Cage of Eden

My Week in Manga: March 30-April 5, 2015

April 6, 2015 by Ash Brown

My News and Reviews

An interesting variety of things was posted last week at Experiments in Manga. First of all, I had the privilege and opportunity to announce one of Sparkler Monthly‘s most recent additions, Kôsen’s Lêttera, a three-volume comic that was originally published in Spain. The winner of the Yukarism giveaway was announced last week as well. The post also includes a list of manga that feature reincarnation. As for reviews, I took a look at Akira Arai’s debut novel A Caring Man which shared the inaugural Golden Elephant Award grand prize with Fumi Nakamura’s Enma the Immortal. Whereas Enma the Immortal is historical fiction with fantastical elements, A Caring Man is a contemporary crime thriller that by and large is very believable. Finally, over the weekend I posted March’s Bookshelf Overload, which features a slightly less absurd amount of manga than most months.

Elsewhere online, Organization Anti-Social Geniuses has been posting some great manga-related content, including recording of a panel with manga editor and letterer Abigail Blackman from the Castle Point Anime Convention and a quick interview with editor Brendan Wright about Dark Horse’s upcoming release of Makoto Yukimura’s Planetes. (I’m very excited for this license rescue! I already own Tokyopop’s edition of the series, but Dark Horse’s sounds like it will be great, so I’ll most likely be double-dipping.) And speaking of Dark Horse, the final volume of Hiroaki Samura’s Blade of the Immortal was released last week. Robot 6 has an interview with Philip Simon reflecting on the manga’s end. Chic Pixel has a guide on how to import manga cheaply from Amazon Japan. Throughout March, the Comic Book Legal Defense Fund posted a series of articles, Women Who Changed Free Expression, the last of which focused on the influential 24 Nengumi, or the Year 24 Group, as the female progenitors of shoujo manga.

Anime Boston took place over the weekend. Both Yen Press and Kodansha Comics had some pretty exciting announcements to make. Yen Press has licensed thirteen new manga, some of which will be digital-only releases. The two print releases that particularly caught my attention were the omnibus edition of Yowamushi Pedal, particularly surprising since it’s a sports manga that’s nearly forty volumes lone and still ongoing in Japan, and the yonkoma Monthly Girls’ Nozaki-kun which, if it’s anywhere near as good as the anime adaptation, should be fantastic. As for Kodansha’s announcements, Attack on Titan, Volume 16 will have a special edition. New licenses include Ninja Slayer Kills, two video game-related manga—Persona Q and Devil Survivor—and Junji Ito’s Cat Diary, which is the one I’m personally most excited for. Also revealed was the status of Vinland Saga, which had temporarily been suspended. Basically, only two more volumes are guaranteed to be released unless sales for the series improve. Vinland Saga is magnificent; if you haven’t already given it a try, this would be the time to do it!

Quick Takes

Barakamon, Volumes 2-3 by Satsuki Yoshino. While I largely enjoyed the first volume of Barakamon, I wasn’t particularly blown away by it. Still, I was interested in reading more of the series. I’m glad that I did, because it’s really starting to grow on me. Barakamon does have a little bit of a story to it—the once successful and respected calligrapher Seishuu has moved to a remote island to regain his composure and maybe find some inspiration—but mostly the series is about its characters and their interactions with one another. Even though he’s still a city-boy at heart, Seishuu has started to settle in on the island and isn’t nearly as out-of-place as he once was. The humor seems to now be a little less about the differences between country folk and people from more urban areas (although there still is plenty of that, especially when a couple of Seishuu’s friends and admirers from Tokyo show up) and more about the characters’ individuality and quirkiness. I am glad to see Seishuu relax somewhat and lose a bit of his arrogance from the first volume. In general he’s becoming a much more likeable character, which is probably part of the point of the series.

Cage of Eden, Volume 17 by Yoshinobu Yamada. Finally! The monsters have returned! Well, technically it’s only one monster (not counting the absolutely terrible people), but it’s a pretty big deal. The dinosaurs and creatures are some of the only things I actually like about Cage of Eden; they’ve been largely missing from the last few volumes, so I was glad to see them back in such a dramatic way. Most of the seventeenth volume is devoted to an intense, and most likely deadly, battle against a man-made, genetic monstrosity. Probably best described as a chimera, the creature is formidable and extremely dangerous. The students make some extraordinarily bad decisions when it comes to confronting the beast, which really makes me wonder how they’ve managed to survive for so long. (Granted, the body count in Cage of Eden is pretty high.) The fight hasn’t concluded by the end of the volume, though I suspect it won’t last too much longer. One of the good things about Cage of Eden suddenly focusing on action is there is less opportunity for the more obnoxious fanservice to interrupt the story. Some of the girls even get to put up a decent fight. (At least at first.)

