Features

My Week in Manga: February 6-February 12, 2017

February 13, 2017 by Ash Brown

My News and Reviews

Last week at Experiments in Manga I posted the Bookshelf Overload for January–it was kind of a strange month for manga and other media acquisitions for me, but it wasn’t as absurd as December so at least my wallet’s a little happier. I also managed to finish my draft for February’s in-depth review, so I should have that cleaned up and posted sometime later this week.

Last week I came across a few interesting things online related to queer manga, comics, and other media. Massive has now released Jiraiya’s Two Hoses in English, a manga telling the story of “The Greatest Couple,” characters who were initially designed for the company as part of its launch. (Massive has released Jiraiya’s Caveman Guu manga, too, which was subsequently collected in the excellent anthology Massive: Gay Erotic Manga and the Men Who Make It.)

I haven’t had a chance to actually listen to it yet, but the most recent ANNCast focused on LGBT representation in manga and anime with guests Erica Friedman, Jason Thompson, and Valerie Complex. Friedman also visited the University of Michigan back in January to discuss queer manga. The recording of her presentation Alt Manga, Queer Manga: Telling Our Own Stories is now available to watch on YouTube.

There were a few Kickstarter campaigns that caught my attention last week as well. First and foremost, Chromatic Press is raising funds to release the final volume of Lianne Sentar’s series Tokyo Demons in print, produce a revised edition of the first novel, as well as reprint the other books in the series. It isn’t a secret that I am a huge fan of the series, so I definitely want to see the project succeed. Tabula Idem is a great-looking tarot-themed queer comics anthology with an accompanying queer-themed major arcana tarot deck. I’m not very familiar with most of the artists involved, but Kaiju (whose comics I greatly enjoy) is contributing the cover illustration. Pamela Kotila has also launched a campaign to print the second volume of the webcomic Spidersilk. Though I haven’t actually read it yet, I recently picked up the first volume so this project seems to be aptly-timed.

Quick Takes

The Ancient Magus’ Bride, Volumes 4-6 by Kore Yamazaki. It’s been a little while since I’ve read The Ancient Magus’ Bride but that’s not because I don’t like the manga. In fact, it’s quite the opposite–The Ancient Magus’ Bride is actually one of my favorite series currently being released in English. I simply wanted to have a whole stack of volumes to read all at once. (Also worth noting: The first printing of Volume 6 is even accompanied by a special booklet with an additional comic!) Somehow, I had managed to forget just how much I enjoy The Ancient Magus’ Bride. I love its moody atmosphere and setting, beautiful artwork, and intriguing characters. Elias remains something of an enigma although parts of his past have now been revealed. He isn’t particularly happy about this development, though. Likewise, more is known about Chise, too, although she is still hesitant to share. The relationship dynamics in The Ancient Magus’ Bride are somewhat peculiar but remain compelling. Most of the characters in the manga are struggling with some sort of heartbreaking loneliness or feelings of isolation. To see them slowly drawing closer together, forming bonds of friendship, family, and love is immensely satisfying.

Mr. Mini Mart by Junko. Although the boys’ love manga Mr. Mini Mart was released in English first, my introduction to Junko’s work was through the series Kiss Him, Not Me. Because I was enjoying that series, I made a point to track down a copy of Mr. Mini Mart which for a time had gone out-of-print. (It’s more-or-less back in print again, but the manga seems to only be available directly from Juné Manga’s online store.) I forget why I initially passed on Mr. Mini Mart but I’m very glad that I finally got around to reading it. Mr. Mini Mart collects two boys’ love stories. Most of the volume is devoted to the titular “Mr. Mini Mart” but a short, unrelated one-shot manga “Young Scrubs” is included as well. It’s not nearly as good, though. “Mr. Mini Mart” is wonderful and surprisingly sweet. The story follows the high-school-aged Nakaba who, after an unfortunate incident in middle school, has been living as a shut-in. He gets finally gets out of the house when his uncle gives him a job at his store, but Nakaba has a difficult time getting along with his coworker Yamai and his abrasive personality. I’ll admit, I’m a sucker for a sensitive tough guy and it turns out that Yamai is an amazing example of one and is just a great person in general.

The Seven Princes of the Thousand-Year Labyrinth, Volume 1 written by Yu Aikawa and illustrated by Haruno Atori. I really wanted to like the first volume of The Seven Princes of the Thousand-Year Labyrinth more than I actually did. The basic premise is intriguing. A group of some of the kingdom’s most noteworthy, and in some cases most notorious, citizens wake up to find themselves trapped together in an elaborately booby-trapped castle. (The exception is the protagonist Ewan whose only distinguishing characteristics are his trusting nature, inherent kindness, and the fact that he’s from the kingdom’s most remote island.) The assumption is that whoever manages to survive the ordeal will become the kingdom’s emperor and reigning lords. There is a ton of potential in this set up, but The Seven Princes of the Thousand-Year Labyrinth simply didn’t work for me. Mostly I think it’s because the characters all come across as types rather than well-rounded individuals. What’s more is that they don’t even feel like they should all be a part of the same series; I found this lack of cohesiveness to be frustrating. The artwork is pretty, though, if not especially distinctive and there are plenty of plot twists, too.

Tomie by Junji Ito. Although uncommon, license rescues aren’t particularly rare, but Ito’s horror series Tomie is one of the very few manga to have been released in English by three different publishers. Most recently, Viz Media has collected the entire series in a single, massive tome with over seven hundred forty pages. The translation used is the same as the one in Dark Horse’s Museum of Terror series which I own, but I couldn’t resist the deluxe, hardcover treatment the volume received to match Viz’s other recent re-releases of Ito’s manga. Tomie was actually Ito’s award-winning professional debut and began serialization in 1987 in a shoujo magazine. The manga is largely episodic although there may be several chapters devoted to a single story arc and later stories sometimes make passing references to earlier ones. What ties the series together is the presence of Tomie, a beautiful young woman who is seemingly immortal. Time and again men fall desperately in love with Tomie and are eventually overcome by a desire to murder and dismember her. Not only does Tomie survive, she regenerates and multiplies, and so the horror continues. While not as mind-bendingly bizarre as some of Ito’s later works, Tomie is still weird, horrifying, gruesome, and grotesque.

Manga the Week of 2/15/17

February 9, 2017 by Sean Gaffney, Ash Brown, Anna N, MJ and Michelle Smith 1 Comment

SEAN: OK, I know why we’re all here, but god forbid I not do this in alphabetical order by publisher, so…

MICHELLE: *sits on hands*

ANNA: *taps fingers impatiently*

SEAN: Dark Horse gives us a 4th volume of Fate/Zero, which has been getting darker and darker by the volume.

J-Novel Club has gotten to the point where we’re getting 2nd volumes. My Big Sister Lives in a Fantasy World may be very light novelish, but I found it a lot more fun than expected. Look forward to Vol. 2.

Their debut is Paying to Win in a VRMMO, which for once seems to feature a total immersion VR world that DOESN’T trap the players inside it.

OK, what you’ve been waiting for. Kodansha announced a few digital-only titles, and one was a long-coveted “this will never be licensed because it’s too Japanese” series, Chihayafuru. The story of a girl and her Hyakunin Isshu Karuta growth… what’s too Japanese about that? A josei series from Be Love magazine, everyone will buy this or I will personally come to your house and stare balefully at you.

MICHELLE: I’ll bring the cricket bat.

ANNA: I am SO excited, this is one of those titles I thought would never come out here.

MJ: This, this-y, this this. This this.

SEAN: We’re also getting the digital debut of Springtime with Ninjas, a shoujo title from Nakayoshi that I feel bad for, first because it pales next to Chihayafuru and Tokyo Tarareba Girls, but mostly because I won’t be able to read it without adding “And Germany!”.

MICHELLE: And now I won’t, either! :)

ANNA: I enjoy shoujo ninjas!

SEAN: As hinted, we also see Tokyo Tarareba Girls debut. Also a josei title, this one from Kiss magazine, it’s by the creator of Princess Jellyfish, and is award-nominated and fantastic.

MICHELLE: This is one I didn’t know I needed, and now I’m so eager. I will give Springtime with Ninjas a chance, too. Mostly to show my appreciation to Kodansha for the josei, though, I admit.

ANNA: I did not know about this either but josei titles are a must buy for me.

MJ: Well, huh. yes.

SEAN: Those are all digital-only, though if they sell well I hope that will change. In print we have the third volume of vampire manga Happiness.

ASH: I’m definitely someone who prefers reading in print, but I’m thrilled that these manga are being translated at all! Also, even though I’m a little weary of vampire manga, I am liking Happiness so far.

SEAN: There’s also a 6th Heroic Legend of Arslan, which I need to catch up with one of these days. I feel bad that I clamor for Silver Spoon while ignoring this.

ASH: It’s a pretty solid historical fantasy series, though I do join you in clamoring for Silver Spoon.

SEAN: And a 2nd volume of the odd yet compelling Nekogahara: Stray Cat Samurai.

Speaking of odd (but not always that compelling), One Peace has a 3rd Kuma Miko.

Seven Seas has four volumes out next week, including a 4th Hour of the Zombie.

Re: Monster is one of the weirder male power fantasies I’ve ever read, so I may give Vol. 2 a try, though I’m wary.

Seven Seas has been doing a LOT of yuri the last few weeks. The one-shot volume next week is Secret of the Princess, from popular author Morinaga Milk. It ran in Shinshokan’s Hirari.

