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bakuman

Bookshelf Briefs 5/13/13

May 13, 2013 by Anna N, MJ and Sean Gaffney 3 Comments

It’s all Viz, all the time this week, as Anna, MJ, and Sean look at recent releases from Viz’s various imprints, including Shonen Jump, Shojo Beat, and SuBLime Manga.


07-ghost407-Ghost, Vol. 4 | By Yuki Amemiya and Yukino Ichihara | Viz Media – A ton of stuff happens in this volume. Confrontations with the Barsburg Empire! Teito loses the source of his mystical power and gets back his memories! There’s a crazy final exam as everybody tries to become a Bishop! Teito cements his bonds with new friend Hakuren and the mysterious priest Frau as he begins to progress on his journey to fully understand his power and what it means to be a long-lost prince of the Raggs kingdom. Truthfully, I wasn’t following all the action all that closely because I was so distracted by all the billowing robes and mystical bolts of energy. After the first four volumes of the series, it seems like Teito is set up for the next phase of his adventure, and I’m curious to find out what will happen next. – Anna N

bakuman 19Bakuman, Vol. 19 | By Tsugumi Ohba and Takeshi Obata | Viz Media – As this series finally reaches its penultimate volume, I’m stunned to reveal that it’s finally hooked me on its ridiculous primary romance and I’ve officially been reduced to a blubbering pile of goo. Now that something is truly threatening Mashiro and Azuki’s happiness, it seems that I’m suddenly, hugely invested in seeing their dreams come true. As a jaded reader, this kind of pisses me off, but I can’t deny that it’s also significantly enhanced my enjoyment of the series’ building climax. It helps, of course, that the romantic subplot has become overtly entwined with the characters’ professional success, which I’ve been invested in from the start. Who knew that such an over-the-top romantic setup could provide this kind of emotional payoff? Well done, Ohba and Obata. Still recommended. – MJ

bluemorning1Blue Morning, Vol. 1 | by Shoko Hidaka | SuBLime Manga – Sean described this series’ premise as “Black Butler with the fantasy removed and the BL actually consummated,” which isn’t entirely wrong, in that it’s a BL story involving a butler with no supernatural elements. Fortunately, that’s where the comparison ends. This story about a young viscount left in the care of his late father’s mysteriously devoted butler is an angst-heavy, emotionally dense study of 19th century classism, with a dark, romantic undercurrent that’s more Les Liaisons dangereuses than Black Butler. Teen viscount Akihito’s unrequited feelings for his butler/mentor Katsuragi make way for the series’ obligatory sex scenes, but it’s their ongoing power struggle over Akihito’s political future that really pushes the story forward. A new multi-volume BL drama is always worth a look, and Blue Morning makes a strong showing from the start. Recommended. – MJ

dengeki12Dengeki Daisy, Vol. 12 | By Kyousuke Motomi | Viz Media – One of the many things that impresses me about Dengeki Daisy is that it hasn’t abandoned its comedy roots even as the plot gets more serious. The first chapter in particular has a marvelous Titanic parody that’s only topped by Teru’s performance as a ‘scorned woman’. That said, the plot is getting darker and more serious. We knew that the guy who kidnapped Rena last time was a small-time villain, but he does lead us to a man who may be the ‘final boss’… one who not only manages to give Kurosaki a major freak out, but almost drives a wedge between our heroes with just a few well-placed words. All that plus we get romance (in a shoujo manga? Gasp!), as Teru and Kurosaki edge ever closer together without actually getting there. One of the most addicting manga currently on the market. – Sean Gaffney

otomen15Otomen, Vol. 15 | By Aya Kanno | Viz Media – This probably has the least Asuka of any of the volumes we’ve seen to date – indeed, Ryo appears more than he does! The first half of this volume wraps up Tonomine’s storyline, and once again emphasizes the core message of ‘be true to yourself even if it makes you ‘girly’ that every volume of this manga has had. (I note the moment those dresses came out, I thought “And Ryo will get a tux.” And I was right.) The second half has a summer festival, and features Yamato, who’s still self-conscious about his cute face and personality, which is not helped by spending most of the festival with Ryo, who is pure coolness in a female package. I’m not certain the cliffhanger ending of the volume will amount to anything, but that’s mainly as Otomen is still light froth. There’s tons of things wrong with it, but I still enjoy it immensely. – Sean Gaffney

Otomen, Vol. 15 | By Aya Kanno | Viz Media – I stopped buying this series regularly because I kept feeling frustrated that it never really explored the interesting aspect of people subverting gender roles in a more in-depth way. Still, it is fun to check in on Otomen now and then. Make-up artist Tonominie confronts his father’s political legacy and gets some resolution about finally being able to live for his own dream instead of fulfilling his family’s expectations. Ryo is one of my favorite characters in the series, so I was happy to see the last half of the book focused on her unique blend of oblivious coolness as she decimates every single (manly) challenge at a festival in an attempt to help Yamato with his own image issues. – Anna N

Filed Under: Bookshelf Briefs Tagged With: 07 Ghost, bakuman, blue morning, Dengeki Daisy, otomen, yaoi/boys' love

What’s Your Favorite Weekly Shonen Jump Title?

May 7, 2013 by Justin Stroman 17 Comments

Weekly Shonen Jump Alpha Weekly Shonen Jump

So what do you know? It’s been over a year since Viz’s Weekly Shonen Jump has been around. With it out of the “Alpha” phase and now moving forward with simultaneous releases, it’s doing what I don’t think many would have thought years ago—and it’s pretty impressive. And while maybe the content is not like Japan’s Weekly Shonen Jump, the lineup that’s appeared since the magazine began is nothing to sneeze at. So I’ll ask you all to share what’s been your favorite Weekly Shonen Jump title serialized since January 30, 2012. Here’s a reminder of the works that have appeared in WSJ so far:

Bakuman

Bakuman

Created By: Tsugumi Ohba and Takeshi Obata

Publisher’s summary: “Average student Moritaka Mashiro enjoys drawing for fun. When his classmate and aspiring writer Akito Takagi discovers his talent, he begs Moritaka to team up with him as a manga-creating duo. Can these two boys turn their dreams into reality with all the challenges they must face in the manga-publishing world?”

Run: January 30 to May 7, 2012

Serialized: Weekly

Barrage

Barrage

Created By: Kouhei Horikoshi

Publisher’s summary: “Spunky slum kid Astro gets the chance of a lifetime to end the chaos ripping apart his alien-invaded home planet when the playboy prince switches places with him. Now Astro has become Prince Barrage, a boy charged with the duty of restoring peace to the planet…and given an all-powerful magical spear to do it!”

Run: June 4 to September 2012

Serialized: Weekly

Bleach

Bleach

Created By: Tite Kubo

Publisher’s summary: “Ichigo Kurosaki never asked for the ability to see ghosts — he was born with the gift. When his family is attacked by a Hollow — a malevolent lost soul — Ichigo becomes a Soul Reaper, dedicating his life to protecting the innocent and helping the tortured spirits themselves find peace.”

Run: January 30, 2012

Serialized: Weekly

Blue Exorcist

Blue Exorcist

Created By: Kazue Kato

Publisher’s summary: “Raised by Father Fujimoto, a famous exorcist, Rin Okumura never knew his real father. One day a fateful argument with Father Fujimoto forces Rin to face a terrible truth — the blood of the demon lord Satan runs in Rin’s veins! Rin swears to defeat Satan, but doing that means entering the mysterious True Cross Academy and becoming an exorcist himself. Can Rin fight demons and keep his infernal bloodline a secret? It won’t be easy, especially when drawing his father’s sword releases the demonic power within him!”

Run: July 30, 2012

Serialized: Monthly

Cross Manage

Cross Manage

Created By: KAITO

Publisher’s summary: “Talented but aimless Sakurai just can’t find a place to belong. After trying (and failing at) one extracurricular activity after another, his life changes thanks to a chance encounter with lacrosse fanatic Toyoguchi, who thinks Sakurai has just what it takes to propel her girls’ lacrosse team to victory!”

Run: October 1, 2012

Serialized: Weekly

Dragonball

Dragon Ball (full color)

Created By: Akira Toriyama

Publisher’s summary: “The legendary classic manga series Dragon Ball is back…in full color! Relive the incredible Saiyan Saga with this special re-release.”

