yona of the dawn

Yona of the Dawn Volume 22 by Mizuho Kusanagi

Volume 22 of Yona of the Dawn follows the tried and true formula of contrasting a hilarious chapter with a deep dive into introspection. The volume opens as Riri is recovering from her and Yona’s latest adventure. Su-Won goes to visit her and it is clear that some of the people that surround them are interested in pushing them together for various geopolitical reasons. However, Riri’s a bit dispassionate at being told to act dignified in front of the king, and Su-Won continues to find her frank mannerisms amusing. I hope for better for Riri than Su-Won though! In a hilarious scene Riri reveals the depth of her crush as General Geum-Tae enters her room. She immediately starts blushing and acting like a shy maiden. In the aftermath, plenty of people inform Riri that Geum-Tae is happily marries, and she’s very well aware, she’s just happy to enjoy her crush. Seeing Riri freak out about how cool Geum-Tae is in front of Su-Won was hilarious.

The reader gets a rare look into Hak’s mind as he struggles with the idea of returning Yona’s misplaced belongings to her, including the hairpin that Su-Won gave her right before he murdered her father. Hak reflects on their past friendship, and Su-Won’s betrayal. He thinks about his own emotions and how Su-Won didn’t seem to care about the pain he was inflicting on other people. The bulk of this volume deals with an adventure to a new land, as people from Xing pop up to ask if Yona and her companions are the “monsters from Kokha.” Yona meets another new female friend when she spends time with Tao, the younger princess of Xing, but she also learns about the extent of political destabilization that is following from Su-Won’s wars, as Xing might be split between two factions. Tao asks Yona’s advice about what to do with Su-Won, and Yona remains awkwardly silent, realizing that bringing her own feelings and opinions into someone else’s political calculations might not be in the best interest of Xing. This volume bridges two story arcs very effectively, with a little bit of comic relief, a glimpse of the emotional toll the journey has taken on Hak, and the introduction of a new land that hopefully Yona will be able to help.

Yona of the Dawn Volume 21 by Mizuho Kusanagi

This is the last volume of the Sei story arc, and it has plenty of action interspersed with great quiet moments where bonds between the characters are affirmed. Everyone joins together to rescue Riri, leading to some surprising alliances. One of the highlights for me was seeing Hak’s reunion with the Wind Tribe, especially his adoptive grandfather Mundok. As Zeno and Jaeha search for Yona and find her cornered in the woods by enemy soldiers, Zeno comes to the rescue by literally dropping out of the sky to defend her. Su-Won is also inspecting the area and getting a full picture of the atrocities being committed. Riri shows her strength of character by being defiant even as the evil Lord Kushibi orders her execution. The attack begins as Su-Won’s group and Yona’s companions both stage parallel rescue missions, and the old bond between Su-Won and Hak is reactivated as they are able to wordlessly communicate across the battlefield in support of a single objective.

Kusanagi’s skills with drawing action are particularly showcased in this volume, as the dynamic paneling for the action scenes ramps up the tension of the battle, with pauses that highlight the emotional stakes for everything that Yona and her friends are fighting for. I also appreciated all the battlefield banter between enemies as Hak and Guen-Tae get snarky with each other. As Kushibi realizes the full extent of his hubris, a shadow is cast over his face that mirrors the dark tones used in portraying the body count of the fight. As everyone recovers from the battle, Zeno has a hilariously off-kilter encounter with Su-Won, and Yona and Hak have a random encounter in the middle of the night that is equal parts hilarious and touching. As always, this was an extremely satisfying volume of Yona of the Dawn. It sets such a high standard, it almost seems impossible for it to keep getting better with each volume, but it does.

Yona of the Dawn Volume 19 by Mizuho Kusanagi

An evaluation of any volume of Yona of the Dawn boils down to the sentiment “if you are not reading this series, there might be something wrong with you.” This particular volume functioned well as bridge between story arcs, as well as including some bonding humor amidst a story of spiritual possession. As the reader can guess from seeing an unmasked Sinha on the cover, the first part of the volume delves more into the history of the Blue Dragon through his encounter with one of his predecessors. There’s plenty of group bonding time along the way as Yona and her companions tease Yun for taking on an inadvertent role as the group’s “mother,” but despite all the teasing he prepares snacks and worries with great maternal instincts.

