Michelle Smith

Pick of the Week: Aron’s Absurd Armada & more

November 12, 2012 by MJ, Sean Gaffney and Michelle Smith 2 Comments

MJ: While there’s a lot to get excited about at Midtown Comics this week (and on Sean’s alternate list as well), including the latest (awesome) volume of Bunny Drop and one of my particular favorites, Nabari no Ou, I’m going to use my Pick this week to shine the spotlight on a lesser-known property—MiSun Kim’s Korean webtoon Aron’s Absurd Armada. I read this series’ first chapter back when I used to subscribe to Yen Plus, and after checking out its first full volume for this week’s Off the Shelf, I kinda wish I’d kept that subscription. Though there are certainly more profound comics on this week’s shipping list, and many more thoughtful, better-plotted, and carefully-crafted, too, there could hardly be any more fun. This week, I’m in the mood for a little fun.

SEAN: While the pick is obvious to those who know, me, one thing I find interesting is how far Excel Saga has moved beyond what everyone associated it with back in 2003 when it first debuted in North America. It was never as loud and manic as the anime it inspired—there was always a certain sardonic cynicism to the manga and its vision of a Japan broken by the economic bubble collapse—but when the manga revealed itself to have an actual backstory, as well as genuine characterization and depth for many of the characters, fans who were thinking ‘puns and violence’ were still taken by surprise. Now with Vol. 24 we’re getting to the climax of the story. Will Excel get her body back, or care enough to try? Is Iwata doomed? Will Misaki finally have that nervous breakdown that’s sort of been threatening for a while now? And just how low can Dr. Kabapu sink? There is a real reason I pimp this manga so often, you know. :)

MICHELLE: Man, there is a lot of good stuff on that list, including the debut volumes of a few different series. I’ll be checking out Strobe Edge and Umineko: When They Cry for sure, but, seriously, how could I resist this premise?

If you had 7 days to do whatever you wanted before your spirit is sent to heaven, what would you do? How about becoming a cat for 7 days..? Start With a Happy Ending is a heartfelt story about cats and the preciousness of life.

It’ll be Start with a Happy Ending for me!

Readers, what looks good to you this week?

Off the Shelf: Armada, Roses, Crazy for You

November 10, 2012 by MJ and Michelle Smith 4 Comments

MICHELLE: Hey, MJ! What did Geronimo say when he jumped out of an airplane?

MJ: Hm, I don’t know, what did he say?

MICHELLE: “Me!!!!”

MJ: I guess I should have seen that coming.

MICHELLE: Yeah, probably. So! What’ve you been reading this week?

MJ: My solo read this week was the debut volume of MiSun Kim’s Aron’s Absurd Armada, a Korean webtoon published in English by Yen Press. This series has been running since August of 2010 in the online incarnation of Yen Plus, and I checked out the first chapter for this column back when it debuted. Since it’s been quite a while, I’ll take a moment to refresh the premise.

Aron is a young nobleman and heir to a prominent dukedom with dreams of becoming a pirate. Thanks in part to his mother’s delusions regarding his intelligence and cunning (she believes he aspires to piracy in order to keep a rival family’s military influence in check), he is allowed to do so, accompanied by his pretty-boy bodyguard, Robin, whose reluctant participation hinges entirely upon his unapologetic greed. Though Aron is a fairly ridiculous pirate, random luck and Robin’s skills as a swordsman actually manage to win them a small crew, and the two embark on their journey to conquer the seven seas. Members of Aron’s ragtag crew include Ronnie, a young woman rescued from a shipwreck who is consistently mistaken for a man; Mercedes, a swanky transvestite who claims to be a hairdresser but is actually a deadly assassin; hulky Vincent, the world’s worst chef; and underlings Anton and Gilbert, whose primary function seems to be complaining and making jokes about other people’s sexuality.

True to its name, Aron’s Absurd Armada is devoted to humor rather than plot, and in this it largely succeeds. Though translating foreign comedy tends to err on the “miss” side of “hit-or-miss,” Kim’s sense of humor easily bridges cultural barriers—most of the time, at least. Only two or three jokes rely too heavily on Korean pop culture references to translate effectively in this first volume, which is a fairly good track record when compared to much of the Japanese 4-koma that’s been licensed for English-language release. In fact, the biggest cultural disconnect is the unfortunate volume of gay jokes that crop up, a large number of which originate in the series’ deliberate BL overtones. As a general rule, however, the series is genuinely funny, light, and satisfyingly whimsical.

Having originated as a webcomic, Absurd Armada is in full color, and Yen has thankfully preserved this in its print volumes as well. While, as a manga fan, I often find that full color comics result in sensory overload, in this case, color pages just enhance the series’ cartoonish feel, which is really quite effective. On top of that, both Kim’s comedic sense and her clear, expressive art style remind me of nothing more than Hiromu Arakawa’s omake strips for Fullmetal Alchemist, which, coming from me, is definitely a compliment.

MICHELLE: Since I generally don’t like consuming stories on a chapter-by-chapter basis, I’ve been waiting to read any of Aron’s Absurd Armada until it was finally collected, so I was very excited to see that a tangible copy is finally available. I’m kind of dubious about comedies a lot of the time, but this one sounds like it could be right up my alley.

MJ: I think it could be! Actually, I’d theorize that the best way to consume this series would be as a daily webcomic, one strip at a time, but it’s enjoyable in collected form as well.

So, what have you been reading this week?

MICHELLE: I’ve spent the last week catching up on Rinko Ueda’s Stepping on Roses in order to talk about its eighth volume, which came out early last month.

I knew going in that Stepping on Roses wasn’t going to be a masterpiece, but ye gods, is it ever dumb! The basic premise is that pauper Sumi Kitamura agrees to marry rich Soichiro Ashida in order to provide for the orphans her ne’er-do-well brother, Eisuke, keeps bringing home. Soichiro needs to be married in order to inherit his grandfather’s fortune, but schemes to have his friend Nozomu fall in love with Sumi with hopes of causing a scandal that’ll allow Soichiro to triumph in business somehow. He succeeds wildly, causing Nozomu to essentially go insane with his love for Sumi and become the series’ main antagonist. Meanwhile, Soichiro and Sumi fall in love for real. In volume eight, they’re living together in the slums until Soichiro gets ill and Sumi decides to yield to Nozomu’s aggressive courtship as a means to provide for her husband’s treatment. Misunderstandings, manual labor, and jumping from cliffs ensue. (Really.)

Being dumb doesn’t preclude Stepping on Roses from occasionally being entertaining. In particular, I’m fond of Soichiro’s manservant, Komai, and the best moment in the series so far is the super-short flashback side story in which he introduces his young charge to commoner cuisine in the form of riceballs. The series is also an extremely fast and easy read, with large, uncluttered panels and uncomplicated dialogue. Unfortunately, “uncomplicated” is pretty much the theme of the day. Despite the dramatic goings-on, the story lacks oomph and I find it hard to care about the characters. Sumi is mostly a passive heroine, and whenever she musters some gumption to do something about her plight, it’s usually something dangerous that requires one of the men in her life to rescue her. Soichiro is the classic misunderstood rich boy who’s never known love, and all of the villains are so obvious that they might as well be twirling mustaches. Speaking of obvious, the plot twist that will presumably be unveiled in the ninth and final volume was telegraphed so strongly in volume seven that it’s now just a matter of waiting for the pieces to fall into place.

That said, I undoubtedly will read the last volume to see how it all wraps up.

MJ: You are a lot more patient with this series than I have been. I gave up on it many volumes ago, for most of the reasons you mention here. Somehow it managed to eclipse my tolerance for brainless shoujo. I hadn’t realized that was possible, really, until Stepping on Roses. Though I have enjoyed Sean’s repeated wish that it would turn into a shogi manga. Sumi’s unexpected skill at shogi is pretty much all the series has going for it, in my view. Heh.

MICHELLE: I would much prefer it as a shogi manga!

Anyways, I think it’s your turn this time to introduce our tandem read!

MJ: Indeed it is! Our mutual read this week was the first two volumes of Crazy for You, a recent addition to the JManga catalogue from Karuho Shiina, best known in North America as the creator of Kimi ni Todoke.

Okay. So, Sachi is a shoujo everygirl—physically and intellectually unremarkable—whose best friend, Akemi, sets her up on a group date with a bunch of her boyfriend’s classmates. Though the boyfriend, Yuuhei, has been charged by Akemi with not letting any questionable guys latch on to inexperienced Sachi, he somehow lets known womanizer Yuki chat her up for the entire evening. Sachi predictably falls for Yuki and, despite Akemi’s alarmed disapproval, continues to pursue him even though she knows that most of what he says are lies. Thanks to Sachi’s sweet, guileless nature, she actually manages to befriend Yuki for real (to the dismay of both Akemi and Yuki’s more straightforward friend, Akahoshi), but their friendship’s unbalanced nature only spells doom for Sachi’s romantic heart. Just when Sachi begins to believe that her feelings might be returned, it becomes clear that Yuki harbors feelings for Akemi (and vice-versa), shattering relationships on all sides.

Though the typical love-triangle (or double-triangle?) setup and Sachi’s downright eagerness to be jerked around by Yuki becomes quickly wearying in the series’ early chapters, Shiina’s talent for exploring teen emotion eventually shines through. Early on, I’ll admit that my assessment of the series was pretty much, “not as good as We Were There,” to which it bears a number of similarities in terms of romantic setup, but Shiina adds some appealing touches later on.

First, I’m quite taken with the friendship between Sachi and Akemi, which (for once) is portrayed as being at least as important as their romantic aspirations—something Shiina perfected later in Kimi ni Todoke. Also, while Akahoshi could easily be set up as the ill-fated, stalwart “nice guy,” there’s actually quite a bit of doubt about just how “nice” he actually is, which makes his attachment to Sachi more interesting than tragic. Emotional complication is the real key to good romance, and there’s just enough here to make Crazy for You an engaging read.

MICHELLE: Nicely put! I was thinking that this really is the opposite of Stepping on Roses in terms of complicated versus uncomplicated!

Although I’m usually the first one to get riled up at female leads who don’t assert themselves, somehow I felt fairly tolerant of Sachi’s eagerness. Not the way she agrees to be duped, but how, even after Yuki and Akemi’s illicit smoochies shatter the group of friends, she still considers meeting Yuki—and experiencing a whole new world of love and heartbreak—the luckiest thing that’s happened to her. It’s almost as if she appears weak, but is actually strong, determined not to deny the love she feels, no matter what else is happening with other people. She’s glad that detached Yuki is able to feel love after all, and simply being capable of such an emotion herself is sustaining. If that makes sense.

