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Adventures in the Key of Shoujo: Stepping on Roses Vol.1

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Stepping on Roses Vol. 1 | By Rinko Ueda | Published by Shojo Beat | Rated: Older Teen, Ages 13+

downloadAh, getting back to old habits can be good, no? Flexing your muscles after so long diminished is how you figure out what made you like your vocation. What am I prattling on about? I’m back writing about Shoujo again! instead of going back to Sailor Moon straight away, I’ve decided to tackle a clean title. Recently, VIZ Media opened their digital catalogue to people outside the US and I decided to buy with my money a Shojo Beat title that I’d never heard anyone talk about but that I had wanted to review blind. Was it any good? Ahhh, so close and yet so far.

Stepping on Roses by Rinko Ueda is a turn of the 19th century Japanese tail of Sumi Kitamura, a down on her luck girl taking care of four children that her dreamboat brother Eisuke keeps bringing home with him. As she’s taking care of these children, he’s supposed to be providing for them. He however, is about as helpful as a cardboard oar when it comes to money. As a result of Eisuke’s overdrawn credit, Sumi tries in vain to pay for one of the children’s medicine. Before anything bad can happen (this is a shoujo title after all), she is saved by a young man giving her a handkerchief with some money inside before disappearing into the crowd. When Sumi gets more pressure from Eisuke’s creditors, she tries to sell herself in the red light district and nearly falls into a nasty situation, only to be rescued (this is a shoujo title, after all) by Soichiro Ashida, a young, handsome and soon to be wealthy young man. Soon enough she has her money but there’s a catch: she must marry Soichiro who needs her to inherit the family silver, as it were. So, there she is in a life of luxury and hating it and wanting to get back to her kids while Soichiro goes to work changing her into a high lady of society.

OK, I’ve no problem with flights of fancy and this is an amazing flight, indeed. Sumi spends her first few days in Soichiro’s house desperately trying to find out if the children and Eisuke are ok but it’s not easy. Soichiro is cut straight out of the Charles Dickens playbook of villainy. He marries Sumi for money, treats her like harshly and knows that his friend Ijuin Nozomu is the boy she was saved by. Every time it looks like Sumi isn’t coming up to muster, he threatens to sink her to the bottom of the sea. Who even uses this kind of language in fiction? It’s too bad he doesn’t have a moustache to twirl. He barely eats anything (well, that amazing figure doesn’t tone itself I’d imagine), sleeps in silk pajamas, plots to defraud his grandfather and can now run his family’s fortune his way. So why do I like him? Hmm, I need to prepare your beforehand that I’ve only read this volume and no further in the series so Soichiro could turn out to be an edjit for all I know. OK, so Soichiro: I like him because despite all his villainy, he doesn’t hate Sumi and doesn’t hurt her in any way save dragging her across town to the church (ok, that came out all wrong). He seems to be more worried once he has control of the family fortune than he does beforehand. Every time he looks like he’s going to hurt her, it turns out to be something innocent. She thinks he’s going to have his way with her, turns out he noticed her nightdress is on backwards (through the personal space invasion is treading on thin ice). He does have this awful habit of flinging Sumi into lots of furniture: beds, sofas, chairs. That and treating her like dirt for being poor. It’s not like she could help it, dude.

Another thing that doesn’t really add up is Eisuke is a complete cad but Sumi is the nice one. So if she’s been missing for a day or two, why is Eisuke not worried? Money comes in from a mysterious person and he doesn’t bat an eyelid. Little known fact, people with less than honorable traits usually notice when something is up with someone who does have positive traits. Not here. Eisuke just rolls with it. Only when the kids pester him into it, does he decide to look for her. Who’s betting he decides to blackmail Soichiro only for a rival for his affections to notice and use it as a reason to get rid of Sumi out of Soichiro’s life? If I turn out to be right, VIZ can post my royalty checks to the editor here of Mangabookshelf. I could be wrong and this could turn out to be completely different in its execution but somehow I doubt it. I also think that Soichiro and Sumi will fall more in love with each other as the volumes progress. Why? Well, if they break up, he loses everything. If they do, Sumi is free to marry Nozomu except that I think Nozomu is in love with Soichiro. So that’s not going to happen. Do you really think Ueda is going to go full blown David Copperfield on Sumi with Soichiro? If she did, I’d eat up every volume because I root for the underdog always. But Soichciro isn’t a bad person, just makes rather mean choices. So, there is a chance of redemption for him. So that leaves Sumi and Soichiro together for the duration as they learn about themselves and about love. Now, I love that when it happens in a Nora Ephron film but here, stretched out over 9 plus volumes when I checked, I don’t know if they can hold my attention. Time will tell. So what’s the upside to this first volume?

