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My Week in Manga: October 31-November 6, 2016

November 7, 2016 by Ash Brown

My News and Reviews

Last week at Experiments in Manga the winner of the Sweetness & Lightning manga giveaway was announced. The post also includes a list of some of the manga available in English that feature notable fathers or father figures. As for more in-depth features, I’m (still) currently working on some random, but rather personal, musings about Ichigo Takano’s manga series Orange. Progress on that post is a little slower than I would like it to be, but hopefully I’ll have something to share in the relatively near future.

As for interesting things that I’ve recently found online: The Honolulu Museum of Art recently hosted a series of lectures and discussions called Manga in Japan, Hawai‘i, and Throughout the World; many of the recordings can now be watched online. The proceedings of the Manga at a Crossroads symposia are available to read or download from The Ohio State University. Anna Madill has also posted the slides from her 2016 Comics Forum keynote address–Genre, genealogy, and gender: Reflecting on Boys’ Love manga–which includes some interesting results from her BL Fandom Survey. And speaking of boys’ love, Digital Manga’s Juné imprint is seeking the print rights for Asumiko Nakamura’s Classmates (Doukyusei).

Quick Takes

Haikyu!!, Volumes 3-5 by Haruichi Furudate. The new Karasuno team has made it through its first game, but the members still have some practicing to do before they can completely shed the nickname of the fallen champions. But considering their tremendous talent and potential, that might not take them too long. With these volumes, a few more Karasuno veterans are introduced, as are their rivals, before the series quickly moves from training to tournaments. Although there are some very exciting moments, I actually find the games to be the least interesting part of Haikyu!!, which may (but not necessarily) present a problem in the long run for what is primarily a sports manga. Some of the action was a little difficult for me to follow until I got used to Furudate’s visual language, probably because I’m not actually all that familiar with volleyball gameplay. Growing up, my family’s anything-goes backyard games followed vastly different rules; Haikyu!! is actually teaching me how volleyball as a sport is really played. However, I am still enjoying Haikyu!! immensely. I particularly love the series’ focus on teamwork and even more so its unflagging positivity. Haikyu!! manages to be competitive without being mean. I also really like the distinctive personalities of the characters, and Furudate’s sense of humor and comedic timing is great. The manga continues to be great fun.

Neo-Parasyte F by Various. Hitoshi Iwaaki’s series Parasyte happens to be not only one of my favorite horror manga, but one of my favorite manga in general. That’s probably the main reason I was so excited that the Parasyte shoujo tribute anthology Neo-Parasyte F was licensed, but the list of contributors is exciting in and of itself, too. I was especially happy to have the chance to read more of Asumiko Nakamura’s work, but there are other creators that English-reading fans will likely recognize as well, such as Ema Toyama, Kaori Yuki, and Yuri Narushima among others. Neo-Parasyte F collects fifteen short manga that in one way or another pay tribute to Parasyte. Some of the stories take place within the same world as Parasyte–Shinichi and Migi, the main characters of the original series, even make a few appearances–while others are set completely apart. Many of the manga are still horror-themed, but there are a surprising number that actually take a more humorous approach. Ever wonder what Parasyte would be like as an otome game? Neo-Parasyte F presents one possible interpretation of just that. Overall, the volume is a great anthology containing an excellent variety of genres and styles. Neo-Parasyte F will likely appeal most to readers who are fans of or at least familiar with Parasyte, although a few of the contributions can stand completely on their own.

The Prince in His Dark Days, Volume 1 by Hico Yamanaka. In Japan, Yamanaka is probably better known for her boys’ love manga, but that’s not all that she’s done. For example, The Prince in His Dark Days, Yamanaka’s English-language debut, does not fall into that particular genre. However, it is poised to explore gender and sexuality in interesting ways, which is what first brought the series to my attention. The story follows Atsuko, a high school student from a broken and abusive family who is struggling to make ends meet. She is more or less coerced into becoming the stand-in for Itaru, the wealthy heir to a major corporation who has gone missing. Very possibly he ran away due to some of his own unfortunate circumstances. Until Itaru is found, Atsuko will be taking them on in his place. Although she’s not exactly leading a life of luxury–parts of Itaru’s own life are less than ideal–at least she’s no longer quite as miserable as she once was. The initial setup of The Prince in His Dark Days is a little rough and feels a somewhat forced, but it does establish understandable reasons for everything that follows. Admittedly, the whole situation is rather strange, but once Atsuko has adopted her new role she devotes herself completely to it. In the process, she begins to create meaningful if somewhat peculiar relationships with the people around her. I’m not entirely sure where The Prince in His Dark Days is heading, but I do know that I want to find out.

Princess Jellyfish, Omnibus 3 (equivalent to Volumes 5-6) by Akiko Higashimura. I am still incredibly pleased that Princess Jellyfish manga series is being released in print. I thoroughly enjoyed the anime adaptation and was left wanting more after it ended, so I’m thrilled to finally have the chance to read the original manga. The anime began around the same time that the sixth volume was originally being released in Japan, so from this point on more and more of what is seen in the manga will either be new or significantly different. It has been a while since I’ve watched the anime so I may be misremembering parts of it, but already I can identify where notably different choices were made as to plot and characters. However, the heart of both the manga and the anime are definitely the same. Despite the various romantic and relationship dramas, Princess Jellyfish is largely a comedy. Serious matters like familial and social expectations are addressed and explored in the series, but Higashimura primarily does so through humor, sometimes more successfully and sometimes less so. Princess Jellyfish is an energetic manga that can be over-the-top and ridiculous, but it can also be very touching. As the women of Amamizukan search for a way to save their beloved home they are finding new ways to express themselves through skills and talents that they never realized they had, slowly coming out of their shells in ways they never expected.

Manga the Week of 11/9

November 3, 2016 by Sean Gaffney 1 Comment

SEAN: November continues to give us lots of manga, with something for everyone next week.

Dark Horse has Psycho Pass: Inspector Shinya Kogami, a prequel to the popular anime series detailing the main character’s days as an Inspector.

Kodansha gives us Fire Force, from the creator of Soul Eater. It’s about demons causing people to catch fire, and a boy with special powers who joins the fire brigade to help. I look forward to the art if nothing else.

ASH: Looks like it could be fun.

SEAN: Did you enjoy Parasyte? Did you want more from this world, possibly from different creators? Then get ready for Neo Parasyte f, an anthology that collects all sorts of Parasyte-related stories from creators like Kaori Yuki (Godchild), Ema Toyama (Missions of Love), and Yuri Narushima (Planet Ladder).

ASH: I am incredibly excited for this anthology! Asumiko Nakamura (Utsubora, Doukyusei) is a contributor, too.

SEAN: There’s a 3rd omnibus of Princess Jellyfish, as they continue to try to save the apartment complex.

MICHELLE: This is already in my Amazon cart!

ASH: Still incredibly happy this series is getting a print release!

ANNA: I need to put it in my Amazon cart!

SEAN: And a 9th UQ Holder, which finally gave up and subtitled itself Negima 2 in Japan.

I find it hard to believe A Centaur’s Life has reached double digits, but there we are. Seven Seas releases Vol. 10 next week.

And there’s an 11th Devils And Realist, which is less hard to believe.

There’s a new series debuting called Re: Monster, with a fantasy world and reincarnation and a male hero who amasses a harem of zzzzzzzzzzzzzzzzzzz…

And a third volume of Shomin Sample, which has only its snarky hero to save it from oblivion.

SuBLime has a 2nd volume of Ten Count, which is still not about boxing, but it does have guys pulling off their shirts. Or possibly eating their shirts.

ASH: Nope, not about boxing. But I did find the first volume compelling.

ANNA: I think I have the first volume stashed somewhere, I need to read it!

SEAN: Vertical gives us the 3rd Seraph of the End novel, a prequel to the Viz manga.

Ranma 1/2 is starting to wrap up, but isn’t quite there yet. Here’s the 17th omnibus.

And a new Requiem of the Rose King, in which I expect Richard to be absolutely terrible, but in a very shoujo way.

MJ: Finally, something for me to get excited about. This is a series I still love.

MICHELLE: Me, too. And I like the cover very much, too.

ASH: I also love this Shakespearean reimagining. All of the covers have been excellent, and Kanno’s interior artwork is wonderfully moody, too!

ANNA: Add me to the list of people who love this series.

SEAN: There’s a new volume of Rin-Ne (the 22nd), though honestly you could swap it with any of the last 15 volumes and the content would be about the same.

MICHELLE: I missed some of the middle teens, but I have a few of the more recent volumes that I plan to read in the near future. Sometimes I appreciate a series where it isn’t necessary to read every volume in order to follow what’s going on in the present.

SEAN: And it’s been a while, but here’s the 9th volume of Tiger & Bunny.

