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My Week in Manga: January 16-January 22, 2017

January 23, 2017 by Ash Brown

My News and Reviews

It’s been several months since my last in-depth review, but over the weekend I actually managed to post one delving into the eighth omnibus of Makoto Yukimura’s Vinland Saga. I really love this series so I am thrilled that Kodansha Comics was able to continue publishing it. The eighth omnibus marks the start of an exciting new story arc and introduces some great new characters. On a personal note, it also felt good to actually finish writing a review since it’s been so long. I’d like to continue posting at least one long-form review or feature every month in addition to the usual My Week in Manga, Bookshelf Overload, and Giveaway features. On the surface it seems to be a reasonable goal, so I guess I’ll see how it goes!

Elsewhere online, Sparkler Monthly‘s first issue of 2017 has been released. As can be expected, all of the content is great, but this issue specifically features Denise Schroeder and her delightful lesbian-themed comic Before You Go. I took a look at the first installment of Before You Go as part of my Year of Yuri review project a couple of years ago. It’s a great comic, so I’m glad so see more of it. And if things go well, there should be a collected edition in the near future as well! Also last week, Seven Seas announced its collaboration with J-Novel Club to release Ao Jyumonji’s Grimgar of Fantasy and Ash and Chiyomaru Shikura’s Occultic;Nine in print.

Quick Takes

Dimension W, Volumes 1-2 by Yuji Iwahara. Several of Iwahara’s manga series have been released in English. I’ve read and enjoyed both Cat Paradise and King of Thorn, but there’s also Chikyu Misaki and most recently Dimension W. I’ve come to expect a few things from Iwahara’s manga: great artwork and action, large and diverse casts, intriguing settings and premises, and entertaining stories that take numerous twists and turns (and which often end up rather convoluted as a result). So far, it seems as though Dimension W will also follow this pattern and, being Iwahara’s longest series, I suspect that the plot will go in some truly bizarre directions. But even considering that Iwahara seems to be constantly making up and changing the rules when it’s convenient just to make the story work, I’m actually really enjoying Dimension W. In the series, New Tesla is a company that has gained a tremendous amount of political and social influence due to the fact that it monopolizes a nearly limitless source of energy and the technology needed to use it. The power could be dangerous in the wrong hands, and New Tesla may very well be the wrong hands.

Firefighter! Daigo of Fire Company M, Volumes 11-20 by Masahito Soda. One of the things about Firefighter! is that once I start reading it, I can’t seem to put it down. It’s a fantastic action series that’s firmly based in reality, although some of the scenarios are so completely over-the-top that they strain believability. Even so, the drama and intensity of Firefighter! is thrilling. With every rescue Soda keeps increasing the stakes, finding ways to make each one even more daring and astonishing than the last. And seeing as the first half of Firefighter! ends with Daigo intentionally crashing a fire engine into a building, that’s a pretty impressive feat. Admittedly, the series can get pretty absurd, but it’s always entertaining as well as engaging. The character development is excellent, too. In the heat of the moment, Daigo has the tendency to make some incredibly dangerous although ultimately life-saving decisions, but afterwards he struggles to come to terms with his actions and underlying motives. Firefighter! is a great series and well-worth a look. The manga is currently out-of-print, but fortunately it is readily available digitally.

Please Tell Me! Galko-chan, Volume 1 by Kenya Suzuki. I first learned about the Please Tell Me! Galko-chan manga due to its recent anime adaptation (which I haven’t actually seen yet), but I was still very curious about the original series. What I didn’t realize until I picked up the first volume was that the manga is actually completely illustrated in color; the palette and style that Suzuki uses for the cover illustration is pretty much what is used for the interior artwork as well. Please Tell Me! Galko-chan is a surprisingly sweet, funny, and charming series, especially considering that it frankly deals with issues surrounding puberty, sex, and so on. Some of the subject matter is more innocent, but there’s plenty of dirty humor and jokes, too. Though the framing of the series is fictional, the largely short and episodic manga of Please Tell Me! Galko-chan do incorporate a fair amount of factual information. What I really appreciate about Please Tell Me! Galko-chan is that while the topics covered often embarrass the characters–frequently they’re discussing breasts, menstruation, and sex in a deliberate attempt to make each other blush–there’s never a sense that they or their bodies are shameful.

Ze, Volumes 10-11 by Yuki Shimizu. Despite at one point being rather fond of Shimizu’s supernatural boys’ love Ze, it’s taken me a while to actually get around to reading the main manga’s last story arc and conclusion. (Granted, that may have also been partly due to the numerous delays and unreliability of Digital Manga’s release schedule.) As a whole Ze tends to be fairly sexually explicit, but these two volumes are for the most part relatively tame and include very little sex at all. The relationships and power dynamics in the series are still pretty intense, though. The final story arc of Ze is almost entirely devoted to revealing the backstory of Waki and his connection to the Mitou family. In an interesting twist, it turns out that Waki has always been an asshole and there was nothing in particular that made him that way; although unfortunate things have certainly happened to him, his depraved personality is completely his own. The Mitou family’s past is certainly a strange and tragic one that has resulted in a great deal of suffering over time, but Shimizu does manage to end the series on a positive and redemptive note.

Manga the Week of 1/25/17

January 19, 2017 by Sean Gaffney, Ash Brown, Anna N, Katherine Dacey, MJ and Michelle Smith Leave a Comment

SEAN: For a Yen week, this is actually pretty reasonable. Mostly as Yen moved a bunch of titles to the week after next, but hey.

Kodansha first, though. They’ve recently announced several new titles as digital releases. Deathtopia debuts next week, from the creator of Cage of Eden. This is a seinen title from Evening Magazine, and we’ll see if it’s as fanservice-laden as its shonen predecessor. It’s a thriller.

Wave, Listen to Me! gets the award for best title of the week. It’s an Afternoon manga from the creator of Blade of the Immortal. Fans of that series will be happy to hear this new one takes place… at a radio station?

ASH: I just found out about this series and I am incredibly curious about it.

MICHELLE: Oooooh! I especially like that the Kodansha site mentions “the beginning of an aggressive ramp-up in new digital manga series!”

KATE: Count me in for Wave, Listen to Me!, too. I’m a little biased — I teach a class on radio and television history — but I’m delighted to see a few grown-up options in the mix.

MJ: Oh, interesting.

ANNA: I am officially intrigued.

SEAN: And this isn’t out in volume form yet, but a new series from the creator of A Silent Voice debuts next week with 10 individual chapters, which catches us up with Weekly Shonen Magazine. Called To Your Eternity (Fumetsu no Anata e), it’s more supernaturally tinged than A Silent Voice but apparently just as depressing.

Kodansha also has an 8th print volume of Forget Me Not.

Seven Seas surprisingly only has one title out this week, given how much they’ve been piling on the books lately. It’s the 5th volume of Nurse Hitomi’s Monster Infirmary.

Vertical Inc. has the first volume of Nisioisin’s popular Zaregoto series, Decapitation: Kubikiri Cycle, though they emphasize they’ve only licensed this one volume, to tie in with the current Japanese OAV adaptation. It was actually released by Del Rey years ago; this is a re-edited version, and hopefully now that Bakemonogatari is popular it should see more readers.

Vertical Comics also gives us a third Immortal Hounds.

And the rest is Yen Press. First off, a 9th volume of capital letter and punctuation loving Akame Ga KILL!.

The 8th manga volume of A Certain Magical Index wraps up the adaptation of the 6th novel.

Death March to the Parallel World Rhapsody is the runner-up for best title of the week. As for the content, it’s a story where a guy finds himself transported to another world, gaining impressive powers, and surrounded by beautiful… wait, why are you running away? “Transported to another world” is this year’s vampires! This is the manga, the novel is out one week later.

First Love Monster has a 6th volume.

Fruits’ Basket Collector’s Edition reached Vol. 9, and get ready, because this is the one with THAT spoiler which shattered Furuba fandom forever.

MICHELLE: I continue to boggle that we’re up to this point already. But I also love that we’re still maintaining the secrecy of that spoiler.

SEAN: Horimiya has a 6th volume, and we’ll see if things advance on the romance front.

ASH: I’ve been enjoying Horimiya a great deal.

MICHELLE: Woot!

SEAN: I’ve enjoyed the light novel The Isolator, dark as it’s been, and so am pleased to see the manga adaptation is now coming out over here.

And there’s a 3rd volume of fantasy Liselotte & Witch’s Forest.

MICHELLE: I’ll be picking up this one, too.

SEAN: Murciélago also debuts this month from Yen Press. It’s a Young Gangan title that is apparently SUPER violent, and has humor so black it causes you to redefine “funny”. And it also has a lesbian lead, though this isn’t your cute high school girls sort of lesbian. I’ve heard good things about it (it has the Erica Friedman seal of approval), but with lots of “it’s pretty sick” warnings.

ASH: I’ve heard good things, too, but it definitely won’t be a series for everybody.

MJ: I would describe myself as interested, but skeptical.

