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Bookshelf Briefs 5/9/11

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This week, Kate, David, MJ, and Michelle take a look at a slew of new releases from Viz Media, Digital Manga Publishing, TOKYOPOP, and Vertical.

Gente: The People of Ristorante Paradiso, Vol. 3 | By Natsume Ono | Viz Media – Comics, Italian Style — that’s how I’d describe Natsume Ono’s Gente, a series exploring the complicated personal lives of the people who work at and patronize Cassetta dell’Orso, the bistro featured in Ristorante Paradiso. Though Gente took a few volumes to find its footing, the third installment is magical: Ono’s men are dapper and virile; her women are bemused and tolerant; and the stories have the ebb and flow of real life, punctuated by moments of absurd humor or sadness that will remind movie buffs of Yesterday, Today, and Tomorrow and Marriage, Italian Style. If you don’t suppress a sniffle reading “Un Amore,” the story of a crumbling marriage, you’ve never experienced true heartbreak. Highly recommended, especially for fans of classic Italian cinema. – Katherine Dacey

Honey-Colored Pancakes | By Keiko Kinoshita | Digital Manga Publishing – This boys’ love anthology features five short stories, the first and last of which chronicle the bumpy relationship between Chiharu, a talented pastry chef, and Tougo, a handsome actor who’s as besotted with Chiharu’s desserts as he is with the hunky baker. The other three stories — “Tomorrow Will Be Rosy,” “A Clever Man at Work,” and “For Love” — also explore the formative stages of courtship, with characters screwing up the courage to confess their feelings or steal a first kiss. Though the book suffers from overly familiar scenarios, Keiko Kinoshita’s handsome character designs and discrete bedroom scenes make Honey-Colored Pancakes a good choice for readers who favor romance over smut. – Katherine Dacey

Kamisama Kiss, Vol. 3 | By Julietta Suzuki | Viz Media – One of the things I like best about this series is how it demonstrates Suzuki’s versatility. Karakuri Odette (Tokyopop) seemed to me to essentially be about talking through things until the characters understood their feelings. Kamisama Kiss is about feelings that sneak up on characters to the point that they don’t necessarily need to express them. In this volume, it’s fox spirit Tomoe’s chance to rescue accidental priestess Nanami from a difficult situation, though she’s hardly passive, and she’s pulled his fur out of the fire in the past. As our evenly matched protagonists grow closer, circumstances intervene to suggest that Nanami may not know her companion as well as she thinks she does. Suzuki seems quite assured at throwing credible, character-driven obstacles in the path of her maybe-lovers, which is a fine skill for a shôjo mangaka. -David Welsh

Kizuna Deluxe Edition, Vol. 2 | By Kazuma Kodaka | Digital Manga Publishing – What a difference a volume makes! The first installment of Kizuna was a bit of a mess, hopping around chronologically as Kadoka tried on a variety of drawing styles. The series finds its footing in the second volume, however, blending episodic stories about long-time couple Ranmaru Samejima and Kei Enjouji—Ranmaru wishes Kei would get a haircut, Kei gets upset when Ranmaru volunteers to step aside should Kei find a nice girl—with glimpses into the yakuza world (Kei and his half-brother, Kai, are the children of a notorious boss). I never expected I’d actually get into the latter, but I really enjoyed the suspenseful final chapter in this volume, in which Kai is hauled in by the cops on suspicion of dealing narcotics. I’m beginning to see why Kizuna is such a classic and now eagerly await volume three! -Michelle Smith

Rasetsu, Vol. 9 | By Chika Shiomi | Viz Media – In this series’ final volume, with Rasetsu’s 20th birthday upon her, she finally faces the demon who claimed her long ago. Though the ending has its twists, what really makes it work is the rich emotional framework that has defined the series all along. After all, Rasetsu’s worst demons are her own fears, and this what she and her quirky, self-made family must battle in the end. There’s nothing shocking here at all—no overwhelming drama to put a big “bang” on the ending—just a few, deeply damaged people who will work things out together the way they always have. It’s lovely, truly, and a perfect ending for this genuinely enjoyable series. Complete in just nine volumes, Rasetsu is a rare, short shoujo gem. Recommended. -MJ

Sakura Hime: The Legend of Princess Sakura, Vol. 1 | By Arina Tanemura | Viz Media – I ordinarily approach a new Tanemura series with some trepidation, since I either loathe them or find that they’re better than expected. Sakura Hime doesn’t give a very good impression at first, as its first chapter is the whirlwind story of a spunky heroine learning that a) she’s the granddaughter of Princess Kaguya and b) that it’s her destiny to fight nasty demonic critters called youko. Everything seems generic, including the fact that she immediately falls in love with the fiancé she had claimed to hate, but when he turns around and tries to kill her… well, that spices things up a bit. I’m still not sure whether Sakura Hime is going to be a series I follow to its conclusion, but it has earned a second look, at least. -Michelle Smith