Sinha’s spiritual possession causes a number of issues, as he returns to the group with another Blue Dragon in control over his body. Everyone but Yun ends up in a super creepy tomb filled with spirits, as they attempt to deal with Sinha’s vengeful spirit. As always, Yona manages to overcome difficulties by simply being true to herself and overcoming obstacles through her humanity and compassion. What initially seems like a story about a vengeful spirit ends up highlighting the strength inherent in forgiveness.

The broader story arc that begins to be set up is a return to the Water Tribe. When Yona and her companions left previously it was clear that they’d affected a small part of a systemic drug trade. While Su-Won strategizes with his generals and tribal leaders in his palace, Yona reunites with Riri and joins up with her again to help with her mission to help the Water Tribe people. As always Kusanagi does an excellent job juggling character development and storylines with such an expansive cast. While Yona is shoujo, the romance elements are fairly sparing, but fortunately there’s a wonderful scene between Yona and Hak as they have trouble sleeping that shows romance progressing slowly. I always put each volume of Yona of the Dawn down feeling immensely satisfied at the amount of story Kusanagi is able to express in just five or six chapters.

Yona of the Dawn Volume 18 by Mizuho Kusanagi

At long last, a Zeno volume! I’m going to attempt to talk around some major spoilers, but I found this volume both immensely satisfying and surprising. Zeno, as the smiling and enigmatic Yellow Dragon has always been a bit apart from Yona and the rest of her companions. He just pops up one day without much backstory, and his power of regeneration as a shield in battle was hidden for many volumes. Now the reader finally sees his power unleashed, and I wasn’t expecting Kusanagi to take a detour into action-centric body horror, but she certainly did. As Zeno is hurt and regenerates, he is able to tap into powers of strength that were previously undemonstrated but he does so at a great personal cost. In the hands of a lesser artist, his stand on the battlefield would be much more difficult to execute.

Most of this volume ends up being an extended flashback where we see the original four dragons and the Crimson Dragon King. Kusanagi is so clever with character designs, body language, and expressions, we can see how traces of the original dragon warriors remain in their reincarnated versions in Yona’s present day. In the end, the reader is left feeling like Zeno is fully integrated into the group, knowing the hidden meaning behind his smiles that initially seemed too easy. The depth of story that Kusanagi has built up over 18 volumes is considerable, I’m always putting each volume of Yona of the Dawn wondering how it is going to get even better, and it never fails to deliver.

Yona of the Dawn Volume 17 by Mizuho Kusanagi

I’m always curious when a new arc of Yona of the Dawn starts, because Kusanagi manages to create situations and plot elements that seem new and fresh in the context of a long-running series. At the same time she continues to explore themes that are present throughout the series with more depth, like Yona grappling with the legacy of her father’s lack of consideration and thought for the people who he used to rule.

Yona and her companions head towards the border of Kai, where they meet a young boy named Kalgan who proposes marriage to Yona after she shoots a bird to provide him with with some money. Kalgan wandered over from the Kai empire and is stranded, so Yona decides to escort him back to his village, a border town that has been fought over between Kai and Kohka for years. Yona’s Dragon Warriors begin to fall ill, and they need to recuperate for a time in the village where most of the residents are deeply suspicious of them. War is drawing near as well, as Su-Won and his army start to attack the Kai empire.

So far, most of the Dragon Warriors have gotten some solid character development and backstory in Yona of the Dawn, but Zeno has largely been an enigma. This volume finally showcases his unique abilities and role as Yona’s protector. For the Hak fans (and who isn’t a Hak fan!?) there are some great scenes of him taking on a wayward army, determined to take out their anger at losing a battle on innocent civilians. As Yona learns more and more about the dark side of human nature, she becomes more resolute about helping people. I’m curious to see how she manages to resolve the current crisis, I’m not sure if even she can pull of pacifying an angry army. This series is consistently rewarding to read, and one of the best fantasy shoujo series that Shojo Beat has published.

Yona of the Dawn Volume 16 by Mizuho Kusanagi

I often put down a new volume of Yona of the Dawn thinking “this was my favorite volume”, which is a testament to Kuanagi’s storytelling abilities. I’m willing to go on the record now and forever (or at least until volume 17) that 16 is my favorite volume of Yona of the Dawn. I had high hopes when I saw that the cover featured an extremely angry looking Hak.