Lucifer and the Biscuit Hammer, Omnibus 2 (equivalent to Volumes 3-4) by Satoshi Mizukami. I wasn’t really sure what to expect from Lucifer and the Biscuit Hammer and reading the first omnibus didn’t help much with that, but I thoroughly enjoyed it. Sadly, I wasn’t nearly as taken with the second omnibus. I still enjoyed it, and I still plan on reading more of the series, but Lucifer and the Biscuit Hammer seems to have lost a little of its spark for me. Maybe I’ve just gotten used to its strangeness, but at the same time that’s also what I enjoy most about the series. Lucifer and the Biscuit Hammer is just so marvelously weird. At times the manga can be surprisingly dark, too, which I also appreciate. In the second omnibus, a slew of new characters are introduced as the identities of the rest of the Beast Knights are uncovered, although some of them are discovered to already be dead. All of them are rather eccentric with pasts that have some significant pain or sadness to them. The mage who plans on destroying the planet makes several appearances as well, and to some extent his motivations are explained, too. Much like the rest of the series, he’s not quite what one might expect.

Virtuoso di Amore by Uki Ogasawara. I was primarily drawn to Virtuoso di Amore for two reasons, the role that music plays in the boys’ love manga and the fact that it was created by Ogasawara. I enjoyed parts of her short and very smutty series Black Sun, currently the only other manga of hers available in English. (Techincally, Chronicle of the Divine Sword was at one point licensed, but I don’t think it was ever actually published.) Virtuoso di Amore follows Kenzo Shinozuka, a failed classical pianist (mostly due to his volatile temper), who has been hired by an aristocrat to live in his manor and play for him every night. His patron is Lorenzo Carlucci who, it turns out, used to attend the same music school as Kenzo. Lorenzo is determined to help Kenzo remake is name as a musician. I really liked the basic premise of Virtuoso di Amore as well as its dark ambiance and fervent drama, but Ogasawara’s storytelling is unfortunately disjointed and occasionally difficult to follow. For example, Lorenzo and Kenzo fall in love, or at least in lust, very suddenly, which makes me think their relationship at school must have been much more involved than is implied elsewhere in the manga.

My Week in Manga: March 9-March 13, 2015

March 16, 2015 by Ash Brown

My News and Reviews

Two reviews at Experiments in Manga last week! First up, I finally got around to reading Kouhei Kadono’s Boogiepop at Dawn. Technically the sixth Boogiepop novel, and the fourth to be released in English, it actually serves as a prequel to the entire series. I’ve really enjoyed what I’ve read of the Boogiepop series and found Boogiepop at Dawn to be particularly satisfying. I’m hoping to do a Boogiepop Adaptation Adventures post once I have a chance to read the manga and watch the anime and live-action adaptations. The second review posted last week was of Yuki Urushibara’s Mushishi, Volume 2. Mushishi is one of my favorite manga, and the second volume includes some of my favorite stories in the series. The review is part of my monthly manga review project focusing on horror manga. Next month will feature Setona Mizushiro’s After School Nightmare again.

Sparkler Monthly has been getting some good press recently, which I’m happy to see. Jason Thompson delves into the comics side of the magazine in the most recent House of 1000 Manga. Lianne Sentar was interviewed by Brigid Alverson at Robot 6 about Marketing to the Female Gaze. Sparkler has been adding a bunch of new comics lately. The most recent is actually a rescue from the closure of Inkblazers, Heldrad’s Orange Junk. More comics and more print releases will be announced in the very near future (I’m particularly looking forward to the Tokyo Demons Cherry Bomb collection), so now is a better time than ever to consider becoming a member to support the creators and the rest of the Sparkler team.

Last week was apparently “manga week” at ICv2, which included interviews with Dark Horse’s Mike Richardson (Part 1 and Part 2) and Viz Media’s Kevin Hamric (Part 1 and Part 2). The Comics Journal has been collecting and posting tributes to the late Yoshihiro Tatsumi, and Ryan Holmberg has written an in-depth article on Tatsumi for the site as well. Elsewhere online, Comics Forum posted Masafumi Monden’s article Shōjo Manga Research: The Legacy of Women Critics and Their Gender-Based Approach and Reflecting Lights has a nice publisher spotlight on Vertical Comics. Finally, Sean has a roundup of all the manga and light novel licenses that have recently been announced.