Silver Diamond, Vol. 9 | By Shiho Sugiura | TOKYOPOP – Rakan and friends continue to make their way toward the Imperial Capital, pausing to calm the spirits in a graveyard and befriend the inhabitants of a village. The pace of the story is as leisurely as always, but Silver Diamond can be counted upon to provide a calming, benevolent, imaginative, comforting, funny, and touching read nonetheless. Unfortunately, this is the final volume that TOKYOPOP produced, and it ends with a cliffhanger—Rakan has been put to sleep in order to prevent him from leaving the village and one of the residents is plotting how best to do away with his companions! Take heart, however! Silver Diamond is available in French, and if you’re not afraid of a little Google Translate action, continuing the story should be pretty easy. That’s what I intend to do, at least! -Michelle Smith

Twin Spica, Vol. 6 | By Kou Yaginumaa | Vertical, Inc. – “Graceful” is the word that most frequently comes to mind when I’m reading this series about students at a school for astronauts. The quintet of leads spends most of this volume learning more about each other, particularly rich, removed Marika. There are lots of comics about a group of young people who have a dream in common but not much else, but few of them are as delicate and understated in approach as this one. Heroine Asumi continues to bring out the best in her classmates, partly due to her kindness, partly due to the example she sets, and partly due to the vulnerability she displays. I think it’s quite an accomplishment to create a heroine who inspires both the desire to protect and the anxiety that already she’s miles ahead. Why wasn’t this series nominated for an Eisner again? -David Welsh

Off the Shelf: Business as usual

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MJ: So here we are, back to our regular programming after a few “special” weeks in a row. Feels a little strange, doesn’t it?

MICHELLE: It feels totally strange! Where are all the babies and girls living in cellars?!

MJ: Hm, when you put it that way, I’m grateful for a return to normalcy! So what have you got for us, now that we’re comfortably ordinary again?

MICHELLE: A love story between two not-so-ordinary teens!

I’m talking about Portrait of M & N, by Gakuen Alice creator Tachibana Higuchi. I read its third and fourth volumes this week, and I have to say I am pretty frustrated. It’s like that old saying, “The opposite of love is not hate but indifference.” If I didn’t think Portrait was worth getting angry at, I wouldn’t bother, but it really could be so much better than it is and reading it can be a wearying experience because of that fact.

Mitsuru Abe is an elegant-looking, if rather awkward, girl who has been belittled by her mother to the point that she has developed masochistic tendencies. The solitude arising from a sickly childhood, meanwhile, has led Natsuhiko Amakusa to develop a narcissistic fixation on his own beauty. The two meet, bond over their respective secret eccentricities, and eventually fall in love. If the story were solely about two people, different from others, who find love and acceptance with each other, I would probably like it a lot more. And, it’s true, sometimes the story does go in this direction, particularly in these volumes, where Mitsuru and Natsuhiko officially begin dating and immediately have to defend their relationship against Mitsuru’s disapproving family.

Unfortunately, this series has a gimmick, and one that Higuchi cannot resist beating into the ground. When Mitsuru feels pain, a different personality takes over and she pretty much glomps whoever inflicted it. And whenever Natsuhiko spies his reflection in a mirror, he goes off on rhapsodies of self-adoration. I was tired of this by volume two, and the fact that it’s still the punchline in volume four leaves me shaking my head. And as if everyone is morons and can’t figure out what’s going on despite abundant visual clues and the fact that we’ve seen it many times before, Higuchi also adds helpful narration, like, “He sees himself reflected in the goggles.” I also don’t like Hijiri, an obnoxious classmate who likes Mitsuru, or the frequent breakage of the fourth wall.

And yet, I wouldn’t say I dislike Portrait of M & N. It’s disappointing. It’s maddeningly frustrating. But sometimes, it’s kind of good. And it’s because of those glimmers that it’s worth reading.

MJ: Oh, ugh! I was thinking, “Wow, this actually sounds really good, what kind of crack is she smoking?” all the way up until you got to the part about the gimmicks. I mean. WHY? It’s as though the mangaka thinks that the characters’ issues need to be exaggerated in order to be interesting, when actually the opposite is the case. They’d be much more interesting if they were allowed to just be real, and we could watch the two of them learn to deal with each other and themselves. Ugh.

MICHELLE: Exactly. Sometimes, I feel like I come down too hard on comedies, but there’s a difference between injecting humor into a story that feels like it’s going somewhere—Silver Diamond consistently makes me giggle, for example—and substituting hijinks in place of actual plot momentum and character growth. This manga is much better when focusing on how the leads have changed because of their relationship rather than how they contend with the irksome antics of Hijiri.

Annnnnyway, what ordinary things have you been reading lately?

MJ: Oh, you know, the usual. Ghosts. Curses. Lots of cake. Yes, I’ve indulged myself over the last few days with my latest Pick of the Week, volume eight of Chika Shiomi’s Rasetsu.

