Michelle Smith

This week, Sean, Kate, and Michelle look at recent releases from Viz Media, Kodansha Comics, and Seven Seas.

The Earl & The Fairy, Vol. 3 | By Ayuko & Mizue Tani | Viz Media – I’m afraid that Edgar and Lydia are not helping their causes when it comes to making me not want to strangle them. Edgar continues to be the sort of hero who hides everything that he does, no matter the reason, because it’s just his way. (To be fair, his upbringing likely invited this.) And Lydia keeps looking for reasons to mistrust him, and finding them, of course, as one does in a series like this. Also, despite the appearance of a bogey-beast partway through this volume, there was a lot less fantasy and a lot more romantic angst. The villain being a typical spoiled brat is also not helping its cause. I’m sure things will get more involved in the 4th (and final?) volume, but nothing in this one convinced me it shouldn’t have ended nicely with two. -Sean Gaffney

Itsuwaribito, Vol. 6 | By Yuuki Iinuma | Viz Media – Volume six of Itsuwaribito reads a lot like an early story line from InuYasha: there are killer dolls, a spider-like villain with eight arms, and a brother-sister pair who would give Kohaku and Sango a run for their money in the pathos department. Alas, that’s where the similarities between these two titles end. Though Rumiko Takahashi did a good job of allowing her story to unfold without too much authorial intervention, Yuuki Iinuma saddles his characters with info-dump dialogue and thought balloons filled with excruciatingly obvious observations. The result is a curiously unengaging story, devoid of suspense or shock; only the most inattentive reader will be surprised by the outcome of Utsusho, Yakuma, Neya, and Pochi’s battle with Naraku the deadly spider demon. -Katherine Dacey

Lizzie Newton: Victorian Mysteries, Vol. 1 | By Hey-jin Jeon and Ki-ha Lee | Seven Seas – A new manhwa series! And a mystery series, at that! As if that weren’t enough to entice me, we’ve also got an intelligent, clear-headed, marriage-averse young Victorian lady sleuth as a protagonist, and while that role might be rather cliché nowadays, it’s still a type that I enjoy reading about. Set in London in 1864, Lizzie Newton begins with the titular heroine attending a social function during which the hostess’ despondent brother turns up dead. Lizzie declares the feat a murder, though the obvious signs point to suicide, and then—with the help of her barrister suitor turned family steward, Edgar—conducts her own chemical experiments to confirm the evidence before calmly giving her testimony to an astounded Inspector who comes to call. Again, this kind of story isn’t exactly new, but it’s sort of… invigorating, all the same. I look forward to volume two! – Michelle Smith

Pretty Guardian Sailor Moon, Vol. 7 | By Naoko Takeuchi | Kodansha Comics – This volume comprises the meat of the “S” arc, the details of which are quite a bit different in the manga than they are in the anime. What’s not different, though, is the dramatic goodness supplied by two groups of Sailor Guardians with opposing missions. Usagi is determined that everyone ought to fight as one, but the older and more powerful “outer” Guardians are equally resolved to save the world at any cost, even if it means taking the life of an innocent girl with the potential to bring ruin and destruction. There are Guardian awakenings, Guardian revelations, and Guardian power-ups in this volume, plus a healthy dose of Haruka awesomeness. (I’m especially fond of her obvious affection for Usagi.) Chalk it up to fangirl enthusiasm if you will, but after the somewhat yawn-inducing “R” arc, it’s nice to be excited about the series again. – Michelle Smith

Psyren, Vol. 6 | By Toshiaki Iwashiro | Viz Media – Having killed off the extremely likeable Elmore Wood kids easily in the previous volume, this one (now back in the past before that happens) gets to show off how they’re all actually really talented, so that it looks more impressive. Also impressive was seeing Ageha, up[on finding out that someone is going to die, immediately trying to change the future by telling them. He gets beaten up for this and told, essentially, “You can’t break the rules”, but I liked his moxie. If there’s a drawback here, it’s that this volume, which serves to develop the ‘normal’ world and show how folks can abuse psi powers, doesn’t really tie into the main plotline, leaving everything hanging a bit, Also, Sakurako’s barely in it. Still, if the excuse is ‘broadening the scope of the manga’s worldview’, it’s a good one.-Sean Gaffney

