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fushigi yugi genbu kaiden

Fushigi Yugi Genbu Kaiden, Vol 12

January 31, 2014 by Anna N



Fushigi Yugi Genbu Kaiden, Vol 12 by Yuu Watase

I’m sure it sounds odd, but I was actually a bit nervous about picking up the final volume of this series that I’ve been enjoying so much, simply because I’ve been a bit frightened of the ending. I knew that plenty of deaths would be occurring. This is no big secret, since the heroine Takiko has been dying of tuberculosis throughout the series, and the presence of a couple ghostly Genbu Celestial Warriors in the first Fushigi Yuugi series gave enough hints towards inevitable tragedy that a certain air of melancholy has hung over this manga, giving it an additional theme that has offset all the fantasy adventure I’d expect from a Yuu Watase series.

When I put this volume down, I realized I was wrong to be nervous, because the ending was the best one possible given the set of circumstances the characters found themselves in. The final confrontation with the Qu-Dong army has arrived, and even though Takiko has married the Uruki, now Emperor of Bei-Jia, all the efforts of her Celestial Warriors aren’t going to fend off the eternal winter that is going to threaten all the people of Bei-Jia. The Celestial Warriors fight gallantly, but Takiko is determined to see her destiny as a priestess fulfilled, even if she ends up being consumed by the god that she summons. There are plenty of quiet moments between the characters mixed in with the battles, and each Celestial Warrior gets a bit of a sendoff. Tomite teases Takiko one last time. Hatsui is courageous in battle. Inami deflects volleys of arrows with her hair, arranged in a giant web. Naname undergoes an unexpected and meaningful last transformation.

Throughout everything that happens in this final volume, the connection between Takiko and Uruki remains strong and supportive. As a heroine, Takiko’s quiet and unwavering determination really sets her apart, and I thought that this series exhibited more maturity in storytelling than the first Fushigi Yugi series. This is one of my favorite Yuu Watase series, and that’s saying a lot since I’ve read and enjoyed most of her manga. I’ve read all the volumes of this series as soon as I’ve been able to get my hands on them, and the only thing that has marred the reading experience is the long wait between volumes! I really want to set aside some time and read the whole series again in a shorter span of time, to see what I think about it without having to wait months and years between volumes. Overall though, I don’t hesitate to recommend Fushigi Yugi Genbu Kaiden to anyone who enjoys fantasy and adventure shoujo.

Filed Under: REVIEWS Tagged With: fushigi yugi genbu kaiden, shojo beat, Yuu Watase

Off the Shelf: King of RPGs, Genbu Kaiden, Pride

October 20, 2012 by Melinda Beasi and Michelle Smith 2 Comments

MICHELLE: Hey, Melinda! Did you hear about the fire at the circus?

MELINDA: Why no, Michelle. Why don’t you tell me about it?

MICHELLE: It was in tents!

MELINDA: Ba-dum dum *chick*.

MICHELLE: I concede that there is a distinct possibility that nobody enjoys these dumb jokes but me, but I can’t seem to resist trotting them out whenever it’s my turn to start us off. Anyhoo, read any good manga lately?

MELINDA: I certainly have! It’s been a long time coming, but I finally acquired myself a copy of the second volume of Jason Thompson and Victor Hao’s OEL manga series King of RPGs, released over a year ago by the much-missed Del Rey. I enthusiastically reviewed volume one many moons ago for Deb Aoki at About.com, but I’d missed continuing on. And now that I have, I’m sorry that it took me so long!

After volume one’s over-the-top, madcap, shounen-esque conclusion, the series’ second volume begins in relatively grounded territory as it introduces us to the online universe of “World of Warcraft Warfare,” the MMORPG that originally drove the story’s hero, Shesh, to hospitalization and extensive psychotherapy. WOW servers have been overrun by “gold farmers”—players who collect in-game valuables (currency, magical items, high-level characters, etc.) and sell them for real-world cash. As rival guild members battle and kill each other (rather than their AI enemies) over these valuables, the name “Moggrathka,” Shesh’s long-abandoned character, lives on in legend as the most-feared and respected player-killer of all time. Soon after, we’re reintroduced to Rona Orzak, volume one’s misguided, gamer-hating student policewoman, who inadvertently reawakens Shesh’s in-game alter-ego by way of her own WOW account, thus unleashing the player-killing monster into both the real and virtual worlds. Of course, in King of RPGs, only tabletop gaming can save the day!