Lastly, Yen released a numbered edition of this last month, but this month comes the mainstream release of Spice & Wolf: The Anniversary Collector’s Edition. This almost-1000 page hardcover collects all 17 Spice & Wolf novels to date, and looks like a Complete Works of Shakespeare. A must for S&W fans, though I myself will be waiting for the digital release that is apparently coming soon.

ASH: That does sound impressive!

SEAN: As I said, something for everyone. But is there something for you?

My Week in Manga: October 24-October 30, 2016

October 31, 2016 by Ash Brown

My News and Reviews

Although I was finally around for most of last week (as opposed to traveling and being busy with family stuff and such like I was for previous two weeks), all that was posted in addition to the usual My Week in Manga feature was the monthly manga giveaway for October. Experiments in Manga is currently following a more relaxed posting schedule which, while it does still frustrate me that I’m not currently able to post more, is better than not posting anything at all. Anyway! There’s still time to enter for a chance to win the first two volumes of Gido Amagakure’s Sweetness & Lightning. All you have to do is tell me a little about your favorite dad or father figure from manga.

Seven Seas was celebrating its twelfth anniversary last week and announced a slew of new licenses including Yurino Tsukigase’s Otome Mania!!, Aikawa Shou’s Concrete Revolutio, Isaki Uta’s Generation Witch, Aoki Spica’s Beasts of Abigaile!, Nozomu Tamaki’s Don’t Meddle With My Daughter, Hachijou Shin’s Red Riding Hood and the Big Sad Wolf, Aosa Tsunemi’s Akashic Records of the Bastard Magical Instructor, Shiramine’s Tales of Zestiria, and Kabi Nagata’s My Lesbian Experience With Loneliness (which is probably the manga that I’m most curious about). Also of note, it looks as though Seven Seas might be getting back into the light novel game and the first print run of Kore Yamazaki’s The Ancient Magus’ Bride, Volume 6 will be accompanied by a booklet with a bonus chapter.

Not to be outdone, Yen Press announced three new acquisitions: Delicious in Dungeon by Ryoko Kui, the original novel, manga adaptations, and spinoff novel of Makoto Shinkai’s Your Name, and No Game No Life, Desu! by Yuu Kamiya and Kazuya Yuizaki. Also, Bento Books is preparing to release some more manga, including second volume of the Math Girls adaptation and the first two volumes of Female Math Major. After a bit of a mishap the first time around, the relaunch of Digital Manga’s most recent Kickstarter is well on its way to raise funds to release several of Osamu Tezuka’s short manga collections: Under the Air, Melody of Iron, and The Crater (which has its own history of mishaps separate from Digital Manga’s). Other Kickstarters that have recently caught my eye include the queer, supernatural, erotic comic Letters for Lucardo and the supernatural horror-comedy comic Not Drunk Enough.

Quick Takes

Fairy Tail: Blue Mistral, Volume 3 by Rui Watanabe. Out of all of the various Fairy Tail spinoffs (and to some extent even Fairy Tail itself), Blue Mistral is the manga that I’m most enjoying so far. I find this particularly interesting because out of all the series, Blue Mistral is the one aimed at a demographic farthest from the one that technically I belong to. I believe Blue Mistral is currently the only shoujo version of Fairy Tail (or at least is the only one to have been published in English at this point) and the magazine in which it was originally released is generally geared toward middle school girls. However, this audience is fitting for a series which follows Wendy Marvell, Fairy Tail’s twelve-year-old dragon slayer magic user. Although other characters from Fairy Tail do make appearances in the series, Blue Mistral is absolutely about Wendy and her adventures apart from the rest of the guild. In this particular volume, she spends much of her time posing as a boy for her own safety as she investigates the disappearances of a group of young women in the town of Aiya. After joining the town guard, she comes to discover that the circumstances are much more complicated than they first appeared. Romantic feelings play an important role in the story, but generally the romance occurs between characters who are not Wendy. Her heart does beat a little faster from time to time, though. Blue Mistral, even with all of the danger that Wendy must face, continues to be a generally upbeat, fun, and charming series.

Forget Me Not, Volume 4 written by Mag Hsu and illustrated by Nao Emoto. Although by and large I have been enjoying Forget Me Not, the third volume managed to frustrate me immensely. However, the fourth volume worked much better for me. Serizawa’s romantic relationships and attempts at romantic relationships continue to be utter utter wrecks (which considering the premise of the series is entirely expected), but at least he’s finally gained some more maturity and is able to begin to understand his own feelings. The fourth volume also delves into Serizawa’s family history which reveals some of the likely reasons that he has so much trouble forming relationships to begin with–raised by his mother after his father abandons them for another woman, he hasn’t really had a good model to follow. That’s actually something that I really appreciate about Forget Me Not. Many series which focus on romance and love tend to idealize them when in fact relationships of any sort take a tremendous amount of work. Serizawa is in the process of learning this, and it can be painful to watch as he not always successfully navigates his romances, but he is making some progress, slowly recognizing what he needs is not necessarily what the other person needs. What is missing from the fourth volume of Forget Me Not is its connection to the series’ hook, the reason why Serizawa is currently looking back on his disappointing love life; I’m hoping that the series will explore this again soon.

The Gods Lie by Kaori Ozaki. Even though it was never fully released in English, I loved Ozaki’s Immortal Rain (or Meteor Methuselah as it was originally titled). And so when The Gods Lie was licensed, I was understandably thrilled that I would have the opportunity to read more of Ozaki’s work. Other than the fact that I recognized the creator, I didn’t actually know anything about The Gods Lie. However, I was very happy to discover that it was just as beautifully drawn and emotionally resonant as Immortal Rain. Ozaki’s storytelling in The Gods Lie is just as strong if not stronger, too. It’s also a more mature work aimed at a more mature audience, seinen rather than shoujo. The Gods Lie is a heartwrenching and devastating manga. The themes that Ozaki explores with the work are pretty heavy and hard-hitting–death, abandonment, and desperation being some of the most prominent. But there’s also love and righteousness to be found. Interpersonal relationships and families, both good and bad, provide the manga’s center. The story takes place during a very limited span of time, primarily over the course of Natsuru Nanao’s sixth-grade summer vacation, but the events that occur will have a tremendous impact on the young man. Natsuru’s characterization is incredibly well done. In part The Gods Lie is a cutting coming-of-age story. Natsuru changes and matures in very believable ways, losing some of his innocence while gaining a better understanding of and dealing with some of the world’s more unfortunate realities.

Otherworld Barbara, Omnibus 1 (equivalent to Volumes 1-2) by Moto Hagio. Fantagraphics doesn’t currently have a huge line of manga (and sadly we may never see the rest of Takako Shimura’s Wandering Son translated), but the works it does publish are quality ones. I was very excited for the release of the first half of Otherworld Barbara; the manga was one of my most-anticipated titles for 2016. Although Hagio is a very influential creator in Japan, not much of her work has been published in English. I’ve loved everything that has been translated but have a particular fondness for Hagio’s science fiction. Otherworld Barbara is very much a part of that genre–it’s even one of the few manga to have won the Nihon SF Taisho Award–but it also includes strong elements of fantasy and the supernatural in addition to some significant family drama. Dreams, reality, past, present, and future all overlap with one another in Otherworld Barbara. Tokio is a dream pilot with the ability to enter other people’s dreams, gaining insight into their psyches in the process. Often he’s called upon to use his ability to help with criminal investigations, but more recently a group of researchers has asked him explore the dreams of a young woman who has been asleep for seven years. Surprisingly, his estranged son seems to somehow be tied to her case. The deeper Tokio probes, the more strange coincidences he uncovers, and the more dangerous the situation becomes for him and everyone else involved. I’m immensely curious to see how the story plays out.

Manga the Week of 11/2

October 28, 2016 by Sean Gaffney, Michelle Smith, Ash Brown, MJ and Anna N Leave a Comment

SEAN: Not only are there no small weeks anymore, there are no medium weeks. Only large weeks forever, with piles and piles of new manga.

MICHELLE: I can’t be sad about this, though I’ll forever mourn the titles that got cancelled when the first bubble burst.

ASH: True, true.

SEAN: We start with something that is not technically manga, but certainly has a manga style and audience. The second omnibus of the Megatokyo webcomic is out, collecting Vol. 4-6 of the Hunter x Hunter of North America. This catches up with the released volumes, I believe.

Kodansha has 6 new titles this week, starting with Cells at Work!, a cute new series which combines educational biology, amusing comedy, and action movie. I already reviewed the first volume, and found it quite enjoyable.

MICHELLE: I’m looking forward to this one!

ASH: I’m rather curious about it, myself.

MJ: This sounds pretty cool!

ANNA: It does sound intriguing.

SEAN: Devil Survivor comes to an end with its 8th and final volume.

