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Quick Takes

Quick Takes: All-Shonen Sunday

October 17, 2010 by MJ 13 Comments

Welcome to a far-overdue installment of Quick Takes! This time, we check in on some favorite shonen series from Yen Press and Viz Media.


Pandora Hearts, Vol. 3 | By Jun Mochizuki | Published by Yen Press | Rated: Older Teen

After the last volume’s big revelation about Oz’s former servant, Gilbert, volume three offers up some insight into what happened to Gil over the years Oz lost in the Abyss, including the introduction of Gil’s twisted younger brother, Vincent. First, though, Oz is forced to remember some of the greatest pain in his short life so far when he meets a young boy looking for his father.

This is a fairly dark volume, overall, though very much within the tone set by the series’ first two volumes. Also, it’s quite a feat that Mochizuki has managed to introduce a character creepier than Xerxes Break, especially in a volume where he’s shown luring a young, heartsick Gilbert into his service as a spy. “You don’t need to trust me,” Break says in response to Gil’s reservations. “Just use me. After all, I’m trying to do the same to you.” Still, Vincent Nightray is indeed creepier, setting up Break to be even more (inexplicably) likable than he already was.

This quality–an inexplicably likable creepiness–is what really carries this series, created by a powerful combination of tragically beautiful characters and idiosyncratically beautiful artwork.

Though Mochizuki’s slow revelation of the mysteries of her universe may be painful for some, she’s got me decidedly hooked with her sad, complex characters and their profoundly oversized shirtsleeves. For the sake of these things, I can wait forever. Recommended.


Hikaru no Go, Vol. 21 | By Yumi Hotta & Takeshi Obata | Published by Viz Media | Rated: All Ages

This volume begins with the conclusion to qualifying matches for the Hokuto cup and into preparations for the tournament itself. Meanwhile, Koyo Toya continues to baffle the world of Go by entering a Korean amateur tournament, and Kuwabara prepares to defend his Hon’inbo title against the ambitious Ogata.

Though this manga is nearing its end, volume 21 has the tense, uneasy feel of a middle volume, with all of its characters teetering on the brink as they await the commencement of their battles. To writer Hotta’s credit, the tension feels as fresh as ever, though the pressure of a long series is beginning to show as she’s forced to contrive a misunderstanding between the Japanese and Korean players in order to keep an increasingly mature Hikaru’s temper on edge.

In the midst of pre-war preparations, however, there is a bit of philosophy as well, as Hikaru and Akira stumble upon the real value of their rivalry in a pursuit that would otherwise have little meaning. “It must be lonely to be the God of Go,” Hikaru muses. “You’d have no equal, no rival.”

Despite the series’ length, this volume still offers the same small moments of pathos and insight that have been its hallmark all along–a late-night glimpse of Koyo Toya waiting silently for an opponent who may never appear, Waya’s quiet agony over his own fears and limitations, a glimmer of appreciation from Hikaru for his mother’s earnest support–it is these moments that continue to demonstrate the kind of writing that has made this series special from the start.

21 volumes in, Hikaru no Go remains warm, subtle, and downright elegant. Highly recommended.


Bakuman, Vol. 2 | By Tsugumi Ohba & Takeshi Obata | Published by Viz Media | Rated: Teen

In volume two, Mashiro and Takagi attend their first meeting with a Jump editor who gives them encouragement, if not quite what they were hoping for. Meanwhile, Mashiro’s strange romantic attachment takes an unexpected turn when he and “girlfriend” Azuki are seated next to each other at school.

Though the story’s primary romance remains somewhat baffling, its presence is not quite enough to derail the increasingly compelling nature of the boys’ introduction to the world of professional manga publishing. This storyline is enhanced greatly by the introduction of young editor Hattori and prodigy Eiji Nizuma, which sets up not only a standard Jump rivalry, but also what may be the real rivalry at the heart of this manga, artistic genius vs. calculated ambition.

“There are two types of manga artist who succeed in this world,” Hattori tells the boys at their first meeting. “One is the type of person who draws what they want to draw … they’re the ‘genius’ types. And the other is the type of manga artist like you, Takagi, who creates a hit through calculation.”

This isn’t a new concept by any means, but what makes it so interesting here is the fact that the story’s protagonists represent the “calculated ambition” side of things, which would normally be cast in the role of antagonist, certain to lose to the pure, undisputed superiority of the “true artist.” Where Ohba and Obata intend to take this is anyone’s guess, but there’s no doubt that this cynical outlook suits their style of storytelling. It’s enough to make one wish that this manga was being published outside the purview of powerful Shueisha, who must certainly have a stake in portraying an idealized version of their business. What might these two say if they really had the chance?

Though the series’ portrayal of its female characters is still sketchy at best, new girlfriend Miyoshi’s violent tendencies make her a surprisingly good foil for arrogant Takagi, whose cocky intellect is no match for a swift kick to the head.