SEAN: Rokka: Brave of the Six Flowers also has its manga adaptation debut (the novel arrives in April). It’s a fantasy series with strong word of mouth – real fantasy, rather than light novel fantasy. This adaptation ran in Shueisha’s now defunct Super Dash & Go!.

ANNA: Huh, I am always up for more fantasy manga.

SEAN: I was pleasantly surprised at how good I found the first volume of Scum’s Wish, though ‘pleasant’ is perhaps the wrong word for what’s going on with these kids. I look forward to the second volume.

MICHELLE: Same. Dark and complex, but not ecchi like the cover of volume one might suggest.

SEAN: Taboo Tattoo has a 5th volume, and is very Monthly Comic Alive.

Today’s Cerberus sees a 2nd print volume, and is still cute and silly.

You can’t have a long list of manga without at least one survival game title, and there is is: the 2nd volume of Tohyo Game.

Lastly, we wrap up the 6th Umineko arc with the 3rd and final omnibus of Dawn of the Golden Witch. I’m not sure when the 7th arc will begin – Yen hasn’t scheduled it – but this volume at least resolves Erika Furudo’s role in the series… at least for the time being.

A lot of new stuff this week. What appeals to you most?

BL Bookrack: Ten Count, Vols. 1-2

January 19, 2017 by MJ and Michelle Smith 5 Comments

MJ: Wow, it’s been… a long time hasn’t it, my friend?

MICHELLE: I am scared to even verify how long it has been. A couple of years, at least!

MJ: So what’s brought us here today is the boys’ love series Ten Count (volumes one and two ) by Rihito Takarai, published here by SuBLime. From what I understand, the series has reached five volumes (ongoing) in Japan. The third volume is due out from SuBLime next month.

MICHELLE: Would you like to start?

MJ: Sure!

Shirotani is a lifelong germaphobe, resigned to his condition, though it keeps him isolated from others. Fortunately, with the help of his understanding employer, he is able to tolerate his job as secretary to a corporate CEO. It is in the corporate line of duty, then, that he first meets Kurose, a therapist at a local mental health clinic. Kurose notices Shirotani’s condition immediately, and suggests he seek help, but though Shirotani is able to make his way to the clinic, he can’t bring himself to go inside. Acknowledging this difficulty, Kurose offers to help him in a non-clinical capacity, as a friend, an arrangement to which Shirotani eventually agrees. As Kurose slowly helps him accomplish progressively difficult tasks (touching a doorknob with his bare hand, buying a book from a bookstore), the two become close in ways that complicates their relationship and threatens the fragile boundaries between them.

Fans of BL manga don’t need me to explain what that means, or probably why my greatest fear with this series would be that the therapist/patient dynamic (even in the context of them being “friends”) would create a problematic imbalance of power. And it does, though not right away. Had I read only the first volume, this paragraph would be a very different one, gratefully dismissing my fears and filled with satisfied discussion of their slowly-evolving relationship and lots of talk about how that kind of careful development is so rare and wonderful in this genre. Had I read only the first volume, I would have declared a lot of love for this series. Unfortunately, Kurose’s careful handling of Shirotani is abandoned less than two chapters into the second volume, when after declaring his love for Shirotani, he mercilessly forces him into accepting sexual contact (against Shirotani’s clear protestations), which only escalates as the volume continues. In fact, Shirotani’s germaphobia makes the situation even more brutal, as Kurose is not only performing non-consensual sexual acts with Shirotani, but also blatantly ignoring Shirotani’s boundaries regarding skin-to-skin contact without any of the thoughtful consideration he promised as part of their initial arrangement. It’s obvious that the author intended the germaphobia as a metaphorical stand-in for the typical uke resistance so popular in BL, but instead it just feels like piling on.

MICHELLE: What I found most interesting to contemplate is that Kurose does, in fact, give Shirotani opportunity to object. He warns him that he’s going to attempt these kinds of things if they continue to see each other, and asks questions like, “Did you really not like what we did a moment ago?” Sometimes, Shirotani is able to give voice to his objections, but he also holds back his disgust, and I have to think that’s because he doesn’t want to drive Kurose, the only person to whom he has any kind of close relationship, away. How much, then, does Shirotani actually reciprocate and how much is he just desperate to keep Kurose in his life?

If I had faith that Takarai was wanting us to consider this question in a thoughtful way, I’d be fairly happy. But there are a few comments, mostly in bonus stories or author asides, that make me think she is setting up a dominant/submissive paradigm in which Kurose simply enjoys seeing Shirotani squirm, and that is very troubling indeed.

MJ: Yeah, you’re right—he often does ask Shirotani for permission to do something, or for confirmation that he’s enjoying himself, but those check-ins feel pretty empty, considering the fact that he generally moves on with what he’s doing without anything resembling actual enthusiastic consent. And if she’s trying to set up a dominant/submissive relationship, she’s doing it 50 Shades style, which only furthers my discomfort. Kurose’s behavior becomes increasingly controlling over the course of the second volume, by the end of which he has not only violated most of Shirotani’s personal and sexual boundaries, but also has begun infantilizing him to a truly creepy degree. Between declaring a preference for a “childlike” hairstyle and outright asking Shirotani to agree to be “dependent” on him, Kurose has basically given up any pretense of respect or even basic acknowledgement of Shirotani’s agency as an (older!!) adult man. It is a testament to the strength of the series’ first volume that I’m even still reading this thing. But I would be lying if I said that it hadn’t broken my heart.

I understand that rape fantasy is a thing, and that it’s in poor taste to judge other people (especially femme-identified people, who are this genre’s target audience) for such fantasies. And on some level, I even understand a bit why someone’s fantasy might include giving up control, though I’d probably understand that better if we lived in a world where acknowledgement of a woman’s control over her own body was not considered a radical political act. I also understand that it’s, at the very least, pointless to wish for a story to be a different one than what its author wants to tell. I know that I should simply accept that something is not for me and move on. But after a full volume of something that *seems* to be for me, that truth can be difficult to swallow.

MICHELLE: Another thing that strikes me about the questions Kurose poses is how detached and clinical they can seem, even after a sexual act. One example is, “Were you more concerned with the possibility that I found you unpleasant than whether or not you found the situation itself unpleasant?” Leaving aside the tacit admission that he knows Shirotani could’ve been finding the situation unpleasant, attempting to reassert the therapist/patient dynamic at such a moment is, well, kind of creepy.

I’m not ready to give up on the series yet. Like I said, I want to believe Takarai is trying to make a more subtle point here, but I just don’t know. If volume three is more of the same, it might be too much for me, too.

MJ: Upsides of this series that extend beyond its fairly awesome first volume include Shirotani’s sweet, understanding boss, whose constant mindfulness regarding Shirotani’s discomfort and physical boundaries paint a picture of a pretty awesome guy. Similarly, Shirotani’s acquaintance from his company’s sales department, Mikami, proves himself over and over to be a good friend and a stand-up guy. It’s a shame that these characters, who operate without personal motive and truly seem to have Shirotani’s best interests at heart aren’t the people he trusts most. I can’t help but think that if either of them knew what was going on, they’d be the first to jump to Shirotani’s defense and help him get the hell out of the abusive relationship he’s been lured into by Kurose.

MICHELLE: I liked them, too! I really wanted to believe that Shirotani was indeed able to make progress in his therapy with Mikami, as he initially claimed to do, though we later learn he was lying in hopes that he could resume seeing Kurose. Perhaps it was some kind of self-fulfilling prophecy, in a way. Like, he tried with Mikami, and had no success, and now he believes that Kurose is the key to moving forward, thus increasing his dependence. He is able to achieve some things for these people in his life, though, like when his desire to find a book to entertain his hospitalized boss results in a successful purchase at a bookstore.

Regarding Kurose and his motivations, do you think there’s still some reveal to come? When he has Shirotani write out the list of ten activities he feels aversion for, with ten being something he thinks he could never do, Shirotani leaves that one blank. Kurose refuses to divulge his reasons for helping Shirotani on his own time until Shirotani fills in that tenth item. Do we already know that it’s because he was falling in love? Or is it something like, “I’m secretly a major sadist”?

MJ: That’s a really good question! I feel like I have no idea. I mean, on one hand, things have gone so far at this point I’m sort of just expecting the usual “tortured uke” trope to continue from this point, with more and more uncomfortable sex scenes and less and less real storytelling. So I’m not as optimistic as I’d like. On one hand, the series obviously continues beyond this, but I wonder if it will continue to really explore and examine this relationship or whether it will just turn to side characters like so many deceivingly-long BL series do.

Your whole first paragraph, though, just reminds me how much I loved the first volume! Gah! I want to be optimistic!

MICHELLE: So do I, and part of me thinks there’s still room for something great to evolve from this. I’m thinking of Tomoko Yamashita’s marvelous The Night Beyond the Tricornered Window, actually, in which no sexual contact has occurred, but in which one lead (Hiyakawa) casually appropriates the body of the other (Mikado) in a way that alarms others but which the affected party chooses not to think too deeply about because with Hiyakawa around, he no longer feels alone or potentially crazy for his ability to see spirits. There are some definite parallels to Ten Count there, but Yamashita is more clearly going into a psychological direction with her story, whereas Takarai seems to be taking a more traditional, explicit route.

