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Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Features

My Week in Manga: June 12-June 18, 2017

June 19, 2017 by Ash Brown

My News and Reviews

It’s been couple of months since there’s been an in-depth review here at Experiments in Manga (I mostly blame TCAF 2017), but last week I was very pleased to write about Yeon-sik Hong’s award-winning manhwa Uncomfortably Happily which was just released by Drawn & Quarterly this past Tuesday. It’s an engrossing and relatable memoir about the time Hong and his wife moved from the city of Seoul to the countryside of Pocheon. Normally I would have posted May’s Bookshelf Overload last week, but because I wanted to feature Uncomfortably Happily close to its release date, I’ll be posting it later this week instead.

As for other interesting things to read online, The OASG interviewed a few cosplayers about their opinions on Yui Sakuma’s Complex Age, a manga in which cosplaying takes a very important role. (I’ve fallen a little behind in reading the series, but the first volume in particular left a huge impression on me.) Matt Thorn’s blog, which had been dormant for so long, has a couple of new posts now, too: Before the Forty-Niners takes a look at the early history of shoujo manga while Who’s to Judge Tezuka’s Rivals? delves into even more shoujo manga history by looking at some of Osamu Tezuka’s contemporaries.

Quick Takes

Blossom BoysBlossom Boys by Tanaw. I don’t exactly remember how I came across Blossom Boys, but it may have been thanks to one of Tanaw’s Yuri!!! on Ice fanworks. Tanaw is an illustrator and comics creator based in the Philippines. Blossom Boys had its start as part of a webcomics class that Tanaw decided to take and was finished a year later. It’s a charming boys’ love story that is earnest, adorable, sweet, and even a little surprising. Reese is a university student who wants nothing more than to be loved. He’s desperate for someone to ask him out–it doesn’t really matter who they are or what their gender is–and so he is ecstatic when he unexpectedly receives a bouquet of flowers in the middle his math class. Thus begins Reese’s endearingly awkward relationship with Prince, a florist whose peculiarly stern demeanor is the complete opposite of Reese’s bubbly personality. Although Blossom Boys does have an overarching story, many of the individual chapters can be fairly episodic. Tanaw also experiments with different illustration styles, palettes, and techniques over the course of the comic. What holds Blossom Boys together instead is its delightful characters and sense of humor. I enjoyed the comic a great deal and I’m glad to have found it; I would definitely be interested in reading more of Tanaw’s work.

My Lesbian Experience with LonelinessMy Lesbian Experience with Loneliness by Kabi Nagata. Before it was picked up by a manga publisher, Nagata released the majority of My Lesbian Experience with Loneliness on Pixiv. The manga is an autobiographical and very personal account of Nagata’s struggles with her mental wellness and sexuality. My Lesbian Experience with Loneliness is a powerful work which has been met with well-deserved acclaim. Nagata is forthright, frankly portraying her experiences in a way that is both accessible and disarming. Even though the subject matter is quite serious (self-harm, eating disorders, anxiety, and debilitating depression are all discussed), the pink-hued artwork in the manga is actually rather cute. My Lesbian Experience with Loneliness outlines a turning point in Nagata’s life. On the verge of giving up on life, feeling so incredibly isolated and alone, Nagata makes the impulisve decision to hire a lesbian escort. Ultimately the whole affair doesn’t really solve any of Nagata’s problems and even amplifies some of those that already existed, but it does encourage her to look critically at who she is and the source of her suffering. That’s the story that Nagata captures in My Lesbian Experience with Loneliness and the story with which so many readers have found they could identify. Admittedly and understandably, it’s not always an easy read, but it is a very good one.

Short Program, Volume 1Short Program, Volumes 1-2 by Mitsuru Adachi. My introduction to Adachi’s work was through the baseball manga series Cross Game and its anime adaptation. I only recently discovered that Adachi’s first manga to be translated into English was actually Short Program. The series is a collection of short manga taken from a variety of magazines from all of the major demographics (shounen, shoujo, seinen, and josei) spanning from the late 1970s to the early 2000s. Viz Media only ever published the first two volumes of Short Program; it would have been nice to have seen the rest of the series released as well, but since the stories are largely unrelated to one another, at least it’s not like readers will be left with a cliffhanger or otherwise unresolved narrative. For the most part, the short manga of the first two volumes of Short Program are quirky romances, often with twist endings that add a little surprise to what would otherwise be fairly straightforward and even mundane stories. Adachi successfully works within a number of different genres in Short Program–some of the stories are comedies while others are thrillers, some are unabashedly romantic while others are intentionally disconcerting. Overall, Short Program is a solidly engaging and consistently entertaining series.

The LeaversThe Leavers by Lisa Ko. Although Ko has written numerous short stories and essays, The Leavers is her debut work as a novelist and the winner of the 2017 PEN/Bellwether Prize for Socially Engaged Fiction. It’s a particularly timely novel, too, examining the impact of illegal immigration on the families both directly and tangentially involved. The Leavers follows two entwined lives, alternating perspectives between them. First there is Deming, a young man who has yet to find his place in the world. After his undocumented mother Polly suddenly disappears when he is eleven, Deming is fostered and adopted by a white couple who rename him Daniel, never knowing what happened to her. The second is narrative is that of Polly herself, telling the story of her background, how she came to the United States from China, and eventually what really happened to her before and after she was gone from her son’s life. The Leavers is in turns compelling and tedious, engaging and exasperating. The issues explored are important ones, but the telling of the character’s stories, especially Deming’s, can sometimes be frustratingly unfocused. Granted, this may also be a deliberate reflection of Deming’s own obscured state of mind.

Filed Under: FEATURES, My Week in Manga Tagged With: comics, Kabi Nagata, Lisa Ko, manga, Mitsuru Adachi, Novels, Short Program, Tanaw

Manga the Week of 6/21/17

June 15, 2017 by Sean Gaffney, Anna N, Ash Brown and Michelle Smith 1 Comment

SEAN: It’s that time again. Time for this list of titles to take forever, time for your wallet to scream in pain, time for Anna to wonder why Yen doesn’t license more shoujo. Yes, it’s that week of the month.

Dark Horse has another Hatsune Miku manga, this one called Acute.

Drawn and Quarterly gives us another Kitaro volume, The Great Tanuki War. I’ve reviewed it here.

ASH: I’m always ready for more Kitaro!

SEAN: Haikasoru has the 4th Legend of the Galactic Heroes novel, which seems more timely than ever these days.

ASH: That it does.

MICHELLE: Someday, I really will read these.

ANNA: I just got the first one!

SEAN: J-Novel Club has the 4th Grimgar of Fantasy and Ash out digitally.

Their debut this week is If It’s For My Daughter, I’d Even Defeat A Demon Lord, which is a very light novel title if nothing else. J-Novel’s founder described it as being “like Bunny Drop”, then had to hurriedly walk that back after fans recoiled in horror. The good parts of Bunny Drop, apparently.

Kodansha continues to rush Nodame Cantabile to its finish digitally, here’s Vol. 23.

MICHELLE: Woot!

SEAN: Kodansha in print has a 7th volume of Inuyashiki, which recently ended in Japan.

And an 11th volume of Kiss Him, Not Me!, which despite its cover is unlikely to end with anyone married.

There is also a 7th Real Account.

Seven Seas gives us a 3rd volume of “would you read this in public?” series Holy Corpse Rising. (Answer: no.)

The new title is Otome Mania!, a reverse harem series that runs in Sylph, and whose author has done a lot of Shonen Jump BL doujinshi. So, pretty much the opposite market to Holy Corpse Riding.

Viz gives us the 21st volume of Dorohedoro, which crawls closer to its conclusion, but I don’t mind it taking so long.

ASH: I continue to adore Dorohedoro. It will be sad when it ends, but it has been an astonishing ride so far.

SEAN: Viz’s big debut is Golden Kamuy, a Young Jump title which sounds absolutely amazing, and co-stars an Ainu woman? Sign me up.

ASH: I’m really looking forward to this series!

ANNA: This looks cool.

SEAN: The 6th Goodnight Punpun omnibus is also out next week.

ASH: We’re drawing near the end of this depressing yet compelling work.

SEAN: And an 11th Master Keaton.

Lastly (from Viz, don’t get excited), there’s a lucky 13th volume of Tokyo Ghoul.

That leaves Yen, but we’re not even halfway through the list. A huge number of light novels next week, starting with the 10th Accel World, which I hope is more lighthearted after the last few books.

Is It Wrong To Pick Up Girls In A Dungeon’s side story, Sword Oratoria, is not making viewers of the anime adaptation happy, but will they enjoy this 3rd light novel more?

The first of two debuts this month, Magical Girl Raising Project is one of THOSE series, featuring a lot of cute and determined magical girls who will be brutally slaughtered.

The 4th volume of Psycome goes off campus, as our heroes deal with Eri’s family and past.

Re: Zero’s 4th volume starts a new arc which no doubt means more deaths and save points for our hero.

The most exciting debut of the week for me is Sound Euphonium, a book about a high school band that was adapted into a beloved anime series. I believe this is the only volume licensed, though a sequel is out in Japan. Buy it, I hear it’s great.

MICHELLE: I don’t often go in for light novels, but for this I think I’ll make an exception.

ASH: I’ll absolutely be reading this. Band was the highlight of my high school years.

SEAN: Spice & Wolf turns out to be not quite over, as we get this 18th volume of the series.

And the first two Sword Art Online: Progressive novels are out digitally next week.

On to Yen’s manga. There’s a 5th Aoharu x Machinegun.

The Asterisk War has a 4th volume of its manga adaptation.

And Bungo Stray Dogs gets a 3rd volume.

The Devil Is A Part-Timer’s 9th manga volume is out as well.

And a 7th Dragons Rioting. Sorry, no witty remarks, no snark, just a long list of things I don’t read.

I do read Erased, though, and look forward to the 2nd omnibus.

ASH: It should be good! The first omnibus was a little slow for me at first, but by the end I was hooked.

SEAN: If you want to read Grimgar but hate books, here is the first volume of the Grimgar of Fantasy and Ash manga.

And there’s a 6th volume of Handa-kun.

The Honor Student at Magic High School is once again behind the light novels, to my relief. Here’s the 7th manga volume.

How to Raise a Boring Girlfriend has reached Vol. 6.

Kiniro Mosaic has a 3rd volume of basically not a lot happening to cute, yuri-ish girls.