Quick Takes

Attack on Titan: Before the Fall, Volume 3 written by Ryo Suzukaze and illustrated by Satoshi Shiki. An adaptation of a series of light novels, Before the Fall is a prequel to Hajime Isayama’s immensely popular and successful manga Attack on Titan. It takes place well before the original series, during a time in which humanity is facing the Titans, but has yet to really find a way to effectively deal with them. At this point, the Survey Corps at least knows how to destroy the Titans, but it is lacking the resources—specifically the three-dimensional maneuvering gear—that greatly aids in actually accomplishing the feat. Apparently, as the extra manga at the end of the third volume implies, Kuklo will somehow be involved in reclaiming that crucial bit of technology. However, most of the volume is devoted to the intense battle and tragic outcomes of the Survey Corps and Kuklo’s unfortunate confrontation with a Titan outside of the walls. There’s some plot and story development as well, but the action takes precedence this time around. In general, I don’t find Before the Fall to be quite as compelling as the original Attack on Titan, but it is interesting to see more of the overall worldbuilding and backstory that has been created for the franchise as a whole.

Cage of Eden, Volume 16 by Yoshinobu Yamada. It’s been a while since I’ve read any of Cage of Eden, though the sixteenth volume seems to be pretty par for the course. I enjoy a good survival story, but the manga is just not as enthralling as I want it to be. It doesn’t help that the fanservice tends to be narratively awkward; the sixteenth volume includes not one but two naked bath scenes of buxom middle school girls that interrupt the flow of the story. As for the story itself, there have been a few interesting developments. Having split into separate groups to investigate the spire and the pyramid on the island, the survivors have been able to begin piecing together exactly where they are as they uncover more and more secrets. Considering the number of deaths in Cage of Eden so far, it’s probably a safe bet that not everyone is going to survive to the end of the series. Especially taking into account the fact that the dinosaurs and other beasts aren’t the only dangerous creatures on the island. Humans can also be extremely deadly. And manipulative, too. It’s this menacing human element that the sixteenth volume of Cage of Eden focuses on. Trying to survive on the island has definitely taken its toll on the characters both mentally and physically.

Missions of Love, Volume 10 by Ema Toyama. To be completely honest, I wasn’t expecting to enjoy Missions of Love nearly as much as I do, but here I am, ten volumes later, still completely hooked on the series’ melodrama and exceptionally twisted train wrecks of relationships. And there are some pretty momentous developments in those relationships in this volume, specifically a confession of love that can’t be mistaken or ignored. It seems as thought the time is drawing very near in which Yukina will have to choose either Shigure or Akira, but she’s only now realizing that might mean losing one of them completely. Partially in an attempt to avoid having to make an immediate decision, she challenges them both with a mission: to take her on a date as boyfriend and girlfriend. Missions of Love has always been suggestive, often skirting the edge of what would be deemed appropriate behavior and occasionally crossing over the line, and the tenth volume is no different. The relationships in the series aren’t healthy ones and never have been. Seeing as how many of them were initially based on manipulation and blackmail that probably isn’t too surprising, but it is interesting to see the characters develop legitimate feelings of affection for one another. They just don’t always go about expressing it in the best fashion.

xxxHolic, Omnibuses 1-2 (equivalent to Volumes 1-6) by CLAMP. I read the first few volumes of xxxHolic when the manga was originally being published by Del Rey Manga but never got around to finishing the series before it went out of print, so I’m happy that Kodansha Comics is releasing the omnibuses. xxxHolic is a manga of extremes. One moment it’s ridiculously comedic and the next it’s deadly serious. The manga can be a strange mix of humor and horror; sometimes the balance between those two aspects of the series works better than others. I like the incorporation of yokai in xxxHolic since I have a particular interest in yokai. Generally, CLAMP’s renditions of the traditional stories are much more contemporary and free-form in nature. Yokai and folk tales serve more as a source of loose inspiration rather than a rigid structure for the manga to build upon. xxxHolic and Tsubasa: Reservoir Chronicle are directly related to each other, although they can be read separately without to much of a problem. So far, I find the Tsubasa references to be some of the least interesting in xxxHolic, but I do get a kick out of some of the throwaway nods to other CLAMP manga. For example, the leads from Legal Drug make a brief appearance with a minor (yet arguably crucial) role selling a hangover cure.