I will still read volume three, though. How about you?

MJ: I will probably give this series one more volume, yes, even though I don’t feel as optimistic as I wish I did. Also, I’ll second your shout-out to The Night Beyond the Tricornered Window, which manages to talk about consent more thoughtfully, despite its supernatural premise. In that series, there is at least another character screaming out, “THIS IS NOT OKAY” all the time, so that we’re aware that the author knows there is a problem. It makes all the difference in the world.

MICHELLE: Indeed it does.

MJ: Bottom line, though this series starts off as a thoughtful look at the slow development of a tricky but potentially important relationship between a lonely professional who becomes friendly with a younger mental health specialist, its second volume takes a dark turn, devolving into a tale of emotional abuse, sexual assault, and deeply broken trust. We’ll probably keep reading it, but buyer beware.

My Week in Manga: January 9-January 15, 2017

January 16, 2017 by Ash Brown

My News and Reviews

Last week at Experiments in Manga I posted the Bookshelf Overload for December. It includes a pretty big list of things, in part due to massive holiday sales, so hopefully future months won’t be quite as ridiculous. Another thing that happened last week that was kind of cool was related to a post that I wrote back in 2014. My Spotlight on Masaichi Mukaide is probably one of the most noteworthy things that I’ve ever written and it actually got quite a bit of attention when I posted it. Well, Masaichi Mukaide himself apparently came across it recently and even left a comment.

Probably the biggest manga news from last week was the slew of licenses and other announcements made by Seven Seas. Here’s the list of manga:

Absolute Duo by Takumi Hiiragiboshi and Shinichirou Nariie
Alice & Zouroku by Tetsuya Imai
Captain Harlock: Dimensional Voyage by Leiji Matsumoto and Kouichi Shimahoshi
The Count of Monte Cristo by Moriyama Ena
Cutie Honey a Go Go! by Hideaki Anno and Shinpei Itou
Devilman G by Go Nagai and Rui Takatou
Dragon Half by Ryusuke Mita
Hatsune Miku: Bad End Night by Hitoshizuku-P x Yama and Tsubata Nozaki
Hatsune Miku Presents: Hachune Miku’s Everyday Vocaloid Paradise by Ontama
Magical Girl Special Ops Asuka by Makoto Fukami and Seigo Tokiya
Sleeping Beauty by Yumi Unita
Spirit Circle by Satoshi Mizukami
The Testament of Sister New Devil Storm by Tetsuto Uesu and Fumihiro Kiso
Unmagical Girl by Ryuichi Yokoyama and Manmaru Kamitsuki
Wadanohara and the Great Blue Sea by Mogeko

Seven Seas is getting back into translating novels and has a deluxe edition of Ryo Mizuno’s Record of the Lodoss War: The Grey Witch with illustrations by illustrations by Yutaka Izubuchi in the works, too. Also announced was a full-color edition of Madeleine Rosca’s Hollow Fields and five more illustrated literary classics. (I found Seven Seas release of Lewis Carroll’s Alice’s Adventures in Wonderland and Through the Looking-Glass to be quite enjoyable.)

It’s a pretty interesting group of announcements with a fairly wide range of titles to choose from. There’s even a manga from the late ’80s (Dragon Half), and not many of those are licensed any more. I’m particularly curious about Moriyama Ena’s adaptation of The Count of Monte Cristo (the cover art is gorgeous), the josei manga Sleeping Beauty by Yumi Unita (whose Bunny Drop left me with extremely conflicted feelings), as well as the number of titles which are part of classic franchises.

Quick Takes

Devils’ Line, Volumes 1-2 by Ryo Hanada. I actually didn’t realize it at first, but Devils’ Line is the second work by Hanada to be released in English. The first was the doujinshi Good-bye Geist which overall I enjoyed. However, Devils’ Line is Hanada’s first professional series. In general, I’m liking it, too, except that the artwork is terribly inconsistent. At times it’s absolutely spectacular (the cover illustrations are especially great) but within a few panels it may have lost all sense of scale an anatomy. I can’t quite tell if this is mean to be deliberate or not; if so, the execution is unconvincing. The story isn’t as tight as it could be, but it does have a nice blend of genres, including romance, horror, action, crime, and thriller. And, like Good-bye Geist, the series has a marvelously ominous atmosphere. The plot centers around Tsukasa, who unfortunately seems to be a magnet for both vampires (or “devils”) and sexual assault, and Anzai, a half-vampire working for the police in a unit specializing in devil-related incidents. Vampirism in Devils’ Line has an intensely sexual component to it; the eroticism often associated with vampires in other stories is in this case incredibly dark and violent.

The Ghost and the Lady, Volume 2 by Kazuhiro Fujita. Admittedly, The Ghost and the Lady is kind of a strange manga series. In part historical fiction and in part supernatural drama, the manga’s disparate elements don’t always perfectly mesh, but I still enjoyed the series a great deal. In The Ghost and the Lady, Fujita mixes together historical facts and legends, reimagining the life of Florence Nightingale and her accomplishments during the Crimean War with a distinctly supernatural flair. It’s clear that Fujita has done a tremendous amount of research for the series; and as the afterword by the series’ translator Zack Davisson points out, more or less every named character in the manga has a historical counterpart. There’s Nightingale herself as well as the people she knew, Grey is based on a famous ghost of the Drury Lane theater, and even historical figures like the Chevalier d’Éon have prominent roles to play. (Speaking of whom, I really need to find a good biography of d’Éon to read.) Despite the presence of the ghosts, the supernatural aspects of The Ghost and the Lady seem to come and go; I do wish that the eidolons had been utilized a little more in the series’ second half because it’s great when they are.

Holy Corpse Rising, Volume 1 by Hosana Tanaka. As can be safely assumed by provocative cover art, Holy Corpse Rising is a manga series that includes a fair amount of nudity and scantily clad women. However, despite the occasional ridiculousness, the fanservice is largely keeping with the style and tone of the series as a whole, so it doesn’t feel out-of-place; a significant portion of Holy Corpse Rising is intended to be titillating. In general, Tanaka’s artwork is quite attractive, though the women in the series are the most beautiful. They’re also by far the most powerful characters, both in ability and status. The first volume of Holy Corpse Rising serves as an introduction to the war between the Credic Church and the witches. Nikola, a monk who is a specialist in witch lore, is charged with securing the aid of the coven of first witches in the Church’s fight against their descendants. But first Nikola must resurrect them and in the process manages to put himself in some rather compromising situations. So far the first witches each seem to gain their power from a different bodily fluid (tears, blood). And since there are twelve of them, Holy Corpse Rising has the potential to enter some pretty kinky territory.

The One Hundred Nights of Hero by Isabel Greenberg. I don’t recall exactly what it was that brought The One Hundred Nights of Hero to my attention, but I’m so glad that I read it because it is marvelous; I loved the comic. Greenberg takes inspiration from existing stories and even provides retelling of folktales over the course of the graphic novel. The framework is deliberately similar to that of One Thousand and One Nights and there are stories within stories within stories. In fact, The One Hundred Nights of Hero is about the power of stories and storytellers. It’s also about love and “brave women who don’t take shit from anyone.” At the center of the comic is Cherry and her maid Hero, two women who love each other dearly. Night after night, Hero spins tale after tale in an effort to save their lives. The world of The One Hundred Nights of Hero is an incredibly misogynistic one. While different from our own, in some ways it is also tragically reminiscent. The One Hundred Nights of Hero isn’t always particularly subtle and can at times feel somewhat heavy-handed, but it’s a wonderfully powerful and unabashedly feminist work. I definitely plan on seeking out more of Greenberg’s comics.

Moshi Moshi by Banana Yoshimoto. Despite being an extremely prolific author and one of the most well-known Japanese novelists translated in English, I haven’t actually read any of Yoshimoto’s works until now. The story of Moshi Moshi is told from the first-person perspective of Yoshie, a young woman whose father has recently died. A successful musician, the circumstances surrounding his death are somewhat unclear, but it’s believed that he committed double suicide with a woman who neither she or her mother knows. The novel follows Yoshie as she tries to come to terms with the unexpected loss of her father by reinventing her life in the chic neighborhood of Shimokitazawa. Her mother joins her there, feeling that the ghost of her husband is haunting the family home, and Yoshie herself is plagued with recurring dreams in which her father appears, searching for his phone. Though Moshi Moshi does tend to drag a little in places, I really liked how Yoshimoto handles the themes of love, loss, and the inevitability of change in the novel. I suspect that Moshi Moshi likely isn’t the best introduction to Yoshimoto’s work, but for the most part I did appreciate it.

Manga the Week of 1/18

January 12, 2017 by Sean Gaffney, Ash Brown, Michelle Smith, Katherine Dacey, MJ and Anna N 2 Comments

SEAN: Mid-month, and it’s a mostly quiet time in manga land. Some series end, but others carry on regardless. What’ve we got this time around?

ASH: Wow! It’s been a while since we’ve had a week this quiet.

SEAN: Kodansha has a 2nd volume of Interviews with Monster Girls, whose first volume I found pretty good. It’s more on the ‘cute’ than ‘sexy’ end of the spectrum.

