Features & Reviews

Manga the Week of 3/12

March 6, 2014 by Sean Gaffney, Michelle Smith, Ash Brown and MJ 5 Comments

SEAN: There’s a lot of new titles here next week, so it’s a great one if you want to start off a series. Even if two of those are spinoffs of an already existing series. And one is a re-release omnibus. Details, details!

I honestly keep forgetting Drifters exists. It’s one of those manga titles Dark Horse puts out once in a blue moon. That said, I believe I’ve enjoyed both volumes that have come out to date, and it’s different enough from Hellsing while still attracting fans of its author. Let’s see if I remember what happened before when I read Vol. 3.

MICHELLE: I had completely and utterly forgotten about Drifters.

ASH: I’ve been looking forward to the next volume of Drifters. It’s a bombastic series and I’ve been getting a kick out of Hirano’s liberal reimaginings of historical figures.

MJ: I was just thinking about picking up Drifters! Good timing, I guess.

SEAN: The BL manga debut of the week is Deadlock from DMP, involving going undercover in a prison to make contact with the one man who can possibly make our hero feel all squishy inside. Or something. In any case, the cover does indeed look sultry.

MJ: Is it wrong that this sounds enticing to me? I think that must be terribly wrong.

SEAN: Kodansha has most of next week’s debuts (and indeed this month’s, as we shall see). First we have Attack on Titan: Before the Fall, a manga adaptation of the novel prequel to everyone’s favorite military vs. monsters series. Different artist, but the titans are still pretty horrible.

ASH: So far it seems to be a fairly decent entry point for readers who gave up on the original Attack on Titan manga because of the art but who are still interested in the franchise. (I’m also looking forward to reading the Before the Fall novels later this year.)

SEAN: If you’re in the mood for something lighter, there’s an omnibus of the first two volumes of Attack on Titan: Junior High, which is exactly what it sounds like, and is actually quite funny.

ASH: It’s true!

MJ: Okay, I might have to check that out.

SEAN: Lastly, our shoujo debut next week is My Little Monster, a Dessert title about a girl trying to blaze through high school with top grades so she can lead an International Life of Success, and the incredibly weird boy who gets in the way of that.

MICHELLE: Hmm… Maybe.

MJ: I’m also maybe on this.

SEAN: In non-debut Kodansha titles, we have Vol. 4 of Sherlock Bones. So far, there is no sign of a dog that looks like Lucy Liu. This saddens me.

MICHELLE: Is there an otter that looks like Benedict Cumberbatch?

MJ: Heh.

SEAN: SubLime has the 2nd Embracing Love omnibus, which has possibly the best BL synopsis I’ve seen in months: the two leads are so exhausted after a 10-day sex bout that it’s affect their work as adult film stars. With a description like that, it cannot possibly fail.

ASH: Embracing Love is actually one of my favorite BL series. I’m happy that SuBLime rescued this one.

SEAN: As for Vol. 2 of Hide and Seek, it looks as if one of the men is breaking the other one’s wrist on this volume’s cover. Sad to see true love end so badly.

ASH: I’m also a fan of Yaya Sakuragi manga, so it looks like this is a good week for me from SuBLime!

07-Ghost is a thing that still comes out. I still can’t really think of much to say. Seems filled with dark intrigue. Vol. 9 ships next week.

MICHELLE: I must shamefully report that I still haven’t progressed beyond the first volume. But I will one of these days!

MJ: I will speak up for Anna here and say, “yay!”

SEAN: There’s a 17th volume of Arata the Legend, which is timely given that Fushigi Yuugi just finished. Can it pick up the audience desperate for more Watase? (Or did it have them already?)

MICHELLE: I do like Arata, but it’s a series I tend to forget about between releases. Then when one shows up, I’m like, “Oh yeah! Arata exists!”

SEAN: Assuming there are still some people who have not yet read Fullmetal Alchemist (and I despair of a universe that allows such people to exist), the 7th 3-in-1 is out from Viz.

ASH: With the omnibuses getting close to the end of the series, they’re a great way to go for people just getting into Fullmetal Alchemist.

MJ: Yes, yes, yes. I’m always going to push this series.

SEAN: Lastly, the big reissue this week is Viz’s first omnibus of Ranma 1/2, the title that basically WAS Viz back in the 1990s. It was the title that, along with Sailor Moon, started the 2nd wave of North American fandom, and many folks – including myself – got into anime and manga due to Ranma. The artwork is apparently miles better than the third-generation xeroxes we used to have, and the translation, while still no doubt filled with Shampoo-isms and Kuno babies, will be touched up a little. Also, unflipped. Find out for yourself what the fuss was all about, newbie fans!

MICHELLE: I must confess that I have never read or seen any Ranma. Well, aside from the briefest glimpse of an anime episode. So I’m definitely looking forward to checking it out!

ASH: I already own the entire series, but the reissue does look tempting!

SEAN: You no buy manga this week? Sean kill! (cough) Sean is no Shampoo, that’s for sure. What are you getting this week?

Phantom Thief Jeanne, Vol 1

March 4, 2014 by Anna N

Phantom Thief Jeanne Volume 1 by Arina Tanemura

Phantom Thief Jeanne is by far my favorite Arina Tanemura series. It is also one of her earlier ones, since it came out in 1998. It might be less polished than her more recent series, but I have always found it amusing because it has a certain magical girl “throw the spaghetti on the wall and see what sticks” approach to plotting that I find amusing. It also has one of the most bonkers ending volumes I’ve experienced in shoujo manga. I already own the full set of this series from the CMX edition that came out in 2005, but this reissue from viz is based on what I assume are the Bunkoban volumes in Japan, so instead of a seven volume set, this edition will be 5 longer length volumes. There’s a new translation, a color page, and a couple extra sketches in the back.

The Jeanne in the title is in real life the ordinary high school student Maron Kusakabe, who is in the rhythmic gymnastics club at her school. At night, she magically transforms into Phantom Thief Jeanne, who fights for the forces of good in the universe by detecting demons hidden inside masterworks of art and exorcising them. The demonic possession will also extend to the owner of the piece of art, leading Maron to have plenty of encounters with oddly acting art collectors. Maron is aided in her holy quest by her helper, the tiny angel Finn. Maron’s phantom thief name is due to the fact that she’s the reincarnation of Joan of Arc, so she is extra skilled at being a art thief warrior for God. As the volume begins, Maron attempts to deflect her friend Miyako’s interest in her secret alter ego and she’s made a bit nervous by Chiaki, the flirty new boy who just moved in next door in her apartment building.

Maron has a frustrating day and heads out for her typical night out phantom thieving. Her best friend Miyako, who’s father is a police detective, is on the scene determined to capture Jeanne. Like any good phantom thief, Jeanne tends to leave warning notes with clues about where she intends to strike. Jeanne has one of the best magical girl introductions, as she proclaims “I am the Phantom Thief Jeanne…sent down before you by God!” It is hard to argue with the power of the Almighty. When she seals the demon inside the painting, she yells “Checkmate!” and a white chess piece appears. The painting changes into a depiction of an angel, and usually the owner of the painting is so happy at the quality of the new work of art and the lack of danger to their immortal soul that they don’t tend to mind Jeanne’s intervention.

Jeanne is bounding along in the night, trailing ribbons when an enemy appears! It is Phantom Thief Sinbad and he announces his intention to challenge her! Maron goes through her regular school activities, fending off Chiaki by day and dealing with Sinbad’s sudden appearance near all the works of art that she’s targeting at night. It is amazing how Sinbad basically looks just like Chiaki but with a headband and a cloth covering the lower half of his face. Sinbad has similar powers as Jeanne, but he can turn captured demons into black chess pieces and has a dark angel helper as a counterpart to Jeanne’s angel Finn. As a shoujo manga heroine, Maron is both exuberant and kind. Chiaki clearly starts developing feelings for her as he spends more time with her. Maron is also desperately lonely, because her parents went away and haven’t been in touch with her. Maron has a great deal of difficulty trusting people, but she starts opening up to Chiaki a little bit. As Jeanne’s missions continue, Sinbad acts as more of a helper than a rival, but he seems very conflicted about it.