My Youth Romantic Comedy Is Long As I Expected still has a long title, even 5 volumes in. (A reminder this sis the manga adaptation, though Amazon has gotten better at differentiating the two now.)

A spin-off of No Game No Life (whose own manga adaptation seems to be on hiatus in Japan), No Game No Life, Please! focuses on Izuna, as the title’s verbal tic likely gave away.

Of the Red, the Light and the Ayakashi may not make much sense to me, even after 7 volumes, but it’s got style.

MICHELLE: I’m enjoying it!

ASH: I’ve been enjoying it, myself.

SEAN: And we have a 7th Prison School omnibus.

ASH: I’m still reading this series, too. It’s definitely not for everyone, though.

School-Live! still has not run out of zombies, as we have Vol. 7 here.

And a 7th Strike the Blood manga will not surprise, but may satisfy anyway.

Today’s Cerberus gives us a 4th print volume of the already out on digital series.

Lastly, the your name novel gets a manga adaptation, and this is Vol. 1.

Phew. What’s for you next week? Or does the list just make you dizzy?

Filed Under: FEATURES, manga the week of

My Week in Manga: June 5-June 11, 2017

June 12, 2017 by Ash Brown

My News and Reviews

Last week at Experiments in Manga, I announced the winner of the Anonymous Noise give away. The post also includes a list of manga which have characters who have notable singing voices. I got a particularly kick out of the fact that not all of the manga were necessarily music manga. Also, a bit of a heads up: I’m switching around my usual posting schedule. Normally the second week of the month would be devoted to the Bookshelf Overload feature, but I’ll be posting an in-depth review this week instead–Yeon-Sik Hong’s award winning manhwa Uncomfortably Happily is being released in English by Drawn & Quarterly on Tuesday and I’m working on putting the finishing touches on my write-up. Spoilers: I enjoyed the work immensely.

As for interesting reading elsewhere online: Hitomi Yoshio, a professor and translator, wrote a little about teaching Japanese Literature in Translation. And speaking of Japanese literature in translation, it looks like the second volume of Yu Godai’s Quantum Devil Saga: Avatar Tuner will finally be released sometime later this summer. (I enjoyed the first volume a great deal when it was published three years ago and sincerely hope that the wait between future volumes is much shorter.) I’ve known about the upcoming translation of Kazuki Sakuraba’s A Small Charred Face for a while, but now it’s official–Haikasoru will be releasing the novel in the fall. Sakuraba may best be known as the creator of Gosick, but my introduction to author’s work was through Red Girls: The Legend of the Akakuchibas, which I loved. Finally, I’d like to draw attention a series of fascinating Golden Kamuy Cultural Notes & Video References put together by @zeppelichi on Twitter.

Quick Takes

Blinded by the IceBlinded by the Ice by Saicoink (An Nguyen). In general, I don’t buy very many fan works or doujinshi, generally preferring to support artists’ original comics over their explorations of other people’s creations. However, I do occasionally make exceptions and I was very excited for Saicoink’s Yuri!!! on Ice fan book Blinded by the Ice. In addition to some bonus comics, illustrations, and research notes, the volume focuses on two main stories. The first and longest, Don’t Leave Me This Way, was probably my favorite comic of the two. I enjoyed Makes Me Think of You as well–it’s a charming and sweet holiday story which takes place after most of the events of the original anime series–but Don’t Leave Me This Way is the one that really impressed me. The comic is set in the late seventies and early eighties, featuring an alternative universe in which Victor and Yuri’s relationship must develop over both time and distance due to the fact that Victor is a high-profile athlete for the USSR. The only time the two of them can really meet in person is during competitions and even then it is very challenging and difficult. Blinded by the Ice is fantastic; I love the humor and insight that Saicoink brings to the stories and the time and effort Saicoink put into research really pays off, too.

Delicious in the Dungeon, Volume 1Delicious in Dungeon, Volume 1 by Ryoko Kui. I enjoy tabletop role-playing games (or at least enjoy being present while other people are playing them) and I love food manga, so Delicious in Dungeon was a series that immediately caught my attention. The groups that I’ve played pen and paper RPGs with actually tended to devote a fair amount of attention to the food within the games. Our adventures never quite turned out how it does for Laois and his dungeoning companions, though. When, partially due to hunger, his party is nearly wiped out by a dragon, Laois and the other survivors find themselves facing the prospect of having to launch a rescue mission to save one of their own. There’s just one problem: their supplies are limited and they don’t have any food. And so Laois proposes that they simply find what they need to eat and sustain themselves inside the dungeon itself, something that he’s apparently been wanting to try for a very long time. The others, on the other hand, are much more skeptical. Conveniently, they are all fortunate enough to meet a dwarf who is much more skilled and experienced than Laois when it comes to making monsters palatable. The conceit of Delicious in Dungeon is frankly brilliant. Unsurprisingly, I loved the first volume of the series and definitely plan on reading more.

Descending Stories: Showa Genroku Rakugo Shinju, Volume 1Descending Stories: Showa Genroku Rakugo Shinju, Volume 1 by Haruko Kumota. Although I haven’t actually had the opportunity to watch it yet, Kumota’s manga series Descending Stories was first brought to my attention due to its recent anime adaptation. The excitement surrounding the anime and the licensing of the original manga made Descending Stories one of the debuts I was most looking forward to in 2017; I was not disappointed. Rakugo is a traditional Japanese performance art which isn’t as popular as it once was but still has a devoted following. Familiarity with rakugo isn’t at all necessary to enjoy Descending Stories, but readers who have at least some basic understanding of it will likely get even more out of the series. But while rakugo is an important and interesting part of Descending Stories, it’s the relationships and drama between the characters that really make the manga so engrossing and compelling. Kyoji is an outgoing young man who has recently been released from prison. Curiously, the first thing he does with his freedom is to seek out Yakumo, a famous rakugo artist, and demand to become his apprentice. Up until this point Yakumo has always rejected those who want to study under him, but to everyone’s surprise on a whim takes Kyoji into his household.

Filed Under: FEATURES, My Week in Manga Tagged With: comics, Delicious in Dungeon, Descending Stories, Haruko Kumota, manga, Ryoko Kui, Saicoink, Yuri on Ice

Manga the Week of 6/14/17

June 8, 2017 by Sean Gaffney, Michelle Smith and Ash Brown Leave a Comment

SEAN: Traditionally this is the small week of the month, but tradition can go hang: there are no small weeks anymore.

MICHELLE: At least there is no shortage of choices for Picks of the Week!

ASH: What a time to be alive!

SEAN: Dark Horse has the 5th volume of Fate/Zero, which will likely be as gruesome as ever.

J-Novel Club has In Another World With My Smartphone on the fast track, as we have Vol. 3 already. It’s the bouncy puppy of isekai.

And Paying to Win in a VRMMO also has its 3rd volume.

Kodansha has a pile of digital only Del Rey rescues: Alive 17, Nodame Cantabile 22, and Yozakura Quartet 13.

In new digital titles, we have a 4th Ace of the Diamond.

MICHELLE: Woot!

SEAN: Air Gear is down to one volume per year, but Kodansha can take heart that the 36th is the 2nd to last one.

Chihayafuru gets a 3rd volume digitally as well, and I will definitely be reading it.

MICHELLE: Super woot!

SEAN: There is a 5th Complex Age, a very realistic take on cosplay and aging – a bit too realistic for my taste.

MICHELLE: I’m wary, since I hated the new character in volume four so vehemently, but the series concludes with volume six, and it’d be a shame not to finish it.

ASH: I haven’t read the fourth volume yet, but the first three left a strong impression on me.

SEAN: And Fire Force has a 4th volume of supernatural firefighting.

One Peace has an 8th volume of its light novel series Rise of the Shield Hero.

Seven Seas has a 12th volume of Dragonar Academy, which I hear some people buy and enjoy.

There is also a 5th Masamune-kun’s Revenge, which I have been enjoying with reservations.

A debut! Red Riding Hood and the Big Sad Wolf (Akazukin-chan wa Ookami-san o Nakasetai!) is a Zero-Sum series which seems to have a less grim take on Grimm.

ASH: That could be interesting.

SEAN: Species Domain was more fun than I expected, and a 2nd volume should hopefully be as fun.

The other Seven Seas debut is Tales of Zestria, a manga version of the RPG game. It’s also a Zero-Sum title.

SuBLime has a spinoff of the Don’t Be Cruel manga called Don’t Be Cruel: plus+. Do you pronounce both pluses?

We also see the first volume of the Finder Deluxe Edition (from SuBLime, I think – hasn’t this series had more re-releases than I can keep track of?).

ASH: This is only the second release, I promise. Digital Manga used to have the license, but SuBLime has it now. And this edition has additional content not previously released!

SEAN: Vertical has the 6th and final Mysterious Girlfriend X omnibus.

Viz has the debut of After Hours, their own entry into the burgeoning yuri manga market. It runs in Hibana magazine, and I understand it does not take place in a school! Gasp!

MICHELLE: Looking forward to this one!

ASH: Same! (Even more now that I know it isn’t a school romance.)

SEAN: There is also a 24th Magi, for all you Magi fans (including me, though I wish Morgiana did more).

Lastly, we have the 8th Monster Hunter: Flash Hunter.

Do any of these series excite you? Depress you? Irritate you?

Filed Under: FEATURES, manga the week of

My Week in Manga: May 29-June 4, 2017

June 5, 2017 by Ash Brown

My News and Reviews

The most recent manga giveaway at Experiments in Manga was posted last week. This month everyone participating has a chance to win Anonymous Noise, Volume 1 by Ryoko Fukuyama. The winner will be announced on Wednesday, so there’s still time to enter. Simply tell me about your favorite singer or vocalist from a manga! In other giveaway news, Taneeka Stotts is sponsoring a tremendous Queer Comics Giveaway for Pride Month. I’ve read and/or own a fair number of the comics in the giveaway and they’re all great. Even if you don’t enter or win, the list itself is still well-worth checking out!

As for other interesting things that I’ve recently come across online: Terry Hong (creator of the Smithsonian Asian Pacific American Center’s BookDragon review blog, which I greatly enjoy) compiled a list of fourteen Japanese thrillers for The Booklist Reader which includes both novels and manga. (I’ve read most of the books on the list and they’re great; here are my in-depth reviews of some of the titles mentioned: The Devotion of Suspect X, Malice, and Salvation of a Saint by Keigo Higashino, The Kurosagi Corpse Delivery Service by Eiji Otsuka and Housui Yamazaki, and Nijigahara Holograph by Inio Asano.) Matt Thorn has re-posted an old article from The Comics Journal on The Magnificent Forty-Niners. Also, my Manga Bookshelf cohort Brigid Alverson is now writing for ICv2 as well. Her first post is a roundup of recent manga news.

