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Taking My Reincarnation One Step at a Time: No One Told Me There Would Be Monsters!, Vol. 3

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By KAYA and Naru. Released in Japan as “Tensei Shōjo wa Mazu Ippo kara Hajimetai: Mamono ga Iru toka Kiitenai!” by MF Books. Released in North America by J-Novel Club. Translated by Amy Osteraas.

It can sometimes be difficult, when a series is told entirely from one person’s point of view, to remind ourselves that they may not necessarily be the best narrator for the job. Sara tells the entire story in these books, and for the most part that’s fine, but there is a good deal of snark, apathy and general grouchiness to her entire character that makes the narration fun but also reminds us that everyone else doesn’t necessarily adore her. That said, the people she’s grouchiest to (Ted, the knights) generally deserve it. As the series goes on, I’m hoping that we get more of her joyful delight at seeing the ocean, which we get at the end of this book, and a bit less of her “whatever, I don’t care” attitude when people try to railroad her into annoying things. Though she’s right, she really should settle on figuring out what to do with her life soon.

Sara and Nelly head back to Rosa to do some shopping for clothes, but end up getting sidelined by a ton of plot. The other Invited we met in the capital last time, Haruto, has arrived in the town, and is acting like a 10-year-old kid – which, to be fair, is about when he died in Japan, so Sara has a big leg up on him. More dangerously, the knights are returning to get Sara and forcibly have a noble adopt her and get her working for the state. She really does not want to do that, so after letting Haruto and fellow Invited Bradley handle the cottage on the mountain, she, Allen and Nelly join Chris is a trip to a town two weeks away that is trying to train new apothecaries. Unfortunately, when they get there it turns out almost every single apothecary has in fact left the town. Oh yes, also frogs. LOTS of frogs.

Because Sara has for the most part been living on a mountain with a mentor who does not really care about much of anything, or else in a town that is very clearly the “last dungeon” town in this fantasy world, she has not really had a normal isekai reincarnation like everyone else in this series. That’s clearly for the good, as it turns out that while reincarnates are coddled, they’re also pretty much used as government-sponsored slaves, with a name change. You can see why – Sara is really, REALLY powerful, and we see more of that here, though at last we seem to have finally hit a magic thing that makes her feel tired rather than just being easy as pie. The next book is set up by Nelly suggesting they go to her hometown to get her family (who are nobility) to adopt Sara, which should stop the knights from trying to abduct her. I’m fairly certain it will not be that simple.

So yeah, Sara’s not sure what she wants to do with her life here yet, but till she’s safe and can relax, I don’t really blame her. Also, the gimmick is that Sara attracts monsters, right? I think we all get that by now, even if the cast don’t yet. She’s a Monster Magnet.

A Young Lady Finds Her True Calling Living with the Enemy, Vol. 1

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By Syuu and Fujigasaki. Released in Japan as “Oguni no Kōshaku Reijō wa Tekikoku nite Kakusei Suru” by PASH! Books. Released in North America by Cross Infinite World. Translated by Kashi Kamitoma.

As we have advanced into the 21st century, we have thankfully moved on from one of the more egregious fan terms (and one I used myself back when I was younger), the “Mary Sue”. Originally used as an example of a character created by a writer purely to be the “perfect” love interest for her favorite character, it then morphed into, supposedly, any woman who lacked flaws and was seen as too perfect. Which, naturally, meant any woman protagonist, if you’re a guy reading it. Meanwhile, male protagonists who kill all the monster, gets all the babes, and wind up leading the nation are a dime a dozen, and despite the attempt to use “Gary Stu” to describe them they never got any flak. And of course let’s not get into the “Strong Female Character”, as best seen by Kate Beaton’s wonderful comics. I mention all this because Bertine, the protagonist of this new series, starts her own business, unites warring tribes, shoots burglars with her rifle, and has such innate economic skills that she was raised by her father to be his successor. And you know what? It’s amazing.

