Club has some print titles for us. Ascendance of a Bookworm 6, How NOT to Summon a Demon Lord 12, I Shall Survive Using Potions! 2, In Another World with My Smartphone 12, and the 4th Marginal Operation manga.

ASH: Ascendance of a Bookworm is the one catching my eye here.

The digital debut is A Lily Blooms in Another World, a one-shot light novel by the author of Sexiled. It’s an “otome game villainess” story (where our heroine, once again, loves the villainess – see two weeks ago for more of this), but I loved Sexiled, so will definitely be giving this a chance.

ASH: Oh! I hadn’t made the author connection yet! Sexiled is indeed great, so I may need to add this one to my list, too. (If/when it is released in print.)

SEAN: Also, Discommunication’s 5th manga volume, I Shall Survive Using Potions! 5, the 5th Infinite Dendrogram manga, and Slayers 2.

Kodansha… let’s see. In print, we get Granblue Fantasy 5 and Maga-Tsuki 11-13 (which ends the series, a series that started so long ago I forget what it’s about. It has brides on the cover, though.)

Digitally, the debut is Four Kisses, in Secret (Kisu wa Kossori to). This is a one-shot short story collection of four one-shots that appeared in Dessert. Expect romance.

And 35 volumes of Shaman King. We discussed this before, but the delay has finished, and they’re due out next week.

And we get Cells at Work: Bacteria! 4, Chihayafuru 22, A Condition Called Love 6, Grand Blue Dreaming 11, Our Precious Conversations 7 (the final volume), Smile Down the Runway 14, Star⇄Crossed!! 3, That Time I Got Reincarnated (Again!) as a Workaholic Slime 2 (also a final volume), To Be Next to You 10 (also also a final volume), and You Got Me, Sempai! 9.

MICHELLE: Of course, I must cheer for more Chihayafuru but am also happy for the conclusion of To Be Next to You, which I’ve really enjoyed. I also need to read Our Precious Conversations at some point, as it’s by the creator of My Little Monster, which I liked.

ANNA: One of these days I need to catch up on Chihayafuru, I have a few digital volumes stockpiled.

SEAN: Seven Seas has only one print release next week, Made in Abyss Official Anthology – Layer 1: Irredeemable Cave Raiders. As noted, this is a doujinshi anthology of the popular manga.

ASH: I haven’t read much of Made in Abyss yet myself, but I do still like seeing these sorts of anthologies released.

SEAN: Digitally we see a 7th volume of Reincarnated As a Sword.

This is the one-month anniversary of my saying “Tokyopop has the 6th omnibus volume of Aria the Masterpiece.” And it’s still true! Ah, 2020, truly the most delay-filled year…

Vertical gives us a 6th Kino’s Journey, and also wants to let you know that Dissolving Classroom and Velveteen and Mandala are out digitally now.

Viz knows that this first week of the month belongs to them, and has pulled out all the stops. We start with Chainsaw Man, a highly acclaimed fan favorite… from the author of Fire Punch. Somehow those two things go together. I’ve been told it’s a lot of fun, but also really defines the “black” in “black comedy”.

ASH: I’ve likewise heard some great things about Chainsaw Man! I wasn’t a huge fan of Fire Punch, but I plan on checking this series out.

ANNA: I thought it was fun.

SEAN: Moriarty the Patriot (Yuukoku no Moriarty) is the other debut, a Jump Square series reimagining Moriarty from Sherlock Holmes as a protagonist.

ASH: Another one about which I am curious.

MICHELLE: Me too!

ANNA: This was not on my radar before but this sounds interesting.

SEAN: And there’s Revolutionary Girl Utena: After the Revolution, a one-shot manga volume from the Utena manga creator. The Utena manga and I do not get on, but I’ve heard that there are things to like about this.

ASH: I really liked The Adolescence of Utena manga, but I haven’t actually read the manga series. (Shocking, I know!!) I’ll be fixing that in the near future, and will be picking up After the Revolution, too.

MICHELLE: I’ve read the original and The Adolescence of Utena, but it was in 2006, right before I started reviewing. I remember a little. In general, I don’t have a lot of patience with narratives that don’t make complete sense, but I will still probably check out After the Revolution.

SEAN: Ao Haru Ride has its 13th and final volume, and The Demon Prince of Momochi House has its 16th and final volume.

ASH: I’m a couple volume behind with The Demon Prince of Momochi House, but as a whole I’ve been enjoying it.

MICHELLE: So many final volumes this week!

ANNA: Ah! I didn’t realize these series were concluding! Both very good.

SEAN: We also see An Incurable Case of Love 5, Jujutsu Kaisen 6, My Hero Academia 25, Naruto: Sasuke’s Story (a novel), One-Punch Man 21, Prince Freya 3, We Never Learn 12, and Yona of the Dawn 26.

ASH: Oooh, some other good titles from Viz, too.

MICHELLE: Forsooth!

ANNA: This is a happy week for me!

SEAN: Meanwhile, no one woke Yen when September ended, as they still have some releases that slid to next week. Including a debut… well, sequel… ACCA-13 PS. As you can imagine, this is an epilogue to the original.

ASH: Natsume Ono is one of the creators whose work I will always make a point to read.

SEAN: There’s also the 3rd Combatants Will Be Dispatched! manga, Hatsu*Haru 12, and Triage X 20.

What manga is in the autumn of your year?

Kokoro Connect: Asu Random, Part 2

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By Sadanatsu Anda and Shiromizakana. Released in Japan by Famitsu Bunko. Released in North America by J-Novel Club. Translated by Molly Lee.

This is, as the author notes, the longest book in the series. It’s not as long as some other light novels in my collection, but in terms of Kokoro Connect it’s pretty chunky. And it does what we’ve always known the series does well and want it to continue doing: traumatize our protagonists as much as possible. They’ve gotten their wish to be put in the place where the other students are trapped, but I’m not sure they were prepared for everyone to think of them as the villains who won’t tell the truth about why they’re really trying to do this. (Because if they tell the truth, they lose.) Even worse, the student council seems to be their adversaries, friends they’ve known their whole high school life are breaking apart, relationships are fracturing, and, yes, people are STILL losing their memories. Kokoro Connect is VERY good at making everything seem completely hopeless about the halfway point of each book, and that’s what we get here. That said, the real hopelessness comes with the special bonus round.