Quick Takes

Boogiepop Doesn't Laugh, Volume 1Boogiepop Doesn’t Laugh, Volumes 1-2 written by Kouhei Kadono and illustrated by Kouji Ogata. The Boogiepop franchise began as a series of light novels but would eventually expand to include music, a live-action film, an anime, and two short manga series among other things. Boogiepop Doesn’t Laugh is actually the second of the two manga series to be released but it’s an adaptation of Boogiepop and Others, the very first Boogiepop light novel. Although the manga does include a few additional scenes, for the most part it’s a very close adaptation. Like the original novel, the narrative of Boogiepop Doesn’t Laugh is deliberately fragmented–the supernatural mysteries surrounding the serial disappearances of a number of high school girls are explored through multiple perspectives taken from before, after, and during the events. Sadly, the technique isn’t nearly as effective in the manga as it was in the novel and the adaptation never quite reaches the same depth as the original, but the story remains and interesting and curious one. Perhaps obviously what makes the manga stand apart from its predecessor is its artwork. The first quarter or so of the series isn’t especially impressive, but then Ogata switches to a style reminiscent of ink wash paintings which is quite lovely.

Persona 3, Volume 1Persona 3, Volumes 1-3 by Shuji Sogabe. Having read and largely enjoyed what has so far been translated of Sogabe’s Persona 4 manga adaptation, I was looking forward to giving the Persona 3 manga a try as well. (Especially as I’ve actually played some of Persona 3, unlike Persona 4. Granted, I still haven’t actually finished the video game.) I really wanted to like the manga, but I was very disappointed with the first three volumes of Sogabe’s Persona 3. Apparently, it was Sogabe’s first professional manga, which may explain some of the series problems. The Persona 3 manga will likely work best for readers who are already very familiar with the original, and even then I suspect that most would rather just play the game again. The manga has no clear or coherent narrative to it, jumping around in the story and in an out of battles without reason. Considering the number of fight sequences included, it’s particularly unfortunate that conveying action is one of Sogabe’s weakest areas. Characterization is largely lacking in the manga and most of the cast members are never fully or adequately introduced, but at least their designs are attractive enough. Overall, I didn’t enjoy the Persona 3 manga much at all, mostly because it didn’t make much sense at all. Some of the more comedic moments were admittedly amusing, though.

To the Abandoned Sacred Beasts, Volume 1To the Abandoned Sacred Beasts, Volumes 1-2 by Maybe. Before reading To the Abandoned Sacred Beasts I was under the impression that the series used the American Civil War as the foundation of its story. It turns out that’s not really the case, although the worldbuilding and character designs take obvious inspiration from nineteenth-century United States and the setting of the manga is a country recovering from a great war between the North and the South. (I suppose To the Abandoned Sacred Beasts could be some sort of alternative historical fantasy, but for the moment at least it doesn’t read that way to me.) In order to emerge victorious from the war, the North relied on soldiers known as Incarnates–humans who were granted tremendous abilities and battle prowess but at a great cost; they were literally turned into monsters. The metaphor may not be particularly subtle, but how To the Abandoned Sacred Beasts tackles the psychological ramifications and ravages of war is certainly engaging. Now that the conflict is over and an uneasy peace has been established, there is no longer any need for creatures of war and the Incarnate soldiers largely find themselves feared and despised. As the last of their humanity slips from their grasp, the Incarnates ultimately become the targets of the Beast Hunters.

Filed Under: FEATURES, My Week in Manga Tagged With: Boogiepop, Kouhei Kadono, Kouji Ogata, manga, Maybe, Persona, Shin Megami Tensei, Shuji Sogabe, To the Abandoned Sacred Beasts

Manga the Week of 6/7/17

June 1, 2017 by Sean Gaffney, Ash Brown, Anna N, MJ and Michelle Smith 2 Comments

SEAN: June is bustin’ out all over! And while we don’t have that Rogers and Hammerstein manga just yet, we certainly have plenty of titles coming out next week.

ASH: (I would totally read that manga, btw.)

MJ: (Same.)

SEAN: J-Novel Club has the 4th volume of My Big Sister Lives in a Fantasy World, which promises to be more Haruhi-ish than ever before.

Kodansha digital has more Del Rey rescue volumes, as we get Nodame Cantabile 21 and Princess Resurrection 15.

They also have the 2nd digital volume of Drowning Love.

MICHELLE: Yay for Nodame and Drowning Love.

SEAN: I admit that I have for the most part dropped Fairy Tail. I am a shipper, though, and I do love me some Galevy. I will be picking up Fairy Tail: Rhodonite, then, a spinoff focused on Gajeel.

Noragami has a new volume, with Vol. 18! Man, remember when these were monthly?

ASH: I do! It’s great to catch up so quickly, but it does make the waits between volumes feel especially long.

SEAN: And there is a 6th Sweetness and Lightning.

MICHELLE: I could use a dose of wholesome food manga.

ASH: I’m really loving this series.

SEAN: On the Seven Seas front, we have the 2nd volume of Captive Hearts of Oz, which I found interesting enough to continue, and Alice in the Country of fans should love it.

ASH: The first volume intrigued me as well. It had it’s rough spots, but overall I was entertained.

SEAN: They’re also releasing a print version of the first Grimgar of Fantasy and Ash light novel, which J-Novel Club released back in December.

The big release next week is My Lesbian Experience with Loneliness, which everyone needs to pick up immediately. I reviewed it here.

MICHELLE: Hm, sounds interesting!

ASH: One of my most anticipated releases of the year! I’m glad to finally get a chance to read it.

MJ: This was somehow not on my radar at all, so thanks for fixing that!

SEAN: And there is a 3rd Please Tell Me, Galko-chan!, which I find far more amusing and fun than I’d expected to.

ASH: Same.

SEAN: Vertical Comics has a 7th Volume of Devil’s Line.

And now it’s time for Viz. Assassination Classroom 16 promises a heaping help of backstory.

Black Clover 7 promises more of what it is that Black Clover does best: reminding you of other shonen titles.

Even after 7 volumes, Bloody Mary still has vampires.

The 5th Everyone’s Getting Married is also out. Can they keep things from getting too angsty?

And things continue to go from bad to worse for the students in the 18th volume of Food Wars!.

MICHELLE: Ordinarily, I look forward to Food Wars! passionately, but this current arc is rather distressing.

ASH: I actually need to catch up to the current arc; I’ve fallen behind!

SEAN: Haikyu!! 12 is probably happy it doesn’t have to worry about cooking and can just focus on volleyball.

MICHELLE: Huzzah!

ASH: Yay!

SEAN: And the second to last volume of Kamisama Kiss! I will miss it!

ANNA: I’ve been stockpiling volumes because I don’t want it to be over.

SEAN: Kuroko’s Basketball has a 6th 2-in-1 omnibus, and continues to star Kuroko, against all odds.

MICHELLE: Further huzzah!

SEAN: Viz’s big release is Manga in Theory and Practice. A few years ago Tokyopop released a volume by Hakusensha’s editors on how to do shoujo manga. This might be the shonen equivalent, but its creator is none other than Hirohiko Araki, the creator of JoJo’s Bizarre Adventure! I cannot wait to read this.

ANNA: That sounds like a hoot.

ASH: I’m really looking forward to reading this.

MJ: Oh, interesting. Count me in.

SEAN: One Piece 3-in-1 20 should not be read without tissues handy, as it has the death that no one was expecting.

Seraph of the End has reached a dozen volumes, meaning it can now be profitable in syndication.

And So Cute It Hurts!! has unlucky Volume 13.

Lastly, but not leastly (oh, the grammar pain), there is a 6th Yona of the Dawn. Why can’t this be monthly?

ANNA: YES, WHY?????

MICHELLE: Aside from Fruits Basket, has a shoujo series ever had a monthly print release?

ASH: It seems like there must have been, but none immediately come to mind.

SEAN: A highly interesting week. What are you getting?

Filed Under: FEATURES, manga the week of

Manga Giveaway: Anonymous Noise Giveaway

May 31, 2017 by Ash Brown

Not only is it the last Wednesday of May, it’s the last day of May, so it is once again time for a giveaway at Experiments in Manga! For this month’s giveaway you will all have the opportunity to win the first volume of Ryoko Fukuyama’s manga series Anonymous Noise as published in English by Viz Media’s Shojo Beat imprint. And as usual, the giveaway is open worldwide!

Anonymous Noise, Volume 1

As a musician, I have a particular affinity for manga which incorporates music in some way, whether it’s tangentially or as a primary theme. So when Anonymous Noise was licensed, it immediately caught my attention. The series’ lead loves to sing and many of the other characters introduced are musically inclined as well. As I was reading the first volume of Anonymous Noise, it occurred to me that there were a fair number of other manga that I could think of which aren’t music manga per se but which do include characters with notable singing voices. (For example, Tomoyo Daidouji from Cardcaptor Sakura or Yuzuki Seo from Monthly Girls’ Nozaki-kun.) And for some reason, that realization made me really happy.

So, you may be wondering, how can you a copy of the Anonymous Noise, Volume 1?

1) In the comments below, tell me about your favorite singer or vocalist from a manga. (Don’t have a favorite or haven’t come across any? Simply mention that instead.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

It’s as simple as that. Giveaway participants have one week to submit comments and can earn up to two entries. Comments can also be sent directly via email to phoenixterran(at)gmail(dot)com if needed or preferred. I will then post those entries here in your name. The giveaway winner will be randomly selected and announced on June 7, 2017. Best of luck to you all!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: Anonymous Noise Giveaway Winner

Filed Under: FEATURES, Giveaways Tagged With: Anonymous Noise, manga, Ryoko Fukuyama

My Week in Manga: May 22-May28, 2017

May 29, 2017 by Ash Brown

My News and Reviews

As has been previously mentioned, a couple of weekends ago I attended the Toronto Comic Arts Festival (which I’ve apparently been going to for five years now). It took me a little longer than I had originally planned, but I did finally manage to post my random musings on TCAF 2017. In the post I write about some of the major highlights of the trip and attempt to summarize prominent themes that emerged during the panels that I attended. Last week I also spent a fair amount of time with my family in Ohio. I was already planning on going down for the long weekend, but that weekended turned out to be much longer than initially anticipated–my maternal grandmother passed away on Tuesday, so I left town on Thursday instead of Saturday. While the occasion was a sad one (though not entirely unexpected), it was wonderful to see so much of my family and everyone is doing really well considering. I also got to hear some great family stories and learned a bit more family history than I previously knew.