Bertine du Jeanne, daughter of the Chancellor of San Luenne, an independent nation and financial powerhouse, is preparing for her upcoming wedding when she is told that the Empire, which their nation has been giving financial support to, has lost its war with the Federation. The Federation has demanded 1000 large gold coins in reparations. The royal family have decided instead to send them Bertine, as the new bride to the leader of the Federation, Cecilio. She is barely given time to hear this before she and her lady maid are bundled off to Ybit, one of the major cities in the Federation. There they are told Cecilio is away, that he never accepted the bride deal in the first place, and to go home. She can’t go home, though, as it would disgrace her country. So instead the staff at Cecilio’s estate decide to slowly starve Bertina and her attendants to death, and passively abuse them. Having had enough of this, Bertine chooses to leave the estate and make her own way in this new country.

I always enjoy novels that give greater depth to the main character as the book goes on. At first Bertine just seems like a basic “stiff upper lip” noble, though she does seem very exhausted by everything near the start of the book. We then learn that everything has been terrible for her since her mother died over a decade ago, her stepmother tried to kill her and is actively trying to prevent her returning to her own country, that she had *two* marriages called off before this, and that even when her sickly mother was alive, her father, recognizing her economic talent but being unable to properly express love, gave her hellish training that made her think he hated her. She tells Cecilio flat out that when she got to his estate and the staff abused her, she was near suicidal. Fortunately, the book wants us to know that but not dwell on it. What it does want us to dwell on is Bertine empowering herself, then empowering other women around her. There isn’t even any romance in this first novel, though I’m pretty sure she’s gonna end up with Cecilio by the second (he’s nicer than his staff). It’s just Bertine being badass. Oh, and the Candy Ma’am pun is hilarious, well done translator.

I had an absolute ball reading this. Is Bertine too perfect? Damn straight.

How a Realist Hero Rebuilt the Kingdom, Vol. 18

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By Dojyomaru and Fuyuyuki. Released in Japan as “Genjitsu Shugi Yuusha no Oukoku Saikenki” by Overlap Bunko. Released in North America by J-Novel Club. Translated by Sean McCann.

The Realist Hero books have struggled since the start with having to deal with two types of audiences. The first one has been well-served by all of the Machiavelli stuff, the political worldbuilding and military strategy, and they’re really looking forward to the upcoming major war against Fuuga Haan. And then there’s the regular old light novel audience, who are delighted with Souma having eight wives and seemingly everyone in the entire cast of well over 200 people all having weddings. It can be hard to reconcile the first and second groups, especially since the second group does not really want the logical outcome of a war, which is that many named characters who are married with children will die. In an effort to compromise, this book mostly tries to avoid the war, but does feature two minor characters tragically sacrificing themselves. It’s OK, they’re old men and also single. The marriages are safe.

After all the conflicts of the previous books, along with reluctant alliances, there’s no putting it off any longer: Fuuga wants to conquer the world, and Souma is the one standing in his way, so war it is, despite Yuriga’s best attempts to convince him. Of course, Souma is not going to simply roll out there with troops for an old fashioned Mongol Horde battle. He has schemes. Schemes that involve people like that old guy who warned them about the monster from the sea over a dozen books ago, or utilizing Trill and her bonkers impractical ideas that are nevertheless a bit more practical now that it’s a war. Or breaking the faith of the holy church through the power of evangelical broadcasting. That said… can he actually sacrifice people he cares about?

The book is, for the most part, a tense military thriller, where the question is “what’s the big plan that Souma is getting together?”. It’s supposedly something that would stop the reason for the war existing in the first place, or at least stop those following Fuuga. The answer proves to be pretty clever, and utilizes everything we’ve seen in the last couple of books, as well as the initial conflict that Souma was first isekai’d in order to solve. I ha to laugh when I saw Juno and company at the climax – I knew the adventuring party had to be part of the big final battle, but they weren’t in any of the war parties, and honestly don’t seem like the type, so they had to be part of Souma’s solution. He’s hearts-and-minding Fuuga’s army, and it works really well.

How well we’ll have to wait and see. But at least we have an end volume now – the author says 20 will be the last. I’m sure he can marry off one or two more single people by then, and probably not kill off anyone that would make us sad.