The art in Phantom Thief Jeanne is exactly what you would expect from a Tanemura title, but maybe a tiny bit less detailed than her later works. I enjoyed having a chance to read the manga again in a new edition. I thought that the new Shojo Beat translation was a bit more subtle and smooth than the CMX editions. I also preferred the lettering in the Shojo Beat edition. The CMX version tended to use a great deal of variation in font size and font weight to convey emotional aspects of the dialog, and while that can be an interesting approach, when I was reading a few pages from each edition side by side, I thought that the CMX edition was a bit more choppy in terms of reading experience. Since this is a reissue, I almost wish that the edition had been a bit more deluxe, with a few more color pages or some other extras. I did like the new edition very much, I’m not sure I’d recommend that everyone who already has the CMX version rush out and buy it right away but it has been so long since the first edition of Phantom Thief Jeanne came out there’s a whole new group of readers that can experience this title for the first time!

Weekly Shonen Jump Recap: March 3, 2014

March 4, 2014 by Derek Bown Leave a Comment

It’s so easy to be pessimistic about manga. Except for this week, even working to my full ability I couldn’t find any reason to be overly enraged at any of the chapters, so I’m afraid you’d just be wasting your time reading this. Well, except for…

Seraph of the End Ch. 012
This only applies to me most likely, but starting off the week with Seraph of the End is a sure fire way to make sure I put off reading the new chapters until I run out of other things I’d rather be doing. I suppose I could always skip the first chapter, and go on to more interesting series, but that would just mean I never come back to read this one. My habitual bitterness aside, this week was actually pretty decent. Granted, any time Shinoa opened her mouth was excruciating, even when she was sharing plot important information, but especially when she was forcing what passes for humor in this series on us. The action, however, was quite well done, with the opening pages of Yuichiro killing a vampire giving me hope for the rest of the chapter. And the final two page spread gives me hope for the rest of the series. Not much hope, given the general writing style, but I’m curious if Writer Kagami will fully commit to what this could mean to the series, or if the outcome will be a half-hearted at a dramatic cliffhanger easily resolved next chapter.

Stealth Symphony Ch. 002
This is where things started picking up this week. While chapter two, after the introductory chapter last week, was spent wrapping up the rest of the set up it certainly convinced me that we’ve got something good on our hands here. The story is passable, if nothing spectacular, but what really sells me is the art design. Troma’s design, of what we can see, is traditional western, but after so many attempts at artists trying to be more original with their dragon designs it feels comforting to go back to a more standard fantasy design. And what other manga can boast a character who looks like a goblin straight out of World of Warcraft? The first chapter may not have been anything special, and downright predictable in places, but in an age where design aesthetic is moving away from traditional designs it’s almost unique to see someone willing to go back to what has been a standard in fantasy art for decades. I can’t promise for where the story will go after this, but I can certainly recommend this series to anyone based just on the refreshingly familiar approach it takes to fantasy.

Nisekoi Ch. 112
Marika is both the worst and best character in this series. In part she is everything that characters I would normally hate are. But mostly because she is so obvious about how conniving she is I can’t help but love her. Even Raku isn’t fooled, he knows exactly what she is doing, but fortunately for him she is so easily satisfied that even when she tricks Raku into doing her will she can’t go too far because a simple pat on the head is good enough for her. And it is thus that she is so lovable. I have to commend Raku for his smooth move with the ring though, that is a legitimately romantic move that it even leaves the “mastermind” behind the whole scene speechless for a moment.

Add in a perfect fourth wall breaking opening (perfect in that I had indeed forgotten entirely about Migisuke), and an ending that is both the most awkward and ridiculous thing you’ll read this week.

One Piece Ch. 739
Well, Trebol’s overreaction was received about as well as was expected, but sadly it did not knock Sugar out as I had hoped. Sure that would have been an easy resolution to a major plot point, but it would have been worth the joke. We get a minor flashback for Rebecca, it seems that Oda is definitely playing around with shorter, more frequent flashbacks this arc. Which I think would be an excellent change to his storytelling style. While flashbacks tend to be one of the highlights of each arc, they do drag the reader out of the story, making it hard to get into the flashback and then back into the actual story. Several smaller flashbacks would definitely smooth the flow of each arc over much better, giving us the same information but spreading it out. It works much better on a narrative level because the big reveals in each flashback would then be able to correspond to the big reveals during the current timeline.

It’s a shame though that Rebecca’s effectiveness as a fighter seems to have come to an end. Of course it makes sense that she couldn’t stand up to one of the high ranking villains, but nonetheless it’s a disappointment to see her pushed to the side, when Oda was once one of the few manga artists that actually let his female characters have fights as important as those of the men in the story.

And of course we have a big reveal at the end, which was somewhat obvious, but the question is whether it is meant to be obvious or whether Oda legitimately thought no one would figure it out. Given his decade plus track record I’m going to give him the benefit of the doubt, but I will say that the twists this arc have been very easy to call. Or at least those that had any kind of buildup earlier in the arc. The one involving “Lucy” was impossible to call seeing how we had nothing to suggest that’s where Oda was heading.

All You Need Is Kill Ch. 007
Now we get some real action, we’ve finally gotten past the buildup, though more will surely follow, and now it’s time to enjoy our newly baked badass action hero. I had been a bit confused as to why Keiji turned Rachel down last chapter, but this time around it makes sense as he’s not interested in one-night stands, which is all he could have since she would not remember anything when he looped again. Which officially makes him a better person than Bill Murray in Groundhog Day. And of course the twist at the end of this chapter suggests that maybe Keiji’s lonely journey won’t be quite so lonely anymore. And again, this twist was somewhat easy to call, but nonetheless opens the story up for some interesting direction.

Toriko Ch. 268
Even the worst tasting food will be a feast to anyone that is hungry enough, and the denizens of Toriko’s world have hungered for real food long enough that even the apparently foul tasting Billion Bird becomes the greatest food. Though it seems that maybe the bird doesn’t actually taste that bad, and its entire body can be used to make meals that are more than just the meat. And while this is clearly a message heavy chapter, I for one can definitely appreciate the message that sometimes all someone needs is a bit of praise.

It’s nice to see that Shimabukuro isn’t planning to ignore the fact that Rin proposed to Toriko and he accepted. I thought that would have been ignored for a while, so it’s a nice change of pace that it isn’t being ignored. Though I’ll never understand why anyone would eat raw or barely cooked egg; nor do I understand why I suddenly hunger for a soft boiled egg.

Bleach Ch. 570
Rukia’s bankai certainly looks spiffy, it’s a shame we have absolutely no idea what it actually does. And while I do get somewhat annoyed when the series focuses on the Soul Reapers too much, at least my annoyance is somewhat lessened when it focuses on the more ignored Soul Reapers like Isane and Yachiru. I think this might be the first time that Isane actually gets any kind of major focus. If she’s to have a fight I’m certainly looking forward to seeing what she can do. Though I get the idea that perhaps this is meant to be Yachiru’s time to shine?

World Trigger Ch. 050
Osamu’s fight is perfectly executed. The parallels between him and Yuma make the pay off of his victory all the sweeter. What else can I say? The flashback was a bit time consuming, but not in a distracting way, and the cliffhanger has me tearing my hair out in frustration. I can’t believe that this manga, that I actually used to pretty much hate, can actually be good enough to make me hate it for the cliffhangers now. We’ve definitely come a long way, and I’m pleased that the awkward teenage years of this series have been put behind us.

There’s no such thing as a perfect week for manga. But this one got pretty close. Definitely a great way to start the week off right.

If you want to hear more, check out the Manga^3 Podcast Archives.

Blood Lad, Vol. 4

March 4, 2014 by Sean Gaffney

By Yuuki Kodama. Released in Japan by Kadokawa Shoten, serialization ongoing in the magazine Young Ace. Released in North America by Yen Press.