Though Rasetu’s actually found true love, it would seem, just in time to save her from the demon who claimed her as his own however many years ago, it also seems likely that the whole thing was a ruse from the start. Not even true love can save Rasetsu from her fate, especially when one of her allies may not be as he seems.

The truth behind one of Rasetu’s ghost-hunting colleagues is finally revealed, and though it’s something I guessed on my own quite a long while ago, Chika throws in some twists that are stunning just the same. And that’s really the secret to this entire manga.

Though the surface elements are very much standard for supernatural shoujo (and romantic shoujo as well, of course), the execution is so fresh and charming, it feels anything but standard. It’s got the comfortable familiarity of a tried-and-true formula, but without the usual pitfalls, which in my mind, is what makes a really good genre series.

Interestingly, too, though we’ve finally hit the best bits of romance here in the series’ penultimate volume, what really shines here is the larger conflict between Rasetsu and her demon predator. For a romance junkie like me, that the rest of the plot would even register at this point is a pretty big deal, so for it to actually grab my focus for the bulk of the volume is significant.

I really enjoy this series, and I’m on the edge of my seat waiting for its final volume.

MICHELLE: I really appreciate how you’ve stoked my desire read this series but have almost entirely avoided spoilers at the same time. It almost sounds like Buffy, in that you’ve got these supernatural things going on, and some of them are dire, but the focus is always on the characters, their relationships, and how they are personally affected by whatever the spooky plot happens to be.

MJ: Well, I would say it stops short of the full greatness of Buffy, primarily because it isn’t long enough for the kind of character development that series was able to accomplish, but it’s definitely character-driven and also quite a bit of fun when it’s not in its deepest moments of angst. Well, actually, sometimes it’s fun then, too. I always feel like I need to mention that it gets a slow start, because really the first volume is nothing to get excited over. But it has definitely become a favorite for me over time.

So, what other mundane item have you got in store tonight?

MICHELLE: The thoroughly humdrum tale of a bunch of kids who take turns piloting a giant robot in battles against alien invaders!

I’m talking about Bokurano: Ours, specifically its third volume. Sometimes I feel like I’m alone in my interest in this title. It’s true that it has issues. Most fundamental for some will likely be the fact that “Zearth,” the robot, is powered by the life force of its pilot, which means that kids die. If one can get past this, there’s also the problem that we seldom learn anything about a given kid until it’s their turn to pilot, which means there are a lot of characters sitting around observing the action without really participating much in it.

However, there are some aspects of this series I simply find fascinating, and which keep me reading despite its grim formula. For example… are these alien invaders even real? It’s convenient that the mysterious fellow who tricked the kids into signing contracts knew that exactly fifteen of them would appear, and some elements of the story make me wonder if this isn’t just a game for some alien race’s amusement. The emissary to the kids, for example, is this creepy, pointy-toothed, plushie-like creature named Koyemshi, but he’s much less inclined to dispense helpful advice than to torment them about their impending deaths. In one especially bizarre scene, he addresses a room of empty chairs and explains his approach, saying “Oh? You think I went too far? Oh, come on. I want to see them break down in snotty fits of tears.”

Besides all this, the military has now gotten involved, and their assistance initially gives the current pilot—a neurotic kid named Kako—hope that he might not have to die. When this hope is quickly dashed, he goes berserk, but if he fails to complete the battle in the allotted time frame, Earth will be destroyed! Dun dun dun….

Basically, the main appeal of Bokurano: Ours can be boiled down to, “What the hell is going on?!” Some series that try this approach lose me along the way, but here, I am genuinely interested. My only lament is that volumes do not come out faster, so it will take ages for us to get to the eleventh and final volume where, presumably, concrete answers await.

MJ: Well, hmmmm. I must say this does sound pretty interesting. Now, I tend to appreciate grim stories, so not even the child deaths deter me here, and I admit I’m a little fascinated by the horror that poor kid Kako must be going through. How do they muster the will to keep going when they know they are doomed? I would find that so difficult. I’d go berserk in a second. I’m kind of intrigued.

MICHELLE: That’s dealt with in an earlier volume, when Koyemshi tells them that if they refuse to fight or lose on purpose, Earth will be destroyed. So, either way, they’re going to die. They can either die while protecting the people they care about or they can or they can die alongside them. No pressure, kid! For those who are intrigued, a few chapters are available online at VIZ’s SigIKKI site.

MJ: That’s horrifying! And kind of awesome. I’m definitely intrigued.

MICHELLE: There’s even more horrifying stuff going on, but I can’t reveal everything!

What else have you got?

MJ: Well, actually, I read the first volume of TOKYOPOP’s new series, Yu Aikawa’s Butterfly, which I have to say is one of the oddest little manga I’ve ever read. And I mean that in the best way possible.