MICHELLE: Hmm… Maybe on this one.

ASH: I have enjoyed many of the creator’s other manga, so I should probably give this one a look, too.

SEAN: And a 4th Shomin Sample, which no doubt will have a girl showing us her panties on the cover.

SuBLime’s 3rd volume of Ten Count is still not about boxing.

MICHELLE: Definitely not.

ASH: Nope.

ANNA: Indeed, no.

MJ: I am skeptical. Though not regarding its lack of boxing.

SEAN: Vertical’s To The Abandoned Sacred Beasts’s 4th volume does feature beasts, though, I believe.

Viz time. Hayate the Combat Butler makes me happy to see it even though it comes out so infrequently. Bring on Vol. 29!

Magi does not have the ‘only twice a year’ issue Hayate does, which is why we’re seeing Vol. 22.

Lastly, there is a 6th Monster Hunter: Flash Hunter.

Well, this was more exciting than I’d expected a few days ago! What are you getting next week?

MICHELLE: A plethora, apparently!

My Week in Manga: January 30-February 5, 2017

February 6, 2017 by Ash Brown

My News and Reviews

Last week at Experiments in Manga the winner of the Please Tell! Me Galko-chan manga giveaway was announced. The post also includes a fairly comprehensive list of the full-color manga and manhwa that have been released in print in English. (However, I just now realized that I neglected to include manga like Katsuhiro Otomo’s Akira and Buronson and Tetsuo Hara’s Fist of the North Star which, while not originally illustrated in full-color, had some full-color editions released in English.) Otherwise it was fairly quiet week, but I am well on my way to completing an in-depth review for February. Happily, my goal to write at least one long-form feature every month so far seems achievable.

I wasn’t actually online much at all last week (things were pretty hectic at work and there are always a fair number of taiko and lion dance performances I’m involved in around Chinese New Year) but there were still a few things that caught my attention: Vic James wrote an essay for Tor.com about Yukio Mishima and Forbidden Colors–The One Book That Made Me Move to Japan. (Mishima fascinates me and was actually my introduction to Japanese literature; I’ve reviewed quite a few books by and about him.) The most recent issue of Words without Borders is devoted to international graphic novels. Also, Digital Manga’s Juné imprint announced two new print licenses (Psyche Delico’s Even a Dog Won’t Eat It and Choco Strawberry Vanilla) as well as its upcoming Kickstarter project to publish the first volume of Velvet Toucher’s Eden’s Mercy.

Quick Takes

Bloom into You, Volume 1 by Nakatani Nio. I’ll have to admit, recently I’ve grown a little weary of high school romances. Even so, I was still very interested in reading Bloom into You, one of Seven Seas most recent yuri series. Specifically, I was curious about the manga’s treatment of aromanticism, something which I haven’t seen many series address. Yuu has never fallen in love and so she is glad to meet Nanami, an upperclassmen who likewise has never felt that way about anyone before. Finally Yuu has someone she feels comfortable confiding in about it except that Nanami is now falling in love with her. One of the things that I really appreciate about Bloom into You is how considerate and respectful Nanami is of Yuu’s feelings (an exception being a stolen kiss). It’s also obvious that they both care about each other, even if Yuu hasn’t yet experienced the romantic spark that Nanami has only recently found for herself. The two of them actually communicate, too, so there’s none of the silly misunderstandings that plague so many other series that would easily be solved if the characters would simply talk to each other. I would definitely like so see how Yuu and Nanami’s relationship continues to develop from here.

Franken Fran, Omnibus 3 Franken Fran, Omnibus 3-4 (equivalent to Volumes 5-8) by Katsuhisa Kigitsu. Despite what the cover illustrations would seem to imply, Franken Fran isn’t particularly heavy on fanservice. Granted, there is some nudity in the series, but it’s generally more discomfiting than it is titillating. Franken Fran is a manga that delights in making its readers uncomfortable. But although it is frequently gruesome and grotesque, the quirky horror is accompanied by a great deal of humor as well. Kigitsu uses actual medical and scientific phenomenon as inspiration but takes them to such logical and illogical extremes that they become almost unrecognizable. The horror in Franken Fran works as well as it does because there are these little kernels of truth underneath it all. For the most part Franken Fran tends to be episodic although the stories can largely be categorized by recurring types, settings, and characters. For example, there are numerous chapters based in Fran’s school as well as a set of quickly escalating stories about the supposedly superheroic Senitals. More characters are introduced as the series progresses, too, including Fran’s incredibly crass, vulgar, and homicidal older sister Gavril.

Lucifer and the Biscuit Hammer, Omnibus 5 (equivalent to Volumes 9-10) by Satoshi Mizukami. It’s been quite a while since the last omnibus of Lucifer and the Biscuit Hammer was released. I’m not entirely sure why it took me so long to finally get around to reading it though since there was so much about the series that I enjoyed. The ending of the series was pretty great. It was immensely satisfying to see the Beast Knights pull together for the final battle against Animus as a tightly knit team, surpassing everything that they’d previously accomplished. They are a group of troubled outsiders who have established a tremendous and lasting bond with one another despite, or maybe because of, their differences. As weird a manga as Lucifer and the Biscuit Hammer can be–and it can be very weird (which is admittedly something that I like about the series)–it still manages to have a surprisingly deeply resonant core. If it wasn’t already clear, the conclusion of the series’ makes its theme explicit. Underneath the psychic powers and supernatural battles is a story about growing up regardless of how old someone actually is, about survival in the face of the worst that life can throw at somebody, and about forming meaningful connections with others.

Manga the Week of 2/8/17

February 2, 2017 by Sean Gaffney, Anna N, Ash Brown, MJ and Michelle Smith Leave a Comment

SEAN: Sooooo much Viz. So much. Almost every single Viz title I follow has a volume out this week. Oddly, though, absolutely no new title debuts.

Before Viz, though, Kodansha gives us a 2nd volume of Fire Force, which seems to be Soul Eater’s attempt to do Fairy Tail.

Say “I Love You” is ending soon, but I’m not sure if 17 is the final volume or not. We shall see.

MICHELLE: Yeah, I don’t know either.

ASH: This series has been consistently great. I’m glad that Kodansha brought it over.

ANNA: I’m so far behind on this series, I’ve almost given up on getting caught up, but I’m also glad Kodansha brought it over.

SEAN: Seven Seas gives us a 2nd volume of My Pathetic Vampire Life, which I did not enjoy as much as I expected.

And a 2nd Please Tell Me, Galko-chan!, which I enjoyed more than I expected.

ASH: I really enjoyed the first volume, too! It was surprisingly bright and cheery.

SEAN: Titan Comics has been releasing the manga version of Sherlock in pamphlet form over the last year, and now we finally get the first volume collected as A Study in Pink. Assuming there are Sherlock fans left after that last season.

MICHELLE: I liked the middle one!

ANNA: Ah, maybe it will be pleasantly nostalgic?

SEAN: Kitty! A 2nd volume of Fuku Fuku: Kitten Tales from Vertical Comics.

MJ: More kitties are always welcome!

MICHELLE: Yay!

SEAN: And now. Viz. So much Viz. A 14th volume of Assassination Classroom, which is not quite at THAT spoiler yet. Next time.

Black Clover has improved slightly with each volume, to the point that I am prepared to call the 5th volume “pretty good”.

Bleach has an 18th 3-in-1, which I assume is in the middle of some long arc.

Hungry? Good. Food Wars! 16 will make you want to eat (or go to a school festival).

Don’t eat volleyballs, though. But the 8th volume of Haikyu!! should be excellent.

MICHELLE: Very excited about more Food Wars! and Haikyu!!.

ASH: I’m also looking forward to more of both series.

ANNA: Haikyu!! is consistently good.

SEAN: The 3rd arc of JoJo’s Bizarre Adventure did not grip me as immediately as the first two. I’m hoping that changes with the 2nd Stardust Crusaders hardcover.

ASH: It’s such a weird series. It almost becomes a travelogue at some points. Granted, a very bloody one with lots of punching and mind games.

SEAN: Kamisama Kiss continues its final arc with its 23rd volume.

ANNA: I’ve got 4 volumes to read to get caught up, but in a way that’s fine because the series is so enjoyable.

SEAN: How will Kuroko’s Basketball’s 4th omnibus deal with the CRUSHING DEFEAT from last time? My guess? Friendship and Training.

MICHELLE: A solid bet.

SEAN: Maid-sama! has Vol. 13-14, which means it’s actually nearly over. I assume Misaki will protest quite a bit throughout.

MICHELLE: It’s kind of hard to believe that we’re actually going to see the conclusion of this one.

SEAN: And a 7th volume of superhero school manga My Hero Academia.

ASH: I’ve really been meaning to read this series; I’ve heard great things about it.

SEAN: Yay! My Love Story!! 11 is here! Please always be adorable.

MICHELLE: Here’s one that’s almost over, too. (Volume thirteen is the end.)

ASH: I continue to love My Love Story!!(!)

ANNA: How could it not be adorable?

SEAN: One Piece’s 81st volume makes me very happy, if only as I don’t have to say Dressrosa anymore. What’s up with Sanji, though?

MICHELLE: Man, you weren’t kidding about nearly everything getting a new volume!

SEAN: So Cute It Hurts!! gets an 11th volume, though the exclamation mark joke’s time has passed.