I may be forced to endure far too many Monster Girl series these days, but at least some of them are cute and fluffy rather than softcore porn. Interviews with Monster Girls is one of the former, a sweet series about a teacher taking interest in the “demihumans” in his school.

ASH: It’s interesting to see publishers other than Seven Seas taking on the trend.

SEAN: It has been over 6 months since I last enjoyed the glorious trash that is Missions of Love. Here’s Vol. 13, and it can’t come fast enough. How will everyone be horrible this time?

ASH: I’ll admit, I actually do read and enjoy this series.

And there’s a 2nd volume of That Wolf-Boy Is Mine! (The doggone wolf-boy is mine?)

MICHELLE: I think of that song EVERY SINGLE TIME!

ASH: The first volume, while certainly not breaking any new ground, was still enjoyable. I’m looking forward to reading more.

SEAN: Lastly (for Kodansha), Your Lie in April reaches its 2nd to last volume. Will it all end happily ever after? (Spoiler: no.)

Seven Seas gives us a 3rd volume of the violent and grotesque Hour of the Zombie.

And just when you thought monster girl manga could not get sillier, there’s My Girlfriend is a T-Rex. No, really. It runs in Media Factory’s Gene Pixiv, which I guess cultivates artists from the popular Japanese art platform.

Vertical gives us a 5th Nichijou, which had better have more Mai this time around.

And the rest is mostly Viz, but that doesn’t mean we’re near done. Bleach has a 68th volume, and still has a few more to go after that, despite being finished in Japan.

And if you missed Bleach, or just want to relive its glory days, read the 17th omnibus, which shows those days had already passed by that point.

Dragon Ball Full Color Freeza Arc 4! Buy it again! And again! And Again!

And if that wasn’t enough exclamation marks for you, here’s Haikyu!! 5.

MICHELLE: Huzzah!

ASH: Yay!!

ANNA: WOO HOO!

SEAN: Rejoice, for the JoJo’s hardcovers continue! This is Stardust Crusaders, which some may have read when Viz brought it over years ago, but which many may have missed (including me). Now it’s here in hardcover deluxe editions.

ASH: I’m double-dipping on this. The hardcovers are beautiful.

ANNA: I’m behind on my Jojo reading, I’m glad Viz continues to put out these editions.

SEAN: And if you loved The Legend of Zelda manga, Viz is starting to re-release that as well, in a Legendary Edition.

Maid-sama! has a 6th 2-in-1, as it tries to explain Usui’s backstory while still letting him tease Misaki mercilessly, because really we read this for her blushing and yelling, right?

MICHELLE: I do like getting more information about him.

ANNA: The yelling is always a highlight.

SEAN: And My Hero Academia’s 6th volume should be starting up a new arc.

Viz decides to skip the Naruto novel about Hinata’s wedding prep, possibly to pacify fans, and instead will release the first volume of Itachi’s Story.

And Nisekoi gets an 18th volume. Will it start to wrap things up?

One Piece has 80 volumes. Eighty. That’s as many as eight tens. And that’s wonderful.

One-Punch Man’s 9th volume. Less volumes, but lots of punching.

ASH: One-Punch Man is still a lot of fun.

MJ: Always ready for this.

ANNA: I’m behind as always but happy for the punching.

SEAN: A 21st volume of Oresama Teacher means I will definitely have something for my Pick of the Week.

ANNA: This is my regular reminder that I need to catch up on this series.

SEAN: Shuriken and Pleats ends with its 2nd volume, and Hino heads back towards vampires, which are apparently better than ninjas after all.

ANNA: I have an idea. What about VAMPIRE NINJAS?

SEAN: Toriko 36. More eating. More fighting. More weird creatures. More homoerotic subtext that it will never deliver on.

World Trigger has really become popular, and now I wish I had kept up with it. Here’s Vol. 13.

MJ: I wish I had, too! But even more, I wish I’d stuck with Oresama Teacher, since you still love it after all this time.

And Yu-Gi-Oh! has an 8th 3-in-1.

Lastly, Yen On has (deep breath) Is It Wrong To Try To Pick Up Girls In A Dungeon? On the Side: Sword Oratorio. As you may have guessed, it is a spinoff novel from the main series, dealing with Bell’s crush, Aiz Wallenstein, and the misadventures of her own guild. I hear there are elves!

Have you already burned out your wallet for the year? Or is there more you must buy?

Manga Giveaway: Sweetness & Lightning Giveaway

October 26, 2016 by Ash Brown

It’s the last Wednesday in October, so it’s yet again time for another monthly giveaway at Experiments in Manga! This time you’ll all have the chance to win both the first and second volumes of Gido Amagakure’s food and family manga Sweetness & Lightning as released in English by Kodansha Comics. Why two volumes? Mostly because I feel like it! And also because I ended up with extra copies of both. But I also wanted to share the cuteness and food. Anyway, as always, this month’s giveaway is open worldwide!

It’s not really a secret that I enjoy food manga and will basically give any series a try if food is somehow prominently featured. That’s what initially drew me to Amagakure’s Sweetness & Lightning, but what I find particularly endearing about the series is the loving father-daughter relationship that it portrays. (Kōhei Inuzuka is great, and his daughter is pretty darn adorable.) Maybe it’s because I’ve become a parent relatively recently myself (okay… it’s been two years now), but I find parent-child relationships in manga to be particularly interesting, especially when they are a core element to the story being told. And that’s certainly the case with Sweetness & Lightning. While it’s still early on in the manga’s English-language release, so far I find the mix of food and family in Sweetness & Lightning to be immensely appealing.

So, you may be wondering, how can you win the first two volumes of Sweetness & Lightning?

1) In the comments below, tell me a little about your favorite dad or father figure from manga. (Don’t have a favorite? Simply mention that instead.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

Not too difficult, right? Everyone can earn up to two entries each and has one week to submit comments for the giveaway. If the comment form gives you trouble, or if you prefer, responses can also be submitted directly to phoenixterran(at)gmail(dot)com. The comments will then be posted here in your name. The giveaway winner will be randomly selected and announced on November 2, 2016. Best of luck to you all!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest Winner Announced–Manga Giveaway: Sweetness & Lightning Giveaway Winner

My Week in Manga: October 17-October 23, 2016

October 24, 2016 by Ash Brown

My News and Reviews

Last week was yet another week during which I wasn’t online much, though this time it was because I was on a short family vacation in Ohio to visit my folks. I did however still manage to post my review of the absolutely wonderful children’s book Are You an Echo?: The Lost Poetry of Misuzu Kaneko. The book, fully illustrated by Toshikado Hajiri, combines a biographical narrative of Kaneko’s work and life written by David Jacobson along with a selection of Kaneko’s poems presented in both the original Japanese and in English translation. Are You an Echo? is a beautiful book that adults will be able to appreciate, too; I wasn’t previously familiar with Kaneko’s poetry and am incredibly glad to have been introduced to it.

Although I was busy with family last week, a few things did catch my eye online: Vertical’s Fall 2016 manga licensing survey is now live for those interested in suggesting titles that they’d like to see the company publish in English; The Mystery Writers of Japan have released a very useful website in English which includes great information such as an outline of the group’s history and a list of recent English translations of the members’ works; As for cool queer comics Kickstarters, there is a newly launched campaign to collect Tab Kimpton’s delightful Minority Monsters comics in a single volume along with additional bonus content.

Quick Takes

Fairy Tail, Volume 55 by Hiro Mashima. With all of the recent developments in Fairy Tail it seems like the series might in fact be reaching its final story arcs. Granted, Mashima could just as easily stretch things out for quite a bit longer as he has repeatedly done in the past. Often Fairy Tail feels rather directionless to me, as though the creator is making things up as he goes (which he has admitted to) or isn’t sure exactly what he wants to do with the series. That being said, when Mashima actually manages to bring together disparate storylines and plot developments together in a way that makes sense and seems planned from the beginning (even if it actually wasn’t) the results can be thrilling. The fifty-fifth volume of Fairy Tail opens with one of the biggest game-changing reveals in the series as Natsu and Zeref face each other down. It’s a dramatic encounter and works tremendously well. Sadly, the rest of the volume isn’t quite as strong as its opening and many of the other plot twists and backstories feel forced at best. Still, this most recent story arc is probably my favorite out of those that I’ve so far read. (I started reading Fairy Tail part way through, so there are several arcs that I’ve missed.) I especially appreciate how it gives the tournament arc, which grew increasingly tedious, a greater purpose in the series as a whole. The action sequences and battles continue to be an exciting part of the manga as well, and there are plenty of those to be found in this volume.