Ginji Ishikawa is a high school student who sees the vision of his dead brother every night in bed. Since Ginji’s primary method of dealing with upsetting things is denial, this means that he bases his entire life on the premise that ghosts can’t exist–or anything that smacks of the occult, for that matter.

This belief, in fact, is the biggest factor behind his failure with girls, since he absolutely rejects anyone with even the mildest interest in the supernatural, from haunted houses to horoscopes. It’s strange then, when finds he’s being followed by an elementary school girl who insists that he become part of her ghost-busting business.

Sounds pretty standard, right? I mean, it’s quirky, sure, with the ghost busting and all that, but nothing really strange so far. But that’s only because we haven’t covered yet that the little girl isn’t actually chasing ghosts, but rather living hallucinations she’s able to create out of other people’s thoughts, which she uses to con unsuspecting folks into hiring her as an exorcist. And that the reason she needs Ginji is that his stubborn denial makes him capable of actually destroying her creations (like seriously, by fighting them in one-on-one combat), something she can’t do herself.

And have I mentioned that one of the hallucinations is cute little game character called “Squeakears” (see below), apparently loved by all Japan? And that the little girl is not even a little girl?

(Click for larger view)

As weird as this series is, it’s also really interesting. The characters are all filled with dark little nooks and crannies they’re struggling to hide from everyone else. And the story behind Ginji’s brother’s death is more than spooky. Even Ginji’s odd James Spader-type best friend has some kind of mystery lurking beneath. It’s just the strangest little story, but I really can’t wait to read more.

MICHELLE: Oh, I’m so happy to hear good things about this! Sometimes it can be hard to tell whether a new TOKYOPOP series is going to be good or bad, and this is one that I had some trepidations about. What a delight to instead be reassured!

MJ: It’s strange, it really is, so it may be an acquired taste, but man, have I acquired it. I was really thoroughly charmed.

MICHELLE: That’s the plus side of low expectations—you can really fall in love in a surprising way. TOKYOPOP has done that to me several times.

MJ: Is that actually a good thing? :D

MICHELLE: It’s always a good thing to find a series to love!

MJ: True, indeed!

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PotW: Rin-Ne, Rasetsu, Dogs: Bullets & Carnage

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Check out the week’s Picks from the Manga Bookshelf bloggers and special guest Michelle Smith!

From Kate: I’d be the first to admit that Rin-ne has been a hit-or-miss affair. Writing about the second volume, for example, I called it “an unmitigated disaster, filled with clunky exposition, lame adventures, and embarrassingly transparent voice-overs of a ‘Oh, so that’s why no one can see him — he’s wearing the robe that makes him invisible!’ nature.” Yet the first and third volumes were totally charming, filled with inspired comic bits and classic Takahashian characters; anyone who liked Lum: Urusei Yatsura, Ranma 1/2, or InuYasha would find the prickly collaboration between Rinne and Sakura as pleasantly comforting as a bowl of mac and cheese. I’m in the mood for manga mac and cheese this week, so I’m picking volume five of Rin-ne and hoping it’s as solid as volumes one and three.

From Michelle: This week’s pickings include new volumes of several series that I am determined to read in the near future even though I’m woefully far behind. Though I’ll definitely be picking up Arata: The Legend and Rasetsu, it’s the fifth volume of Dogs: Bullets & Carnage I am most determined to acquire. I simply must read this series soon—I’ve been borrowing the early volumes from a friend for far too long!—and slick sci-fi adventure set in a dark future seems awfully appealing right about now.

From MJ: My pick this week is decidedly volume eight of Rasetsu, a supernatural romance series I’ve been enjoying much, much more than I ever expected. In volume seven, things heated up quite a bit in the romance department. This continues in volume eight, but with the stakes rising and a big surprise in store for Rasetsu regarding her personal doom, it’s clear we’re ramping up for a supernatural showdown in the series’ final volume. I’ve been genuinely surprised by how fresh this series manages to feel, especially after its fairly slow start. I wouldn’t miss its penultimate volume for the world. It’s great shoujo fun.

From David: I’m going to second Kate’s choice of Rin-ne for essentially the same reasons — it’s nice to be able to pick up a volume and immerse yourself in Takahashi’s very familiar sensibility. You know there will be endearing characters, good-natured comedy, and a bit of supernatural adventure. As Greg (Read About Comics) McElhatton said in his review, “Even Takahashi on autopilot isn’t bad.” As a bonus, it’s nice to be able to recommend a series where readers can sample so much of it for free.

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Readers, what are your Picks this week?

Pick of the Week: Rasetsu

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With the December holidays rapidly approaching, I find myself drifting backwards in time, recalling the places I’ve been, the people I’ve loved, and the many variations of myself that have existed over the course of forty-something Decembers.

It’s no small joy, then, that one of this week’s new releases brings me vividly back to my early teens, when I would have loved nothing more than to be a girl with great spiritual powers, a terrifying foe to fight, and two dreamy love interests to distract me from my fate. I’m speaking, of course, of Rasetsu, from mangaka Chika Shiomi, available in English from Viz Media’s Shojo Beat imprint.