Toriko is in its final arc with the 37th volume, but I think it’s still got a ways to go.

MICHELLE: Finally, I’m about to embark on reading Toriko!

SEAN: Yona of the Dawn has a 4th volume, and cannot come out fast enough for me.

MICHELLE: I am excite.

ASH: I’m more than ready for my next dose of shoujo epic fantasy!

ANNA: Me too!

SEAN: Lastly, there’s a 9th Yu-Gi-Oh! 3-in-1, because Yu-Gi-Oh will never die.

MJ: Wow, when I see a list like this, it makes me feel like I’m not reading anything at all. I swear I am!

SEAN: What’s keeping you happy in this cold and gloomy February?

My Week in Manga: January 23-January 29, 2017

January 30, 2017 by Ash Brown

My News and Reviews

The end of the month is approaching which means it’s time for Experiments in Manga’s monthly giveaway. The winner of the most recent giveaway will be announced on Wednesday, so there’s still a little time left to enter for a chance to win the first volume of Kenya Suzuki’s delightful full-color manga series Please Tell Me! Galko-chan. Speaking of manga giveaways, there’s also an opportunity to win a copy of the first omnibus in Kei Sanbe’s Erased over at The OASG.

Elsewhere online, I came the Young Adult Library Services Association’s 2017 Great Graphic Novels for Teens. As usual, the list includes a fair number of manga along with all of the other excellent comics. Ichigo Takano’s Orange (which was also one of my notable manga from 2016) even made the top ten list. Out of the many other manga included as part of YALSA’s larger list, I have in-depth reviews of Junji Ito’s Cat Diary: Yon & Mu and Akiko Higashimura’s Princess Jellyfish, Omnibus 1, both of which I loved.

Another list I came across recently was BookRiot’s feature on Japanese speculative fiction in translation. Overall, I think it’s a great list–I’ve previously reviewed three of the books included (Miyuki Miyabe’s The Book of Heroes, Yusuke Kishi’s The Crimson Labyrinth, and Taiyo Fujii’s Gene Mapper) and most of the others I’ve been meaning to read for quite some time or were already high on my list of books to read in the near future.

It’s been a while since I’ve mentioned Kickstarter projects here, but there are a few campaigns for print comics that have caught my eye lately: Maya Kern is looking to print the second volume of the adorable webcomic Monster Pop; Amanda Lafrenais is campaigning to release the second Titty-Time print collection of erotic comics; and Deandra Tan is hoping to release a print edition of her graphic novel Love Debut!.

Quick Takes

Aoharu X Machinegun, Volume 1 by Naoe. I picked up the first volume of Aoharu X Machinegun more on a whim than anything else but I ended up enjoying it much more than I expected. On the surface there are a few things about the beginning of Aoharu X Machinegun that are oddly reminiscent of Ouran High School Host Club–Masamune works in a host club and Hotaru, who is often mistaken for a boy, gets wrapped up in his schemes after she needs to earn some money for damaging the club’s property–but the similarities mostly end there. Hotaru has an overly-strong sense of of justice and has a tendency to get into fights because of it. Masamune is the leader of a competitive survival/war game team and has decided the Hotaru should become its third member after her aggressiveness leaves a distinct impression on him. Initially, the team’s second member Tooru, who also happens to be well-known hentai mangaka, is less than thrilled about this. They’re both completely unaware that Hotaru is a girl, too, which could cause some trouble later on. Aoharu X Machinegun is kind of ridiculous but fun. I enjoyed its action and sense of humor and this point would be interested in reading more.

Bakune Young, Volumes 1-3 by Toyokazu Matsunaga. I’ve been meaning to read Bakune Young for quite a while now but the short series is long out-of-print and can be somewhat difficult to find. (Fortunately, it turned out that my library actually owns a complete set.) Reading Bakune Young is quite an experience to say the least. Matsunaga’s artwork, while it’s frequently and deliberately grotesque and at times could even be described as ugly, is tremendous. The story itself is nearly nonsensical, but it does manage to have a bizarre sort of logic to it. The series opens with the titular Bakune Young in a pachinko parlor before he begins targeting yakuza in a killing spree. His rampage quickly escalates and eventually not only the yakuza, but Japanese police, a ninja assassin from the French Foreign Legion, psychics, and even the American military all become involved as the death count increases exponentially. Bakune Young is certainly not for the faint of heart. It’s incredibly violent, viciously dark, and legitimately absurd, but assuming one isn’t bothered by all that, it can also be extraordinarily funny. I suspect Bakune Young is a manga that readers either love or hate without there being much middle ground.

The Encyclopedia of Early Earth by Isabel Greenberg. I recently read and absolutely loved Greenberg’s The One Hundred Nights of Hero and so immediately made a point to seek out more of her work. The Encyclopedia of Early Earth was Greenberg’s first graphic novel and received great acclaim when it was published. The comic’s premise is simple: a nameless storyteller as travels the world in search of a missing piece of his soul. The graphic novel shares some obvious similarities to The One Hundred Nights of Hero in its structure, themes, artwork, and setting. Both comics take place in the pre-prehistoric Early Earth and utilize the same mythologies, cosmologies, and pantheons. Both comics, in addition to love, are also about the importance of stories and storytellers; they find inspiration in and retell existing folktales while intertwining them with those of Greenberg’s own making. Otherwise, the two comics aren’t directly related. The Encyclopedia of Early Earth feels less politically-charged than The One Hundred Nights of Hero which may make it more palatable to some audiences but as a result it isn’t nearly as powerful a work overall in comparison. Even so, The Encyclopedia of Early Earth is wonderful.

Wolf Magic by Natsuki Zippo. So far, Wolf Magic is the only manga by Zippo to have been released in English. As far as I can tell, Wolf Magic is also Zippo’s first professional work. Especially considering that, it’s a very strong collection of boys’ love manga, and I’d certainly be interested in seeing more from Zippo translated. Wolf Magic opens with “The Water of Love for the Withered Flower” which is about Hanasaki, a florist whose severe appearance is at complete odds with what most people would associate with his profession. However, he still manages to unintentionally catch the eye of Hata. The manga then turns to the various “Wolf Magic” stories which follow Nagase, a young gay man, as he falls in and out of love during high school and then continues to look for “the one” in college. In the process, he develops a surprising relationship with Higuchi. While the two story arcs are unrelated and are quite different from each other, thematically they are very similar. Both Hanasaki and Nagase are searching for love and acceptance and both ultimately find it in unexpected places and ways. Overall, with its attractive artwork and excellent characterizations, Wolf Magic is quite well done.

United States of Japan by Peter Tieryas. I’ve often heard United States of Japan described as a spiritual sequel or successor to Philip K. Dick’s The Man in the High Castle. In some ways that is certainly true–Tieryas’ novel probably would not have existed were it not for Dick’s and makes multiple references to The Man in the High Castle–but the two novels are drastically different from each other in tone and style. The underlying premise, however, is the same. Emerging victorious from World War II, Japan now controls a significant portion of what was once the United States of America. The grim cyberpunk alternate history presented in United States of Japan (complete with mecha battles and graphic torture) can be extraordinarily brutal and gruesome. The lead characters aren’t exactly the most likeable or sympathetic people, either, though they become slightly more so as the novel progresses. Captain Ben Ishimura, whose only talent seems to be hacking and programming, is a censor who comes to the attention of Agent Akiko Tsukino when an illegal video game which imagines America winning the Second World War threatens to embolden resistance against the rule of Japan.

Manga the Week of 2/1/17

January 26, 2017 by Sean Gaffney, MJ, Michelle Smith, Ash Brown and Anna N 3 Comments

SEAN: For a ‘5th week’, this is a pretty huge one. Longtime readers know that when the 1st falls on a Wednesday, it’s not really the first week, but there’s still tons of stuff.

J-Novel Club has made its name mostly with typical “light novel” fare for standard anime fans. That said, the release of The Faraway Paladin is really being touted by them as a good novel in general. It’s a dark fantasy, and they’re REALLY pushing it as not your typical light novel fare.

They are also releasing Mixed Bathing in Another Dimension, which is absolutely your typical light novel fare.

If you enjoyed the first volumes of Deathtopia and Wave, Listen to Me! when they came out digitally Tuesday, well, Kodansha is releasing the 2nd volumes next week.

MICHELLE: Hooray!

ASH: I’m hoping we’ll eventually see a print edition, but I might not be able to wait for it.

ANNA: Nice! Preparing for a good digital only edition of manga binge.

SEAN: Many may remember the Alice in the Country of Hearts series coming out primarily from Seven Seas. It’s not anymore, for reasons that remain murky, but Seven Seas has tried to retain the spirit by doing Captive Hearts of Oz, which is an original manga series based on the Oz books with art by Mamenosuke Fujimaru, the most popular Alice in the Country of artist.

ASH: I’m actually really curious about this collaboration!

ANNA: I’m a little curious, but also wary because I’m burnt out on both Oz and Country of Hearts stuff. The art should at least be very pretty!

SEAN: I really enjoyed the visual novel Kindred Spirits on the Roof when it came out here last year, being a “yuri” title that actually cared about character depth and not just bodies squishing. There was a short manga spinoff as well, and Seven Seas is putting it out as one omnibus. The good news is it’s NOT an adaptation of the game – these are new stories, and stars some new cast members (it takes place after the game proper, I believe). If you like “non-skeezy” yuri, you must pick this up.