Toradora!, Vol. 5 | By Yuyuko Tamemiya & Zekkyo | Seven Seas – I’d mentioned that I loved this manga for Minori’s goofy moments, so imagine my surprise when it’s Kitamura who proves to be the complete whackjob here, showing us far more of himself than anyone wanted to see. In fact, Minori actually gets some angst here, as we’re starting to see that her outward personality hides some self-doubt and melancholy. Ryuuji’s advice to her is pitch-perfect, and shows who he’s still a harem lead even though he and Taiga are the obvious end couple. Speaking of Taiga, she’s mostly herself here, but gets a lovely moment when Ami and company go out for a girl’s day out, and Taiga comes along. For once everyone manages to have fun, and Taiga’s thanks is heartfelt – even Ami realizes it. This is a cliched title, but works as the characters are simply so likeable. -Sean Gaffney

This week, Sean, Kate, and Michelle look at recent releases from Seven Seas, Yen Press, VIZ Media, and Vertical, Inc.

Alice in the Country of Clover: Cheshire Cat Waltz, Vol. 2 | By QuinRose and Mamenosuke Fujimaru | Seven Seas – Ace, the cheery yet sociopathic character who’s quickly become my favorite in this series, tells Alice he finds her most attractive when she’s upset and stressed, as the conflict makes her pretty. That’s sort of how I feel about this series as a whole. When it’s talking about whether Alice and Boris will get over their fight and become closer and maybe even move in together, it’s just another generic reverse harem title. When it’s analyzing the mechanics of the world, putting Alice on a high wire act and pitting her friends against each other, and showing why leaving Wonderland and going back continues to possibly be horrible, it’s fascinating. Hence my favorite part of the book – Boris shooting at Alice’s vial and failing to even crack it, to his annoyance. -Sean Gaffney

Bamboo Blade, Vol. 14 | By Masahiro Totsuka and Aguri Igarashi | Yen Press – I was underwhelmed by the initial volumes of Bamboo Blade: I found the one-note characters and slapstick humor too familiar to be compelling. As the series unfolded, however, the artist’s ability to draw kendo matches improved steadily, yielding fight scenes that were fun to read and advanced the plot in a meaningful fashion. The final volume resolves the individual characters’ conflicts first, then features a lengthy, 100+ page epilogue in which we see the girls strut their stuff at a Burnish Academy tournament. It’s not brilliant by any means, but the matches are expertly staged, and the final pages of the story suggest that even Toraji is capable of growing up. -Katherine Dacey

The Flowers of Evil, Vol. 2 | By Shuzo Oshimi | Vertical, Inc. – Quite often I agree with MJ on matters of manga, but this series is one where our opinions differ wildly. She liked it and found the leads sympathetic; I pretty much hated it and found no one to sympathize with except Saeki, the innocent (though idealized) girl who has agreed to date Kasuga, a middle-schooler who’s being manipulated by a female classmate (Nakamura) into acknowledging his inner perversion. I know I probably should applaud the depiction of teenage sexuality and pretention, but this series is just so not my cup of tea that I can’t find anything good to say about it. It’s very disturbing to me that what Saeki believes is a sweet, if awkward, first date with Kasuga is in reality tainted by the fact that he’s been forced to wear her stolen gym clothes beneath his own. She’s being duped. To his credit, Kasuga hates himself for the ruse and the final moments of the volume find him on the verge of telling the truth in a horrible, messy way, but ugh, I just can’t see myself picking up volume three to see what happens next. – Michelle Smith