Here’s what I said about volume six:

What keeps this series compelling is that it is profoundly unsettled, and this applies to both the hearts of its characters and to their individual circumstances. There’s more to everyone than meets the eye. Furthermore, though each of the story’s characters is deeply conflicted, they still manage to band together into an unexpectedly warm, self-made family unit.

The love triangle between Kuryu, Rasetsu, and Yako may not be anything new to shojo manga, but it is played out in an unusually poignant manner. Each party’s strengths and weaknesses is being brought painfully to the fore, with no obvious resolution in sight.

Though this series gets off to a lukewarm start, over the course of six volumes it has become one of my favorite of Viz’s shojo series currently in release. Recommended.

It’s easy for a slow-burning series like Rasetsu to get lost in a market full of showier shoujo manga, but this would be a terrible shame. I’ve had a peek at volume seven, and things are definitely ramping up! Feed your hungry inner teen. Check out Rasetsu!

3 Things Thursday: Ghost Hunters

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It’s no secret that manga (like all media) has its share of overused plots, premises, and characters. This is, of course, inevitable. There is nothing new under the sun, and after 35,000 years or so of human storytelling, it’s important to accept that execution, not conception, is the real key to originality in fiction. What makes a story special is the skill and passion behind its telling, not the story itself, nor the surprisingly finite number of character types available for an author to work with.

That said, I think each of us has our favorites–our “bulletproof” stories, if you will–those particular plots and character types we love indiscriminately, regardless of their objective success. I discussed one of mine in last night’s Off the Shelf, but it’s hardly the only one I have.

While pondering a Halloween-appropriate theme for this week’s 3 Things, it occurred to me that one of my very favorite overused manga premises involves the ghost hunter–someone who, whether for cash or moral duty, has the job of communicating with and expelling spirits from the world of the living. Now, this premise can be pretty broadly applied. Even a story like xxxHolic will sometimes delve into the world of exorcism and the like, but for the purposes of this column, I’m going to require that this be the primary occupation of the series’ protagonist(s).

So, for this week’s 3 Things, I give you three favorite comics about ghost hunters!

1. Tokyo Babylon | CLAMP | TOKYOPOP – Though the (unfinished) apocalyptic epic X/1999 gets more fan attention overall, my own preference is for its shorter, more quietly heartbreaking predecessor, Tokyo Babylon, which tells the story of pure-hearted onmyōji, Subaru, and the events that lead him towards his role in the darker, angrier X. Though the series is far from perfect, the plight of its gentle protagonist is one that continues to haunt my heart. From my review of the full series:

“The primary message CLAMP drives home in Tokyo Babylon is that no person can ever truly understand another person’s pain, and that the kindest thing people can do for themselves and each other is to recognize and embrace that fact … Subaru leads an oddly passive existence, dutifully fulfilling his calling as directed, though his personality is obviously ill-suited for the job … his naturally compassionate nature allowing humanity’s darkest corners to erode his seemingly incorruptible heart.”

2. Rasetsu | Chika Shiomi | Viz Media – Whether it be books, television, or film, sequels are rarely looked upon with much respect, so imagine my surprise when I discovered how much genuine emotion this manga sequel (to the popular shojo series Yurara) was prepared to bring to the table. From my recent review of volume six:

“What keeps this series compelling is that it is profoundly unsettled, and this applies to both the hearts of its characters and to their individual circumstances. There’s more to everyone than meets the eye. Furthermore, though each of the story’s characters is deeply conflicted, they still manage to band together into an unexpectedly warm, self-made family unit … Though this series gets off to a lukewarm start, over the course of six volumes it has become one of my favorite of Viz’s shojo series currently in release.”

3. Time and Again | JiUn Yun | Yen Press – As the newest ghost-hunting series on the list, this manhwa, with three volumes currently in English, has the potential to become my very favorite of its kind. Though its first volume displayed some significant narrative weakness, it continues to become stronger with each new release. Deeply damaged characters are often the most interesting, and boy does this series provide. I’m long overdue with a follow-up review, but for now, my take on volume one:

“Though this volume’s storytelling is somewhat uneven, especially in terms of character development, there is more than enough to chew on for readers interested in ghost stories, or even eighth-century Chinese culture … The stories are steeped in a solemn stew of religion and folklore, finding their inspiration in Chinese poems… and other sources of varying East Asian origin …Though the result of all this inspiration is not nearly as profound or thoughtful as one might expect, the book is intriguing and emotionally affecting all the same.

And now I leave it to you! Readers, what are your favorite ghost-hunting manga or other Halloween-flavored tropes? Respond in comments or in your own blog!

Quick Takes: Shojo Beat Edition

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Welcome to the second edition of Quick Takes here at Manga Bookshelf! This week I take a look at some recent releases from Viz Media’s Shojo Beat imprint. Enjoy!