Bookshelf Briefs 10/22/12

October 22, 2012 by Sean Gaffney, Katherine Dacey, Michelle Smith and Melinda Beasi Leave a Comment

This week, Sean, Kate, Melinda, and Michelle look at recent releases from Kodansha Comics, VIZ Media, Yen Press, and Vertical, Inc.

Cage of Eden, Vol. 7 | By Yoshinobu Yamada | Kodansha Comics – Yes, the fanservice is still as gratuitous as ever. That said, there’s a lot to like here. For one, we get more casualties, reminding us that the longer everyone stays on the island, the more the cast is going to be culled. The fact that the group is taken out by what turns out to be ticks is quite chilling. Akira’s open show of determination and leadership, meanwhile, gives everyone inspiration and makes them want to keep up with him. This then takes a much darker turn, as we see the consequences of everyone not wanting to be dragging the group down – the cast getting altitude sickness that nearly kills them because no one will rest. And finally the cast start to hallucinate (a genuine symptom of altitude sickness) – which allows for a cliffhanger involving more horrific extinct animals. Shonen madness! – Sean Gaffney

A Devil And Her Love Song, Vol. 5 | By Miyoshi Tomori | VIZ Media – Maria’s first instinct when confronted with conflict is still brutal honesty, and I admire the fact that the manga shows this remains ultimately a good thing. Indeed, it’s not just Maria in this volume, as Shin shows off his own tendency to say exactly what he thinks. He thus ends up meeting Maria’s friend from her old school, Anna. I knew from the moment we started Volume 1 that Anna would be appearing at some point, and would be an antagonist. Thus I am once again pleased at how believable Tomori-san makes her. Maria, meanwhile, is still having trouble dealing with her feelings for Shin. This fails to surprise anyone, given how she has trouble with friendships, much less love. But I can’t wait to see what happens next. – Sean Gaffney

Fairy Tail, Vol. 21 | By Hiro Mashima | Kodansha Comics – There is a WHOLE lot going on in this volume. We meet most of the Fairy Tail cast doppelgangers – including Lisanna, who’s dead in Natsu’s universe – and find Erza’s working for the bad guys. Speaking of the bad guys, they’re the usual eccentric lot, ranging from obviously sympathetic to completely insane. There’s a healthy dollop of humor here, as we see Lucy’s double showing off how alike the two are and Loki ignoring Lucy’s call to battle as he’s on a date (presumably with Aries). And there are sad and heartwarming moments, such as Carla’s realization of what she’s been involved in, as well as the identity of the cats who briefly harbor them. Most of all, I’ve finally stopped thinking about how much Fairy Tail rips off One Piece when I read it. Which is quite the accomplishment. – Sean Gaffney

The Flowers of Evil, Vol. 3 | By Shuzo Oshimi | Vertical, Inc. – Though I had high praise for the first two volumes of The Flowers of Evil, volume three is a weaker and less psychologically plausible installment than what preceded it. Saeki’s increasingly desperate attachment to Takao seems more like a plot contrivance than a natural progression for her character, while Nakamura’s bullying sails over the line from nasty manipulation to outright sadism. The two girls’ tug-of-war isn’t beyond the realm of possibility; nor is Saeki’s unfounded belief that Takao represents something more interesting or profound than what other boys her ages could offer. What feels wrong is the way in which that conflict manifests itself, culminating in a scene that only a teenage boy would feel was an accurate representation of how girls think and behave. I’m not ready to throw in the towel just yet, but I’m no longer convinced that Oshimi has as a firm a grasp of his characters as he did in the first chapters of the series. – Katherine Dacey

The Flowers of Evil, Vol. 3 | By Shuzo Oshimi | Vertical, Inc. – I wrote in my brief review of volume two that I “pretty much hated” The Flowers of Evil and couldn’t see myself continuing with it, and yet here I am. I suppose curiosity got the best of me. Volume three deals with the aftermath of Kasuga and Nakamura’s classroom vandalism, during which it becomes clear to Saeki and Kasuga’s mother that he is the one responsible. I actually did like certain things about what follows—especially Kasuga’s admittance that he was only reading Baudelaire in an effort to convince himself he’s special and that he’s scared of facing the real Saeki as opposed to his idealized vision of her—but spent a lot of time baffled by the characters’ actions and reactions. What is clear is that nobody is the person that others thought they were, which seems like a decent note upon which to end the series, but it actually continues from this point. I’m still not sure if I’ll be reading it. – Michelle Smith