And man, yes, the similarities with We Were There are pretty striking. Not so much the plot, but Yuki and Yano are so much alike they’re practically interchangeable. And the discoveries our heroine makes about their romantic pasts are rather similar, as well. I wonder if that’s part of why VIZ hasn’t licensed it.

MJ: Oh, you may have a point! One thing I’m glad of is that at least Akahoshi is not as straightforwardly awesome as Takeuchi, which I’m hoping means that I won’t have to be heartbroken over his inevitable rejection by Sachi. Heh.

MICHELLE: Yeah, he’s a really interesting character! Just another example of Shiina’s flair for developing her supporting characters in unexpected ways. Who could tell from the first couple of chapters that he would wind up being so important to the story? It’s hard to tell whether he genuinely wants Sachi to “save” him in a way, bestow upon him the faith she had for Yuki, or if this is another deliberate attempt to seduce a girl on his part. Is she a challenge? Does he genuinely like her?

MJ: In any case, I’m dying to find out! Which I guess means that I’m hooked.

MICHELLE: Me, too! Thanks again, JManga (and Shueisha)! I seriously was not getting far with my German editions and Google Translate! I hope we get more volumes of this (and Pride) in the near future.

JManga the Week of 11/15

November 9, 2012 by Sean Gaffney, MJ and Michelle Smith 1 Comment

SEAN: Nothing that makes me go squee in next week’s 4 new titles, but some interesting stuff regardless.

Takatoh-sanchi no Komatta Jijyou is another Be x Boy title from Libre Shuppan, with a smug square-jawed seme feeding his startled uke some pancakes. It’s designed for audiences who like that sort of thing, I imagine.

MJ: I tend to roll my eyes at covers like this, but I’ve also learned over the years that I can’t really judge a BL manga by its cover. I haven’t read any of Natsuho Shino’s other books, though a few of them have been released by both DMP and SuBLime. I have to admit that her (apparently unfinished) series Oh My God! (SuBLime) has one of those omyouji plotlines that tend to be kinda bullet-proof for me, even when they’re awful. Maybe I’ll check that one out first before braving the pancake cover.

MICHELLE: I haven’t read any of her stuff, either, though I must point out that back in the day, Kate kind of liked Oh My God!

SEAN: A Transparent Orange in the Lip, from Ichijinsha’s Yuri Hime magazine, is exactly the same, only for yuri audiences rather than BL. Look, vulnerable high school girls in love! (Why am I getting Kentucky Fried Movie flashbacks?)

MJ: Erica Friedman reviewed this title a couple of years ago, and… well, it’s not all that encouraging. Sadly.

SEAN: Our final two titles are both from Earth Star Entertainment, a company that has clearly made a big deal with JManga recently, as we’re seeing a huge pile of their stuff. They have a couple of magazines, and tend to have titles that run across multiple platforms, with anime, CD dramas, etc. Tokyo Cycle Girl is yuri-ish (in the same way that Zero-Sum titles are BL-ish) about a girl who tries to impress her new aloof roommate by upgrading her bike.

MJ: So does it follow then, that if I like Zero-Sum titles, I’d also like this? :D I’m hoping so, because I kinda love the premise. I hope it works out for the girl!

MICHELLE: It definitely sounds more promising than A Transparent Orange! And huzzah for more yuri and yuri-ish releases!

SEAN: You may notice that Koetama has 5 creators listed. It’s a project that was “conceptualized” by four voice actresses, who created characters based on what they would likely be cast as. Naturally, it’s a manga about aspiring voice actors. For seiyuu buffs, the creators are Nakahara Mai, Ueda Kana, Hayami Saori and Yahagi Sayuri. Intriguing, even if it looks very calculated.

MJ: This idea, while interesting, is kind of artistically suspect, though I suppose I should give it a chance.

MICHELLE: Yeah, I dunno. The cover says “not for you” in its art style, even while the girl herself is pretty cute-looking. I think I’ll wait for others’ reviews before I forge ahead.

Manga the Week of 11/14

November 8, 2012 by Sean Gaffney, MJ and Michelle Smith 14 Comments

SEAN: I am debating how much longer I’m going to keep using Midtown’s list. I started using it because a) I get my manga mostly from a comic book store, and b) it usually has next week’s list out before anyone else. But its resemblance to what I get at my comic shop every week has been growing smaller and smaller. Next week’s has all the Viz stuff we got in today, but doesn’t have the titles Viz actually has scheduled for next week. And, as always, Midtown doesn’t like Seven Seas much at all.

So this list is my usual fusion of Diamond, asking my comic shop guys what’s out for me next week, and Amazon. With that in mind… there’s a HUGE PILE again this week.

First off, Dark Horse is releasing Vol. 3 of Blood Blockade Battlefront. The words “Nightow” and “Battle” still give me horrible flashbacks to Trigun’s action artwork, but I know this has a ton of fans who have no issues working out what stuff is flying where.

Digital Manga Publishing has a quartet of titles due out. I’m not sure if DMP is using the bunko books as sources for Bad Teacher’s Equation or not – if they are, Vol. 5 may be the final volume of this series.

MICHELLE: I *think* that they are, though I’m not sure about that.

SEAN: Secret Thorns is a one-off that features my favorite kind of BL manga: a cover I don’t hate!

The same cannot be said for Sleepless Nights (though it’s not horrible), but the Odd-Couple-esque premise at least sounds like it will promise wacky shenanigans before the good stuff.

MJ: I feel like I should have something to say here… but I don’t. None of these really sound like My Kind of BL.

MICHELLE: I too like the Secret Thorns cover, but it’s by Kikuko Kikuya, whose Entangled Circumstances *also* had a really cute cover but was ultimately kinda disappointing. I’m wary.

SEAN: And lastly, in the non-BL category, DMP have the first volume of a seinen manga from Houbunsha’s Manga Time Jumbo, one of the infinite Manga Time titles that litter the landscape in Japan. Start with a Happy Ending seems to be about a newly deceased woman becoming a cat for 7 days before she goes to heaven, and the heartwarming stories that follow. Sounds intriguing.

Kodansha has a debut shoujo title! Ema Toyama, author of I Am Here!, has a longer series that also ran in Nakayoshi about a cell-phone novelist ignorant of romance and her blackmailing friendship with the class heart-throb, which Kodansha has smartly retitled Missions of Love. I talked about this as a license request a long time ago, and was very pleased to see Kodansha pick it up. If you like Devil and Her Love Song, but want something a bit sweeter, this may be for you.

MJ: I never read I Am Here! (despite the fact that Michelle loaned me the first couple of volumes ages ago), but maybe this will win me over to Toyama? It certainly sounds intriguing!

MICHELLE: It does, but probably more so because I ended up liking I Am Here! more than expected.

SEAN: Seven Seas is absent from Midtown’s list, but my store says they have some titles coming in. The biggie for me is Volumes 3-4 of Young Miss Holmes by Kaoru Shintani. I read Vol. 1-2 expecting something a lot more lolicon, but was surprised to find an addictive set of mysteries that treated Holmes with respect and had the best Action Maids I’d seen in ages. This 2nd omnibus deals with, among other familiar stories, The Hound of The Baskervilles (like they were gonna not do a pastiche of that), and The Five Orange Pips (wait, what? Seriously?!) The release comes out slow as molasses, but I’m so glad the next one is here!

MICHELLE: I have the omnibus of 1-2. Must get ’round to reading it!

SEAN: There’s also Vol. 1 of the new debut, Haganai: I Don’t Have Many Friends, the latest in Seven Seas’ autumn of moe. This is still pretty ecchi, and runs in Monthly Comic Alive, but if asked to choose between the Big Brother title, the forthcoming Mayo Chiki, and this, I would take this in a heartbeat. It’s about a club of misfits supposedly devoted to learning social skills.

Angel Para Bellum hits Vol. 2, and I must admit Vol. 1 did not impress me, so I have little to add.

And Alice in the Country of Clover hits Vol. 3 of Cheshire Cat Waltz, which has walked a nice line between innocent and saucy, as well as between meaningful and aggravating. As the best game tie-ins always do.

MJ: I still haven’t read anything in this series! Shame on me.

MICHELLE: Don’t start with these Clover spinoffs. At least Cheshire Cat Waltz is a lot better than Bloody Twins!

SEAN: Vertical also has a debut, HeroMan, which comes from the pen of Stan Lee (with an assist from the anime studio BONES) that ran in Square Enix’s Shonen Gangan. It’s a title for younger readers (though still readable for adults), about a kid who wants to be, well, a hero.

MJ: Given my reaction to Ultimo, I am not optimistic about the chances of me liking something from the pen of Stan Lee, sorry to say.

MICHELLE: Yeah. Sorry, comics fans!

SEAN: And there’s the final volume of GTO: The Early Years, which rounds out this delinquent manga with a flourish (and has a few mild hints of GTO proper, mostly Onizuka realizing he has no clue what to do with his life). I wish it had sold better, but kudos to Vertical for finishing this classic.

Midtown lists for Viz all the titles we talked about last week, so go there to see those. As for this week… deep breath…

MJ: *facepalm*

SEAN: It’s Excel Saga 24!!! Five months earlier than I had expected! Not only that, 25 is due out in April! It’s an Excel Saga speed up, just like Naruto! We’re only 4 away from the end now, and things are well into the endgame, with Excel’s very existence now at stake. You cannot miss this title!

In non-Excel Saga Viz releases, the license rescued 07-Ghost has its debut, with Viz redoing Vols. 1-3 (originally put out here by Go! Comi) before finishing the series. It’s an Ichijinsha (is this shoujo or josei?) series, which runs in Comic Zero-Sum, and is a fantasy supernatural thing with BL overtones. As is Zero-Sum in general, really.

MJ: I tend to like manga from Comic Zero-Sum, so I’m kinda looking forward to this!

SEAN: After being delayed for four months, we finally see the final volume of Cross Game (and judging by sales, it may be the last Adachi we see over here for some time.) The ending to this manga is terrific, I want to say. Don’t miss it.

MJ: I’m behind on this series, but definitely hooked. I’ll be picking this up!