Run: February 4, 2013

Serialized: Weekly

 

Hunter X Hunter Special

Hunter X Hunter Kurapika’s Memories

Created By: Yoshihiro Togashi

Publisher’s summary: “Hunters are a select group of people who track down rare and priceless items. Many people have tried to become one, but most give up or are killed during the exam. This special one-shot is the story of one such Hunter, named Kurapika. His people were wiped out because their eyes turn a fiery red color and are sought by collectors. This is the story of Kurapika before he lost his clan…”

Run: December 17 to Decemeber 24, 2012

Kintoki

Kintoki

Created By: Akira Toriyama

Publisher’s summary: “Once upon a time, the Kinme Clan were an extraordinary tribe best known for their incredible physical strength and golden eyes. Because of that they were revered as gods of war, but now the clan is slowly dying out due to a short lifespan. And just when most everyone has forgotten about the clan, a mysterious golden-eyed boy enters the scene…”

Run: January 28, 2013 (one-shot)

 

Naruto

Naruto

Created By: Masashi Kishimoto

Publisher’s summary: “Naruto is a young shinobi with an incorrigible knack for mischief. He’s got a wild sense of humor, but Naruto is completely serious about his mission to be the world’s greatest ninja!”

Run: January 30, 2013

Serialized: Weekly

Nisekoi

Nisekoi

Created By: Naoshi Komi

Publisher’s summary: “It’s hate at first sight…rather a knee-to-the-head at first sight when Raku meets Chitoge! Unfortunately, his gangster father arranges a false love match with their rival gang leader’s daughter, Chitoge! However, Raku’s searching for his childhood sweetheart, with a pendant around his neck as a memento, and is surprised to discover three candidates with keys: Chitoge, Onodera (his current crush) and Tachibana (the police chief’s daughter)!”

Run: November 26, 2012

Serialized: Weekly

Nura

Nura: Rise of The Yokai Clan

Created By: Hiroshi Shiibashi

Publisher’s summary: “At first, no one thought that Rikuo, who is only one-quarter yokai and three-quarters human, could handle following in his grandfather Nurarihyon’s footsteps as the leader of the most powerful yokai clan. But now Rikuo has proven he can unite both humans and demons. He’s building the ultimate Night Parade of a Hundred Demons to ward off the legendary onmyoji, Abe no Seimei, and his descendants, the Gokadoin clan, who plan to take over the world with a master strike called The Purification.”

Run: January 30, 2012 to January 14, 2013

Serialized: Weekly

Nura Special

Nura: Aoi Spiral Castle Specials

Created By: Hiroshi Shiibashi

Publisher’s summary: “While the day belongs to humans, the night belongs to Yokai, supernatural creatures that thrive on human fear. Caught between these worlds is Rikuo Nura. He’s three-quarters human, but his grandfather is none other than Nurarihyon, the supreme commander of the Nura clan, a powerful yokai consortium. Now Rikuo’s on his way to taking over that command!”

Run: August 27, 2012 (Part 1), October 29, 2012 (Part 2)

One Piece

One Piece

Created By: Eichiro Oda

Publisher’s summary: “When Monkey D. Luffy accidentally ate the cursed Gum-Gum Fruit, he gained the power to stretch like rubber…at the cost of never being able to swim again! Despite this, he’s vowed to someday become King of the Pirates and find the legendary treasure known as “One Piece” With his large crew of powerful and unique characters and his advanced pirate ship, the Thousand Sunny, Luff’s out to become the greatest pirate that’s ever lived!”

Run: January 30, 2012

Serialized: Weekly

One Piece X Toriko

One Piece X Toriko: Taste of the Devil Fruit

Created By: Eiichiro Oda and Mitsutoshi Shimabukuro

Summary: Crossover one-shot between One Piece and Toriko.

Run: Available to subscribers who signed up before April 30, 2012

 

 

One-Man Punch

One-Punch Man

Created By: ONE and Yusuke Murata

Publisher’s summary: “From illustrious illustrator Yusuke Murata of Eyeshield 21 fame and the maniacal mind of up-and-coming mangaka ONE comes a manga series that packs quite the punch! Follow our hero Saitama through his hilarious romps as he searches for the baddest guys to challenge. Let’s get ready to rumble!”

Run: January 21, 2013

Serialized: Weekly

Bakuman Otter #11

Otter #11

Created by: Tsugumi Ohba and Takeshi Obata

Summary: A gag manga series created by Kazuya Hiramaru in Bakuman.

Run: Published in the SJ Alpha Yearbook 2013

 

 

 

 

Road To Ninja Naruto The Movie

Road To Naruto The Movie

Created By: Masashi Kishimoto

Publisher’s summary: “To commemorate the latest Naruto Shippuden movie hitting Japanese thaters, Shonen Jump Alpha presents a special chapter that chronicles the events right before Road to Ninja: Naruto the Movie. See the Naruto characters in an all-new light as they deal with Tobi’s dark trap!”

Run: August 6, 2012 (One-shot)

Rurouni Kenshin Restoration

Rurouni Kenshin: Restoration

Created By: Nohiburo Watsuki

Publisher’s summary: “Action, romance, and historical intrigue help make Nobuhiro Watsuki’s Rurouni Kenshin, the tale of a wandering swordsman set against the backdrop of the Meiji Restoration, one of the most popular Shonen Jump titles among fans to date. Himura Kenshin, once an assassin (or hitokiri) of ferocious power, now fights to protect the honor of those in need.”

Run: May 21, 2012

Serialized: Monthly

Sachie Chan Good!!

Sachie-Chan Good!!

Created By: Akira Toriyama and Masakazu Katsura

Summary: A collaboration between Akira Toriyama and Masakazu Katsura.

Run: Published in the SJ Alpha Yearbook 2013

 

 

 

 

Sakuran

Sakuran

Created By: Toshiaki Iwashiro

Publisher’s summary: “A special one-shot from the creator of Psyren.”

Run: April 1, 2013 (One-shot)

 

 

 

Takama-ga-hara

Takama-ga-hara

Created By: Jyuuzouu Kawai

Publisher’s summary: “Yamato Yamada’s family is famous for their physical strength, but Yamato doesn’t want to follow in his four brothers’ footsteps — all he wants to do is draw manga and win the Tezuka Award! Life for Yamato taks an unexpected turn, however, when his right hand becomes even stronger than usual…Does Yamato actually have godlike powers?!”

Run: July 23, 2012 to November 19, 2012

Serialized: Weekly

Toriko

Toriko

Created By: Mitsutoshi Shimabukuro

Publisher’s summary: “In a savage world ruled by the pursuit of the most delicious foods, it’s either eat or be eaten! While searching for the tastiest foods imaginable, Gourmet Hunter Toriko and his bottomless stomach travel around the world facing every beast in his way.”

Run: January 30, 2012

Serialized: Weekly

World Trigger

World Trigger

Created By: Daisuke Ashihara

Publisher’s summary: “A gate to another dimension has burst open, and invincible monsters called Neighbors invade Earth. Only a group of elite warriors who co-opt other-dimensional technology can defend life on Earth as we know it.”

Run: February 11, 2013

Serialized: Weekly

 

Yu-Gi-Oh Zexal

Yu-Gi-Oh! Zexal

Created By: Shin Yoshida and Naoto Miyashi

Publisher’s summary: “In a futuristic city, augmented reality Duels are all the rage. Duelists, using devices called D-Gazers, can interact with the environment and their opponents as never before. With more awesome monsters and unbelievable cards, the future of Yu-Gi-Oh! starts right here!”

Run: July 9, 2012

Serialized: Monthly


Justin Stroman is the founder of Organization Anti-Social Geniuses, a Japanese Pop Culture Blog that covers anime, manga, games, and more. You can follow him on Twitter and like the Facebook page to get updates and links to Japanese Pop Culture Related content.

Filed Under: FEATURES & REVIEWS Tagged With: bakuman, barrage, bleach, blue exorcist, Cross Manage, Dragon Ball, Hunter X Hunter, Kintoki, manga, naruto, nisekoi, nura: rise of the yokai clan, One Piece, one punch man, Rurouni Kenshin: Restoration, Takama-ga-hara, toriko, Weekly Shonen Jump

Combat Commentary: Bakuman Volume 6, Ch. 48-50

February 17, 2012 by Derek Bown 2 Comments

What’s that, you say? What am I doing looking at Bakuman? It’s not even a battle manga. Don’t I know the title of my own column? Well, allow me to explain. I’ve mentioned before that I am interested in looking at non-conventional fight scenes and battles. Not all conflict (or even fights) needs to be physical. Sometimes they can be battles of ideals, or of ideas. They can be mental mindgames, or cleverly constructed traps. One could even say that any form of conflict resolution is a battle.

While I will continue to focus on battles involving actual physical confrontation, every once in a while I plan to slip in a commentary on the more unconventional battles that are found in manga. With this entry at least I hope to show that a manga does not need punching to be shounen. Series like Bakuman are just as shounen, possibly even more so, than series involving a great deal of fighting.

What Happened?
After overworking himself, Mashiro collapses on the floor of his studio. His assistants find him, and he is admitted to the hospital. While Mashiro insists that he can keep working while in the hospital, his friends try to get him to stop until he recovers. But one by one he convinces them all, even Azuki, that he needs to keep drawing, no matter what. Once he finally has everyone on his side, and is finishing up the pages for the next chapter, the Editor in Chief says that their series will be put on hiatus until Mashiro and Takagi graduate from high school.