MICHELLE: This one was definitely on my list.

MJ: I’ll put it on mine as well.

ASH: Oh, interesting! I had assumed that it was an adaptation. I guess I’ll need to move it up on my list.

SEAN: And there is also a 2nd and final volume of the Love in Hell spinoff Death Life.

Udon’s Persona schedule has been slipping a bit, but here’s the 2nd volume of Persona 3.

ASH: Since I’ve actually played some of Persona 3, I’ve been meaning to check this series out. Apparently I’ve already fallen behind, though.

Vertical has a 1-volume Junji Ito title, Dissolving Classroom, which comes from a series of stories that ran in Motto!, Akita Shoten’s josei horror title. It’s Junji Ito, so it should be great (and also gross) (and also terrifying).

MJ: I like the sound of that!

ASH: I’m very excited for this release! I like josei, I like horror, I like Ito, so I expect that I’ll like Dissolving Classroom, too.

ANNA: Also curious to check this out.

SEAN: Yen has some new digital only releases. Aphorism 8, Corpse Princess 8, and Sekirei 8.

They also have their light novel titles for the month, beginning with the debut. Death March in the Parallel World Rhapsody had its manga adaptation come out this week, meaning I already discussed it in last week’s Manga the Week of. But hey, prose!

There is a 6th volume of cult favorite Kagerou Daze, which if nothing else promises to be short, and also hopefully clear up a few more mysteries.

The 3rd Overlord novel is unlikely to be short, and will continue to feature our evil protagonists having evil adventures.

Spice & Wolf has its 2nd and 3rd books released digitally for those (like me) who never read it in print years ago.

And Strike the Blood’s 5th volume hopes to resolve the cliffhanger from the last volume and also astound me with its originality. I suspect it will achieve one of those. But the fights will be cool.

Yen also held over two titles to next week. Alice in Murderland gives you more Kaori Yuki goodness (is the entire cast dead yet?).

And they debut Big Order in omnibus format. I had hoped this was a baseball manga, but alas. It’s from the creator of Future Diary.

MICHELLE: I wish it had been a baseball manga, too!

SEAN: Do you have a favorite title you’re picking up?

Manga Giveaway: Please Tell Me! Galko-chan Giveaway

January 25, 2017 by Ash Brown

I realize that it’s the end of the month rather than the beginning, and that I’ve probably already said this, but happy new year, everyone! I’d like to help get 2017 off to a good start with a great giveaway at Experiments in Manga. And so, this month you will all have the chance to win the first volume of Kenya Suzuki’s delightful manga series Please Tell Me! Galko-chan as published in English by Seven Seas. As usual, the giveaway is open worldwide!

I really enjoyed the first volume of Please Tell Me! Galko-chan, perhaps even more than I expected that I would. It’s a bright and cheerful manga, in part because it’s artwork is bright and cheerful, too. Please Tell Me! Galko-chan is somewhat unusual in that it’s completely in color. Although it isn’t uncommon for a manga to include a few color pages here or there, relatively few full-color manga have been licensed in English. While I love the monochromatic illustrations typical of most manga, the deliberate but sparing use of color can create a tremendous narrative impact (I’m thinking of a specific scene in Naoki Urasawa’s Pluto) and full-color manga can be very appealing as well.

So, you may be wondering, how can you a copy of Please Tell Me! Galko-chan, Volume 1?

1) In the comments below, tell me a little about a manga with color artwork that you’ve read, whether color was used for an entire volume or only a few pages. (If you haven’t encountered any, you can simply mention that.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

That’s all there is to it. Participants in the giveaway can earn up to two entries and have one week to submit comments. If needed or preferred, comments can also be sent via email to phoenixterran(at)gmail(dot)com and I will then post them here in your name. The giveaway winner will be randomly selected and announced on February 1, 2017. Good luck!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: Please Tell Me! Galko-chan Giveaway Winner

My Week in Manga: January 16-January 22, 2017

January 23, 2017 by Ash Brown

My News and Reviews

It’s been several months since my last in-depth review, but over the weekend I actually managed to post one delving into the eighth omnibus of Makoto Yukimura’s Vinland Saga. I really love this series so I am thrilled that Kodansha Comics was able to continue publishing it. The eighth omnibus marks the start of an exciting new story arc and introduces some great new characters. On a personal note, it also felt good to actually finish writing a review since it’s been so long. I’d like to continue posting at least one long-form review or feature every month in addition to the usual My Week in Manga, Bookshelf Overload, and Giveaway features. On the surface it seems to be a reasonable goal, so I guess I’ll see how it goes!

Elsewhere online, Sparkler Monthly‘s first issue of 2017 has been released. As can be expected, all of the content is great, but this issue specifically features Denise Schroeder and her delightful lesbian-themed comic Before You Go. I took a look at the first installment of Before You Go as part of my Year of Yuri review project a couple of years ago. It’s a great comic, so I’m glad so see more of it. And if things go well, there should be a collected edition in the near future as well! Also last week, Seven Seas announced its collaboration with J-Novel Club to release Ao Jyumonji’s Grimgar of Fantasy and Ash and Chiyomaru Shikura’s Occultic;Nine in print.

Quick Takes

Dimension W, Volumes 1-2 by Yuji Iwahara. Several of Iwahara’s manga series have been released in English. I’ve read and enjoyed both Cat Paradise and King of Thorn, but there’s also Chikyu Misaki and most recently Dimension W. I’ve come to expect a few things from Iwahara’s manga: great artwork and action, large and diverse casts, intriguing settings and premises, and entertaining stories that take numerous twists and turns (and which often end up rather convoluted as a result). So far, it seems as though Dimension W will also follow this pattern and, being Iwahara’s longest series, I suspect that the plot will go in some truly bizarre directions. But even considering that Iwahara seems to be constantly making up and changing the rules when it’s convenient just to make the story work, I’m actually really enjoying Dimension W. In the series, New Tesla is a company that has gained a tremendous amount of political and social influence due to the fact that it monopolizes a nearly limitless source of energy and the technology needed to use it. The power could be dangerous in the wrong hands, and New Tesla may very well be the wrong hands.

Firefighter! Daigo of Fire Company M, Volumes 11-20 by Masahito Soda. One of the things about Firefighter! is that once I start reading it, I can’t seem to put it down. It’s a fantastic action series that’s firmly based in reality, although some of the scenarios are so completely over-the-top that they strain believability. Even so, the drama and intensity of Firefighter! is thrilling. With every rescue Soda keeps increasing the stakes, finding ways to make each one even more daring and astonishing than the last. And seeing as the first half of Firefighter! ends with Daigo intentionally crashing a fire engine into a building, that’s a pretty impressive feat. Admittedly, the series can get pretty absurd, but it’s always entertaining as well as engaging. The character development is excellent, too. In the heat of the moment, Daigo has the tendency to make some incredibly dangerous although ultimately life-saving decisions, but afterwards he struggles to come to terms with his actions and underlying motives. Firefighter! is a great series and well-worth a look. The manga is currently out-of-print, but fortunately it is readily available digitally.

Please Tell Me! Galko-chan, Volume 1 by Kenya Suzuki. I first learned about the Please Tell Me! Galko-chan manga due to its recent anime adaptation (which I haven’t actually seen yet), but I was still very curious about the original series. What I didn’t realize until I picked up the first volume was that the manga is actually completely illustrated in color; the palette and style that Suzuki uses for the cover illustration is pretty much what is used for the interior artwork as well. Please Tell Me! Galko-chan is a surprisingly sweet, funny, and charming series, especially considering that it frankly deals with issues surrounding puberty, sex, and so on. Some of the subject matter is more innocent, but there’s plenty of dirty humor and jokes, too. Though the framing of the series is fictional, the largely short and episodic manga of Please Tell Me! Galko-chan do incorporate a fair amount of factual information. What I really appreciate about Please Tell Me! Galko-chan is that while the topics covered often embarrass the characters–frequently they’re discussing breasts, menstruation, and sex in a deliberate attempt to make each other blush–there’s never a sense that they or their bodies are shameful.

Ze, Volumes 10-11 by Yuki Shimizu. Despite at one point being rather fond of Shimizu’s supernatural boys’ love Ze, it’s taken me a while to actually get around to reading the main manga’s last story arc and conclusion. (Granted, that may have also been partly due to the numerous delays and unreliability of Digital Manga’s release schedule.) As a whole Ze tends to be fairly sexually explicit, but these two volumes are for the most part relatively tame and include very little sex at all. The relationships and power dynamics in the series are still pretty intense, though. The final story arc of Ze is almost entirely devoted to revealing the backstory of Waki and his connection to the Mitou family. In an interesting twist, it turns out that Waki has always been an asshole and there was nothing in particular that made him that way; although unfortunate things have certainly happened to him, his depraved personality is completely his own. The Mitou family’s past is certainly a strange and tragic one that has resulted in a great deal of suffering over time, but Shimizu does manage to end the series on a positive and redemptive note.

Manga the Week of 1/25/17

January 19, 2017 by Sean Gaffney, Ash Brown, Anna N, Katherine Dacey, MJ and Michelle Smith Leave a Comment

SEAN: For a Yen week, this is actually pretty reasonable. Mostly as Yen moved a bunch of titles to the week after next, but hey.