MICHELLE: I can’t wait to read the ending of this, though low sales bum me out. In the continuing theme of “stuff I have but need to somehow find time to read,” I’m reminded that I’ve got a couple series of his in French. One of these days…

SEAN: Inu Yasha’s BIG edition trundles along, hitting lucky No. 13 this time around.

And speaking of Takahashi, Rin-Ne also keeps trundling along, finally arriving at double digits. Its hero and heroine may bear no resemblance whatsoever to Ataru or Lum, but it’s still Takahashi through-and-through, and has just as much chance of resolving.

MICHELLE: RIN-NE is a nice comfort read. Interesting enough not to bore you, simple enough not to challenge you in any way.

SEAN: And for those who saw Evangelion 13 this week and thought about giving it a try, Vol. 1-3 are out in an omnibus. Get it for Shinji. You mustn’t run away.

Lastly, Midtown (hey, back to their list!) has a giant pile of Yen releases that are coming out later on Amazon, so it’s back to the comic shops. Bunny Drop 7 finally gets around to working out the unresolved issues between Rin and her birth mother, and sounds fantastic.

MJ: I was skeptical of the later volumes of Bunny Drop, but after reading volume six, I’m definitely looking forward to more!

MICHELLE: Now it’s my turn to be ashamed for not having read any of a series!

SEAN: Haruhi-chan, the 4-koma spin-off that I care about and no other blogger does has reached Vol. 6. It’s funny and adorable. And genuinely moe, as opposed to “loli boobies!” moe. :)

Nabari no Ou is headed towards its climax as we reach Vol. 12, and yet is still sadly known as “that other ninja manga.”

MJ: “Sadly” really is the word here. Nabari no Ou is so much more interesting than the much bigger ninja manga. I wish it was getting more attention in the manga blogosphere.

MICHELLE: I’m happy that Yen’s continuing to release it, though. Looks like we’ll safely reach the conclusion.

SEAN: Omamori Himari Vol. 9 is.

Coming out a mere 4 years after Vol. 2 (blame Japan, not Yen – the author found an actual hit in GA Art Design Class and took a looooooong hiatus), we have Vol. 3 of Shoulder-a-Coffin Kuro! It’s adorable and creepy and sweet and sort of sad all at the same time.

MJ: Kate recommended this quite a while back, which is a strong recommendation indeed. Between the two of you, I’m convinced!

SEAN: Soul Eater hits Vol. 11 right after its moe counterpart had Vol. 2 arrive. This is more serious and action-packed, and I suspect far more depressing as well.

Spice and Wolf is up to Vol. 7, and I presume still teaching us economic theory?

Lastly (thank GOD), There’s the debut of Umineko When They Cry, the sort of sequel to Higurashi from the same author. Darker in tone than its predecessor, it still has a lot of cute wacky comedy before everything goes to hell. It too runs in arcs, and this first omnibus collects the first two books of the first arc, which ran in Square Enix’s Gangan Powered.

MICHELLE: This time, I’m going to follow this one from the beginning!

SEAN: That’s… a lot of manga. Wow.

Pick of the Week: Nausicaä, Sailor Moon

November 5, 2012 by MJ, Michelle Smith and Sean Gaffney 3 Comments

MJ: Though Midtown’s list hasn’t been updated since we put together our new roundtable-style Manga the Week of, I’m still going to pick from Sean’s extended list because I can’t contain my excitement over Viz’s new, lovely-looking box set of Nausicaä of the Valley of the Wind. I missed my opportunity to buy this series previously, and though I love the film, I’ve always wanted to read the manga. This is a no-brainer for me this week. I simply must have it. Sorry, We Were There. In any other week, you’d triumph easily.

MICHELLE: MJ, you will love it. Looking back at my 2008 reviews of the series, I see the conclusion prompted me to write: “Overall, reading this series has been an interesting and enjoyable experience. It has required a lot of brain power to digest ideas, events, and their significance, but it’s been worth it. It’s not every day a manga can make you put it down and stare contemplatively at your wall for a few minutes, after all.”

Actually, I was planning to step in here and champion We Were There, but my own words have convinced me to hop aboard the Nausicaä train, too.

SEAN: It’s been a while since I’ve had it as a pick of the week, so I think it’s a good time to champion Sailor Moon again. The 8th volume wraps up the S arc with mucho apocalypse, and our senshi team is now complete. Takeuchi’s plot is dense – this is a series that rewards multiple rereads – and the art in this one is particularly gorgeous, with quite a few double page spreads. And then Super S starts, and I know the appearance of a unicorn in front of Chibi-Usa will make folks twitch, but stay with me on this one. Still one of the premier magical girl shoujo mangas.

Readers, what looks good to you this week?

Bookshelf Briefs 11/5/12

November 5, 2012 by Michelle Smith, Sean Gaffney, Katherine Dacey and MJ 2 Comments

This week, Michelle, Sean, Kate, & MJlook at recent releases from VIZ Media, Yen Press, and Vertical, Inc.

Bleach, Vols. 50-51 | By Tite Kubo | VIZ Media – The interminable Hueco Mundo arc finally came to an end in 48 with Ichigo losing his soul reaper powers and bidding farewell to Rukia and her world. That would’ve been a terrific place to end the series, but because Bleach continues to be profitable, Kubo must find new ways to keep the story going. He does so by hitting the reset button, as Ichigo (17 months after the big battle) is introduced to a new sort of power called a Fullbring that he is now working to master. I’m rather “meh” about this new arc so far—I don’t care about the group teaching Ichigo or their enemy—but there are more scenes with Orihime and the gang than we’ve seen for a long time as well as some intrigue involving Ichigo’s father and sister that could prove interesting. And hey, no Aizen! – Michelle Smith

A Bride’s Story, Vol. 3 | By Kaoru Mori | Yen Press – I think I enjoyed this volume of A Bride’s Story more than the previous two (despite taking several months to actually read it). I’d felt that the cast was distant and remote at times, especially the heroine. Not an issue here, as most of the volume follows the Englishman, Smith, as he tries to get to Turkey. On the way, he runs into locals that are far less accommodating than the village we know, and almost loses his life. He also falls for a young widow trying to provide for her family despite desperate circumstances. We are led to think that the two will solve each other’s problems—but Smith gets rescued by a deus ex machina, and circumstance conspires to ensure he’ll never see the girl he’s fallen for again. It’s quite bittersweet and sad, and thus more compelling. Oh, and Pariya is terrific. More with her, please. -Sean Gaffney

Durarara!!, Vol. 4 | By Ryohgo Narita, Suzuhito Yasuda & Akiyo Satorigi | Yen Press – The danger of reading the manga after experiencing the novel and anime starts to rear its ugly head here—I felt myself muttering “Celty’s arc was done much better there” throughout the volume. However, this does not mean there aren’t some good moments here. To everyone’s surprise, Seiji ends up “winning” the day, if only temporarily—and Mikado admits that he thinks that Seiki and Mika make an excellent couple, which is probably nastier than he had really intended. Speaking of nasty, Izaya also wins the day (hell, Shizuo doesn’t even appear), gaining a new slave… um, assistant, and reminding Mikado that you can’t just dabble in a world like Durarara!!, you have to sink your claws deep into it. Which can be extremely dangerous. As we’ll find out when the Saika arc starts next spring. -Sean Gaffney

Heroman, Vol. 1 | Created by Stan Lee, BONES, and Tamon Ohta | Vertical, Inc. – It’s not hard to see why Stan Lee is irresistibly drawn to shonen manga; Peter Parker, his best-loved creation, would fit right in with the earnest, super-powered strivers of Naruto and Bleach. Heroman, a joint collaboration between Lee, animation studio BONES, and manga-ka Tamon Ohta, tells the story of Joey Jones, a hard-working kid who lives with his grandmother on the wrong side of the tracks. After Joey salvages a broken robot from a trash bin, his life takes a turn for the better: that robot can transform into Heroman, a giant mechanical warrior capable of saving the world from alien invaders. While young readers may find this marriage of Silver Age superheroics and shonen manga fun, older teens will find Heroman stale and obvious, with plot twists so predicable you could almost set your watch by them, and sloppy, amateurish artwork. A rare miss for Vertical. -Katherine Dacey

Paradise Kiss, Vol. 1 | By Ai Yazawa | Vertical, Inc. – One of the things I like best about Ai Yazawa is her ability to tell convincing stories set in the world of fashion or rock-n-roll; however glamorous her characters and their situations may seem, Yazawa has a knack for writing emotionally resonant scenes that feel true to everyday life. Paradise Kiss is no exception. The heroine’s journey to self-realization may begin with an invitation to model a fashion collection, but the story never veers into soap-opera territory; Caroline seems like a real teenager throughout Paradise Kiss, even as she falls in love with the older, more sexually experienced George. Though the new Vertical edition looks like a million bucks, the translation isn’t as snappy as the Tokyopop version from the mid-2000s—not a deal-breaker by any means, but a little bit of disappointment, given the age and interests of the series’ characters. Still, if you missed Paradise Kiss the first time around, the new edition is worth the splurge. -Katherine Dacey

Puella Magi Madoka Magica, Vol. 2 | By Magica Quartet & Hanokage | Yen Press – At least one devastating truth is revealed in volume two, and emotions run high as new magical girl Sayaka falls quickly into darkness. Meanwhile, Homura continues to thwart Kyubey’s attempts to recruit Madoka for reasons yet unknown, though the volume’s final pages hint at a highly sinister reveal still to come. While there is no denying that this series is a genuinely fascinating (if ceaselessly dark) take on the genre, this manga adaptation continues to lag behind its source material both in character development and visual storytelling. The book’s battle sequences—filled with tension and surprising beauty in the original anime—tend to be short, messy, and difficult to follow. Worse, their hurried pacing keeps them from really moving the story along or contributing to the characters’ journeys in any significant way. As a result, much of the series’ emotional impact is lost. Not quite recommended. – MJ

Triage X, Vol. 1 | Shouji Sato | Yen Press – As a manga reviewer, I sometimes have a stubborn streak that compels me to try any new Vol. 1, despite the fact that the cover, description, and demographic scream “this is not for you.” And indeed, Triage X is not for me. This does not mean it doesn’t have an audience. The creator also does the art for High School of the Dead, which has done very well for Yen. And while this title lacks zombies, it certainly has a lot of action and cheeky fanservice. The plot is quite similar to Until Death Do Us Part, another title Yen is releasing. A group of vigilantes go after those that are above the law, while the law tries to figure out a way to survive both of them. But unfortunately, the fanservice is so blatant in Triage X that I can’t help but think that the only reason Kadokawa approved it is for the breasts. If you like breasts, go for it. Otherwise, there’s better vigilante manga.-Sean Gaffney

Off the Shelf: Loveless, Puzzles, Infernal Devices

November 3, 2012 by MJ and Michelle Smith 9 Comments

MJ: Good morning, Michelle! I’ve just returned from a long walk with the dog, and the brisk weather has made my hands stiff. It’s hard to type! I hope a hot cup of coffee will warm them up quickly.