This series has a lot going for it, particularly for gamers and shounen manga fans who are pretty much equally serviced by its generously applied fan culture references, character-driven narrative, and fast-paced adventure. But its greatest appeal by far is Jason Thompson’s spot-on humor, which somehow manages to make a bunch of potentially alienating in-jokes accessible to casual readers without mocking hard-core fans. I can only attribute this to Thompson’s obvious love for the subject matter, and its effectiveness really can’t be overstated. If there’s a consistent vibe that tends to emanate from real nerd culture, it’s a weird combination of passionate fandom and deep resentment over any attempt to bring newcomers into the fold—as if the conversion of each new fan somehow reduces the value of the fandom itself. But Thompson actively invites readers into the world of tabletop RPGs (and, more stealthily, shounen manga) with a real warmth and generosity that makes you want to join him at the table. That, more than anything, makes the series a great read. And the hilarity… oh, the hilarity!

I should mention, too, Hao’s artwork, which has really grown since the series’ beginning. Volume two’s visual storytelling is just as energetic as ever, but feels cleaner and vastly more focused, especially in later chapters.

MICHELLE: You know, I have volume one on my shelf, but never got around to reading it. It seems like I should rectify that. Has there been any word on the fate of this series now that Del Rey is no more?

MELINDA: Nothing official that I’m aware of (though I believe the authors are hopeful!), but Jason Thompson’s webcomic “expansion” has been running on the series’ website since February, so there’s something to tide us over, at least. Also, gamers will enjoy the fake blog of Theodore Dudek, King of RPGs‘ overenthusiastic GM.

So, now that I’ve sufficiently nerded-out, what have you been reading this week?

MICHELLE: I have been enjoying a marathon catch-up read of Fushigi Yûgi: Genbu Kaiden, by Yuu Watase!

The anime of the original Fushigi Yûgi was one of the first shoujo anime I ever saw, and the story remains dear to my heart, even though I am fully cognizant of its flaws. When Genbu Kaiden started coming out in English, I collected it faithfully, but somehow never ended up reading it. Now that the much-anticipated tenth volume has finally been published (almost three years after volume nine), I made it my priority to get caught up.

And what a delightful read it has been! Watase sure has matured a lot as a storyteller in the intervening years, crafting a story that’s similar enough to the original to appeal to long-time fans, but fully its own creation capable of attracting new readers. Genbu Priestess Takiko Okuda is a much more likable heroine than the original’s Miaka, and the primary romance here is one that leaves me more touched than annoyed. I was actually expecting to like Tomite and Hikitsu the best (especially Hikitsu), since they appeared in the original story (and since Hikitsu is very pretty), but my favorite characters have actually turned out to be the Celestial warriors appearing here for the first time. I’m surprised by how much I like Uruki (Takiko’s love interest), but my favorite is probably Namame, the mute (only Takiko can hear his voice) but ever-helpful warrior who spends most of his time in the form of a stone doll.

In volume ten, the Celestial warriors have infiltrated the capital, where one of their number is being imprisoned and made to use his powers for the protection of the power-hungry emperor. Some nifty revelations ensue, including a tour through the memories of Uruki’s corrupt dad, but by far the most significant aspect of the story is that Takiko has begun to show signs of the same illness that claimed her mother’s life, but is trying to hide it from the others. She knows now that she will be compelled to sacrifice herself if she summons Genbu, but since her death seems imminent anyway, it might as well serve the purpose of saving people who are dying from war, cold, and starvation.

Although there are a few lighthearted moments—as well as a smattering of romantic ones—on the whole, this is a much more sober tale than the original and definitely its equal, if not its superior. I’m exceedingly glad to see volume eleven on the near horizon (March 2013) and hope that one day Watase is able to pen the Byakko saga, as well!

MELINDA: I’m so glad you’ve caught up on this series, because now we can share the squee! Having (still!) not read the original—something I’ll rectify soon—I don’t have the same reference for comparison, but I’ve enjoyed Genbu Kaiden immensely. I’ve also been surprised by how much I like Uruki, and I thought his romance with Takiko was one of the highlights of volume ten. And could Namame possibly be more adorable? I don’t think so!

MICHELLE: I am starting to think you may want to avoid the original until Genbu concludes, because it does give away the ending, though I am sure Watase has some surprises in store on that account.