Kodansha first, though. They’ve recently announced several new titles as digital releases. Deathtopia debuts next week, from the creator of Cage of Eden. This is a seinen title from Evening Magazine, and we’ll see if it’s as fanservice-laden as its shonen predecessor. It’s a thriller.

Wave, Listen to Me! gets the award for best title of the week. It’s an Afternoon manga from the creator of Blade of the Immortal. Fans of that series will be happy to hear this new one takes place… at a radio station?

ASH: I just found out about this series and I am incredibly curious about it.

MICHELLE: Oooooh! I especially like that the Kodansha site mentions “the beginning of an aggressive ramp-up in new digital manga series!”

KATE: Count me in for Wave, Listen to Me!, too. I’m a little biased — I teach a class on radio and television history — but I’m delighted to see a few grown-up options in the mix.

MJ: Oh, interesting.

ANNA: I am officially intrigued.

SEAN: And this isn’t out in volume form yet, but a new series from the creator of A Silent Voice debuts next week with 10 individual chapters, which catches us up with Weekly Shonen Magazine. Called To Your Eternity (Fumetsu no Anata e), it’s more supernaturally tinged than A Silent Voice but apparently just as depressing.

Kodansha also has an 8th print volume of Forget Me Not.

Seven Seas surprisingly only has one title out this week, given how much they’ve been piling on the books lately. It’s the 5th volume of Nurse Hitomi’s Monster Infirmary.

Vertical Inc. has the first volume of Nisioisin’s popular Zaregoto series, Decapitation: Kubikiri Cycle, though they emphasize they’ve only licensed this one volume, to tie in with the current Japanese OAV adaptation. It was actually released by Del Rey years ago; this is a re-edited version, and hopefully now that Bakemonogatari is popular it should see more readers.

Vertical Comics also gives us a third Immortal Hounds.

And the rest is Yen Press. First off, a 9th volume of capital letter and punctuation loving Akame Ga KILL!.

The 8th manga volume of A Certain Magical Index wraps up the adaptation of the 6th novel.

Death March to the Parallel World Rhapsody is the runner-up for best title of the week. As for the content, it’s a story where a guy finds himself transported to another world, gaining impressive powers, and surrounded by beautiful… wait, why are you running away? “Transported to another world” is this year’s vampires! This is the manga, the novel is out one week later.

First Love Monster has a 6th volume.

Fruits’ Basket Collector’s Edition reached Vol. 9, and get ready, because this is the one with THAT spoiler which shattered Furuba fandom forever.

MICHELLE: I continue to boggle that we’re up to this point already. But I also love that we’re still maintaining the secrecy of that spoiler.

SEAN: Horimiya has a 6th volume, and we’ll see if things advance on the romance front.

ASH: I’ve been enjoying Horimiya a great deal.

MICHELLE: Woot!

SEAN: I’ve enjoyed the light novel The Isolator, dark as it’s been, and so am pleased to see the manga adaptation is now coming out over here.

And there’s a 3rd volume of fantasy Liselotte & Witch’s Forest.

MICHELLE: I’ll be picking up this one, too.

SEAN: Murciélago also debuts this month from Yen Press. It’s a Young Gangan title that is apparently SUPER violent, and has humor so black it causes you to redefine “funny”. And it also has a lesbian lead, though this isn’t your cute high school girls sort of lesbian. I’ve heard good things about it (it has the Erica Friedman seal of approval), but with lots of “it’s pretty sick” warnings.

ASH: I’ve heard good things, too, but it definitely won’t be a series for everybody.

MJ: I would describe myself as interested, but skeptical.

SEAN: Rokka: Brave of the Six Flowers also has its manga adaptation debut (the novel arrives in April). It’s a fantasy series with strong word of mouth – real fantasy, rather than light novel fantasy. This adaptation ran in Shueisha’s now defunct Super Dash & Go!.

ANNA: Huh, I am always up for more fantasy manga.

SEAN: I was pleasantly surprised at how good I found the first volume of Scum’s Wish, though ‘pleasant’ is perhaps the wrong word for what’s going on with these kids. I look forward to the second volume.

MICHELLE: Same. Dark and complex, but not ecchi like the cover of volume one might suggest.

SEAN: Taboo Tattoo has a 5th volume, and is very Monthly Comic Alive.

Today’s Cerberus sees a 2nd print volume, and is still cute and silly.

You can’t have a long list of manga without at least one survival game title, and there is is: the 2nd volume of Tohyo Game.

Lastly, we wrap up the 6th Umineko arc with the 3rd and final omnibus of Dawn of the Golden Witch. I’m not sure when the 7th arc will begin – Yen hasn’t scheduled it – but this volume at least resolves Erika Furudo’s role in the series… at least for the time being.

A lot of new stuff this week. What appeals to you most?

BL Bookrack: Ten Count, Vols. 1-2

January 19, 2017 by MJ and Michelle Smith 5 Comments

MJ: Wow, it’s been… a long time hasn’t it, my friend?

MICHELLE: I am scared to even verify how long it has been. A couple of years, at least!

MJ: So what’s brought us here today is the boys’ love series Ten Count (volumes one and two ) by Rihito Takarai, published here by SuBLime. From what I understand, the series has reached five volumes (ongoing) in Japan. The third volume is due out from SuBLime next month.

MICHELLE: Would you like to start?

MJ: Sure!

Shirotani is a lifelong germaphobe, resigned to his condition, though it keeps him isolated from others. Fortunately, with the help of his understanding employer, he is able to tolerate his job as secretary to a corporate CEO. It is in the corporate line of duty, then, that he first meets Kurose, a therapist at a local mental health clinic. Kurose notices Shirotani’s condition immediately, and suggests he seek help, but though Shirotani is able to make his way to the clinic, he can’t bring himself to go inside. Acknowledging this difficulty, Kurose offers to help him in a non-clinical capacity, as a friend, an arrangement to which Shirotani eventually agrees. As Kurose slowly helps him accomplish progressively difficult tasks (touching a doorknob with his bare hand, buying a book from a bookstore), the two become close in ways that complicates their relationship and threatens the fragile boundaries between them.

Fans of BL manga don’t need me to explain what that means, or probably why my greatest fear with this series would be that the therapist/patient dynamic (even in the context of them being “friends”) would create a problematic imbalance of power. And it does, though not right away. Had I read only the first volume, this paragraph would be a very different one, gratefully dismissing my fears and filled with satisfied discussion of their slowly-evolving relationship and lots of talk about how that kind of careful development is so rare and wonderful in this genre. Had I read only the first volume, I would have declared a lot of love for this series. Unfortunately, Kurose’s careful handling of Shirotani is abandoned less than two chapters into the second volume, when after declaring his love for Shirotani, he mercilessly forces him into accepting sexual contact (against Shirotani’s clear protestations), which only escalates as the volume continues. In fact, Shirotani’s germaphobia makes the situation even more brutal, as Kurose is not only performing non-consensual sexual acts with Shirotani, but also blatantly ignoring Shirotani’s boundaries regarding skin-to-skin contact without any of the thoughtful consideration he promised as part of their initial arrangement. It’s obvious that the author intended the germaphobia as a metaphorical stand-in for the typical uke resistance so popular in BL, but instead it just feels like piling on.

MICHELLE: What I found most interesting to contemplate is that Kurose does, in fact, give Shirotani opportunity to object. He warns him that he’s going to attempt these kinds of things if they continue to see each other, and asks questions like, “Did you really not like what we did a moment ago?” Sometimes, Shirotani is able to give voice to his objections, but he also holds back his disgust, and I have to think that’s because he doesn’t want to drive Kurose, the only person to whom he has any kind of close relationship, away. How much, then, does Shirotani actually reciprocate and how much is he just desperate to keep Kurose in his life?

If I had faith that Takarai was wanting us to consider this question in a thoughtful way, I’d be fairly happy. But there are a few comments, mostly in bonus stories or author asides, that make me think she is setting up a dominant/submissive paradigm in which Kurose simply enjoys seeing Shirotani squirm, and that is very troubling indeed.

MJ: Yeah, you’re right—he often does ask Shirotani for permission to do something, or for confirmation that he’s enjoying himself, but those check-ins feel pretty empty, considering the fact that he generally moves on with what he’s doing without anything resembling actual enthusiastic consent. And if she’s trying to set up a dominant/submissive relationship, she’s doing it 50 Shades style, which only furthers my discomfort. Kurose’s behavior becomes increasingly controlling over the course of the second volume, by the end of which he has not only violated most of Shirotani’s personal and sexual boundaries, but also has begun infantilizing him to a truly creepy degree. Between declaring a preference for a “childlike” hairstyle and outright asking Shirotani to agree to be “dependent” on him, Kurose has basically given up any pretense of respect or even basic acknowledgement of Shirotani’s agency as an (older!!) adult man. It is a testament to the strength of the series’ first volume that I’m even still reading this thing. But I would be lying if I said that it hadn’t broken my heart.

I understand that rape fantasy is a thing, and that it’s in poor taste to judge other people (especially femme-identified people, who are this genre’s target audience) for such fantasies. And on some level, I even understand a bit why someone’s fantasy might include giving up control, though I’d probably understand that better if we lived in a world where acknowledgement of a woman’s control over her own body was not considered a radical political act. I also understand that it’s, at the very least, pointless to wish for a story to be a different one than what its author wants to tell. I know that I should simply accept that something is not for me and move on. But after a full volume of something that *seems* to be for me, that truth can be difficult to swallow.