MICHELLE: I’ve not been outside yet, but it’s looking more foggy than brisk. But so long as it doesn’t rain, I am content. Is it your turn to go first? What have you been reading this week?

MJ: Ah, ha! It is not my turn! And so I turn the microphone back to you. What have you been reading?

MICHELLE: Curses, foiled again! I suppose I have no choice but to talk about… Puzzles on an Isolated Island! This series debuted recently on JManga with relatively little fanfare, but once I noticed it was both shoujo and a mystery, I decided to check it out. Alas, it turned out to have the same problems other mysteries in manga form also struggle with.

First, the premise. Alice Arisugawa (male) is a second-year university student who belongs to his school’s mystery novel club, along with level-headed senior Jiro Egami and enthusiastic fellow second-year Maria Arima. When Maria shows the group a treasure map inherited from her puzzle-loving grandfather, with a wealth of diamonds as the prize, the trio ends up journing to Kashiki Island, where the Arima family has a villa, to attempt to solve the puzzle. Instead of being motivated by the diamonds, however, Maria mainly wants to finish the task that her cousin died attempting three years previously.

When they get to the “isolated” island, they find about a dozen different Arima family members and friends. In the grand tradition of mystery manga like Case Closed, each of these characters is introduced with a box stating their name and occupation. None of them has any depth whatsoever, though we do get a few clues about which pair used to be lovers, or which guy doesn’t get along with his father-in-law. Soon enough, a typhoon rolls in and a murderer uses the cover of a back door slamming in the wind to kill a pair of guests with a rifle. The deaths are utterly unaffecting, not just to readers but to the characters as well, who rather emotionlessly begin trying to solve the case. The one spark of warmth comes from Alice himself, who is beginning to realize that he may have feelings for Maria.

Puzzles on an Isolated Island is a short series, complete in three volumes, and for that reason I’ll probably read the other two volumes just to see how it ends. I’m always excited by mystery manga, but in the end I simply must conclude that prose really does have the advantage where mysteries are concerned.

MJ: That’s so interesting, because other than the evidence at hand, it doesn’t seem like it should be difficult to write a good mystery in graphic novel form, does it? Am I missing an obvious shortcoming of the medium?

MICHELLE: Maybe because of the way manga is consumed, creators are trying to move the story along more swiftly. And so, in order to do that, things like character get sacrificed in favor of clues and theorizing. Maybe one day we’ll get a deliciously long-form mystery manga—heck, maybe something like that exists already that I just don’t know about—which will prove me wrong (and happily so).

Anyway, now I can ask you what you’ve been reading this week!

MJ: You can indeed, and I’ll even tell you! One of my debut reads this week was the first volume of Yen Press’ The Infernal Devices: Clockwork Angel, adapted from Cassandra Clare’s novel, with art by Hyekyung Baek.

Set as a prequel to Clare’s series, The Mortal Instruments, The Infernal Devices takes place over 100 years earlier, in Victorian England. Its first novel, Clockwork Angel, tells the story of Tessa Gray, a young woman who leaves New York to join her brother Nate in London, after the death of their aunt, with whom Tessa has lived since she and Nate lost their parents. When she arrives, she is informed that her brother has sent two women to meet her in his place, followed by a couple of fairly rude awakenings—the cold weather and her imminent kidnapping. The women lock her up and subject her to a series of experiments intended to force Tessa into using a special talent she was not even aware she possessed—the ability to change her shape into that of another person, living or dead, by holding an object that belongs to them.

Fortunately, Tessa’s captivity ends relatively quickly, as she’s rescued by a brash seventeen-year-old named Will Herondale, part of a group of “Shadowhunters,” who fight demons in the mortal world. Will takes Tessa back to the Shadowhunters’ “Institute,” where Tessa learns more about her abilities and suffers further shock when she eventually discovers her brother’s true motivations.

As a fan of supernatural shoujo manga, a story like The Infernal Devices contains nearly everything I’m most accustomed to as a reader. It’s got a slew of attractive characters with various supernatural abilities, a lovely period setting, and two rival love interests—one dark and dangerous, one comfortable and kind. Both love interests have poignant histories, of course, and both are extremely pretty. The trappings are so perfect, in fact, they come very close to feeling contrived. Fortunately, Clare just manages to save her story with some genuinely interesting characterization. And though Tessa begins as a bit of a cipher, she gains some real agency as the story goes on, and even pulls out the trick that saves the day at the end of the first volume.

Less fortunately, the series’ Victorian setting inevitably invites comparison with Yen’s other recent supernatural novel adaptation, Gail Carriger’s Soulless, which is far stronger—or at least makes a stronger impression with its debut volume. Like The Infernal Devices, Soulless introduces a supernatural society within its historical setting, complete with a sexy love interest (just one in Carriger’s case) and the usual romantic elements, but Soulless‘ awesomely capable heroine, Alexia, blows poor Tessa away. Hopefully The Infernal Devices‘ next volume will help narrow that gap a bit.

MICHELLE: I confess that I couldn’t get beyond the summary on this one, mostly because I am so beyond weary of supernatural organizations with names like “the Shadowhunters.” I got to that point and went, “Ugh, no.” I’m glad to hear that it’s better than I’d expected, though!

MJ: I can definitely relate to your weariness, and it was rather grudgingly that I accepted my own enjoyment of this volume. I think you’d enjoy it, too!

So, once again we have a mutual read on the docket for this week. Michelle, would you like to do the introductory honors?

MICHELLE: I will give it a whirl!

So, this week we both checked out the new 2-in-1 omnibus reissue of Yun Kouga’s Loveless, formerly licensed by TOKYOPOP and recently rescued by VIZ. In addition to continuing the series from where it left off with their release of volume nine, VIZ is also going back and publishing the first eight volumes, as well. I had a few volumes of this hanging around from the TOKYOPOP days, but had never read them, so this was a great opportunity to finally check things out. Going into this, I knew three things about Loveless: 1. There is a boy with cat ears, and these ears will vanish along with his virginity. 2. This boy’s elder brother has died. 3. This boy gets into suggestive situations with an adult guy who was a friend of his brother. And, really, that about sums it up, though there are nuances to embellish upon.

Ritsuka Aoyagi is twelve and has just transferred into a new school. He’s blunt and standoffish and has more than his share of problems. His mother is crazy and abusive and has refused to believe for the past couple of years that Ritsuka is really her son. Seimei, Ritsuka’s older brother, used to act as a buffer, but now he is gone, murdered by an organization called Septimal Moon. It’s this loneliness that leads Ritsuka to come to depend so much on Soubi, his brother’s former partner in the battle against said organization. Soubi’s a college student, and he and Ritsuka get very close very quickly. Though Ritsuka is upset to learn that Seimei commanded Soubi to love Ritsuka, he can’t help wanting to see him. Aside from a couple of brief kisses, their relationship is chaste, and Soubi claims not to have sexual interest in someone Ritsuka’s age, but it is kind of disturbing all the same.

Balancing this out is Ritsuka’s growing friendship with Yuiko, a cheerful girl who was determined to befriend him no matter how many times he rebuffed her. She’s the bright spot in the manga, though I get the feeling some Tohru Honda-esque tragedy in her backstory is just around the corner.

MJ: Well done! I have a feeling I’m enjoying this series more than you are, but given some of the relationship stuff, this doesn’t really surprise me. And on that note, I’ll jump right into the sort-of-disturbing relationship between Ritsuka and Soubi. While I certainly had the initial reaction of, “Whoa… this is kind of creepy,” I ultimately found it… well, really not very creepy at all, which led me to analyzing why that might be—and I think I figured it out!

More than anything, the Soubi/Ritsuka dynamic reminds me of a slightly more explicit (and by “explicit” I really just mean that they’ve kissed) version of the relationship between Shugo Chara!‘s eleven-year-old heroine, Amu, and high school senior Ikuto, who is set up from the beginning as a viable love interest (and eventually really becomes one later on). The main reason that Amu and Ikuto’s relationship never felt creepy to me is that it feels like the kid‘s fantasy, not the adult’s. Young girls will always fantasize about older boys/men, and in both Shugo Chara! and Loveless, one of the ways in which it seems to be clearly the younger character’s fantasy, is that it’s the older character (and only the older character) who is sexualized. Both Amu and Ritsuka are drawn as regular kids—there are no (in Amu’s case) panty shots or skimpy outfits or strategically “sexy” camera angles. They look like kids and they act like kids, and there’s nothing sexualized about it. The older characters, on the other hand, are the ones who receive the shoujo fanservice treatment. They are pretty and lithe and attractively fashionable. They glide around in a catlike manner, looking pretty as girls in the manner of nearly every teen idol in history. We’re asked to find them sexy and intriguing, but they ultimately feel safe in some way. It’s a young girl’s fantasy, through and through. The only real difference here is the addition of a BL element, which just kinda reveals Kouga’s personal proclivities more than anything else.

And speaking of Kouga’s proclivities… wow there is a lot going on here. There’s so much going on, in fact, that it comes close to being a train wreck, but if there’s one thing I’ve learned over the past few years, it’s that there is no train wreck I love more than a Yun Kouga train wreck. And this, I think, really comes down to characterization. Like a couple of my other Kouga favorites, Crown of Love and (the very different) Gestalt, the strength of the story is that everyone is really interesting. Even when she’s adhering to standard tropes (in this case, BL and shoujo tropes), Kouga doesn’t write standard characters. Everyone in Loveless is kind of a weirdo, in the same way as most actual people are weirdos. They have layers of sometimes-contradictory issues, little idiosyncrasies, both attractive and unattractive flaws—and these are all a real part of the story.