(click images to enlarge)

What Happens?
Everyone, including several of the editors, and all of Mashiro and Takagi’s manga artist friends, disagree with the Editor in Chief’s decision to put the series on hold, despite the fact that the decision is made with Mashiro’s well-being mind. Fukuda, and the rest of Team Fukuda, decide that they will protest the Editor in Chief’s decision by boycotting the magazine. They meet with their editors, and tell them that they fully intend to withhold their series from the magazine until the decision to put Muto Ashirogi on hiatus is reversed.

The Editor in Chief remains firm in his decision, and despite the next issue being printed without any of Team Fukuda’s manga, he refuses to change his mind. Miura tries to resolve the issue by getting Mashiro and Takagi to accept a hiatus until Mashiro is discharged from the hospital. He manages to do this, and Mashiro convinces Fukuda and Nizuma to put an end to the boycott. But even after getting the boycott resolved, the Editor in Chief refuses to change his mind. It is not until Mashiro leaves the hospital, and he and Takagi and Miura present the Editor in Chief with all the chapters they created while Mashiro was hospitalized, that the Editor in Chief finally relents and allows Trap to continue serialization in the next issue.

What Does it Mean?
Battles do not have to be physical to be battles. Sometimes they can be a mental game between two opponents, such as are found in Death Note. At their most basic, battles are a clash between opposing ideals. In every good battle, the protagonist and the antagonist’s ideals clash, and the battle does not end until one set of ideals has been proven superior. Generally these confrontations are simplified down to the stronger fighter having the correct ideals.

Even better, is when there is no clear right or wrong. Oftentimes the ideals are simplified down to clear black and white, but in the case of Bakuman, a lot of the driving force of the conflict is that both sides have good arguments. In a way, the Editor in Chief’s lone stand against the rest of the cast puts him in quite a heroic role, especially when considering his motivation is to protect Mashiro from sharing his uncle’s fate.

In a series mostly based in the real world, like Bakuman, fantastic physical confrontations are not possible. And while no blows are traded, two ideals are still pitted against each other. The Editor-in-Chief is convinced that if Mashiro keeps working, he will end up like his Uncle, and wants to protect him from this fate. While Mashiro and the rest of the cast believe in the youthful ideals of always working hard, no matter what puts itself in your path.

The battle is fought with sheer willpower. The same willpower that brings other shounen heroes back to their feet, is what keeps Mashiro drawing, despite his body rebelling against him. It is the same willpower that allows his friends to risk their careers to fight what they perceive as an unjust decision. And in the end, it is that exact same willpower that convinces the Editor-in-Chief to reinstate the series before he had intended to.

By digging deep, and finding examples of battles in even a series like Bakuman we find that battles are the core of every good narrative. Whether actual battles are fought or not, a story relies on the clash of ideals that happens when two opposing sides face each other. And it is the resolution of this conflict that gives every story worth reading its bite.

In a way, the series itself manages to focus not only on how manga is created, but it also uses its story as a way to show how to create good manga. Mashiro’s battle against the Editor-in-Chief has all the hallmarks of a good battle scene, and everything else about the manga sets up the ideas used to create good shounen manga. From Mashiro and Takagi’s incredible drive, to their rivalry against Nizuma (which only really started because they decided to make him their rival) which drives them on to become Number One. Not only are meta-battles used in all forms of storytelling, but Bakuman is a rare case in that the entire point of the series is to portray shounen manga in a different setting than normal.

Filed Under: Combat Commentary, FEATURES Tagged With: bakuman

Off the Shelf: Deliver us from slugs

June 8, 2011 by Michelle Smith and MJ 9 Comments

MJ: Well, hello there, colleague! I’m still really enjoying that.

MICHELLE: Why, hello! Fancy meeting you here.

MJ: What a lovely space we have here. Makes me feel like talking about books. And you?

MICHELLE: Now that you mention it, I am experiencing an odd tingle, so I’m going to take that as an invitation to begin! My reads this week provoked wildly different reactions in me. One was epic and impressive while the other was icky and confusing. Saving the best for last, I shall begin with the latter.

I didn’t have very high hopes for Amnesia Labyrinth, the two-volume (so far) series released this year by Seven Seas, but it is a mystery manga penned by Nagaru Tanigawa, the man behind the Haruhi Suzumiya light novels, so I at least expected to derive a modicum of enjoyment from it. Alas, while the first volume is merely not very good the second is downright craptacular.

The story begins promisingly enough. Readers witness the murder of a high school student who turns out to be the class president of the school our protagonist, Souji Kushiki, is transferring into. Two other students have died over summer break, as well. One of Souji’s classmates, the perky Yukako Sasai, is attempting to investigate and enlists his help because he’s very smart and she thinks his politician dad might be able to get her access to the police department’s information. By this point, I was expecting a Haruhi-esque story, in which stoic Souji goes along with energetic Yukako’s efforts to unravel the mystery. Instead, the story goes in a completely different direction, as we begin to learn more and more unpleasant things about Souji’s deeply creepy family.

The back cover of the first volume tries very hard to depict the “inappropriate” and “clingy” behavior of Souji’s sisters as something new, but it quickly becomes apparent that this is par for the course, given that Souji’s been having sex with his half-sister, Saki, since at least middle school. This doesn’t prevent his full-blooded sister, Youko, from coming on to him nor his innocent step-sister, Harumi, from wanting to be his bride. On top of this, Souji suspects Saki and Youko of committing the murders, and volume two attempts (in as baffling a manner as possible) to flesh out the family history as (I think) supernatural assassins of some sort who also possibly suffer from multiple personality disorder. It’s monumentally unclear and surreal in a bad way.

Natsumi Kohane’s art doesn’t help matters any. Faces are generic and stiff, anatomy can occasionally be very strange, and the action scenes in the Heian-era flashback are utterly incomprehensible. Plus, there’s a lot of squicky images like this one. Seriously, is that supposed to be sexy? It looks like she’s barfing out a slug!

Apparently, this is all that’s been written of this series so far, and the second volume is padded out with an illustration gallery and a preview of Blood Alone. Normally I’d be sorry to see a manga go unfinished, but in this case, I think we should all be grateful.

MJ: Well, wow. After that image, I find that I have nothing to say. Except maybe, “Ew.”

MICHELLE: “Ew” is certainly the prevailing thought I’m left with after that second volume. After that image, we’re both probably in need of a mental palate cleanser. I hope you’ve something that can do the trick!

MJ: You know, I do! I liked both my reads this week, but I’ll start with one I know you’ve read and liked as well to help with that cleansing. I’m talking about Bakuman, by Tsugumi Ohba and Takeshi Obata, the fifth volume of which has been released just this week.

Mashiro and Takagi have gotten their manga serialized, but their success begins with a shock as their editor, Hattori, is being replaced by Miura, a man they’ve never met before. Though they have no choice but to accept the change, things get off to a rocky start as their series takes a while to catch on with Jump readers.

I’ve blown hot and cold with this manga in some ways, but I think I’ll never stop being fascinated by the look it provides into the process at Weekly Shonen Jump, however pro-Jump it might read to someone with more knowledge of the business in Japan. I’m charmed, too, by the way its creators use the Jump formula to comment in Jump itself.

For a long time, these things were the series’ only decisive draw for me, but more and more I’m drawn in by the series’ supporting characters, especially eccentric prodigy Eiji Nizuma and Takagi’s girlfriend, Miyoshi, who are probably my favorite characters in the series.

Volume five warms me to some potential new favorites, including reluctant mangaka Hiramaru who, when asked if he wanted to be a manga artist, replies, “Maybe, for like a fraction of a second.” I’m also becoming increasingly fond of self-possessed writer Aoki, who manages to lower her defenses a bit in this volume.

More astonishingly, the series’ protagonists have started to matter to me. While this should perhaps be a given for most series, this is the first volume in which I’ve found myself really at the edge of my seat, wondering what will happen as they receive each week’s reader survey results. Finally these characters mean something to me, which makes the whole thing that much more worthwhile. It’s a real treat.

MICHELLE: I love Nizuma so much now that I can’t believe I ever found him irritating. My favorite moment in the whole volume occurs when Mashiro and Takagi encounter him at the Jump New Year’s party, dramatically quaffing soda from a champagne glass.

I’m with you, too, on finally caring about Mashiro and Takagi as people. I think it helps that other characters are acknowledging the ridiculousness of Mashiro’s arrangement with Miho, the girl he likes, not to see each other until their dreams come true. Plus, Miyoshi is so awesome that Takagi grows more awesome for liking a girl like her.

It’s really become a series that I actively anticipate.