Anyway! Once again, we have both read the debut volume(s) of a newly released series, which is something we enjoy doing and something we intend to do more of in future! Care to tackle the introductory duties this time, Melinda?

MELINDA: I’d be happy to!

So, this week’s mutual read comes from online publisher JManga, whose wealth of recent acquisitions includes Yukari Ichijo’s josei series Pride, originally from Shueisha’s Chorus magazine.

Pride follows the stories of two aspiring classical singers—Shio Asami, whose upscale musical education is abruptly halted by a sudden downturn in her widower father’s fortunes, and Moe Midorikawa, whose lower-class background has made entering the elitist world of opera an uphill battle from nearly every angle. Though the series’ plotline mainly concerns their mutual struggle to keep singing while maintaining day-to-day survival (along with the obligatory rivalries, both professional and romantic), the real meat of it all lies in the ways that their disparate backgrounds have formed their personalities and how that affects the way they approach their respective lives and careers.

Shio’s respectable upbringing and musical pedigree (her late mother was an international opera star) have burdened her with a sense of pride that is ultimately unhelpful when she requires assistance from others, and her well-schooled refinement hinders her ability to perform with any real emotional resonance. Meanwhile, Moe’s natural expressiveness as a singer is not quite enough to make up for inferior training, and her desperate personal circumstances have made her absolutely ruthless (and fairly ungraceful) in her quest for career success.

What works particularly well about all this is that Ichijo manages to make both characters pretty much equal parts sympathetic and maddening. And while Shio ends up tipping the scale in likability, it’s impossible not to sympathize with Moe’s deep need to escape from her truly icky origins. By the end of volume two, I found myself rooting for both of them, despite their genuinely ugly rivalry.

How about you?

MICHELLE: Kudos on that summary! I loved Pride almost without reservation. Let’s see if I can count the ways…

I love that Shio doesn’t follow the “poor little rich girl” stereotype. She and her father have a genuinely loving relationship, and though the fact that she’s been protected from pain and hardship all her life later becomes a weakness, it’s still this relationship that gives her the strength to persevere. As a musician, I really identify with Shio’s struggles with expressiveness and the realization that perfection is sometimes boring. I was especially interested when she abandons the fantasy of herself as a singing princess and really begins to recognize the reality of her situation. I worry that marrying Jinno, the producer, will allow her an only temporary return to that sparkling world, only to be followed my massive despair. (I worry for her marrying him much like I worried about Hachi marrying Takumi in NANA, actually.)

Too, I love that the rivalry between Shio and Moe is so very equal. They’ve each got skills the other doesn’t possess, which makes them the perfect mate/muse for the guy that the other girl fancies, and it all builds so organically. True, I can’t really like Moe very much, but I absolutely sympathize with her. About the only aspect of Pride that I didn’t love were the scenes involving Moe’s incredibly horrible mother, but I acknowledge they were necessary and am grateful that Ichijo kept them fairly brief.

Although each woman is dealt some awful blows, each also has a few lucky breaks, too, so everything balances out.

MELINDA: Well said, Michelle, on all counts!

I’ll add, I guess, that though I share your reservations about Shio marrying Jinno, at least she’s going in with her eyes open, unlike Hachi did in NANA. Shio’s not remotely in love with Jinno and has no illusions about him being in love with her, so while I think she’s ultimately in for a very unhappy marriage, at least she’s not fooling herself into thinking it’s a real marriage to begin with. In a way, that’s what makes it such a powerful plot point. She’s prepared for it to be disappointing, romantically, but I suspect it’s going to disappoint and hurt her in other ways that she’s not anticipating at all. And I’m sure it’ll make for great drama in future volumes!

MICHELLE: I’m sure it will! All in all, this is just a great depiction of how just plain old life can get in the way of one’s dreams, and how two women still have enough fight left in them to keep trying to attain what they want, rather than just giving up.

Thank you so much, JManga, for introducing us to Pride! Please, sirs, can we have some more?

MELINDA: Yes, yes, more!