MICHELLE: Another thing that strikes me about the questions Kurose poses is how detached and clinical they can seem, even after a sexual act. One example is, “Were you more concerned with the possibility that I found you unpleasant than whether or not you found the situation itself unpleasant?” Leaving aside the tacit admission that he knows Shirotani could’ve been finding the situation unpleasant, attempting to reassert the therapist/patient dynamic at such a moment is, well, kind of creepy.

I’m not ready to give up on the series yet. Like I said, I want to believe Takarai is trying to make a more subtle point here, but I just don’t know. If volume three is more of the same, it might be too much for me, too.

MJ: Upsides of this series that extend beyond its fairly awesome first volume include Shirotani’s sweet, understanding boss, whose constant mindfulness regarding Shirotani’s discomfort and physical boundaries paint a picture of a pretty awesome guy. Similarly, Shirotani’s acquaintance from his company’s sales department, Mikami, proves himself over and over to be a good friend and a stand-up guy. It’s a shame that these characters, who operate without personal motive and truly seem to have Shirotani’s best interests at heart aren’t the people he trusts most. I can’t help but think that if either of them knew what was going on, they’d be the first to jump to Shirotani’s defense and help him get the hell out of the abusive relationship he’s been lured into by Kurose.

MICHELLE: I liked them, too! I really wanted to believe that Shirotani was indeed able to make progress in his therapy with Mikami, as he initially claimed to do, though we later learn he was lying in hopes that he could resume seeing Kurose. Perhaps it was some kind of self-fulfilling prophecy, in a way. Like, he tried with Mikami, and had no success, and now he believes that Kurose is the key to moving forward, thus increasing his dependence. He is able to achieve some things for these people in his life, though, like when his desire to find a book to entertain his hospitalized boss results in a successful purchase at a bookstore.

Regarding Kurose and his motivations, do you think there’s still some reveal to come? When he has Shirotani write out the list of ten activities he feels aversion for, with ten being something he thinks he could never do, Shirotani leaves that one blank. Kurose refuses to divulge his reasons for helping Shirotani on his own time until Shirotani fills in that tenth item. Do we already know that it’s because he was falling in love? Or is it something like, “I’m secretly a major sadist”?

MJ: That’s a really good question! I feel like I have no idea. I mean, on one hand, things have gone so far at this point I’m sort of just expecting the usual “tortured uke” trope to continue from this point, with more and more uncomfortable sex scenes and less and less real storytelling. So I’m not as optimistic as I’d like. On one hand, the series obviously continues beyond this, but I wonder if it will continue to really explore and examine this relationship or whether it will just turn to side characters like so many deceivingly-long BL series do.

Your whole first paragraph, though, just reminds me how much I loved the first volume! Gah! I want to be optimistic!

MICHELLE: So do I, and part of me thinks there’s still room for something great to evolve from this. I’m thinking of Tomoko Yamashita’s marvelous The Night Beyond the Tricornered Window, actually, in which no sexual contact has occurred, but in which one lead (Hiyakawa) casually appropriates the body of the other (Mikado) in a way that alarms others but which the affected party chooses not to think too deeply about because with Hiyakawa around, he no longer feels alone or potentially crazy for his ability to see spirits. There are some definite parallels to Ten Count there, but Yamashita is more clearly going into a psychological direction with her story, whereas Takarai seems to be taking a more traditional, explicit route.

I will still read volume three, though. How about you?

MJ: I will probably give this series one more volume, yes, even though I don’t feel as optimistic as I wish I did. Also, I’ll second your shout-out to The Night Beyond the Tricornered Window, which manages to talk about consent more thoughtfully, despite its supernatural premise. In that series, there is at least another character screaming out, “THIS IS NOT OKAY” all the time, so that we’re aware that the author knows there is a problem. It makes all the difference in the world.

MICHELLE: Indeed it does.

MJ: Bottom line, though this series starts off as a thoughtful look at the slow development of a tricky but potentially important relationship between a lonely professional who becomes friendly with a younger mental health specialist, its second volume takes a dark turn, devolving into a tale of emotional abuse, sexual assault, and deeply broken trust. We’ll probably keep reading it, but buyer beware.

My Week in Manga: January 9-January 15, 2017

January 16, 2017 by Ash Brown

My News and Reviews

Last week at Experiments in Manga I posted the Bookshelf Overload for December. It includes a pretty big list of things, in part due to massive holiday sales, so hopefully future months won’t be quite as ridiculous. Another thing that happened last week that was kind of cool was related to a post that I wrote back in 2014. My Spotlight on Masaichi Mukaide is probably one of the most noteworthy things that I’ve ever written and it actually got quite a bit of attention when I posted it. Well, Masaichi Mukaide himself apparently came across it recently and even left a comment.

Probably the biggest manga news from last week was the slew of licenses and other announcements made by Seven Seas. Here’s the list of manga:

Absolute Duo by Takumi Hiiragiboshi and Shinichirou Nariie
Alice & Zouroku by Tetsuya Imai
Captain Harlock: Dimensional Voyage by Leiji Matsumoto and Kouichi Shimahoshi
The Count of Monte Cristo by Moriyama Ena
Cutie Honey a Go Go! by Hideaki Anno and Shinpei Itou
Devilman G by Go Nagai and Rui Takatou
Dragon Half by Ryusuke Mita
Hatsune Miku: Bad End Night by Hitoshizuku-P x Yama and Tsubata Nozaki
Hatsune Miku Presents: Hachune Miku’s Everyday Vocaloid Paradise by Ontama
Magical Girl Special Ops Asuka by Makoto Fukami and Seigo Tokiya
Sleeping Beauty by Yumi Unita
Spirit Circle by Satoshi Mizukami
The Testament of Sister New Devil Storm by Tetsuto Uesu and Fumihiro Kiso
Unmagical Girl by Ryuichi Yokoyama and Manmaru Kamitsuki
Wadanohara and the Great Blue Sea by Mogeko

Seven Seas is getting back into translating novels and has a deluxe edition of Ryo Mizuno’s Record of the Lodoss War: The Grey Witch with illustrations by illustrations by Yutaka Izubuchi in the works, too. Also announced was a full-color edition of Madeleine Rosca’s Hollow Fields and five more illustrated literary classics. (I found Seven Seas release of Lewis Carroll’s Alice’s Adventures in Wonderland and Through the Looking-Glass to be quite enjoyable.)

It’s a pretty interesting group of announcements with a fairly wide range of titles to choose from. There’s even a manga from the late ’80s (Dragon Half), and not many of those are licensed any more. I’m particularly curious about Moriyama Ena’s adaptation of The Count of Monte Cristo (the cover art is gorgeous), the josei manga Sleeping Beauty by Yumi Unita (whose Bunny Drop left me with extremely conflicted feelings), as well as the number of titles which are part of classic franchises.

Quick Takes

Devils’ Line, Volumes 1-2 by Ryo Hanada. I actually didn’t realize it at first, but Devils’ Line is the second work by Hanada to be released in English. The first was the doujinshi Good-bye Geist which overall I enjoyed. However, Devils’ Line is Hanada’s first professional series. In general, I’m liking it, too, except that the artwork is terribly inconsistent. At times it’s absolutely spectacular (the cover illustrations are especially great) but within a few panels it may have lost all sense of scale an anatomy. I can’t quite tell if this is mean to be deliberate or not; if so, the execution is unconvincing. The story isn’t as tight as it could be, but it does have a nice blend of genres, including romance, horror, action, crime, and thriller. And, like Good-bye Geist, the series has a marvelously ominous atmosphere. The plot centers around Tsukasa, who unfortunately seems to be a magnet for both vampires (or “devils”) and sexual assault, and Anzai, a half-vampire working for the police in a unit specializing in devil-related incidents. Vampirism in Devils’ Line has an intensely sexual component to it; the eroticism often associated with vampires in other stories is in this case incredibly dark and violent.

The Ghost and the Lady, Volume 2 by Kazuhiro Fujita. Admittedly, The Ghost and the Lady is kind of a strange manga series. In part historical fiction and in part supernatural drama, the manga’s disparate elements don’t always perfectly mesh, but I still enjoyed the series a great deal. In The Ghost and the Lady, Fujita mixes together historical facts and legends, reimagining the life of Florence Nightingale and her accomplishments during the Crimean War with a distinctly supernatural flair. It’s clear that Fujita has done a tremendous amount of research for the series; and as the afterword by the series’ translator Zack Davisson points out, more or less every named character in the manga has a historical counterpart. There’s Nightingale herself as well as the people she knew, Grey is based on a famous ghost of the Drury Lane theater, and even historical figures like the Chevalier d’Éon have prominent roles to play. (Speaking of whom, I really need to find a good biography of d’Éon to read.) Despite the presence of the ghosts, the supernatural aspects of The Ghost and the Lady seem to come and go; I do wish that the eidolons had been utilized a little more in the series’ second half because it’s great when they are.