In the new Blood Lad omnibus, a lot of big things happen. We finally see what’s going on with Braz and what he’s planning; Wolf meets up with his human mother (an ex-Yanki, to boot!) and is told he may have to be the hero that saves the demon world; Staz is captured by the authorities and later reunited with Braz, who gives himself up; and a major confrontation seems to be what Vol. 5 will be all about. Despite all this, it’s the small character moments of Blood Lad that are the best, the funniest, the most heartwarming, and keep me coming back for more.

Let’s take a look at Fuyumi. If nothing else, she continues to be the most problematic character in the series. Staz is trying to get her to be more of her own person, but this seems to have devolved into a basic shonen “I will protect you” stance that isn’t really helping. (Also, putting a rope around her and dragging her around is probably his low point. Naturally, Fuyumi points out how humiliating it is but doesn’t really object.) She does get a nice moment later on, where the cowboy outfit and accessories Staz bought her prove useful to getting her out of a perilous situation. But probably the most striking scene is seeing her addiction to Staz’s blood, and how this is shown to be VERY BAD for her and yet at the same time the most erotic scene in the entire volume. I suspect I’m reading too much into her each time, but what else am I supposed to do? Ogle the boobies? Let’s keep overanalyzing.

We meet up with a superhero team in this volume as well, who are shown on the cover. As with most superhero teams, they’re a collection of eccentric weirdos with bizarre powers that seem to bond together as a unit when the chips are down. And, as with Wolf and a number of other people, they’re pitted against Staz, who remains the “bad guy” even as he’s the hero. Can you be a good guy when the entire world views you differently? Later on, when Staz and Fuyumi are captured by the police, we see something similar. Staz is a vampire overlord with massive amounts of untapped power (so much it can apparently be used to resurrect the dead), and now is the best time to stop him, before he discovers that potential.

And then there’s the climax of the volume, which I will walk around and try not to spoil. It should be a very emotional, heartwarming moment, but it seems filled with a sort of impermanence, a sense that this isn’t going to last long. Braz seems to get this too – his open affection for Liz reads very much as a “I’m about to die and will never see you again” gesture (poor Liz, by the way – there’s some great in-text analysis of her character and how she’s starved for affection from her brother). In the end, I have a suspicion that the confrontation that is the cliffhanger to this volume will be dealt with swiftly and anticlimactically before long when we get to Volume 5.

Overall, this remains a great read. You breeze right through it, it’s filled with good humor, some creepy horror, and occasional character development. Plus the obligatory fanservice. It’s everything you could want in a shonen manga (well, except it’s seinen, running in Young Ace… shh, don’t talk to me about demographics).

My Week in Manga: February 24-March 2, 2014

March 3, 2014 by Ash Brown

My News and Reviews

Last week ended up being surprisingly busy here at Experiments in Manga. The most recent manga giveaway was posted, and there’s still some time left to enter for a chance to win a copy of the new edition of Shohei Manabe’s Smuggler. All you have to do is tell about your favorite assassin in manga. Last week I also posted my review of Hinoki Kino’s manga No. 6, Volume 5. I already knew going into the series that I liked the characters and story, having seen the No. 6 anime, but each volume of the manga is progressively stronger than the last. Over the weekend, I posted February’s Bookshelf Overload for those of you who are interested in that sort of thing. Also over the weekend, I reviewed Real, Volume 1 by Takehiko Inoue. I honestly believe Real to be one of the best manga currently being released in English. The review is part of what I’m calling “Manga March Madness.” Each weekend in March I will be posting a review for another volume of Real. At least that’s the plan. We’ll see if I can pull it off or not.

On to other interesting thing online! The Guys with Pencils podcast posted the second part of their interview with TCAF-founder Chris Butcher. Organization Anti-Social Geniuses has some Advice on Manga Lettering, From Manga Letterers. Khursten Santos wrote about The Silence on Josei Manga on Otaku Champloo, and had some feedback and followup to the post show up on Tumblr. Finally, the Comics Book Legal Defense Fund has an interesting article about the impact government regulations can have on creative freedom–History Repeats Itself: How Korean Manwha Met the Same Fate as American Comics

Quick Takes

Attack on Titan: Before the Fall, Volume 1 written by Ryo Suzukaze and illustrated by Satoshi Shiki. Set some seventy years before the main events of Hajime Isayama’s original Attack on Titan manga, Before the Fall is based on a series of light novels by Ryo Suzukaze (which Vertical will begin releasing later this year). Despite having a different author than the original manga, Before the Fall fits right in with Isayama’s worldbuilding and the tone set by Attack on Titan–there is still plenty of fear and darkness. The most striking difference, which didn’t come at all as a surprise, is that the artwork in Before the Fall is much stronger overall. The story follows Kuklo, a young man who, due to the unusual circumstances of his birth, is feared, abused, and reviled by those around him. It’s not pretty. People who have read the original Attack on Titan will have a slightly better understanding of the world than those who haven’t, but so far Before the Fall seems to stand quite well on its own. Before the Fall has a lot of potential; I look forward to seeing how it develops.

I Give to You by Ebishi Maki. As far as I can tell, I Give to You is Maki’s first and currently only boys’ love manga. It’s not a typical boys’ love story, either. The focus is very much on the characters themselves and their personal struggles and less on romance. The manga addresses what it means to be normal and lead a normal life, which isn’t an option for either of the leads. Ryoichi is being pursued by debt collectors after his ex-boyfriend defaults on a loan they co-signed together. He takes shelter from a storm in a teahouse run by Ren, another young man with a past he’d like to put behind him. The two are very different–despite his financial worries, Ryoichi tends to be fairly warm and happy-go-lucky while Ren is cooler and much more reserved. In the beginning, it’s Ryoichi who needs help and acceptance from Ren, but by the end of I Give to You their roles have almost completely reversed. The evolution of their relationship happens so slowly and naturally over the course of the manga that I was quite impressed with how it was handled. I would definitely be interested in reading more of Maki’s manga.

Knights of Sidonia, Volumes 6-7 by Tsutomu Nihei. For most of Knights of Sidonia, it has been the Gauna who have been adapting and evolving by adopting human strategies, techniques, and even form. In these volumes, it’s the humans who have begun to apply the abilities and characteristics of the Gauna to their own technologies, creating terrifying and powerful human-Guana hybrids in the process. Understandably, not everyone is comfortable with these developments, but humanity is running out of options if it wants to survive. Knights of Sidonia has this odd mix of comedy and creepiness that somehow works. Although by this point in the series he has largely been accepted by the rest of the population of Sidonia and even has a few romantic interests, Nagate continues to be incredibly awkward socially. Because of this he still has a tendency to unintentionally create quite a commotion, often with humorous results. At the same time, Knights of Sidonia is also a horror manga. The Gauna, and now the hybrids as well, have very disconcerting designs that can be both grotesque and beautiful.

Ral Ω Grad, Volumes 1-4 written by Tsuneo Takano and illustrated by Takeshi Obata. The primary reason I decided to read Ral Ω Grad was because I’m a fan of Obata’s artwork. Ral Ω Grad is a loose adaptation of the 2006 video game Blue Dragon. The manga definitely has a fantasy RPG feel to it–a young hero with special abilities fights against the destruction of the world by gathering together a party of other gifted individuals around him–but familiarity with Blue Dragon isn’t at all necessary to understand what’s going on. Generally, Ral Ω Grad manages to be vaguely entertaining even though it’s breaking no new ground. I found that I enjoyed the series more when I approached it as a parody rather taking it too seriously. (I’m pretty sure it wasn’t intended to be a parody, though…) Ral’s motivation for saving the world? Because he loves women. And boobs. Consequently, there’s fanservice and groping aplenty, but Ral spends quite a bit of his time running around mostly naked, too. In the end, the series’ highlight really is Obata’s artwork, which is consistently excellent. The story, sadly, is less engaging.

Bookshelf Briefs 3/3/14

March 3, 2014 by Sean Gaffney, Michelle Smith and Anna N 2 Comments

This week, Michelle, Sean, and Anna look at recent releases from Yen Press, Kodansha Comics, Seven Seas, Viz Media, & Vertical, Inc.