Intense, Volume 1: Night on the Red Road by Kyungha Yi. I’ve deliberately been keeping a lookout for new print releases from Netcomics, but even if I wasn’t Yi’s Intense would have caught my attention. The series’ cover artwork is stunning and the manhwa’s production values and quality is some of the best that I’ve seen from Netcomics. Intense was originally released in six digital volumes, but the print edition has been collected into four. The interior artwork, though it’s not in color, is just as beautiful, striking, and moody as Yi’s cover illustrations. The story is likewise very moody and at times can be extremely dark and violent. The series follows Jiwoon, an assassin and bodyguard for a crime syndicate who has been temporarily assigned to a red-light district. There he encounters and is drawn to the mysterious Soohan who works there as a sort of handyman. With their melancholic, slightly detached personalities, it seems as though the two young men likely share a fair amount in common, so much so that the tragic backstory revealed in the flashbacks interspersed throughout the first volume could easily belong to either of them. If nothing else, Intense is certainly well named. The manhwa is heavy and intense both emotionally and psychologically, moreso than many other boys’ love stories I’ve read. I definitely plan on reading the rest of the series and I’m very curious to see how the relationship between Jiwoon and Soohan develops.

Paradise Residence, Volume 3 by Kosuke Fujishima. Admittedly, it has been quite some time since I’ve read the first two volumes of Paradise Residence, but I really don’t remember the characters being especially infatuated with motorbikes and motorcycles which is something that is quite prominent in the third and final volume. Maybe I just completely missed it before and that’s why it seemed to suddenly come out of nowhere, but the resulting story is nice. However, it’s another sudden development that becomes the dramatic focus of the rest of the volume–due to some unfortunate circumstances, the dorm is scheduled for demolition rather than renovation and the young women living there must do all that they can to save their beloved home. They come up with a rather creative solution to their problem that, while it strains believability, is impressively audacious and clever. Paradise Residence is a series that I enjoyed much more than I thought or expected I would. It doesn’t really have a lot of substance or depth to it, but it’s a pleasant slice-of-life manga set in an all-girls high school. Though not particularly nuanced, most of the characters are generally likeable. Even with the occasional bit of drama, Paradise Residence tends to be a fairly quiet and low-key series. The artwork is attractive, too, although Fujishima seems fond of drawing characters with one eye closed; I’m not sure if they’re supposed to be winking or what.

Spoof on Titan, Volume 1 by Hounori. In general the manga spinoffs of Hajime Isayama’s Attack on Titan depend on readers having at least some familiarity with the original series, although to varying degrees. Spoof on Titan perhaps requires a little more than many of the others as the humor relies heavily on knowledge of the characters and their personalities. Unlike Attack on Titan: Junior High, the other Attack on Titan comedy series, Spoof on Titan is firmly set in the world of the original manga. Granted, it’s a much more friendly version of that world–the Titans, though mentioned frequently, barely make an appearance and the death, destruction, and violence has been greatly toned down. The gore and darkness of Attack on Titan aren’t really to be found in Spoof on Titan. Hounori’s illustrations and character redesigns are pretty cute, too. Spoof on Titan is a four-panel comedy manga which is a format that I tend to really like when it’s done well, but the comics in Spoof on Titan tended to be fairly hit-or-miss for me. Some of them legitimately made me laugh while I barely cracked a smile at others. Overall, though, I am largely enjoying the series and find it amusing. I’m not sure that I would necessarily want to binge-read Spoof on Titan, but the series can be fun in small doses. The first volume reads like a collection of comedic Attack on Titan bonus manga, which is essentially what it is even if Isayama himself isn’t directly working on the series.

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Manga the Week of 10/26

October 20, 2016 by Sean Gaffney, Michelle Smith, Ash Brown and Anna N 2 Comments

SEAN: End of October. 35 titles. Scary!

MICHELLE: I am having Count Floyd feels.

SEAN: Kodansha brings us the 9th volume of Genshiken 2nd Season, which may have a new cast but has ended up being about Madarame’s love life.

ASH: I’ll admit, I really wasn’t expecting it to basically become a harem manga.

SEAN: Kazuhiro Fujita, best known over here for the unlicensed yet very popular Ushio and Tora, has a new hardcover horror volume out, part of a series subtitled “The Black Museum” that runs in Morning. This one is called The Ghost And The Lady, and features Florence Nightingale. It sounds amazing.

ASH: It looks it, too!

SEAN: Kodansha also has a 7th volume of Kiss Him, Not Me!, which I hope is stocked next to The Ghost and the Lady at all good bookstores, just for the humor value.

Speaking of new works by authors best known for something else, Nekogahara: Stray Cat Samurai is from the creator of Shaman King, and has… well, cat samurai. Be warned: this is not your Chi sort of cat book – it runs in Shonen Magazine Edge (I assume because the works are edgy).

MICHELLE: Huh.

ANNA: I have a similar reaction as Michelle.

SEAN: And a 17th volume of breakout hit Noragami.

ASH: I’ve come to really enjoy this series.

SEAN: Seven Seas also has a bunch of stuff. The 4th volume of spinoff A Certain Scientific Accelerator continues to be action oriented, much to the annoyance of Last Order.

A new Freezing omnibus, Vols. 11-12, will please anyone who likes breasts.

Speaking of such readers, the big release this week is Monster Girl Encyclopedia, which is apparently a lavishly illustrated guide to various types of monster girls. It’s a hardcover, so they’re really pushing this. I also hear that it’s possibly the most fanservicey title they’ve ever released.

ASH: That’s impressive in and of itself.

SEAN: And another omnibus, with manwha release Witch Hunter getting Vols. 17 and 18.

Vertical has a 2nd volume of Immortal Hounds.

Time for Yen. First of all, we have the digital-only releases: Aoharu x Machinegun 6, Black Detective 6, Saki 6, and Corpse Princess… 7. Sure, ruin my numerology, why don’t you.

ASH: Saki!

SEAN: Light novels. Psycome has a second volume of wacky insane girls in prison antics.

And the fourth volume of Sword Art Online: Progressive has Argo on its cover, which automatically makes it a must-read.

As for Yen’s print manga, we get an eighth Akame Ga KILL!

Did I say Aoharu x Machinegun was digital-only? Never mind. Like Handa-kun, it did well enough to get a print release, with Volume 1 shipping next week.

The Asterisk War has a 2nd manga release. I quite like the book’s cliched but breezy story.

We’ve caught up with Barakamon, so it’s been a while since the last volume. I’ve missed it. Here’s Vol. 12.

MICHELLE: I have every intention of getting caught up on Barakamon. Intentions, but not time, alas.

SEAN: Bloody Cross comes to an end with its 12th and final volume.

A Certain Magical Index has its 7th manga volume, which I think starts to adapt the 6th novel.

And The Devil Is A Part-Timer! has its 7th manga volume, which is still adapting the 3rd novel, because it didn’t skip entire books like Index’s manga did.

And if you like cuter and fluffier, there’s a 5th volume of the High School!! spinoff.

Fruits Basket has a 6th omnibus, as Akito helpfully allows Tohru to gain resolve to stop the curse by being completely terrible.

I’d mentioned Handa-kun before, and we get a 4th print volume here.

Horimiya gives us a 5th volume of adorable high school romance.

MICHELLE: Yay for Furuba and Horimiya!

ASH: Yay, indeed!

SEAN: More manga adaptations of light novels, or in this case adaptations of songs, with the 7th Kagerou Daze.

I was lukewarm to the first Liselotte & Witch’s Forest, but a 2nd volume should help firm up which direction it’s going.

MICHELLE: I found it reasonably intriguing, but definitely the second volume is going to be key. I’m looking forward to it a lot.

ANNA: Surprisingly I haven’t read this yet, but I plan to.

SEAN: And there’s a 4th spinoff volume of Log Horizon’s West Wind Brigade.

MORE manga adaptations of light novels! This time the 2nd Re: Zero manga.

It’s rare we see seinen romance manga in North America, let alone by a female author. But Scum’s Wish is still about tortured high schoolers and hopeless crushes, have no fear. It runs in Big Gangan, and has been on the Crunchyroll app as well.

Taboo Tattoo gets a 4th volume, so it can’t be all THAT taboo.

Another manga gets out of digital only land, as we see the first volume of Today’s Cerberus. This is a Shonen Gangan series, has supernatural elements, and leans very much towards the comedy end of things. Not quite Another Monster Girl Series, but close as dammit.

Just because monster girls are the next big genre doesn’t mean we’re not getting more survival game as well. I know little about Tohyo Game except it runs in Big Gangan, and is an omnibus of the first 2 volumes.

Are you being tricked? Or is all this manga a treat?

My Week in Manga: October 10-October 16, 2016

October 17, 2016 by Ash Brown

My News and Reviews

I was a little preoccupied last week, dealing with some unexpected developments at work and home, so I wasn’t online much at all. However, I did still manage to post September’s Bookshelf Overload in which I reveal the manga, comics, books, and anime that I picked up last month. Also, a few weeks ago I mentioned the short story “The Mud God” which is tangentially related to a commission that Jenn Grunigen wrote for me. Well, it’s now freely available to read online!