Unsurprisingly, I wasn’t really online much at all last week and was all sorts of distracted, so I’m sure there are plenty of things that I missed. However, The OASG had a great feature on Kazuhiro Fujita’s The Ghost and The Lady which combines a review and an interview with Finola Austin, the cultural consultant for the English-language edition of the manga. Seven Seas also made another series of interesting and exciting manga license announcements: Giant Spider & Me: A Post-Apocalyptic Tale by Kikori Morino, Fauna and the Dragonewts’ Seven Kingdoms by Kiyohisa Tanaka, Ultra Kaiju Anthropomorphic Project by Shun Kazakami, Saint Seiya: Saintia Shō by Chimaki Kuori, and Leiji Matsumoto’s original Captain Harlock.

Quick Takes

Girls' Last Tour, Volume 1Girls’ Last Tour by Tsukumizu. There is a fairly common conceit in manga and anime which can basically be described as cute girls doing things. Though I’ll still happily read it, it’s a category of manga that doesn’t especially interest me and I don’t usually intentionally seek it out unless there’s an additional hook of some sort that I am curious about. In the case of Girls’ Last Tour, it was the manga’s post-apocalyptic setting and a recommendation from a friend that caught my attention. And I’ll admit: I enjoyed the first volume much more than I expected I would and definitely plan on reading more. For the most part I find Tsukumizu’s artwork appealing, although in general the character designs are less inspired than the backgrounds. Chito and Yuuri are two young women traveling together across the wasteland in search of food, fuel, and the comforts of home. At this point in the manga it’s unclear what brought about the end of civilization or even how many survivors there are. (Chito and Yuuri spend most of the first volume alone together, but at one point they do meet and briefly team up with a mapmaker, so they aren’t the only ones left.) The backstory may never be fully explained as Girls’ Last Tour is mostly about Chito and Yuuri’s everyday lives. Girls’ Last Tour is a surprisingly delightful and charming series although it it has a melancholy air to it as well.

My Monster BoyfriendMy Monster Boyfriend edited by C. Spike Trotman. Smut Peddler started as a series of minicomics before blossoming into a series of anthologies. My Monster Boyfriend is the first thematic Smut Peddler project as well as being the first Smut Peddler anthology to feature full-color artwork. The stories in My Monster Boyfriend are also longer than the ones included in the series’ previous installments–the anthology features ten erotic comics, the work of fourteen different creators. Unlike most of the comics anthologies that I’ve recently read, I was actually already familiar with most of the contributors to My Monster Boyfriend. The volume has a great lineup and I was not at all disappointed with the collection. I was particularly pleased to see the representation of a wide array of genders and sexualities. My Monster Boyfriend continues the sex-positive, queer-friendly trend of Smut Peddler. Considering the volume’s motif (inhuman men and their sexual partners), all of the stories included are fantastic by nature. However, there is still wonderful variety in style, approach, and genre. Some of the stories are comedic while others are quite serious; some comics lean towards horror while others tend towards romance. My Monster Boyfriend can in turns be sweet, scary, and sentimental.

Filed Under: FEATURES, My Week in Manga Tagged With: comics, Girls' Last Tour, manga, Smut Peddler, Tsukumizu

Random Musings: Toronto Comic Arts Festival 2017

May 28, 2017 by Ash Brown

TCAF 2017 Poster - Sana Takeda

©Sana Takeda

I didn’t actually realize it until I started writing up my random musings for the 2017 Toronto Comic Arts Festival (TCAF), but this year was actually my five-year TCAF anniversary! For the first two years I coordinated the trip with a friend (a different one each year), but for the last three years my TCAF adventures have been combined with a Toronto family vacation. 2017’s TCAF trip leaned a little more heavily towards family activities than in years past, but I still found the opportunity to enjoy what the festival had to offer. And seriously, TCAF has a tremendous amount to offer. It’s the only comics-related event that I currently attend, and it’s absolutely worth challenging my social anxiety and general awkwardness.

Although there are TCAF-related events throughout May, the festival-proper usually takes place on Mother’s Day weekend which was May 13th and 14th this year. As mentioned, much of the emphasis of my trip this year was on family vacationing. We made a long weekend of it, leaving on Thursday and returning on Sunday. On Thursday, after treating ourselves to breakfast at a favorite local restaurant and taking the young one to a weekly language development play group (which I hadn’t actually had the opportunity to visit before since I’m usually working when the class is held), the four of us (three adults and a toddler) piled into the car on headed out.

If we were to drive straight through from where we live in Michigan to Toronto, it would take about four and a half hours but we arrived a little over six hours after we left. Things always seem to take a bit longer when kids are involved, not to mention the fact that we also happened to stop for a leisurely picnic lunch once we were in Canada and well on our way. I don’t remember exactly what time we finally pulled into Toronto, but it was late enough that I missed the book launch party for Jane Mai and An Nguyen’s newest collaboration So Pretty / Very Rotten: Comics and Essays on Lolita Fashion and Culture which I had hoped to attend. Instead, we all took our time settling into the room for our stay and then ordered tasty takeout from a place that was a surprising combination of pizzeria and Asian fusion.

On Friday, the whole family spent most of the day at the Ontario Science Centre, which was fantastic. We mainly focused on the interactive areas geared towards younger ages and so certainly didn’t see everything there was to see; I would like to go back sometime and explore even more of the centre because we all had a great time. After resting up in our room for a bit, we eventually made our way down to The Distillery Historic District for dinner, drinks, and other diversions. In the past, Friday night would have been the night that I would take off for the Sparkler Monthly mixer, but this year that party was held on Saturday evening instead. (Sadly, this also meant Sparkler’s party conflicted with the annual queer mixer.)

After spending most of Thursday and Friday with the family, I was mostly off on my own on Saturday enjoying the first day of TCAF. As in years past, I started my morning off wandering the exhibitor areas before they got super crowded. I mostly explored the Toronto Reference Library,  which had three floors of exhibitors this year, but eventually made my way to the exhibitors situated in the Masonic Temple as well. I wasn’t quite as social as I have been at previous festivals, but I did make a point to at least say hello to the creator’s that I recently supported through Kickstarter who were at the festival. I spent a fair amount of time going through all of the exhibitor’s online portfolios before arriving in Toronto, making notes to myself of the tables that I wanted to be sure to stop by, but in the end I really did try to see everything there was to see. One of the things I love about TCAF is the wide variety of comics at the event, but I especially appreciate the number of queer creators and the amount of queer content present.

Ontario Science Centre Rainforest

Exploring the rainforest at the Ontario Science Centre

In addition to all of the phenomenal exhibitors, TCAF also has a strong lineup of panels, workshops, and creator spotlights. As usual, it was a tremendous challenge deciding which events I wanted to go to, especially as so many of the conflict with one another. In the end I settled on six, all but one of which were held on Saturday. There were definitely others that I wanted to attend, too, but for one reason or another (such as waking up with a migraine on Sunday morning or a cranky toddler) I wasn’t ultimately able to fit them all into my schedule.

Since I’m a musician on top of being a huge fan of comics, one of the panels that immediately caught my interest was “Sounds and Vision: Music in Comics,” moderated by Phillipe Leblanc, which explored how artists portray and convey music and sound in a visual medium. Although I haven’t actually read any of their comics (yet), I did recognize the panelists by name–Dave Chisholm, Nick Craine, Anya Davidson, Sandrine Revel, and Eric Kostiuk Williams. All of the creators on the panel had at least some musical background, formal or otherwise (Chisholm even has a doctorate in jazz trumpet), and consider music to be one of their passions. In some ways the two artforms, music and comics, are incompatible since each one requires so much time to master as an artist, but they can still be brought together. If nothing else, creators’ experiences as musicians can inform and influence the stories they want to tell. Effectively incorporating music into a comic requires more than just putting music notes on a page. As Chisholm pointed out, musical notation isn’t really music either–it’s simply ink on paper, a visual shorthand (much like comics themselves). In order to convey the intended feeling of the music, comic creators must instead rely on page and panel design to capture a sense of tempo, movement, and flow. Creative use of typography can also be effective, especially when lyrics are involved, and imaginative onomatopoeiae can serve as a device to form a visual soundscape. Often a literal representation of music isn’t what is demanded by a narrative, it’s the emotional resonance and impact of that music that needs to be seen, whether it’s the focus of a comic or simply being used as a background element to help set a scene.

After spending a little more time browsing the exhibitor areas, the next panel that I attended was simply titled “Sports!” which included Michael Nybrandt, Ngozi Ukazu, Sonam Wangyal, and Jarrett Williams as panelists and RJ Casey as a moderator. While in Japan sports comics have been immensely successful, the subgenre hasn’t thrived in the same way in the North American comics industry. Although there have been some independent sports comics with impressive followings, such as Ukazu’s Check, Please!, in general sports comics continue to be a hard sell for many major publishers. In the 1990s there were some unsuccessful mainstream attempts that basically tried to turn sports comics into superhero narratives rather than focusing on the underlying human story, something that didn’t work well at the time. There’s also the question of audience since there is a lingering and inaccurate stereotype that “nerds don’t like sports.” (Ukazu commented that it might actually be more difficult to sell sports comics to sports fans than to comics fans.) Sports stories provide ready-made and easily understood narratives which allow the incorporation and exploration of other subjects such as politics, religion, and performance of gender, making those issues more acceptable or palatable for readers. Emotional highs and lows are inherent to the stories, often directly tied to the athletes’ successes and failures in competition. Sports comics can risk becoming repetitive since the most basic story arc is the often same–someone will win and someone will lose–but while the ending may be already be determined, how the comic arrives at that ending is not. Changing the implications of winning and losing can introduce new dynamics and not all the conflict and drama has to happen within the context of the sport itself.