ASH: Hopefully the recent anime adaptation will encourage people to try the manga, too.

SEAN: And there’s an 18th volume of The Seven Deadly Sins.

One Peace gives us an 8th volume of yuri trap manga Maria Holic.

Seven Seas has one of my favorite horrible guilty pleasure series come to an end with the 4th and final omnibus of Franken Fran. I understand it wasn’t a big seller, which is a shame, but its over-the-top horrible horror and humor always tickled my funny bone. Or made my jaw drop.

ASH: I’ve been thoroughly enjoying Franken Fran. It’s sad to hear it hasn’t done especially well, but I’m glad to have it on my shelves.

SEAN: How to Build a Dungeon also made my jaw drop, but not in a good way. Vol. 2 is out. Buyer beware.

My Girlfriend Is a T-Rex also has a 2nd volume, and I found the first, like Interviews with Monster Girls, cute and ‘pretty good’. This is a mild recommendation.

And Non Non Biyori’s 6th volume, a series that takes slice of life to such extremes you may fall asleep just reading the synopsis.

Vertical gives us a 7th volume of Ninja Slayer, which has ninjas, who possibly slay.

Viz has the 20th volume of Dorohedoro, and I could not be more delighted. I look forward to this series every time a new volume comes out.

ASH: Yes! I love Dorohedoro.

SEAN: And there is a 16th Terra Formars as well.

Lastly, Tokyo Ghoul has a 2nd novel based on the popular series, this one called Void.

MANGA? It’s what’s happening. What are you getting?

MICHELLE: Uhhh… nothing, apparently.

KATE: That makes two of us, Michelle! There’s a whole lotta “Whoa!” and “No!” in this week’s shipments as far as I’m concerned.

MJ: Same! Is it sad that I’m somewhat relieved to finally have disembarked the Seven Seas train? Sorry, Seven Seas.

ANNA: There is nothing that appeals to me this week, which is good because I can hopefully get caught up reading other things!

My Week in Manga: January 2-January 8, 2017

January 9, 2017 by Ash Brown

My News and Reviews

Last week at Experiments in Manga the winner of the Kuroko’s Basketball giveaway was announced. The post also includes a list of some of the tournament and competition manga that has been licensed in English. As per usual these days, there wasn’t much else from me, but there is some other very exciting Manga Bookshelf news: The Manga Critic is back! Be on the lookout for some great content from Kate Dacey. Last week I also read Makoto Yukimura’s eighth Vinland Saga omnibus which was, as expected, excellent. (I highly recommend the series as a whole.) However, you won’t find a quick take of it below because I’m going to try to write up a full-length review of it instead. We’ll see how it goes!

Elsewhere online, The OASG has started a new series called How Fans Can Help the Anime & Manga Industries Grow in which industry folk share their experiences an thoughts on the subject. So far, the responses from Charlene Ingram, Viz Media’s senior manager of marketing, and Charis Messier, lead translator at Cross Infinite World, have been shared. Another interesting read courtesy of Sakuga Blog is a translation of a roundtable with three manga editors (Tatsuya Kusunoki, Katsuyuki Sasaki, and Ryouji Takamatsu) discussing the growth of the yuri genre. As for boys’ love, Khursten at Otaku Champloo takes a closer look at the Dangerous BL Manga list for 2017.

Quick Takes

Firefighter! Daigo of Fire Company M, Volumes 2-10 by Masahito Soda. I enjoyed the first volume of Firefighter! well enough to seek out the rest of the manga (while the entire series is now available digitally, most of the individual volumes are well out-of-print) and I am so incredibly glad that I did. I’m only halfway through, but Firefighter! is fantastic. It has exciting action, compelling drama, and engaging characters. The titular Daigo is a rookie firefighter who, although he seems to have good instincts, has a lot to learn. Each rescue he’s a part of is more audacious than the last and he frequently ends up in the hospital as a result. Daigo hasn’t lost anyone yet, but his unorthodox ways, disregard for direct orders, and tendency to go overboard puts his own life and the lives of other rescue workers at risk. It seems like it’s only a matter of time before tragedy will strike, but no one can deny that he has saved people who would have otherwise died. Firefighter! is intense and thrilling, but it actually has a fair amount of humor as well. (For all his bravery, Daigo is kind of a goofball.) I’m definitely looking forward to reading the series’ second half.

Horimiya, Volumes 2-4 written by Hero, illustrated by Daisuke Hagiwara. While I wasn’t quite as taken with these few volumes as I was with the first, I am still enjoying Horimiya a great deal. After accidentally discovering each other’s secrets, Miyamura and Hori have developed a close friendship which is slowly evolving into something more. It takes some time, but eventually they’re able to recognize their feelings and actually act on them. In large part, Horimiya is a manga about relationships of all types. Friendship and family are just as important, and are sometimes even more important, than the series’ romance. It’s also a manga which excels in depicting the characters’ multifaceted natures, showing how they behave differently depending on who is present. As more characters are introduced (including Hori’s father and some of Miyamura’s friends from middle school), the social dynamics in the series naturally change. Horimiya isn’t a manga that has me on edge desperate to know what will happen next, but the characters are tremendously endearing and I do want to see things work out for all of them.

Warning! Whispers of Love by Puku Okuyama. So far, only two of Okuyama’s boys’ love manga have been released in print. I had previously read and wasn’t overly impressed by the more recent Caramel despite liking some of the manga’s individual elements (in fact, overall I can’t really say that I enjoyed it much) but I already had a copy of Warning! so I figured I should at least give it a try. I’m happy to say that I enjoyed Warning! much more than I did Caramel. It’s a collection of rather silly boys’ love stories ranging from the subtly amusing to the overtly goofy. They tend to be fairly cute as well and generally any physical intimacy that is shown is limited to a few kisses and chaste embraces. Most of Warning! is devoted to the story of Hajime, a first year at an all-boys school, and the incredibly awkward relationship that develops between him and an upperclassman who seems to want nothing more than to clean the wax from Hajime’s ears. It’s easily the most ridiculous setup in the entire volume but it can be legitimately funny–all the boys’ love tropes and jokes that would typically be applied to sex are applied to ear cleaning instead and it’s surprisingly effective.

Wandering Son directed by Ei Aoki. Takako Shimura’s manga Wandering Son is an incredibly important series to me personally, so I was greatly saddened when Fantagraphics stopped releasing it in English. Initially I wanted to read the entire manga before watching the anime adaptation but, seeing as the rest likely won’t be available any time soon, I finally gave in. The Wandering Son anime is a lovely series. It’s not an exact adaptation of the manga, but it is faithful to the original story and characters. In general, the narrative style of the anime tends to be a little more linear than that of the manga. However, both series provide an empathetic exploration of gender identity, following a group of middle school students who are learning who they are. It’s a fairly realistic portrayal, meaning that society isn’t always the most accepting which can be absolutely heartbreaking. However, seeing the characters become more confident in their selves even when that goes against what is expected of them is exceptionally validating. The anime only adapts a portion of the manga and doesn’t provide much of a resolution (though it does go beyond where Fantagraphics left off), but it is still very well done and well-worth watching.

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Manga the Week of 1/11

January 5, 2017 by Sean Gaffney, Anna N, Ash Brown, MJ and Michelle Smith Leave a Comment

SEAN: The holidays are over and it’s back to the grind, but we have some manga here to help you along.

Dark Horse is not only putting out Shinji Ikari Raising Project omnibuses, but also the actual series. Vol. 17 is the 2nd to last. Love those Evangelion AUs.

Kodansha has a few books. I was very pleased with the first volume of In/Spectre, whose female lead basically ticks many marks I look for in female leads. I am very excited for Vol. 2.

ASH: I’m very curious to see how this series unfolds!

SEAN: And we also get a 3rd volume of That Wolf-Boy Is Mine!, though the wolf boy himself may say otherwise.

MICHELLE: I really enjoyed the first two volumes and am looking forward to the third!

SEAN: Meanwhile, the 12th Yamada-kun and the Seven Witches starts to show us how it intends to move on after for all intents and purposes ending last volume.

ASH: The series seems to have done this a few times now.

SEAN: The big publisher this week is Seven Seas, with five titles. First we have a 9th volume of techno thriller Arpeggio of Blue Steel.

And a 3rd volume of Zero Sum-tastic action series Battle Rabbits.

The debut this week is The Girl From the Other Side: Siúil, A Rún, which is a mouthful but I have high hopes. Also known as Totsukuni no Shoujo, it’s a Mag Garden title from Comic Blade. We haven’t seen much of them since the old Tokyopop days. It seems to be along the lines of Ancient Magus’ Bride and similar titles.

ASH: I am looking forward to this one immensely; possibly one of my most anticipated debuts of the year.

ANNA: This sounds interesting to me.

MJ: Oh, this. I’m definitely interested in this!

SEAN: Golden Time’s 6th volume continues to show us that law school students can have just as many angsty romantic triangles as high school students.

And the always gloriously silly My Monster Secret has a 5th volume.