This is the concluding volume of the Water Tribe story arc, and things have been headed towards a major confrontation, what with all the terrible drugrunning, Riri’s seizing her father’s power of hereditary rule, Su-Won and his minions appearing and hanging out near Riri, Yona getting herself injured, and people in general being repressed. As the story opens, Yona and her companions are determined to attack the fleet of the enemy and crush the drug traffickers. Jaeha has managed to secure a mini-army of attractive female divers due to his habitual flirtatious charm to aid in the attack.

Even though it is painfully obvious from the beginning of the series that Hak and Yona are in love, there’s so much going against their romance that Hak is an incredibly sympathetic character and somewhat in the position of the underdog. He’s not acting very much on his feelings for Yona since he’s in the position of being her protector and he’s not nobility. While Hak has some great martial arts abilities, he’s not supernaturally gifted like the Dragon Warriors, and he doesn’t share the emotional/psychic bond that binds Yona and the Dragons together. All along Kusanagi shows Hak and Yona sharing a quiet moment here or there set against the backdrop of the great adventure that they’re on, but the reader hasn’t seen multiple panels showing what Hak is actually feeling before.

Most of the action external to Hak’s journey is handled fairly quickly. Riri has found her strength thanks to Yona’s friendship, and it feels like this series has to feature a pirate ship battle every seven volumes or so. As Yona, Riri, Su-Won, and their companions are standing in town and about to be pinned down by archers sniping at them, Su-Won stands in front of Yona to protect her and cautions her not to reinjure her back by firing arrows at her would-be assassins. Yona doesn’t back down from a fight though, and she has a brief reunion with Ju-Do that causes him to reflect on his own choices in staying to support Su-Won. As the local drug kingpen tries to do away with Yona once and for all, Hak comes out of nowhere to protect her from a dagger strike. He then turns incandescent with rage when he sees Su-Won.

What follows are several nearly wordless panels that dramatically portray Hak’s rage and desire for vengeance. Hak’s pupils contract, and Kusanagi switches over to using dramatic black tone and cross-hatching as Hak goes after Su-won. Hak has to go through Ju-Do first, and Jaeha tries to stop him from continuing to fight. As expected, Hak only stops when Yona steps in front of him. The rest of the volume deals with the fall-out of the incident, as Yona’s companions heal their wounds and Su-Won returns to his palace. Kusanagi has paced the story of Yona of the Dawn so well, every few volumes an event will happen that will dial up the emotional intensity and affect the relationships between the main characters even more. Seeing the rage that Hak has masked inside for so long makes the reader contemplate how controlled he’s been up to this point. Yona of the Dawn is embarking on a new story arc as Yona and her companions say farewell to the Water Tribe and I’m eager to see what happens next.

Yona of the Dawn, Volume 15 by Mizuho Kusanagi

This story arc of Yona of the Dawn examines issues of geopolitics and addiction, along with Yona’s growth into someone who inspires others to do their their best. Yona gets injured defending her new friend Riri. Sinha appears just in time to rescue her, and as she recuperates Hak is constantly by her side. Yona being Yona, as soon as she is slightly mobile she decides to continue her mission to track down the source of the drug trade that is decimating the Water Tribe. Seeing Yona’s determination, Riri challenges herself to do what she can as well, stealing her father’s seal of authority and traveling to the coastal city of Sensui. Riri’s overtures of friendship to Yona as they part ways are adorably awkward, as she shoves a box of sweets at Yona and attempts to help her with her sash.

One of the reasons why I like Yona of the Dawn so much is the way Kusanagi builds in short character development moments into a larger, more complex story. Seeing Riri on her own standing up for what she believes in shows the depth of Yona’s influence. Jaeha has a few quiet moments with Yona that show how much of his breezy womanizing persona is actually an act. The larger conflict between Yona and Su-Won appears again, as their paths continue to intersect as Yona’s actions on behalf of the people intersect with his travels through his kingdom. Kusanagi is building up to a dramatic confrontation, and while I have no doubt that Yona and her companions will eventually leave the country of the Water Tribe in better shape than it was when they arrived, seeing the pathway to fixing the problems of the people is what makes this series so consistently interesting.

Yona of the Dawn Volume 14 by Mizuho Kusanagi

I always put down each volume of Yona of the Dawn feeling like Kusanagi has just served up a master class in plot and character development, but I felt that way even more in this volume, which shows Yona traveling to visit the Water Tribe and confronting some very serious issues along the way. As soon as they arrive on Water Tribe land, Jaeha takes the opportunity to invite Hak along to visit the Red Light District, because the women of the Water Tribe are legendary for their beauty. Yona’s cloaked reactions as this conversation unfolds underscores how much she cares. Hak turns Jaeha down, and Jaeha heads out to explore the city solo, sensing that something is very wrong with the town. He meets up with a couple ladies, who burn some suspicious incense and offer him some of the special local rice wine. Jaeha goes along with everything, as he suspects that someone is watching both him and the girls.