Jiu Jiu, Vol. 2 | By Touya Tobina | VIZ Media – First of all, that cover is far saucier than a typical Hakusensha shojo title – something the author lampshades in one of her notes! Despite that, this title is becoming for females what Cage of Eden is for males. There’s lots of rampant fanservice of Snow and Night looking half-naked and sweaty. The plot is still a bit ‘make it up as you go along’, but I’m used to that with Hakusensha. The author hasn’t made it clear whether we – and Takamichi – are supposed to think of the two male leads as pets, or as children/family, or as love interests. It’s somewhat uncomfortable, and I think that’s at least partly deliberate. The addition of a few new cast members is nice to see, but for the most part this is still a three-hander about young people who are very bad at social interaction and the laughs and awkwardness that comes with that. Hope it continues to improve. -Sean Gaffney

Library Wars: Love & War, Vol. 8 | By Hiro Arikawa and Kiiro Yumi | VIZ Media- Okay, seriously, how did Library Wars end up being so shoujoliciously good? I mean, the premise is rather silly and the characters are far from convincing as soldiers, but the past couple of volumes have been genuinely enjoyable. In volume eight, the truth of why Iku’s being interrogated regarding a book-burning incident comes to light, which ultimately leads to her finally realizing that her commanding officer, Dojo, is her prince, whereupon she freaks out in a pretty awesome way. Combined with her composure under questioning and her reaction to this news, I am finally beginning to like Iku at long last. This volume also prominently features Iku’s awesome roommate, Shibazaki, who is one of those “I am jaded and unable to fall in love but will protect my idealistic friend with all I’ve got” characters whom I always adore. I’m looking forward to volume nine! – Michelle Smith

Pandora Hearts, Vol. 12 | By Jun Mochizuki | Yen Press – As tension ramps up over Oz’s questionable origins and the return of a mysterious villain with a penchant for beheading, I’ll admit that what really makes this whole volume for me is a (presumably) throwaway section in which Oz’s younger sister Ada reveals her secret obsession with the occult. That may not sound funny on the face of it, but trust me… it’s honestly hilarious, surprisingly charming, and makes it even harder to continue to hate the supposedly evil Vincent Nightray, to whom she bares her magically-consumed soul. Too, this section highlights one of the strengths of Mochizuki’s writing. No matter how dark and complicated her story becomes, she never loses her sense of whimsy or her deep love for her odd little cast of characters. Humorous interludes aside, volume twelve is full of terrific little nuggets of characterization—just part of the series’ considerable payoff for fans who have stuck with it so far. Still recommended. – Melinda Beasi

Skip Beat!, Vol. 29 | By Yoshiki Nakamura | VIZ Media – I am probably somewhat of a broken record where Skip Beat! is concerned, because not only do I genuinely enjoy every new volume, I also always wish that I had twenty more of them waiting in the wings, that’s how much I adore it. In this volume, Kyoko has realized that she’s on the verge of sprouting feelings for Ren, which scares her very much, since he is able to slip past her defenses so easily. She’s so distracted she allows a male costar to make her over for a wrap party, which yields two developments: Kyoko becomes convinced Ren sees her as too childish to pursue and she gains confidence in her ability to transform herself for a role. That’s Skip Beat! in a nutshell—even when there’s a smidgen of romantic progress, there’s a healthy dollop of career progress for the awesome heroine to go along with it. Perennially recommended. – Michelle Smith

Bookshelf Briefs 1/30/12

January 30, 2012 by Melinda Beasi, Michelle Smith, Katherine Dacey and Sean Gaffney 4 Comments

This week, Melinda, Michelle, Kate, and Sean take a look at recent releases from Kodansha Comics, Vertical, Inc., and the Digital Manga Guild.