Ultimately, neither sexism nor Big Brother is able to dampen the interest to be found here for manga fans outside Japan, so far removed from the world at the source of our obsession. Whether as a sly stab at the manga industry or a tightly-controlled commercial for it, Bakuman is fascinating, plain and simple.


To read previous reviews and discussion of these series, check out the tags, pandora hearts, hikaru no go, and bakuman or browse our Index of Reviews.

Filed Under: QUICK TAKES Tagged With: bakuman, hikaru no go, pandora hearts

Quick Takes: Shojo Beat Edition

August 15, 2010 by MJ 8 Comments

Welcome to the second edition of Quick Takes here at Manga Bookshelf! This week I take a look at some recent releases from Viz Media’s Shojo Beat imprint. Enjoy!


Dengeki Daisy, Vol. 1 | By Kyousuke Motomi | Published by Viz Media | Rated T+| Buy this book – As orphan Teru Kurebayashi’s older brother prepared to pass from this world, he gave her the gift of a cell phone–one which she could use to contact his mysterious friend “Daisy” who he promised would protect Teru in his absence.

Now in high school, Teru faces bullies of all kinds, including the surly school custodian, Kurosaki, who indentures her into servitude as repayment for breaking one of the school’s windows. But is Kurosaki more than he seems?

Though the mystery of “Daisy” is not maintained for long (at least for the reader) there is some real charm to this volume. Both Teru and Kurosaki are likable characters who are very easy to root for (individually and as an inevitable couple) which makes the romantic drama fun to follow.

Unfortunately, this series insists on perpetuating the sad shojo trope of a young woman who can only survive with the protection of a man–a concept that is becoming more and more tiresome for this reviewer. It’s really a shame, too. Teru appears to be a pretty tough cookie, which makes it even less believable that she’s so dependent on the fantasy she’s constructed around Daisy.

That said, this is a strong first volume containing all the essential elements for addictive high school romance: hateful antagonists, emotional drama, and just the right amount of attractive brooding. How can it be wrong?


Rasetsu, Vol. 6 | By Chika Shiomi | Published by Viz Media | Rated T+ | Buy this book – This is an emotionally heavy volume for Rasetsu, who tries to get over her feelings for Yako at the same time as she’s confronted with new truths about Kuryu (and his feelings for her). Meanwhile, Yako faces some very old spirits who mistake him for the person he most needs to forget.

What keeps this series compelling is that it is profoundly unsettled, and this applies to both the hearts of its characters and to their individual circumstances. There’s more to everyone than meets the eye. Furthermore, though each of the story’s characters is deeply conflicted, they still manage to band together into an unexpectedly warm, self-made family unit.

The love triangle between Kuryu, Rasetsu, and Yako may not be anything new to shojo manga, but it is played out in an unusually poignant manner. Each party’s strengths and weaknesses is being brought painfully to the fore, with no obvious resolution in sight.

Though this series gets off to a lukewarm start, over the course of six volumes it has become one of my favorite of Viz’s shojo series currently in release. Recommended.

Read previous reviews of this series.


Butterflies, Flowers, Vol. 3 | By Yuki Yoshihara | Published by Viz Media | Rated M (Mature) | Buy this book – In this installment, Choko and Masayuki take their first overnight trip together, with the intention of finally consummating their relationship. Of course the weekend is crashed by a collection of family and friends, though the two eventually find some time alone to do the deed.

The thing (the only thing) that saves this series is its humor. If it was not genuinely funny, chapter after chapter, it would be nothing more than the sad tale of deeply controlling man desperately working to get into his girlfriend’s pants. Is that too harsh? Maybe. It’s possible I’m still holding a grudge over “strict but warm,” which ranks right up there with “I get the message” and “Men have dreams that women will never be able to understand” on my list of Great Moments in Imported Sexism.

To be honest, though, not much has changed in this volume. Sure, Choko stands up for herself early on, accepting a date with another childhood acquaintance to show Masayuki that he does not, in fact, own her. But when the date goes awry, Masayuki is there to save the day and (more importantly) remind her how foolish she is to defy him. “This is what you get for not listening to me.” Yes, that’s actually what he says.

Fortunately, the smart humor that hooked me on this series’ first volume is still very much in play. That alone keeps me hanging on.

Read previous reviews of this series.


Stepping on Roses, Vol. 2 | By Rinko Ueda | Published by Viz Media | Rated T+ | Buy this book – The plot thickens in this volume, as it is revealed that Soichiro’s plan for success revolves entirely around manipulating his friend, Nozomu, into falling in love with his new wife, Sumi. Meanwhile, Sumi’s brother has already frittered away the money she sacrificed herself for, leaving the kids in the care of a slovenly drunk.

This volume is more engaging than the last, though that’s not exactly high praise. The story has become no less predictable (and no more believable) than it began, and it’s still difficult to watch its weak-willed heroine smile gratefully as she’s tossed around like an object by the series’ sad lineup of fairly repulsive men.

Some revelations about Soichiro’s past begin to offer up a bit more dimension, both to him and to the story overall, but can the payoff ever be great enough to make up for what’s lacking? Thankfully, Sumi’s country-bumpkin bumbling has been toned down in this volume, which does help a little.