Yona and her crew rescue Jaeha and go out to investigate, learning that the Kai empire is flooding the town with a drug called Nadai. Yona is determined to stay and fight the drug traffickers, even though Jaeha urges her to leave. The leadership and confidence Yona has developed over the course of 14 volumes has me confident that she’ll leave the Water Tribe lands in a better state than when she arrived. Yona’s group also attracts the attention of some local dignitaries, Ladi Riri and her two companions Ayura and Tetra. Riri first thinks that Yona is suspicious, but eventually realizes that the groups have similar goals. Seeing Riri’s assessment of Yona shifting as she learns more about her just serves to underscore Yona’s strength. There’s time for a little bit of situational comedy as Riri is horrified that Yona routinely sleeps outside, surrounded by men.

After some army battles in the last volume, there’s a return to close action sequences featuring Yona’s determination as well as the unique abilities of her protectors. This volume ends on a cliffhanger, but I’m very curious to see how Yona and her companions change and grow after being challenged by the situation in the Water Tribe kingdom. I’m also happy to see Yona getting some more female friends as she continues her travels.

Yona of the Dawn Volume 13 by Mizuho Kusanagi

One of the many things that sets Yona of the Dawn apart from other fantasy shoujo series is Kusanagi’s great ability to portray characters with nuance, even those who are villains. This volume is a bit of a departure, as it focuses on Su-Won, who has taken control of the kingdom. Su-jin, the chief of the Fire Tribe has decided that he’s going to be the one to lead a rebellion and assume the mantle of the Crimson Dragon King. Su-jin is absolutely heedless of the suffering he’s going to cause with his actions, and he’s so committed to his vision of himself that he doesn’t realize that Su-Won is a Machivellian master of both statecraft and battle tactics until it is far to late.

As usual, Yona functions as the soul of her country. While she doesn’t engage in the battle directly, she leads her warriors in when the opportunity comes to prevent the suffering of ordinary civilians. While she confronts Su-jin with words he’s incapable of considering, her encounter with Su-Won is limited to a few searing panels as they gaze at each other across the battlefield. This is one of those scenes that can only best be done by sequential illustration, as Kusanagi cuts between their faces, showing Su-Jin’s shock and Yona’s absolute sense of resolution. Whatever someone things of Su-Won as a person, it is hard not to admire him as a leader after this volume, as he adroitly deals with the leadership vaccum for the Fire Tribe, appreciates the way Tae-Jun has changed for the better after Yona’s influence, and even takes measures to protect the rare grain that Yona secured that might actually help solve the humanitarian crisis that many people in the kingdom are suffering.

Some of my favorite moments in this series are when Yona and her warriors are able to relax a little bit, and there are a few pages that push forward her connection with Hak. This volume concludes with a triumphant scene as Hak pushes Yona to take part in an archery contest, and it is a nice way to wrap up this storyline, away from the battlefield. I’m always looking forward to the next volume with this series, which is strongly in the running for my favorite fantasy shoujo series of all time.

Yona of the Dawn Volume 10 by Mizuho Kusanagi

It is a sign of a good long-running fantasy series, when at 10 volumes in I feel like the story is barely getting started and I just want it to go on forever! Part of the reason why I’m finding this manga so compelling to read is the inherent niceness of the characters. It might be cheesy, but this manga helps me maintain some hope for humanity. Yona’s ability to spread compassion throughout her immediate surroundings by demonstrating her own compassion gets featured often in Yona of the Dawn, but each time it is with a special twist that has me immediately captivated.

In this case, the target of Yona’s transformation through compassion is Kang Tae-Jun, second son of the fire chief and all around unpleasant person, as shown in his actions in earlier volumes when he thought he killed Yona by throwing her off a cliff. His obsession has continued, and he’s consumed with guilt when he realizes that Yona might be in the company of the fearsome bandits that are occupying a village. Tae-Jun’s trauma is played for laughs at first, as he lingers in bed and plots to return to Katan village where he thought he heard Yona’s voice. He declares that he finally has a reason for living and his men are bewildered, but supportive. Tae-Jun’s undercover attempts involve an inept disguise as a commoner. When he encounters members of Yona’s band, he assumes that they are evil, but they scoop him up and take him for medical treatment.