Dengeki Daisy, Vol. 1 | By Kyousuke Motomi | Published by Viz Media | Rated T+| Buy this book – As orphan Teru Kurebayashi’s older brother prepared to pass from this world, he gave her the gift of a cell phone–one which she could use to contact his mysterious friend “Daisy” who he promised would protect Teru in his absence.

Now in high school, Teru faces bullies of all kinds, including the surly school custodian, Kurosaki, who indentures her into servitude as repayment for breaking one of the school’s windows. But is Kurosaki more than he seems?

Though the mystery of “Daisy” is not maintained for long (at least for the reader) there is some real charm to this volume. Both Teru and Kurosaki are likable characters who are very easy to root for (individually and as an inevitable couple) which makes the romantic drama fun to follow.

Unfortunately, this series insists on perpetuating the sad shojo trope of a young woman who can only survive with the protection of a man–a concept that is becoming more and more tiresome for this reviewer. It’s really a shame, too. Teru appears to be a pretty tough cookie, which makes it even less believable that she’s so dependent on the fantasy she’s constructed around Daisy.

That said, this is a strong first volume containing all the essential elements for addictive high school romance: hateful antagonists, emotional drama, and just the right amount of attractive brooding. How can it be wrong?

Rasetsu, Vol. 6 | By Chika Shiomi | Published by Viz Media | Rated T+ | Buy this book – This is an emotionally heavy volume for Rasetsu, who tries to get over her feelings for Yako at the same time as she’s confronted with new truths about Kuryu (and his feelings for her). Meanwhile, Yako faces some very old spirits who mistake him for the person he most needs to forget.

What keeps this series compelling is that it is profoundly unsettled, and this applies to both the hearts of its characters and to their individual circumstances. There’s more to everyone than meets the eye. Furthermore, though each of the story’s characters is deeply conflicted, they still manage to band together into an unexpectedly warm, self-made family unit.

The love triangle between Kuryu, Rasetsu, and Yako may not be anything new to shojo manga, but it is played out in an unusually poignant manner. Each party’s strengths and weaknesses is being brought painfully to the fore, with no obvious resolution in sight.

Though this series gets off to a lukewarm start, over the course of six volumes it has become one of my favorite of Viz’s shojo series currently in release. Recommended.

Read previous reviews of this series.

Butterflies, Flowers, Vol. 3 | By Yuki Yoshihara | Published by Viz Media | Rated M (Mature) | Buy this book – In this installment, Choko and Masayuki take their first overnight trip together, with the intention of finally consummating their relationship. Of course the weekend is crashed by a collection of family and friends, though the two eventually find some time alone to do the deed.

The thing (the only thing) that saves this series is its humor. If it was not genuinely funny, chapter after chapter, it would be nothing more than the sad tale of deeply controlling man desperately working to get into his girlfriend’s pants. Is that too harsh? Maybe. It’s possible I’m still holding a grudge over “strict but warm,” which ranks right up there with “I get the message” and “Men have dreams that women will never be able to understand” on my list of Great Moments in Imported Sexism.

To be honest, though, not much has changed in this volume. Sure, Choko stands up for herself early on, accepting a date with another childhood acquaintance to show Masayuki that he does not, in fact, own her. But when the date goes awry, Masayuki is there to save the day and (more importantly) remind her how foolish she is to defy him. “This is what you get for not listening to me.” Yes, that’s actually what he says.

Fortunately, the smart humor that hooked me on this series’ first volume is still very much in play. That alone keeps me hanging on.

Read previous reviews of this series.

Stepping on Roses, Vol. 2 | By Rinko Ueda | Published by Viz Media | Rated T+ | Buy this book – The plot thickens in this volume, as it is revealed that Soichiro’s plan for success revolves entirely around manipulating his friend, Nozomu, into falling in love with his new wife, Sumi. Meanwhile, Sumi’s brother has already frittered away the money she sacrificed herself for, leaving the kids in the care of a slovenly drunk.

This volume is more engaging than the last, though that’s not exactly high praise. The story has become no less predictable (and no more believable) than it began, and it’s still difficult to watch its weak-willed heroine smile gratefully as she’s tossed around like an object by the series’ sad lineup of fairly repulsive men.

Some revelations about Soichiro’s past begin to offer up a bit more dimension, both to him and to the story overall, but can the payoff ever be great enough to make up for what’s lacking? Thankfully, Sumi’s country-bumpkin bumbling has been toned down in this volume, which does help a little.

Though I’m far from sold on Stepping on Roses, I’m at least beginning to feel mildly entertained. But can romance between these characters ever truly deliver?

Read previous reviews of this series.

Review copies provided by the publisher.

Off the Shelf: Six for Six!

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Welcome to another edition of Off the Shelf with MJ & Michelle! As always, I’m joined by Soliloquy in Blue‘s Michelle Smith.