Speaking of silly, or at least just plain weird, there’s a 6th volume of Nichijou from Vertical Comics.

Viz closes things out. First we have a 61st volume of Case Closed, which continues to feature lots of mysteries and lots of pointing.

The Legend of Zelda: Legendary Edition’s first volume was a huge bestseller, and I suspect the second, which will have Oracle of Seasons and Oracle of Ages, should do equally well.

Lastly, Ranma 1/2 has its second to last omnibus, which means that at least one of its many hanging subplots will get wrapped up. No, really, it will. But not any of the romantic ones, fear not.

ASH: Still glad Ranma is getting a re-release!

SEAN: There’s some really good titles here. What interests you?

MICHELLE: Apparently only wolf boys!

My Week in Manga: December 26, 2016-January 1, 2017

January 2, 2017 by Ash Brown

My News and Reviews

Happy New Year, everyone! 2016 may now be over, but there’s still a little time left to enter Experiments in Manga’s December giveaway. Tell me a little about your favorite tournament manga or tournament story arc by Wednesday for a chance to win the first omnibus of Tadatoshi Fujimaki’s Kuroko’s Basketball. Also posted at Experiments in Manga last week were my random musings about some of the notable manga, comics, and other books that debuted in 2016. Despite there being three posts last week (which hasn’t happened in a very long time!) I actually wasn’t online much at all. As a result, I probably missed out on some interesting reading and announcements, so do let me know if there was anything particularly cool. One thing that I did see though was an interview with Kabi Nagata, creator of My Lesbian Experience with Loneliness which is scheduled to be released in English by Seven Seas later this year (and which I’m really looking forward to).

Quick Takes
Bungo Stray Dogs, Volume 1 written by Kafka Asagiri and illustrated by Sango Harukawa. The Armed Detective Agency specializes in the dangerous cases that the Japanese police and military either won’t or can’t handle. It’s a team of uniquely skilled individuals who have abilities that seem to come right out of fiction, but the “good guys” aren’t the only ones with formidable powers. While there are names that a more casual reader might recognize—Osamu Dazai, Edogawa Rampo, Junichiro Tanazaki, Ryunosuke Akutagawa, and so on—others, like the lead Atsushi Nakajima, are less well-known in English. (I actually happen to be a pretty big fan of Nakajima’s work.) Their supernatural talents and personality quirks are all based on their namesakes. For example, Dazai’s power is named No Longer Human and he has a penchant for attempting suicide. It’s off to an intriguing start, but I’m not sure if Bungo Stray Dogs will appeal quite as much to someone not as familiar with the literary references being made. It’s not necessary to understand them to enjoy the manga, though. So far, I am getting a kick out of the series and look forward to seeing how it develops.

Hunter x Hunter, Volumes 1-8 by Yoshihiro Togashi. I’ve been somewhat reluctant to start reading Hunter x Hunter (it might have something to do with the manga already being over thirty volumes long), but I’ve seen so much excitement and fan art for the series recently that I finally gave in. And I’ll admit, there’s a tremendous amount that I found appealing about the beginning of Hunter x Hunter. The setting is interesting, too, especially the concept of Hunters. These are people who, after putting their lives at risk to pass a grueling series of tests, are granted access to resources and information that others can only dream of. The manga largely follows Gon, a boy who wants to become a Hunter in order to find his father Ging, himself a hunter of great renown, as well as the friends and enemies Gon makes along the way. I really enjoyed the first story arc in which the candidates are trying to pass the Hunter exam. The second arc, while it serves an important purpose, I found to be a bit tedious as some of the world’s metaphysics are overexplained. However, the series quickly recovers its momentum again with clever action, intriguing characters, and drama.

Miss Kobayashi’s Dragon Maid, Volume 1 by Coolkyousinnjya. Out of Seven Seas more recent monster girl manga, Miss Kobayashi’s Dragon Maid is the one that I was most interested in. For one, I happen to really like dragons. It also doesn’t hurt that the series is yuri-esque and that the titular Miss Kobayashi is an adult woman working as a systems engineer. Miss Kobayashi’s Dragon Maid features some nudity and bawdiness but for the most part it doesn’t tend to be overly-sexualized which is also refreshing. The manga can actually be surprisingly cute, charming, and sweet. Hotaru is a dragon who has taken it upon herself to act as Kobayashi’s maid after Kobayashi saves her life. For her part, Kobayashi thought it was all an alcohol-induced dream and so is very surprised to discover that a dragon girl has made herself at home in her apartment. Why a maid specifically? It turns out that Kobayashi is a bit of a maid otaku (which becomes very clear when she goes off on drunken rants on the subject). Hotaru, who loves Kobayashi dearly, wants to do anything to make Kobayashi happy even if her efforts are somewhat awkward and frequently miss the mark.

Reindeer Boy by Cassandra Jean. I am a fan of Jean’s illustration work, and so I was very excited to learn that an original graphic novel was in the making. Reindeer Boy is based on a series of character drawings that Jean has been creating (and that I’ve been following) since 2013. The comic follows Quincy, a young woman whose life takes an unexpected turn when a group of students, all of whom have antlers, transfer into her high school. They seem to take particular interest in her, especially the flirtatious Cupid who claims they are Santa’s reindeer. Quincy’s not sure what to make of it all, but the more she gets to know them the more she likes them. Admittedly, the story of Reindeer Boy does feel like it was made to fit the characters rather than the other way around. It’s kind of a strange comic, but it’s fun, goofy fluff with a bit of romance, delightful characters, and beautiful, sensual artwork. Reindeer Boy, while telling a complete story, does seem to end rather abruptly. I’m not sure if there are plans to release any additional reindeer comics, but I’d love the opportunity to spend more time with the characters and learn more about the mythology that Jean has created.

Yuri!!! on Ice directed by Sayo Yamamoto. It’s been a long while since I’ve had the time and opportunity to marathon an entire anime series, but I knew that once I started Yuri!!! on Ice that I wouldn’t want to stop. And I was right; I love this series so much and hope that there will be a nice physical release that I can purchase in the future. The underlying story is fairly straightforward and simple: After a miserable performance at the Grand Prix, the career of Japanese figure skater Yuri Katsuki is falling apart when his idol Victor Nikiforov unexpectedly quits competing to become his coach. Yuri!!! on Ice is a series about love, passion, and inspiration in many forms. It’s also about people struggling against their selves, fighting through failure and realizing their self-worth. Yuri!!! on Ice is a tightly written and immensely satisfying show, but I do think it would have been even better if there were just a few more episodes to allow the characters and story more room to breathe. That being said, there is still some impressive character development with the series’ short span and the psychological elements are handled particularly well. Understandably, the leads receive the most attention, but I’d really like to know more about the supporting cast, too.

Random Musings: Notable in 2016

December 30, 2016 by Ash Brown

The end of 2016 has come and, as promised, I have compiled my annual list of notable releases of some of the works published within the last twelve months. All of the caveats from previous years still apply–to qualify a book must have been released in 2016 and I must have read it in 2016. (And I certainly haven’t read everything that’s been published this year.) Additionally, this year I’ve specifically decided to focus on debuts rather than continuing series (with one exception) and am limiting the list to one book per publisher in order to make it more manageable for myself. This is not a “best of” list or a list of favorites (that would be a much longer feature). It’s not even a list of all of the noteworthy releases from the past year, otherwise I’d probably never finish writing (2016 was an excellent year for manga in particular). What this list is is a subset of releases from the last year that, for one reason or another, left the most significant impressions on me.

The first manga published in English in 2016 which really made me take note was Ichigo Takano’s Orange. It’s a heartwarming but bittersweet story which deals with some very heavy topics including crippling guilt, regret, depression, and suicide. Orange resonated very strongly with my own personal experiences as someone who is both challenged by and knows others who struggle with similar issues. The manga can be heartbreaking, but Takano’s approach is immensely compassionate and life-affirming.

Inio Asano’s Goodnight Punpun is likewise a heartwrenching manga that deals with very serious and troubling subject matter. However, in the case of Goodnight Punpun, that exploration ends up being incredibly dark and surreal. I find the series to be remarkably compelling and the artwork is spectacular, but it’s certainly not what I would call light reading. The tragic coming-of-age story that Asano presents is deliberately uncomfortable and even the humor tends to be extremely bleak.

Devastating coming-of-age stories were apparently a theme for me in 2016 because The Gods Lie by Kaori Ozaki fits into that category as well. The Gods Lie was actually one of my most anticipated releases of the year and I was not disappointed. The manga is a beautiful, emotionally resonate work with a story that is both skillfully told and drawn. Ozaki addresses themes of abandonment, desperation, and death, recognizing that solutions to bad situations aren’t always easy or clear.

Although the subject matter of Rokudenashiko’s autobiographical manga What Is Obscenity?: The Story of a Good for Nothing Artist and Her Pussy is also quite serious—a portrayal of the circumstances surrounding her multiple arrests on obscenity charges—the volume itself is charmingly funny, sweet, and surprisingly upbeat. Rokudenashiko’s work as an artist and activist is both inspiring and empowering. I personally feel that What Is Obscenity? was one of the most important releases from 2016.