Quick Takes

Monthly Girls’ Nozaki-kun, Volumes 2-4 by Izumi Tsubaki. My introduction to Monthly Girls’ Nozaki-kun was through the anime series which I adored. Because I loved the anime, it only made sense for me to seek out the original manga as well. Unsurprisingly, I enjoyed the first volume immensely. Despite that, it’s actually been quite a while since I’ve read any of Monthly Girls’ Nozaki-kun, which just means that I had the chance to fall in love with the series all over again. And I did, wholeheartedly. The series’ comedy is largely based on the characters and their personalities. The characters themselves are all a little odd but they are also incredibly endearing. Monthly Girls’ Nozaki-kun plays around with expectations, so the personality quirks of the characters intentionally defy stereotypes and are deliberately unexpected. In part, Monthly Girls’ Nozaki-kun is also a romantic comedy. The cast is fairly large and there could be any number of couples among the members except for the fact that most of the characters are completely oblivious of or misinterpret their own feelings. No one is actually together in the sense that they are dating in Monthly Girls’ Nozaki-kun (at least not yet), but in many cases they might as well be. The various relationships in Monthly Girls’ Nozaki-kun are close ones and are yet another major source of the manga’s good-natured humor.

The Prince and the Swan, Volumes 1-2 by April Pierce and Gareth C.J. Wee. Pyotr Ilyich Tchaikovsky’s ballet Swan Lake, itself based on Russian folklore, has been the inspiration and basis for countless other works. One of the more recent retellings that I’m aware of is the webcomic The Prince and the Swan which began in 2013. I discovered the comic while at the 2016 Toronto Comics Arts Festival where the second print volume was making its debut; I couldn’t pass up Swan Lake reimagined as a queer fairytale. Knowledge of the ballet’s story isn’t at all necessary to enjoy The Prince and the Swan although readers who are familiar with it will be in a better position to appreciate the changes made for the comic. The basic premise of the story remains the same, but in the case of The Prince and the Swan Odette is now Odet, a prince who suffers from a curse that transforms him into a swan during the day. The other lead character in the comic is Prince Siegfried who is reluctantly preparing for his coronation and marriage as king. A chance encounter between the two men will change the course of both of their lives. The pacing of The Prince and the Swan seems a little slow at first, but the artwork, characterization, and storytelling quickly improve and gain confidence as the comic progresses. I look forward to seeing how The Prince and the Swan continues to develop.

Say I Love You, Volume 15 by Kanae Hazuki. One would think that after fifteen volumes Say I Love You would no longer surprise me, but I continue to be impressed by its honesty and authenticity. I do wonder if the recently introduced Aoi twins will continue to play a role in the series as most of the main characters are graduating high school in pursuit of their individual futures. While I was initially a little unsure of the addition of prominent new characters so late in the series, I ended up really liking them and their story arcs–I’d now hate to see them discarded so soon. (Granted, Kai still has another year to go before he graduates, so I wouldn’t be surprised if the twins will continue to make appearances.) The fifteenth volume of Say I Love You would have been a natural ending point for the series. As many of the characters are preparing to go their separate ways, either by immediately entering the workforce or by continuing their education, a fair amount of time is devoted to introspection and reflection on the past. Mei in particular has changed significantly since the beginning of the series, but all of the characters have grown and matured as individuals. The characterization in Say I Love You has always been one of the series’ strong points. It will be interesting to see where the manga goes from here as both the story and characters move beyond high school.

Run, Melos! and Other Stories by Osamu Dazai. I forget exactly when it was that I first learned of Dazai’s short story “Run, Melos!” but it’s more or less a staple of the Japanese education system so references to the work are fairly common in Japanese popular culture. I’ve been wanting to read to story for quite some time but was under the mistaken impression that it wasn’t actually available in English. However, I recently discovered that it had indeed been translated as part of the Kodansha English Library series… which was only ever released in Japan. Thanks to the power of inter-library loan, I was finally able to read “Run, Melos!” along with six of Dazai’s other works of short fiction: “A Promise Fulfilled,” “One Hundred Views of Mount Fuji,” “Schoolgirl,””Cherry Leaves and the Whistler,” “Eight Scenes of Tokyo,” and “One Snowy Night.” I had previously read another translation of Schoolgirl but the other stories were all new to me. Normally when I think about Dazai it’s his tragic novel No Longer Human that immediately comes to mind; I had actually forgotten how humorous some of his stories can be. Even though there is still a fair amount of melancholy to be found, this humor is much more apparent in Run, Melos! and Other Stories. Overall, the volumes a charming collection of stories mostly set in early twentieth-century Japan (the exception to that being “Run, Melos!” itself) with surprisingly relatable characters.

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Manga the Week of 10/19

October 13, 2016 by Sean Gaffney, Ash Brown, Michelle Smith and Anna N Leave a Comment

SEAN: You thought this week might be lighter than the others? Ha! You fool!

Dark Horse has an anthology of works based on Oreimo. Unlike the anthology I’m about to talk about, it’s Japanese creators. It should be cute and incestuous, like its source.

Attack on Titan’s Anthology, a collection of works by Western creators based on the manga, has been the most anticipated title of the year. I reviewed it here, and it does not disappoint. Must buy.

ASH: It really is great!

SEAN: Kodansha also has the 3rd volume of Fairy Girls, which is not as exciting as the Attack on Titan Anthology, but probably has more nudity.

ASH: Fairy Girls is probably my least favorite Fairy Tail spin-off; a shame because the basic premise had such potential.

SEAN: There’s a 5th Inuyashiki, from the Gantz creator.

And a 7th L♥DK, still trying to give us its bad boy love.

And a 10th Tsubasa Reservoir Chronicle omnibus. Didn’t this end? Is it eternal? Am I buying a cursed book?

Somehow, Rise of the Shield Hero has become The Rising of the Shield Hero. Still from One Peace, and this is the 5th manga volume.

Seven Seas has a 2nd volume of Magical Guy series Battle Rabbits.

Their first debut this week is Miss Kobayashi’s Dragon Maid, another in a long line of monster girl works which permeate our world today. It runs in Manga Acton from Futabasha, which is at least not Comic Alive. The author has several works adapted to anime, including Miss Komori Can’t Decide and I Can’t Understand What My Husband Is Saying. I expect it will fall on the ‘goofy’ end of the scale, rather than ‘porn-ey’.

ASH: I am actually a little curious about this one.

SEAN: A 4th Mushoku Tensei: Jobless Reincarnation defies my ability to say anything about it.

I do enjoy My Monster Secret, though, and so a 4th volume is welcome. See? Not all monster girl titles make me sarcastic!

The other new Seven Seas title is complete in one omnibus. Tokyo Undead is part of a smaller trend Seven Seas has picked up on – zombie horror with lots of gore. It ran in Akita Shoten’s Play Comic. Don’t expect cuteness.

Also not cute is the 8th volume of Ajin, though I don’t know, given Japan’s current trends, we could get a high school AU Ajin 4-koma spinoff soon.

ASH: Ha!

SEAN: Viz has another gorgeous Miyazaki artbook coming out, with The Art of Castle in the Sky. AKA Laputa, dropped from the title for reasons that should be obvious.

Tokyo Ghoul 9 gives us additional zombies, and we also get…

Tokyo Ghoul: Days, a prose short story collection about the “everyday lives” of the cast.

Is this enough for you?

MICHELLE: I am literally not buying any of these things. Not even the Attack on Titan anthology.

ANNA: This is one of those weeks where I’m glad I’m not interested in anything, because it gives me some time to catch up on all my other unread manga.

My Week in Manga: October 3-October 9, 2016

October 10, 2016 by Ash Brown

My News and Reviews

Last week at Experiments in Manga, the Yona of the Dawn Giveaway Winner was announced. The post also includes a list of a variety of shoujo fantasy manga available in English that have compelling female leads. That was about it from me last week other than the usual My Week in Manga post, but I am currently working on a feature for Ichigo Takano’s Orange and a review of Are You an Echo?: The Lost Poetry of Misuzu Kaneko which I should hopefully be ready to share soon.

In licensing news, Viz Media will be releasing Yuhta Nishio’s After Hours yuri manga and has announced the acquisition of Sui Ishida’s Tokyo Ghoul:Re, Matsuri Hino’s Vampire Knight Memories, and Satoru Noda’s Golden Kamuy (which is the one I’m most interested in). Kodansha Comics announced a whole slew of licenses at New York Comic Con: Regarding My Reincarnation as a Slime by Fuse, Fairy Tail: Rhodonite by Shibano Kyouta, Kigurumi Defense Squad by Lily Hoshino, Kiss Me at the Stroke of Midnight by Rin Mikimoto, Waiting for Spring by Anashin, Love and Lies by Musawo Tsumugi, Ahogaru: Clueless Girl by Hiroyuki, Wake Up, Sleeping Beauty by Mei Morino, Frau Faust by Kore Yamazaki (the creator of The Ancient Magus’ Bride, so I’ll definitely be trying the series), and Land of the Lustrous by Haruko Ichikawa.