Manga the Week of 12/13/23

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SEAN: It’s a bit early, but this is Yen Press week, because of the holidays. That said, they’re at the end this time around.

Two print books from Airship: Disciple of the Lich: Or How I Was Cursed by the Gods and Dropped Into the Abyss! 6 and Free Life Fantasy Online: Immortal Princess 5.

And for early digital we see The Haunted Bookstore – Gateway to a Parallel Universe 7 (the final volume) and She Professed Herself Pupil of the Wise Man 9.

ASH: At the very least, I still love the basic concept of The Haunted Bookstore.

SEAN: Ghost Ship has Peter Grill and the Philosopher’s Time 11 and World’s End Harem 16 – After World.

J-Novel Club has some print titles. We get Infinite Dendrogram 19 and the 16th and final volume of Marginal Operation.

Three digital debuts for J-Novel Club. D-Genesis: Three Years after the Dungeons Appeared (D Genesis: Dungeon ga Dekite 3-nen) is based on the light novel J-Novel Club is already putting out. The manga runs in Comp Ace.

The Diary of a Middle-Aged Sage’s Carefree Life in Another World (Arafō Kenja no Isekai Seikatsu Nikki) is about a 40-year-old guy who loves the VRMMO he’s playing… then when he beats the final boss, the boss curses him to die and be reborn as his character!

ASH: Succession planning at its finest.

SEAN: Forget Being the Villainess, I Want to Be an Adventurer! (Tensei Reijou wa Boukensha wo Kokorozasu) is also based on the light novel J-Novel Club previously released. It runs in Flos Comic.

Also from J-Novel Club: Chillin’ in Another World with Level 2 Super Cheat Powers 12, the 2nd The Conqueror from a Dying Kingdom manga, Full Clearing Another World under a Goddess with Zero Believers 10, Full Metal Panic! Short Stories 9, the 10th How a Realist Hero Rebuilt the Kingdom manga, I Parry Everything: What Do You Mean I’m the Strongest? I’m Not Even an Adventurer Yet! 4, Lady Rose Just Wants to Be a Commoner! 5, A Late-Start Tamer’s Laid-Back Life 8, the 10th The Magic in this Other World is Too Far Behind! manga, The Magician Who Rose From Failure 6, My Instant Death Ability Is So Overpowered, No One in This Other World Stands a Chance Against Me! 14 (the final volume), and the 3rd Now I’m a Demon Lord! Happily Ever After with Monster Girls in My Dungeon manga.

Kodansha Books has Spring Comes Riding in a Carriage, the latest in the Maiden’s Bookshelf series, based on the story by Riichi Yokomitsu.

ASH: This series is great; I’m really glad it’s being translated.

SEAN: Kodansha Manga has quite a few debuts. How I Met My Soulmate (Unmei no Hito ni Deau Hanashi) is a shoujo title from Dessert. the story of a college student looking for… well, her soulmate, it’s by the creator of Waiting for Spring.

MICHELLE: Oh! I liked Waiting for Spring.

SEAN: There’s also a new print release of the first volume of Magic Knight Rayearth. If you have not read it yet, do so. (It ran in Nakayoshi.)

ASH: Despite the number of different releases it has had, I somehow haven’t actually read it yet.

ANNA: Aww, maybe I’ll dig out my old Viz volumes.

SEAN: Pass the Monster Meat, Milady! (Akujiki Reijou to Kyouketsu Koushaku – Sono Mamono, Watashi ga Oishiku Itadakimasu!) is a shoujo title from Palcy. A young woman can’t seem to find a fiance in noble society, just because she likes eating monsters and mutant plants. I mean, god forbid a girl have hobbies.

MICHELLE: Right?!

ASH: Ha! Surprisingly, she wouldn’t be the first to have this particular interest.

ANNA: Amazing!

SEAN: Also in print: Saving 80,000 Gold in Another World for My Retirement 4.

Digitally we get The Dawn of the Witch 7 (the final volume), The Fable 21, Gang King 12, Giant Killing 40, Guilty 13 (the final volume), Medaka Kuroiwa is Impervious to My Charms 9, That Time the Manga Editor Started a New Life in the Countryside 3, and Those Snow White Notes 12.