MJ: You’re absolutely right about Miyoshi’s awesomeifying effect. And I think it helps, too, that Miho is really struggling, so we’re seeing some nuance in that relationship even within its ridiculous construct.

So go on now and hit me with “epic and impressive!”

MICHELLE: I know that you, historically, have not had an easy time getting into Eiichiro Oda’s One Piece, but I have to say, it really is a stunning piece of storytelling. Oda has created not just a cast of likable characters, but a fully realized world for them to inhabit, and in this world, conflict has long been brewing between the pirates and the navy.

In volume 57 of the series, this conflict comes to a head on the island of Marineford where Portgaz D. Ace, brother to series protagonist Monkey D. Luffy, is about to be executed by the navy. Luffy’s on his way to save him, along with a plethora of pirates he helped escape from the impregnable prison Impel Down, but does not actually appear until midway through the volume. Instead, we witness the beginnings of an epic clash between the navy and Whitebeard, a powerful pirate and Ace’s captain.

The battle is huge, sprawling, and fascinating. It’s made doubly more impressive by the fact that, with the exception of the tardy Luffy, it’s entirely being carried out by supporting characters. That is how fleshed out this world is—there’s a whole cast of semi-familiar navy officials (and hired security of sorts in the form of the Warlords of the Sea) to go up against Whitebeard and his allies. Part of the draw is the cool Devil Fruit powers nearly everyone seems to possess, but Oda does a great job conveying the importance of this encounter as well as linking the public revelation of Luffy’s parentage to events that occurred much earlier in the series. Continuity has always been one of the series’ strongest suits.

I must also mention that many of Luffy’s allies are drag queens who rush into the fray whilst wearing fishnets and high heels. No one bats an eye, because in this universe, it’s a given truth that anyone can be brave and awesome, even if they’re a man wearing a tutu.

MJ: Well, if you think about it, is there anyone braver than a man wearing a tutu? I think not.

I know I need to get further into this series, and every time you or David talk about it, I remember why.

MICHELLE: That’s a very good point!

And yes, you do. I wish everyone had a public library as awesome as mine, because it’s ever so much easier to commit to a 62-volumes-so-far series like this one when you have that kind of resource. Even so, I find myself seriously tempted to start compiling my own collection. It’s just that good.

What else did you read this week?

MJ: Well, I’m way behind, but I finally read the third volume of Natsume Ono’s House of Five Leaves, one of my very favorite current series.

It’s difficult to discuss plot when talking about this series, because though things do happen in the world of broken samurai Masa, the story’s actual events are never really the point. There’s a missing member of the Five Leaves gang and the theft of a candle merchant’s seals, but the real story here seems to be about Masa’s acquaintance with a man from the magistrate’s office and the strain that acquaintance is putting on his relationship with Five Leaves leader, Yaichi.

This series is built on deeply private characters and layers and layers of atmosphere. Even when nothing particular is going on, you can feel the weight of Masa’s world on his slouched shoulders. Even in his most contented moments, his world feels heavy, yet he’s quietly grateful for all of it, somehow. He’s the soul of this story in all his passive reticence, and it’s his personal journey that most interests me.

That said, some real tension begins brewing in the plot department during this volume, which should offer a clearer thread of action as the story continues on. And if I’m content to sit with Masa as he quietly waffles through life, I admit that this extra momentum is a bit exciting. One gets the feeling that it wouldn’t take much for the entire world Ono has created to shatter into pieces, should something happen to break the tension she’s built up so slowly.

This series is one I find myself rereading already just to pick up extra nuances as I head into each new volume. It’s that compelling for me.

MICHELLE: I haven’t read beyond volume one yet myself, but even from the beginning the weight of tension is tangible. Now I’m excited by proxy at the idea of actual plot momentum. I wonder if that’s an IKKI thing, because Saturn Apartments is similar—I’m perfectly content to wallow in its slice-of-life charm, but small stirrings of actual plot seem to be cropping up in earnest now, meaning the series might become even more enjoyable.

MJ: Yes, I’m really looking forward to what the next volume has in store.

In other news, every time I look up at that slug-tongue image, it creeps me out more. I had to make it smaller, just to lessen the effect.

MICHELLE: I keep looking at it, too, as if to remind myself of its utter awfulness. Now I feel compelled to apologize to the readers for exposing them to it.

MJ: Hopefully they will forgive us … and possibly save us from it.

MICHELLE: We can only hope.

Filed Under: OFF THE SHELF Tagged With: amnesia labyrinth, bakuman, house of five leaves, One Piece

Pick of the Week: Spring Bounty

June 6, 2011 by Michelle Smith, MJ, David Welsh and Katherine Dacey 10 Comments

The arrivals list at Midtown Comics overflows with manga, making this week’s Pick a tough one for all. Take a look below to see what made the cut!


MICHELLE: It’s a bountiful week at Midtown Comics, with many Shonen Jump and Shojo Beat offerings from VIZ making their way onto the shelves. There’s an awful lot on this list that I am personally planning to buy, and singling out just one is pretty tough. New volumes of One Piece and Slam Dunk are serious contenders, but in the end, the fifth volume of Bakuman。 walks away with the honors. I’ve been catching up on the series this weekend, and it’s just utterly charming. The behind-the-scenes glimpses into manga production at Shueisha are fascinating, Mashiro and Takagi are finally achieving some success, and an interesting crop of friendly rivals has developed, including the endearingly weird Eiji Nizuma, who has been waiting for Mashiro and Takagi to come challenge him. Now, gee, what other Shonen Jump manga illustrated by Takeshi Obata does that remind me of?

MJ: We’re offered a wealth of choices this week, indeed. New volumes of Black Jack, Claymore, and Rasetsu call out to me in particular, but if I could only buy one volume of manga from this list, I’d have to choose the 25th installment of Fullmetal Alchemist. I doubt anybody needs me to go on and on again about why I love this series, but just in case you’ve missed it somehow, feel free to browse this tag. And for those who’ve never gotten around to starting this admittedly long series, now is the perfect time to start, with the first of Viz’s new 3-in-1 editions arriving in stores this week as well. If you’ve only watched the anime series, you don’t know what you’re missing. Time to pick up a volume and find out!

DAVID: Viz really could learn to pace itself. I’m quite eager to read the third volume of Kamisama Kiss and curious to see which way the pendulum will swing on Grand Guignol Orchestra, not to mention the previously mentioned books, but I’m going to have to cast my vote for the 14th volume of Osamu Tezuka’s Black Jack from Vertical. Much as I love Tezuka’s crazed gekiga stories, I have such a weakness for this series and its totally reliable, often absurd servings of genre fiction. I have high hopes that this volume will offer a nice side dish of creepy, creepy Pinoko.

KATE: Tempted as I am by the second volume of Blue Exorcist, I’m also going old-school with my pick and choosing the fourteenth volume of Black Jack as this week’s must-buy manga. I’d be the first to admit that the series can be repetitive, especially when read in large chunks. But if you ration yourself to just one or two stories at a time, it’s easier to appreciate Tezuka’s storytelling gift; he manages to fit a whole volume’s worth of drama into twenty pages without sacrificing clarity or emotional intensity. The hero’s dark, brooding personality is another plus; Black Jack may share Dr. Gregory House’s ability to diagnose a rare illness from looking at a character’s fingernails or smelling his breath, but Jack isn’t nearly as smug and insufferable as his TV counterpart. I’m not sure how Tezuka will ever top the story in which Black Jack operates on himself in the Australian outback while fending off wild dingoes, but I’m happy to keep reading until Tezuka does.



Readers, what looks good to you this week?

Filed Under: PICK OF THE WEEK Tagged With: bakuman, black jack, fullmetal alchemist

Bookshelf Briefs 6/6/11

June 6, 2011 by MJ, Katherine Dacey, David Welsh and Michelle Smith 4 Comments

This week, MJ, Kate, David, & Michelle take a look at a variety of manga from Viz Media, Vertical Inc., Digital Manga Publishing, and Yen Press.