Holy Corpse Rising, Volume 1 by Hosana Tanaka. As can be safely assumed by provocative cover art, Holy Corpse Rising is a manga series that includes a fair amount of nudity and scantily clad women. However, despite the occasional ridiculousness, the fanservice is largely keeping with the style and tone of the series as a whole, so it doesn’t feel out-of-place; a significant portion of Holy Corpse Rising is intended to be titillating. In general, Tanaka’s artwork is quite attractive, though the women in the series are the most beautiful. They’re also by far the most powerful characters, both in ability and status. The first volume of Holy Corpse Rising serves as an introduction to the war between the Credic Church and the witches. Nikola, a monk who is a specialist in witch lore, is charged with securing the aid of the coven of first witches in the Church’s fight against their descendants. But first Nikola must resurrect them and in the process manages to put himself in some rather compromising situations. So far the first witches each seem to gain their power from a different bodily fluid (tears, blood). And since there are twelve of them, Holy Corpse Rising has the potential to enter some pretty kinky territory.

The One Hundred Nights of Hero by Isabel Greenberg. I don’t recall exactly what it was that brought The One Hundred Nights of Hero to my attention, but I’m so glad that I read it because it is marvelous; I loved the comic. Greenberg takes inspiration from existing stories and even provides retelling of folktales over the course of the graphic novel. The framework is deliberately similar to that of One Thousand and One Nights and there are stories within stories within stories. In fact, The One Hundred Nights of Hero is about the power of stories and storytellers. It’s also about love and “brave women who don’t take shit from anyone.” At the center of the comic is Cherry and her maid Hero, two women who love each other dearly. Night after night, Hero spins tale after tale in an effort to save their lives. The world of The One Hundred Nights of Hero is an incredibly misogynistic one. While different from our own, in some ways it is also tragically reminiscent. The One Hundred Nights of Hero isn’t always particularly subtle and can at times feel somewhat heavy-handed, but it’s a wonderfully powerful and unabashedly feminist work. I definitely plan on seeking out more of Greenberg’s comics.

Moshi Moshi by Banana Yoshimoto. Despite being an extremely prolific author and one of the most well-known Japanese novelists translated in English, I haven’t actually read any of Yoshimoto’s works until now. The story of Moshi Moshi is told from the first-person perspective of Yoshie, a young woman whose father has recently died. A successful musician, the circumstances surrounding his death are somewhat unclear, but it’s believed that he committed double suicide with a woman who neither she or her mother knows. The novel follows Yoshie as she tries to come to terms with the unexpected loss of her father by reinventing her life in the chic neighborhood of Shimokitazawa. Her mother joins her there, feeling that the ghost of her husband is haunting the family home, and Yoshie herself is plagued with recurring dreams in which her father appears, searching for his phone. Though Moshi Moshi does tend to drag a little in places, I really liked how Yoshimoto handles the themes of love, loss, and the inevitability of change in the novel. I suspect that Moshi Moshi likely isn’t the best introduction to Yoshimoto’s work, but for the most part I did appreciate it.

Manga the Week of 1/18

January 12, 2017 by Sean Gaffney, Ash Brown, Michelle Smith, Katherine Dacey, MJ and Anna N 2 Comments

SEAN: Mid-month, and it’s a mostly quiet time in manga land. Some series end, but others carry on regardless. What’ve we got this time around?

ASH: Wow! It’s been a while since we’ve had a week this quiet.

SEAN: Kodansha has a 2nd volume of Interviews with Monster Girls, whose first volume I found pretty good. It’s more on the ‘cute’ than ‘sexy’ end of the spectrum.

ASH: Hopefully the recent anime adaptation will encourage people to try the manga, too.

SEAN: And there’s an 18th volume of The Seven Deadly Sins.

One Peace gives us an 8th volume of yuri trap manga Maria Holic.

Seven Seas has one of my favorite horrible guilty pleasure series come to an end with the 4th and final omnibus of Franken Fran. I understand it wasn’t a big seller, which is a shame, but its over-the-top horrible horror and humor always tickled my funny bone. Or made my jaw drop.

ASH: I’ve been thoroughly enjoying Franken Fran. It’s sad to hear it hasn’t done especially well, but I’m glad to have it on my shelves.

SEAN: How to Build a Dungeon also made my jaw drop, but not in a good way. Vol. 2 is out. Buyer beware.

My Girlfriend Is a T-Rex also has a 2nd volume, and I found the first, like Interviews with Monster Girls, cute and ‘pretty good’. This is a mild recommendation.

And Non Non Biyori’s 6th volume, a series that takes slice of life to such extremes you may fall asleep just reading the synopsis.

Vertical gives us a 7th volume of Ninja Slayer, which has ninjas, who possibly slay.

Viz has the 20th volume of Dorohedoro, and I could not be more delighted. I look forward to this series every time a new volume comes out.

ASH: Yes! I love Dorohedoro.

SEAN: And there is a 16th Terra Formars as well.

Lastly, Tokyo Ghoul has a 2nd novel based on the popular series, this one called Void.

MANGA? It’s what’s happening. What are you getting?

MICHELLE: Uhhh… nothing, apparently.

KATE: That makes two of us, Michelle! There’s a whole lotta “Whoa!” and “No!” in this week’s shipments as far as I’m concerned.

MJ: Same! Is it sad that I’m somewhat relieved to finally have disembarked the Seven Seas train? Sorry, Seven Seas.

ANNA: There is nothing that appeals to me this week, which is good because I can hopefully get caught up reading other things!

My Week in Manga: January 2-January 8, 2017

January 9, 2017 by Ash Brown

My News and Reviews

Last week at Experiments in Manga the winner of the Kuroko’s Basketball giveaway was announced. The post also includes a list of some of the tournament and competition manga that has been licensed in English. As per usual these days, there wasn’t much else from me, but there is some other very exciting Manga Bookshelf news: The Manga Critic is back! Be on the lookout for some great content from Kate Dacey. Last week I also read Makoto Yukimura’s eighth Vinland Saga omnibus which was, as expected, excellent. (I highly recommend the series as a whole.) However, you won’t find a quick take of it below because I’m going to try to write up a full-length review of it instead. We’ll see how it goes!

Elsewhere online, The OASG has started a new series called How Fans Can Help the Anime & Manga Industries Grow in which industry folk share their experiences an thoughts on the subject. So far, the responses from Charlene Ingram, Viz Media’s senior manager of marketing, and Charis Messier, lead translator at Cross Infinite World, have been shared. Another interesting read courtesy of Sakuga Blog is a translation of a roundtable with three manga editors (Tatsuya Kusunoki, Katsuyuki Sasaki, and Ryouji Takamatsu) discussing the growth of the yuri genre. As for boys’ love, Khursten at Otaku Champloo takes a closer look at the Dangerous BL Manga list for 2017.

Quick Takes

Firefighter! Daigo of Fire Company M, Volumes 2-10 by Masahito Soda. I enjoyed the first volume of Firefighter! well enough to seek out the rest of the manga (while the entire series is now available digitally, most of the individual volumes are well out-of-print) and I am so incredibly glad that I did. I’m only halfway through, but Firefighter! is fantastic. It has exciting action, compelling drama, and engaging characters. The titular Daigo is a rookie firefighter who, although he seems to have good instincts, has a lot to learn. Each rescue he’s a part of is more audacious than the last and he frequently ends up in the hospital as a result. Daigo hasn’t lost anyone yet, but his unorthodox ways, disregard for direct orders, and tendency to go overboard puts his own life and the lives of other rescue workers at risk. It seems like it’s only a matter of time before tragedy will strike, but no one can deny that he has saved people who would have otherwise died. Firefighter! is intense and thrilling, but it actually has a fair amount of humor as well. (For all his bravery, Daigo is kind of a goofball.) I’m definitely looking forward to reading the series’ second half.

Horimiya, Volumes 2-4 written by Hero, illustrated by Daisuke Hagiwara. While I wasn’t quite as taken with these few volumes as I was with the first, I am still enjoying Horimiya a great deal. After accidentally discovering each other’s secrets, Miyamura and Hori have developed a close friendship which is slowly evolving into something more. It takes some time, but eventually they’re able to recognize their feelings and actually act on them. In large part, Horimiya is a manga about relationships of all types. Friendship and family are just as important, and are sometimes even more important, than the series’ romance. It’s also a manga which excels in depicting the characters’ multifaceted natures, showing how they behave differently depending on who is present. As more characters are introduced (including Hori’s father and some of Miyamura’s friends from middle school), the social dynamics in the series naturally change. Horimiya isn’t a manga that has me on edge desperate to know what will happen next, but the characters are tremendously endearing and I do want to see things work out for all of them.

Warning! Whispers of Love by Puku Okuyama. So far, only two of Okuyama’s boys’ love manga have been released in print. I had previously read and wasn’t overly impressed by the more recent Caramel despite liking some of the manga’s individual elements (in fact, overall I can’t really say that I enjoyed it much) but I already had a copy of Warning! so I figured I should at least give it a try. I’m happy to say that I enjoyed Warning! much more than I did Caramel. It’s a collection of rather silly boys’ love stories ranging from the subtly amusing to the overtly goofy. They tend to be fairly cute as well and generally any physical intimacy that is shown is limited to a few kisses and chaste embraces. Most of Warning! is devoted to the story of Hajime, a first year at an all-boys school, and the incredibly awkward relationship that develops between him and an upperclassman who seems to want nothing more than to clean the wax from Hajime’s ears. It’s easily the most ridiculous setup in the entire volume but it can be legitimately funny–all the boys’ love tropes and jokes that would typically be applied to sex are applied to ear cleaning instead and it’s surprisingly effective.