TCAF 2017 Haul

TCAF Haul 2017!
(minus a t-shirt and poster)

While the first two panels I went to were both held at the Stealth Lounge at The Pilot, my next three panels were located at another of TCAF’s primary event locations, the Toronto Marriott Bloor Yorkville Hotel which allows for larger gatherings. It’s a good thing, too. Glen Downey, who was moderating “Creating While Depressed,” noted that it was one of the most well-attended TCAF panels with which he has been involved. The subject matter being discussed appeared to strike a very personal chord with many of the people in the audience, myself included. The panelists–Meredith Gran, Tara Ogaick, Meredith Park, and Shivana Sookdeo–were all very candid and open, sharing their own experiences as creators who have to carefully balance their mental health with their creative work. They talked about how damaging the idealized stereotype of the “tortured artist” is and how the romanticized portrayal of depression found in popular culture is often vastly different from actual experience. In reality, people with depression are creating despite depression rather than because of it. For them, comics can be an outlet for expression and a way to alleviate some of the symptoms of depression, but at their lowest points it may be impossible for them to produce any work at all. It is at those times when communication and honesty are particularly crucial in order to clearly delineate limitations and establish realistic expectations not only for themselves but for the people with whom they might be working. The panelists also emphasized the importance of finding a supportive, close-knit community. Although they were specifically speaking as artistic creators with depression, I found that their experiences strongly resonated with my own and could be more broadly relatable.

My fourth panel of the day was “21st Century Webcomics,” featuring Michael DeForge, Blue Delliquanti, Priya Huq, Matt Lubchansky, and moderated by Tom Spurgeon. I don’t actually follow as many comics online as I used to–I find reading digital content difficult and/or frustrating for a wide variety of reasons–but I am still a huge supporter of webcomics, frequently buying print editions if they exist. As with any medium, webcomics have evolved over time especially as advances in the creation of digital artwork have also been made. Likewise, the relationship between webcomics and print comics have changed and there is less of a sense that they are at war these days. Instead, webcomics are often used to support their print equivalents. Because they are online, webcomics are inherently more discoverable and more widely accessible which helps to build an audience and further promote a creator’s work. Webcomics can also give a creator the opportunity to experiment with new methods and formats of expression that simply aren’t realistically feasible or even possible in print, such as the use of infinite canvass, animation techniques, or interactive elements. Creators have a tremendous amount of freedom when it comes to webcomics, allowing personal or experimental works to be produced and distributed that more traditional or mainstream comic publishers might initially be reluctant to take a risk on. However, while it was hoped that the Internet would allow creators to more directly deliver their content to readers and flatten out publishing hierarchies (which to some extent has occurred), the reality is that there has been a rise in intermediaries. More and more, creators find they frequently have to rely on multiple external systems and platforms like Kickstarter, Patreon, and social media to sustain their work.

“LGBTQ Comics Abroad,” moderated by Justin Hall, was the one panel that I wanted to be sure to make it to above all others not just because the subject matter had to do with queer comics but because Gengoroh Tagame was participating. (Even if someone isn’t a fan of Tagame’s works, his immense historical knowledge and experience as a gay comics creator makes his panels well-worth seeking out.) The other panelists included A.C. Esguerra, Molly Ostertag, Tommi Parrish, and Martina Schradi. Anne Ishii was also there, technically to assist with interpretation for Tagame, but she also had her own thoughts and experiences to bring to the discussion. The panelists talked about their work and the state of queer comics within their own countries (Japan, United States, Australia, and Germany) but also the challenges presented when considering international audiences. Queer identities are formed differently from culture to culture, and some of the nuances of those differences can be difficult to convey or translate, however there are still some shared and common experiences that are not limited by borders; social mores and contexts will often vary, but universal themes can still be found. The online environment has presented an opportunity for queer comics to be successful in ways that are currently difficult through traditional publishing, although the mainstream comics industry has been slowly making progress. The Internet allows for an unprecedented ease of global access to and distribution of queer content; it has been possible for numerous communities and support networks to be established which aren’t limited by geographic boundaries. But along with the good, there is also the bad–the piracy, scanlations, and extreme levels of fan entitlement present online can be hugely damaging.

TCAF 2017 Poster - Eleanor Davis

©Eleanor Davis

As mentioned, Saturday night I went to the Sparkler TCAF Mixer. I brought the little one along with me to allow the family’s other two adults to have a child-free dinner date. A good time was had by all and I had the chance to catch up with not only the Chromatic Press/Sparkler Monthly folks but some of Seven Seas’ people as well. There’s a bit of an overlap between the two groups even though the demographics of each company’s audience are currently the inverse of each other. (Interesting tidbit: According to a recent Sparkler Monthly survey, while women form the core readership, at present Chromatic Press has more nonbinary readers than male readers.) Expect some really great things and exciting announcements to come from both publishers in the near future.

Sunday ended up being a much shorter day than was originally planned (I was really hoping to attend the So Pretty / Very Rotten discussion on Lolita culture at the Japan Foundation, for one). However, I and one of my partners were able to at least make it to The Pilot for the panel “Looks Good Enough to Eat: Comics and Food” before we all headed back to Michigan. We sadly missed out 2016’s food comics panel, so we were particularly happy to be there this year. Perhaps unsurprisingly considering my well-known love of food comics, I was already familiar with the work of most of the panelists: Sarah Becan, Emily Forster, Robin Ha, Jade Feng Lee, and Kat Verhoeven. Along with moderator Lauren Jorden, the group discussed what appealed to them about creating and reading comics that prominently feature or incorporate food. The subgenre of food comics is actually quite diverse, including comics explicitly about food (recipe comics, autobiographical works, or journalistic reviews) as well as comics that use food as a theme or aesthetic. Everyone has to eat, which can make food comics particularly accessible; it’s a shared experience that can serve as a gateway into comics. Food is a multisensory experience, so it can be challenging when working in a medium that primarily relies on one. However, an important part of eating is the visual experience, so to that extent comics are a natural fit. Comics can evoke a feeling or mood that can’t be captured in the same way with photography or other visual artforms. Often there is a strong emotional component to food comics. Even when the subject matter is specifically about food, food itself isn’t just food–it’s history, community, culture, relationships, and personal expression. And comics can be all of those things, too.

And with that,  and after one last tour through the exhibitor areas, the whole family prepared to depart for home. Though I didn’t end up doing everything that I had originally planned or hoped to do,  but I still had a fantastic trip. Toronto is a terrific city and TCAF is a phenomenal festival. However inadequately, I’ve tried to convey some of that greatness here by highlighting a little of what I learned and experienced. However, there’s so much more that I could have (and perhaps should have) written about because there’s so much more to the festival. I definitely plan on attending TCAF for the foreseeable future.

Filed Under: FEATURES, Random Musings Tagged With: comics, Gengoroh Tagame, manga, TCAF

Manga the Week of 5/31

May 26, 2017 by Sean Gaffney, Ash Brown, Anna N, Michelle Smith and MJ 1 Comment

SEAN: Believe it or not, under 20 releases is now a quiet week. Welcome to the Manga Boom, here’s your accordion. So what’s out next week?

J-Novel Club has an odd license. Despite being available to them, no one thought the company would license Invaders of the Rokujouma!? for two reasons: 1) It’s 23 volumes and counting in Japan, and 2) it already had a well-regarded fan translation of the first 22 volumes. But J-Novel has licensed that fan translation, is giving it an edit, and doing a fast release of the first three volumes of the series, with more to come monthly, apparently. As for the title itself, it’s a harem comedy, so moving on…

ASH: It’s probably not a series that I’ll ever pick up, but that’s an interesting publication history!

SEAN: Kodansha has more digital Del Rey rescues. Alive 16, Nodame Cantabile 20, and Yozakura Quartet 12.

…and I guess that Kodansha has Battle Angel Alita 1-3 out digitally too. I knew it was coming, but not so soon. This is the original BAA (as opposed to the Last Order reboot), with a new translation.

Their lone print release this week is the 60th volume of Fairy Tail, which should be wrapping up in Japan soon.

Kodansha also has new digital releases. Kasane is an award-winning work, and runs in the magazine Evening. It appears to be a dark thriller with lots of bullying and abuse overtones. But, magic lipstick!

Real Girl (3D Kanojo) is a shoujo/josei title from Dessert, involving a nerdy outcast type who ends up working with a cool beauty, the sort he hates, but gradually comes to realize that cool beauties are people too.

ANNA: I have mixed feelings about these digital releases, I’m so happy that more shoujo/josei is coming out, but having been burned before by the crash and burn of digital manga programs in the past, I’m concerned about some of these titles actually being finished. Also, it would be great to have some more josei print manga! Even with these handy reminders for the Manga Bookshelf team, I’m having a hard time keeping track of all the digital releases that I’m interested in.

MICHELLE: There certainly are a lot of them! That said, I will give these two new ones a try. And yay for more Nodame, as well!

ASH: I’m glad that these titles are being licensed at all, but I’d definitely like to see more of the released in print, too.

MJ: I share Anna’s concerns. I’m glad these are being released, but I’m still reeling from the loss of some JManga series I was really invested in (that have not, to my knowledge, been picked up by anyone else), and I admit I still mistrust digital.

SEAN: If it helps, the JManga title To All Corners of the World was rescued by Seven Seas and will be out in November in one (print) omnibus.

Seven Seas has a few new titles next week, starting with a (gasp!) novel, The Disappearance of Hatsune Miku, based on the seemingly unstoppable Vocaloid idol.

The manga debut is The High School Life of a Fudanshi (Fudanshi Koukou Seikatsu), a comedy title from Zero-Sum Online about a straight guy obsessed with BL, and his drive to find someone else to share his obsession with.

ASH: Knowing a few straight fudanshi myself, I’m rather curious to see how the series handles the topic.

MJ: Cautiously interested.

SEAN: And there’s a 5th volume of Shomin Sample, which must have run out of girls showing us their panties on the cover by now. (checks) Sadly, apparently not.

Vertical has the 8th Ninja Slayer, for all your Ninja needs.

They also have a light novel based on the Seven Deadly Sins manga, subtitled Seven Scars They Left Behind. Judging by that title, I wouldn’t expect a lot of laughs.

Yen Digital has some new volumes for us, as we get the 10th Aphorism, the 10th Crimson Prince, and the 10th Sekirei.

And while it’s not Vol. 10, Yen On does have the first four Sword Art Online novels now available digitally, for those obsessed with reading light novels on their phones (like me).

Are you taking a week off? Or getting something here?