Given the series is essentially a metaphor for teenage hormones and growing up, it’s less of a surprise than expected that the conflict in the first three-quarters of this book is “should we punch each other till we forget everything and disappear?”. Needless to say, the CRC are not in favor of punching. Unfortunately, it turns out “guys, we just have to stand together and unite!” doesn’t actually achieve concrete things, while the punching, while no one knows if the things it causes are good or bad, is at least something to do. What’s more, of course, the CRC are being painted as the suspicious, untrustworthy kids, which, well, is not 100% wrong? Through no fault of their own, they can’t open up about this. That said, the solution they do come up with (start small with their closest friends, then work outward) ends up being fine. Well, almost fine.

Whoops! The last quarter of the book is the seeming worst case scenario – Heartseed does a takeback and everyone really does lose their memories. This is not as emotionally volatile as the first section of the book, but hurts more, because seeing the club interacting with each other like they’re casual acquaintances is just too depressing. Fortunately, all the things they did in Book 9, while mostly erased by Heartseed and company, do manage to clue them in that something is wrong (kudos to the first years) and they end up retracing the steps of the moments in the series where they became the closest of friends… and, for two couples, where they confessed. Kokoro Connect always reads like a roller coaster where it’s just one big down and one big up, and this is the same. It’s a feel good ending.

That said, there is one more book of short stories still to go. But man, this was one of the most emotionally draining light novels I’ve read, managing a lot of supernatural content while ALSO being a slice-of-life high school romance series. Highly recommended, especially to anime fans who want to see what happens next.

Bookshelf Briefs 9/30/20

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Accomplishments of the Duke’s Daughter, Vol. 6 | By Reai and Suki Umemiya | Seven Seas – Another series down to “once a year” release—I had to jog my memory at the start to recall what had been happening. Many things are going wrong for our heroine, who is trying to be strong and tough but is also starting to break down, and I felt that the scenes with her and Dean struck just the right balance of comforting and letting the heroine cry without making her seem weaker. This sets the stage for her comeback, which is extraordinary. (And also has a corrupt Church, a constant in Japanese light novels, though at least here there are also honest and good religious people in it.) That said, eventually Dean’s identity will come out, and I do wonder how this very good “villainess” isekai will handle it. – Sean Gaffney

The Ancient Magus’ Bride: Jack Flash and the Faerie Case Files, Vol. 1 | By Yu Godai, Mako Oikawa, and Kore Yamazaki | Seven Seas – A faerie switched at birth for a human child, Jack never fit in in either world. Only in the mortal realm could she earn money for anime collectibles, however, so she decided to make herself into a tough, capable woman like her literary heroes and set up shop as a detective. Together with her fellow changeling, Larry the werewolf, Jack takes on supernatural cases in New York City. In this volume, Lindel tasks them with tracking down a missing dragon egg. I liked the resources Jack uses to obtain information, which include a dapper theatre ghost and a spell with components of rat whiskers and taxi tires because “Nobody out there knows this city better than them.” I still found this a bit hard to get into, though, especially the parts involving a perpetually tearful off-off-off-off-Broadway actress and her pickpocket boyfriend. Still, I will check out volume two! – Michelle Smith

Black Clover, Vol. 22 | By Yuki Tabata | Viz Media – At long last, this interminable arc comes to an end. I enjoyed a lot of it, but I cannot deny it should have been about two volumes shorter. Most of the book is taken up by shonen battles, with the villain being nigh unkillable, the heroes almost breaking themselves to stop him, etc. Fortunately, the day is saved, and even the Wizard King turns out to be… sort of alive again? Shota fans should be happy. Asta fans perhaps less so—the sheer amount of damage done to the kingdom in this arc means someone has to be blamed, and give Asta has the “dark evil magic” it’s gonna be him, especially when he takes the incredibly obvious bait they use to get him to fight. Oh well, if Asta were smart, this wouldn’t be Black Clover. – Sean Gaffney

Don’t Toy with Me, Miss Nagatoro, Vol. 3 | By Nanashi | Vertical Comics – Part of the problem with titles like this and the other teasing works (Takagi-san less so as Nishikata doesn’t fall into the category) is that they are, at heart, the classic “extroverted girl acts overtly extroverted to bring introverted guy out of their shell,” and that’s not really a plot that feels comfortable in the Gen Z days, where you’re more likely to say “why doesn’t she just let him be in his quiet, safe space?” And by she I mean they, as Nagatoro’s two friends appear far more often here, which offers some good two-way teasing action, as they clearly see her crush on him, if not why. It’s still sort of hard to read, but if you pretend he’s more OK with it than he actually is, this is cute. – Sean Gaffney

Failed Princesses, Vol. 1 | By Ajiichi | Seven Seas – The concept of “popular girl meets unpopular girl” is a common one in yuri manga, and we do indeed hit several of its tropes in this first volume. The amusing thing is that Kanade, the shy outcast girl, is perfectly aware of how things are supposed to go, and keeps pulling back a bit to try to save Nanaki from, well, making herself an outcast by associating with the wrong people. The best part of the volume is that Nanaki really doesn’t give two shits about any of that, and seems set on making Kanade her best friend… and also making her over, which backfires a bit as Kanade cleans up nicely. I hear this gets a bit dramatic later, but for the moment it’s a cute and fluffy proto-yuri story. – Sean Gaffney

In/Spectre, Vol. 12 | By Kyo Shirodaira and Chashiba Katase | Kodansha Comics – The first story in this volume is another “Rikka tries to make people understand Kotoko is an evil Machiavellian schemer,” this time with one of her ex-classmates, but again the response seems to be “we know she’s a manipulative bitch, but she’s a good person anyway.” The larger story, which will continue into the next book, seems to be a chance to write Kuro and Kotoko as an actual romance, as the man we meet here and his relationship with a yuki-onna… as well as his penchant for attracting misfortune… very much parallel them. That said, they’re very cute together, which is why I hope he avoids the murder charge he’s now being investigated for. Still a favorite. – Sean Gaffney

Interviews with Monster Girls, Vol. 8 | By Petos | Kodansha Comics – The author knows what people want to see, but also knows that the best way to get readers is to drive them crazy by not showing it. We finally get what we’ve been begging for here, as Tetsuo asks Sakie out on a date. (This is after rejecting Kyouko’s love confession, both because she’s his student and also, as he is forced to admit, as he likes Sakie.) The stage is set for the date… and the rest of the book is thus spent with the three main student girls going to Kyouko’s for a fireworks viewing and meeting her family. They’re good chapters, and I really liked showing how difficult Kyouko has it as a dullahan in terms of everyday life, but GOD, please get back to the teachers, I beg you! – Sean Gaffney