As for Kickstarter projects, Digital Manga announced that Under the Air and The Crater will be part of it’s upcoming Osamu Tezuka project, though I’m not sure when that will actually take place. As for a few projects that are currently underway that have caught my eye there’s the contemporary comics essay zine Critical Chips, the Johnny Wander omnibus Our Cats Are More Famous Than Us, and the second volume of O Human Star, which is a fantastic science fiction comic with queer themes.

Quick Takes

Attack on Titan Anthology edited by Ben Applegate and Jeanine Schaefer. While I wouldn’t consider myself to be a diehard of Hajime Isayama’s Attack on Titan, I do largely enjoy the series. One of the things that I actually find most interesting about the series is how it has become a worldwide phenomenon. Attack on Titan Anthology is a prime example of that, bringing together works by numerous Western comics creators which explore the world and characters of Isayama’s original Attack on Titan. There are some pretty big names among the contributors from both mainstream and independent comics. The result is spectacular and even better than I expected. I love the variety found in the works included in Attack on Titan Anthology. The stories range from darkly comedic to deadly serious (Asaf and Tomer Hanuka’s “Memory Maze” actually almost made me cry), and each work is different from the others in both style and tone. Some take place directly in the world that Isayama has created while others parody or completely reimagine it. Attack on Titan is an exciting and engaging collection. As someone who is a fan of both Western and Japanese comics, I greatly enjoyed seeing some of my favorite creators tackle Attack on Titan in their own unique ways. I suspect the anthology will appeal most to people who are already familiar with Attack on Titan, but others might be drawn to it simply due to the specific creators involved. Either way, Attack on Titan Anthology is simply fantastic. The volume’s production-quality is probably the best that I’ve seen from Kodansha Comics, too.

Avialae, Chapters 1-2 by Lucid. Every once in a while, I pick up a comic knowing nothing about it other than the fact that I really like the cover art. That’s how I came to find out about Avialae–I saw the first chapter at the Toronto Comics Arts Festival in 2016 and had to read it. Avialae is actually a webcomic, the second chapter of which was just recently released in print. The artwork in the series is absolutely gorgeous, easily on par with the cover illustrations, and is able to effectively convey both body horror as well as erotic encounters as demanded by the story. The comic follows Gannet, a gay high school student who suddenly, and quite painfully, grows a pair of wings. Initially his next-door neighbor and classmate Gilbert is the only one who knows about Gannet’s transformation. As a result, their relationship undergoes some significant changes, too, and eventually becomes rather intimate. As far as sex goes, the first chapter is fairly tame while the second is much more explicit, easily earning the comic its 18+ rating. Avialae is marvelously sex-positive, the steamy scenes are entirely consensual, the sex is loving, and there’s plenty of communication between those involved. I find both Gannet and Gilbert to be endearing and I’m enjoying seeing how their relationship develops both physically and emotionally. Actually, all of the characters and their relationships, whether familial, romantic, or platonic, are incredibly well-realized in Avialae. Also, much to my delight and surprise, Avialae includes a transguy and his portrayal is excellent.

Complex Age, Volume 2 by Yui Sakuma. The first volume of Complex Age surprised me. Since I don’t have a particular interest in cosplay which is a major part of the manga’s premise, I was completely taken aback by how much I was able to identify with the series and Nagisa, its main character. Complex Age is about cosplay and reading the manga has even been somewhat educational, but to an even greater extent the series is about adult fans who have hobbies that many people feel are more suited to a younger age group. It’s about women in fandom and about keeping up appearances. It’s about finding a balance between work, family and friends, and personal interests and happiness. The first volume of Complex Age also included the Sakuma’s original one-shot manga “Complex Age” which deals with similar themes. It wasn’t initially clear exactly how or if the series would tie into the original. I was very happy to discover in Complex Age, Volume 2 that the one-shot and the series actually are directly related to one another–Sawako (from the one-shot) is in fact Nagisa’s mother. I’m excited to see Sawako’s story explored more in Complex Age. It’s interesting, and in some ways a little heartbreaking, to see the impact her decision to let go of her hobby has had on her life. Now that Nagisa knows more about her mother as a person I wonder how the knowledge of Sawako’s past will influence Nagisa’s own decisions in regards to her pursuit of cosplay. Complex Age continues to surprise and impress me; I’m looking forward to reading more.

The Heroic Legend of Arslan, Volumes 4-5 by Hiromu Arakawa. Neither the characters or the story of The Heroic Legend of Arslan are especially nuanced and they come across as fairly standard for the genre, but the series is nevertheless engaging and the battles are exciting. That and I’ll always glad to see more work by Arakawa (and in this case by proxy Yoshiki Tanaka) available in English. At this point in the series, Arslan and his small group of allies are fighting for their lives as they try to reach what remains of the Parsian forces along the border hoping to find reinforcements. They must face the Lusitanian invaders, confront Parsians with dubious loyalties, and contend with unknown powers working against them from the shadows. Not only that, the legitimacy of Arslan’s claim to the throne has been called into question. I enjoy historical fantasies which incorporate court and political intrigue, and The Heroic Legend of Arslan certainly has plenty of that. The forces of both Pars and Lusitania are fragmented and suffer from betrayals and infighting. The chaos this causes makes the situation increasingly dangerous and unpredictable; it is difficult know exactly what will happen next as alliances are made only to fall apart again. The Heroic Legend of Arslan can actually be pretty brutal–death, whether from battle or assassination, is a frequent occurrence. Arakawa’s artwork, while not being overly grotesque or gruesome, does still show enough blood carnage that there’s no question as to what is happening. The horses have a very rough time of it, too.

Manga the Week of 10/12

October 5, 2016 by Sean Gaffney, Ash Brown, MJ, Anna N and Michelle Smith 1 Comment

SEAN: Ah, second weeks. Always the most unpredictable. Will there be a hidden treasure? Or will the team all pick Magi again by default? Let’s see what we’ve got next week.

ASH: Let’s!

SEAN: Dark Horse has a 3rd volume of the prequel everyone seems to like better than the original, Fate/Zero.

MJ: Maybe I should try this.

SEAN: They also have the second omnibus release of zombie favorite I Am A Hero.

ASH: I’m very curious to see the direction the second omnibus takes.

ANNA: I still need to read the first volume.

SEAN: Drawn and Quarterly make me very happy with the second volume in their Kitaro collection, Kitaro Meets Nurarihyon. No, not the one from Shonen Jump.

ASH: I am beyond thrilled that we’re getting more of Kitaro in English!

SEAN: Kodansha has a 5th volume of Maga-Tsuki, which defies my ability to remember anything about it.

And a 16th volume of Say “I Love You”. Will the series be able to survive graduation?

MICHELLE: I am cautiously optimistic.

ASH: As am I.

SEAN: Seven Seas debuts a new series. It’s called How to Build a Dungeon. It has a half-naked woman on the cover. It’s from Comic Valkyrie. It should sell like hotcakes. I would review it but I fear it would burn my flesh if I touched it.

And a 5th Magika Swordsman and Summoner, which is much the same sort of thing.

SuBLime gives us the 5th volume of The World’s Greatest First Love. That’s a lot of hype to live up to.

ASH: I’ll admit, I’m more interested in the series portrayal of the shoujo manga industry than I am in its romance.

SEAN: And Vertical has a 6th Ninja Slayer volume. EXCITING NINJAS!

Viz has reached the 60th volume of Case Closed. I tip my hat to them.

And Magi has its 20th volume, which will hopefully answer the burning question: Where the Hell is Morgiana?

MICHELLE: Heh.

ANNA: Where? What’s happening!!! One day I will get caught up on Magi.

SEAN: Lastly, Viz has a 4th volume of Monster Hunter: Flash Hunter.

Yokai, ninjas, zombies… no vampires, though. What are you getting?

My Week in Manga: September 26-October 2, 2016

October 3, 2016 by Ash Brown

My News and Reviews

Although it is now October, there is still time to participate in September’s manga giveaway. This time around everyone has a chance to win Yona of the Dawn, Volume 1, the beginning of Mizuho Kusanagi’s shoujo fantasy epic! I came across a few interesting things online last week that I’d like to share: “Strip!”: The Manga Art of Anno Moyoco” at Nippon.com (once upon a time, I hosted the Moyoco Anno Manga Moveable Feast); The Lobster Dance posted The Sparkling World of 1970s Shojo Manga, Part 8 which focuses on the influence of The Rose of Versailles on Ouran High School Host Club and Haken no Osukaru; and Anne Ishii, manga translator and one of the founders of Massive, was featured on the fifteenth episode of Hey, Cool Job. There were a couple of license announcements from Viz Media that caught my eye, too: Ryoko Fukyuama’s manga Anonymous Noise will be released by Shojo Beat, and Haikasoru will be publishing the next three novels in Yoshiki Tanaka’s Legend of the Galactic Heroes!