Is This a Zombie?, Vol. 2 | Comic by Sacchi, Character Design by Kobuichi • Muririn, Original Concept by Shinichi Kimura | Yen Press – Is This a Zombie? has the dubious distinction of being the worst comic I’ve read this year. The artwork is lousy, the jokes unfunny, the fanservice unrelenting, and the plot so nonsensical it often seems as if the characters themselves are confused by the rapid turn of events. In volume two, for example, there’s an extraordinarily silly fight scene in which we learn the identity of Ayumu’s killer. There are so many reversals and reveals packed into that chapter, however, that it reads more like something a six-year-old brainstormed than the work of a professional script writer. Add an unnecessary episode in which the characters go to the beach and participate in a food-eating contest, and presto! you have a recipe for a Manga Hall of Shame nomination. – Katherine Dacey

Library Wars: Love & War, Vol. 8 | By Kiiro Yumi and Hiro Arikawa | VIZ Media – And now, at last, after eight volumes, we get some resolution, as Tezuka’s horribly smug brother jogs Iku’s memory and forces her to realize who her prince is. And so now she’s freaking out, which is fun and yet also a bit predictable. Hopefully they’ll talk about it next volume after dealing with a molester who haunts libraries. What really impressed me, though, is Shibazaki’s plot thread. There’s lots of revelations here, some of which I found rather unpleasaant – but then that was the point – and you hope that someone (coughTezukacough) is able to take a hold of her and get her out of this ‘no one can ever really love me for who I am’ spiral she seems to be in. In comparison, Iku has it easier, but then Iku is a less complex person – as Shibazaki knows and envies. Good shoujo fluff. – Sean Gaffney

Oresama Teacher, Vol. 10 | By Izumi Tsubaki | VIZ Media – Longtime readers should now by now how much I love the humor in this title, and how I think it’s at its best when everyone is being as thick as planks. That said, I was surprised that my favorite moments in this volume were the more emotional ones. Hojo, the new Student Council member introduced here (another female character? How did that happen?) is comparatively ‘normal’, and thus we empathize even more with her obsession/frustration with Yui, who continues to vacillate between being cool and intelligent and being the dumbest, most clueless guy ever. As for our heroine, Mafuyu’s reaction to Takaomi reaching around to tie up her hair shows that, despite Western fandom’s dislike of student/teacher relationships, she’s still got it bad for him. All this, plus the return of SUPER BUN! – Sean Gaffney

This week, Sean, MJ, Kate, & Michelle look at recent releases from Yen Press, VIZ Media, and Kodansha Comics.

Ai Ore!, Vol. 6 | By Mayu Shinjo | VIZ Media – It really is astonishing what changing magazines/publishers has done for this title. It still has its issues, but the way that it handles them is more acceptable and more mature. This is not to say that the premise is completely different, however. Akira is still trying to prove that he’s a manly man for Mizuki, Mizuki is still getting embarrassed and misunderstanding everything, and Ran and Rui trade off between being comedic creepers and serious creepers. At one point, Rui tries to seduce Misaki, to the point almost of sexual assault. But Misaki doesn’t buy it, and neither do we – unlike Vol. 1 of this series, the danger doesn’t feel genuine. You can argue this makes the series fluffier and less electrically charged, but it also makes Akira and Mizuki’s relationship far sweeter and more tolerable. –Sean Gaffney

Bunny Drop, Vol. 6 | By Yumi Unita | Yen Press – As the series continues with its new switch to Rin as its primary POV character, the story begins to revolve around Rin’s increasingly awkward relationship with her childhood friend Kouki, whose (supposedly) ex-girlfriend deliberately alienates Rin. Fortunately, this plotline is more nuanced than it sounds, deftly avoiding most of the “evil rival” territory common in manga for female readers. Unfortunately, Unita seems less comfortable writing Rin’s voice than she was writing Daikichi’s—or maybe Daikichi is just infinitely more comfortable than Rin herself—which means that there is often a noticeable distance between the reader and the series’ protagonist. On the upside, Rin’s evolving balance between dependence and independence creates unexpected difficulties in Daikichi’s own personal life, allowing us back (however briefly) into his somewhat more forthcoming mind. Though the series’ new direction seems to still be settling in, there’s enough solid ground left for nearly any fan to stand on. Still recommended. – MJ