A few years ago, Drawn & Quarterly released a collection of Shigeru Mizuki’s Kitaro manga which I loved, so I was thrilled when a multi-volume Kitaro series was announced. Beginning with The Birth of Kitaro, the series has been specifically curated to appeal to younger readers although the manga is still a tremendous amount of fun regardless of age. Not very many classic manga are licensed in English these days, but with my particular interest in yokai, I’m glad that the influential Kitaro is one of them.

Kodansha Comics was the manga publisher that impressed me most overall in 2016 with the expansion of the range of its offerings. One of the most interesting releases actually wasn’t a manga but an original collection of Western comics inspired by Hajime Isayama’s Attack on Titan. Like any anthology, some of the contributions to Attack on Titan Anthology are stronger than others, but some are incredible. As a whole, the volume is a fantastic collection compiling a wide variety of styles and genres.

Another remarkable multinational effort from 2016 was Are You an Echo?: The Lost Poetry of Misuzu Kaneko from Chin Music Press. The children’s book, beautifully illustrated by Toshikado Hajiri, combines a biography written by David Jacobson with a selection of Kaneko’s poetry translated by Sally Ito and Michiko Tsuboi. Kaneko is relatively unknown in English but her work is utterly delightful, charming, and compassionate. Are You an Echo? is a lovely book and a treasure.

Technically, Han Kang’s Human Acts won’t be released in North America until 2017, but the English translation was first published in 2016. The novel was honestly one of the best books that I read all year. It was also one of the most devastating and haunting. Beautifully written by Kang and elegantly translated by Deborah Smith, Human Acts shows how past tragedies have long-lasting and far-reaching effects on the present and future. The novel is intensely personal, political, and powerful.

The Paper Menagerie and Other Stories is the second book by Ken Liu to have been published. (Liu’s first book, The Grace of Kings, was actually on last year’s list of notable releases.) The collection brings together fifteen of Liu’s short stories and novellas, a combination of award-winning works and the author’s personal favorites. The volume is consistently compelling and thought-provoking—as good speculative fiction should be—each story providing a distinctive and meaningful perspective.

As many people know, Lianne Sentar’s Tokyo Demons is one of my obsessions, so I would be remiss to not mention it here. 2016 was a great year for fans of the series: Know What You Want, a provocative collection of mature side stories, was released in print, the third book finished its serialization online with an extremely satisfying conclusion, and the beginnings of the sequel series Tokyo Ghosts began to make its appearance. I’m very glad for the opportunity to see the story and characters continue to change and evolve.

Manga the Week of 1/4

December 29, 2016 by Sean Gaffney, Ash Brown, Michelle Smith, MJ and Anna N 1 Comment

SEAN: No respite for anyone this January, as unlike past years the manga keeps on piling in. What’ve we got next week?

Dark Horse has the 2nd Shinji Ikari Raising Project omnibus. So much lighter, fluffier Evangelion lately…

J-Novel Club debuts a new digital-only light novel series, and boy does this have a light novel title. I Saved Too Many Girls And Caused The Apocalypse has a tremendous number of volumes out in Japan, but it’s a harem series so that may explain it. At least our hero isn’t in a fantasy game-type world… I think.

Your Lie in April finishes from Kodansha with its 11th volume, and you’d better get ready for some Bridge to Terabithia level tears, let me tell you.

Seven Seas has a 6th volume of The Ancient Magus’ Bride, one of my favorites of their lineup. First printings will have extra material!

ASH: I’m really looking forward to this!

SEAN: They also debut Bloom Into You, a yuri title that for once is not ‘yuri for fanservice’s sake because girl-on-girl is hot’. This well-written series from Dengeki Daioh also boasts great art. If you enjoy manga like this but have avoided it because of Seven Seas’ recent yuri titles, give it a shot.

MICHELLE: I’ve been looking forward to this one!

ASH: Me, too! I’ve heard very good things about the series.

MJ: I will check this out!

SEAN: And there’s also a 10th volume of Magical Girl Apocalypse, for those who enjoy seeing cute girls dying.

Lastly, in case Seven Seas’s normal demographic was feeling left out, there is a 3rd volume of the Monster Musume side-story series I Heart Monster Girls.

And now it’s time for Viz. First off we have a 3rd volume of 7th Garden.

And a 3rd volume of “we’re still not Ouran” series Behind the Scenes!!.

ANNA: I still like it!

SEAN: The Demon Prince of Momochi House gets a 7th volume.

ASH: I just recently caught up with this series and plan on reading more.

ANNA: It is one of those series that just keeps getting better with each volume.

SEAN: And if you still can’t get enough of buying Dragon Ball over and over and over again, here’s the 5th Full Color Freeza Arc.

We’re on an odd month, so Haikyu!! is the sole sports series out from Viz this time.

MICHELLE: At least there’s never a month when we’re without!

ASH: Plus, Haikyu!! is great!!

ANNA: Yay for volleyball!

SEAN: Honey So Sweet has a 5th volume of cute cuteness.

MICHELLE: Yay. I could use some adorable about now.

ANNA: It is SO cute.

SEAN: And Naruto is still churning out 3-in-1s – this is the 17th.

Nisekoi 19 begins the march to slowly resolving all the harem pairings – and by resolve I mean let down gently.

One-Punch Man 10! PUNCHING!

MICHELLE: I am embarking on this series in the very near future!

ASH: I hope you enjoy! It can be a highly entertaining series.

SEAN: A new 3-in-1 debuts, as we now get Rurouni Kenshin for those who didn’t read it ages ago. If you didn’t, do so, it’s very good.

MICHELLE: Forsooth.

ANNA: It is so good! But I find it odd how many printings some series go through!

SEAN: An 11th volume of Seraph of the End stares quietly, waiting stoicly for me to make a vampire joke. I back down.

Skip Beat! has its 3-in-1s catch up with its main release again with this 12th omnibus.

Twin Star Exorcists trundles along as well with a 7th volume.

And we also get a 14th World Trigger, and wish the author a ‘get well soon’.

See what I mean? Not your usual slow January. Whadya got?

Manga Giveaway: Kuroko’s Basketball Giveaway

December 28, 2016 by Ash Brown

2016 is finally drawing to close. It’s been a tumultuous year for me personally, with all sorts of ups and downs, but one thing at least was constant–2016 was great for manga. But before the is completely over, there’s still time for one more manga giveaway to celebrate all of the great releases. This month you all have the chance to win TadatoshiFujimaki’s first Kurkoko’s Baskestball omnibus published in English by Viz Media. And as always, the giveaway is open worldwide!

The licensing of sports manga have recently become more common; there are more, but the three major series that are currently be released are Yowamushi Pedaul by Wataru Watanabe, Haikyu!! by Haruichi Furudate, and Kuroko’s Basketball by Tadatoshi Fujimaki. Each series features a different sport–cycling, volleyball, and basketball respectively–but one of the many things that they have in common are the stories’ competitive natures. Competitions and tournaments provide a ready-made narrative for a series. Tournaments aren’t limited to sports manga, and not all sports manga have tournaments although most of the ones that I’ve read certainly do. When done well, tournament arcs can be very exciting events. When done poorly, they seem to drag on and seem to serve little purpose. Kuroko’s Basketball dives into it’s initial tournament game very quickly. I haven’t read much of the series yet, but so far the manga has been pretty entertaining.

So, you may be wondering, how can you a copy of Kuroko’s Basketball, Omnibus 1?

1) In the comments below, tell me a little about a favorite tournament manga or favorite manga with a tournament arc. (If you don’t have one or haven’t read any, simply mention that.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

It’s as easy as that. Everyone participating has one week to submit comments and can earn up to two entries for this giveaway. Comments can also be submitted directly to phoenixterran(at)gmail(dot)com if needed or preferred. The comments will then be posted here in your name. The giveaway winner will be randomly selected and announced on January 4, 2017. Best of luck, and happy new year!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: Kuroko’s Basketball Giveaway Winner

My Week in Manga: December 19-December 25, 2016

December 26, 2016 by Ash Brown

My News and Reviews

Nothing other than the usual My Week in Manga feature was posted last week at Experiments in Manga. However, I still have a few things in store before the year is through. Later this week you’ll want to be on the lookout for the monthly manga giveaway for December. I’ve also been hard at work on my list of notable manga, comics, and other books that I’ve read that were released in 2016. That list should be ready to post in the very near future as well!

Quick Takes

The Demon Prince of Momochi House, Volumes 2-6 by Aya Shouoto. It was the beautiful artwork and yokai that first drew The Demon Prince of Momochi House to my attention and that continues to be a large part of the series’ appeal for me. I’m also enjoying the story’s melancholic atmosphere as the manga explores themes of loneliness and the desire to belong. Himari, who is an incredibly sweet and caring person, is steadily building her relationships and friendships with the locals, ayakashi and humans alike. However, more the romantic elements of the series are admittedly less convincing. Although there is an underlying story about the mysteries surrounding Aoi and Himari’s efforts to free him from his tragic fate, The Demon Prince of Momochi House frequently almost seems episodic in nature as Himari is introduced to a variety of supernatural wonders and dangers. The seemingly directionless and less-than-cohesive storytelling can be frustrating and sometimes even feels a little shallow, but overall I find the series to be alluring and provocative and look forward to reading more.