 


 

Bakuman, Vol. 5 | By Tsugumi Ohba & Takeshi Obata | Viz Media – The theme for this volume may as well be “Everyone makes progress toward making their dreams come true!” Not that everything is smooth sailing. Mashiro and Takagi finally have a series in Shonen Jump, but along with that comes new editor, Miura, who is rather inexperienced. It takes him some time to gain the confidence to steer the boys in a direction that will keep their series popular with readers. Meanwhile, other friends and rivals aim for the same goal and even Miho experiences a rejuvenation in her dedication to become a voice actress. It’s a thoroughly shounen setup, which is only fitting for a story about making shounen manga. I wish we actually got to see some of this manga they’re creating, though! Maybe in due time… -Michelle Smith

Black Bird, Vol. 8 | By Kanoko Sakurakoji | Viz Media – If there’s one thing that can be said for Kanoko Sakurakoji’s Black Bird, it’s that it stays unflinchingly on message, volume after volume. “Girls, always obey what the menfolk tell you,” it says over and over, in a thousand different ways. “They’re smarter and stronger than you are, so they always know what’s best.” That’s the overwhelming message of this series, though there’s an equally consistent side note attached, “Be grateful and understanding when your man punishes you for your mistakes. After all, it’s for your own good.” Volume eight personifies these messages without fail, as always, with the added bonus of the much-anticipated consummation of Misao and Kyo’s sexual relationship, which is of course preceded by extra gratitude, humility, and expressions of flushed desperation from our heroine. Yay? -MJ

Bleach, Vol. 35 | By Tite Kubo | Viz Media – Despite its status as a hit battle manga, for a reader like me, the best of Bleach exists between battles, when Tite Kubo is able to utilize his (not insignificant) talent for writing quirky, compelling characters. Unfortunately Kubo tends to excess in this area, creating a never-ending stream of brand new characters, leaving less room and page time for those we already love. With that in mind, volume 35 reveals both the best and worst of Kubo’s habits, providing some genuinely satisfying moments with some of our favorite characters while leading us into another series of battles with an array of new foes. If I could deliver one message to Kubo, it would be that when it comes to supporting characters, sometimes less is more. 35 stacks up in the “win” column, but the future looks far less bright. – MJ

Blue Exorcist, Vol. 2 | By Kazue Kato | Viz Media – In discussion of this series’ first volume, I said, ” I’d like to see more … with Rin actually learning the craft under Yukio’s tutelage, because watching the two of them together is the most compelling aspect of the story so far.” The good news here is that we do see more of this, and it indeed remains the series’ greatest strength. The less good news is that the bulk of this volume is spent introducing the class’ other students, including hotheaded Suguro and by-the-book tsundere Izumo. Though there’s obviously a self-formed family of young exorcists being nurtured here, it’s a shame to have so much of the volume’s focus stolen away by it, when we’ve only just begun with the series’ two main characters. Still, this remains the most compelling new shounen series to travel westward this year. I look forward to seeing where it goes from here. – MJ

A Bride’s Story, Vol. 1 | By Kaoru Mori | Yen Press – This is one of those books where I’m convinced I could pass off random page scans as a review, possibly followed up with, “See? See?!” I can’t quite decide if it’s more gorgeous than Mori’s Emma (CMX), but I can say without question that it’s one of the loveliest manga you’re likely to find in current release. It’s also as quietly moving and packed with absorbing details as Emma was, so you really can’t lose. In this tale set in central Asia in the 19th century, a 20-year-old woman enters into an arranged marriage with a 12-year-old boy. We see quietly forceful Amir adapt from her nomadic lifestyle to the more settled state of affairs with her young bridegroom. There’s the whispered promise of an actual plot, but I could read dozens of volumes of nothing but Mori’s meticulously researched, breathtakingly drawn slice of life. Really, what more do you need? -David Welsh

Chi’s Sweet Home, Vol. 6 | By Konami Kanata | Vertical, Inc. – After five volumes of cute kitten antics — including Chi’s first visit to the vet, Chi’s first bath, and Chi’s first excursion beyond the safe confines of home — I thought Kanata Konami would have run out of material. I’m pleased to report that volume six of Chi’s Sweet Home is just as appealing and fresh as the previous installments, offering plenty of awwww-inducing moments as well as some genuinely funny scenes. (Don’t miss the chapter in which Chi stalks a parakeet; Chi’s reaction to the parakeet is priceless.) Konami continues to expand the scope of the story to include more animals, more people, and more settings, neatly mimicking Chi’s growing awareness of her surroundings while preventing the story from becoming too cutely claustrophobic. As in previous volumes, the illustrations are simple but effective, capturing Chi’s surprise and delight in discovering new things: vacuum cleaners, Kleenex, birthday cake. Recommended. -Katherine Dacey

Chi’s Sweet Home, Vol. 6 | By Konami Kanata | Vertical, Inc. – Whenever a new volume of Chi’s Sweet Home comes into my possession it automatically vaults to the top of the to-read pile. The first five volumes all offered colorful, cute, and (mostly) cheerful stores about Chi, an adorable tabby kitten, and the sixth is no exception. Kanata has a knack for depicting scenarios familiar to any cat owner, like massacred houseplants and the species-wide fascination with climbing into boxes, while imagining what the world must look like to a cat. Chi’s nocturnal journey to the local park is a particular standout. My one complaint is that Chi’s owners, the Yamadas, continually do frustrating things like leave cakes unattended and store breakable objects at the top of a flight of stairs, then proceed to freak out when Chi messes with them. You’ve got a cat now, folks. You either put things away or get used to the gnaw marks. -Michelle Smith

Itsuwaribito, Vol. 2 | By Yuuki Iinuma | Viz Media – In this volume, Utsuho proves himself trustworthy to the implausibly youthful Dr. Yakuma by rescuing him from the clutches of a bizarre fellow whom I shall christen “Freaky Dude.” Not only that, he correctly deduces the cause of Freaky Dude’s killing spree and helps him to see the error of his ways. The display convinces Yakuma to invite Utsuho on a journey to Nadeshiko Island, where he suspects a treasure of life-extending medicine awaits. It also happens to be the location of many exiled criminals. I’m still not enraptured by Itsuwaribito, but I found this volume a lot more entertaining than the first. For reasons I cannot quite pinpoint, it reminds me of Black Cat, in a simple shounen adventure kind of way. Plus, there’s an adorable twitchy-eared talking tanuki! I’ll definitely be checking out volume three. -Michelle Smith

Twin Spica, Vol. 7 | By Kou Yaginuma | Vertical, Inc. – In the seventh volume of Twin Spica, Kou Yaginuma explores Marika’s childhood, as well as Marika’s struggle to create her own destiny, rather than the one for which she was created. Though Marika’s story is emotionally compelling, Yaginuma strains too hard to show us that Marika, Asumi, and Fuchuya have a shared history; there’s a tidiness to the connection that feels a little false, as if the characters’ shared memory of the Lion disaster wasn’t grounds enough for bonding. The volume’s final chapters are more dramatically persuasive, giving the three female leads a chance to demonstrate just how smart, resourceful, and tough they can be under duress. N.B. Beginning with volume seven, Vertical will be releasing Twin Spica in a longer omnibus format of 300-400 pages (roughly 1.5 volumes). -Katherine Dacey

Your Story I’ve Known | By Tsuta Suzuki | Juné Manga – It’s rare that I find the sex scenes in a boys’-love title to be the most interesting, but that’s definitely the case in the title story of this book. Suzuki laces the physically intimate moments with intriguing, revealing observations. Unfortunately, those kinds of notes are largely absent in the rest of this tale of a gangster who takes up with the son of one of his ex-girlfriends. It’s drawn well, but the characters and their dynamic aren’t very engaging. The back-up stories compensate for the centerpiece, though. One’s about a young man dealing with his lover’s irritating reticence. Another is a love story between a kid and a goofy, centuries-old ghost. The last describes the awkward early courtship between two salarymen. Each has a distinct, quirky charm, making the book a worthwhile investment overall. -David Welsh

Filed Under: Bookshelf Briefs Tagged With: a bride's story, bakuman, black bird, bleach, blue exorcist, chi's sweet home, itsuwaribito, twin spica, your story I've known

Bookshelf Briefs 4/4/11

April 4, 2011 by MJ, Katherine Dacey, David Welsh and Michelle Smith 6 Comments

This week, MJ, Kate, David, & Michelle take a look at seven ongoing series from Viz Media and Yen Press.