Filed Under: OFF THE SHELF Tagged With: del rey, fushigi yugi genbu kaiden, JManga, king of rpgs, pride, VIZ

Monday Morning Link-Blogging

January 25, 2010 by Melinda Beasi 3 Comments

A few links caught my eye this morning, so I’ll share them along with a couple of my own. First of all, I have a short review of the final two volumes of the melodramatic Korean romance 100% Perfect Girl in today’s Manga Minis column at PopCultureShock. Thinking about this manhwa, I first considered saying something along the lines of, “Recommended for fans of Hot Gimmick and Black Bird,” but the truth is, 100% Perfect Girl is a little bit different.

By “different” I truly don’t mean “better,” so don’t get me wrong there. I possibly mean “more interesting” though, for the simple reason that, unlike either of the manga series I mentioned, the author of 100% Perfect Girl spends a whoooole lot of time psychoanalyzing her lead characters and doing a pretty good job of it too. While she still makes the mistake of romanticizing their seriously destructive relationship (and to some extent the male lead’s abusive nature) she also picks it apart at every opportunity. …

Read More

Filed Under: NEWS Tagged With: 100% Perfect Girl, fushigi yugi genbu kaiden, manga, manhwa, twilight, xxxholic

Fushigi Yûgi: Genbu Kaiden, Vol. 9

January 17, 2010 by Melinda Beasi Leave a Comment

By Yuu Watase
Viz, 192 pp.
Rating: T+ (Older Teen)

Having been cruelly rejected by Uruki and the other celestial warriors, Takiko returns to her home world, prepared to rediscover an ordinary life. As though similarly prepared to rediscover her, “ordinary life” promptly greets her with a proposal of marriage from the young doctor who tended to her dying mother. Determined to put her love for Uruki firmly in the past, Takiko accepts the proposal. Meanwhile, Takiko’s father attempts to destroy “The Universe of the Four Gods,” to ensure that his daughter will never meet the fate of the Priestess of Genbu. Can true love be conquered by will alone?

With Takiko facing heartache in any world she chooses, this volume is easily the most poignant of the series so far. Her suitors, too, elicit great sympathy—each doomed to love a woman they must ultimately lose, whether to fate, distance, or lack of mutual feeling. The drama is intense but not over-the-top, and somehow the fact that Takiko must cause as much pain for others as fate causes her keeps her from becoming too tragic to be believed.

Rest assured, Takiko’s heart won’t deny itself forever, and though it will likely be a long wait before the next volume (still unpublished in Japan) reaches these shores, volume nine manages enough forward motion to keep most fans satisfied, at least in the short-term. Unabashedly romantic but never sickly-sweet, Fushigi Yûgi: Genbu Kaiden continues to please.

Review copy provided by the publisher. Review originally published at PopCultureShock.

Filed Under: MANGA REVIEWS Tagged With: fushigi yugi genbu kaiden

Fushigi Yûgi: Genbu Kaiden, Vol. 8

April 16, 2009 by Melinda Beasi Leave a Comment

By Yuu Watase
Viz, 192 pp.
Rating: T+ (Older Teen)

In the wake of the previous volume‘s tragedy, Takiko and her warriors are taken in by the Odo, a diverse tribe made up of members from several smaller clans who joined together to rebel against the Rowuns and who, unlike most, believe in the legend of the Priestess of Genbu. Hidden away in the Nassal Forest, a holy refuge with power to turn away the uninvited, the Odo help prepare a ceremony for Soren which allows Uruki to find some peace and to renew his commitment to the Celestial Warriors and, more importantly, to Takiko. Takiko, more determined than ever to save Teg and bring him (along with Hagus) into the fold, camps out at the edge of the forest, waiting for Hagus to decide take a chance on her. Meanwhile, Uruki is visited by the oracle Tai Yi-Jun, who reveals to him the true fate of the Priestess of Genbu–a fate Uruki will do anything to prevent.

After giving poor Takiko a taste of some real jealousy (which of course she strives valiantly to overcome), this story’s primary romance begins to really soar, only to be struck down by Tai Yi-Jun’s revelation to Uruki. The only unfortunate thing about this volume is Uruki’s decision to reject Takiko (just after having reassured her of how much he cares) for the purpose of supposedly keeping her safe from a destiny she knows nothing about and which is absolutely hers to choose. It’s always maddening when someone takes it upon his/herself to limit another person’s choices “for their own good” and this is not made less maddening by the persons involved being fictional. While this is the kind of plot device to be expected in a shojo fantasy, honestly, Watase could have done better. Fortunately, there are enough truly lovely moments (stone warrior Namame’s faithful protection of Takiko, for instance, especially in the face of her supposed “rival,” is utterly charming) to more than make up for it.