I’ll just pick a couple of my favorite characters here, beginning with Yuiko, whom you also like. I rather adore Yuiko, who at first appears to be a sort of standard “dumb girl” character, set up to help us root for the BL relationship, but really, she’s seriously awesome. She has her own quirks and her own complicated personal life, but she’s a true friend to Ritsuka and obviously someone who can be counted on. I fell for her immediately. Also, I’m very fond of Ritsuka himself, whose plight is really pretty awful. Not only has he taken over his brother’s role as a “sacrifice” in this supernatural battle of words he’s suddenly a part of, but his “true” name, “Loveless,” stands in painful contrast to his brother’s, “Beloved.” And this is the life he’s lived for the past few years, too. Having completely lost the memory of whomever “Ritsuka” was before, he lives with his mother’s grief over that loss every day, to the point that he’s started to believe that he somehow deserves her abuse, while also feeling a combination of terror and relief over the prospect that he, the current version of Ritsuka, might just disappear at any moment. His obsession with taking photos of everyone in his life and “making memories” with them is so desperate and poignant, I could die.

Obviously I’m liking this series a lot, heh. Which is odd, perhaps, but not unexpected, given its source.

MICHELLE: Though I was a bit snarky in my introduction, the truth is that I actually really am enjoying this, too. You’re absolutely right about all of the characters being interesting, and I too find the way Ritsuka perks up at the prospect of making memories (even with people he doesn’t really like) to be completely endearing. I like, too, that instead of being angry at his mom for her treatment of him, as my logical adult mind would dictate, he’s still extremely concerned for her and worries about what will happen to her if even this version of Ritsuka should disappear. He endures her abuse—sidebar: grr, I hate his useless father, who refuses to intervene—and yet comes away from that with the absolute conviction that he is never going to raise his hand against anyone.

Y’know, it occurs to me this is somewhat the opposite of Puzzles on an Isolated Island. Where that series is low on character, high on clues, Loveless is strong on character, and not forthcoming at all with clues. After two volumes, we still know practically nothing about Septimal Moon, or what the “plot” really is, but who cares? It’s still absorbing because of the characters. It’s not unlike Pandora Hearts in that way.

MJ: Yes! The father! Ugh. I’m so with you on that. And you make an excellent comparison there between Loveless and Puzzles on an Isolated Island, and also Pandora Hearts. I guess it’s obvious by now that out of those scenarios, I can get by on a skimpy (or confusing) plot more easily than I can on skimpy characterization, which makes me easy prey for a writer like Yun Kouga. I admit I kinda can’t wait for more.

MICHELLE: Even though I might be a little more restless for info—and a little more creeped out by… you know, I’m not sure it’s even Ritsuka and Soubi’s relationship so much as certain panels depicting them—I am generally quite content with the blend of elements in Loveless. Pleasantly surprised, really. I guess this is a case of us not knowing what we were missing ’til it wasn’t missing anymore!

MJ: Well said, Michelle!

JManga the Week of 11/8

November 3, 2012 by Sean Gaffney, MJ and Michelle Smith Leave a Comment

SEAN: We’re back with another edition of JManga the Week of! And there are some great new digital titles hitting the site next week.

TAVERNA, Dark Cooking Club of St.George’s Girls’ School is such an awkward mouthful that it can only be a 4-koma series from our friends at Takeshobo. And indeed it is, running in the magazine Manga Life Win. Vol. 2 is out next week. It seems to be a cooking manga, only moe! … Do those two audiences even cross?

MJ: 4-koma tends to lean towards the “miss” side of hit-or-miss with me, but I’m usually willing to give it a try. Usually. We’ll see. The “cooking” bit does give it an edge—which is odd, actually, since I hate cooking.

MICHELLE: Yeah, I’m pretty wary, but the cooking part is at least kind of different.

SEAN: A Kiss on Tearful Cheeks is the 2nd title from Futabasha’s Comic Mahou no Island in 2 weeks, but this one seems to be slightly less off-putting than My Sadistic Boyfriend. Despite apparently starring a girl who can’t stop crying. Vol. 4 is out next week.

MJ: Oooooh, I just don’t know if I can take all the crying. I just don’t know.

MICHELLE: Ugh. I am totally making gross assumptions here, but I predict that the boyfriend makes her cry (or that she invents reasons for herself to cry) and then ends up repeatedly comforting her. It just sounds so dreary and, like, spirit-sapping. No thanks.

SEAN: The big debut title for me next week is Sekine’s Love, a josei-ish title that runs in Ohta Shuppan’s sui generis manga magazine Manga Erotics F. It’s a title about a stoic and unemotional man who starts trying to find someone who can make him feel. The audience, meanwhile, is attracted to him because his indifference is hilarious. I’ve heard great things about this, can’t wait to give it a read. (And no, it’s not – to my knowledge – BL.)

MJ: What readers don’t know, is that Sean sent out a pre-column email of squee over this title earlier today. And reading this, I’m inclined to agree with him. I’ll definitely be checking this out!

MICHELLE: I had never heard of this one prior to this afternoon, but it does sound intriguing. I guess JManga is trying to cover their bases—moe fans, check! Black Bird-type relationship fans, check! People who are weary of those other things and want something unique, check!

SEAN: Also, when finding the cover art for this post, I noted the cover says “A gentleman good at knitting is not good at knitting the love!” Is this the anti-Ninja Papa?

I know very little indeed about pupa, except that its title is in lower case and it’s from Earth Star Entertainment, whom JManga have done several series with recently. Judging from the cover, I’m guessing fantasy?

MJ: Looks kind of interesting, actually. Is that a teddy bear in there?

MICHELLE: I am just distracted by the title on this one.

SEAN: And Tokyo Girls Destruction is by Court Bettan, author of the cancelled Tokyopop series Harukaze Bitter Bop. It’s from Mag Garden, running in their seinen magazine Beat\’s (no, not a typo, that’s how it looks). It would appear to be another in a long line of Battle Royale clones, featuring cute girls all beating the crap out of each other.

MJ: Zzzzzzzzzzzz…

MICHELLE: For, like, half a second I though this was some kind of 51 Ways to Save Her series. Alas, ’twas not to be.

Manga the Week of 11/7

November 1, 2012 by Sean Gaffney, MJ, Katherine Dacey and Michelle Smith 5 Comments

SEAN: Hello, and welcome to Manga The Week Of: Expanded Version! We liked chattering about JManga so much that we decided to let it carry over into my regular feature. So pull up a chair, sit back, it’s the first week of the month, so Midtown’s list is… tiny.

Oh dear, they’re doing it again. (Note: as of 5pm Wednesday. If they update their list again later, this is all irrelevant). Sometimes Viz shows up late to Midtown. No idea if it’s due to Hurricane Sandy, Diamond, or mere happenstance. As it happens, I checked with my own comic store, and they seem to be getting in Viz’s 11/6 releases on 11/6. So I will proceed to break them down here as well, assuming most comic shops not affected by possible Sandy distribution delays will get them.

But first, our fine folks at Kodansha have some stuff coming out! Actually, it came out everywhere else today. But when you’re Diamond Comics Distributors, you can … well, do whatever you want. So they ship Kodansha a week late.

In any case, Air Gear 26 is out, continuing the great Air Gear tradition.

Mardock Scramble continues our 6 theme by having Vol. 6 out.

MJ: I am several volumes behind on Mardock Scramble, but I really liked it early on. Should I try to catch up? Anyone have an opinion?

MICHELLE: I find the concept interesting, but never started it and thusly haven’t bought beyond the first couple of volumes. Also, “the great Air Gear tradition” made me snicker.

SEAN: And, carrying the 6 theme to a third release (hey, 666. Happy Halloween!), Negima! is up to Volume 36, meaning it’s close to completion. I see Asuna is on the cover. Is she back in action?

MJ: I do sort of consider Ken Akamatsu to be the devil, so that works. (Please don’t hit me.)

MICHELLE: I really have tried to approach his stuff with an open mind, but I just can’t like it.

SEAN: Finally, ruining the 6 theme by being a Vol. 8, Sailor Moon ends its S arc and starts Super S. Let me tell you folks who only know this arc from the anime: you are in for a treat.

MJ: I can’t wait!

MICHELLE: The outers are in it, the outers are in it! On the sad side, however, Fish-Eye and Tiger’s-Eye appear so briefly in the manga version as compared to the anime that it’s kind of a blink-and-you-miss-them situation.

SEAN: Yen Press was supposed to have Vol. 2 of Soul Eater NOT! out two weeks ago, but for some reason it got delayed to this week for comic shops. This fusion of the Soul Eater Universe with the moe aesthetic is taking a while for me to warm up to, but I’ve heard it’s not all light and fluff. Will there be creepy art to give nightmares in the best Soul Eater tradition? Let’s hope so!

Now, on to Viz, which may or may not get to all stores, and may or may not have all these titles, but oh well.

First, Bakuman enters its final quarter with Vol. 16, and continues to have a love/hate/mostly hate relationship with its female characters, but is a lot of fun nevertheless.

MJ: I have to admit I’ve been addicted to Bakuman since the beginning, even when it’s really pissed me off. So I’ll be picking this up for sure.

KATE: I freely place myself in the Feminists Who Loathe Bakuman Camp. The authors’ treatment of the female characters — especially the smart, competent ones — is a deal-breaker for me, even though the manga shop talk is fun.

MICHELLE: Like MJ, I get annoyed, but then I keep reading. Some of the kooky supporting cast is a lot of fun, which helps.

SEAN: Bleach has Vol. 50 and 51, which I’m pretty sure don’t star Aizen. What is this strange Aizen-less manga I see before me?

MICHELLE: I am soooo looking forward to the end of this Hueco Mundo arc. I don’t know any Bleach spoilers, so I have no clue what’s coming next, or whether it is better, but ye gods, this has been dragging on.

SEAN: A new Blue Exorcist! At least for those of you who didn’t read it digitally ages ago. One of the best current Jump titles, and always a treat.

Claymore hits Vol. 21, and the cover simply glares at you balefully, daring you to pass it by. Do you really want to take that risk?

MJ: I can’t pass it by!

SEAN: We’re not quite caught up to Japan with Kamisama Kiss, so the volumes are still coming out fast and furious. Here’s #11, which features a New Year’s theme just in time for November! Well, surely it’s New Year’s somewhere…

Kimi ni Todoke hits Vol. 15 here (it is caught up, so we’re seeing it less now), and Chizuru and Ryu are standing pensively back-to-back, not looking each other in the eye. We all know what that means. SMOOCHIES! …well, OK, probably not. But I hope they get a nice juicy plot arc.