Kaguya-sama: Love Is War, Vol. 16 | By Aka Akasaka | Viz Media – The series has gotten to the point where the more rewarding chapters are the ones as part of a larger arc. Not that the one-shot chapters are bad—though Maki’s journey to India may be the most pointless thing in this entire series to date, we do get Chika’s iconic “shut up or I’ll kill you” here. But the larger arcs, featuring Miyuki and Kaguya attempting to date without interruptions, and setting up Ishigami and Iino for a romance—though given the number of limbs broken in this book, and Iino’s own horrible lack of self-awareness, it may be a ways out—are better. This series is still hilarious, but we’ve come to read it more for the heartwarming moments. Heck, there’s even some serious drama here. Very good. – Sean Gaffney

Nineteen | By Ancco | Drawn & Quarterly – Although it was translated and released second in English, Nineteen is a precursor to Ancco’s internationally award-winning manhwa Bad Friends. The volume collects thirteen short comics originally published in Korea over a decade ago which absolutely remain relevant to today’s world. While understandably not as polished as some of Ancco’s later work—one can observe her style evolving and growing over the course of the collection (which is fascinating)—the comics still carry significant emotional weight and impact. Nineteen includes diary comics, which tend to be more lighthearted, as well as harder-hitting fictional stories, many of which also have autobiographical inspiration. As a whole, the collection explores themes of young adulthood, growing up, and complicated family relationships. In particular, there is a compelling focus on the relationships among daughters, mothers, and grandmothers. Some of the narratives can be rather bleak, but a resigned sense of humor threads through Nineteen, too. – Ash Brown

Ran the Peerless Beauty, Vol. 8 | By Ammitsu | Kodansha Comics (digital only) – Shoujo manga that has couples getting together BEFORE the end of the series is inevitably going to have an arc dealing with how far the lead couple should go now that they’re dating, and this is Ran’s turn, as she and Akira and their friends go to a beach house Ran’s family owns and have some beach fun. Unfortunately, the cast gets winnowed down one by one until it’s just the two of them… and her overprotective father, who arrives in time to provide the cliffhanger and no doubt ensure that nookie does not ensue. Not that I think it should—these two kids are even purer than the couple from Kimi ni Todoke, and I think they should mature a bit more before going further. Plus, watching them blush and kiss is wonderful. – Sean Gaffney

Spy x Family, Vol. 2 | By Tatsuya Endo | Viz Media – Having spent our first volume establishing that our found family can really come to love each other deep down, this volume shows off how they are also, at heart, fundamentally awkward and unable to socialize normally. This is unsurprising—hints of Loid’s life we’ve seen show him as a war orphan, Yor is a contract killer, and Anya basically grew up being experimented on by bad guys. As the school soon finds, this leads to issues. The second half of the book introduces Yor’s sister-obsessed little brother Yuri, who turns out to be a torture expert for Loid’s enemies. As always, half the fun is that everyone except Anya has no idea who their real selves are, and the cliffhanger tells us we’re in for some hilarious family fun. I love this. – Sean Gaffney

Spy x Family, Vol. 2 | By Tatsuya Endo | VIZ Media – After a brief spell atop the waiting list, Anya officially makes it into Eden Academy. Loid is anxious to progress to the next stage of his mission and, believing there’s not much chance of turning Anya into an elite scholar like his agency wants, focuses instead on having her befriend the younger son of his target. It does not go to plan, of course. Anya is very cute in this volume, and I also really appreciated how Loid genuinely listens to Yor and values her input. The arrival of Yor’s brother, a member of the secret police, is going to be a fun complication, and another cast member with a secret, but my favorite part of this series is probably always going to be how much love these three are already feeling for each other. So unique and good! – Michelle Smith

Sword Art Online: Hollow Realization, Vol. 6 | By Tomo Hirokawa, based on the story by Reki Kawahara | Yen Press – The weakness of this manga is the same as always—it’s written to tie into the games, and features several characters I just don’t recognize, which can be a problem given this is the big final let’s-save-the-world ending. That said, this is still a decent SAO title. Kirito gets to be cool and badass, but because this isn’t written just by Kawahara others do as well, and it’s a nice balanced effort that focuses on heroine Premiere. I also really liked the point where all the NPCs are worried when everyone has to log out for several days for maintenance. While I’ll still remember this as the “SAO only everyone is alive” manga, I enjoyed reading it, when I wasn’t confused. – Sean Gaffney

Past Life Countess, Present Life Otome Game NPC?!

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By Sorahoshi and Yuki Kinami. Released in Japan as “Moto Hakushaku Reijou wa Otome Game ni Sansen Shimashita” on the Shōsetsuka ni Narō website. Released in North America by Cross Infinite World. Translated by Amber Tamosaitis.

First off, this book comes out of the gate with a killer premise. We’ve talked before about the idea of a “reverse isekai”, where a fantasy denizen dies and is reincarnated in modern Japan, but this is, I believe, the first time we’ve seen it in English. And Urara (formerly Annerosa Ortegamo) is not just in modern-day Japan… she’s in a Japan based on an otome game! She only hears about this when she meets Shizuku, a girl who, as it turns out, is the ‘poor girl reincarnated as the heroine of the otome game she loves’ that we HAVE seen before. Only Urara ends up charming the pants off of everyone, while Shizuku ends up being subjected to horrible comedy violence much of the time. What I just described is about the first fifteen pages of a 320-page book. The good thing about this book is it takes a multi-layered ‘reincarnation’ premise and makes us enjoy slowly meandering towards the ending.

The book is based straight off of a webnovel, rather than a webnovel that’s been picked up and edited by a publisher. This is the modus operandi for Cross Infinite World, and it tends to lead to books that are pleasantly long and stuffed with content, including things that would probably get cut down for length elsewhere. The benefit of this is that the character development feels less rushed and more natural, particularly with Shizuku, who starts the book as unlikeaqble as she possibly can be and slowly, over the course of the next two hundred or so pages, becomes Urara’s best friend. She doesn’t particularly change per se, but we get to know her past and her (somewhat warped) reasoning, and more to the point, she likes Urara, once she’s determined that Urara does not, in fact, have her eyes on one of the many male targets in this “otome game”, but is instead falling for… a woman?