People get slapped senseless in this book, it’s a shame there isn’t a hit counter on each page. Ueda seems to delight in having people beaten. Landlords, kerb crawlers, the main lead, the main love interest, the manservants. Just like an episode of Dallas or Falcon Crest except done in black and white. It’s awesome. There’s always tears or shocked expressions whenever it happens. Also, I love Sumi as our plucky hero. She just goes from nothing but happy to everything and depressed in the blink of an eye and this just makes her grit her teeth harder. Despite her feeling that Soichiro is a very stern and harsh person, she looks conflicted when he acts nice to her or at least it looks like he’s acting. I got the sense in the scene where he continuously kisses her to make sure she can pass inspection from their keen eyed guest, she doesn’t know what to think since their deal didn’t involve showing each other affection. Also, she looks so scared when he kisses her but still comes through to talk with Nozomu when she gets looked in her room by Soichiro. Soichiro’s manservant Gengoro provides a lot of fun in his calm demeanour being spoiled by his master giving him crazy orders like teaching Sumi how to write and read, eat in a Western fashion and walk in Western clothing in less than a month!

Artwork wise, it’s six of one, half a dozen of the other. Ueda gives her cast a sweeping look with Soichiro being that classic archetype who looks good in anything: wedding suits, evening wear and so on. Sumi doesn’t really look poor, she just looks like she’s wearing someone else’s costume. When she’s dressed in high fashion, she looks stunning and Ueda loves working on her. But she frequently neglects her background characters. The only way I could tell the kids apart is when they were separated, when put together, they just are a mess. But that might be deliberate on Ueda’s part so I’ll hold off. The people in the background (prostitutes, wedding guests and so on) just look like a bunch of character models on a page. Needs more work as my old teachers would say.

Stepping on Roses problem isn’t that it’s boring or that the story isn’t good. It’s just that it feels like more of the same for me and works too hard at the scenes instead of the characters. I want to like the story and the cast but it feels like I’m watching a soap opera instead of a story. In some cases, the bubble of artificiality can work to an author’s advantage. Here, the bubble is getting between you and the story. Soichiro really isn’t a nice person but he’s portrayed as being redeemable. Sumi is a good, likable girl who is willing to sell herself but gets nervous around another stranger who’s got a contract with her. It’s a bunch of people who can’t settle on being good or bad or conflicted. Arrggh! It’s so frustrating. I’ll report back when I get volume two.

Fist of the North Star, Vol. 1

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Fist of the North Star, Volume 1 by Buronson and Tetsuo Hara

Here’s a flashback for you and a demonstration of my advanced age, Fist of the North Star as it was produced back in 1989 as a flipped monthly comic and the new hardcover edition. I was curious what it would be like to read a whole volume of Fist of the North Star, after all the idea of a delayed attack (“You’re already dead!”) that results in blood explosions is pretty much a shonen cliche at this point, but what’s the source material like? While I did read the first chapter way back in the day I’d never read more of the story although I’ve read plenty of references and jokes about Fist of the North Star since then.

Fist of the North Star

Fist of the North Star takes place in the future after a cataclysmic event in the late 1990s has produced a world where water is scarce and people attempt to survive in a post-apocalyptic landscape of city-states. The enigmatic Ken travels from town to town, demonstrating is extreme stoicism and manliness as a practitioner of the martial art Hokuto Shinken. I was immediately struck by how much Fist of the North Star reminded me of the Mad Max series due to the roaming bands of motorcycle gangs. As the story opens a motorcycle gang called the Zeed discovers that their scouts have been killed with some sort of localized explosions coming from inside their bodies, and a parched Ken gets caught in a trap as he approaches a town. A young girl approaches his cage to give him water, and when another prisoner grabs her Ken fends him off easily in his weakened condition. Ken soon finds himself battling the Zeed for the town that captured him. The action scenes are dynamic and gory, with the lack of expression on Ken’s face contrasting with the horror and surprise of his enemies as they find vital parts of their bodies exploding. I enjoy all of Ken’s calm proclamations as he informs his enemies of his impending demise by naming martial arts techniques and flatly declaring “Scum like you cannot possibly kill me.” The art often plays with perspective, with Ken fighting enemies that appear to be two or three times his size, which creates a little bit of dramatic tension in the battles even though Ken’s victory is always assured.