Tae-Jun learns that conditions in the town for the citizens are terrible, and the things he’s been told about the lands of the Fire Tribe were lies. Tae-Jun’s encounter with an enigmatic Hak is hilarious, as Hak maintains an enigmatic expression while Tae-Jun is inwardly dying as he realizes that he’s sharing a fire with the dreaded “Thunder Beast”. Kusanagi could teach a master class in drawing overwrought facial expressions as Tae-Jun goes through such an extreme of emotions in this volume. When Tae-Jun finally encounters Yona, she forgives him, and he then decides on a covert campaign to improve the lives of the Katan villagers, while leveraging the resources of the military under his command. Tae Jun keeps helping more and more, until he’s been transformed in his outlook and abilities by the end of the volume. This was a satisfying, more self-contained volume of Yona of the Dawn, but it seems clear that another adventure is about to begin. I’m excited to see what happens next for Yona and her band of mystical warriors.

Yona of the Dawn Volume 9 by Mizuho Kusanagi

Excellent manga continues to be excellent isn’t the most earth shattering reaction to the latest volume of Yona of the Dawn, but it is absolutely true. This latest episode swings between pathos and humor with the ease that I expect from Kusanagi. After meeting up with the Yellow Dragon, all of Yona’s guardians are assembled. What’s going to happen next? They wander into a village that Yun had adopted in the past only to find out that their food stores are low. Yona’s group immediately starts competeting to see who can deny that they are hungry the longest as they help to fix up the village, despite plenty of evidence of rumbling stomachs. Yona wants to see how the people are living as a manifestation of the poor choices her father made when he was king. The villagers are being preyed upon by a local gang of bandits, and Yona promptly proclaims that she’s the head of a rival gang called “The Dark Dragon and the Happy Hungry Bunch” in order to banish the bandits.

This is all pretty hilarious, especially the way the new gang starts threatening the villagers by forcing them to take extra portions of supplies and candy. But the local bandits once driven off come back in force, and things get serious. Sinha ends up confronting his terrible destructive power with Yona’s help. He’s drawn in shadow, with the focus on his eyes that allow his powers to manifest, seeming almost monstrous until Yona prevents him from using his powers in a way that he might later regret. As always with this series, while Yona has been training to build her capacity to fight, it is her insight into human nature and her genuine support of her companions that allow them to get through difficult moments.

This is such a pleasure to read, and I’m happy that Viz decided to all in on a multi-volume fantasy manga series. Seeing how the characters evolve in a series where there’s time for the mangaka to do slow and deliberate character development is extremely rewarding.

Yona of the Dawn Volume 8 by Mizuho Kusanagi

If I had to come up with a brief phrase to describe this volume of Yona of the Dawn, it would be “clever subverted expectations”. Kusanagi explores this theme in a couple ways, first with a brief introductory story focusing on the Yellow Dragon, and then followed by a closer look at King Su-Won.

I was fully expecting another detailed quest storyline as Yona and her companions sit around debating how to search for the Yellow Dragon, but then a mysterious man shows up at their campsite, announcing himself due to his intense stomach gurgling. It is Zeno, the Yellow Dragon, and he is hungry! What follows is one of the comedic interludes that livens up the series as everyone attempts to adjust to the new stranger in their midst and try to figure out what to do next once all the guardian dragons are gathered together. While Zeno initially acts goofy and mysterious, as Yona is trying to figure out what to do next he switches over to serious mode and is incredibly insightful. As one naturally expects from this series Yona’s next direction is not to take back the throne in a grab for power, she wants to help her people who are currently repressed.

The first part of the manga played with the reader’s expectations by subverting the quest narrative that they have come to expect. The second half focuses on king Su-Won and his relationship with his greatest general, Yi Guen-Tae. The general isn’t sure what sort of king Su-Won is, and he’s initially not impressed, as Su-Won appears to be cheerful and ineffectual, without the emphasis on force as a means to an end that Yi Guen-Tae would expect. Reports keep arriving of little problems within the kingdom, and Su-Won appears to be unconcerned. Su-Won ends up proposing an elaborate war game to give the general the action he craves, and Yi Guen-Tae gradually realizes that he’s severely underestimated his king. In this story particularly Kusanagi’s ability to shift between different moods from panel to panel and her facility with facial expressions showcases the real Su-Won as opposed to the mask that usually hides his emotions.