MJ: This series just never stops being charming, does it?

MICHELLE: No, it doesn’t.

SEAN: Naruto is up to Vol. 59! Holy crap! I admit I haven’t read it since Vol. 6, so the cover makes about negative zero sense to me, but hey, it sells amazingly well, so therefore is doing many things right.

In case you missed the Nausicaa Manga when Viz released it a few years ago, they’re now putting it out again in a handsome box set. It’s a gorgeous manga, as well as environmentally conscious. Pick it up today.

MJ: I am thrilled about this, I have to say. I did miss this when Viz originally released it, so I’m incredibly pleased to have another shot at it.

KATE: I’ve also been looking forward to the new edition of Nausicaa. The old edition — though nice to look at — was printed on crummy paper that didn’t age well, and I’ve been eager to replace mine with a cleaner, newer version.

SEAN: Wasn’t it released on environmentally correct paper? That may be why…

MICHELLE: Somehow I missed this news! I have an awesome local library with a genuinely huge manga selection, so I was lucky enough to read Nausicaa (the four-volume Perfect Collection edition) that way, but I might need a handsome box set of my very own!

SEAN: Neon Genesis Evangelion is (digitally) day/date with Japan! And out only a week later in print! This is truly amazing, and big kudos to Viz for pulling it off. Best of all, this is the version with the happy ending! … OK, I lie, it’s not. It’s still depressing. But hey, maybe Shinji is more proactive? The manga’s been good at that.

KATE: The NGE omnibus has been sitting in my review queue for a few weeks. I’ve never read or watched any NGE stories, so I’m hoping that VIZ’s new three-in-one edition will make it easy for me to familiarize myself with this enormous, seemingly inexhaustible supply of material.

SEAN: Did I say holy crap when Naruto hit Vol. 59? Well, One Piece is up to Vol. 65! And… well, is still in the Fishman Island arc, but can’t have everything. I believe this is a ‘battle-only volume, the kind Jump readers love! If only as it reads smoother in Volume than it does week-to-week.

MICHELLE: Yay, One Piece!

SEAN: Another manga I tend to push as much as possible, Oresama Teacher has hit its 11th volume. The subject is Christmas! … OK, what with that and New Year’s, Viz is playing mall music at us far too early. But I’m not complaining!

MICHELLE: I like Oresama Teacher, but I do sort of inwardly groan when shoujo manga feel obliged to hit all the holidays. Hopefully this’ll be one of those times where the series is genuinely funny.

SEAN: The giant huge box set thing that is Ouran High School Host Club Vol. 1-18! It’s a fun series, if you haven’t checked it out, and need a Christmas Present for your wish list, this is a great choice.

Rosario + Vampire Season II hits Vol. 10, and possible Chapter 5 and Verse 2. In any case, vampires!

KATE: I’ve long thought of Rosario + Vampire as Twilight for guys: it’s got impossibly beautiful female monsters who inexplicably love an unremarkable human. While none of the vamps in Rosario sparkle, they do show a lot of cleavage and leg — the next best thing, I guess, if you’re a fourteen-year-old boy. It’s not my cup of tea, but I can definitely understand its appeal.

SEAN: You don’t need vampires to have girls falling all over themselves for a nebbish guy. See: any harem manga ever.

SEAN: NEW SERIES ALERT! Strobe Edge, from Io Sakisaka, is a school romance about a girl who wants to find out what love is and the school heart-throb… um, haven’t I heard this premise before? Oh right, Japanese shoujo manga. Despite that, this is apparently a lot of fun. I heard that people are… NICE in it. Gasp! It ran for 10 volumes in Shueisha’s Betsuma.

MJ: I’ll admit that Kate’s review gave me some pause about picking this up, but it’s really hard for me to pass up new shoujo.

KATE: I freely admit that I’m turning into a big curmudgeon when it comes to shojo manga; I’ve read one too many stories about nice, unassuming (read: boring) girls who develop crushes on hot guys. Strobe Edge isn’t bad, just predictable as taxes. Give me Maria Kawai and her razor-sharp barbs any day.

MICHELLE: It doesn’t look like it’s going to be a manga that makes me explode into hearts, but I’m definitely planning to give it a chance.

SEAN: Speaking of series I hadn’t realized hit double volumes, there’s Tegami Bachi! Presumably the mail must still get through for these letter bees.

Vampire Knight, which I still can’t quite quit, hits Vol. 15. If only it weren’t so damned addictive. Also, vampires!

Lastly, there is We Were There, which has no vampires whatsoever. It’s almost over, but there’s still this volume and 16 to go. So there’s LOTS more ways the author can make her character’s lives miserable! (Admit it, that’s why we love it. This is *the* angst shoujo.)

MJ: I love this “angst” shoujo. I really, really do. It’s a longtime favorite, and I never miss a new volume.

MICHELLE: I love it, too. Volume 15 is on the top of my review pile!

Three Bags Full by Leonie Swann

October 31, 2012 by Michelle Smith

From the back cover:
On a hillside near the cozy Irish village of Glennkill, the members of the flock gather around their shepherd, George, whose body lies pinned to the ground with a spade. George has cared for the sheep, reading them a plethora of books every night. The daily exposure to literature has made them far savvier about the workings of the human mind than your average sheep. Led by Miss Maple, the smartest sheep in Glennkill (and possibly the world), they set out to find George’s killer.

The A-team of investigators includes Othello, the “bad boy” black ram; Mopple the Whale, a Merino who eats a lot and remembers everything; and Zora, a pensive black-faced ewe with a weakness for abysses. Joined by other members of the talented flock, they engage in nightlong discussions about the crime and embark on reconnaissance missions into the village, where they encounter some likely suspects. Along the way, the sheep confront their own struggles with guilt, misdeeds, and unrequited love.

Review:
I’m not sure where I first heard about Three Bags Full, but the promise of a mystery with a team of sheepy sleuths on the case guaranteed that I had to read it. Originally published in German as Glennkill, this English edition has been translated by Anthea Bell.

Despite its bucolic setting, things are not very peaceful in the Irish village of Glennkill. One morning, George the shepherd is found dead in his pasture and his sheep, particularly several whose intelligence has been greatly increased due to George’s habit of reading aloud to them, set out to find justice. What ensues are various scenes of the sheep surreptitiously observing humans—“It was the first time Othello had been to a funeral, but the ram behaved beautifully.”—and filtering the information they glean through a sheepy lens. Usually, they get things a bit wrong, but the logic of their reasoning is quite endearing. They still manage to behave like sheep and often, certain of the flock complain about all the thinking and learning and must be cajoled from backsliding into blissful ignorance. Metaphor, much?

This was Swann’s first novel—a sequel, Garou came out in 2010 but no English translation is yet available—so perhaps it’s not surprising that, while the sheep are charming, the mystery itself is not as well-developed. George had apparently discovered a dirty secret of some of the villagers years before, but nothing much actually comes of this. Then, we also learn George was a drug dealer—with a rather clever method of transporting his goods—but nothing much actually comes of this, either. That said, the way in which the sheep encourage the truth to come out—though they’re convinced that what needs to “come out” is some kind of tangible thing lurking in the shepherd’s caravan—is pretty cute to envision, so I can’t complain too much.

Lastly, a couple of compliments! I applaud the English translation by Anthea Bell, which is so well done—and retains so much wit—that one would never guess it wasn’t the original text. Also, I happened to “read” Three Bags Full in unabridged audio format and the narrator, Josephine Bailey, was simply superb. Each sheep had their own easily recognizable voice, and the lambs were nothing short of adorable.

Here’s hoping Garou eventually makes its way to our shores!

Point of Hopes by Melissa Scott and Lisa A. Barnett

October 30, 2012 by Michelle Smith

From the back cover:
It is the time of the annual Midsummer Fair in the royal city of Astreiant, and the time of the conjunction of the spheres approaches, heralding the death of the monarch. Each year a few youngsters run away from home to go on the road with traders, but this year a far larger number of children than usual have gone missing during the Fair. Someone is stealing them away without a trace, and the populace is angry.

Nicolas Rathe, a city guard, must find the children and stop whatever dark plan is being hatched before the city explodes into chaos.

Review:
It took me nearly three years to finish reading Point of Hopes, and two months to write this review after I finally completed it. Those facts should give you a good indication of just how riveting this mystery isn’t.

Nicolas Rathe is a “pointsman” (basically a policeman) in the city of Astreiant. When dozens of children suddenly go missing, Rathe is on the case. He enlists a few friends to help—Philip Eslingen, a foreign mercenary to whom Rathe seems to be attracted, and a necromancer buddy from the local university who was, for some reason, played in my head by Paul Bettany. Primarily, Rathe’s investigation consists of visiting various parts of the city and talking to people to no avail, until finally a bit of evidence turns up on page 279. The three guys collectively put the pieces together, and I really liked the bits where they were working in concert. Too bad they were only together in the final 70 pages!

Thankfully, the setting of Point of Hopes is more intriguing than its central mystery. For one, gender equality is absolutely the norm. Just as many women as men participate in professions seen as traditionally male in our society, and many women are in positions of power. In the fantasy setting of Astreiant, your occupation is determined by the alignment of the stars at your birth, which reads to me as a metaphor for objectively selecting people for a job based solely on their abilities. Equality of sexual preference is also a facet of life in Astreiant—it’s not that same-sex relationships are merely tolerated: they’re commonplace. No one would think of considering them invalid or sinful.

Aside from not being very exciting, the most irritating aspect of Point of Hopes for me was the dire need for better editing. There were many, many, many instances where a comma was used in a spot that needed a semicolon and many pages that suffered from wall o’ text syndrome. I can’t help but feel like it would’ve read faster if it weren’t so dense-looking. Lastly, I wonder at some of the names. I tend to think characters’ names “aloud” in my head, and while this is obviously not a problem for the lead characters, I was stymied by names like “Cijntien.” Plus, it’s weird to have fantasy names like that alongside such normal ones.

Anyway, there is a sequel to this entitled Point of Dreams. I own it, so will likely read it someday, but at the rate I’ve gone with this story thus far, I wouldn’t expect a review until at least 2015!