Well, OK, no. The book gets this out of the way a fifth of the way through it, which probably was a wise move, as leaving the revelation that Chouko is a guy who dresses as a girl for family reasons for the ending would likely have angered yuri romance fans. Because wow, this reads like a yuri romance otherwise. The school they attend feels very Maria-sama Ga Miteru, though it’s co-ed, and if you can imagine a romance between Sachiko and Shimako you come closest to seeing how Chouko and Urara interact. The guys, unfortunately, do not come across as well, and I do admit that throughout most of the book I kept having to remind myself who was who, though eventually you learn to separate out Shinmyou (the jerk) and Shimozuru (the one who falls for Shizuku). There is also an epilogue set in Urara’s past life that left a very bad taste in my mouth, and I did not really like the implication at all. It added murder and mental torment to what was otherwise a nice, sweet romance novel.

But you can just stop before reading that. Most of this is the equivalent of a long, leisurely boat ride down the river that takes up the entire afternoon. It’s not all that concerned with anything but its heroine and her “perfect princess” manners causing everyone to turn her way. It’s a good read.

So I’m a Spider, So What?, Vol. 9

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By Okina Baba and Tsukasa Kiryu. Released in Japan as “Kumo Desu ga, Nani ka?” by Kadokawa Books. Released in North America by Yen On. Translated by Jenny McKeon.

This is definitely a book that has most of its important content at the back, saving its biggest scene for the final chapter and epilogue. That’s not to say there isn’t a lot of other things going on here. White is learning good ways to regain more of her powers (get drunk); our ogre/oni is finally taken down and made somewhat sane again, and decides to just GO by Wrath now; our vampire has decided that she’s tired of being weaker than the rest of the group and decides to essentially bathe herself in evil to catch up, which works quite well – at least for this book; and probably most importantly, the demon lord arrives back in her domain and orders the war to recommence, despite the fact that the demons simply don’t have the manpower to win. She is not winning friends, though her extreme power means she’s certainly influencing people. Oh yes, and White goes to Japan. Of all the series to have a ‘return to Japan’ arc, this was not one I was expecting.

The entire series has sort of hammered this home, but this volume in particular wants you to realize how horrible most of the demon lord’s group is at communicating. Ariel is best of the lot, mostly as she has the Chatty Cathy part of Kumoko’s brain. The dissonance between White’s narrative voice and her actual outward expressions is well known to us, but here we see how it’s really causing problems, mostly as Sophia thinks that White is a lot more pissed off and angry than she actually is. Not that Sophia is any better, given her default mode seems to be ‘tantrum’. Really, this motley crew would get along with the cast of Overlord; they’re all basically broken evil people, and adding Wrath to the mix is unlikely to change any of that.

But yeah, the big part of the book is when White, who has realized how easy it is for her to teleport now, ends up going back to Japan. Fortunately, she arrives at the school in the middle of the night, and going home quickly finds D, who explains herself to White, who had figured out a lot of this already. I’m not sure the reader had; some of this was foreshadowed, but a lot of it was deliberately hidden from us, possibly to make the reveal that much bigger. The interesting thing here is White’s reaction to the fact that D not only manipulated her entire life, but did it for such a petty, vapid reason. White is justifiably furious… but also reacts the way a child would to their parent, feeling intense love just for the fact that D throws her a bone and says White can have “freedom”. It feels a lot like an abusive relationship, and I don’t think we’re supposed to love it, and it’s not helped by White’s hyperactive narration.

So I don’t know if this is a game changer (I doubt White will be acting any differently), but it’s certainly a startling revelation. In the meantime, we edge closer to war, meet some characters who I seem to recall getting killed off earlier in the series/later in the timeline, and are reminded once more that Potimas is the absolute worst. I’m still enjoying this, despite everyone being pretty terrible.

Adachi and Shimamura, Vol. 3

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By Hitoma Iruma and Non. Released in Japan by Dengeki Bunko. Released in North America by Seven Seas. Translated by Molly Lee.

There was a wondrous moment about two-thirds of the way through this book which really made me sit up and take notice. No, Adachi did not actually work up the nerve to confess – heck, even Valentine’s chocolate proves to be almost too much for her to handle. No, Yashiro did not wave goodbye and go back to her own planet, though the author remains very good about keeping it up in the air as to whether she’s an alien of a chuuni. But for one, brief, shining moment, Shimamura was interesting. She met up with a friend from her old school, who seemed to want very much to rekindle their friendship, and Shimamura being who she is, “sure, OK, I guess” was the response. We see the two of them travel on the train together, go to the mall together… and it is the most painful, awkward thing you will ever see. It’s unclear what Shimamura actually gets from this consciously, but unconsciously I think the answer is clear: Adachi is not like other friends.

As noted above, we are right around Valentine’s Day. Adachi wants to exchange chocolates, which she communicates to Shimamura in the most awkward panicky way possible. Shimamura, who has come to the conclusion that Adachi is simply desperate for basic human contact due to her family situation, agrees with this. The two then have what amounts to normal pre-Valentine’s adventures, mostly separate, though they do meet up for video games at Hino’s place. Adachi thinks far too much about astrology, tries to make homemade chocolate and then backs off completely, and is essentially a complete mess. Shimamura runs into not one but TWO old friends from school, and realizes that she barely even remembers anything they did anymore. That said, she also gets the bulk of dealing with Yashiro. When the 14th finally comes, we get a clear winner, and it’s Shimamura.

It was suggested to me on Twitter that Shimamura might be suffering from depression. Certainly I’d argue she’s suffering from malaise, which influences most of her actions and makes her the passive narrator that drives me crazy. It’s a funny running gag that Adachi imagines Shimamura’s response to doing anything and it’s always the equivalent of “meh”. This pays off here in two ways. First, the scenes with Tarumi help to show off that Shimamura struggles as much as Adachi with basic human responses, in particular the idea of “what friendship is”. Tarumi wants to rekindle their relationship (and, the reader suspects, perhaps wants a bit more than that), but Shimamura just is not able to respond to that at all, and finds the whole thing uncomfortable. This is contrasted with the final scene, where Adachi coincidentally retraces the same route Shimamura took with her old friend… only now with Adachi, and she’s laughing and having a ball. She GETS the difference. It pays off with the message Shimamura paid for, which is, for her, a grand gesture. And Adachi… well, she gets a hug? Which she will remember for a long time to come.

This series, if I’m being honest, still tries my patience most of the time. But there were moments in this book when I could actually feel Shimamura attempting to make an effort, and that almost made it worth it. I suspect we won’t get Vol. 4 till the anime finishes, so enjoy this now, right before it starts.

I’m in Love with the Villainess, Vol. 1

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By Inori and Hanagata. Released in Japan as “Watashi no Oshi wa Akuyaku Reijou” by GL Bunko. Released in North America by Seven Sas. Translated by Jenn Yamazaki. Adapted by Nibedita Sen.