Filed Under: FEATURES, manga the week of

My Week in Manga: May 15-May 21, 2017

May 22, 2017 by Ash Brown

My News and Reviews

Other than the usual My Week in Manga, I didn’t manage to post any other features at Experiments in Manga last week. This was largely expected since I’m still catching up from my trip to the Toronto Comic Arts Festival. I have, however, been working on writing up some of my random musings about this year’s festival and hope to have those ready to post within the next few days. There is one thing that happened last week that I’d definitely like to share with everyone, though: the artwork that I commissioned from KaiJu was finished!

KaiJu Tokyo Demons Commission

The illustration is of the characters Sachi and Kadoyuki from Lianne Sentar’s Tokyo Demons, a series which I love very, very much. I’m also quite fond of KaiJu’s original work as well, some of which I’ve previously reviewed here at Experiments in Manga. The creative team’s current comic is Novae which is absolutely wonderful and well-worth checking out.

Elsewhere online: Lilian Min talks to Jane Mai and An Nguyen about their new book So Pretty / Very Rotten in the article The Complex Femininity of Japanese Lolita Fashion. One of Tofugu’s most recent podcasts, Interpreting for Osamu Tezuka, features Frederick L. Schodt. Also at Tofugu, manga translator Zack Davisson has some advice for learning Japanese. Speaking of Davisson, he’ll be translating two of Seven Sea’s recently announced acquisitions: Go Nagai’s original Devilman manga series (this is huge!) as well as Go Nagai and Team Moon’s Devilman vs. Hades manga. In other licensing news, Viz Media will be releasing Hinodeya Sankichi’s Splatoon manga.

Quick Takes

Flying Witch, Volume 1Flying Witch, Volume 1 by Chihiro Ishizuka. I was only vaguely aware of Flying Witch before Vertical Comics licensed the manga; although I haven’t actually watched it, a twelve-episode anime adaptation of the series first aired a little over a year ago. Flying Witch is a manga about Makoto, a fifteen-year-old witch who has moved to the country to stay with her relatives while she completes her magic training. She’s a bit of an airhead and has a terrible sense of direction, but she’s earnest and kind and quick to make friends with the locals. The focus of Flying Witch is on the everyday lives of Makoto, her relatives, and friends. It’s a gentle and harmless manga that much of the time isn’t even about magic though it can still occasionally be charming. The manga’s artwork, much like the story itself, is functional but not particularly distinctive and even the worldbuilding is somewhat lacking. Flying Witch isn’t a bad series, but it didn’t really grab me, either. Granted, I don’t have a particular interest in witches. However, I did really like the series’ countryside setting. Additionally, The Harbinger of Spring, a nature spirit introduced in one of the final chapters of the first volume, was a fascinating addition and easily my favorite part of the manga.

Jane EyreJane Eyre adapted by Crystal Silvermoon Chan and illustrated by SunNeko Lee. Charlotte Brontë’s Jane Eyre holds a very special place in my heart; I first read it in high school and it remains one of my favorite novels. To varying degrees, I’ve enjoyed the numerous films, novels, comics, and other works inspired by Jane Eyre that I’ve encountered as well. And so I was very curious to read one of the most recent adaptations, Chan and Lee’s Jane Eyre comic from Udon Entertainment’s Manga Classics line. (This is the same creative team which worked on the adaptation of Victor Hugo’s Les Misérables, one of Manga Classics debut titles.) Though overall Lee’s artwork is attractive, I wasn’t entirely satisfied by the character designs of the leads–Jane as a young woman doesn’t look much older than when she was a child, and Mr. Rochester comes across as too traditionally handsome. Other than that relatively minor complaint, Chan and Lee’s Jane Eyre remains true to Brontë’s original and is an enjoyable and very accessible rendition. Some small changes have been made, as Chan describes in the essay about the adaptation process, but all the major characterization and plot points remain. The volume also includes additional historical background information. Now I really want to reread the novel again.

Sherlock, Volume 1: A Study in PinkSherlock, Volume 1: A Study in Pink by Jay. I believe Sherlock is the very first manga to be released by Titan Comics, recently followed by Yano Takashi and Kenji Oiwa’s Assassin’s Creed: Awakening. The fact that Titan isn’t a typical manga publisher and hasn’t released many manga may partly explain why Jay’s adaptation of the BBC’s television series Sherlock was first released in English as six individual comic issues before being collected into a single volume. Titan’s catalog largely consists of comic adaptations of Western television and video game franchises, so Jay’s Sherlock fits in nicely with the rest. Sherlock is a modern reimagining of Sir Arthur Conan Doyle’s Sherlock Holmes stories, A Study in Pink influenced heavily by Doyle’s novel A Study in Scarlet. It’s been a while since I’ve actually watched A Study in Pink, but Jay’s interpretation does seem to be a very faithful one, including character designs that are based on the show’s actors, most notably Benedict Cumberbatch (Sherlock) and Martin Freeman (Watson). Some of the action can be a little difficult to follow, but otherwise I largely enjoyed Jay’s version of A Study in Pink. However, because it is such a close adaptation and nothing much is added or taken away I’m not entirely sure who the best or intended audience for the Sherlock manga would be; most people would likely be satisfied with the original episode.

Yamada-kun and the Seven Witches, Volume 10Yamada-kun and the Seven Witches, Volumes 10-12 by Miki Yoshikawa. From the beginning Yamada-kun and the Seven Witches wasn’t without its problems, but I thoroughly enjoyed the first part of the manga. However, I’m now starting to find the series somewhat wearisome even though there are some things that are quite well done and that I still like about it. With these three volumes, Yoshikawa brings the second major story arc of Yamada-kun and the Seven Witches to a close and begins yet another one. To the Yoshikawa’s credit, each time the story is more or less restarted it makes logical sense, but at this point it feels like the series is being stretched out far longer than it was originally intended. (I suspect that Yamada-kun and the Seven Witches may be a victim of its own popularity and success.) The first story arc was highly entertaining, but I wasn’t as impressed with the second and the third hasn’t instilled much confidence in me that it will greatly improve. On top of that, the manga’s fanservice has become more and more forced as the series has progressed. Where at one point it was incorporated well into the story, more recently the fanservice is haphazard at best. Because at first I did greatly enjoy Yamada-kun and the Seven Witches and appreciated its gender play and themes of friendship, it saddens me to see the series’ decline.

Filed Under: FEATURES, My Week in Manga Tagged With: Chihiro Ishizuka, comics, Crystal Silvermoon, Flying Witch, Jay, manga, Manga Classics, Miki Yoshikawa, Sherlock, SunNeko Lee, Yamada-kun and the Seven Witches

Manga the Week of 5/24/17

May 18, 2017 by Sean Gaffney, Michelle Smith, Ash Brown and Anna N 1 Comment

SEAN: Either you ride with the manga tide or you let it drown you. Looking at next week… blub blub blub.

MICHELLE: I thought this list was huge enough as it is!

SEAN: Dark Horse has a 2nd volume of Psycho Pass prequel Inspector Shinya Kogami.

J-Novel Club gives us a 3rd volume of Mixed Bathing in Another Dimension, which I still find much better than its title would suggest.

Kodansha has a pile, of course. In the Del Rey rescue category, we have Nodame Cantabile 19 (get ready for weekly releases of this), and Princess Resurrection 14.

MICHELLE: I continue to be asquee about Nodame. Looks like they’ll have the final volume out by the end of June!

ASH: Wow! I wasn’t expecting such a rigorous schedule for Nodame!

SEAN: Their debut is Descending Stories: Showa Genroku Rakugo Shinju, a josei title from Itan magazine. Its anime was insanely popular, so I’m expecting good things.

MICHELLE: I’m definitely looking forward to this one!

ASH: As am I! It’s actually one of my most anticipated debuts for the year.

ANNA: Sounds great!

SEAN: The Full-Time Wife Escapist has a 3rd volume digitally, and I still want more of it.

MICHELLE: I still need to read 1-2!

ANNA: This is one series I’m actually not behind on reading!

SEAN: Hozuki’s Coolheadedness also has a new volume out digitally, its 2nd.

ASH: So many things I’m interested in are only being released digitally right now!

SEAN: Missions of Love 14 is here to make me grind my teeth but enjoy it anyway. It’s still a while away from an ending.

There is also a 3rd Peach Heaven out digitally.

The Seven Deadly Sins is almost old enough to drink with its 20th volume.

And Welcome to the Ballroom has a 5th book, no doubt starting the next arc.

And now for Seven Seas. First off, we have the 7th Golden Time manga, a good solid romantic dramedy.

Kase-san and Bento is the 2nd in the “Kase-san” series, and I would guess will involve bento lunches.

MICHELLE: That’s a good guess. The first one wasn’t profound or anything, but it was pleasant, so I reckon I’ll read this one, too.

ASH: I’ve been meaning to give the series a try for a while now, but there being a food theme does bump it up on the to-be-read list.

SEAN: And a 7th volume of sleepy slice of life Non Non Biyori.

Vertical gives us an 8th volume of Cardfight!! Vanguard, which seems to have gotten over whatever licensing issues had it on hold.

I’ve been forgetting about Boys Over Flowers Season 2, which Viz is still releasing digitally – the 5th volume is out next week.

MICHELLE: I wish I could love this as much as the original. Sadly, it hasn’t grabbed me.

ANNA: I liked the first couple volumes, but I agree, not as compelling as the original series.

MICHELLE: The Yoko Kamio series I *would* be excited about is Cat Street.

SEAN: The rest is Yen, but so much Yen. On the novel side, we get an 11th A Certain Magical Index, now on location in Italy.

Death March to the Parallel World Rhapsody has a 2nd volume. I understand it is one of them newfangled trapped in another world thingummies.

The much delayed My Youth Romantic Comedy Is Wrong As I Expected finally gets its 2nd novel, which may require me to reread the first to remind me what’s going on.

And a 4th volume of Overlord, this time focusing on some Lizardman Heroes who will no doubt be destroyed by our title antihero in some way.

Strike the Blood will have a 6th volume of eminently readable and totally uninspiring antics.

The big novel release this month is your name, whose lack of capital letters did not prevent it from becoming a huge movie. It’s complete in one volume, though a sequel is out later this fall.

MICHELLE: I’m a little wary of this, since I loved the movie so much. What if it taints my experience?

ASH: I’m interested in seeing how the novel reads. The manga adaptations of Shinkai’s works have generally been quite good, though.