What Did You Eat Yesterday?, Volumes 9-11 by Fumi Yoshinaga. I am incredibly happy that What Did You Eat Yesterday? is being released in English, so it makes me sad that the series doesn’t seem to be doing especially well in translation. It’s a shame, because it really is a wonderful manga. While I certainly appreciate the food aspects of What Did You Eat Yesterday?, I particularly love the realistic and nuanced characterizations found in the series. The food is all well and good, not to mention beautifully illustrated, but it’s the characters and their relationships that really make the series work. Shiro’s character development has probably been the most interesting and satisfying. I’m very glad to see his relationship with his parents improving even after some significant setbacks. While he’s still not out in his professional life, it is clear that he is becoming more comfortable publicly expressing his sexuality. Fortunately, Shiro and his long-term boyfriend Kenji have the love, support, and acceptance of others which makes that easier. More recently, rather than their homosexuality, what they’ve had to worry about are Shiro’s aging parents and the rising cost of living.

Yowamushi Pedal, Omnibuses 3-4 (equivalent to Volumes 5-8) by Wataru Watanabe. Out of the recent spate of new sports manga being released in North America, Yowamushi Pedal is currently one of my favorites. I have seen a fair amount of the anime adaptation so at this point I am very familiar with where the plot is heading, but even so I still find the original manga to be immensely engaging. Before Yowamushi Pedal, I actually didn’t realize how much of a team effort cycling could be; it’s interesting to learn about the various strategies that can be used to win a race. These couple of omnibuses largely focus on Sohoku’s intensive training camp and also introduce some of the major competition. The characters are fun, some of them are frankly pretty cool, too, and they all have distinctive personalities. The Sohoku team especially is made up of a group of quirky but likeable and talented young cyclists. Art-wise Yowamushi Pedal could almost be described as ugly, but I really like its highly dramatic and energetic style. Watanabe probably uses more speedlines than any other artist I’ve seen, but the effect is great.

Legend of the Galactic Heroes, Volumes 2-3 by Yoshiki Tanaka. Despite the nearly constant war and political upheaval present in the Legend of the Galactic Heroes novels, the series isn’t really that action-oriented. I suspect some people will actually find it to be rather dry and perhaps even textbook-like. With only the occasional bout of melodrama, the series quickly moves from one event or venue to the next and the cast of characters only continues to grow. (Granted, as this is war, not all of them survive very long after being introduced.) Because the scope is so sprawling sometimes it feels as though Legend of the Galactic Heroes lacks depth of story and characters, instead opting for a wider view and summary of major events. However, Tanaka does show how the complexities of societal, political, economic, and militaristic influences can impact one another. The books frequently read like a popular history, and the series actually reminds me a bit of Romance of the Three Kingdoms, too. So far I’m really enjoying the series and find its story and characters interesting. I like the focus on tactics and strategy as well as the influence that real-life history has had on the series.

Manga the Week of 12/28

December 22, 2016 by Sean Gaffney, Michelle Smith, Ash Brown, Anna N and MJ 1 Comment

SEAN: I remember only 4-5 years ago when the Christmas week releases numbered zero, or at most one. Those days are gone forever, though this is a light week compared to the previous ones.

Dark Horse has a 6th omnibus of the Astro Boy manga.

Kodansha has the 20th volume of Attack on Titan, and if you like there’s also the Special Edition which comes with an actual Titan that will eat you… OK, it’s just a DVD. But I bet they’d do it if they could.

Cells at Work! gives is a 2nd volume of anthropomorphic medical action.

MICHELLE: I’m reading the first volume now and it’s pretty entertaining. I’m interested to see how (and if) the story develops.

ASH: The first volume was a great deal of fun! I’m interested in reading more.

SEAN: And a second (and final?) volume of The Black Museum: The Ghost and the Lady. No word if the other series in this collection has been picked up.

ASH: I really liked the first half of this story. If the rest of the series is anywhere near as good, I hope it’s licensed, too.

SEAN: Potboilers continue to do well, as we get an 8th L♥DK.

Lastly, rejoice! An 8th Vinland Saga omnibus is here in all its glorious carnage.

ASH: I am beyond thrilled for Vinland Saga’s return.

ANNA: I did not realize that this was coming out, but I’m very excited!

SEAN: Seven Seas has D-Frag! hit double digits. My guess: there will be boke and tsukkomi humor within… like the nine previous volumes.

And a 4th survival game-ish Not Lives.

My #1 guilty pleasure, and believe me the guilt outweighs the pleasure by a metric ton, Seven Seas also has a 6th Pandora in the Crimson Shell: Ghost Urn, where two amazing talents prove they can reinforce each other’s worst habits.

The debut next week is the first volume of Seven Princes of the Thousand Year Labyrinth. It’s one of the most Ichijinsha things you’ve ever met, despite also being a survival game. I reviewed it here.

ASH: I plan on giving the first volume a look at least.

SEAN: Lastly, Vertical gives us a 4th omnibus of Mysterious Girlfriend X. Get yourself some drool for the holidays.

MICHELLE: Ew.

MJ: Nothing really calls out to me from this week’s list, but I did want to say “Happy Holidays!” to all our readers, and to you all, too!

SEAN: So what are you getting with those Christmas gift cards?

My Week in Manga: December 12-December 18, 2016

December 19, 2016 by Ash Brown

My News and Reviews

After a slight delay, November’s Bookshelf Overload was posted last week at Experiments in Manga. Last week I also came to the sad conclusion that my feature on Ichigo Takano’s Orange simply isn’t going to happen despite the progress that I’ve made on it and all of my best efforts. I’d like to extend an apology to everyone who was looking forward to that post, myself included. Orange deeply resonated with me and my own experiences and I wanted to share that with others. Specifically, I wanted to write an essay exploring its sensitive, honest, and compassionate portrayal of the very personal challenges surrounding issues of guilt, depression, and suicide. Ironically, it’s partly due to my own mess of anxieties, et al. that I’m having so much trouble lately. Even when I have the inspiration and desire, I’m still having a terribly difficult time actually writing. So, I’m not sure when my long-form features will return–even though I miss writing and sharing them, I’m trying to be kind to myself by giving myself a bit of a break–but I hope that it is sooner rather than later. However, I can at least still commit to regularly posting My Week in Manga, Giveaways, and Bookshelf Overload features! It’s not much compared to my past output, but at least it is something. Oh, and I’ll definitely be posting my list of notable 2016 releases at the end of the month!

Quick Takes

The Boy Who Cried Wolf by Mentaiko Itto. Bruno Gmünder’s Gay Manga line began in 2013 and the publisher has been slowly but steadily releasing gay erotic manga in English translation ever since. The Boy Who Cried Wolf is the second collection of Mentaiko Itto’s erotic doujinshi to be published by Bruno Gmünder. The volume collects three of Itto’s short manga: “Hamu and the Boy Who Cried Wolf,” “Holy Night,” and “As Swift as Lightning.” As I’ve come to expect from Itto’s work, in addition to uninhibited sex scenes there is also a fair amount of humor to be found in The Boy Who Cried Wolf as well as a great deal of heart. Unlike Priapus, Itto’s previous collection in translation, The Boy Who Cried Wolf is generally more realistic and less fantastic in nature. Granted, as a historical comedy of sorts, “As Swift as the Lightning” deliberately includes its fair share of anachronisms. But Itto actually incorporates some autobiographical elements in “Hamu and the Boy Who Cried Wolf,” a manga about a young man who is initially so deeply closeted that he unintentionally hurts the person he cares most about. However, because this is Itto, the story isn’t nearly as gloomy as that description sounds. The Boy Who Cried Wolf is a great collection of highly entertaining erotic manga. I truly hope that more of Itto’s work will be translated in the future.

In/Spectre, Volume 1 by Chasiba Katase. Although In/Spectre is based on the novel Invented Inference: Steel Lady Nanase by Kyo Shirodaira, Katase seems to have been given plenty of freedom in adapting the story as a manga series. If the note from the original author is to be believed, the currently ongoing In/Spectre manga is actually the more popular of the two renditions. Unsurprisingly, I was primarily drawn to the manga because yokai play a prominent role in the series. Considering the title I thought it might also be a mystery manga which, as it turns out, in some ways it is and in some ways it isn’t. I didn’t find the first volume of In/Spectre to be as engaging as I hoped it would be–at times the pacing can be agonizingly slow–but I am still greatly intrigued by the series. Now that the setting has been established and the rather peculiar characters have been introduced, I’m hoping that future volumes have more energy to them because I really do like the basic premise of the series. In/Spectre largely follows a young woman named Kotoko Iwanaga who has become a god of wisdom to Japan’s yokai. This has its benefits, but it also cost her an eye and a leg. She is responsible for helping to mediate disputes between yokai, but also for keeping the more unruly ones in check when humans are in danger.