Bakuman, vol. 4 | Story by Tsugumi Ohba, Art by Takeshi Obata | Viz Media – After an unsatisfying summer, Mashiro and Takagi call it quits, only to discover that they’re more suited to each other than they thought. Meanwhile, girlfriends Azuki and Miyoshi make their own choices about how best to move forward in their careers and relationships. Though this series’ two leads are its least sympathetic characters, a bit of petty jealousy between friends goes a long way towards making them into people we can care about, or at least understand. Azuki and Miyoshi become more fully realized too, and if Miyoshi’s decision to chuck her own plans in favor of her man is depressing as hell, it’s depressingly realistic. Though the series’ inside look at Jump is still its most compelling aspect, it’s nice to feel that characterization is beginning to catch up. Gender politics aside, Bakuman is still the most interesting new shounen series I’ve read in the past year. Oddly recommended. – MJ

Laon, vol. 5 | Story by YoungBin Kim, Art by Hyun You | Yen Press – By all rights, Laon should be awesome: it’s the story of a tabloid reporter who gets the scoop of his life when he accidentally stumbles across a gumiho, or fox demon, who’s living among humans as she tries to collect her missing tails. Unfortunately, Laon tries to be too many things at once — a horror story, a journalism satire, a mystery, a romance — resulting in a narrative hodgepodge. Artist Hyun You shows a remarkable gameness for drawing whatever crazy scenarios dreamed up by YoungBin Kim, but struggles to make these scenarios feel like an organic part of the narrative; an underwater fight scene involving sea monsters and demonic piranha is undeniably cool, but serves little dramatic purpose. The frenetic pacing is a further detriment, making it hard for the reader to develop an affinity for any of the characters. File under “Unrealized Potential.” -Katherine Dacey

Library Wars: Love & War, Vol. 4 | by Hiro Arikawa and Kiiro Yumi| Viz Media – SLibrary Wars: Love & War is the story of Iku Kasahara, a corporal in a military task force set up to protect libraries from government censorship. In its purest essence, the series can be perfectly summed up with this line from the back cover of volume four: “What Iku lacks in training she more than makes up for in gumption.” In this latest installment, Iku has been taken hostage by a group protesting the transfer of sensitive materials from a private museum to library custody. While I’m still disappointed that Iku isn’t at least a little bit smarter, she’s definitely courageous, and when her commanding officer expresses absolute confidence in her ability to emerge from the situation unscathed, I found it easier to buy into their burgeoning romance. Too bad I can’t buy any of the characters as actual soldiers! – Michelle Smith

Natsume’s Book of Friends, vol. 4 | by Yuki Midorikawa | Viz Media – The fourth volume of Natsume’s Book of Friends finds Natsume and Nyanko assisting a pair of guardian spirits, one of whom has been so corrupted by her deep anger towards the local villagers that she’s destroying the woods and fields she once protected. The story is eerie and poignant, a sobering reminder of how quickly faith can curdle into despair. The subsequent chapters prove nearly as good as the first, with Natsume falling victim to a demonic painting, and Nyanko reluctantly aiding a child who falls down a well. For all the heart and imagination behind these stories, however, Natsume’s Book of Friends could be better. The art is sometimes flat and lifeless, and the dialogue too pointedly obvious for readers who want to draw their own conclusions about how they’re supposed to feel — in short, it’s perfectly respectable comfort food, but lacks a truly distinctive flavor. – Katherine Dacey

Rosario + Vampire Season II, vol. 4 | by Akihisa Ikeda | Viz Media – This was my introduction to the Rosario + Vampire franchise, and I strongly suspect it will also be my farewell. For those who don’t know, it’s a harem fantasy-adventure about a human boy who ends up going to a school for monsters and has drawn the romantic attention of a bunch of different supernatural girls (the titular vampire, a succubus, a fairy, and a couple of witches). It’s nowhere near as offensive as harem manga can get, but it’s ploddingly average in so many ways that you almost hope it will start offending you to keep your attention. I have no idea why these powerful girls are so smitten with dull Tsukune. Maybe it’s because he’s the only boy in the book. – David Welsh

Slam Dunk, vol. 15 | by Takehiko Inoue | Viz Media – I’m a devoted fan of Inoue’s Real (also from Viz), his saga about wheelchair basketball players. While his illustrations for Slam Dunk are absolutely dazzling, practically charging off the page, this series always strikes me as a sports manga where it’s necessary to be interested in either the sport, sports manga as a genre, or both. It’s an impressive achievement that he manages to stretch 90 seconds of play over six chapters, but I keep wishing I could find out more about these characters as something other than athletes. It’s kind of like yaoi where you don’t see anything but romantic trauma and sex. That said, I don’t think you’re likely to find action sequences that are drawn better in just about any comic from any country. – David Welsh

We Were There, vol. 12 | by Yuki Obata | Viz Media – With Yano’s sudden reappearance in Tokyo, “anxiety” is the real essence of this volume, with no ready relief in sight. And though this is not a bad thing by any means, it certainly left my stomach in knots. Obata’s talent for emotional torture is formidable indeed, but to focus on that would do a great disservice to her real talent, nuance. There is no absolute truth in We Were There, no certainty about right and wrong in the hearts of its characters or its author. Yet Obata proves that “gray” is not the same as “cold,” which is part of what makes this a great shoujo manga. Like the series’ light, wispy artwork, every moment is as fragile as a scrap of antique lace, and every bit as beautiful. Still recommended. – MJ

Filed Under: Bookshelf Briefs Tagged With: bakuman, laon, library wars, natsume's book of friends, rosario + vampire, slam dunk, we were there

Off the Shelf: Boob-free living

February 9, 2011 by Michelle Smith and MJ 5 Comments

Welcome to another edition of Off the Shelf with MJ & Michelle! I’m joined, as always, by Soliloquy in Blue‘s Michelle Smith.

This week, we take a look at some recent releases from Viz Media and Tokyopop.


MJ: So, here we are again, ready for our usual column. Is it just me who’s thinking, “How can we ever top the boobs episode?”

MICHELLE: Actually, it’s a relief to me that this week’s column is boob-free! Not that I refuse to consider the notion of a sequel at some point down the line.

MJ: So, what boob-free fare have you been gratefully consuming this week? :D

MICHELLE: Completely at random, both manga I plan to talk about are written by someone named Yuuki! First up is the debut volume of Itsuwaribito, by Yuuki Iinuma and published under VIZ’s Shonen Sunday imprint.

As a child, Utsuho Azako was so trusting that he innocently divulged all the details about the layout and defenses of his home to a group of bandits, which resulted in mass slaughter. Now in his adolescence, he’s being cared for by a monk in the “Valley of Orphans” and maintains that it’s better to be an itsuwaribito—one skilled in sneaking, tricking, beating, and stealing—than to be an honest fool. When the valley is the target of still more bandits and everyone except Utsuho is killed, he resolves to use his gift for lying for good and to save a thousand people in the kindly monk’s stead.

Utsuho heads out on his journey and quickly encounters a talking tanuki caught in a trap. The tanuki, whom Utsuho christens “Pochi,” is positively adorable. Trusting to a fault, he keeps falling for the trick of a hunter who claims he will return Pochi’s mother if Pochi will meet him at a certain time and place, which provides Utusho his first chance to help someone by lying. Afterwards, he and Pochi help a reluctant bandit leave his gang and a young doctor to save his patient from the sway of a charlatan.

Aside from one particularly nice moment—when Utsuho invites Pochi to travel with him, he says, “We’re not related by blood so it’s not true. It’s a lie, but I’ll be your family”—Itsuwaribito is pretty uninspiring. The villains are as superficial as they come, and there’s no suspense at all as to whether Utsuho will best them. In a bizarre juxtaposition, these silly, tongue-lolling foes are also apt to dispense some fairly graphic violence. It’s very strange because this feels so much like a teen-rated title, until the top of someone’s head is being sliced off.

I haven’t completely given up on Itsuwaribito, but I would say this is probably something to investigate via the library before committing to purchase.

MJ: Well, I think teens generally appreciate things like heads being sliced and so on. :D I admit this title looked uninspiring to me, even on a surface level. I’m sorry to hear there’s not much more to dig for.

MJ: Ah, no. Definitely no woodland creatures, and the only joke I can think of to follow that up with is dirty, so I’ll refrain. I do have a Yuki, though! First off this week, I made good on one of my promised second chances by reading volume five of Yuki Yoshihara’s Butterflies, Flowers. Though I’d really enjoyed the first volume of this series, things went rapidly downhill for me as I became unable to stomach some of the story’s sexual politics. Still, after having privately decided to dump the series, continued praise from some folks whose taste I usually share made me wonder what I was missing.

After promising to give it a second chance, I picked up volume four, and was shocked by how easily it won me back to the series. That volume completely charmed me by being made up of mostly the same smart, over-the-top comedy that wooed me in the first place. So when Viz sent me volume five for review, I was actually looking forward to digging in.

Surprisingly, the volume launched itself from pretty shaky ground, beginning with a couple of chapters devoted to Choko and Masayuki’s collective angst over whether or not to live together. Though there were a few laughs sprinkled throughout these chapters, the storyline veered a bit too much into serious romance mode for me to fully enjoy them. Fortunately, the story’s next chapters (revolving around Masayuki’s sudden onset of impotence) jumped right back into comedy, which is definitely my preferred tone for this series.

Though Yoshihara continues to push my limits with regards to controlling men as romantic leads, she really satisfies my sense of humor, and that’s difficult to beat. All told, I’m glad I gave this series a second chance, and I’m genuinely looking forward to more.

MICHELLE: This is excellent news! I’ve been planning to catch up on this series myself, and now I’m even more motivated to do so. One of the things I particularly remember from the earlier volumes is Masayuki’s abrupt changes in character between domineering jerk and solicitous sweetie. It was hard to get a handle on his personality. Any progress in that arena in recent volumes?

MJ: He’s still both of those things, definitely, but Yoshihara is dealing with him pretty well by making fun of his vulnerabilities pretty mercilessly. That definitely helps to put the domineering jerk in his place. :D

So, what else have you got for us this week? More woodland creatures?