Two debuts from Seven Seas, with similar sounding titles. I Married My Female Friend (Onna Tomodachi to Kekkon Shitemita) is from Comic Yuri Hime, by the creator of Doughnuts Under a Crescent Moon. Two women agreed to get married if they hadn’t found anyone in the next five years. They do… and maybe love comes after?

The Secret of Friendship (Tomodachi no Hanashi) is a one-shot from the author of My Love Story!!. A shy girl and a popular girl are best friends, and no guy has been able to come between them… yet. This ran in Betsuma.

MICHELLE: Ooh.

ASH: Count me intrigued!

SEAN: Seven Seas also has The Ancient Magus’ Bride 19, Chillin’ in Another World with Level 2 Super Cheat Powers 7, COLORLESS 5, Dai Dark 6, Don’t Call it Mystery 5-6, Ex-Yakuza and Stray Kitten 4 (the final volume), Hitomi-chan is Shy With Strangers 7, Marmalade Boy: Collector’s Edition 4, Miss Kobayashi’s Dragon Maid: Elma’s Office Lady Diary 7, Mushoku Tensei: Roxy Gets Serious 10, and The Saint’s Magic Power is Omnipotent: The Other Saint 3.

MICHELLE: Already more Don’t Call it Mystery!

ASH: So many series in this batch I need to catch up on.

ANNA: Ack, me too!

SEAN: Square Enix gives us The Ice Guy and the Cool Girl 2 and My Isekai Life 10.

ASH: The Ice Guy and the Cool Girl is pretty cute.

ANNA: Agreed!

SEAN: SuBLime debuts Pink Heart Jam, which ran in a magazine called Mellow Kiss. A country boy comes to college and wants to see if he’s gay. He gets help figuring that out from another guy.

ASH: Makes sense, really.

SEAN: And we get the 3rd and final volume of MADK.

From Tokyopop we get Acid Town 3, The Black Cat & the Vampire 2 (the final volume), and If My Favorite Pop Idol Made It to the Budokan, I Would Die 4.

Viz Media debuts Demon Slayer: Kimetsu Academy (Kimetsu Gakuen!), for those who thought Attack on Titan High School was the best version of the series (i.e. me). It runs in Saikyou Jump.

There’s also Akane-Banashi 3, Call of the Night 14, Mashle: Magic and Muscles 14, One Piece Omnibus Edition 33, Pokémon: Sword & Shield 8, Yakuza Lover 11, and Yashahime: Princess Half-Demon 4.

And now it’s Yen time. Are you ready?

ASH: Not really, believe it or not.

SEAN: Starting with Yen On, Anime Bungo Stray Dogs: Novel Version is a novelization of the anime that was based on the light novels. I can’t even.

ASH: Huh.

SEAN: Blade & Bastard is a print version of the light novel released digitally by J-Novel Club, based on the old Wizardry RPG.

It’s back, despite Yen On’s prayers that Dengeki Bunko would just let them ignore the series. A Certain Magical Index NT (Shinyaku Toaru Majutsu no Index) is finally here, and the NT stands for New Testament. World War III is over, and Touma is missing presumed dead. Now what?

And Suzume is (sigh) a Makoto Shinkai movie that he also wrote this novelization for. A young girl finds doors connecting past, present and future.

ASH: Not entirely unexpected at this point.

SEAN: Also from Yen On: Bofuri: I Don’t Want to Get Hurt, so I’ll Max Out My Defense 11, Death March to the Parallel World Rhapsody 20, The Girl I Saved on the Train Turned Out to Be My Childhood Friend 5, Hollow Regalia 3, I Got a Cheat Skill in Another World and Became Unrivaled in the Real World, Too 4, I’m the Villainess, So I’m Taming the Final Boss 7, Ishura 5, Magical Explorer 6, No Game No Life 12, Spy Classroom Short Story Collection 2, and That Time I Got Reincarnated as a Slime 17.

In more sensible Bungo Stray Dogs news, Bungo Stray Dogs: Dazai, Chuuya, Age Fifteen (Bungou Stray Dogs: Dazai, Chuuya, Juugo-sai) is a manga based on the spinoff light novel (OK, slightly more sensible), and runs in Shonen Ace.