Quick Takes

Goodnight Punpun, Omnibuses 2-3 (equivalent to Volumes 3-6) by Inio Asano. The first omnibus of Goodnight Punpun was tremendous and left a huge impression on me. Likewise, the second and third omnibuses are incredibly well done. Goodnight Punpun is not always an easy series to read and can actually be pretty depressing and emotionally devastating. The direction of the story can often be anticipated simply by expecting that the most awful thing will happen at any given point. There are moments of joy, but for the most part the manga is a surreal and incredibly dark coming-of-age story. The worldview is extraordinarily pessimistic and bleak; most of the characters are miserable or broken in some way, and more than a few are frankly terrible people. And yet, I continue to find Goodnight Punpun to be a remarkable and compelling work even while it’s deliberately uncomfortable and heart-breaking. I find that I can empathize and even identify with most of the characters in at least some small way, which can actually be a little terrifying. Although Punpun is the series’ lead the second omnibus of Goodnight Punpun spends a fair amount of time delving into his uncle’s unfortunate past and one of the major perspectives explored in the third omnibus is that of his mother. Artistically, Asano portray’s Punpun and his immediate family more abstractly than the other characters except for during the more sexually-charged scenes, making them even more unsettling than they already are. I’m not entirely sure where Asano is going with the series or what sort of point he will ultimately make with all of the philosophical gloom, but I am willing to find out.

Princess Princess Ever After by Katie O’Neill. Originally released online as a webcomic, O’Neill’s Princess Princess (not to be confused with Mikiyo Tsuda’s manga Princess Princess which is a completely different work) has now been collected in its entirety along with a new epilogue by Oni Press in a slim but beautiful hardcover edition titled Princess Princess Ever After. The comic is an absolute delight, suitable for younger readers but still enjoyable for adult audiences. After the dashing and daring Amira rescues from a tower the kind and thoughtful Sadie (with her permission first, of course), the two princesses travel together on an adventure aiding those they come across are in need of a bit of extra help. Eventually they must confront Sadie’s older sister who is the one who locked Sadie in the tower to begin with and who is an even bigger challenge than the ogre they faced while on their journey. Princess Princess Ever After is an incredibly sweet, adorable, and charming comic. Although Sadie and Amira encounter plenty of danger along the way, there really isn’t any question that they’ll get their happy ending. The comic is a lighthearted fairytale with a number of lovely twists on some of the standard tropes, most notably the romantic pairing of two princesses, neither of whom is the stereotypical damsel-in-distress, but there’s more to the story than just that. O’Neill’s artwork in Princess Princess Ever After is colorful, energetic, and cute, fitting the tone of the comic perfectly. While it’s nice to have a self-contained story, it’s almost a shame that the comic is so short and moves along so quickly; I would love to read more about Amira, Sadie, and their adventures together.

That Wolf-Boy is Mine!, Volume 1 by Yoko Nogiri. Though it’s not necessarily a new trend, ayakashi and yokai seem to be fairly prominent in many of the supernatural shoujo manga that are being licensed of late. I’m not especially bothered by this since I have a particular interest in yokai and tend to enjoy the subgenre. The presence of pretty spirit boys doesn’t hurt anything, either. But when I can easily name a half-dozen ongoing series with a similar elements (not to mention those that have already been completed), I do start to wonder what a new series has to offer that is different or unique. One of the most recent examples of a series of this type is Nogiri’s That Wolf-Boy Is Mine! from Kodansha Comics. After only one volume it hasn’t really set itself apart from other manga with ayakashi themes and it seems fairly typical for the genre, and yet it’s a very enjoyable beginning to a series. The story plays out pretty safely in the first volume and there are no real surprises, although there are hints that things might be more than they initially seem. The characters are generally likeable and endearing as well; I’m especially fond of the titular wolf-boy and his easygoing nature. While many of the characters are close to being “types,” they do have a bit more depth to them than may first appear. However, I would like to see a bit more development in the characters and their relationships as the series progresses. I do suspect that Nogiri will deliver, though. So, while I wasn’t blown away by the beginning of That Wolf-Boy Is Mine! by any means, I did like it. The manga is off to a good start and has potential. Even if Nogiri doesn’t move beyond well-worn tropes, I’m still interested in reading more of the series.

The Paper Menagerie and Other Stories by Ken Liu. My introduction to the work of Liu was through his short story “Mono no Aware” which was collected in the anthology The Future Is Japanese. That story was enough to convince me to seek out more of his work. This turned out to be a wise decision as his debut novel The Grace of Kings was one of my favorite books from 2015. However, at least for the moment, Liu is probably best known and recognized for his shorter works which frequently earn him awards and accolades. Although The Paper Menagerie and Other Stories is Liu’s second book to be published, it is his first compilation of short stories and novellas to be released. It’s an exceptional and well-thought out collection, bringing many of Liu’s award-winning stories together with some of his personal favorites. Normally when it comes anthologies of short stories I find that their quality and strength can significantly vary from one to the next. However, all fifteen examples of Liu’s work in The Paper Menagerie and Other Stories (which includes “Mono no Aware”) are excellent. Some are certainly more powerful pieces than others, but they are all engaging, meaningful, and thought-provoking. One of the things that particularly impressed me about The Paper Menagerie and Other Stories is Liu’s ability to work in a variety of styles and genres. As a whole the collection tends to be fairly serious in tone and can be broadly described as speculative fiction, and Liu frequently incorporates aspects of Chinese and Asian culture and history, but there is still tremendous range among the individual stories. Even the stories which share common elements or themes are ultimately different from one another, offer fresh perspectives, and are each remarkable in their own way.

Manga the Week of 10/5

September 29, 2016 by Sean Gaffney, Ash Brown, MJ, Anna N and Michelle Smith 1 Comment

SEAN: It’s the first week of October, so time for a BIG PILE O’ VIZ! But first:

Dark Horse has the first of what may be several Hatsune Miku manga tie-ins, Mikubon.

Seven Seas has a 5th volume of Golden Time, the one that’s not Toradora.

Magical Girl Apocalypse 9 continues to prove that kids love cute stuff being brutally slaughtered.

The debut this week is My Pathetic Vampire Life, which I know very little about besides that it runs in Futabasha’s Manga Action and hey, vampires.

Since Persona 4’s manga has done pretty well for Udon, it’s no surprise we’re now seeing the debut of Persona 3. It’s a Mediaworks title form Dengeki Maoh.

ASH: I’ve actually played Persona 3, so I’m curious to see how it’s adapted.

SEAN: Since we’ve caught up with Japan, the 8th volume is the first My Neighbor Seki in a while from Vertical. It’s very welcome.

ASH: My Neighbor Seki continues to be a delight.

MJ: Indeed!

SEAN: And now for Viz. Assassination Classroom has its 12th volume, which I believe has a heavy dose of Irina.

And a third volume of Black Clover. What will it be imitating today?

There’s a 6th volume of The Demon Prince of Momochi House.

ANNA: I really like this series, it just keeps getting better and better.

SEAN: And a 14th Food Wars!, which may be starting a new arc?

Haikyu! has a 4th volume. It’s coming out so fast you’d think it was monthly.

ASH: … There may be a reason for that.

ANNA: I haven’t read volume 3 because my kids keep stealing it from me.

SEAN: And there’s a 4th volume of Honey So Sweet.

ANNA: Looking forward to this!

SEAN: I always love a new volume of Kamisama Kiss when it comes out, even now, at the 22nd volume.

ANNA: This is so great. There is totally room in my heart for two shoujo series with handsome male spirit people running around.

Kuroko’s Basketball has a 2nd omnibus, ensuring it remains caught up with Haikyu! despite being bimonthly.

ASH: Speaking of catching up, I still need to dig into Kuroko’s Basketball.

ANNA: I really liked the unconventional hero.

SEAN: Guess what’s hit double digits but is still adorable? My Love Story!!, that’s what.

MICHELLE: Each of the last seven is on my list!

ASH: I love this series so much.

ANNA: It is just excellent.

SEAN: Naruto has a 16th 3-in-1, even though ninjas are so 2006.

And if you enjoy getting One Piece in massive box sets for Christmas, there’s a 3rd one here for you.

The debut this week is Platinum End, a new manga from the creators of Death Note and Bakuman that runs in Jump Square. I hear it’s more towards the Death Note end of the spectrum in terms of seriousness.

MICHELLE: I’m not generally interested in angels, but I’ll give this a shot.

ASH: I’m always willing to give a manga illustrated by Obata a try.