Blood Lad, Vol. 4 | By Yuuki Kodama | Yen Press – It’s been nearly a year since we had a new volume of Blood Lad, and I’d forgotten just how well it suits my sense of humor. Right from the start, it had me giggling, and even rereading the few lines of dialogue I jotted down had the same effect. Kodama could also give lessons on how to effectively introduce antagonists, as Team Fearless, a group of vampire hunters targeting Staz, is immediately funny, memorable, and interesting. They’ve all got some unique powers, but my favorite is the cat-like leader, Shamkid, who basically grooms his enemy and swallows their hair to gain the ability to predict their movements. After the battle, he horks it back up. Hee! On top of this, we learn what Braz’s endgame has been, which has the potential to affect the entire demon world. Happily, we’ve only to wait until July this time for the next installment! – Michelle Smith

Cage of Eden, Vol. 13 | By Yoshinobu Yamada | Kodansha Comics – Cage of Eden has moved from every 2 months to every 4, never a good sign for a North American release. Nevertheless, it’s ended at 21 volumes in Japan, so should finish up over here. This volumes features a lot fewer attacks by prehistoric animals – zero, in fact. What we get instead is some plot development. Yarai and his group find their building is not what it seems, and also that his teacher is slowly dying. On Akira’s side, we see the introduction of two men from another camp elsewhere on the island, which is led by a doctor who may be Akira’s evil counterpart. And yes, there’s nude bathing, because this is Cage of Eden – monsters may be optional, but breasts are not. It’s still a good, fluffy read, but it’s starting not to justify the investment put into it. And as ever, no real romance. – Sean Gaffney

Fairy Tail, Vol. 34 | By Hiro Mashima | Kodansha Comics – Well, if nothing else, I think we know who our next Big Bad is going to be. From the first chapter to the last, Minerva has shown herself to be a rather loathsome, yet insanely powerful figure. Naturally, Lucy ends up getting the brunt of the suffering here – Erza and Cana earlier showed off the massive power that Fairy Tail possesses, but Lucy’s job seems to be punching bag a lot of the time. Meanwhile, Laxus gets a battle of the mind with his father, and Wendy gets a cute adorable shonen battle which ends with true friendship, just as you’d expect. There’s nothing really wrong with this volume, but as with most tournament arcs, things are getting rather predictable. I’d really like some sort of hideous disaster to come along and shake things up a bit. Perhaps Mashima can oblige me. – Sean Gaffney

Fushigi Yûgi: Genbu Kaiden, Vol. 12| By Yuu Watase | Viz Media – I admit it: I read the ending first. I feared some sort of sappy retcon of what had been established about the Genbu priestess in the original Fushigi Yûgi series, but I needn’t have worried. The ending is a satisfying one, but like volume eleven before it, volume twelve feels pretty rushed. I wish there was more time to dwell on the various sacrifices made to bring peace to an icy and wartorn land. One of the best things, though, is this comment from Watase’s comments at the end of the volume: “I hope you’ll be patient in waiting for the Byakko arc!! Sure, I want to work on it!! Now that I’ve come this far, I can’t die before I finish every arc.” It feels a little wrong to say “woohoo” after the events of this volume, but I admit the temptation is strong. – Michelle Smith

Knight of Sidonia, Vol. 7 | By Tsutomu Nihei | Vertical, Inc. – I’m enjoying Knights of Sidonia a great deal, but it’s sometimes hard to express why in a review, even a brief one. There’s less wacky harem antics here, though it is notable that Tsumugi, the newborn hybrid Gauna, seems to have a massive crush on Tanizake like all the other female (or even ambiguously gendered characters) do. There’s lots of epic space battles for those who like them, with both Tsumugi and Tanizake getting to show off their awesome battle prowess. There isn’t quite as much creepy body horror here as in previous volumes, but it’s there. Mostly, though, this is a series that’s hard to really describe to someone when they ask why it’s good. You just have to give it a try, and see for yourself. Because it’s addictive, and once you start reading you won’t be able to stop. – Sean Gaffney

Midnight Secretary, Vol 4 | By Tomu Ohmi | Viz Media – As this volume opens secretary Kaya is torn…between two bosses! She continues to work on her temporary assignment to the Erde company while juggling secretarial and blood donation duties to her vampire boss Kyohei Tohma at night. Kyohei is disconcerted by his feelings of jealousy whenever he sees another man near Kaya while Kaya continues to maintain that providing the president with her blood is just a routine part of her job. Kaya knows that she’s in love with Kyohei, but is determined to just live her life with unrequited feelings because she’s so devoted to her secretarial job. The sudden presence of a new female vampire also throws off the equilibrium in Kaya and Kyohei’s relationship. This volume won’t disappoint fans of the series! Midnight Secretary is so delightfully trashy and gothic, I always enjoy each new volume. – Anna N

Strike Witches: Maidens in the Sky, Vol. 1 | By Humikane Shimada, Project Kagonish, and Yuuki Tanaka | Seven Seas – This turned out to be a lot more harmless than I was expecting – possibly deliberately, I understand there was a manga version in Japan before this that was cancelled for content reasons. Aside from a wacky panty-snatching dog familiar, and panty-rocketed teenage girls, this is your standard girls in school learning how to use their awesome powers manga. The girls in question are soldiers, brought in to battle aliens who have devastated the Earth. The teen soldiers include our heroine, the naive Yoshika, who may have more power than any of the others. If you can get past the basic premise, and don’t mind fanservice, this is a pretty good action comedy runaround. It wraps up next volume, I think, but there’s more spinoffs on the way. – Sean Gaffney

Real, Vol. 1

March 2, 2014 by Ash Brown

Creator: Takehiko Inoue
U.S. publisher: Viz Media
ISBN: 9781421519890
Released: July 2008
Original release: 2001
Awards: Japan Media Arts Award

When I first began reading Takehiko Inoue’s manga series Real it was simply because it was the only work of his that my local library had at the time. I was already familiar with and loved Inoue’s fantastic artwork but I hadn’t actually yet read any of his manga. The series that I really wanted to read was Vagabond, but it happened to be Real that was more readily available. Little did I know that Real would not only end up being my favorite series by Inoue, it would become one of my favorite manga period. I honestly believe that Real is one of the best comics currently being released in English. The first volume of Real was published in Japan in 2001, the same year that Inoue won a Japan Media Arts Award for the series. Viz Media released the English-language edition of Real, Volume 1 in 2008 under its Signature imprint.

Ever since he quit the Nishi High School basketball team, nothing seems to be going right for Tomomi Nomiya. His life is changed forever when he is involved in a motorcycle accident. Nomiya comes through it relatively unharmed, at least physically, but Natsumi Yamashita, the young woman who was riding with him, is no longer able to walk. While visiting her at the hospital Nomiya meets Kiyoharu Togawa, another young man who, like him, has a passion for basketball. He’s incredibly talented, but with only one leg it’s wheelchair basketball that has become his outlet. Thus begins a somewhat antagonistic friendship between Togawa and Nomiya. And then there is Hisanobu Takahashi, one of Nomiya’s former classmates and the current captain of Nishi High’s basketball team. He may have the skills on the court, but he has an extremely arrogant attitude and delights in making Nomiya and his friends miserable. But soon he’ll have some serious challenges to face in his own life as well.

In general, Inoue’s artwork in tends to be very realistic, with a particular focus on characters and their designs. This is certainly true for Real, and his style suits a story that emphasizes real-life issues as the source of its drama incredibly well. The characters’ personalities and attitudes can easily be determined by their actions and how they are drawn. When Nomiya is first introduced, he seems to be nothing more than a delinquent. And to some extent he is a delinquent, frequently getting into fights and finding ways to scam rich kids out of their money. But he is also exceptionally kindhearted and accepting of others. Nomiya’s facial expressions and body language range from pure anger to utter delight. Togawa, on the other hand, more often than not has a smirk or sneer on his face and barely manages to suppress his extreme irritation. He has absolutely no patience for people who can’t take themselves or what they are doing seriously and it shows. At times Nomiya and Togawa’s respective intensity can be both frightening and exhilarating.