I will admit, I knew very little about this series and was not really expecting much. It’s publisher, GL Bunko, seems to specialize in yuri light novels. This was a webnovel first, like so many others before it, and is another take on the popular “trapped in an otome game” genre, only this time instead of being cast as the villainess our protagonist gets to be the heroine. It does not really seem to concerned at first with setting up how she ends up in this world – she simply finds herself there in class, in front of her favorite character. It does not really bode well. And yet, she’s a very likeable character who’s fun to read. Then, as you go on, you realize that there really is a lot of thought being put into this, that a lot of the subtle (and not so subtle) hints pay off down the line, and by the last quarter of the book it’s become absolutely terrific.

Our heroine is Rae, who is the Maria Campbell of this series, a commoner who attends a school that, until recently, was reserved exclusively for nobles. However, now that magic has been discovered, commoners with abilities are being admitted. Rae is ALSO a former OL from Japan, overworked and unhappy, whose sole joy was playing the otome game Revolution… and analyzing it… and writing fanfiction about it. Particularly about the “villainess”, Claire. So when she finds herself now in the game’s world, as Rae, with the ability to interact with Claire every day… well, she could not be happier. She proceeds to insert herself into Claire’s life, first at school and then, as if that weren’t enough, as one of her maids. That said, the book is not simply happy go lucky shenanigans… remember the name of the otome game.

As I said, this book starts off pretty “same old, same old” to soften you up, though Rae’s general joie de vivre makes the narration run at a higher level. Claire is seemingly the standard “cartoon bully” you see in games like these, but we get to know more about her and see her more nuanced sides and grow to like her just as much (unlike Katarina Claes, Claire also has some depth in the game as well, it seems). There is also an honest discussion of sexuality, which uses the word lesbian, and also talks about the things that people tend to believe about them, which you almost never see in books like these. And then there’s the last quarter, where Rae declares that she’s not a political person and that her sole goal is to be with Claire, but politics is not something she can escape, and she does not hesitate to abuse her knowledge of the game to help save the girl she loves.

That love is still one-sided, at least by the end of this book, though Claire’s “I hate you” statements are getting weaker and weaker. More to the point, the book makes me absolutely ravenous to read the next two, despite the fact that the covers for the Japanese books are HUGE spoilers. I absolutely recommend it, even to those sick of otome game villainess stories.

Manga the Week of 9/30/20

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SEAN: Try to remember the kind of September when manga was slow and discussion was mellow. Ready? Then follow.

MELINDA: (Follow, follow, follow, follow, follow, follow, follow, follow…)

SEAN: Going by their website, Denpa Books finally has the 2nd omnibus of Gambling Apocalypse Kaiji.

ASH: Happy to see this series get back on track!

SEAN: Seven Seas’ ero label Ghost Ship has FOUR titles out, including a debut. Welcome to Succubus High! (Succubus Gakuen No Inu!!) is a Takeshobo title from Web Comic Gamma Plus. An average boy is transferred to an all-girls school full of succubuses to teach them about men. Naturally, he does NOT want to have sex with any of them, because this is a Ghost Ship title and not a Fakku title. The line may be far away, but it’s there.

Other Ghost Ship titles out are Creature Girls 4, Yokai Girls 11, and Yuuna and the Haunted Hot Springs 10.

J-Novel Club has a trio of titles. The Combat Baker and Automaton Waitress 8, Cooking with Wild Game 9, and A Wild Last Boss Appeared! 2.

Kodansha, again, has no print titles. Digitally, we have a debut: My Best (♀) Butler (Ore no Shitsuji (♀) ga Iketeiru), a Dessert title that I could describe the plot of but instead I’ll just note it’s another “poor girl is toyed with by rich boys” series and go with that.

MICHELLE: Pretty much.

MELINDA: Ugh.

SEAN: I’ve made a decision to stop reporting Kodansha’s “early digital” series as they simply change the date at the very last minute too often. So, in digital-only land, we have Heaven’s Design Team 5, Lovesick Ellie 11, the 16th and final volume of My Boy in Blue, Princess Resurrection Nightmare 6, and Seven Shakespeares 13. As you can see, this week is devoted to “new volumes of titles we’ve caught up to Japan on”.

MICHELLE: I’m glad for more Lovesick Ellie!

SEAN: One Peace Books has The Reprise of the Spear Hero 2.

Seven Seas has three debuts. The Ancient Magus’ Bride: Wizard’s Blue (Mahou Tsukai no Yome Shihen.108 – Majutsushi no Ao) is another spinoff of the popular fantasy manga, it runs in Mag Garden’s Manga Door, and has been described as a genderswapped version of the parent series.

We Swore to Meet in the Next Life and That’s When Things Got Weird! (Raise o Chikatte Tensei Shitara Taihen na Koto ni natta) is from ichijinsha’s Zero-Sum Online. Two lovers vow to meet again in their next life. They do! Except she’s a 39-year-old OL, and he’s still in high school! This sounds… uncomfortable but cute if you ignore the premise.

MICHELLE: I will probably check out both of these, albeit with a certain degree of trepidation.

MELINDA: I. Hm.

ASH: Things did indeed get weird there.

SEAN: The digital-first light novel is Muscles Are Better Than Magic! (Mahou? Sonna Koto yori Kinniku da!), a fantasy comedy about a guy who’s trained forever and the elf girl who needs his help.

Also out next week: Didn’t I Say to Make My Abilities Average?! 10 (print), How to Build a Dungeon 6, The Invincible Shovel 2 (print), Mushoku Tensei light novel 8 (digital first), and Servamp 14.

Vertical has two titles. On the manga end, we get the 2nd Blood on the Tracks.

Pretty Boy Detective Club (Bishounen Tanteidan) is a novel written by NISIOISIN, but it’s a far cry from the Monogatari or Zaregoto series – it’s a reverse harem! A young woman trying to find a star that appears only once every ten years ends up being helped by, well, the title club.

MICHELLE: I cannot resist this.

MELINDA: Okay, maybe need this.

SEAN: Yen also has some runoff from last week. Yen On gives us a 4th Our Last Crusade or the Rise of a New World.

Yen Press debuts Yoshi no Zuikara: The Frog in the Well Does Not Know the Ocean, a Gangan title from the creator of Barakamon, about a fantasy manga artist trying desperately to draw realistic manga.

MICHELLE: Huh. The Yoshino series was not on my radar.

ASH: Oooh, I am intrigued!

SEAN: Lastly, we get Éclair Rouge, the latest in this yuri anthology series.