MJ: You know I’m on board for this, for the artwork if nothing else. Obata 4evah.

ANNA: I will try it for the art alone for the first couple volumes, even if I don’t care for the story.

SEAN: 7th Garden has a 2nd volume, which means only 5 more till I get to make an obviously lame joke.

A 9th So Cute It Hurts!!. It must be cute if it’s that long a series.

ANNA: It is pretty cute, but maybe a bit too long?

SEAN: And a 6th Twin Star Exorcists. This month is big on series I don’t read, alas.

Lastly, a series I do read, the 2nd Yona of the Dawn. Love love love this.

MICHELLE: The second volume is even better than the first.

ASH: I’ve actually got a giveaway for the first volume going on right now. I can’t wait to get my hands on the second one!

MJ: Well, I’ll have to check this out!

ANNA: EPIC FANTASY MANGA FOR THE WIN!!!!!!!!!!

SEAN: Is there a series here for you?

Manga Giveaway: Yona of the Dawn Giveaway

September 28, 2016 by Ash Brown

The end of September is almost here, which means it’s once again time for Experiments in Manga’s monthly giveaway. This month everyone participating has the opportunity to enter for a chance to win the first volume in Mizuho Kusanagi’s manga series Yona of the Dawn as published in English by Viz Media. And as always, the giveaway is open worldwide!

I generally appreciate a good epic fantasy, but I seem to particularly enjoy those with compelling female leads. Some of the Japanese novels, manga, and anime that I love the most fall into this category, such as Nahoko Uehashi’s Moribito, Fuyumi Ono’s The Twelve Kingdoms, and Yumi Tamura’s Basara to name just a few. One of the most recent manga of this type to be released in English is Mizuho Kusanagi’s Yona of the Dawn which, like Basara, is even more specifically a shoujo fantasy epic. And so, it’s probably not too surprising that I’m looking forward to reading the manga series, and there’s an anime adaptation to watch, too!

So, you may be wondering, how can you win Yona of the Dawn, Volume 1?

1) In the comments below, tell me a little about one of your favorite shoujo fantasy manga with a great female lead. (Haven’t read one? Simply mention that instead.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

That’s all there is to it. Those participating can earn up to two entries for the giveaway and have one week to submit comments. Comments can be sent directly to phoenixterran(at)gmail(dot)com if you have trouble using the comment form or if you would prefer. I will then post those comments here in your name. The winner of the giveaway will be randomly selected and announced on October 5, 2016. Good luck!

Contest Winner Announced–Manga Giveaway: Yona of the Dawn Giveaway Winner

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My Week in Manga: September 19-September 25, 2016

September 26, 2016 by Ash Brown

My News and Reviews

Last week at Experiments in Manga I posted an in-depth review of Human Acts, an incredibly beautiful, tremendously powerful, and absolutely devastating novel by South Korean author Han Kang. (Some may recognize Kang as the author of The Vegetarian which has earned her a fair amount of international attention and acclaim.) Human Acts is one of the best books that I’ve read in quite some time, but it’s a chilling and challenging read due to its subject matter. The book focuses on the violent Gwanju Uprising and its long-lasting aftermath, however it’s not at all necessary to be familiar with that particular incident to understand and appreciate the novel.

Elsewhere online, there was some very exciting licensing news: Pantheon Books will be releasing Gengoroh Tagame’s My Brother’s Husband! The impending English-language release has been hinted at, but now it’s official and I’m absolutely thrilled. Digital Manga’s Juné imprint also had a few licensing announcements from Yaoicon: Velvet Toucher’s Eden’s Mercy, the third volume of Yoneda Kou’s Twittering Birds Never Fly, and Junko’s The Prince’s Time. And over the weekend Yen Press slipped in an announcement for the acquisition of Tsukumizu’s Shojo Shumatsu Ryoko. A few other interesting things that I came across last include a video of Viz Media’s SDCC 2016 Panel, the Comic Book Resources feature “20 Years Ago, Dragon Ball Z Came to America to Stay,” and Otaku Champloo’s BL Manga Starter Kit. Also, a couple of recent queer comics Kickstarters caught my eye: Ngozi Ukazu’s already massively successful campaign to release Check Please!, Year Two and a project to raise funds for the final volume and omnibus edition of Jennie Wood’s Flutter.

Quick Takes

Attack on Titan, Volume 19 by Hajime Isayama. For a while there I was starting to become a little weary of the sheer number of plot twists in Attack on Titan. Instead of renewing my interest in the story, I started to lose confidence in it. However, the more recent volumes of the series have regained some focus. The story developments and turns in the story are more exciting because of it, even if there are still a few major mysteries which have yet to be fully explained. The nineteenth volume of Attack on Titan is an exciting one as a massive confrontation between a contingent of intelligent Titans and the decimated Survey Corps begins. Eren, Mikasa, Armin, and the rest will have to directly face off against the Armored Titan and the Colossus Titan, knowing that the humans controlling them were once their comrades. It’s a kill-or-be-killed situation with very little room for negotiation. The action sequences in the nineteenth volume are dramatic and well-done, but the most notable aspect of the manga is probably the psychological impact that the battle for survival against one-time friends has on the characters. Also, for Attack on Titan fans who are interested in Levi and Erwin, the special edition of the nineteenth volume comes along with the second and final part of the No Regrets OVA anime adaptation. I haven’t had a chance to watch it myself yet, but I am glad that it’s available and am looking forward to seeing it.

Curveball by Jeremy Sorese. Although I’m only now finally getting around to reading Curveball, I’ve actually been meaning to for a while now. The comic was first brought to my attention when it became a finalist for the 2016 Lambda Literary Award for best LGBT Graphic Novel. And then at TCAF 2016 I had the opportunity to hear Sorese talk about Curveball specifically and queer science fiction in general. There are two things in particular that I especially love about Curveball. The first is the inherent queerness of the characters and worldbuilding. Numerous genders are represented in the comic and relationships, romantic and otherwise, occur in a multitude of combinations. The main character, Avery, is non-binary and there are a fair number of others who are genderqueer or genderfluid as well. This isn’t at all a big deal in the comic, it’s simply a natural and unobtrusive part of the setting. The second thing that I particularly enjoyed about the comic is Sorese’s use of color. The illustrations in Curveball are primarily grayscale except for the use of an extraordinarily vibrant and literally fluorescent orange to represent technology, and more specifically energy. The effect is very striking. Curveball is mostly about relationships, but the characters are also dealing with a developing energy crisis. The fluorescent orange and the occasional lack thereof is a constant visual reminder of this.

The Seven Deadly Sins, Volume 15 by Nakaba Suzuki. The stakes can’t get much higher than they are at the moment in The Seven Deadly Sins seeing as the fate of the entire world is in grave peril now that the extraordinarily powerful demons known as the Ten Commandments have been released. Granted, just about everyone and everything in The Seven Deadly Sins is extraordinarily powerful, so it’s sometimes difficult to get a good feel for the grand scale of the series; the shock and awe is frequently lost. Despite the tremendous abilities that everyone has and despite the massive amounts of damage dealt to both people and property, it ends up coming across as common rather than impressive. Recently Suzuki has resorted to having Hawk actually announce the combat classes and magic levels of the various characters are, but that just seems superfluous when there is effectively no difference between a class level of 3,370 and 5,500 on the page. Even so, the fight scenes and battle sequences somehow still manage to be engaging and entertaining and are honestly one of the best things about the series. The fifteen volume of the manga sees the Seven Deadly Sins starting to fight off the Ten Commandments on two separate fronts. First they must try to fend off the Commandment’s minions and are largely successful, but eventually one of the demons appears to confront them directly. By the end, things aren’t looking good for the Deadly Sins.

Yona of the Dawn, Volume 1 by Mizuho Kusanagi. Even if it wasn’t for the fact that I tend to enjoy epic fantasy series with strong female leads, the amount of excitement surrounding the anime adaptation and the licensing announcement for the original manga series in English would have been enough for Yona of the Dawn to catch my attention and interest. Admittedly, Yona spends a large part of the series’ first volume in shock and barely able to function. The reason is understandable–she has witnessed the murder of her beloved father the king at the hands of one of the people she most loved and trusted in the world. The unexpected betrayal leaves her stunned; the only reason she avoids a similar fate is that her personal guard whisks her away from the palace. However, the very beginning of the volume implies that Yona will take control of her own destiny. That’s the story that I really want to read. I want to see Yona overcome her tragic circumstances, to find the strength to protect herself and those she loves. If the manga is able to deliver its promise (and I suspect that it will), Yona of the Dawn will indeed be a series well-worth following. While Yona comes across as weak and helpless for a significant portion of the first volume of Yona of the Dawn, showing Yona at her lowest does provide the necessary setup required for dramatic story and character developments. I’m definitely looking forward to reading more of Yona of the Dawn.

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