At its heart Real is very much a manga about its characters and how they deal with the challenges and setbacks in their lives. Basketball is simply a part of that because the game is important to the characters as individuals. The first volume of Real does an excellent job of introducing the main players of the series–Nomiya, Togawa, and Takahashi. In one way or another, each one of them is searching for some direction in their lives. It is their passion for basketball that provides some of that needed purpose. Nomiya struggles a great deal with the guilt he feels over the incident that cost Natsumi the use of her legs; his love of basketball is the only thing that really remains from before the accident. Togawa holds onto a tremendous amount of anger that playing basketball helps to keep under control. As for Takahashi, his talent for basketball was one of the few things that secured his popularity. But even considering the important role that basketball plays in Real, it is not at all necessary to be a fan of the game to be able to appreciate the manga.

Gangsta, Vol. 1

March 2, 2014 by Sean Gaffney

By Kohske. Released in Japan by Shinchosha, serialization ongoing in the magazine Comic @ Bunch. Released in North America by Viz Media.

One of the things that most manga fans who follow publishing closely have found is that manga readers tend to be loyal to genres rather than authors. Sure, Natsuki Takaya may have written Fruits Basket, one of the best-selling shoujo manga of the last ten years, but other similar titles have proven less stellar, and there’s no rush on anyone’s side to license Hoshi wa Utau or Liselotte to Majo no Mori, her post-Furuba work. On the other hand, when you see a title with vampires that sells, manga publishers go and find other vampire titles. (Oddly, this doesn’t work with other non-Naruto ninja titles, which tend to bomb. I wonder why.) In any case, Dogs and Black Lagoon have done quite well for Viz, but both have ‘caught up’ to Japan. Dogs is now a yearly title, and Black Lagoon is at the mercy of its author’s ‘whenever’ schedule. Clearly another similar title is needed. And so we have Gangsta.

Gangsta apparently takes place in “Ergastulum”, which judging by the decor seems to be somewhere in Southern Europe – my guess is “fantasy-world Italy”. Our heroes are mercenaries for hire, who do bad things but have good hearts deep down. Which does not stop them, however, from doing bad things. Each has a tragic past – Worick seems to have been from a rich family at one point, till he was kidnapped and lost one eye. Nick, meanwhile, has it worse – he’s a Twilight, which gives him superior strength and agility, but at the cost of lifespan and getting close to anyone – he’s a pariah. Oh, and he’s also deaf, which doesn’t seem to have anything to do with his Twilightness. The manga starts when they’re hired to wipe out a gang in town, and end up sparing one of the prostitutes in it – Alex, who becomes their new secretary. She’s the naive newcomer in this manga, needing Worick to explain things to her. Indeed, her lack of knowledge about ANYTHING in the town is suspicious in itself.

Gangsta has a very solid first volume. Its art is decent, its plot is better than its art, its characters are better than its plot, and its aesthetic is best of all. The series tends to hit all the right beats. As I noted before, its weakness may be Alex’s need to have the plot exposited to her, which can come across as blunt exposition at times, but it’s so odd I’m prepared to reserve judgment till I see more volumes. Of the two mercenaries, I’m possibly more sympathetic to Nick, but that could just be because he doesn’t speak much – while Worick’s constant chatter always seems to hide darker undertones, as we see towards the end when he brutalizes another prostitute with his harsh words. I also liked Nina, the teenage nurse at a local clinic, who shows that this isn’t just an ‘everything is awful’ world, but is allowed to have happy, innocent kids – even if they are under constant danger of being threatened and kidnapped.

This seems to be the first major work of its author, Kohske, who is female, by the way. I always like to note female creators, especially on titles like this and Dorohedoro where it may not be immediately obvious. In any case, Gangsta is definitely an M-rated title, but if you enjoy titles of this ilk, it’s definitely worth a try, and I will happily get the second volume.

No. 6, Vol. 5

February 28, 2014 by Ash Brown

Creator: Hinoki Kino
Original story: Atsuko Asano
U.S. publisher: Kodansha
ISBN: 9781612623597
Released: February 2014
Original release: 2012

As much as I would like to read them, it is highly unlikely that Atsuko Asano’s series of science fiction novels No. 6 will ever be licensed in English. Happily, two adaptations are available: the 2011 anime series directed by Kenji Nagasaki (which was my introduction to the story) and the manga series by Hinoki Kino. Despite the anime’s bungled ending, I actually quite enjoyed the series, so I was glad to have a chance to experience another interpretation of the original story. The fifth volume in Kino’s manga adaptation was initially published in Japan in 2012. Kodansha Comics’ English-language edition of No. 6, Volume 5, published in 2014, also collects bonus stories not included in the regular Japanese edition. Though it had its high points, overall I found the first volume of the No. 6 manga to be a bit weak. However, each volume has gotten progressively stronger as Kino has had time to more fully develop the series’ characters and world.

With the increase in the number of refugees and the rise in violent crime, the population of West Block has been deemed too large and dangerous. It’s all the excuse the holy city of No. 6 needs to mount a massive cleanup operation, known to the residents of West Block as the Manhunt, in which parts of the area outside the city walls are completely destroyed and the population conveniently “removed.” The Manhunt is a way for No. 6 to keep control and prevent riots, but this time the operation serves another purpose–to gather enough undesirables to serve as human guinea pigs for a top-secret experiment being conducted and authorized by the city’s upper echelons. The Manhunt will also provide Shion and Rat with the opportunity that they need to infiltrate the Correctional Facility in order to search for and hopefully rescue Shion’s close friend Safu. Rat is one of the few people to have made it out of the Correctional Facility alive and doesn’t particular want to go back, but he isn’t about to allow Shion to attempt it on his own.

This is the volume of No. 6 in which Shion is brought dangerously close to his breaking point, and it is heart-wrenching to witness it happen. Living in West Block has been slowly changing him; it’s an environment that is drastically different from the seemingly perfect city of No. 6 where he spent almost his entire life. But the violence and suffering that Shion has been exposed to in West Block is nothing compared to the extent of the very deliberate cruelty of the Manhunt. Any faith that he still had in No. 6 is shattered when confronted with this horrifying atrocity, absolute proof that the city is not at all what it claims to be. Shion by nature has a very positive and optimistic outlook on life, but he has begun to lose that. Both he and Rat regret that change and even fear how much Shion might continue to change, especially in light of the most recent turn of events. Shion will never be able to return to the person who he once was no matter how much either of them would want it.

The characters and their growth continue to be some of the strongest elements of Kino’s No. 6 manga. This is especially true of Shion, as can particularly be seen in this volume, but Rat has also been changing in significant ways. The supporting cast, too, has almost all seen at least some minor development. The only major exception to this is the research scientist in charge of No. 6’s experiment. In fact, even though the series is more than halfway over, he doesn’t even have a name yet and is only referred to as “the man in white” in the character profiles. Since he seems to be one of the series’ main antagonists, this is a little disappointing. It’s also rather unsatisfying that the experiment, its purpose, and the motives behind it haven’t yet been made clear to the readers. This persistent vagueness and lack of clarity, instead of being mysterious or creating ominous tension, is mostly just frustrating this far along in the series. Even so, Rat and Shion’s excellent development in the manga largely makes up for this. In the end, I’m still really enjoying No. 6.

Manga the Week of 3/5

February 27, 2014 by Sean Gaffney, Michelle Smith, Ash Brown, Anna N and MJ 3 Comments

SEAN: Sooooo much stuff. Let’s break it down. Oh, and apologies for last week, the date of Wallflower 32 got shoved back to May after I’d written the post. This is the danger of last minute date-changes. I will discuss it in May, and no doubt Michelle will have the same “it’s still going?” reaction.

MICHELLE: That is probably true.

SEAN: As for this week, let’s start with a Fantagraphics title from Inio Asano, Nijigahara Holograph. This single-volume release is dark, tragic, and creepy, and should immensely please Asano fans. Hey, if it sells well, maybe Viz will take a flyer on Oyasumi Punpun.

ASH: This is one of my most anticipated releases for 2014! I’ve been looking forward to getting my hands on a copy ever since it was announced.