Persona 4, Volumes 2-5 by Shuji Sogabe. Though I suspect that I would enjoy it, I still haven’t actually played the original Persona 4 video game, so it’s difficult for me to directly compare Sogabe’s manga adaptation. However, I can say that for the most part the manga can stand alone as its own work. However occasionally it does feel as though the characters are being railroaded and the story has only one possible path to take, probably a remnant from the manga’s RPG origins. While overall the artwork is attractive and stylish, the action-oriented scenes and fight sequences can be somewhat lacking in their execution. But I love the themes that Persona 4 deals with, especially those of personal identity and self-acceptance. As the series progresses, concepts of gender and sexuality come into greater play as well which (as always) I find particularly interesting. In general like all of the characters, too. Yosuke can unfortunately be a homophobic ass from time to time, but I absolutely adore Kanji, a tough guy with a good heart who has traditionally feminine interests and hobbies. Much of the character and story development in Persona 4 is ambiguous enough that multiple and sometimes opposing readings and interpretations are possible, some of which are frankly unflattering. Personally, I prefer and am more comfortable with the more positive interpretations.

Stand Still, Stay Silent, Book 1 by Minna Sundberg. The first book of Sundberg’s ongoing Stand Still, Stay Silent collects the award-winning webcomic’s prologue, first five chapters, and additional bonus content. It’s available in both digital and physical editions, but the hardcover print volume is absolutely gorgeous. Much like Sundberg’s earlier epic A Redtail’s Dream, Nordic influences are a major part of Stand Still, Stay Silent. The comic is stunningly illustrated with beautiful, full-color artwork. Stand Still, Stay Silent is a post-apocalyptic tale of adventure and exploration with an ominous touch of horror and the unknown. At the same time, the comic manages to be lighthearted and humorous. The prologue establishes the comic’s fascinating setting–a seemingly harmless disease which turns out to be fatal quickly spreads across the globe. Ninety years later, Iceland, which was able to completely close itself off from the rest of the world, has become the center of known civilization, but a team has been assembled to see what can be found beyond the relative safety of the Nordic countries. Despite scenes of intense terror and action, the plot of Stand Still, Stay Silent is actually on the slower side; the focus is almost entirely on the characters and their interpersonal dynamics. The character writing, worldbuilding, and humor in Stand Still, Stay Silent is simply fantastic.

Manga the Week of 12/21

December 15, 2016 by Sean Gaffney, Ash Brown, Anna N, MJ and Michelle Smith 2 Comments

SEAN: Abandon hope all ye who enter here.

ASH: Deep breaths!

SEAN: Kodansha starts things off with an 8th volume of Kiss Him, Not Me!

ASH: It has its problems, but I’m still enjoying this series.

SEAN: One Peace gives us a 2nd volume of Kuma Miko, which I hope is a bit more strange and cute and not strange and creepy.

ANNA: I have the first volume of this, I need to read it.

SEAN: Seven Seas has a 2nd volume of Lord Marksman and Vanadis, in which, hopefully, the village is saved? Or not, it could be a much darker sort of story.

At last, one year after the release of the chronological prequel Kizumonogatari comes the book that started it all. Bakemonogatari is being published by Vertical in 3 parts, fitting the Japanese re-release, and the first one contains Hitagi Crab and Mayoi Snail. If you love complicated prose, glorious dialogue, and the supernatural, you’ll love this.

MJ: I possibly should take a look at this.

SEAN: And Vertical also has the final Chi’s Sweet Home omnibus. Bye, Chi!

Viz has a 12th volume of Afterschool Charisma, reminding you that the SigIkki brand remains awesome.

MICHELLE: I believe this is the final volume, as well.

ASH: I really need to catch up!

ANNA: Me too! I need to wait for a sale or something and fill in my collection.

SEAN: Gangsta: Cursed is a prequel to the main series with the same writer but a different artist. It runs in the wonderfully named Go Go Bunch.

ASH: I’m looking forward to this.

ANNA: I am too, but I like the main series art so much!

SEAN: Viz also has a 4th omnibus of the cheerful and innocent fantasia Goodnight Punpun.

ASH: Very cheerful! Very innocent!

MICHELLE: *is not fooled*

SEAN: Master Keaton has a 9th volume, reminding me it was quite a long series.

ASH: I actually didn’t realize how long a series it was.

SEAN: And even though Amazon isn’t listing it for some odd reason, there’s a 10th Tokyo Ghoul.

The big Viz release, in more ways than one, is Tomie: The Complete Collection, a 750-page hardcover containing all of his classic horror story. If you love getting scared witless, try this book.

ASH: I love Viz’s Junji Ito releases, so I’m definitely picking this up (even though I also have the ancient Dark Horse edition).

MJ: I love getting scared witless!

SEAN: I always forget to mention Yo-kai Watch when it comes out, so this is me correcting that, as Viz has Vol. 6 of it.

And now it’s time for Yen, but stay comfortable, we’ll be here for a while. There are new digital volumes of Aoharu x Machinegun (7), Black Detective (7), Saki (7), and Corpse Princess (…8, goddamn you).

ASH: Saki!

MJ: Always love Saki!

SEAN: There are also old Yen Press releases from way in the past getting shiny new digital releases! With the Light, Yen Press’s first ever title. Dragon Girl, a fun shoujo omnibus. And Sundome, which was Flowers of Evil before it was cool. All are worth a look.

Yen On has a record number of novels out this month. Accel World’s 8th volume may finally finish this arc, perhaps? Will Takumu turn evil? Probably not.

The Asterisk War 2 continues to have magical school antics.

Baccano! Vol. 3 has the back half of the 1931 Flying Pussyfoot story, focusing on different characters as well as showing us where the heck Ladd went.

MICHELLE: Someday I really will try out this series, even though light novels are not usually my thing.

ASH: I’ve been meaning to try it out, too.

SEAN: Black Bullet 5 has the start of what I’ve heard called the “NTR” arc, a phrase that always makes me groan. We’ll see.

The Devil Is A Part-Timer! 6 apparently gets us back to the part-time work.

The debut this month is Goblin Slayer, which takes place in a fantasy world but strangely has no one come into it from another world. How weird.

The 3rd Irregular at Magic High School novel is the start of a 2-volume arc about the school Sports Festival, which uses magic. Don’t get it confused with November’s A Certain Magical Index, the start of a 2-volume arc about the school Sports Festival, which uses magic.

The 7th Is It Wrong To Try To Pick Up Girls In A Dungeon? novel is HUGE, much bigger than the other books. Set aside time for it.

After what seems like ages, the 5th No Game No Life volume is upon us. Can it live up to the wait?

Sword Art Online seemed to only two one to two arcs before this, but not anymore. The 9th book is the first in a 10-VOLUME arc. Are you prepared for this much Kirito?

And now we finally get to Yen’s manga deliveries. Akame Ga KILL! ZERO has a 4th volume, or should that be FOURTH! VOLUME.

Aoharu x Machinegun has a 2nd print volume. More fake gun battles, I assume?

The first of Yen’s debuts this month is Bungo Stray Dogs, which has supernatural powers, a detective agency, and I suspect a lot of pretty young men.

ASH: I’m actually really looking forward to this series! Supernatural, bishonen versions of some of Japan’s literary greats? Count me in.

MJ: Sounds great!

SEAN: We also have The Case Study of Vanitas, which has – you guessed it – vampires, and is by the author of Pandora Hearts.

MJ: Okay, so I know you’re all looking at me here. I checked out the first volume and wasn’t immediately drawn in as I had hoped, but I’ll give it some time to charm me.

SEAN: Fruits Basket Collector’s Edition 8 has the comedic highlight of the entire series.

MICHELLE: These volumes multiply so quickly!

MJ: Hurray, hurray!

SEAN: GA Art Design Class has its 7th and final volume. I know most fans here preferred Shoulder-a-Coffin Kuro, but I always loved this series’ focus on art and cute girls.

He’s My Only Vampire has a 9th volume.

MICHELLE: I’m a bit bummed this has gone downhill quality-wise, but I’ll probably still finish it.

SEAN: The Honor Student at Magic High School has caught up with the novels, meaning it too is starting the Sports Festival.

Just as GA Art Design Class ends, Kiniro Mosaic begins. It’s also got cute girls, and while it may lack art school, it makes up for in yuri tease. (Which GA Art Design Class also had, to be honest.)

The 3rd My Youth Romantic Comedy Is Wrong As I Expected manga still has a long title.

There’s more Of the Red, the Light and the Ayakashi with a 5th volume. Is it halfway through adapting the game yet?

MICHELLE: I’ll be reading this one.

SEAN: Overlord also has a 3rd volume of the manga adaptation.

And Strike the Blood has a 5th manga adaptation. Expect novels from those last two in January.

Ubel Blatt’s 7th omnibus takes us to the 15th volume of the Japanese release, in case you’ve gotten lost.

Lastly, there’s a 4th omnibus of cycling manga Yowamushi Pedal.

MICHELLE: Yay! Oh sports manga, how I adore you.

ASH: Yes, yes, yes!

ANNA: I have not read this yet! Someday!!!!

SEAN: And we’re done. At last. Good God. What’re you getting from this morass?