Cage of Eden, Vol. 6 | By Yoshinobu Yamada | Kodansha Comics – This really is the perfect series for 12-year-old boys, though I would not recommend it to parents of those boys. There’s far too much casual nudity, casual violence, and general skeevy fanservice. But it also has bears vs. wolves, in which our hero teams up with the wolf because of their similar roles in their groups. It’s almost pure shonen at its finest. We meet two more regulars here. I suspect Rei is there entirely to be a large-breasted woman (you know, in case there weren’t enough of those), but Maya seems to be more of an action girl, and backs it up. She seems a bit *too* eager for battle, though, and I wonder if she’ll last long. Then again, the only people in this series who seem to be killed are the irredeemable ones, such as manipulative Kotomi or stalker Ryoichi.-Sean Gaffney

The Melancholy of Haruhi Suzumiya, Vol. 13 | By Gaku Tsugano and Nagaru Tanigawa | Yen Press – I haven’t reviewed this series for a while, but since it’s moved on to stories that aren’t animated, it has managed to improve – finally, it can be 2nd best, rather than 3rd! It has a difficult job here, as Editor in Chief, the short story adapted for this volume, does not lend itself well to the visual. Still, it manages pretty well, and also throws in an original short story chapter, featuring Miyoko, the girl from Kyon’s story, arriving to ask the SOS-Dan to help her investigate a haunted house. It shakes things up by having Taniguchi and Kunikida there rather than Yuki and Mikuru, and also has an ending that undercuts the tension but still is nicely sentimental. The art is still only fair, and I’d rather read the novels, but this is now an acceptable alternative. –Sean Gaffney

Ooku: The Inner Chambers, Vol. 7 | By Fumi Yoshinaga | VIZ Media – Ever since the end of volume one, the latest Tokugawa Shogun, Yoshimune, has been reading Chronicle of a Dying Day, which tells the story of how women came to rule Japan. Readers have followed along, and here in volume seven we finally return to the “present,” but not before realizing just how much scheming Yoshimune—or perhaps simply her ever-faithful attendant, Hisamichi—has engaged in to become the next Shogun. It’s just another lesson that nearly everyone in this tale, no matter how likeable, has sinned in pursuit of power, sometimes inflicting misfortune upon the innocent. Maybe it’s because of this that Ooku, despite being interesting and boasting some impressive art, doesn’t stand a chance of becoming my favorite Yoshinaga manga. Oh, I’ll keep following it, but Antique Bakery‘s place in my heart is secure. – Michelle Smith

Puella Magi Madoka Magica, Vol. 2 | Story by Magica Quartet, Art by Hanokage | Yen Press – If your chief aversion to magical-girl manga is its earnest, perky wholesomeness, then Puella Magi Madoka Magica is for you. The series is dark and violent, using the magical-girl concept as a metaphor for adolescence in all its ugliness. In volume two, for example, we see the corrosive influence of jealousy, as Sayaka begins to regret wishing for her friend Kamijou’s full recovery. Sayaka’s rapid descent into anger and self-pity is one of the most astonishing developments in the volume — and that’s saying something, given the healthy sprinkling of fight scenes, dramatic confrontations, and plot twists. As terrific as some of these scenes are, Puella often feels rushed. Most of the fight sequences are too brief and too busy to make much sense; one gets the sense that the writers were trying too hard to cover all the major plot points of the anime, rather than tailoring the story to a different medium. That said, Puella has consistently surprised me with its ability to both faithfully observe and thoroughly subvert magical-girl tropes, and continues to grow on me with each volume. -Katherine Dacey

This week, Michelle, MJ, and Sean look at recent releases from Seven Seas, VIZ Media, Yen Press, Kodansha Comics, and Dark Horse Manga.