SEAN: And there’s 3 more Spice & Wolf digital releases, 15-17, which I believe finishes the catch up.

In manga news, there’s a 5th Anne Happy, which wrings laughs out of misfortune. Well, chuckles at least.

Big Order has its second omnibus, as it continues to try to outdo Future Diary.

This isn’t manga, but I don’t care. Brave is out next week! From creator Svetlana Chmakova, it’s a semi-sequel to her hit Awkward, taking place in the same universe but focusing on new kids. It’s super good.

Following something like Brave with the 17th volume of BTOOOM!, a series still best known for its bomb-breast-bouncing scene, seems cruel.

The Case Study of Vanitas gets a 2nd volume. I understand there are vampires.

ASH: And pretty artwork, from what I hear.

SEAN: Corpse Party: Blood Covered must have killed its way through the cast, as this is the 5th and final omnibus. Not to worry, a sequel is out later this year.

Several exciting new debuts this week, starting with Delicious in Dungeon (Dungeon Meshi), a seinen series from Enterbrain’s Harta magazine that manages to combine dungeon crawls and a cooking manga.

MICHELLE: I am excite!

ASH: Same! I love the premise of the series so much. Granted, the few times that I’ve played tabletop rpgs, the groups had a tendency to put a lot of emphasis on food, both in the game and outside of it.

ANNA: Oh yeah, this sounds good!

SEAN: Dimension W has a 6th volume for those of you who enjoy the things Dimension W provides. (Can I get any vaguer?)

Girls’ Last Tour (Shoujo Shuumatsu Ryokou) is also debuting, coming from Shinchosha and one of its many Bunch magazines. It’s post-apocalyptic slife-of-life, and probably the closest to Yokohama Kaidashi Kikou anyone is going to get.

ASH: I’m very curious about this one, actually.

SEAN: Karneval has a 7th omnibus.

Kiss and White Lily for My Dearest Girl has a 2nd volume, which seems fast but recall the first volume was delayed a month. In any case, yay!

MICHELLE: Forsooth!

Log Horizon: The West Wind Brigade has a 5th volume, and is one of the more enjoyable fluffy spinoffs out there.

Monthly Girls’ Nozaki-kun remains a highlight every time it comes out, even with its 7th volume.

ASH: Yes! It is so consistently great! I love it so much!

SEAN: And if you want hyperviolent fanservicey trash (which I sort of like anyway), there’s a 2nd Murcielago.

ASH: Definitely not a series for everyone, but I liked the first volume, too.

SEAN: Re: Zero’s manga starts to adapt the 2nd novel with Chapter 2: A Week at the Mansion. Yes, folks, you’ll get your Rem here.

Rokka: Braves of the Six Flowers has a 2nd volume of its manga adaptation as well.

We get the 3rd and final volume of Rose Guns Days Season 2. Worry not, fans, Season 3 is on the schedule. (Are there Rose Guns Days fans?)

Yen released this digitally ages ago, but it’s popular enough to get print now (the upcoming anime may have something to do with it). Enjoy The Royal Tutor!

ASH: Glad to see more digital titles released in print! I wanted to give this series a try when it was first licensed, and now I finally can.

SEAN: Spirits & Cat Ears has a 2nd volume, and while I wish we’d get more of the former and less of the latter I expect to be disappointed.

There is a 9th Trinity Seven.

Lastly, Black Butler fans will take interested in the 2nd Yana Toboso Artworks book, which is devoted to the series.

Keeping your head afloat? What are you getting?

Filed Under: FEATURES, manga the week of

My Week in Manga: May 8-May 15, 2017

May 15, 2017 by Ash Brown

My News and Reviews

The Bookshelf Overload for April was posted at Experiments in Manga last week; otherwise, things were pretty quiet. Initially I had an in-depth feature scheduled for this week, but I’ll probably end up pushing that back to next week instead. I spent last Thursday through Sunday in Canada with the family for vacation and the Toronto Comic Arts Festival (TCAF) which I’ll be writing up like I have in years past. We had a great time, although not everything went exactly as planned.

Speaking of TCAF, Heidi MacDonald, Brigid Alverson, Deb Aoki, and Erica Friedman were apparently all sharing a hotel room for the event. I haven’t had a chance to listen to it yet, but they took advantage of that fact by recording a podcast in which they (and eventually Robin Brenner and Eva Volin as well) discuss a wide variety of topics including manga, queer comics, food, libraries, and more: Episode 1, Episode 2, Episode 3, Episode 4. I only found out about the details after I got back home, but once again some people had trouble crossing the border between the United States and Canada in order to attend TCAF. In one notable case, Anne Ishii, one of the folks behind Massive and Gengoroh Tagame’s interpreter and translator, was detained for over two hours before eventually being allowed to enter the country.

A few things from elsewhere online last week: Anyone who picked up the Attack on Titan choose-your-own-path book from Kodansha Comics will want know about the corrections and errata that were recently released online. Kodansha also confirmed it would be releasing the Neo Parasyte M manga anthology (a sort of companion volume to Neo Parasyte F which I greatly enjoyed). In other licensing news, although an official public announcement hasn’t been made, The OASG received some confirmation that Udon Entertainment is currently “deep into the localization” of Rose of Versailles and Sugar Sugar Rune. No release dates have been set yet, though. Seven Seas hasn’t mentioned any release dates for its most recent set of licensing announcements, either, though I wouldn’t be surprised to see Okayado’s MaMaMa: Magical Director Mako-chan’s Magical Guidance, Mintarou’s DNA Doesn’t Tell Us, Tekka Yaguraba’s Sorry For My Familiar, Hiroaki Yoshikawa’s Crisis Girls, Tsuina Miura and Takahiro Oba’s High-Rise Invasion, and Coolkyoushinja’s Mononoke Sharing all released first.

A couple of Kickstarters that have recently caught my attention, too. Chromatic Press’ latest campaign is raising funds to print the first volume of Magical How? by Eurika Yusin Gho (aka Eyugho). Though on occasion I’ve mentioned Magical How? on Twitter, I haven’t really wrote much about the comic here at Experiments in Manga. (Or at least not yet.) It’s a pretty fun series though, a sort of magical girl/boys’ love mashup with energetic, full-color artwork and lots of humor. The other project I specifically want to mention is for the second volume of Beyond, a queer speculative fiction comics anthology. If successful, the project will also allow the award-winning first volume (which is great) to be reprinted.

Quick Takes

Captive Hearts of Oz, Volume 1Captive Hearts of Oz, Volume 1 written by Ryo Maruya, illustrated by Mamenosuke Fujimaru. One of the most interesting things about Captive Hearts of Oz is that the English-language release is actually the first time the manga has been published; rather than licensing existing content, the series is a direct collaboration between Seven Seas and the creators. Captive Hearts of Oz is Maruya’s debut work in English, but Fujimaru already has a notable presence due to the numerous Alice in the Country of… manga that have been translated. I suspect that it’s intentional then that Captive Hearts of Oz has a similar vibe to those series. Interestingly, there’s no explicit romance in the series yet although the manga is reminiscent of an otome game. Dorothy has simply been swept into an unfamiliar world where she meets a number of unusual people, many of whom just happen to be attractive young men. Captive Hearts of Oz is a somewhat unusual reimagining of a Western classic which may (or may not) have more depth to it than initially appears. At the very least there’s something dark and mysterious going on, although after only one volume it’s not entirely clear exactly what that is. The narrative is frustratingly disjointed in places, but I am curious to see how Captive Hearts of Oz continues to develop.

Goodnight Punpun, Omnibus 4Goodnight Punpun, Omnibuses 4-5 by Inio Asano. At this point in Goodnight Punpun, the series’ titular protagonist has entered early adulthood and his life largely remains a directionless disaster not entirely of his own making. He’s not completely blameless, though. I find that I have to time my reading of Goodnight Punpun very carefully. The manga has a very pessimistic worldview with which I can very easily identify, so if I’m already feeling mentally or emotionally exhausted, it’s usually a good idea for me to wait to tackle the series. On the other hand, it can sometimes be extremely cathartic to completely acknowledge the unfairness and darkness of the story and its real-life parallels. Either way, Goodnight Punpun is an incredible and powerful work, but it’s also very hard-hitting. Asano seems to be very aware of this and very aware of some of the related criticisms that have been leveled at the series. I, for one, have at times questioned whether or not all of the pain and suffering in Goodnight Punpun ultimately serves a purpose or if the manga is simply reveling in gloom and despair. I’ll admit that I’m still not sure and probably won’t be convinced one way or another until the manga’s conclusion, but Asano does directly recognize those concerns by having the creative work of some of the series’ characters similarly criticized.

So Pretty / Very RottenSo Pretty / Very Rotten: Comics and Essays on Lolita Fashion and Cute Culture by Jane Mai and An Nguyen. I don’t have a particular interest in fashion, so if it wasn’t for the fact that I make a point to follow the work of Nguyen (aka Saicoink) I might not have gotten around to reading So Pretty / Very Rotten for quite some time. That would have been a shame because So Pretty / Very Rotten is both a terrific and fascinating work. I was certainly aware of Lolita culture previously, but I can confidently say that I have a much better understanding of it and even appreciation for it after reading So Pretty / Very Rotten. The volume examines numerous topics related to Lolitas–history, culture, fashion, identity, gender, expression, community and more–through approachable and accessible essays, both personal and academic (the Lolita lifestyle is one of the areas of Nguyen’s research), as well as through comics and illustrations. It’s a mix that works quite well. The essays are informative and the comics are cute and engaging, effectively demonstrating the concepts addressed through visual narratives. So Pretty / Very Rotten also includes an interview with and essay by Novala Takemoto, a prominent figure in Lolita culture who is probably best known in North America as the creator of Kamikaze Girls.

The Whipping Girl by Nuria Tamarit. I’m not entirely certain, but I believe that The Whipping Girl is the first published solo comic by Tamarit, an illustrator from Valencia, Spain. Even if it’s not, I certainly hope that there will be more in the future if for no other reason than Tamarit’s striking artwork is gorgeous. Color pencils are prominently used to illustrate The Whipping Girl and the effect is lovely. Writing-wise, the work isn’t quite as strong; The Whipping Girl feels like it ends rather abruptly, even considering that it’s a short comic to begin with, but it’s still an enjoyable tale. The story largely follows Agape, the whipping girl of Prince Dalibor. He’s a bit of a jerk, intentionally behaving improperly in order to get back at Agape who is generally much more capable than he is. She finally gets so fed up with the whole situation that she decides to make a run for it. Neither she nor Dal are able to anticipate the complete extent of the repercussions of her actions, and both are surprised to discover how close their bond really is. Overall, The Whipping Girl is a very satisfying comic with beautiful artwork, expressive characters, and a great sense of humor. Agape in particular is a delight, an intelligent, strong-willed young woman with an attitude.