Ken sets out on further adventures, accompanied by the young former prisoner named Bat, who provides ongoing amazement and commentary on Ken’s martial arts feats. As he approaches the city of the Southern Cross, he has to deal with confronting his past and the reader learns more about the pain and trauma that lead Ken to be the master of martial arts who still stops to protect the weak throughout the dystopic remains of human civilization. This volume packs in so much origin story I’m curious to see if the rest of the series is more episodic, or if even more of Ken’s past is revealed in future volumes. This is a great hardcover edition that historic shonen collectors should appreciate that will look nice on a bookshelf with the other recent deluxe volumes Viz has been producing.

Yakuza Lover, Vol 1

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Yakuza Lover Volume 1 by Nozomi Mino

I’m glad that Shojo Beat remains committed to bringing out one mature title at a time, so with An Incurable Case of Love ending, Yakuza Lover rotates in. Yuri is a 20 year old college student who capably fends off the overtures of sketchy men, loudly proclaiming “I want a guy who loves me for me!” Her desire for a boyfriend takes an unconventional turn when she ends up in the wrong party room and needs to defend herself from some criminals through the application of a handy side table and her previous experience as a high school athlete. Local yakuza boss Toshiomi Oya comes in to check up on her and gives her his coat as well as his business card, which he says can be used as a shield if she ever finds herself in a similar situation.

Yakuza Lover Volume 1

While Oya says farewell, Yuri can’t stop thinking about him and seeks him out to return his coat. Oya promptly confesses his feelings of affection for Yuri and she’s fascinated by him. They start dating, but each time Oya leaves he references his criminal lifestyle, saying “I’ll call you again if I’m still alive.” Like a Mayu Shinjo hero, Oya’s main personality trait is extreme possessiveness. However, he is happy to indulge Yuri’s whims, like dressing up in traditional clothing while playing tourist. Yuri is still trying to find a better part-time job and not all that invested in material things, although it remains to be seen if some of the complications of dating a crime lord are going to test the relationship.

This first volume was over the top and entertaining, and I enjoyed the elements of dark humor like Oya repeatedly referring to the potential of his impending death. As much as I enjoy a good shoujo trope, I do sometimes want to read a series that doesn’t feature school festivals and sports days all the time, and it seems like dodging bullets and dealing with rival crime lords will be plenty entertaining in Yakuza Lover.

Daytime Shooting Star, Vols 11 and 12

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Daytime Shooting Star Volumes 11 and 12 by Mika Yamamori

There are so many Shojo Beat series wrapping up! I’m trying to catch up on my reading and get myself psyched for new series. Daytime Shooting Star is by far the most anxiety-provoking Shojo Beat series for me, just due to the situation where Suzume falls in love with her teacher Mr. Shishio. From the first volume, the thing I was most dreading was a “10 years later” epilogue ending where Suzume is out of college, meets Shishio again and they live happily ever after. In this case my worry was unfounded and my expectations built on years of shoujo plot tropes might have made me worry needlessly. It is a testament to Yamamori’s storytelling abilities that this series was regularly on the top of my to-read pile and I was so invested in the story that I kept reading despite my worries.

Daytime Shoting Star 11

I’ve been on team Mamura all along, and it was great seeing Suzume and Mamura actually start tentatively dating. Of course Shishio has an incredibly immature reaction to Suzume moving along is to reel her back in with a confession of his feelings. One of the reasons why I’m so invested in the Mamura/Suzume relationship is that Mamura is unusually insightful, and willing call out Suzume a bit when she’s pretending that everything is ok when something is clearly bothering her. Mamura is putting her peace of mind in getting some sort of resolution over his own desire to move ahead with their relationship. There’s a great and touching scene where Suzume just leans her head into Mamura’s chest to calm herself, thinking “I feel like he’s putting my heart back where it belongs”. What follows is a sports day full of emotional confrontation and drama, as Mamura and Shishio compete in a relay race, Suzume gets injured in her dogged pursuit of bread, and she and Shishio have another emotionally charged talk.