Alice in the Country of Clover: Cheshire Cat Waltz, Vol. 1 | By QuinRose & Mamenosuke Fujimaru | Published by Seven Seas – I am pleased to report that, so far, Cheshire Cat Waltz is much better than the prior “country of Clover” installment, Bloody Twins! Some of the elements that made Alice in the Country of Hearts so surprisingly good are back, like ominous hints about a particular character and Alice experiencing culture clash with the various attitudes and mysteries of Wonderland. However, because this is much more obviously a romance—here, Alice is paired up with Boris, the Cheshire Cat—the story’s more intriguing aspects must occasionally take a backseat to Alice being confused about her motives for remaining in Wonderland, Alice being pounced upon, Alice getting smooched, and lovers’ quarrels born of jealousy. Although I am sure I’m being duped again and that nothing significant of Wonderland will be revealed, I remain interested enough that I’ll probably come back for volume two. – Michelle Smith

Bakuman, Vol. 13 | By Tsugumi Ohba & Takeshi Obata | VIZ Media – Bakuman‘s heroes, Mashiro and Takagi, are always the most interesting when they are at odds, and this volume is a perfect example of exactly why that is. As all the young Jump mangaka throw themselves into a rather unusual competition (writing romantic one-shots), it isn’t Nizuma’s sudden display of inexperience or even Hiramaru’s over-the-top romantic hero act that make the volume work, hilarious though they may be. What really steals the volume are a few scattered scenes between Mashiro and Takagi’s wife, Kaya, as they try to make sense of their shared partner. These moments are uncharacteristically honest and sincere for an Ohba/Obata manga, and it’s a real pleasure to discover them amidst all the slick shounen meta. On a personal note, Kaya has long been my favorite of Bakuman‘s characters, and I’ll admit that a scene in which she receives a basket of flowers from Shueisha as thanks for her work on her husband’s series was surprisingly gratifying. Still recommended. – MJ

A Devil and Her Love Song, Vol. 4 | By Miyoshi Tomori | VIZ Media – As “Devil” Maria’s class finally prepares for their choral performance, everything falls (rather predictably) apart, but fortunately this is shoujo manga, and even in a story with a heroine as prickly and jaded as Maria, a little romance can save the day. Any feelings of frustration one might have as the choral competition story drags interminably on are blown away completely by the impact of a wholly surprising confession by the character from whom you least expect it. Despite this series’ cynical bent, its romantic thread reads as genuinely sincere and even sweet—a mashup of contrasting tones that apparently works very well. Even as the series appears to be gearing up for a typical romantic triangle, it seems clear that Miyoshi Tomori’s gift for injecting raw emotional truth into standard shoujo tropes will continue to keep things interesting. – MJ

Drifters, Vol. 2 | By Kohta Hirano | Dark Horse Comics – Volume Two of this series continues to do what the series does best – give us a lot of people trying to kill other people in nasty ways. It’s great fun for those who don’t mind that sort of thing – Hirano draws battles that are easy to follow, and the ‘nasty’ aspect of the combat is not remotely glossed over here – Nobunaga’s treated arrows are as disgusting as possible, and the rape of the elven women is not played for laughs. As for our hero, Shimazu, well, he does seem to be strategizing a little more, almost despite himself, and is also forming a deep bond with Nobunaga that involves a lot of yelling and punching. Meanwhile, for those wondering when this ‘warlords in a fantasy world’ would reach Hitler, it didn’t take long at all. Still good fun, even if it plays mostly to the 12-year-old in all of us. –Sean Gaffney