ASH: Slightly.

SEAN: Fruits Basket: Complete Anime Natsuki Takaya Illustrations is a sort of artbook-ish manga volume, with the author’s sketches for each anime episode and commentary.

My Poison Princess Is Still Cute (Boku no Dokuhime wa Kyou mo Kawaii) runs in Big Gangan. A demon princess who spreads poison on the battlefield. A human knight who can revive from death. Why not marry them off? And what if they’re stupid cute?

ASH: Awwwww.

SEAN: Also from Yen Press: Cross-Dressing Villainess Cecilia Sylvie 5, The Do-Over Damsel Conquers the Dragon Emperor 2, The Fiancee Chosen by the Ring 5, Gabriel Dropout 13, Game of Familia 2, The Geek Ex-Hitman 3 (the final volume), Glitch 2, Hirano and Kagiura 4, I Got a Cheat Skill in Another World and Became Unrivaled in the Real World, Too 4, I’m Quitting Heroing 4, The Illustrated Guide to Monster Girls 2, Is It Wrong to Try to Pick Up Girls in a Dungeon? Memoria Freese 2, Love of Kill 13 (the final volume), Lust Geass 7 (the final volume), My Instant Death Ability Is So Overpowered, No One in This Other World Stands a Chance Against Me! —AΩ— 3, My Mate Is a Feline Gentleman 2, Overlord: The Undead King Oh! 11, Re:ZERO -Starting Life in Another World-, Chapter 4: The Sanctuary and the Witch of Greed 7, Secrets of the Silent Witch 2, Shy 5, Slasher Maidens 9, So What’s Wrong with Getting Reborn as a Goblin? 4, Studio Apartment, Good Lighting, Angel Included 4, Tales of Wedding Rings 13, Toilet-bound Hanako-kun 19, Touring After the Apocalypse 4, The Witches’ Marriage 2, What This World Is Made Of 3 (the final volume), and Yowamushi Pedal 24.

WALL OF TEXT! See anything there?

MICHELLE: Glitch!

ASH: A lot of words. I saw a lot of words.

ANNA: Gotta get Yowamushi Pedal for my kids.

Private Tutor to the Duke’s Daughter: The Millennial Capital

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By Riku Nanano and cura. Released in Japan as “Koujo Denka no Kateikyoushi” by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by William Varteresian.

Imagine a horse race, with a lot of impressive participants. The race starts, everyone is going flat out… except one horse who just stands there, staring, and perhaps snorting with amusement. What’s going on? Is she just going to let the other horses win? Then, when everyone else is about 3/4 of the way into the race, the remaining horse starts to run. She ends up winning by 10 furlongs. That’s sort of how this book feels for those who are wondering who Allen will end up with in this series. It’s Lydia’s world and we just live in it. There are a few scenes dedicated to the rest of the cast, but even there, the main POV character is not the titular Duke’s Daughter, but her older sister, who is also possibly the only one of the harem herd Lydia regards as a rival. Tina? There was a character poll in Japan. Tina came in 6th. No prizes for guessing who won, and it wasn’t close.

(I want you to look at the cover to Volume 6, and then look at this volume. They’re the same character.)

After the events of the last book, Allen and Lydia (and Atra) have gone on the run to the City of Water, in the middle of the Southern Alliance that is currently at war with Lydia’s family. They check into a hotel under an an assumed name, and, Lydia ensures, as a married couple. What follows is about half a volume of the sweetest gloop you could possibly want. Sadly, the plot has to kick in sometime. The Doge is trying to broker for peace, especially after he and Allen have a secret discussion at a fantastic cafe, but one of the countries is being particularly difficult… because, of course, their reins are being held by the Church. The younger brother of the City’s Don has the Church trying to kidnap him for nefarious reasons. And there’s a mysterious woman who is, according to Atra, a “scary, sad fiend”. Which is true, especially the scary part.