Daytime Shooting Star 12

As the final volume opens, Suzume and Mamura go on a trip to Okinawa with friends, but he pushes her to resolve her feelings for Mr. Shishio. Shishio’s evolution from charming but slightly sketchy to selfish and incredibly immature over the twelve volumes has been something fascinating to see. Yamamori manages to make all her characters charming no matter what emotional issues they’re dealing with, and by the time I finished this volume I was convinced that all the teenage characters were exhibiting a maturity of character and psychological insight that far outpaced any of their adult counterparts in this manga. Suzume has been a charming and irrepressible heroine who has been plagued by self-doubt as she struggled to make sense of her emotions. By the end of this volume, she has clarity and is truly happy, which was wonderful to see. Daytime Shooting Star featured some great humor, stylish character design, and characters who grew and changed, becoming more secure in themselves as the series concluded. Daytime Shooting Star was an extremely satisfying series to read.

An Incurable Case of Love, Vol 7

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An Incurable Case of Love Volume 7 by Maki Enjoji

Especially in these pandemic times, sometimes I just want to read something light and fairly predictable. I don’t want surprise plot twists or social commentary, but seeing a couple work through and resolve all the impediments to their romance and end up with a happy ending is often just the diversion that I’m looking for. The Shojo Beat “stealth josei” titles like An Incurable Case of Love tend to be limited, with only one or two coming out at a time but I really enjoy them.

An Incurable Case of Love Volume 7

This is the final volume of An Incurable Case of Love! I’ve been feeling like the past couple volumes have been stretching out the story a little too much, this would probably have been a very tight 5 volume series as opposed to a slightly meandering 7 volume series, but I very much enjoyed it overall. I’m a sucker for repeated plot tropes and anything in shoujo manga that reminds me of a k-drama, so I was delighted when there was a time skip involved when Dr. Tendo had to study abroad for a number of years only to finally reunite with Nanase at the end. I do not feel like I’m even revealing any major spoilers as all of this has been telegraphed to the reader all along. Still, by the end of the manga the Dark Lord and the Valiant One have become an adorable couple and it is nice to see Nanase win in her steadfast goal of bagging the one doctor that she feel in love with at first sight so many years ago. For fans of predictable workplace romance, An Incurable Case of Love absolutely delivers. I’m hoping to get some more josei titles that are set in places beyond offices, because this series was amusing and the medical setting gave the author plenty of opportunities to explore extra drama.

Call of the Night Vol 1

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Call of the Night Volume 1 by Kotoyama

I’m always a little curious about Shonen Sunday titles, as they tend to be a little more sophisticated than Shonen Jump manga so I was intrigued by the idea of a shonen vampire romance like Call of the Night. Ko Yamori starts out by being the typical hapless shonen protagonist but he’s isolated and has just started having terrible insomnia. He’s not attending school regularly and one night he slips out of his house and starts wandering around in the middle of the night while searching up ideas for insomnia cures on his phone. Seeing many people posting about the benefits of alcohol he stands in front of a vending machine contemplating buying a beer when he’s suddenly accosted by a mysterious blond girl in a cloak who says she can help him if he’s having trouble sleeping. She brings Ko back to her place to crash, and he quickly discovers that his new acquaintance is a vampire named Nazuna.

Call of the Night

Ko finds the idea of becoming a vampire immediately intriguing but Nazuna finds the topic incredibly embarrassing because the only way for a human to become a vampire is to fall in love with one and let that vampire drink from them. Ko is determined to make this happen, and while Nazuna likes to joke about sex, the idea of any type of emotional intimacy is something that she shies away from. Ko and Nazuna keep finding each other in the middle of the night and hanging out. There’s an undercurrent of loneliness to this manga that makes it a little more interesting and poignant than I was expecting, as Ko and Nazuna keep seeking each other out. Ko’s not done with the human world though, as he reconnects with an old friend of his who encourages him to go back to school. Kotoyama’s art is stylized and angular, making the world of the night seem more mysterious. I definitely felt intrigued by the end of the first volume and I’m curious to see how this relationship will develop over time.