More to discuss than I thought. Fantastick. What are you getting?

Banished from the Hero’s Party, I Decided to Live a Quiet Life in the Countryside, Vol. 1

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By Zappon and Yasumo. Released in Japan as “Shin no Nakama ja Nai to Yuusha no Party wo Oidasaretanode, Henkyou de Slow Life Surukoto ni Shimashita” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Dale DeLucia.

I probably should not have read this only a few weeks after Roll Over and Die, as the first thought that came to mind is that when the woman is leaving the party she’s branded, sold into slavery, and left for dead, but when it’s the guy he just moves to the country, opens a shop, and gets a girlfriend almost instantaneously. That said, the whole “you are a disgrace to the party, go!” plot is apparently also a big thing in Japanese webnovels now, though so far it’s been less “the party” and more “that one asshole guy in the party”. In any case, our hero starting up his apothecary and hooking up with his former ally is only part of the story here, as we also flash back to the party in action, get a few glimpses of life as the hero, and, perhaps most importantly, talk endlessly about the magical systems in place in this world.

This is not a “game world” per se, but the plot hinges on a common game element: Gideon, the banished guy, was born at Level 30, and is the very definition of “the strong guy who joins your party early in the game to help you level up”. Unfortunately, when the party grows strong enough, this type of character usually leaves, and Gideon doesn’t do that – mostly as the Hero is his little sister. So when one of the party with a hate on for Gideon and a crush on the hero tells him he’s useless now, Gideon quietly accepts it, leaves the party, changes his name to Red, moves to a backwater sleepy town, and opens an apothecary. Luckily he’s helped in this by Rit, an adventurer and princess whose kingdom the hero’s party saved earlier. Rit has had a not-so-secret crush on Red since that time, and essentially invites herself into his shop, his home, and his bedroom. Together the two grow closer and have a nice quiet life. But what of the hero?

I’ll start off with the negatives: Red/Gideon is not the most magnetic hero. He fits the stock “boring adventurer guy” a little too well, and it feels ridiculous that he’s just quietly listen and leave the party without, y’know, asking anyone else in the party about it. There’s also a heaping helping of explanations about “blessings”, which are essentially the powers that people have, as well as the weak points that come with them. (Gideon, for example, cannot go past the Level 30 he was born with.) It’s interesting in regards to the ongoing story, but also tends to go on a bit too much. On the bright side, Rit is genuinely likeable. We get a large number of flashbacks showing her being a giant tsundere towards Gideon and everyone else, but now that she’s grown up and accepted her feelings, she’s quite fun and cheerful, and their romance is very sweet. Most importantly, though, are the last few pages. We learned very little about the little sister hero throughout the book except that she had something of a brother complex and was relatively emotionless. Towards the end we see the emotionlessness is a result of the many, many blessings she has, and that it has not been good for her mental health. I am definitely hoping to see more of her later on.

Overall, this does a good job trying to balance the “slow life” that its audience likely bought it for with actually having a plot and future character development. I do hope it has Red become a little less of the stock light novel hero in future books, though. But I’ll be reading more.

Yona of the Dawn, Vol. 25

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By Mizuho Kusanagi. Released in Japan as “Akatsuki no Yona” by Hakusensha, serialization ongoing in the magazine Hana to Yume. Released in North America by Viz Media. Translated by JN Productions, Adapted by Ysabet Reinhardt MacFarlane.

Yona of the Dawn fits into a lot of genres. First, obviously, there’s shoujo manga, and the tropes of a young woman surrounded by good-looking men. There’s trying to save the kingdom fantasy stuff, with a bit of revenge fantasy mixed in, although as we see in this volume, revenge doesn’t really play into it as much as disappointment. Lately we’ve had military fantasy, with the entire plot of the last few books being “can we stop the inevitable war?”. But the last couple of chapters of this volume also bring home another genre that this series falls under: Yona is walking around with a bunch of superheroes, each of whom are using their powers to protect her and help other people. They don’t wear capes, but it otherwise checks out, and really gets hammered home in the last few pages of this book, where Yona’s “can’t we talk this out” plea is met by a bunch of arrows… that fail to hit her. Which, good, because Yona of the Dead is not a genre I want to see.

Yona’s talk with Su-won goes about how you’d expect, though I was very pleased to see Riri step in to defend her and remind everyone around them what Yona has been doing the last few years. (I admit I’ve lost track of the timeline, how long as Yona been on the run now?) The main problem here are the religious fanatics, who, as with almost all religious fanatics in manga/anime, turn out to be power-hungry villains. Killing off Kouren’s allies one by one, their goal is war by any means necessary. Fortunately, though they’re still grievously injured, the dragon warriors are able to step in and help to drive them back, even at the cost of their remaining stamina. And, as always with this series, we see whether idealism like Yona’s or Tao’s – even Tao finds herself wavering after seeing what the priests have been doing – can hold up under pressure.

There are some wonderful scenes interspersed throughout this volume, but my favorite may be Kouren pointing out, as I did, that Yona is running around with a bunch of superheroes at her command – why isn’t she simply taking out Su-Won by brute strength? Yona responds that “they aren’t tools to satisfy my personal grudges”, which is a great moment (though it also amuses me, as I’m pretty sure by now all of them would be very happy to help Yona do exactly that). As for the encounter with Su-Won, once again it’s not quite as earth-shattering as their past would expect, but she does learn that his pragmatism and her idealism are still at loggerheads, and that reconciliation is not happening anytime soon. As I said earlier, Yona could easily slide into revenge fantasy, but Yona doesn’t hate Su-Won enough for that to work.

As for the next volume, well, Yona isn’t full of arrows, so that’s good. We’ll see if she can stop the war, though. In the meantime, this is a shoujo manga, but it’s also so many other things.

How a Realist Hero Rebuilt the Kingdom, Vol. 12

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By Dojyomaru and Fuyuyuki. Released in Japan by Overlap Bunko. Released in North America digitally by J-Novel Club. Translated by Sean McCann.

Sadly, my begging to the author did not help, as Machiavelli is cited again in this volume. It was originally written in the webnovel version interspersed with Vol. 11, but they decided to split it up for book publication. Which is fine, but it does mean this book is very short. And what’s worse, it still needs side stories to make up the length… and has to start Book 13, to the point where the chapter numbering actually resets. Basically, in terms of bang for your buck, this is pretty slight. Fortunately, it does a little better when it comes to actual plot, introducing us at last to the Zem mercenaries and finding that they are not QUITE as villainous as the book has painted them to date. More importantly, though, we meet the late Duke Carmine’s daughter Mio, who is determined to get to the bottom of why her father did what he did. Souma had been planning to try to clear Georg’s name anyway, so this works out, but there are some other things to consider.