@Full Moon, Vol. 2 | By Sanami Matoh | Kodansha Comics – Published a full ten years later than Matoh’s supernatural gender-bender Until the Full Moon, @Full Moon continues the story of pretty-boy vampire David and his werewolf husband Marlo (who turns into a woman on the night of each full moon). Though the new series features updated character designs and an internet-savvy title, it’s interesting to note how little else has changed. The series’ primary conflict still revolves around hapless romantic rivals attempting to break up the story’s main couple using revolutionary tactics like kidnapping. And though Matoh’s storytelling is more grounded than it was in 1998, there’s nothing unique enough to warrant more than a surface read. For readers like me, for whom the only draw of the original was Matoh’s gorgeous, retro artwork, I’d recommend passing on the cyber-age remake, though I must award a few points for sleeves. Not worth it for the lulz alone. – Melinda Beasi

Air Gear, Vol. 21 | By Oh!Great | Kodansha Comics – After slogging through the “Full Contact” edition of Tenjo Tenge, I had a strong suspicion that Air Gear wouldn’t be my cup of tea. Reading volume 21 didn’t do much to change my opinion of Oh!Great as a storyteller — he vacillates between dopey harem comedy and ultra-violent nonsense with whiplash-inducing frequency — but it did convince me that his artistry has improved dramatically since TenTen. I was genuinely impressed by his slick, sexy character designs, elegantly choreographed fight scenes, and bad-ass monsters, even if the plot didn’t make much sense. I can’t say I enjoyed Air Gear, exactly, but I finished the volume with a grudging respect for Oh!Great’s ability to draw cool stuff. – Katherine Dacey

Cage of Eden, Vol. 3 | By Yoshinobu Yamada | Kodansha Comics – Cage of Eden is the manga equivalent of a frenemy. Sometimes it’s fun: Yoshinobu Yamada shamelessly borrows plot points from Lord of the Flies, Lost, and I Know What You Did Last Summer, creating an entertaining pastiche of chase scenes, monster fights, and teenage tribunals. Sometimes it’s a drag, however: Yamada seems to enjoy humiliating his female characters, who are groped and ogled at every turn. Only a third-act plot twist prevented me from throwing in the towel with Eden; it’s the kind of game-changing revelation that has the potential to move the story in an intriguing new direction, and make me (temporarily) forgive Yamada for his lousy treatment of Rion and Kanako. – Katherine Dacey

Full Bloom, Vol. 1 | Story by Rio, Manga by Saori Mieno | Digital Manga Guild – In this 13+ offering from the Digital Manga Guild, we meet Masaki Shiina, a princely karate expert who is holding a torch for Nagi, the girl who disappeared three years ago right after Shiina confessed his feelings for her. When she and her twin brother—who also goes by “Nagi”—transfer to Shiina’s school, he is thrilled to see her again (despite her initially frosty reception) but also confused by the appeal of her equally lovely brother. As the volume progresses, we learn a few of the twins’ secrets—with the suggestion of more to come—and that Nagi may really like Shiina after all. This might sound confusing and/or dull, but Mieno’s languid execution of the story promotes a mysterious atmosphere. True, Shiina’s not the most fascinating character around, but overall, the romantic triangle is shaping up to be more interesting than such things generally are. I’m looking forward to volume two! – Michelle Smith

Monster Hunter Orage, Vol. 3 | By Hiro Mashima | Kodansha Comics – The third volume of Monster Hunter Orage succeeds largely on the strength of Hiro Mashima’s wonderful cartooning. Watching Ailee and Sakya’s faces register amusement, irritation, bewilderment, and awe is a fine spectator sport; one could almost dispense with the dialogue in this goofy, somewhat aimless series, given how marvelously plastic the character designs are. Mashima also knows how to inject humor and suspense into the series’ rigid formula of track-fight-kill, whether he’s pitting the gang against a ferocious tundra jaguar or a herd of ‘tudinous lizards. The result is like a decent sitcom: it doesn’t push any creative boundaries, but offers a familiar and pleasing menu of laughs, conflicts, and big, toothy predators. – Katherine Dacey

The Song of Rainfall | By Nawo Inoue | Digital Manga Guild – I gotta admit, it was the cover that drew me to this one. No matter what it was about, I had to read it. As it turns out, this is a collection of stories about three couples. In “The Man Wearing One Sock,” Itou’s lousy luck begins to change when adorable Aoi moves in next door. “In First Love’s Midst” is a relatively insubstantial piece about a boy named Shin and the childhood caretaker he has come to love. The title story, about a reserved professor and the stranger he invites in from the rain on account of a resemblance to his first love, is the longest, but though it’s enjoyable, it lacks a certain emotional punch. That said, I like the way Inoue draws her characters, and would definitely read something else by her in future. – Michelle Smith