It’s hard to believe we’re already on our sixth installment! This week, we’ve finally come down from our manhwa high, ready to look at some recent releases from Yen press, Viz Media, Dark Horse Manga, and Digital Manga Publishing.

MJ: So, we’ve been wallowing in manhwa for a couple of weeks, but now it’s time to return to our original 3+3 manga format. I’ve been doing some reading this week and I bet you have too! What have you pulled off the shelf recently?

MICHELLE: Well, I’ve recently read The Clique, originally a YA novel by Lisi Harrison that’s been adapted into a graphic novel by Yishan Li (who might be best known for Shoujo Art Studio and her work for Yaoi Press). It’s essentially the story of two 7th graders—Massie, the richest and most popular girl in school, …

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Rasetsu, Vol. 4

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Rasetsu, Vol. 4
By Chika Shiomi
Published by Viz Media


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Ghostly hi-jinx continue in this volume, as Rasetsu becomes more aware of her feelings for Yako, finally compelling her to do something about it. Realizing that his chances may be running out, Kuryu decides to make a move of his own. Meanwhile, Yako discovers how to amplify his powers (much to Kuryu’s chagrin) and Rasetsu receives a visit from her dreaded future lover.

At first glance, volume four of Ratsetsu seems very much like the first three. Early chapters featuring humorous takes on Kuryu and Yako’s growing rivalry and the gang getting stuck in an elevator offer up the same kind of light, enjoyable froth that has made up most of the series so far. In the volume’s later chapters, however, Shiomi ramps up the drama to great effect.

Yako’s stunningly cold manipulation of Kuryu’s equally stunning arrogance is awesome in every sense of the word, casting new light on Yako’s character and shocking Kuryu to the core, something I’ve wanted to see happen for a while. On the other hand, this turn of events leads directly to Kuryu’s accelerated pursuit of Rasetsu, which seems likely to cause pain for everyone (including himself) down the line.

Even four volumes in, Kuryu is still a mystery. With his immense power (now no longer hidden), he seems both dangerous and potentially sinister. Yet he often appears genuinely sincere, especially regarding Rasetsu and his feelings for her. Was his early Seishirō Sakurazuka (Tokyo Babylon) vibe a red herring? It’s too early to know for sure.

Though this series will never be more than standard supernatural shojo fare, that’s not exactly a bad thing. Rasetsu plays out familiar tropes with enthusiasm, offering up the kind of casual, comforting read one often craves at the end of a long day. With this volume’s fresh dose of drama and romance, things won’t be getting old anytime soon.

Review copy provided by the publisher.

Rasetsu, Vol. 3

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By Chika Shiomi
Viz, 208 pp.
Rating: T+ (Older Teen)

The volume begins with a mission to the home of Rasetu’s mother who is being haunted by a malevolent spirit of which she is blissfully unaware. Fortunately, Rasetsu easily sidesteps an attempt by the spirit to intimidate her by dredging up fears from her own mind, and as a bonus, Rasetsu finally finds out the truth behind the name she’s always blamed her father for (whether she’s ready to believe it or not). The volume’s second mission involves an old acquaintance of Yako’s, Dai Tendo, who is the little brother to Yurara‘s Mei (the boyfriend of the girl whose guardian spirit was Yako’s first love). His appearance brings back a wealth of sad (and not sad) memories for Yako and awakens some real jealousy in Rasetsu. This volume’s real treat, however, is a final side-story telling the tale of Aoi’s arrival to the agency and the development of his close relationship with its owner.

Fans of Yurara may be happy to see more of Yako’s story coming to the fore here, but the way his past with Yurara’s guardian spirit is brought up so blatantly again just after the previous volume has a bit of a gimmicky feel to it, or at best resembles flogging a dead horse. If Rasetsu is going to come into its own as a spin-off series, it’s going to need to rely on the here and now to keep readers interested. Though Yako’s past is surely sad and definitely a draw for fans of the previous series, perhaps this time would be better spent developing Rasetsu‘s original characters so that they have some chance of rising to that level. There are a few compelling moments in this volume, particularly some new hints at Kuryu’s true agenda, but overall the volume is only saved by the charming side-story at its end.

Though it may provoke protests from fans of the original series, the real key to making Rasetsu work is going to be letting it evolve a life of its own. Let’s hope this happens soon.

Review copy provided by the publisher. Review originally published at PopCultureShock.

At PCS: NANA, Nora, & Rasetsu

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nora8Just a few quick links today to point out a few short reviews of mine over at Manga Recon this week. First of all, I checked out volume eight of Nora: The Last Chronicle of Devildom for a bonus edition of Manga Minis on Tuesday. With the huge advancements in character development made over the last two volumes, this volume pales a bit in comparison, but it’s still a solid end to the Fall arc, making way for the possibility of something greater than what the series has offered up to this point. If Nora and Kazuma really can change their fate, that will be an exciting goal to pursue and will hopefully keep the series on the upward track it discovered a few volumes back.