ANNA: I am very excited about this! I enjoy Asano’s works very much, and Fantagraphics editions are always a treat.

MJ: This is definitely a draw for me. Everything about this sounds compelling.

SEAN: Did you enjoy Jiro Tanaguchi’s The Walking Man but wish it took place 300 years earlier? Than you’ll love the same author’s Furari, out from Ponent Mon.

MICHELLE: Ooooh! I really like Jiro Taniguchi!

ASH: It’s always nice to see more Taniguchi.

MJ: Agreed!

SEAN: You cannot stop the Alice in the Country of Hearts spinoffs! They are endless! Here’s March Hare, a 2nd series focusing on Alice pairing up with Eliot.

ANNA: I can take or leave new spinoffs, but sometimes they are fun.

SEAN: Seven Seas also has the 6th volume of Haganai: I Don’t Have Many Friends, featuring the tight group of not-friends getting involved in further not-friendship events.

I’ve enjoyed The Sacred Blacksmith far more than I was really expecting, and hope Vol. 4 keeps me happy despite my general distrust of manga fantasy-oriented stories.

Senran Kagura ended up being pretty much exactly what I was expecting, but the 2nd volume should give us more of that as well.

Vertical’s From the New World gives us a 3rd volume as well, speaking of popular titles I try to say as little as possible about.

ASH: I haven’t read beyond the first volume yet, but I have been told the fanservice was toned down considerably in the second.

SEAN: There’s no blood on the cover of Black Bird 18, and the protagonists are smiling, so we must have reached the final volume! Black Bird sold a pile, so let’s give a round of applause to this title I never warmed to but others most certainly did.

MICHELLE: I hear Strong Bad’s voice in my head, going “It’s over!”

ANNA: I’m sure that this was a financially remunerative title for Viz, so that’s nice even though I really never connected with this series.

MJ: Oh, Black Bird… I really won’t miss you.

SEAN: Blue Exorcist is always a treat, and I’m sure Vol. 11 will live up to the anticipation and not advance any of the potential romances I read it for.

MJ: Hee!

I fell behind with D.Gray-Man’s omnibuses, so should see if I can pound through them now that the 3rd one is coming out.

I can’t even remember if this Dragon Ball 3-in-1 is the original series, Z, or the color edition. Or the VizBIG edition. But hey, it’s Dragon Ball, surely someone hasn’t read it yet. Somewhere. Perhaps in outer Mongolia.

Oh hey, look, a new volume of Fushigi Yu– (Sean is trampled by the rest of the Manga Bookshelf team rushing forward to squee.)

MICHELLE: Hmm, did I just step on something squishy?

ANNA: If trampling is the best way to express my love for this series, I will be right back as I need to put on my trampling boots!

MJ: SO MUCH LOVE. Sorry about the trampling.

SEAN: Ow. Moving on to Midnight Secretary? (cheers but no violence) Excellent. Vol. 4 is approximately halfway through this series, and I expect things will take a darker turn round about now.

ANNA: I do enjoy Midnight Secretary quite a bit!

MJ: As do I!

SEAN: Nisekoi continues to try to catch up to its digital releases with the 2nd print volume. Do you like Jump harem comedies? Sure we all do! Well, a good 40% of us, perhaps…

MICHELLE: Now I’m hearing the voice of Sally Struthers!

SEAN: One Piece hits another milestone with its 70th volume. Donflamingo steps up to what seems to be the next ‘big villain’ role here, and it promises to be a lot of fun.

MICHELLE: Somehow I’ve gotten a couple volumes behind on One Piece. Clearly I need to rectify that!

SEAN: Comedy volume of the week has to go to Oresama Teacher 16, which is filled with idiots being idiotic. Each volume takes it to a new level.

ANNA: This manga never fails to make me laugh.

SEAN: License Rescue of the week absolutely goes to Phantom Thief Jeanne, the one remaining Tanemura title that was out of print after CMX went under. Kudos to Viz for picking it up!

MICHELLE: Despite owning the full CMX run (and watching VHS fansubs of the anime long ago), I have not actually read this series. Perhaps the VIZ edition will compel me.

ANNA: This is my favorite Tanemura series, because it is absolutely bonkers. And Jeanne makes failed attempts to turn rhythmic gymnastics equipment into deadly weapons, which is always good for a laugh.

MJ: I’m definitely looking forward to having a chance at this!

SEAN: We’ve hit the 2nd to last volume of Psyren, which is good, as it feels like it’s just about time to start wrapping things up. Given it’s a Jump series, I’m not sure how sudden the ending will be, but…

MICHELLE: Some day I’ve gotta catch up on this.

SEAN: What’s Rin-Ne 14 doing among all these Shueisha titles? Take your Shogakukan-ness to the 2nd week of the month where it belongs! Wait, likely it’s here so that it doesn’t get in the way of that week’s OTHER Takahashi release…

MICHELLE: I’m torn. Do I like RIN-NE enough to cheer for it?

SEAN: Skip Beat! 3-in-1 hits Vol. 7, which I think means it’s still dealing with Black Moon rather than Box R.

Strobe Edge 9 is also a penultimate volume. How much worse can things get than they already are? Well, it *is* a romantic comedy…

MICHELLE: No question about these two. *Cheer!*

ANNA: I’m impatient for Strobe Edge to wrap up, but I do enjoy it!

MJ: Seconded!

SEAN: Lastly, Tegami Bachi has also reached 16 volumes, and as ever I have next to nothing to say about it.

That’s a lot of manga. What will you get this week, and what will you put off?

Attack on Titan: Before the Fall, Vol. 1

February 27, 2014 by Sean Gaffney

By Ryo Suzukaze and Satoshi Shiki. Released in Japan by Kodansha, serialization ongoing in the magazine Shonen Sirius. Released in North America by Kodansha Comics.

(This review is based off an advance copy provided by the publisher.)

If Attack on Titan: Junior High as the inevitable lighter, fluffier gag manga spinoff of the main Titan series, then this one is even more inevitable. A prequel set far back enough so that it features no one we know, yet providing some much needed context and perhaps even a few explanations that might carry over into the new series, while still remaining its own title. That said, it remains to be seen how successful it will be, as this is very much Vol. 1 of a longer work, and we’ve just barely gotten started before things are all over.

Just like its spinoff partner, Isayama did not write or draw this. The author seems to be known for writing tie-in novels (and indeed, this manga is based on a spinoff novel that Vertical will be releasing later in the year). The artist is likely more familiar to old-school manga fans. Satoshi Shiki did a Daphne in the Brilliant Blue manga that Tokyopop released, as well as Kami-Kaze and the really old Viz title Riot, which came out back in the ‘flipped, 32-page comics’ days. The art here is pretty and serviceable, with its leads being attractive and likeable. This puts it miles ahead of Isayama, who has gotten better as he’s gone along, but whose art is still his weakest point. Of course, just because the leads are pretty doesn’t mean bad things don’t happen – some of the grotesque shots of people getting eaten by Titans (and the aftermath) are just as bad as the original.

The basic premise is that, about 70 years before the AoT series proper, a child is found in the puked-up remains of people who had been eaten by Titans, one of whom was a pregnant woman. The baby in her womb miraculously survived, right in the center of the undigested pile. Found by the Survey Corps, he is immediately described as “the child of a Titan”. And promptly locked away for the next 13 years, feeding on bugs and tiny scraps and living a horrible prisoner’s life. It should be noted that Kuklo is not large or monstrous or anything – Child Of A Titan is a metaphor that has carelessly been allowed to become real.

Most of this volume is setup, showing us what life is like inside Wall Sheena, the innermost wall that the cast of the main series haven’t really had to deal with. The answer is that it’s filled with rich smug jerks, including a spoiled brat son who will grow up to lead the military one day, and takes delight in beating the shit out of his prisoner who doesn’t even know enough to fight back. The only other likeable person in the entire series is Sharle, the smug jerk’s younger sister, whose seems to be the innocent, human face of this series and who will no doubt die horribly at some point down the line.