Twin Spica, Vol. 11 | By Kou Yaginuma | Vertical – Much of the first half of this volume deals with the fallout from last volume’s cliffhanger, and it’s handled perfectly, being achingly sad without quite getting overly sentimental. And it’s telling that it has a flashback to the five protagonists reiterating their dream to go to space together. This series balances those dreams with pragmatism, and while we want them all to succeed, intellectually we know by the end of the series, only Asumi’s going to be there. So we continue the ‘culling’ as it were – though I was pleased to see Marika’s story did not go the dark and downbeat way I thought it would – and come ever closer to the day when we know Mr. Lion is going to leave for good. Well-written stuff, though the end of this volume, coming so soon after the last one, does ring a bit false in terms of cliffhanger-ness. I’m not quite buying it. But this only detracts a little from a great series in its penultimate volume.-Sean Gaffney

Cage of Eden, Vol. 1

August 25, 2011 by Katherine Dacey

Stop me if you’ve heard this one before: a trans-Pacific flight encounters turbulence, and before any of the passengers can shout “J.J. Abrams!” — or “William Golding!” for that matter — the plane crash-lands an uninhabited tropical island, far from civilization’s reach. In some variations of the story, the island itself poses the greatest danger to survivors, harboring monsters or malevolent spirits. In other versions, the survivors’ own fear and narcissism proves more deadly than any jungle-dwelling creatures, as the rude wilderness strips away the survivors’ veneer of humanity.

In Cage of Eden, Yoshinobu Yamada combines these two survival narratives to tell the story of a high school holiday gone horribly wrong. Cage’s teen heroes crash-land in a prehistoric forest populated by long-extinct animals: saber-toothed tigers, horse-sized birds. These big, hungry predators aren’t the only threat to the students’ safety, however. Yarai, the class delinquent, seizes the opportunity to act on his darkest impulses, terrorizing his peers and the doomed flight’s captain. Only Akira, a small, self-described loser, and Mariya, a bespectacled, anti-social genius, have the skills and the smarts to outwit both enemies.

Though the story unfurls at a good clip, the execution is a little creaky. The opening chapter is a choppy information dump, as Yamada introduces the principal characters, delineates their relationships, and reveals the purpose of their plane trip. Once on the island, Mariya’s computer proves shockingly durable — it boots up without protest, despite plunging 35,000 feet — and helpfully equipped with a searchable database of extinct animals. (“Even without internet, I can still access program files,” Mariya solemnly informs an incredulous Akira.) The characters speak fluent exposition, frequently explaining things to one another that are readily obvious from Yamada’s crisply executed drawings. Worse still, the intelligent dialogue is reserved for the male characters; the few female characters’ primary role is to be menaced, rescued, and ogled, though not necessarily in that order.

However obvious the script or ubiquitous the cheesecake — and yes, the fanservice is executed with all the subtlety of a tap-dancing hippopotamus — Cage of Eden has a cheerful, B-movie vibe that’s hard to resist. The monsters are rendered in loving detail, down to their sinews and feathers and claws; as they tear across the page, it’s not hard to imagine how terrified the characters must be, or how fast they need to run in order to escape. The setting, too, is a boon, offering Yamada numerous places to conceal a dangerous animal or booby trap. Even the characters are effective. Though drawn in broad strokes, Akira is a sympathetic lead; he’s prone to self-doubt after years of being a bench warmer, an academic failure, a mama’s boy, and a second banana to the most popular student in his class. That the island provides him a chance to prove his worth isn’t surprising — that’s de rigeur for the genre — but Akira’s mixture of humility and bravery is refreshing, helping distract the reader from the absurdity of his action-movie heroics.

I won’t make any grand claims for Cage of Eden: on many levels, it’s dumber than a peroxide blonde, with characters doing and saying things that defy common sense. Yet Yoshinobu Yamada demonstrates a genuine flair for writing popcorn-movie manga, populating the island with scary-looking monsters and staging thrilling action sequences that temporarily erase the memory of the clumsy dialogue and panty shots. Cage of Eden is the perfect beach read for the final days of August: it’s fun and fast-paced, placing few demands on the sun-addled reader.

CAGE OF EDEN, VOL. 1 • BY YOSHINOBU YAMADA • KODANSHA COMICS USA • 200 pp. • RATING: OLDER TEEN (16+)

Cage of Eden, Vol. 1

August 25, 2011 by Katherine Dacey 10 Comments