MICHELLE: No, no woodland creatures, but no shortage of cuteness despite their absence! My second pick is the second volume of The Stellar Six of Gingacho, by my second Yuuki, Yuuki Fujimoto.

As you know, this is a slice-of-life story about six friends who grew up helping out at their parents’ shops along the Gingacho Street Market. In the second volume, we fast forward a little so that everyone has now just entered high school. Structurally, this volume is very similar to the first, including a couple of chapters in which the friends band together to help out a neighbor in need, first at a flower shop being victimized by a vandal and then at a short-handed bento shop that’s swamped at its grand opening.

These are lighthearted stories, saved from becoming repetitive by awesome scenes like child-like Mike taking the bento shop’s elementary-aged daughter—who’s upset at having moved away from all her friends—around the market and pointing out everything that makes it awesome. Mike naturally knows just what to say to make a kid feel comfortable and interested, and by the end of their journey, a layer of subtle screentoned sparkles conveys how thoroughly Mike has brought the magic of the place to life for this unwilling transplant. It kind of made me verklempt.

The first volume focused primarily on Mike and her best friend, Kuro, and while I like both of them a lot, I was hoping future volumes would spend more time with their friends. Alas, that is not to be, as there’s a fair amount of material here about Mike and Kuro’s relationship and how Mike is utterly oblivious to the fact that Kuro is in love with her. Although she would say she knows nothing about love, she still refuses to lose Kuro to anything, be it another school, another sports team, or another girl. It’s a little frustrating that Kuro doesn’t just tell her already, but perhaps he’s waiting for her to be not quite so dense first.

Another aspect of the story that is both good and bad is the propensity of adults to comment on the kids’ friendship. When Kei-san, the owner of the flower shop, tells Mike, “There’s nothing that doesn’t change,” it works. I am a sucker for bittersweet nostalgia, and moments like these imply that perhaps the kids will drift apart despite their pledges not to let that happen. However, when even random passerby feel the need to call out, “Just how long do you think it’s gonna last? Forever?” then it becomes a bit much.

In the end, The Stellar Six of Gingacho is a series that may look a little generic on the surface, but has a special charm all its own.

MJ: I *really* enjoyed the first volume of this series and I’m quite excited to read this one, even taking into account your few caveats. I, too, had hoped that we’d see more of Mike’s other friends in future volumes, though it certainly helps that I really *like* both Mike and Kuro, so it’s not like I’ll be sad to see more of them. And the scene you describe with Mike and the little new girl sounds absolutely delightful.

Has your enthusiasm for the series waned at all after this volume?

MICHELLE: Not a bit! At first I might’ve been a little, “Oh, here we go again” regarding the neighbor-helping, but when I later ended up a mite sniffly I put aside all my doubts. This one’s a keeper.

Can you say the same for your next book?

MJ: You know, I think I can. This week, I checked out the third volume of Bakuman, Tsugumi Ohba and Takeshi Obata’s tale of aspiring teen mangaka. This series has taken a beating from bloggers (occasionally including me) for things like sexism, lazy romance, and an unrealistic setup for the teens’ entry into the industry. Still, I named it one of my top two new shounen series for 2010, and this volume actually cements that decision in my mind.

Though Mashiro and Takagi have now experienced some success with a third-place one-shot in Akamaru Jump, their next step brings them mostly frustration, and even puts them at odds with their editor, who doesn’t believe that trying to create something mainstream is the right move for them at all. Personally, things are becoming strained as well, as Takagi starts spending more time with his girlfriend and Mashiro takes a position as an assistant to a rival artist.

Usually my favorite part of a story is where everything goes wrong, and this is where we are now (at least for the moment) in Bakuman. I’m especially pleased that Ohba and Obata are able to balance the typical shounen perseverance with some real doubt and bitterness as well. Though it seems unlikely that our heroes will remain apart for long, their separation doesn’t feel forced at all, and there are some hard realities for both of them to face here.

Reduced presence of Mashiro’s awkward romance is definitely a plus in this volume, with extra points for the prevalence of Takagi’s, which is actually pretty interesting to watch. One of this volume’s strong points, too, is some extended screen time for their eccentric rival, Eiji Nizuma, who is possibly my favorite character in the series at this point.

Most of all, however, I’m still really enjoying this look at the fairly calculated world of Jump, alternately inspiring and chilling, whether that was the authors’ intention or not.

MICHELLE: I really like Bakuman, even though I have totally complained about the things you mentioned, so the developments in this volume sound quite welcome. Like you, I find the insight into the workings of Jump to be the very best thing about this series. I suppose it’s too much to hope that Mashiro realizes that his arrangement with his sort of girlfriend is really stupid.

MJ: Probably, though I’m finding it much less distracting at this point, so perhaps we can hope that it might actually become interesting?

MICHELLE: I suppose there is at least a small chance that might happen!

MJ: We live in hope.

MICHELLE: Hey, is that a Rutles reference?!

MJ: Not deliberately, but it could have been! :D


Tune in next week for this month’s BL Bookrack, and then again the week after for an all new Off the Shelf!

Filed Under: OFF THE SHELF Tagged With: bakuman, butterflies flowers, itsuwaribito, the stellar six of gingacho

Quick Takes: All-Shonen Sunday

October 17, 2010 by MJ 13 Comments

Welcome to a far-overdue installment of Quick Takes! This time, we check in on some favorite shonen series from Yen Press and Viz Media.


Pandora Hearts, Vol. 3 | By Jun Mochizuki | Published by Yen Press | Rated: Older Teen

After the last volume’s big revelation about Oz’s former servant, Gilbert, volume three offers up some insight into what happened to Gil over the years Oz lost in the Abyss, including the introduction of Gil’s twisted younger brother, Vincent. First, though, Oz is forced to remember some of the greatest pain in his short life so far when he meets a young boy looking for his father.

This is a fairly dark volume, overall, though very much within the tone set by the series’ first two volumes. Also, it’s quite a feat that Mochizuki has managed to introduce a character creepier than Xerxes Break, especially in a volume where he’s shown luring a young, heartsick Gilbert into his service as a spy. “You don’t need to trust me,” Break says in response to Gil’s reservations. “Just use me. After all, I’m trying to do the same to you.” Still, Vincent Nightray is indeed creepier, setting up Break to be even more (inexplicably) likable than he already was.

This quality–an inexplicably likable creepiness–is what really carries this series, created by a powerful combination of tragically beautiful characters and idiosyncratically beautiful artwork.

Though Mochizuki’s slow revelation of the mysteries of her universe may be painful for some, she’s got me decidedly hooked with her sad, complex characters and their profoundly oversized shirtsleeves. For the sake of these things, I can wait forever. Recommended.


Hikaru no Go, Vol. 21 | By Yumi Hotta & Takeshi Obata | Published by Viz Media | Rated: All Ages

This volume begins with the conclusion to qualifying matches for the Hokuto cup and into preparations for the tournament itself. Meanwhile, Koyo Toya continues to baffle the world of Go by entering a Korean amateur tournament, and Kuwabara prepares to defend his Hon’inbo title against the ambitious Ogata.

Though this manga is nearing its end, volume 21 has the tense, uneasy feel of a middle volume, with all of its characters teetering on the brink as they await the commencement of their battles. To writer Hotta’s credit, the tension feels as fresh as ever, though the pressure of a long series is beginning to show as she’s forced to contrive a misunderstanding between the Japanese and Korean players in order to keep an increasingly mature Hikaru’s temper on edge.

In the midst of pre-war preparations, however, there is a bit of philosophy as well, as Hikaru and Akira stumble upon the real value of their rivalry in a pursuit that would otherwise have little meaning. “It must be lonely to be the God of Go,” Hikaru muses. “You’d have no equal, no rival.”

Despite the series’ length, this volume still offers the same small moments of pathos and insight that have been its hallmark all along–a late-night glimpse of Koyo Toya waiting silently for an opponent who may never appear, Waya’s quiet agony over his own fears and limitations, a glimmer of appreciation from Hikaru for his mother’s earnest support–it is these moments that continue to demonstrate the kind of writing that has made this series special from the start.

21 volumes in, Hikaru no Go remains warm, subtle, and downright elegant. Highly recommended.


Bakuman, Vol. 2 | By Tsugumi Ohba & Takeshi Obata | Published by Viz Media | Rated: Teen

In volume two, Mashiro and Takagi attend their first meeting with a Jump editor who gives them encouragement, if not quite what they were hoping for. Meanwhile, Mashiro’s strange romantic attachment takes an unexpected turn when he and “girlfriend” Azuki are seated next to each other at school.