Most of this first volume is setup, showing us the world Kuklo and Sharle live in, and setting up their journey to escape and find answers. It runs based on its mood, which is dark and grimy (the one place that Isayama’s art might have helped… at times this world feels a bit too clean compared to his own.) Certainly a title worth getting for Titan fans, and we’ll see how many volumes it can make it through before inevitable tragedy has to happen.

Manga Giveaway: Smuggler Giveaway

February 26, 2014 by Ash Brown

For being the shortest month of the year, February seems to be lasting a long time for me. But the end is almost here, which means it’s time for another manga giveaway! This month you all (well, mostly all) will have the opportunity to win a copy of Smuggler by Shohei Manabe. Originally released in English by Tokyopop, Smuggler is now available in a new edition from One Peace Books. Because this manga is aimed at more mature audiences, entries are restricted to those of you who are eighteen years of age or older. Otherwise, as always, the giveaway is open worldwide!

Assassins, they’re everywhere you look. Well, maybe not everywhere, especially as many of them generally stay out of sight as part of their job. However, it’s not uncommon to come across an assassin or two in a manga. It tends to be a fairly manly profession, with the likes of Golgo 13 and Yo Hinamura (Crying Freeman), but there are some pretty kick-ass women working as assassins, too, such as the titular Lady Snowblood and quite a few of the women in Black Lagoon. Why am I talking about assassins? Because the dark and violent Smuggler just so happens to feature more than one extraordinarily vicious killer-for-hire, though the manga’s focus is on one of the guys who has to clean up after them (he just doesn’t realize it at first).

So, you may be wondering, how can you win a copy of the Smuggler?

1) In the comments below, tell me a little about your favorite manga assassin.
2) For a second entry, name another manga that features an assassin that hasn’t been mentioned yet by me or by someone else.
3) If you’re on Twitter, you can earn a bonus entry by tweeting about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

And there you have it! Each person can earn up to three entries for this giveaway. As usual, you will all have a week to submit your comments. If you would prefer or have trouble leaving a comment, entries may also be submitted via e-mail to phoenixterran(at)gmail(dot)com. I will then post them in your name. The giveaway winner will be randomly selected and announced on March 5, 2014. Good luck!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: Smuggler Giveaway Winner

Weekly Shonen Jump Recap: February 10, 2014

February 26, 2014 by Derek Bown 1 Comment

If you don’t have a Weekly Shonen Jump membership you really should consider buying one. The past couple weeks have been quite excellent, almost all the manga published in the magazine have had a pretty excellent run the past couple months. Even the series I complain about on a regular basis have been doing pretty well.

A good week of manga is a lot of good chapters. Or just a lot of chapters. But it’s a double edged sword. Because the more there is for me to read and enjoy, the more work I have to do when writing it all up. It’s a good thing I love sharing my opinion so much on the internet. So let’s do this.

Blue Exorcist Ch. 054
This series has been a bit lackluster the past several chapters. This month is a return to form as we get the pay off for some foreshadowing we didn’t even realize was being implemented. We also go back to a focus on action instead of in between chapters and backstory. Keep in mind, in between chapters are necessary, but in a monthly series more than just a single in between chapter drags on for a dangerously long time. Finally getting some action after a long while really helped me be more interested in this chapter. And the way the story is portrayed really works in that we have two separate stories being interwoven quite well, as we switch from Kamiki to the rest of the group. Definitely a recommended read for this issue.

Nisekoi Ch. 109
Last week I raised some concerns about how Komi would handle Haru as a character. I worried that she would go the stereotypical route of being just another member of the harem. Fortunately this week mostly dispelled those fears. There are of course major hints that she will become a member of the harem, but for the moment she is going to be a much more interesting character than I initially feared. I find the idea of a character who clearly accepts how they feel about someone, but are willing to step aside for someone else quite interesting. I’m curious to see how far Naoshi Komi will be taking this idea, whether he will go all the way with having Haru refusing to act on her feelings, or if we will be treated to her confession to Raku despite her intention to support her sister. Either way, this chapter definitely salvaged what I feared was a lost cause of a character.

World Trigger Ch. 048
This was an excellent chapter. I’ve railed against Border for being another incompetent military organization, and while I still question the ethics of using teenagers as soldiers, I loved seeing the commanders competently handle the battle. And not just the ones we figured would be competent, but even characters built up as buffoons are showing their intelligence. We get a pretty badass scene where Tachikawa cuts a bomber in half, which was easily my favourite part of the chapter. And seeing Kitora act outside her originally established character was an excellent moment, one that I’m sure the shippers probably are enjoying. With each trope a character follows, the best way to gain points with me is to have them act outside that trope. It does wonders for making characters feel more real, and Kitora certainly is doing that for me in this series.

Toriko Ch. 265
This was much better than last week. While I enjoyed last week’s chapter I found that it was a lot harder to get over Komatsu’s rescue being skipped. This week I’ve accepted that jarring shift and was able to enjoy the chapter for what it was. And while a little emotionally manipulative I loved how the chapter sets up the food shortage as a very real problem, the world has clearly had to evolve around this situation, rather than just being a one chapter problem and yet somehow we get the emotional payoff of seeing Toriko deliver the food he brought. And all that in just a single chapter. I love Mansom’s new design, though he does look quite a bit like Ichiryu. And is it just me or does it look like Komatsu may have just found his long lost son?

Naruto Ch. 663
So we get confirmation that Gaara is going to try and fuse Minato’s ninetails chakra with Naruto, so that’s nice. And I enjoy seeing Sakura actually be involved in the story. And actually care about her so called friend. But the sudden powerup from Karin comes out of nowhere, though I’m biased against her so I doubt she could do anything I wouldn’t hate. And Madara finally takes on the form of the sage of six paths. So at least the plot is moving forward. And for all intents and purposes Sasuke is pretty dead. So overall this was a good chapter for me. Though I have to wonder as to the effectiveness of cutting a dying person’s side open and massaging their heart directly. That’s not an actual thing that’s ever been done is it?

One-Punch Man Ch. 32
This is definitely a chapter where if you haven’t shifted your paradigm from comedy to action you probably won’t enjoy. Personally I’ve finally made the switch again so I was able to enjoy the excellent art and fighting scenes. I like the idea of an enemy that can regenerate no matter what, which I think is honestly the only way to pose any kind of threat to Saitama. So I look forward to this monster fighting Saitama. Other than that, this was definitely a great chapter to show of the fighting prowess of the other characters. Worth a read, but unless you spend a lot of time studying the art you will get through it very fast.

Bleach Ch. 567
Has Kubo just forgotten that his characters are ghosts/spirits/gods? What’s all this talk about Rukia being dead as if it wasn’t her usual state. She is already deceased! That which is dead cannot be alive as well! She is a spirit! A soul! Are we supposed to believe that souls in this world have a different kind of life? And that’s why they can die? I guess that kind of works. This chapter would be a lot easier to swallow if it weren’t for the fact that the mythology of the afterlife in this world is completely messed up. The best I’ve been able to gather is that after humans die they become spirits. But spirits can also die/be destroyed. But their energy cannot be destroyed, because physics, and ultimately they are re-purposed as energy to create spiritual constructs and (and this is me assuming) new spirits. Hence how soul reapers can have families. But if spiritual energy can become spirits in the afterlife, what with there being families that soul reapers are born into, then at what point does spirit matter go back into the human world? Can only the soul reapers reproduce? Or can the souls of dead humans do the same? In fact, if they ultimately become spirit energy, then what’s the point of human spirits retaining their consciousness? And ultimately, what is the purpose of this system? If souls can be destroyed, as quincies have shown the ability to be able to do, and that destruction causes an imbalance, suggesting that the spirit energy is destroyed as well (which should be impossible since it is energy) then what is consciousness and what is spirit?

Ultimately, how can Rukia be any more dead than already dead!?!?!