I hate gushing (that’s a lie, I love gushing), but this book is a massive reward for Lydia fans who have been waiting for her to spend an extended period with Allen since the first volume. She’s at her most self-confident here, having Allen pamper her, declare that he will never hate her, and connecting their mana together, something she’s longed for for years, even if it’s just temporary. Even the climax of the book, which technically has Allen and Lydia fight against a powerful enemy and lose, is triumphant. As for the others? Well, Stella’s still having mana leakage issues, and I’m sure she’ll get a book of her own later. And, um… Felicia and Lily’s breasts are big? Yeah, I may love this series, but it’s still what it is, so of course there’s a “small-breasted girls vs. large-breasted girls” argument. All of them miss the point, as Allen is not the sort to pick a partner based on looks. Honestly, Allen is not the sort to pick a partner, period. Lydia’s working on that.

This looks like a multi-volume arc, and I’m sure the girls will intrude on Allen and Lydia’s love-love honeymoon in the next book. Till then, though, please enjoy a victory lap from the angriest redhead around. (OK,. the angriest redhead in this series, at least. Sorry, Lina.)

Pick of the Week: Neighborhood Story… At Last

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SEAN: I mean, it’s Neighborhood Story, no question. A mere 21 years after Paradise Kiss came out in North America, we get its predecessor, and even more amazing fashion. Cannot wait.

MICHELLE: Yep. No question.

ANNA: I might pick it a few extra times!

ASH: There’s no doubt about it. Any Ai Yazawa manga is going to be an auto-pick for me, so Neighborhood Story it is!

Agents of the Four Seasons, Vol. 1

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By Kana Akatsuki and Suoh. Released in Japan as “Shunka Shūtō Daikōsha” by Dengeki Bunko. Released in North America by Yen On. Translated by Sergio Avila.

This one took me completely by surprise. For one thing, I’ve never seen Violet Evergarden, the other series this author is noted for, which I know has a large cult fanbase. But even then, the cover art and plot description were sort of obfuscating things. I was expecting a soft little romance, with star-crossed lovers reuniting after ten long years and lots of crying and apologies. Actually, technically, I got all that except for the “soft” part, but that also does not describe the book at all. This is a dark and brutal story about recovering from severe trauma after years of torture, the devastation of those left behind, and living in an active terrorist state where at any moment you might get brutally murdered – or just kidnapped again. Fluffy this ain’t. That said, every page of this does its job to reward the reader, and if you can tolerate a lot of dark depressing angst, it’s one of the best light novels to come out this year.

This takes place in a world where the seasons are controlled by “Agents”, four people chosen to bring about the change to winter, spring, summer and fall. They are humans with powers, and when one dies, another one develops a birthmark which marks them as the next in line. In Yamato (i.e. alternate universe Japan), things have been terrible and rather wintery for the last ten years because of a disaster that took place – during an attempted assassination of the winter agent, the spring agent was kidnapped. She’s been missing all this time, and yet, because a new agent has not appeared, she isn’t dead. The book starts with her return, ready to perform the actions to bring about spring despite PTSD, what appears to be disassociative identity disorder, and a retainer who may be even worse off than she is.

We don’t get explicitly told what happened to Hinagiku when she was kidnapped, except for dialogue-only flashbacks that imply that heavy torture was done to her. But it left its mark, and it’s amazing that she’s here to bring on the spring and try to get things back to the way they were. Meanwhile, her retainer Sakura is still trying to cope with being unable to save her at the time, and being abused by nearly everyone around her in the interim. Rosei, the agent of Winter, has tremendous survivor guilt, given that Hinagiku sacrificed herself so that he could live. And Itecho, his retainer, also blames himself for not being strong enough to go up against dozens of terrorists with guns. There is, thankfully, a BIT of healing in this volume, but when the agent of Autumn is kidnapped in what looks like a repeat of the events of last decade, the Four Seasons decide enough is enough, and they’re not going to take it anymore.

I didn’t even have time to get into the Summer agent/retainer, who have twin issues, or the Autumn retainer, who is the only retainer with no real issues and therefore gets to be the one to suffer. I do know that I really, really, really want to read the next book in this series, and I am thankful that the series seems to do 2-book arcs, so things should reasonably wrap up in it. Highly recommended.