Moriarty the Patriot Vols 1 and 2

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Moriarty the Patriot Volume 1 by Ryosuke Takeuchi and Hikaru Miyoshi

I was intrigued by the concept of Moriarty the Patriot, because I was curious how the manga would flip Moriarty from being the antagonist into being the protagonist of his own story. It turns out that Moriarty has an intrinsically sympathetic goal – full scale class warfare! This first volume details how the evil mastermind Moriarty is adopted into a family of nobles, with a slightly sociopathic older brother named Albert who is determined to wage war against the nobility with the benefit of his younger brother’s genius.

The chapters in this first volume often involve an episodic approach to plot, with Moriarty intervening in the lives of people who’ve been taken advantage of by so-called nobility. His focus on revenge is certainly satisfying, and by the end of the volume, he’s surrounded himself with a core group of companions who are similarly bent on striking back against the British class system.

Moriarty the Patriot Volume 2 Ryosuke Takeuchi and Hikaru Miyoshi

I found this second volume a little less interesting because it had more of the expected story beats that I’d assume would show up in a Holmes adaptation. I was a little disappointed that there wasn’t more Moriarty in this volume. Here the reader sees Takeuchi’s version of Holmes meet Watson and figure out how to deal with his landlady Mrs Hudson. While it was enjoyable, there wasn’t as much dramatic tension because other than his lower class affectation, Holmes is pretty much what one would expect. As Holmes hurdles into his next case, I’m curious to see if he’s going to be at odds with Moriarty once more, and I’m looking forward to seeing what will happen when they start clashing over cases involving spectacularly murdered noblemen.

Way of the Househusband Vols 3 and 4

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Way of the Househusband Volumes 3 and 4 by Kousuke Oono

One of my favorite things about Way of the Househusband is how ordinary household chores get infused with the action and drama of a gangster drama. Tatsu and his wife Miku have to band together to banish a roach in the opening chapter, and they cycle through roach fighting options growing more and more frantic until their foe is vanquished. There’s no real overarching story line here, but the episodes around high stakes bread baking and grocery store promotion antics were funny. I enjoy most when the househusband has interactions with people from his past, and he runs into his old boss (and an adorable dog!) and then again the grocery store becomes a site for a reunion with a woman yakuza boss from his past. Seeing tough guys melt in the presence of the sheer competence of ladies whipping up nutritious homemade dog food is both heartwarming and hilarious.

I also enjoy the little vignettes that show the househusband and Miku together, and the 4th volume has a couple stories that show the couple tackling going to a theme park with military precision and taking on some local toughs in a dynamic beach volleyball tournament. I was quite amused by the drug dealing influence on boba tea recipies and distribution, as well as a dramatic trip to the dollar store to secure the essential tools of the house keeping trade. While this series is predictable, it is the good kind of predictable that you can find with very well-executed comedy series. The jokes might be the same, but the quirky mash-up between yakuza antics and housekeeping always seems both refreshing and funny. This series is helped a lot by Oono’s dynamic and expressive art which infuses the most mundane tasks with the high-stakes suspense worthy of an action movie.

An Incurable Case of Love, Vol 5

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An Incurable Case of Love Volume 5 by Maki Enjoji

After four volumes with plenty of workplace hijinks now that Tendo and Nana have become an actual couple, there have to be some random external influences show up to test their relationship. In the fifth volume this takes the form of a forlorn young man who shows up and demands that Nana hide him from some people who are following him. This turns into an extremely odd impromptu date involving a bowling alley and a park. Nana humors him for awhile, because her nursing instincts are kicking in. When he has a seizure, Nana has him transported to her hospital.

An Incurable Case of Love Volume 5

The young man turns out to be Chikashi, the heir to a conglomerate. He refuses to be transported to a private hospital and demands that Nana be assigned as his personal nurse. Nana agrees after Chikashi makes it clear that he isn’t above a bit of blackmail, he also incorporates some threats to Tendo’s career. Nana and Tendo’s relationship is strained, and while Chikashi is clearly acting like an extremely bratty patient, he’s also doing this because he’s incredibly lonely. One of the best parts of this volume was Tendo’s aggravated faces as he attempts to deal with this situation semi-professionally. Nana lets her caring nature lead to her getting taken advantage of, but it seems like Chikashi ends up in a better place than he was before, so if her goal is to maintain being an excellent nurse, she’s still on track to achieve it. While there isn’t really a high amount of drama or complex story line in this volume, this workplace romance still manages to be diverting and seeing Nana and Tendo work through their issues with the core of their relationship strong is plenty heartwarming.