War is tough, after all, and though Georg did his best to try to keep casualties to a minimum, there are still soldiers who were killed in a battle that turns out to have been part of a massive con game, and their families won’t be happy with that. More importantly, of course, is the presence of Kagetora, the tiger-masked bodyguard who is absolutely not secretly Georg Carmine, no way, uh uh. Mio’s seriousness and general anger is something that Souma tries to curtail by the shortest route, and he does so by having Kagetora and Mio face each other in battle, something that manages to clue her in – and only her – as to what’s going on. (Less successful is Mio after this cathartic moment, when she becomes more comedic and starts throwing herself at Finance Minister Colbert… the author really does want to pair up absolutely EVERYONE, huh?)

The other big event in this book, aside from the cliffhanger that leads into Book 13 (which I’ll just discuss when that comes out) is the first in-person meeting of King Souma and Empress Maria. He needs the Empire’s help with their upcoming war, and knows that such a conversation can’t happen over video conference call. I liked that this showed off Maria being exceedingly clever, seeing what Souma is actually planning immediately, and also showcasing Jeanne’s frustration at being unable to catch up to her genius sister. That said, Maria’s (unheard by the reader) request of Souma is worrying, as it certainly sounds along the lines of “when I die, do this”. And here I was thinking they were going to work out a way to add her to Souma’s wives… oh yes, and the mad scientist group discusses the need to add drills to everything, which I still maintain is just a big Maria-sama Ga Miteru joke.

So, despite its slightness, this book succeeds at what it wants to do, although (like many, many light novel authors) the attempts at humor are not all that funny here. In any case, next time we get mermaids and dragons, and see another clever plan of Souma’s upended by a heroine inserting herself into the narrative.

Monster Tamer, Vol. 1

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By Minto Higure and Napo. Released in Japan as “Monster no Goshujinsama” by Monster Bunko. Released in North America by J-Novel Club. Translated by Hikoki.

I will admit that the sole reason I gave this series a try was the Japanese light novel label it came from. A series from Monster Bunko! Titled Monster Tamer! Would there be… monsters? Rest assured, this book from the monster publisher with monster in the title has monsters in it. You may have guessed from the cover… possibly. Turns out the cute girl in the uniform is actually a monster as well. That said, what this genre really ends up being is the grim and gritty “abandoned by my classmates, I must soldier on, brooding and filled with hate, and monsters are the only ones that understand me” genre. Arifureta fans will find this very familiar. That said, Arifureta also has a heaping helping of humor that this book lacks. It wants to be taken seriously. Which is fine, but I must admit that emo teen’s emo narration made me rub my forehead a bit. There’s only so many times you can talk about how much you hate humanity, y’know?

Our hero (not on the cover as he’s a standard dull light novel protagonist guy) and his entire school are transported to another world one day. Some have cool, strong powers… and some do not. Very soon everyone starts to try to kill each other. Majima is essentially run over by a stampede of fleeing classmates and left for dead. He crawls to a cave and starts to get eaten by a slime… but then discovers he DOES have a power, as the slime is now his servant. His “monster party” ends up being the slime (who eats the corpse of fellow student Miho, which is why she looks like that on the cover), a ‘puppet’ monster that basically looks like a ball-jointed doll (helpfully, she makes armor with ‘breasts’ so we know she’s also female), and a non-monster, Mana, Miho’s underclassman and friend who they rescued from sexual assault by other classmates. Together they try to leave this forest and find other, non-murdering classmates… and avoid monsters that Majima can’t control.

As you can see, this book is the very definition of a high school kid wearing black so that he can be “edgy”. Majima does not let a chapter go by without telling us either a) he’s lost faith in humanity and hates them now, or b) how he has thrown aside his morals and become a terrible person. Certainly he does kill a few people, but as you’d expect with a Japanese light novel by now, they’re all rapists and bastards. Somewhat to my relief, the relationship between him and his monster servants is framed as more familial than romantic, at least on his end. The third monster we meet comes near the end of the book, and is… well, exactly what you’d expect given her monster type, but I assume we’ll develop her more in the 2nd book. I also appreciated that our hero’s power does not in fact mean he can fight at ALL – all the fights are his monster girls fighting to protect him.

That last bit might turn off other edgy teens who subscribe to the “I want my hero to win all the battles and bed all the women” school of thought. And honestly, given this is 16+ volumes and counting in Japan, I feel no need to read more. For those who enjoy this sort of “revenge/found family” story with a dark-ish tinge, this book will serve those needs quite nicely.

Didn’t I Say to Make My Abilities Average in the Next Life?!, Vol. 10

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By FUNA and Itsuki Akata. Released in Japan as “Watashi, Nouryoku wa Heikinchi de tte Itta yo ne!” by Earth Star Novels. Released in North America by Seven Seas. Translated by Diana Taylor. Adapted by Maggie Cooper.

I sort of shot myself in the foot in my last review by talking about how the author has been making Mavis more and more the co-star of these books along with Mile, and that’s a shame because it’s even more true in this book. I was expecting that she’d feature in the start, given the last book ended with a cliffhanger featuring her, but she also has a big role in the middle of the book. More to the point, while the author does say that Reina and Pauline’s magic is better than most, and we see that to a degree, Mavis is the one heading deep into Mile-only territory here. Sometimes this isn’t a good thing – we’ve given up on chiding her for her abuse of magical steroids – but sometimes it can also combine moments of tragic horror with utter silliness, such as when Mavis has her left arm completely destroyed by an elder dragon… and becomes, as Mile pastiches, the Six Million Dollar Woman.

We pick up where we left off, with Mavis making a Last Stand against the evil nobles trying to kill the princess… erm, the noble lady who is not a princess at all, ha ha ha. Naturally, despite Mavis thinking she did this on her own, the rest of the Crimson Vow are not far behind, and things are quickly settled, though not before a few more “a girl is crushing on me and this makes me uncomfortable” jokes. After that, as noted, they get challenged by three elder dragons, because their new leader is a young punk who wants to make a name for themselves. Naturally, the three dragons are taken out by the Crimson Vow, though not before Mavis loses her left arm defending Pauline, something that briefly causes Pauline to be devastated before it’s revealed Mile is a walking plot device. Finally, they meet up with the team that fought them for their academy exams, and for once get along with everyone, which is good as they have to face ANOTHER dragon.