Though I’m far from sold on Stepping on Roses, I’m at least beginning to feel mildly entertained. But can romance between these characters ever truly deliver?

Read previous reviews of this series.


Review copies provided by the publisher.

Filed Under: QUICK TAKES Tagged With: butterflies flowers, Dengeki Daisy, rasetsu, stepping on roses

Weekend Quick Takes

August 8, 2010 by MJ 2 Comments

Welcome to Quick Takes at Manga Bookshelf, a new weekly feature, offering brief opinions of recent releases, particularly (but not exclusively) mid-series volumes of ongoing manga. We begin this week with releases from Del Rey Manga, Bandai Entertainment, Viz Media, and Dark Horse Manga.


Sayonara, Zetsubou-Sensei: The Power of Negative Thinking, Vol. 6 | By Koji Kumeta | Published by Del Rey Manga | Rated OT (16+) | Buy this book – The eternal challenge of a gag comic, of course, is to remain funny time and time again. And perhaps the additional challenge faced by a gag manga (especially in translation) is to continuously engage readers despite the fact that nothing ever really happens.

Western fans of manga (and this reviewer is no exception) have generally been lured into the medium by the promise of epic drama, romance, or adventure. How can a multi-volume series of stand-alone jokes ever hope to compete?

If any series has a chance, it’s this one. Six volumes in, this series funnier than ever. And though the humor remains sharp, its heavy reliance on culturally-specific jokes has declined just enough to satisfy even its early skeptics (or so one would hope). Highly recommended.

Read previous reviews of this series.


Lucky Star, Vol. 4 | By Kagami Yoshimizu | Published by Bandai Entertainment | Rated 13+ | Buy this book – Speaking of gag manga, perhaps the toughest sell of all to western manga fans is the 4-koma, a 4-panel style of manga similar to newspaper comic strips in the west. Despite widespread acclaim for Kiyohiko Azuma’s Azumanga Daiho, 4-koma manga in general has had a fairly dismal track record among western readers.

Enter Lucky Star, a 4-koma manga that happens to be the basis for an insanely popular anime series of the same name. Given that fact, licensing the manga should have been a no-brainer. Sadly, Bandai’s early releases were marred by a nearly-unreadable translation that sucked all potential humor from this slice-of-life comedy.

Fortunately, those days are over. Though Lucky Star‘s otaku-focused humor may still be an acquired taste, translator William Flanagan (brought on to the project beginning with volume three) displays its charms to their greatest advantage, giving the series new life in the western market. For fans of the anime series, this volume is a must-buy. And for everyone else, it may finally be worth giving a try.

Read previous reviews of this series.


Kimi ni Todoke: From Me To You, Vol. 5 | By Karuho Shiina | Published by Viz Media | Rated Teen | Buy this book – With Sawako now aware of her feelings for Kazehaya, this series is finally able to focus on romantic feelings between some of its other characters, which adds extra depth to this volume and even to Sawako, who is able to get out of her own head enough to actually notice what’s going on. Also, Chizu and Ayane meet Sawako’s parents in this volume, which is worth the cover price all on its own.

As awesome as Sawako is as a character, this series’ greatest strengths rely heavily on the richness of its supporting characters, so it’s nice to see them get some dedicated “screen time” this time around.

This series is exceptionally slow-moving, even for a shojo romance manga, yet it still manages to be increasingly satisfying, chapter after chapter. Though this volume lacks the intensity of volume four’s bitter romantic rivalry, its quiet drama is considerably more poignant than anything the series has offered so far. It is, undoubtedly, my favorite yet. Recommended.

Read previous reviews of this series.


Okimono Kimono | By Mokona (CLAMP) | Published by Dark Horse Manga | Buy this book – Perhaps the most important thing to note when discussing Okimono Kimono is that though it is written by CLAMP’s Mokona and released specifically by a manga publisher, there is very little manga in this book. In fact, the short manga included near the end of this volume is perhaps its least interesting aspect overall.

That said, what this volume does offer is a beautiful introduction to the world of the kimono, highlighted by some of Mokona’s personal wardrobe as well as a few of her own designs. Manga fans unfamiliar with the conventions of kimono will be easily enticed by designs inspired by characters from xxxHolic (a kimono featuring the full wrath of the pipe fox is a personal favorite).

Mokona’s original designs offer a pleasant transition into the later depictions of more traditional kimono, some of which are likely to appear overly-busy and jarring to the western eye. A transcribed conversation between Mokona and Puffy AmiYumi’s Onuki Ami is a real treat, too, as Mokona indoctrinates Ami into the ways of the kimono.

Though CLAMP fans may be disappointed with this book’s lack of manga offerings, there is much to please anyone interested in a modern look at traditional Japanese dress.


Check back next weekend for more Quick Takes, here at Manga Bookshelf!

Review copies provided by the publishers.

Filed Under: QUICK TAKES Tagged With: quick takes

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