Yona of the Dawn, Vol 27

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Yona of the Dawn Volume 27 by Mizuho Kusanagi

I’ve been eagerly waiting for this volume of Yona of the Dawn since Hak came forward with an actual love confession in the previous volume. One of the things I love about this long-series is the fact that it can still surprise me. Instead of any drawn-out angst, in the aftermath of the love confession Hak totally oversleeps, unburdened by worries while Yona is the one who has been tossing and turning all night. This volume serves as a transition from one storyline to another as the Four Dragon Warriors need to recuperate closer to Hiryuu Palace. There’s some adorable awkwardness between Yona and Hak, and he decides to take up training with her again in an attempt to make things a bit more normal. Kusanagi’s illustrations show Yona progressively more embarrassed and overcome with emotion as Hak no longer has any hesitancy about telling her exactly how he feels.

While I enjoy the sweeping action and more complicated political plots as Yona roams around trying to make the lives of her people better, I find these more character-focused quiet volumes in between the larger story arcs a great way to reset and reflect, setting me up to look forward to the next complex storyline. Of course, this wouldn’t be shoujo manga without additional emotional complications, and Hak speculates that while Yona might be able to move on with her feelings about Su-Won, he is still dedicated to nurturing his hatred.

This volume also provides an opportunity to check in on other beloved characters such as Riri and Tae-Jun, who are dealing with the aftermath of the averted war with Xing in their own ways. There’s a skirmish happening and Yona and her warriors come to Tae-Jun’s aid. While Yona’s been able to be somewhat undercover for awhile, more and more people are beginning to realize that she’s not dead after all. As it turns out, Yona’s growing notoriety and the legend of the Four Dragon Warriors might be the cause of upcoming conflicts

Love Me, Love Me Not Vols 4 and 5

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Love Me, Love Me Not Volumes 4 and 5 by Io Sakisaka

With the conclusion of Ao Haru Ride, I’m glad that the Shojo Beat imprint has another Sakisaka series running with Love Me, Love Me Not. This series doesn’t quite have the layers of meaning I was finding in Ao Haru Ride, as the love quadrangle in this series lends itself more to more of a chill teen soap opera feeling with plenty of slice-of-life elements that makes this a soothing series to read, even as the protagonists deal with plenty of romantic complications.

In the fourth volume, there’s the fallout of Rio kissing Akari to deal with. While Akari has been dedicated to putting up emotional walls since they became step-siblings, Rio hasn’t been able to detach from his previous feelings so easily. Along the way Akari has to deal with a boy at school who has a crush on her who turns hostile after she turns him down. Inui is around to help her deal with things, but Akari wonders just how much he understands about her situation. Akari gets self-conscious and starts avoiding Yuna, who is dealing with her own feelings for Rio. Really, the tangled relationships ensure that there’s plenty of drama to come. However, one of the reasons why Love Me, Love Me Not remains interesting is that the characters actually talk about what’s bothering them and evolve and change. Yuna calls out Rio for his actions and points out that he’s not being considerate of Akari, and she then messages Akari so they can have a chat as well. Being active in her friendships and talking to the boy that she has a crush on show how much Yuna has evolved from the shy and self-contained girl she was in the first volume of the series. Rio even comments to her that Yuna is “growing into the person you want to be” while he hasn’t progressed much beyond the person he was in junior high.

The fifth volume features that staple of shoujo romance, a festival! Rio is haunted by the fact that he had a dream about Yuna, which makes him finally start to be interested in her romantically. Akari continues to be intrigued by Inui, and she and Yuna engineer a double date to the festival. Out of all the main characters, Inui has been a bit of a cipher, occasionally dropping by to make enigmatically mature pronouncements and then moving on. I was happy that this volume featured a little more of his self-reflective moments, making it clear that he’s only steering clear of Akari because he doesn’t want to hurt Rio. I really like the way some of Sakisaka’s illustrations shifted to reflect the characters’ feelings in this volume. Yuna has a few panels of looking absolutely adorable, because Sakisaka is showing her from Rio’s point of view as he appreciates her more and more. It is particularly fun to see Rio in a somewhat tortured state throughout this volume as he struggles with his new feelings, since he was originally introduced with such a self-assured, flirtatious personality that was all on the surface. While the characters are all suffering through the foibles of teenage romance, there’s no question in my mind that there will eventually be a happy ending, which makes this a great comforting manga to read when I feel the need to de-stress a little bit.