Make no mistake about it, FUNA knows what we are here for, and it’s not drama or character development – possibly why Mavis’ addition to magical steroids is dropped here. The high point of this book, sorry to spoil, is everything about Mavis’ new bionic arm, which Mile whips up in an emergency so that she can continue to fight, and then leaves on because Mavis thinks that it’s cooler than regrowing her old, ordinary arm (which Mile can do as well). Again, this beggars belief were it not for the previous nine volumes of this series, and reminds you that there are other isekai OP protagonists, there is a big gap, and then there is Mile. That said, even Mile is not perfect, and I liked the end story showing that her “sure, let’s let the kids from the village trail along quietly” attitude can be deadly. Fortunately, well, Mavis has a bionic arm now.

As I said, this has, to an extent, come at the expense of Reina and Pauline, and I do hear that Vol. 11 focuses on the latter more. That said, this time around please enjoy the fact that, when they’re on the same wavelength, Mavis and Mile can be utterly bonkers and also complete powerhouses.

Kuma Kuma Kuma Bear, Vol. 3

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By Kumanano and 029. Released in Japan by PASH! Books. Released in North America by Seven Seas. Translated by Jan Cash & Vincent Castaneda. Adapted by Will Holcomb.

Last time I noted that Yuna didn’t really seem to have a purpose after coming to this world beyond wandering around. She seems to find one in this book, but it’s not what you’d think: her purpose is to make sure that people DON’T start talking about how strong and awesome and wonderful she is. Yuna values her anonymity, bear suit aside, and wants to have a “slow life” that becoming a famous adventurer would absolutely not give her. The trouble is that she also can’t seem to stop getting into trouble and/or having to save people, and she really is a nightmarish OP powerhouse. We gradually, by the end of the book, see her gravitating towards the traditional slow life job – she’s going to open a store – and yet there’s no doubt that the store is not going to be what we, the reader, will be seeing as the books go on. We will be seeing Yuna continue to acquire a fanclub of little girls. No, a literal fanclub.

The majority of this book takes place in the capital, which Yuna and Fina do indeed head towards as promised. On the way she captures a gang of bandits (who have been kidnapping and raping women, thus keeping to this series’ “one tonally awful event per book” quota), she meets Noa’s older sister, an academy student who is far stronger than most of her classmates, and thus Yuna is used to take her down a peg or two; manages to convince everyone that potatoes are not poisonous when prepared properly, and the same goes for cheese; draws an adorable picture book for the princess which is basically a childish retelling of her meeting Fina; and, oh yes, defeats ten THOUSAND goblins, orcs, wolves, wyverns, and one giant wyrm. By herself. On the bright side, this does actually get her to drain her magic a bit, though it’s still not enough to actually injure or trouble her.

This probably reads like a short story book, and to an extent that’s what the books are; Yuna does adventures, about 3/4 of which are warm fuzzy things, and 1/4 of which is fantasy game violence. Yuna remains rather emotionless at the best of times, but her heart is still in the right place, as the reason she kills all those monsters is that Noa was worried about her dad getting killed by them. By the end of the book, she’s returning to Crimonia, but I get the sense that the book will take us wherever Yuna can meet more guys who judge her by her appearance and thus have to be beat up, and young girls who are in awe of her. Noa has fan club cards made at the end of this book, as I noted, and I suspect numbers will go up fast. Which is probably a good thing; Yuna functions best when around others, and by herself can get somewhat callous and mean.

If you want a nice combination of slow life, ludicrously overpowered hero, cute girls beating up sexist jerks, and bears, this is your ideal series. If those things aren’t for you, your mileage may vary.

Do You Love Your Mom and Her Two-Hit Multi-Target Attacks?, Vol. 6

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By Dachima Inaka and Iida Pochi. Released in Japan as “Tsujo Kogeki ga Zentai Kogeki de Ni-kai Kogeki no Okasan wa Suki desu ka?” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

Just as the grandfather in The Princess Bride has to reassure us that “she does not get eaten by the sharks at this time” (or eels, I was always more a book person), I feel a need to reassure those people seeing the cover and emitting screeches of rage and horror that “he does not marry his mother at this time”. This is not to say there isn’t teasing to that effect – remember what series you’re reading. But it always walks up to the line but never crosses it, and that’s the case here as well. What this volume is is a short story collection, with several stories written for Dragon Magazine as well as a larger story written for this book. As with most short story volumes where this is the case, the original content is much better than the magazine imports. That said, the short story nature of the book does also add a new interesting wrinkle: Mamako really doesn’t do much in this book.

The first story takes place prior to Medhi joining the group (with a “let’s have a flashback” section so awkward I winced) and is mostly about goblins, which leads to an amusing pun that is also very Japanese. The second story is the worst, taking us back to the classroom full of NPCs, this time with Mamako as the teacher. This is a story for you if you love fanservice and Masato at his most immature. The main story is a two-parter, the first of which involves our party helping a mother whose daughter is a little TOO spoiled… and it turns out that’s the only thing stopping her from destroying the world. After that we meet the character designer for the game, along with her mother (of course), who has entered the game as she’s in love with the Prince that she created and wants to marry him. This is treated more seriously than I expected.

As always, the book rises and falls depending on how tolerable Masato is. When he’s showing he’s learned from his prior experiences and is actually being a normal teenage boy, the book is quite entertaining. When he’s doing nothing but whining and moaning, I once again ask myself why the hell I am reading this. Fortunately, most of the bad stuff is front loaded. Mone, the girl who needs to be spoiled, is a type that we didn’t quite have in the series yet – a love interest for Masato who actually admits she likes him. This does not sit well with our two reluctant mages. The most interesting part was at the end (it’s also the most amusing part – I won’t spoil why, but it involves Medhi and embarrassment, and it’s possibly the funniest the book has ever been) when Rika, the character designer, has to defend falling in love with a character in a game. There’s discussion of the fact that, since games are THIS interactive now, it’s not the same as, say, marrying a body pillow, as well as discussion of when to let your child go (something Mamako struggles with, obviously).

There’s also a bit more plot tease – by now it’s very obvious Porta’s mother is being held back till near the end of the series (assuming this ever ends) and we once again see a fantastic opportunity for Mamako to mention her husband… which she does not do at ALL. This is not Do You Love Your Dad?, and – more to the point – Mamako is the heroine, and the author knows Japanese readers won’t want to see her obviously paired up with anyone. (She’s both virgin AND mother!) In any case, after a rough start, this was a decent book, provided of course that you’ve gotten over the basic premise.