Wandering Son directed by Ei Aoki. Takako Shimura’s manga Wandering Son is an incredibly important series to me personally, so I was greatly saddened when Fantagraphics stopped releasing it in English. Initially I wanted to read the entire manga before watching the anime adaptation but, seeing as the rest likely won’t be available any time soon, I finally gave in. The Wandering Son anime is a lovely series. It’s not an exact adaptation of the manga, but it is faithful to the original story and characters. In general, the narrative style of the anime tends to be a little more linear than that of the manga. However, both series provide an empathetic exploration of gender identity, following a group of middle school students who are learning who they are. It’s a fairly realistic portrayal, meaning that society isn’t always the most accepting which can be absolutely heartbreaking. However, seeing the characters become more confident in their selves even when that goes against what is expected of them is exceptionally validating. The anime only adapts a portion of the manga and doesn’t provide much of a resolution (though it does go beyond where Fantagraphics left off), but it is still very well done and well-worth watching.

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Manga the Week of 1/11

January 5, 2017 by Sean Gaffney, Anna N, Ash Brown, MJ and Michelle Smith Leave a Comment

SEAN: The holidays are over and it’s back to the grind, but we have some manga here to help you along.

Dark Horse is not only putting out Shinji Ikari Raising Project omnibuses, but also the actual series. Vol. 17 is the 2nd to last. Love those Evangelion AUs.

Kodansha has a few books. I was very pleased with the first volume of In/Spectre, whose female lead basically ticks many marks I look for in female leads. I am very excited for Vol. 2.

ASH: I’m very curious to see how this series unfolds!

SEAN: And we also get a 3rd volume of That Wolf-Boy Is Mine!, though the wolf boy himself may say otherwise.

MICHELLE: I really enjoyed the first two volumes and am looking forward to the third!

SEAN: Meanwhile, the 12th Yamada-kun and the Seven Witches starts to show us how it intends to move on after for all intents and purposes ending last volume.

ASH: The series seems to have done this a few times now.

SEAN: The big publisher this week is Seven Seas, with five titles. First we have a 9th volume of techno thriller Arpeggio of Blue Steel.

And a 3rd volume of Zero Sum-tastic action series Battle Rabbits.

The debut this week is The Girl From the Other Side: Siúil, A Rún, which is a mouthful but I have high hopes. Also known as Totsukuni no Shoujo, it’s a Mag Garden title from Comic Blade. We haven’t seen much of them since the old Tokyopop days. It seems to be along the lines of Ancient Magus’ Bride and similar titles.

ASH: I am looking forward to this one immensely; possibly one of my most anticipated debuts of the year.

ANNA: This sounds interesting to me.

MJ: Oh, this. I’m definitely interested in this!

SEAN: Golden Time’s 6th volume continues to show us that law school students can have just as many angsty romantic triangles as high school students.

And the always gloriously silly My Monster Secret has a 5th volume.

Speaking of silly, or at least just plain weird, there’s a 6th volume of Nichijou from Vertical Comics.

Viz closes things out. First we have a 61st volume of Case Closed, which continues to feature lots of mysteries and lots of pointing.

The Legend of Zelda: Legendary Edition’s first volume was a huge bestseller, and I suspect the second, which will have Oracle of Seasons and Oracle of Ages, should do equally well.

Lastly, Ranma 1/2 has its second to last omnibus, which means that at least one of its many hanging subplots will get wrapped up. No, really, it will. But not any of the romantic ones, fear not.

ASH: Still glad Ranma is getting a re-release!

SEAN: There’s some really good titles here. What interests you?

MICHELLE: Apparently only wolf boys!

My Week in Manga: December 26, 2016-January 1, 2017

January 2, 2017 by Ash Brown

My News and Reviews

Happy New Year, everyone! 2016 may now be over, but there’s still a little time left to enter Experiments in Manga’s December giveaway. Tell me a little about your favorite tournament manga or tournament story arc by Wednesday for a chance to win the first omnibus of Tadatoshi Fujimaki’s Kuroko’s Basketball. Also posted at Experiments in Manga last week were my random musings about some of the notable manga, comics, and other books that debuted in 2016. Despite there being three posts last week (which hasn’t happened in a very long time!) I actually wasn’t online much at all. As a result, I probably missed out on some interesting reading and announcements, so do let me know if there was anything particularly cool. One thing that I did see though was an interview with Kabi Nagata, creator of My Lesbian Experience with Loneliness which is scheduled to be released in English by Seven Seas later this year (and which I’m really looking forward to).

Quick Takes
Bungo Stray Dogs, Volume 1 written by Kafka Asagiri and illustrated by Sango Harukawa. The Armed Detective Agency specializes in the dangerous cases that the Japanese police and military either won’t or can’t handle. It’s a team of uniquely skilled individuals who have abilities that seem to come right out of fiction, but the “good guys” aren’t the only ones with formidable powers. While there are names that a more casual reader might recognize—Osamu Dazai, Edogawa Rampo, Junichiro Tanazaki, Ryunosuke Akutagawa, and so on—others, like the lead Atsushi Nakajima, are less well-known in English. (I actually happen to be a pretty big fan of Nakajima’s work.) Their supernatural talents and personality quirks are all based on their namesakes. For example, Dazai’s power is named No Longer Human and he has a penchant for attempting suicide. It’s off to an intriguing start, but I’m not sure if Bungo Stray Dogs will appeal quite as much to someone not as familiar with the literary references being made. It’s not necessary to understand them to enjoy the manga, though. So far, I am getting a kick out of the series and look forward to seeing how it develops.

Hunter x Hunter, Volumes 1-8 by Yoshihiro Togashi. I’ve been somewhat reluctant to start reading Hunter x Hunter (it might have something to do with the manga already being over thirty volumes long), but I’ve seen so much excitement and fan art for the series recently that I finally gave in. And I’ll admit, there’s a tremendous amount that I found appealing about the beginning of Hunter x Hunter. The setting is interesting, too, especially the concept of Hunters. These are people who, after putting their lives at risk to pass a grueling series of tests, are granted access to resources and information that others can only dream of. The manga largely follows Gon, a boy who wants to become a Hunter in order to find his father Ging, himself a hunter of great renown, as well as the friends and enemies Gon makes along the way. I really enjoyed the first story arc in which the candidates are trying to pass the Hunter exam. The second arc, while it serves an important purpose, I found to be a bit tedious as some of the world’s metaphysics are overexplained. However, the series quickly recovers its momentum again with clever action, intriguing characters, and drama.

Miss Kobayashi’s Dragon Maid, Volume 1 by Coolkyousinnjya. Out of Seven Seas more recent monster girl manga, Miss Kobayashi’s Dragon Maid is the one that I was most interested in. For one, I happen to really like dragons. It also doesn’t hurt that the series is yuri-esque and that the titular Miss Kobayashi is an adult woman working as a systems engineer. Miss Kobayashi’s Dragon Maid features some nudity and bawdiness but for the most part it doesn’t tend to be overly-sexualized which is also refreshing. The manga can actually be surprisingly cute, charming, and sweet. Hotaru is a dragon who has taken it upon herself to act as Kobayashi’s maid after Kobayashi saves her life. For her part, Kobayashi thought it was all an alcohol-induced dream and so is very surprised to discover that a dragon girl has made herself at home in her apartment. Why a maid specifically? It turns out that Kobayashi is a bit of a maid otaku (which becomes very clear when she goes off on drunken rants on the subject). Hotaru, who loves Kobayashi dearly, wants to do anything to make Kobayashi happy even if her efforts are somewhat awkward and frequently miss the mark.

Reindeer Boy by Cassandra Jean. I am a fan of Jean’s illustration work, and so I was very excited to learn that an original graphic novel was in the making. Reindeer Boy is based on a series of character drawings that Jean has been creating (and that I’ve been following) since 2013. The comic follows Quincy, a young woman whose life takes an unexpected turn when a group of students, all of whom have antlers, transfer into her high school. They seem to take particular interest in her, especially the flirtatious Cupid who claims they are Santa’s reindeer. Quincy’s not sure what to make of it all, but the more she gets to know them the more she likes them. Admittedly, the story of Reindeer Boy does feel like it was made to fit the characters rather than the other way around. It’s kind of a strange comic, but it’s fun, goofy fluff with a bit of romance, delightful characters, and beautiful, sensual artwork. Reindeer Boy, while telling a complete story, does seem to end rather abruptly. I’m not sure if there are plans to release any additional reindeer comics, but I’d love the opportunity to spend more time with the characters and learn more about the mythology that Jean has created.

Yuri!!! on Ice directed by Sayo Yamamoto. It’s been a long while since I’ve had the time and opportunity to marathon an entire anime series, but I knew that once I started Yuri!!! on Ice that I wouldn’t want to stop. And I was right; I love this series so much and hope that there will be a nice physical release that I can purchase in the future. The underlying story is fairly straightforward and simple: After a miserable performance at the Grand Prix, the career of Japanese figure skater Yuri Katsuki is falling apart when his idol Victor Nikiforov unexpectedly quits competing to become his coach. Yuri!!! on Ice is a series about love, passion, and inspiration in many forms. It’s also about people struggling against their selves, fighting through failure and realizing their self-worth. Yuri!!! on Ice is a tightly written and immensely satisfying show, but I do think it would have been even better if there were just a few more episodes to allow the characters and story more room to breathe. That being said, there is still some impressive character development with the series’ short span and the psychological elements are handled particularly well. Understandably, the leads receive the most attention, but I’d really like to know more about the supporting cast, too.