Villainess Level 99: I May Be the Hidden Boss but I’m Not the Demon Lord, Vol. 3

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By Satori Tanabata and Tea. Released in Japan as “Akuyaku Reijō Level 99: Watashi wa Ura Boss Desu ga Maō dewa Arimasen” by Kadokawa Books. Released in North America by J-Novel Club. Translated by Satori Tanabata.

I’ve said this before, but I will say it here again: these books are just too long. Normally I don’t carp too much about the length of a book, but it’s relevant in this vase because Villainess Level 99 is a comedy. The bulk of the humor comes from Yumiella being ridiculous, and everyone’s reaction to this. And she’s very funny here, but the trouble is, about 50-60% into the book, you just flag a bit, and want it to be over faster. Luckily, by around 80% or so complete, the actual serious plot kicks in, so it ends strong. But there’s no reason this had to be 300 pages, dangit. Especially since, as the author says in the afterword, this is no longer a villainess series ad there’s no longer a demon lord. Well, mostly. Covers always spoil, and maybe the reason that this book was so long is because the presence of two Yumiellas means that there needs to be twice the pages to contain them.

After the events of the last book, things have settled down mostly, and all Yumiella really has to worry about is Eleanora being around her far more often and a sinking suspicious that she’s dead weight even though she’s running her territory. But then the God of Darkness shows up, and through him Yumiella finally learns the way to get past that Level 99 cap and get even stronger – she has to kill a version of herself from another parallel world. Believe it or not, Yumiella is not as gung-ho about this as you’d expect, especially since there’s only one other Yumiella left – all the other parallel Yumiellas have been killed by virtue of the otome game plot that our Yumiella subverted. Unfortunately, the remaining Yumiella is still alive as she’s destroyed her world… and is heading for our Yumiella next!

The core of this series remains Yumiella’s combination of deadpan humor, oblivious ditziness, and meathead tendencies, and all three of those are in full effect. You’d think that the alt-Yumiella would be quite a different person give that she destroyed the world, but remember even our Yumiella, with her “isekai” personality, had those feelings a few times in Book 1. Honestly, and this is part of the gag, the alternate Yumiella is a heck of a lot more sympathetic than the one we know. Things do turn serious in the end – alt-Yumiella’s trip to this world was not just for evil kicks, and there is a higher power behind all of this. I had sort of guessed how things were going to have to turn out, but the book did enough hoop jumping that I was able to accept a lot of the hand-waving near the end that kept everything from getting too depressing – this IS a comedy, after all. And the epilogue is the best joke in the book. Maybe our Yumiella should be #2 after all.

This volume is well-timed, as the anime starts in January and will likely get through 2-3 books at most. It should be fun to watch. Especially as the episodes won’t all be 75 minutes long. Also, Patrick is just Kyon, right? He’s even doing the Kyon pose! Yare yare.

Fake It to Break It! I Faked Amnesia to Break Off My Engagement and Now He’s All Lovey-Dovey?!, Vol. 1

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By Kotoko and Esora Amaichi. Released in Japan as “Konyaku Haki o Neratte Kioku Sōshitsu no Furi o Shitara, Sokkenai Taidodatta Konyakusha ga “Kioku o Ushinau Mae no Kimi wa, Ore ni Beta Boredatta” to Iu, Tondemonai Uso o Tsuki Hajimeta” by SQEX Novels. Released in North America by J-Novel Heart. Translated by Stephanie Liu.

If I’m being honest, as a romance novel this one felt like a bit of a chore. It’s another in the line of Japanese books that I’d summarize as “communication is important”, as we first meet our main couple when they are having the most awkward lunch ever, not even bothering to look at each other. Then we get, well, the title, and after that there’s a lot of lies piling up, on both her side and his side, and the subsequent “falling in love again” part mostly happens because of said lies. This can be a bit hard to take. On the bright side, I did find myself interested throughout the book, as the reader gets no backstory at all before things start, so we’re as much in the dark as Violet supposedly is – how did things get as bad as this? The book is a mystery.