Shortcake Cake Vols 9 and 10

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Shortcake Cake Volumes 9 and 10 by suu Morishita

There’s around 5 volumes of revelations and drama packed into these two volumes of Shortcake Cake, but one of the advantages of finally finding out the truth about Riku and Rei’s relationship at last is that seeing the backstory and the emotional aftermath as Riku and his friends attempt to deal with their new reality inspires feelings of empathy in the reader. Morishita is adept at portraying a great deal of emotional nuance as the characters in Shortcake Cake start to puzzle out who they are and how their relationships are evolving.

The 9th volume opens with Shiraoka telling Ten and Chiaki the circumstances surrounding Riku’s past. It turns out that Rei’s mom, who was a teacher, adopted Riku after a student of hers left him as a baby in her classroom. Rei was a much-wanted child after a long struggle with infertility. While Rei’s parents tried to raise both boys with equal amounts of affection, Rei grew up attempting to establish his big brother bona fides even though Riku was only one month younger. Rei signed up for extra lessons in an unsuccessful attempt to get approval from his grandfather, who just seems flat-out emotionally abusive because he hates the fact that his daughter even got married in the first place. Rei’s resentment grew and grew, and when his parents died in a tragic car accident, he took the opportunity to kick Riku out. Shiraoka promptly took him in and raised him as an older brother. Aspects of Riku’s personality such as his sometimes ingratiating manner and desire to please but not actually get close to anyone are explained through the events in his past. When Riku’s long-lost older sister shows up at the boarding house he’s confronted with the choice of connecting to his biological family. The core of the story is how Ten and Chiaki are determined to continue to support Riku along with Shiraoka. While Rei has totally been a jerk, it is also clear that he’s lashing out in pain and unable to move on and find any kind of peace within himself.

One of the nice things about this volume is seeing Chiaki’s relentless overtures of friendship towards Riku and how he’s changed after hearing Riku’s story. Chiaki has avoided his overbearing older brother, but after seeing how Riku’s family broke down he’s decided to face his own family again. When Chiaki proclaims about Riku “I love him! He’s my one and only best friend!”, Riku says to himself that Chiaki is an idiot and Shiraoka responds “You’re pretty lucky to have met such a good idiot.” While Riku’s adoptive family might have been torn apart, he’s managing to put a found family together by finally allowing his friends to get to know him, and seeing this evolution take place over 10 volumes of Shortcake Cake is rewarding for the reader. While Riku goes on a visit to Chiaki’s family, Ten attempts to intervene with Rei. As this volume races towards a dramatic confrontation, I’m hoping that both Rei and Riku are able to find some sort of peace. Shortcake Cake‘s stories of found family combined with sibling estrangement make for a gripping story, and it is great to see how the core trio of Ten, Riku, and Chiaki have evolved together through their friendships.

Daytime Shooting Star Vol. 9

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Daytime Shooting Star Volume 9 by Mika Yamamori

At last! I could tell by the cover that this was going to be a Mamura-focused volume and I wasn’t disappointed. I tend to always root for the second lead guy in Korean dramas, and if Daytime Shooting Star was a K-Drama, Mamura would likely be the second lead, but in many ways he’s so much better than Suzume’s alternate romantic option of dating her teacher Shishio. While Suzume’s been rejected (good!) by Shishio, she’s attempting to move on with her life, however she becomes distracted due to the fact that in their second year of high school, Mamura is being targeted by throngs of first-year girls. With Mamura’s innate allergy to female contact, this creates a very awkward situation.