Though the story’s primary romance remains somewhat baffling, its presence is not quite enough to derail the increasingly compelling nature of the boys’ introduction to the world of professional manga publishing. This storyline is enhanced greatly by the introduction of young editor Hattori and prodigy Eiji Nizuma, which sets up not only a standard Jump rivalry, but also what may be the real rivalry at the heart of this manga, artistic genius vs. calculated ambition.

“There are two types of manga artist who succeed in this world,” Hattori tells the boys at their first meeting. “One is the type of person who draws what they want to draw … they’re the ‘genius’ types. And the other is the type of manga artist like you, Takagi, who creates a hit through calculation.”

This isn’t a new concept by any means, but what makes it so interesting here is the fact that the story’s protagonists represent the “calculated ambition” side of things, which would normally be cast in the role of antagonist, certain to lose to the pure, undisputed superiority of the “true artist.” Where Ohba and Obata intend to take this is anyone’s guess, but there’s no doubt that this cynical outlook suits their style of storytelling. It’s enough to make one wish that this manga was being published outside the purview of powerful Shueisha, who must certainly have a stake in portraying an idealized version of their business. What might these two say if they really had the chance?

Though the series’ portrayal of its female characters is still sketchy at best, new girlfriend Miyoshi’s violent tendencies make her a surprisingly good foil for arrogant Takagi, whose cocky intellect is no match for a swift kick to the head.

Ultimately, neither sexism nor Big Brother is able to dampen the interest to be found here for manga fans outside Japan, so far removed from the world at the source of our obsession. Whether as a sly stab at the manga industry or a tightly-controlled commercial for it, Bakuman is fascinating, plain and simple.


To read previous reviews and discussion of these series, check out the tags, pandora hearts, hikaru no go, and bakuman or browse our Index of Reviews.

Filed Under: QUICK TAKES Tagged With: bakuman, hikaru no go, pandora hearts

Off the Shelf: Damnably Dubious

August 11, 2010 by MJ and Michelle Smith 12 Comments

Welcome to another edition of Off the Shelf with MJ & Michelle! I’m joined, as always, by Soliloquy in Blue‘s Michelle Smith.

This week’s installment includes titles from Yen Press, Viz Media, Tokyopop, Del Rey Manga, and Digital Manga Publishing.


MJ: The air is like soup here in western Massachusetts this week, which means there’s been nothing for me to do but huddle against the air conditioner with a volume of manga. What about you?

MICHELLE: I’ve certainly been staying inside as much as possible, though in the South central air conditioning is a must so there’s no actual huddling required. :)

This weekend, for example, I passed a lovely afternoon binging on Spiral: The Bonds of Reasoning, the first of the series I sampled in our Shounen Sundays experiment that I have managed to continue (though I promise not to abandon the rest!).

MJ: Oh, really? Has your opinion of the series changed after a bit of total immersion?

MICHELLE: Mm, a bit, though I liked it to begin with. It began as a mystery series in which high schooler Ayumu Narumi gets involved in investigating the Blade Children, the same topic that his genius detective brother was looking into before his disappearance. Then it morphed into what the author called a “showdown manga,” in which various members of the Blade Children issue challenges (at his brother’s orders) designed to awaken Ayumu’s potential.

This weekend I read volumes four through six. As volume four begins, Ayumu has just been duped by one of the Blade Children and is feeling pretty crappy about it, but his clever and useful sidekick, Hiyono, arranges to get herself taken hostage, knowing that when someone *else* is on the line, Ayumu will forget his worries and do his best to save her. What follows is a really awesome challenge in which Ayumu and the Blade Children engage in a game to see who can secure both Hiyono *and* a tape containing evidence of crimes committed by the Blade Children. There are a lot of clever twists and it’s a lot of fun to read; even the character who in earlier volumes screamed moe to me is revealed to be a lot smarter and stronger than previously suspected….

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Filed Under: OFF THE SHELF Tagged With: Alice the 101st, bakuman, Code: Breaker, off the shelf, Songs to Make You Smile, Spiral: The Bonds of Reasoning, Ugly Duckling’s Love Revolution

Bakuman finally makes US debut!

April 16, 2010 by MJ Leave a Comment

Everybody knows what a big Takeshi Obata fangirl I am (or at least they should), and it’s no secret that I’ve been anxious for the US debut of Bakuman, his latest collaboration with Tsugumi Ohba, author of Death Note.

Finally that day has come! Not the first volume (we’ve got a ways to go for that), but in the May issue of Shonen Jump, available now at an otaku-friendly newsstand near you. Check out the press release from Viz:

San Francisco, CA, April 14, 2010 – VIZ Media, LLC (VIZ Media), one of the entertainment industry’s most innovative and comprehensive publishing, animation and licensing companies, has announced the upcoming release of the manga series BAKUMAN。. The series, rated ‘T’ for Teens, will be released on August 3rd under VIZ Media’s popular Shonen Jump imprint and will carry a MSRP of $9.99 U.S. / $12.99 CAN. …

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Filed Under: NEWS Tagged With: bakuman, manga, press releases

Viz Licenses Bakuman, Reviewer Collapses From Glee

July 24, 2009 by MJ 10 Comments

bakumanIt was inevitable, I suppose. As long as a Weekly Shonen Jump title continues doing well, it is probably going to be picked up by Viz eventually. Still, I can’t deny that my heart leapt with joy over the news today from Comic-Con that Viz is licensing Tsugumi Ohba and Takeshi Obata’s Bakuman for serialization in Shonen Jump here in the US.

In general, I am a bigger fan of Obata than Obata/Ohba, and I had very mixed feelings about their earlier collaboration, Death Note. What is fantastic about Bakuman, however, is that it retains some of the best aspects of Death Note and chucks most of the rest. …

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Filed Under: NEWS Tagged With: bakuman, manga

Bakuman, Bakuman, Bakuman

December 14, 2008 by MJ 6 Comments

You know, I really thought that my early love-affair with manga from Weekly Shonen Jump was over, once I finally realized that Hikaru no Go was an exceptional series, and I wasn’t going to love every boys’ manga like that. Sure, I’m still enjoying some Jump series, but as I’ve further developed my own tastes, I’ve definitely moved in other directions. I’ve even dropped my Shonen Jump subscription to pick up Shojo Beat instead. But then came Bakuman to suck me right back in.

I’m sure a lot of you remember my big stink over the sexism in the second chapter of Ohba and Obata’s Bakuman. None of my feelings about that have changed, and yet somehow, after only sixteen more chapters, Bakuman has become one of my favorite series. It’s gotten to the point where I’m constantly scanning manga news sites to find out if anyone has licensed it yet so that I can be certain of one day owning it in shiny little books. My excitement over this manga has been coming on slowly over the past few months, but the newly released chapter eighteen finally sealed the deal.

Spoilers for Bakuman ch. 18 after the jump! …

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Filed Under: FEATURES Tagged With: bakuman, manga

Manga and anime briefs

December 3, 2008 by MJ Leave a Comment

Since everything else here requires spoiler warnings, I’ll start with the one item I can place before the jump and go from there!

I just wanted to make brief mention of an anime series we’ve been enjoying, not just for its terrific story and animation, but also for its method of delivery! Eve no Jikan (Time of Eve) from writer/director Yasuhiro Yoshiura (whose Pale Cocoon we also enjoyed), is being provided with English subtitles as free streaming video at Crunchyroll, shortly after each episode’s release in Japan. Episodes can also be downloaded for a small fee.

Eve no Jikan‘s premise is nothing extremely new. We’ve seen plenty of fiction involving the ethics and complications of a world in which human-like androids are employed to serve humans, and what it really means to be human, etc. What I’m enjoying about this series especially, is that the story revolves around an underground cafe where discrimination between human and android is prohibited. The cafe setting, with its set of fixed characters, helps make the story feel more intimate than what I’m used to in fiction with these themes, assisted also by the youthful POV of its protagonist. I’m impressed, too, with its effectiveness, considering that it is being fed to us only in 15-minute increments.

This is probably old news to most people who read here, but just in case I’m not the last person to talk about this, I wanted to pass it along! :) Watch the first episode here!

Now on to the rest. SPOILERS for new chapters of Bakuman, xxxHolic, and NANA, as well as recent episodes of Ef: A Tale of Melodies after the jump! …

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Filed Under: FEATURES Tagged With: anime, bakuman, Ef, eve no jikan, manga, nana, xxxholic

New chapter round-up

November 8, 2008 by MJ Leave a Comment

It’s a dim, cloudy kind of morning over here in western Massachusetts, and I can’t seem to shake the grogginess I woke up with today. It’s a perfect day for cozy blankets, grilled cheese sandwiches, tomato soup, and manga.

Here are a few brief thoughts on new chapters of xxxHolic, NANA, Bakuman, and Bleach.

SPOILERS after the jump! …

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Filed Under: FEATURES Tagged With: bakuman, bleach, manga, nana, xxxholic

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