Overall, this is another strong volume in a very engaging series that balances romance and adventure more deftly than most.

Review copy provided by the publisher. Review originally published at PopCultureShock.

Filed Under: MANGA REVIEWS Tagged With: fushigi yugi genbu kaiden

Fushigi Yûgi: Genbu Kaiden, Vol. 7

February 17, 2009 by Melinda Beasi 1 Comment

By Yuu Watase
Viz, 210 pp.
Rating: T+ (Older Teen)

Set as a prequel to Yuu Watase’s classic shojo series, Fushigi Yûgi: Genbu Kaiden follows the story of the first priestess of the Fushigi Yûgi universe, Takiko Okuda. When Takiko’s long-absent father returns home too late to save her dying mother, Takiko is determined to tear her father away from the work that alienated him from his family—the translation of a Chinese text, “The Universe of the Four Gods.” As she attempts to destroy the book, she is instead sucked into its story, where she becomes the Priestess of Genbu, who must bring together the seven celestial warriors to save the new world she has become a part of. Feeling rejected by those she left behind, Takiko quickly embraces her new destiny, discovering both her own strengths and a place for herself in a world where she feels truly needed for the first time in her life.

In volume six, the fearsome Hagus was revealed to be one-half of the final celestial warrior, Urumiya. Hoping to save Uruki from being murdered by Hagus’ hand, Takiko vowed to rescue his twin brother, Teg (Urumiya’s other half), who has been kept captive his whole life by Uruki’s father, King Temdan. In this volume, Takiko and Uruki’s vassal, Soren, must escape Hagus and King Temdan’s troops, while the warriors face down fire, bandits, and the Qu-Dong army. Everyone seems doomed to be apart from those most important to them, including poor little stone warrior Namame whose head is still separated from his body. Takiko and her warriors are eventually reunited, but only after one of their group makes a horrifying sacrifice.

This is an intensely emotional volume that shows off all the best elements of this series. The chapters are action-packed, but none of it is remotely superfluous. Every moment is meaningful, and there is not a single unnecessary word or gesture in the entire volume. Up until now, the story had been a well-written adventure and a satisfying romance, but this volume really demonstrates the maturity of Watase’s writing at this point in her career. The intensity of the relationships feels natural and well earned, and even the less-developed characters are rich enough at this point to carry off some deeply emotional moments.

Visually, this volume is especially strong as well. The battle scenes achieve a clarity that was lacking in some of the earlier volumes, and the faces and body language of Watase’s characters are more expressive than ever. It is a testament to Watase’s strengths as a visual storyteller that even the expression on the face of a character who is literally made of stone is enough to bring tears to the eyes.

With its strong, compassionate heroine and eclectic cast of supporting characters, Fushigi Yûgi: Genbu Kaiden brings the best elements of the world of Fushigi Yûgi to a new generation of manga fans.

Review copy provided by the publisher. Review originally published at PopCultureShock.

Filed Under: MANGA REVIEWS Tagged With: fushigi yugi genbu kaiden

Oh, shojo, I love you so!

February 17, 2009 by Melinda Beasi Leave a Comment

Hello all! Just a quick update this morning. I have two longish reviews in today’s On The Shojo Beat column at Manga Recon, one for the first volume of a new series, Magic Touch, and also for volume seven of Fushigi Yugi Genbu Kaiden, which I’ll talk briefly about here.

I’ve never read the original Fushigi Yugi, which I realize makes me a very poor shojo fan indeed, but the truth is, it’s never really caught my interest, and every time I mention it here, I find out something through your comments that makes me even less excited to read it. Now I’m actually a bit torn, because I really enjoyed Genbu Kaiden, though I suspect that may be because it avoids the problematic elements of the original series, particularly issues concerning friendship between women. Anyone here read both?

In any case, Fushigi Yugi Genbu Kaiden is on a pretty slow release schedule, both here and in Japan, but the next volume comes out here in April, and I’ll definitely be looking forward to it!

I have a long review coming out later this week which has taken up most of my free time over the past few days (and probably for the next day or two as well), so I haven’t had time to read or think about much else. Oh, to be a faster writer! I cling to hope that my careful deliberation pays off in some way.

Filed Under: FEATURES Tagged With: fushigi yugi genbu kaiden, manga

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