Daytime Shooting Star 9

Yuyuka decides to take matters into her own hands in order to defend Mamura’s honor and proposes a plan where Suzume will pose as Mamura’s girlfriend. He rejects the idea, but Suzume becomes more and more irritated about the girls that are following him around, prompting Yuyuka to propose the idea of Suzume posing as Mamura’s girlfriend in order to get rid of the throngs of girls following him around. Mamura turns down the idea. When Suzume sees Shishio for the first time in weeks though, Mamura happens upon the scene and declares that they’re dating! when he sees Suzume being distressed when she runs into Shishio for the first time since he rejected her, he declares that they’re dating!

I was pretty delighted by this turn of events, with this faux relationship that might turn real. Mamura is clearly devoted to Suzume, and he does call her out when she’s dwelling too much on the past. I’m hoping that things move forward and she can actually experience a more normal high school romantic relationship? But I’m not holding my breath because the second lead guy rarely gets the girl. I enjoy Yamamori’s stylish illustrations in each volume, and the prospect of non-Shishio romance for Suzume makes me feel less of a general sense of creeping dread about the ending. In any case, Daytime Shooting Star continues to be an extremely engaging high school soap opera.

Blue Flag Vol. 3

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Blue Flag Volume 3 by KAITO

Blue Flag continues to be an incredibly nuanced and introspective look at teenage life with an unconventional love quadrangle that shows characters intersecting in different ways, producing moments of self-reflection. As the volume opens Taichi has redeemed himself from a trauma in his childhood by saving a kitten from being struck by a car – only for his old friend Toma to break his leg saving Taichi. Toma’s stuck in the hospital and unable to lead his high school team to victory in the baseball championships but one of the biggest conflicts in this volume isn’t due to physical pain as Taichi’s crippling insecurity causes him to lash out at the people around him. Having an event that he genuinely feels guilty about causes him to feel even worse about himself.

Blue Flag Volume 3

Toma betrays his own feelings when Taichi comes to apologize, saying that Taichi’s life is more important than baseball and then attempts to cover it up by saying that Taichi is his best friend. Taichi is so used to comparing himself to Toma unfavorably that he’s not even able to really process this information, and it seems like his insecurity is preventing him from acknowledging the genuine friendship that Toma is offering. Taichi even lashes out at Futuba when she attempts to comfort him, pointing out that he’s only a means to an end for her crush on Toma. Masumi steps in to help Futuba process her feelings for both Taichi and Toma, but I hope in future volumes she gets a little more of the spotlight herself, instead of being a default teenage relationship counselor for the other kids.

Throughout this volume KAITO’s art portrays teenage drama and introspective moments with the same amount of facility and care. While there are plenty of dramatic incidents in each volume as the protagonists start trying to figure out who they are and what they want in terms of romantic relationships, it is clear to see that they are moving forward. While Taichi’s self-loathing is still ensnaring him he’s still moving forward in terms of having more of a genuine connection with other people than he’s had before. I’m hoping that these friendships help him feel better about himself and his place in the world as the series develops.

Ao Haru Ride, Vol. 13

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Ao Haru Ride Volume 13 by Io Sakisaka

I have this issue sometimes when I really like a series and the final volume comes out, I tend to procrastinate reading it a little bit just because I don’t want the series to end. So the last volume of Ao Haru Ride has been sitting in my house for a couple weeks now before I decided to read it. This was a very satisfying concluding volume that showed the main characters settled into a relationship in a very adorable way that contrasts nicely with all the sadness and difficulty that they faced along the way.

Ao Haru Ride 13

Futuba and Kou are now firmly a couple and dealing with new issues, such as her wanting more reassurance about his feelings for her, and figuring out that while he might not verbalize his feelings as much he cares for her a great deal. As a couple with an established relationship they can even help out with Kominato’s extremely transparent plan to confess to Murao by agreeing to go on a double date that just coincidentally is happening on Valentine’s Day. While Futuba and Kou are plenty adorable with each other, the pain of the past isn’t forgotten, as seen in a misunderstanding when Futuba can’t find Kou at on the first day of school and is frightened that he’s disappeared again the way he did in the past. There were enough chapters showing Kou and Futuba in their new lives as a couple that felt like they were settled down with each other but looking forward to the future in the best way possible. The volume concluded with a surprise Strobe Edge bonus story, and it was a real treat to see those characters again. Ao Haru Ride dealt with teen romance in a complex way, layered with themes of loss and nostalgia that made it much more meaningful than the typical shoujo romance.