Durarara!!, Vol. 3 | By Ryohgo Narita, Suzuhito Yasuda & Akiyo Satorigi | Yen Press – There’s a lot of big reveals in this volume, which would be churlish of me to talk about, so I will merely note that one of the weaker of our heroes turns out to have far more strength than we had imagined. Elsewhere, Shizuo shows once more how incredibly tough he is, Izaya is one of the most obnoxious S.O.B.s in all of the universe, and Celty is cute, if frantic. But then, she has reason to be frantic. There’s also a fantastic parody of Doraemon about 1/3 through, when the art style shifts to that in order to demonstrate Mikado’s disbelief at the latest plot twist. And of course there’s Namie and Seiji, whose creepy desires are something completely amped up in this manga, to the point where even the novel’s author was impressed. A solid adaptation. –Sean Gaffney

Kamisama Kiss, Vol. 10 | By Julietta Suzuki | VIZ Media – I have to say, Nanami is starting to remind me a bit of Tohru in Fruits Basket, who sometimes felt as if she existed to interact with the screwed-up Sohmas and heal them with her magical power of niceness. Tohru turned out to be just as screwed-up, though, whereas Nanami is shiny all around. Her interaction with Jiro (who irritates Tomoe as he reminds him of himself) is fairly predictable, though that doesn’t necessarily mean bad – there’s a wonderful bit towards the end where she notes Tomoe’s strength as something that might not be a positive. In the end, though, this arc wrapped up a lot easier than I’d anticipated, and I’m left with a feeling that things are simply going too well for our protagonists right now. Of course, I’m sure that will change – the manga is not ending anytime soon… –Sean Gaffney

Miles Edgeworth: Ace Attorney Investigations, Vol. 1 | By Kenji Kuroda & Kazuo Maekawa | Kodansha Comics – I try not to review Volume Ones in the Briefs category, but with something like this title there’s little choice, as there’s so little *to* it. Heck, we don’t even get to see Kay Faraday, which I was expecting given the title – the only regulars are Miles and Detective Gumshoe. The cases are both pretty good, though the first is extremely short, and the writing is much the same as it was in the Phoenix Wright books. The trouble is that Miles is not Phoenix – he doesn’t make screwups or say dumb things on occasion. He’s simply too smart to make this anything but a foregone conclusion. Indeed, in the first case he solves things so quickly that everyone around him just stares. Let’s hope future books find more of a challenge – and maybe more faces we know? –Sean Gaffney

Nura: Rise of the Yokai Clan, Vol. 10 | By Hiroshi Shiibashi | VIZ Media – The cliffhanger from last volume is resolved incredibly quickly, leaving us with two major plotlines for this volume consisting mostly of fighting sequences. First we see the conflict between Yura and her siblings, which shows us how even the purest of heart can be ruined by just a tiny sliver of pride and jealousy. Meanwhile, Rikuo and company are taking their airship to Kyoto (still being destroyed bit by bit), but infighting may destroy them before the enemy can. Here we see just how much trust Rikuo has gained over these ten volumes – and how much more he has yet to earn, though the greater control of his power here helps. Unfortunately, this conflict doesn’t look nearly like it’s reaching the end, so expect Volume 11 to me more fight, fight, fight.-Sean Gaffney

Toriko, Vol. 11 | By Mitsutoshi Shimabukuro | VIZ Media – Thankfully, the fighting briefly pauses here in this volume of Toriko, which is especially a relief as it means we don’t have to see more of the repulsive Tommyrod. Instead, our heroes leave the Ice Hell for their own separate quests – Toriko to somehow regrow the arm that he lost in the last book, and Komatsu to try to recreate the Century Soup from the brief sip that he got. Komatsu continues to be my favorite part of Toriko – he’s smart enough to know he has to make his own soup and can’t simply duplicate another, and stubborn enough to keep at it even knowing it might take years. Of course, in his own way Komatsu is as badass as Toriko, so we know it won’t take that long. In the meantime, there’s more weird food and weird creatures, which is the main reason to read this fun manga. –Sean Gaffney