All You Need Is Kill Ch. 004
We get a satisfying answer to how Keiji gets his battleaxe. And I guess it doesn’t need to be forged in the traditional sense so it doesn’t take as long to make. But is he really going to have to convince Shasta to make him a new axe every single time. I guess we aren’t really supposed to think about it too much. I do feel a bit disappointed that we don’t get to see any actual action, but the anticipation is good enough for me right now. The pacing has been quite strong, and I’ve found no real fault in the series to this point. The writing is strong and the art is as always excellent. Though I cannot stress enough how out of place Obata’s women are. But at least I haven’t seen anything in this series that could lead to major accusations of sexism like in Bakuman.

One Piece Ch. 737
So would Peka’s Stone-Stone ability qualify as a paramecia or a logia? Since he doesn’t really turn himself into stone on his own, rather he has to absorb it from somewhere, I’m guessing it’s a paramecia, even if earth/stone is considered one of the classical elements. Either way, things aren’t looking good for Luffy’s group, how can they fight someone that controls the entire building they are inside?

The answer will of course be, “Amazingly” but we’ll have to wait for that. For now it’s time to focus on the coliseum. Clearly “Lucy” is a force to be reckoned with, and what we all thought would happen occurs, people start to notice that “Lucy” fights differently from Lucy. The delayed final reveal of his identity is puzzling. We all know who he is, but Oda continues to hide him from the audience. All I can say is, what exactly is he planning?

Finally, the build up for Leo’s mission is to over the top that it’s clear that something will go wrong. I kind of want it to go right, because that never happens in any story ever. But it’s pretty clear that something will go awry. Either way, I got more than a chuckle out of the running gag with Usopp this time around.

Dragon Ball Z Ch. 50
Who knew this was only going to be a temporary thing. Next week we lose Dragon Ball Z, and here I was hoping it would run through the whole series, to give me a chance to read it all the way through again. But I guess if we’re getting some new manga space must be made in the magazine. And while space isn’t really an issue in a digital magazine, the effort it takes to get an extra series ready for publication really does push costs up.

I enjoyed the Superman parallels with Kami, this was a part of the series I hadn’t read before, so I’m picking up a lot of details that I had missed before. I enjoy Dragon Ball Z a bit more when we aren’t focusing entirely on the fighting. And this was definitely worth the read for me.

I don’t know how we got through it, but we did. This was a long issue, and while I love reading all the extra manga, I look forward to a lighter load next week.

Don’t forget to mention in the comments which series was your favorite this week.

If you want to hear more, check out the Manga^3 Podcast Archives.

MangaBox: What Is It & What’s Good to Read

February 26, 2014 by Justin Stroman 4 Comments

A few weeks ago, I finally did what a rational manga consumer and someone who attempts to write about manga would do: consume everything that MangaBox has to offer and try and talk to people behind MangaBox. Let’s just say the last part was mostly a pipe dream. But I worked with what I got. In the end though, you probably want to know one thing: is MangaBox worth your time?

YES!

…

Bringing the Drama: Heirs

February 25, 2014 by Anna N and Nancy Thistlethwaite Leave a Comment

Heirs is available for streaming on Dramafever.

Anna: I’ve just finished watching Heirs, and if someone had told me months ago that I would be forcing myself to watch a show with Lee Min Ho and Park Shin Hye, I would have been absolutely flabbergasted. But Heirs has managed to produce a show that squanders a good cast due to the lack of an interesting plot. I can’t believe I watched the whole thing! Really, the only thing keeping me going was knowing that I’d have the chance to discuss it with you. So I’m hoping for a chance to process my feelings of resentment for losing 20 hours of my life watching this show.

Heirs. This Picture is Much Better than the Actual Show.

Nancy: Ha! Though I think it is important we discuss this K-drama because it got high ratings and won drama awards for popularity in Korea. So basically Heirs is about a poor high school girl Eun Sang, who meets Kim Tan, a rich, unhappy boy. Her mother works for his family, and she ends up going to his posh school where the have-nots are bullied. It’s said the writer wanted it to be like a Korean Gossip Girl, and there are many similarities. But where Gossip Girl suffered from too many plot turnovers so that the characters couldn’t fully develop, here THERE IS NO PLOT. The characters interact with each other, but nothing really happens. They are all gorgeous. They are all unhappy. And…? And…?

Woo Bin Eats Noodles!

Anna: I think also it is somewhat similar to Boys Over Flowers, but Kim Woo Bin had the Tsukasa Domyouji part instead of Lee Min Ho. This is actually something that might have been interesting if it had been more fully explored, but nothing much happened. As I was thinking back over this show I thought that it would be great for people who want to see Lee Min Ho cry a lot, but I am unfortunately not one of those people.

In California for some reason. Also inexplicably wet.

Nancy: But Eun Sang has no spirit or courage like Tsukushi does in Boys Over Flowers, so the formula does not work. I remember thinking, “It’s good Park Shin Hye can cry at the drop of a hat, because nothing else is going on….” Let’s talk about the shining light in this drama–the reason I kept watching (besides morbid curiosity): Kim Woo Bin! Woo Bin as Choi Young Do stole the show. Heck, he WAS the show. The climax in this drama did not involve the heroine. It was Young Do running to find Kim Tan. Young Do was the only character who showed growth in this drama. He was a compelling baddie. I enjoyed his scenes with Eun Sang far more than Kim Tan’s. Though sometimes it was painful to see how much the script tried to pull from Woo Bin’s role in School 2013 and fail. Unexpectedly, I also enjoyed Lee Bo Na [played by Krystal of f(x)]. Her scene running from Yoon Chan Young in the hallway was delightful. But she talked so fast that keeping up with the subtitles was a challenge. And what did you think of the scenes shot in California?

Woo Bin being annoying and awesome!

Anna: I agree that there was far too much crying in this show. Kim Woo Bin was great! At first I found Choi Young Do really annoying, but as the drama progressed it was clear that his character was the main one that had any character development written into the plot of the show. Young Do was also so much more dynamic in personality than the large supporting cast. I also enjoyed the supporting romance between Lee Bo Na and Yoon Chan Young. I looked forward to their scenes, just because the more lighthearted nature of their issues was a huge relief compared to the heavy handedness of most of the other scenes.

I thought that the California scenes relied far too much on the scenery and setting, which was a problem since they came at the start of the show and nothing was really happening to make me invested in the story. The American actors were uniformly terrible, but I was expecting that.

Nancy: Someone told me on Twitter that the “Californian” actors had been hired in Korea and sent over, which makes perfect sense as they all had dodgy accents and looked like they had just stepped out of a rather seedy underwear catalog. Not only that, but nearly all the “Californian” roles were offensive–don’t even get me started on the wife beater wearing a wife beater! I was embarrassed for the writer for the puerile racism in those episodes. But I did enjoy the scenery and had a giggle at the number of locations they spliced together.

Sharing a tender moment!

Anna: That rumor about the casting makes a lot of sense. Honestly, my expectations for the California setting were really low, and there wasn’t anything on those few episodes that was very good. I was holding out hope that the show would get better when the characters went back to Korea, and while more Woo Bin was good, if I hadn’t been planning on discussing the show with you, I would have given up midway through the season.

With the topic of wife beaters, I found myself mentally constructing a narrative about the costuming choices for the show. I wondered at times if the costume designer was deliberately trying to punk the audience, or if there was some other explanation for the terrible things that Lee Kin Ho had to wear. The sweaters were really something else.

Hello. Here is a sweater.

Nancy: I tend to focus on knitwear when a K-drama gets boring, so it was good this was a fall/winter show! Min Ho in the pale pink angora cardigan to show his “soft heart”–BA HA HA HA! But Woo Bin’s sweaters were always dishy. They really should have a K-drama award for knitwear.

Lee Min Ho can wear almost anything, but I think even he cannot pull off pink angora.

I feel that we must mention Heirs was the most-watched drama on DramaFever in 2013. It won out over Master’s Sun, Two Weeks, and School 2013: all of which had great stories. Heirs is pretty with pretty actors, and of course there is Woo Bin. But if you require that something actually happens in your K-drama, this show is not for you.

Anna: Woo Bin was great, and I would honestly like to see Lee Min Ho and Park Shin Hye together in a show again with much better writing.

And one can hope that Lee Min Ho will make a triumphant return to hurting people with spoons once again!

Watch at Dramafever!