Additional reviews of Point of Hopes can be found at Triple Take.

Pick of the Week: Halloween!

October 29, 2012 by Sean Gaffney, Katherine Dacey, MJ and Michelle Smith 4 Comments

With Halloween quickly approaching (and a decided lack of new manga to choose from this week), it’s time once again for the Battle Robot to make their picks for the occasion!

SEAN: Generally speaking, I’m not a big horror fan, unless it has a healthy dose of comedy. With that in mind, I’m going with my perennial favorite Higurashi: When They Cry. In between its harem antics, its mystery plotting, and its tragic futility, there’s no end to terrifying images, ranging from Rena’s scratching at imaginary maggots to Keiichi eating a needle hidden in his riceball to… well, the entire epilogue of the Cotton-Drifting Arc. Some truly nightmare-inducing imagery, especially given the cute moe-type heroines.

KATE: My favorite Halloween title? That’s a tough call, but if I had to choose just one—and death was not an option!—my pick would be Rumiko Takahashi’s Mermaid Saga. This four-volume series follows the adventures of Yuta, a fisherman who accidentally ingests mermaid flesh, gaining immortality in the process. Though Yuta is keen to regain his humanity, he crosses paths with people who seek mermaid flesh as a remedy for illness, old age, or the death of a loved one. Say what you will about InuYasha or Rin-ne, when Takahashi is working in short-story form, she’s an undisputed master of horror; her spooky morality plays are a skillful mixture of suspense, humor, and horror, with a generous dose of pathos. Hands-down my favorite Takahashi series.

MJ: This particular pick is really difficult for me—not because I’m a big fan of horror comics in particular (I’m not) but because for whatever reason, the spooky comics I do like, I tend to really love. Tempting choices include Setona Mizushiro’s emotionally complex epic After School Nightmare and of course my very favorite CLAMP manga, Tokyo Babylon (due for re-release any day now from Dark Horse Comics!). But I’ll take the opportunity this year to throw my vote to JiUn Yun’s ghost story manhwa, Time and Again. Not only is this series genuinely scary on a regular basis, but it also packs an emotional punch in the very best way possible. In my discussion of its final volume, I said, “Time and Again kicks you in the gut with elegant brutality,” and indeed that is what it does. What more can I ask of a comic, really?

MICHELLE: Having just finished Chika Shiomi’s Canon, a four-volume vampire saga from CMX, I’ll cast my vote in its direction. It has some lovely ’90s art, a strong heroine, some plot surprises, and a snarky talking vampire crow. Though it falters a bit towards the end, it’s still a very good read!

What’s your favorite scary manga?

BL Bookrack: October 2012

October 28, 2012 by MJ and Michelle Smith 3 Comments

Welcome to the October installment of BL Bookrack! This month, Michelle takes a look at the debut volume of Bond of Dreams, Bond of Love from SuBLime, while MJchecks out My Dear Prince at JManga. In Brief: Hitorijime Boyfriend (JManga) and est em’s ULTRAS (DMG).

Bond of Dreams, Bond of Love, Vols. 1-2 | By Yaya Sakuragi | Published by SuBLime | Rated Mature – I’ve confessed before that I tend to judge BL by its cover, and I must admit that had I not previously read and enjoyed something by Yaya Sakuragi, I would’ve passed on Bond of Dreams, Bond of Love. Unfortunately, however, this isn’t one of those times where the cover belies the contents. What you see is, in fact, exactly what you get. This manga is all about a shrimpy teenager repeatedly pushing his feelings on his older, tsundere neighbor.

The story begins when seventeen-year-old Ao Sawanoi has a wet dream about Ryomei Kosaka, his neighbor, older-brother figure, and priest of the nearby Shinto shrine. Ao proceeds to openly discuss this occurrence with several people, including Ryomei himself, and then becomes obsessed with making the dream a reality. He pesters Ryomei quite a lot, and eventually snags a kiss, which convinces him that he is in love. Ryomei puts up some token resistance, but when Ao takes his rejection too much to heart and ceases his daily visits to the shrine, Ryomei ends up seeking him out and encouraging his feelings. (There are two volumes yet to go of this series, so as of the end of volume two, the guys are not yet a couple.)

Bond of Dreams, Bond of Love is another of those BL titles that isn’t outright bad, but it’s pretty generic. (I think I am going to start keeping a tally of how often I see that gross, obligatory panel in which a “sexy” string of spittle connects the tongues of the two leads in a BL manga.) I don’t like Ao—he’s vacuous and immature—and I don’t understand why Ryomei would be interested in him. I also don’t get why Ryomei’s friend is encouraging the relationship, but then again, this is the same guy who lets his second-grade daughter man a convenience store alone and has her cook meals for guests when it’s her bedtime.

Most likely I am taking this too seriously, but with so much BL manga now available, there are much better things to read.

– Review by Michelle Smith

My Dear Prince | By Fumi Tomoe | Published by JManga/Libre Publishing | Rated Mature – Shinta and Tsukasa (whose name can also be pronounced “Prince”) have been dating for a while—in secret, according to the adamant Shinta. The reality is that their whole class knows about them and would do practically anything to keep them together, if only to help out their beloved Prince. Tsukasa (who initiated the relationship) worries constantly that Shinta doesn’t really want to be with him, and Shinta worries constantly that Tsukasa will find out that he’s a “pervert,” but no matter their troubles, there’s a sense from the start that everything will always be okay.

If this sounds like a story with too little conflict to be engaging, that’s definitely a concern. Yet somehow, despite its overly rosy view of teenaged romance, there’s a freshness and adorableness about My Dear Prince that saves it from becoming a total snore. Tsukasa’s spells of paranoia feel mostly warranted, and thus avoid falling completely into either melodrama or camp. In fact, they’re actually quite endearing, which keeps the overall tone light. Meanwhile, Shinta’s worries feel authentic to the trials of adolescent sexuality without ever becoming creepy or pushing him into overbearing seme territory. Mostly, though, what really carries this fluffy little story along is the genuine charm of it all. No matter how unrealistic the boys’ story seems, it’s undeniably pleasant to read.

Like so many BL one-shots, My Dear Prince is only a few chapters long, leaving the rest of the volume to be filled in with several short manga—often of lesser quality. Tomoe’s shorts are a little better than most, mainly due to the same charm she brings to the title story. Even the creepiest of the bunch, “Happy Bride Project,” about a delinquent high school student who strives to become the perfect “bride” after his teacher requests his hand in marriage, is almost saved (I repeat, “almost.”) from its potentially skeevy premise and hideous devotion to traditional gender roles by the power of a cute puppy:

As you see in this panel, Tomoe’s artwork is clear and cute, and that carries over into the volume as a whole, even on a philosophical level. Problems are easily understood and solved, people are adorable—inside and out, and happiness is as accessible as a cute little puppy.

My Dear Prince is no masterpiece, and there’s no denying that amidst a stronger lineup, it would hardly make an impression. But sometimes a bit of good-natured fluff is enough to win the day.

– Review by MJ

In Brief:

Hitorijime Boyfriend | By Memeco Arii | Published by JManga/Ichijinsha | Rated Mature – Back in elementary school, Kensuke parted with BFF Hasekura on painful terms. Reunited now in high school, Kensuke has a second chance to rekindle their friendship, but “friendship” may not be what Hasekura has in mind. Such is the premise of Hitorijime Boyfriend. Sounds unoriginal but potentially cute, right? Sadly, “potential” is really all it’s got. Though best-friends-turned-lovers is one of my favorite romantic fantasy scenarios, even that can’t survive the book’s relentless non-con or a clumsy English adaptation that becomes less and less readable as the story goes on. JManga has had an increasingly strong track record with BL since first launch. Unfortunately, Hitorijime Boyfriend goes against the trend. Not recommended. – MJ

ULTRAS | By est em | Digital Manga Guild | Rated Mature – Ordinarily, I’m not a huge fan of BL anthologies, but the format really shows off est em’s gift for swiftly establishing her characters, enabled by her distinctive, economical, and expressive artistic style. The title story, about a pair of Spaniards who are as passionate about soccer (though for opposing teams) as they are for each other, is more than a love story, it’s a lesson in both tolerance and pursuing what you want despite what others may think. Although this is the best story in the collection, the others are pretty interesting, too. My favorite is probably “Say Hello to Mr. Smith,” which involves a conman, a pickpocket, and a monkey. I hope that someday est em decides to tackle a multi-volume work—it’s awesome to contemplate what greatness might ensue! – Michelle Smith

Review copies provided by the publishers.

Disclosure: MJ is currently under contract with Digital Manga Publishing’s Digital Manga Guild, as necessitated for her ongoing report Inside the DMG. Any compensation earned by MJin her role as an editor with the DMG will be donated to the Comic Book Legal Defense Fund.

Chatting About Canon

October 28, 2012 by Michelle Smith

The following discussion contains spoilers.

MICHELLE: As we did for the CLAMP Manga Moveable Feast, special guest Karen Peck and I decided to collaborate on a contribution. This month’s MMF theme is vampires, so we opted (actually, this was totally Karen’s brainwave) to talk about Canon, the four-volume Chika Shiomi shoujo series published by CMX. I really didn’t know what to expect, having never read it before, but I think you had, right, Karen?

KAREN: I read it years ago, as I am a total Chika Shiomi fangirl, and figured the MMF would be a great excuse to talk about a lesser-known CMX series. A little background on Chika Shiomi and the series—Canon was her first series after her 1993 debut, running in Mystery Bonita Special. She’s one of those mangaka who’s had her work released by several English-language publishers—Night of the Beasts by Go!Comi, one volume of Queen of Ragtonia by Aurora, and Viz has most recently released Yurara and its sequel series Rasetsu. Her current work is Yukarism, a time-travel tale running in Bessatsu Hama to Yume, which is currently on hiatus.

Canon Himuro, ill with an incurable disease, was the sole survivor of a massacre that left her classmates dead. Months later a reporter runs into her, and she looks healthier than before—and carries a secret. Her classmates were attacked by a vampire, who then turned Canon into one. Horrified and wracked by guilt, she declares revenge on the vampire with silver hair and blue eyes. Holding onto her humanity, Canon refuses to drink blood, and wears a cross necklace given to her by a kindly foreigner, as explained in the second chapter. She is also accompanied by a vampire crow, Fui, who helps keep the story going and provides the humor. Canon is out for vengeance; Fui would just like a snack.