Violet Westley is currently miserable. She’s been engaged to her fiancee Phillip since birth, owing to a debt owed by one family to the other from over a century ago. Unfortunately, Phillip is quiet, reserved, impassive, and uninterested in conversation, and Violet is also shy and awkward. Then one day she’s in a carriage accident and doesn’t wake up for a week. When she does, she has a “brilliant” idea – she’ll fake amnesia, and use that as an excuse to end the engagement. Unfortunately, Phillip runs over to see her the moment that he’s heard she’s awake, and tells her all about their relationship – they were madly in love with each other and very doting. Violet stares – what the hell is he lying for? Why has he suddenly become vibrant and outgoing? Is this really her fiance?

The best part of the book is gradually tracking down what Violet and Phillip’s past was really like, and how the two of them came to be the way they are at the start. Part of it is the usual romantic misunderstandings (Violet hears a staged conversation meant for someone else), and some of it is just down to Phillip being a giant introverted dork in a genre which needs its romantic leads to not be giant introverted dorks. Once you realize what his real feelings are like, they actually feel a bit heavy – s I said, the romance part of the book is not that great, and he feels a bit too obsessed and overdramatic post-amnesia. As for Violet, she doesn’t really have a strong enough personality beyond “the reader” – she’s the equivalent of those isekai protagonists who are all “generic guy with black hair”. Even her faults – well, aside from the lying – are “cute” faults, like being a terrible cook and a terrible embroiderer.

If this was done in one volume, I’d say it was all right. It has a second coming out, though, and I worry that it will feature more annoying misunderstandings. I may stop with this one.

The Ideal Sponger Life, Vol. 14

by

By Tsunehiko Watanabe and Jyuu Ayakura. Released in Japan as “Risou no Himo Seikatsu” by Hero Bunko. Released in North America by J-Novel Club. Translated by MPT.

And so the author has finally achieved his dreams. We’re 14 volumes into a series that began with the idea that our hero was being isekai’d solely to impregnate a queen for the sake of the country, and he never would have to do anything else. Now, 14 volumes later, the sex is basically absent, there’s not even any action in this volume, and the entire book is devoted to political wrangling, all of which needs to be done by Zenjirou, because Aura can’t exactly go gallivanting all over the world. We are now finally in complete, 100% opposition to the title of the series. Fortunately, in this case that’s a good, thing. The worldbuilding is stepping up its game, and we’re also (finally!) seeing a lot of Aura in this volume, and seeing how she is stating to deal with Freya now that she’s married to Zenjirou and living in the same palace. It actually goes pretty smoothly, though now that Freya has gotten her man her eccentricity is more pronounced than ever.

Everyone is back in Capua, at least for the moment. That said, there’s a lot still to do. Lucretia is still trying to become Zenjirou’s second concubine, and while she’s changed her approach to be more mild, she still doesn’t really get him, and does not understand why “I have no actual wants or needs beyond what you have for me” is a bad thing. Aura, meanwhile, hears a secret from the Twin Kingdoms that is potential dynamite – they were once part of the White Empire, long long ago. And there’s a high chance that some people still hold a grudge about it. This is also stunning news for Freya, who realizes that she may have accidentally gotten her little Northern country involved in a massive global conflict by her marriage. And then Zenjirou gets a very odd invitation…

There’s some very funny jokes in this book, most of them involving Freya. Having seen in the previous book that she is thought of in her own country as “that out of control lunatic”, we get to experience a bit of that here, with her having to be literally dragged away from the fridge in Zenjirou and Aura’s room and also declaring that she’s moving in with them when she sees the air conditioner. (Aura says no, sorry, threesome fans.) There’s also her twin brother, who is basically her as a man, and this is emphasized by the color artwork, showing each of them throwing the exact same tantrum when being told they can’t do something they really want to do. Mostly, though, this book is setup for the next major arc. Zenjirou is at a point where he has to accept Lucretia as a concubine, but it makes him unhappy, which will not help anything. And then there’s his mystery invitation. The next book should be really exciting.

Hrm? What’s that? We’re caught up? It’s been over two years since the last book in Japan? Ah well.