I always put down each volume of Yona of the Dawn feeling a little in awe of Kusanagi’s storytelling abilities. She’s always able to pack so much character development into a single volume, while still giving the reader the feeling that the plot is unfolding in an unhurried, natural way. This is quite tricky to pull off successfully, and one of the reasons why Yona of the Dawn always ends up at the top of my to-read pile as soon as it comes out.

Yona of the Dawn Volume 7 by Mizuho Kusanagi

I knew when I first picked up Yona of the Dawn that the reader would eventually be getting awesome archery moments, but it has been quite a road getting there. Yona has been evolving into an action heroine for the previous six volumes and this is finally where all her practice sessions pay off, as Yona’s team along with benevolent pirates manages to stop some horrible human trafficking.

Yona and Yun manage to break away from the other captives and signal for help, but not before Yona endures some intense and scary moments. But when she finally gets a bow in her hands she assumes an intimidating power, suddenly her captors find themselves frightened by a girl they were dismissing casually just a few minutes before. The first chapter of this volume had some wonderful action moments, like when the Green Dragon swoops in to answer Yona’s summons at just the right moment. But one of the things that sets this manga apart from typical shoujo fare is that Yona ends up with the most heroic moments of the whole battle instead of her male companions. She comes into her own in a dramatic fashion, assuming a power and authority that the reader hasn’t seen before. It isn’t any of her companions who end up taking out Kum-Ji who is terrorizing the seaside town, it is Yona herself. I was struck by Kusanagi’s facility with facial expressions in this volume especially, as Yona shifts from righteous anger to resignation at having to take a human life.

I love the way this series focuses on the emotional connections between the characters as well. Yona has a chance encounter with Su-Won, and Hak is there to deal with the aftermath. Saying goodbye to the Pirate Captain is emotional both for the Green Dragon and Yona, and I have a feeling as the companions embark on their next adventure, they’ll be able to deal with whatever crisis they may encounter due to the strong bonds between them and Yona’s leadership. This is one of my favorite current series, Kusanagi always manages to pack in a ton of story and character development in each volume in a way that never seems forced.

Yona of the Dawn Volume 6 by Mizuho Kusanagi

I’m always happy when a new volume of Yona of the Dawn comes out. The cover of this volume, featuring Yona and Sinha sheltering from the rain under a giant leaf, is particularly adorable. Yona is tested in many ways as she learns more about the Green Dragon and his pirate companions.

Although Yona doesn’t have any superpowers, the force of her forthright personality proves to be an incredible advantage for her. When the Green Dragon Jaeha announces that he won’t join up with her, she reacts calmly, saying that she’ll ask him to join her but would never order or try to compel him to change his mind. Yona is tested even further when Jaeha takes her to meet the pirate queen, Captain Gi-Gan. She tests the companions and refuses to accept Yona, since Yona doesn’t have any special or useful abilities. Gi-Gan tells Yona to gather a rare medicinal herb, which requires some treacherous hiking at the edge of a cliff. Yona is determined to prove herself worthy of taking part in the upcoming battle, and she heads off to face her test, accompanied by Jaeha. Jaeha’s Green Dragon protective instincts kick in even as he tries to fight the bond he has with Yona.

There were a bunch of very cute Yona and Hak moments in this volume. Hak points out that her attitude towards the Green Dragon’s recruitment is totally at odds to her ordering him to accompany her on her journey and she gets incredibly flusters and tells him to shut up because “You’re different.” Hak secretly finds this adorable. Hak’s jealousy kicks into high gear when Jaeha talks about how unique and cute Yona is. His emotions are tested even more when Yona decides to go undercover to subvert the local warlord’s terrible plans for human trafficking with the village girls. Sometimes I’m not a fan of such slowly developing romances, but while Hak has clearly acknowledged his feelings internally, it still seems like Yona hasn’t examined her feelings for him quite as closely. Hopefully there will be more developments here in the next volume or so!

As I was reading this volume of Yona of the Dawn, I realized that it reminded me quite a bit of Basara. There’s the superficial similarity of awesome pirate queen characters popping up in both manga, but the slower pace of the storytelling allowing the author to introduce an expansive cast with plenty of character development along the way is the main reason why I like both series.