I came in to Nora a bit late as a reader (something that is suddenly very much related to a recent Twitter conversation on the question of whether or not individual volumes of manga can/should be able to bring a new reader into a series at any point) and one thing I must give the series credit for is just how easy that was to do. The story’s characters are always exactly themselves–no more, no less–which not only makes them unusually hospitable to newcomers, but also makes it all the more thrilling to watch them grow. I look forward to seeing more of that as the series continues.

nana19Also, in today’s installment of On The Shojo Beat, I review the latest volumes in two series, the first being volume nineteen of NANA, a long-time favorite of mine as you all surely know. This was a rough volume for me emotionally, thanks to my strong identification with a particular character and the serious pain she’s got waiting on deck for her right now. I’m struggling to avoid spoilers here (I even tried a bit in the review itself, though it was pretty rough) so suffice it to say, “ouch.” There’s a strong sense of impending doom for everyone in the series at this point, one way or another, but Yazawa always avoids that hopeless soap-opera rut in which it is obvious at all times that nothing good can ever really happen for anyone. Along with the sense of impending doom is a small voice suggesting that perhaps, after everything has exploded and the dust has finally cleared, it might actually be a better world for the survivors of this little universe. The story may be dramatic and filled with tragic misfortune, but its characters are ultimately in charge of their own destinies and there is never a complete lack of hope for any of them.

rasetsu3Lastly, I review volume three of Rasetsu. I was a bit harsh on this volume, I’ll admit, but I really feel strongly that if it is going to survive on its own, independent of the series it spun off from, it’s going to need to cut the cord–the sooner the better, as far as I’m concerned. Though Yako is certainly doomed to carry around sadness over the loss of his first love for quite some time, it’s more important to develop the story’s new characters than it is to come back to that issue over and over. It can’t be allowed to drop, of course, but there are much more subtle ways of handing it than what we see in this volume. I have some level of fondness for this series so far, so I’m really rooting for it to come into its own. Hopefully we’ll see that happen over the next few volumes!

So, check out these reviews and more over at PCS’s Manga Recon!

Rasetsu, Vol. 2

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By Chika Shiomi
Viz, 192 pp.
Rating: T+ (Older Teen)

Marked by a demon as a young teen, tough eighteen-year-old Rasetsu Hyuga has two years left of her life before the demon claims her as his own, unless she is able to meet her own true love before her time is up. She is also a gifted exorcist who was taken in and nurtured by the head of the Hiichiro Amakawa Agency (a man referred to mainly as “Chief”), a company that offers exorcisms for a fee. Rasetsu is joined in her work by Kuryu, a master of koto dama, the power of words, and eventually by Yako, a former librarian with his own spiritual powers who was manipulated into joining the agency in the first volume. In volume two, Rasetsu’s terror of her fate shines through in a rare moment of vulnerability, prompting Yako to promise to be there for her on the fated day. Later, Kuryu plays around with his ability in an unusually insensitive way while also unintentionally revealing to Yako that he is much more powerful than he pretends to be.

Though the premise of this series is fairly unoriginal and its character development even less so, there is a certain comfort to watching its familiar scenarios play out that lends a particular charm and with the first volume’s exposition out of the way, Rasetsu is able to relax right into the task. It seems obvious that Yako is intended to be Rasetsu’s “true love” (Rasetsu even resembles his first love, guardian spirit Yurara from the series of the same name) and there are traces of this emerging already in volume two, at least on Rasetsu’s side. Kuryu, with his harmless, puppy-dog front hiding a potentially sinister power, is reminiscent of Tokyo Babylon‘s murderous veterinarian, Seishiro, casting a suspicious light on him immediately, especially after this volume in which he accidentally shows his hand. The series’ other characters, mysterious chief Hiichiro and cheerful office boy Aoi, are shojo staples as well, but quite fun and appealingly rendered, skipping off to enjoy rides at an amusement park while everyone else is working.

Fans of supernatural romance may not find anything new in Rasetsu, but tried-and-true formulas are alive, well, and downright agreeable here in its second volume.

Review copy provided by the publisher. Review originally published at PopCultureShock.

NANA Project #3!

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nana6Just a couple of quick links this morning as I sit in the Salt Lake City airport waiting for my flight home. First of all, the third installment of the NANA Project is up, in which Danielle Leigh, Michelle Smith and I discuss volumes five and six of NANA. In this installment, we focus heavily on the addition of Trapnest to the regular cast of characters, and particularly Hachi’s involvement with Takumi. If you’re new to the Project, check out our discussion of volumes one, two, three, & four and please, join us in comments!

In other offsite news, check out my review of Kamichama Karin Chu, volume 4 in this week’s manga minis, and look for my review of the second volume of Rasetsu soon in an upcoming On The Shojo Beat column to be posted over the next couple of days. (ETA: Rasetsu review is up!)

Homeward bound!