Filed Under: FEATURES, My Week in Manga Tagged With: Captive Hearts of Oz, comics, Goodnight Punpun, Inio Asano, Jane Mai, Mamenosuke Fujimaru, manga, Nonfiction, Nuria Tamarit, Ryo Maruya, Saicoink

Manga the Week of 5/17/17

May 10, 2017 by Sean Gaffney 1 Comment

SEAN: Thanks to Kodansha’s INCREDIBLY AGGRESSIVE digital plan, there’s a large amount to talk about in what would normally be a very small week.

MICHELLE: I’m not complaining, but it is pretty overwhelming.

ANNA: I think I would be buying more of these if they were coming out at a slower pace. I feel like I can’t keep up. But I’m not complaining about more manga!

SEAN: J-Novel Club starts us off, though, with the third volume of I Saved Too Many Girls and Caused the Apocalypse. There’s only one girl on the cover this time – is he slipping?

And they also have the 3rd My Little Sister Can Read Kanji.

Kodansha takes up a great deal of what follows. First, there’s new volumes of Alive (15) and Yozakura Quartet (11) for your Del Rey rescue needs.

The first of THREE new digital debuts next week, Aoba-kun’s Confessions is from Ema Toyama, the author of Missions of Love, which I hate and also love. This is her new Nakayoshi series.

Meanwhile, some may remember Cage of Eden, which put out 20 volumes before dropping off the face of the earth. It’s back with its final, 21st volume. Will they get off the island? Will they find out the truth? Will the girls show off their large breasts? One of these things is sure to be true!

Chihayafura gets a 2nd digital-only volume, and I cannot wait for more HOT KARUTA ACTION.

MICHELLE: Yaaaaaay!

ANNA: I am here for this!!!!

SEAN: Clockwork Planet also gets a 2nd volume.

And there’s a 2nd volume of sports manga DAYS (digital-only). Remember when those were rare?

MICHELLE: Vaguely!

SEAN: The 2nd digital debut is Drowning Love (Oboreru Knife), a more mature, dramatic shoujo from Betsufure. Its author, George Asakura, had A Perfect Day For Love Letters out here eons ago.

MICHELLE: The art style (at least on the cover) is not the most appealing, but I’ll be checking this out.

MJ: I’m looking forward to this, It think.

ANNA: Me too.

SEAN: GTO: Paradise Lost has a 2nd digital volume of Onizuka antics.

The last digital debut is Our Precious Conversations (Boku to Kimi no Taisetsu na Hanashi), a Dessert series from Robico, the author of My Little Monster. I loved that series, so really look forward to this one.

MICHELLE: Same here!

ASH: I love the huge variety in these digital titles! I do hope that some eventually make their way into print, though, since I don’t really read digital manga. That may have to change soon.

ANNA: This sounds intriguing.

SEAN: On to other publishers. One Peace has a 6th volume of the Rise of the Shield Hero manga, which they oddly still keep calling “Manga Companion”, which makes it sound like a guidebook to me.

Seven Seas has a 2nd volume of Bloom Into You, a more dramatic yuri title than the cute fluffy ones we’ve seen recently.

MICHELLE: I enjoyed the first volume.

ASH: The first volume intrigued me; I’m very curious to see how the story unfolds.

SEAN: They also have a 2nd volume of spooky supernatural fantasy The Girl from the Other Side: Siúil, A Rún.

MICHELLE: <3 <3 <3 <3

MJ: Michelle tells me I’d like this!

MICHELLE: You would!

ASH: You really, really would! This series is already one of my absolute favorites for the year.

MICHELLE: I enjoyed your review, Ash. And your perfect image choice. I sent just that one picture to a friend—pointing out the flower crown—and it convinced her to want to read the series.

ANNA: I also love this series, going to be picking this up for sure!

SEAN: Viz gives us a 2nd volume of the Gangsta spinoff Cursed.

ASH: Though I haven’t actually read the first volume yet, I do plan on picking this one up.

ANNA: I need to pick up both, and I will!

SEAN: There’s also a 3rd Mobile Suit Gundam Thunderbolt.

Lastly, they have an 8th volume of Ultraman. For all your tokusatsu needs.

Which of these will you be getting next week? And how many will be digital?

Filed Under: FEATURES, manga the week of

My Week in Manga: May 1-May 7, 2017

May 8, 2017 by Ash Brown

My News and Reviews

Last week at Experiments in Manga, the winner of the Queen Emeraldas manga giveaway was announced. The post also includes a list of some of the manga available in English which are at least partially set in space. Otherwise, it was a fairly quiet week. I’m still very busy at work, training for the new job, but things are largely going well on that front. Later this week I’ll be leaving for a long weekend in Toronto for the Toronto Comic Arts Festival, so hopefully I’ll still be able to remember everything that I’ve been learning when I get back.

Elsewhere online, Brigid Alverson recently reported back on manga at the C2E2 conference for Publishers Weekly. The Anime Feminist continues to host interesting features on manga; most recently freelance translator Jenny McKeon took a look at yuri manga. The San Diego Comic-Con is fast approaching which means that this year’s Eisner Award nominations have been announced. As usual, most of the nominated manga are found in the Best U.S. Edition of International Material—Asia category (Goodnight Punpun by Inio Asano, Orange by Ichigo Takano, The Osamu Tezuka Story by Toshio Ban, Princess Jellyfish by Akiko Higashimura, and Wandering Island by Kenji Tsuruta) but Takeshi Obata’s artbook Blanc et Noir was also nominated for Best Comics-Related Book.

Quick Takes

Cigarette GirlCigarette Girl by Masahiko Matsumoto. Although touted as the first collection of Matsumoto’s work in English (which may technically be true), Cigarette Girl is actually the second volume of manga by Matsumoto to be translated. Granted, Cigarette Girl was likely to be the first licensed (it was first announced by Top Shelf back in 2010), but it didn’t end up being released until 2016, two years after The Man Next Door was published by Breakdown Press. Matsumoto, like Yoshihiro Tatsumi (who provides the introduction to Cigarette Girl), worked in the gekiga tradition of manga. Cigarette Girl collects eleven of Matsumoto’s short gekiga manga, originally created for several different magazines in the early 1970s. Most of the stories could be considered romances of one sort or another. While an exploration of love isn’t necessarily the focus of the volume, the manga are all about relationships between people and often those relationships between men and women have a romantic bent to them. The stories in Cigarette Girl tend to be fairly quiet and focus on the everyday life of everyday people, but they’re also rather quirky and surprisingly funny, too. I enjoyed Cigarette Girl a great deal and would definitely be interested in reading more of Matsumoto’s work.

Kiss and White Lily for My Dearest Girl, Volume 1Kiss & White Lily for My Dearest Girl, Volume 1 by Canno. Lately, most of the yuri and other lesbian-themed manga translated in English are currently being released by Seven Seas, but other publishers have been starting to explore (or re-explore) the genre as well. One of Yen Press’ most recent yuri offerings is Canno’s Kiss & White Lily for My Dearest Girl, an ongoing series about the lives and loves of the students at an all-girls school. So far two main couples have been introduced and the short manga between chapter breaks implies that most of the background characters are in one way or another paired off together as well. As for the lead couples, first there is Ayaka and Yurine, the school’s top students. Ayaka is used to being first academically but finds that no matter how hard she tries, Yurine’s natural genius is tough to beat. Yurine, bored with how easy everything is for her, is delighted to finally have someone that she can consider a rival. While Ayaka and Yurine currently have something of a love-hate relationship going on, the affections of the second main couple are much sweeter and more clearly romantic–Ayaka’s tomboyish cousin Mizuki has been in a close relationship with Moe for years.

Nichijou: My Ordinary Life, Volume 1Nichijou: My Ordinary Life, Volumes 1-2 by Keiichi Arawi. I’ve heard great things about Nichijou, both the original manga and it’s anime adaptation and so I was fully expecting to enjoy the series. But while I tend to like absurd humor, for whatever reason the offbeat comedy found in the first two volumes of Nichijou just didn’t work for me. Or at least not consistently. While many of the gags fell flat, there were definitely individual bits that I found to be extremely funny. Some even made me laugh out loud. I was frequently amused by the manga as well as delightfully bemused. But as a whole, Nichijou seems to lack real substance. Granted, that’s not necessarily a bad thing and may very well be part of the point. The series mixes the mundane with the strange and completely unexpected,  but that randomness can be difficult to follow at times. On top of the nearly nonexistent narrative logic, action and movement isn’t always conveyed clearly by Arawi’s artwork. As a result, the series’ humor can be difficult to interpret. Even so, Nichijou is admittedly silly and entertaining. But I was very surprised to discover that I didn’t enjoy the manga more than I actually did; it seems like it should haven been a series I loved.

Sweetness and Lightning, Volume 3Sweetness & Lightning, Volumes 3-5 by Gido Amagakure. As I’ve mentioned many times previously, I love food manga and Sweetness & Lightning is no exception. The series is an absolute delight. There’s the food, of course, which I find appealing, but perhaps even more so I enjoy the manga’s focus on friendship and family. Granted, all of this is all tied together in the story–food is what brings people together, creates connections, and deepens relationships. Preparing and sharing a meal is shown as a way of expressing love for another person. Food can also help keep memories alive. Inuzuka keenly feels the loss of his wife and their daughter Tsumugi misses her mother dearly. But as they learn to cook together, recreating family dishes and traditions, they can still be close to her even though she is gone. There are moments of intense sadness but there is also a tremendous amount of joy in Sweetness & Lightning. Amagakure’s illustrations are very expressive, finding an easy balance between these moods. In addition to more exaggerated expressions, the artwork also captures subtle changes. As Tsumugi grows older, for example, her character design matures slightly as well. Sweetness & Lightning is a wonderful series.

Filed Under: FEATURES, My Week in Manga Tagged With: Canno, Gido Amagakure, Keiichi Arawi, Kiss and a White Lily for My Dearest Girl, manga, Masahiko Matsumoto, Nichijou, Sweetness and Lightning

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