So, Michelle, what did you think of the series? Beyond the ’90s fashion, that is?

MICHELLE: I shall tell you, though we really must get back around to the fashion topic!

I ended up enjoying Canon quite a lot, though moreso in the first two volumes. The story begins episodically, and after a first volume that I’d describe as “not riveting, but entertaining,” the second volume packs a real wallop as Rod (such an intimidating name!)—the silver-haired, blue-eyed vampire—makes his entrance. By this point, Canon has met Sakaki, a smug and violent half-breed who’s also out for revenge against Rod (who murdered his parents), and they’ve formed an alliance. Fairly soon, though, Rod’s servants are telling Canon that their master lives as a hermit and couldn’t possibly be responsible for the attack upon her classmates, and suggesting that the real culprit is Sakaki. Canon resists the truth until Fui overhears a conversation confirming it (and is gravely wounded by Sakaki as a result).

I probably should’ve seen this reveal coming, but I was sort of enjoying the series in an uncomplicated way and wasn’t expecting it to veer into territory this dark. Ultimately, you’ve got Canon unable to forgive Sakaki, Sakaki unable to forgive Rod, and some uncomfortable parallels for Canon to navigate as her own hatred (fueled by the humiliation of having been tricked) threatens to undo her efforts to retain her human heart. It’s good stuff, really!

That said, I thought the entrance of Glenn as a common enemy kind of squandered the momentum a little. I mean, I’m glad that Rod and his awesome servant, Machua, got to become good guys, but Glenn lacks any real depth as a character, and I found his sudden change of heart regarding Canon—he’d previously been adamant about the need to exterminate her—rather baffling.

KAREN: The names crack me up, too. “Rod” just doesn’t sound… menacing. Rod and Glenn sound like they’d be assistant managers at an Office Depot, not powerful vampires.

It is good stuff! One thing I dislike about vampire stories—in manga and in print—is the angsty, boohoo I’m a vampire aspect. Canon does not wallow in that too much, the action is swirling around her and she’s a part of it all—she’s not a passive character. I think the shortness of this series helped as well; she had to stick to the unexpectedly twisty story–everyone has a motive, and they’re bound by vampire laws and revenge. Except Glenn. I agree with you, Michelle, that his change of heart is baffling–he’s the person that exists to move the story in one direction yet doesn’t seem to be upset that his purpose in the story is nullified by that direction. It’s a bit sloppy, but given how well she plotted out everything else, I’ll give Shiomi-sensei a pass since this is her first work.

As for the Canon/Sakaki relationship, at first I didn’t get it. After some consideration, though, it does fit in with what Canon was trying to get through to Sakaki and Rod–to stop the cycle of vengeance, that everyone can move on. Yes, Sakaki created Canon and messed with her memories to create a weapon to get at Rod in an exquisitely personal way, but her own words apply just as much to herself. She could kill him for her own vendetta, or she could remember that little boy who was left bleeding next to the corpses of his parents and understand what drove him. There’s a theme of forgiveness and breaking cycles here that I think is (mostly) well-done.

So, back to the fashion. Canon’s ankle boots have actually come back around to being fashionable again, but I fear that Rod’s overcoat on top of a turtleneck overcoat look will never be repeated. I suppose hermit vampires who feel bad about killing their best friends are just naturally chilly?

MICHELLE: I hadn’t actually seen that about Rod’s garb until you pointed it out, but once I did, I couldn’t stop noticing it. I think I thought the black one was a cloak at first, but upon closer inspection, it clearly has sleeves.

You’re absolutely spot-on about Canon remembering the terrible things that had happened to Sakaki that caused him to inflict terrible things upon her. And though it might feel like a betrayal of her classmates, she can’t stop loving him. This reminded me a lot of Shuri and Sarasa in Basara, actually, where she is able to forgive him for the atrocities committed as the Red King, even though other villagers will never be able to. And, of course, any time something can be compared to Basara is a good sign!

Speaking of comparisons to other works, the side story in volume four about the other half-breed who briefly takes care of orphaned Sakaki reminded me a lot of Shion’s backstory in Please Save My Earth, as another example of a boy in such tremendous need who tragically loses yet another person who could’ve shown him love. And Sakaki’s physical appearance reminds me some of Tokyo Babylon‘s Seishirou, especially round about the shoulder region.

Actually, Sakaki’s got some fashion challenges of his own to surmount. In this picture, his coat’s billowing so much it looks like a frickin’ hoop skirt!

KAREN: I know–why does he need two coats? I think it’s a little hypocritical of a vampire to wear turtlenecks anyway.

Now you’re reminding me that I need to finish reading Basara! But it’s a good comparison, and one that reflects favorably on Chika Shiomi–I think a lot of people can write a love story, but it’s harder to write one where it makes sense and is right for the characters. Hand-waving with a “that’s how love is!” is lazy, and she doesn’t take the easy way out. The ending offers a further complication, but again, it goes with the feeling that the characters really need to want this instead of just engaging in relationship fanservice.

The art—especially for Sakaki—really had a CLAMP-circa-X vibe going on, but this was 1994. I also enjoyed Machua’s style, even if it wasn’t as flamboyant and flowing.

MICHELLE: I liked her, too, though at first I thought she might be a dude!

The art really is frequently lovely in that early-’90s kind of way. Below I’ve included an image of one of my favorite two-page spreads, where you’ve got all sorts of overlapping panels, huge flowers, leads superimposed over a background of space… My cynical side wonders if Shiomi had a checklist of specific items to include, but the overall effect is still one I enjoy. And, of course, I can’t help thinking that MJ, with her well-documented love for old-school shoujo art, would just love this to pieces. (Click image to enlarge.)

KAREN: This is some lovely ’90s art, and it holds up pretty well—Canon herself (sans ankleboots) could just as easily be a design in a modern Chika Shiomi work. I also enjoyed her eye for action–I was a little unsure about how the vampires were always leaping about, but I assume it’s a case of Our Vampires Are Different. The pages you picked show how nice a page with flashbacks and conversations can be–it’s not just good storytelling, it also sets an emotional mood that really sells the scene for me.

I’m glad there was a Vampire MMF to make me get this series off the shelf and re-read it. It’s one of those quiet CMX series that came and went with little fanfare, but shows how well-curated their shoujo line was–I’m sure they could have found a more sensationalistic vampire manga with prettier, broodier boys, but this is one with an overall strong story and a tough heroine. It may not be a classic on the lines of contemporary works like X, but it’s cheap on the used market and, in my opinion, a good short series.

MICHELLE: I definitely agree! Thank you for suggesting it!

And now, an announcement: because Karen and I had such a good time reading Canon, it really fanned the flames of “Damn, we miss CMX.” And so, to help offset our still-lingering pain, we’ve decided to embark upon a monthly feature called The CMX Project, where we will revisit both the lauded and the lesser-known works from the CMX catalog. Look for the first column—featuring Land of the Blindfolded—in January 2013!

JManga The Week Of 11/1

October 26, 2012 by Sean Gaffney, MJ, Michelle Smith and Katherine Dacey 5 Comments

SEAN: Welcome to a new feature here at Manga Bookshelf, which for want of a better title will be called JManga The Week Of. As you might guess, it is similar to my Manga the Week of posts, in that we break down what’s coming out next week from JManga (and possibly other e-publishers if I can find an easy way to get their release dates) and discuss what we’re looking forward to, what we’re curious about, what what we don’t really see the appeal of at all.

Since this is an inaugural post, I will start with THIS week’s JManga titles, then move on to next week. So it’s a double dose!

First off, we’re getting more “rescues” from the former folks at Del Rey, consisting of the titles they didn’t bring with them to Kodansha. School Rumble has 8 more volumes, which brings it up to date with what Del Rey had put out. This would mean Vols. 17-22, as well as the one-off sequel School Rumble Z, would be original JManga translations/productions. School Rumble is a comedic harem title from Weekly Shonen Magazine, and was quite popular among the blogosphere when it was coming out. And by popular I mean folks read the scans avidly. Cough. When the manga ended, as most harem manga do, with an ending that did not please everyone, the fandom died faster than Ali MacGraw. I do hope that enough time has passed that said fans return to the fold to support the remainder of the series.

MJ: I’ve always been sort of curious about this title—I even bought the first volume at one point, but never read it—so JManga’s acquisition here is definitely of interest to me. That said, there are Del Rey titles I miss much, much more (*cough* Nodame *cough*) so I’m not quite jumping up and down yet.

MICHELLE: I feel exactly the same way, MJ. I’m not generally interested in shounen harem manga, but there’s just something about this one that I find kind of appealing. Still, I’m more in a state of holding my breath for other things—aside from Nodame, I’m hoping that JManga will finish Papillon and Ghost Hunt!

SEAN: Re: School Rumble. It’s an interesting title as I suspect that it changed considerably from what the author had planned. It’s very much a gag manga at the start, with few harem elements. Then the author had its male lead, Harima, interacting with two polar opposites, the tsundere princess-type Eri and the meek young housewife-type Yakumo, and popularity soared. (Note that Tenma, the actual female lead, has never been as popular – in fact, Western fans tend not to like her much, mostly due to her childish characteristics.) Combine that with a truly huge cast, and you get a strange kudzu-like manga with multiple genres (though it never quite backs away from its gag manga roots, except towards the end).

Re: Nodame Cantabile, I have a theory about that. There are a few Del Rey hiatus series still not on JManga, such as Alive: The Final Evolution and Moyashimon. But Nodame is the most prestigious of those, and that may be the problem. It’s one of Japan’s biggest sellers. It’s huge in other countries. It has anime and live-action adaptations. And I love JManga and what they’re doing, but Kodansha giving them all these titles is very much a “we have no more interest in getting these out in print, so here.” I can see Kodansha thinking to themselves, “we need to hold onto Nodame in hopes that we *can* get it back into print, as it’s a flagship josei title.”

Pastel, another harem manga from Shonen Magazine (though after Vol. 6 it moved to the monthly Magazine Special), has also caught up with Del Rey releases, as Vols. 9-14 are out. Pastel is *still running* in Japan, with Volume 33 due out in November. Given it is, at heart, an ecchi harem manga bout a weak male lead, the various busty girls who fall for him, and their series of misunderstandings, the mind reels. I didn’t get very far into Pastel, but I know it has fans who enjoyed its slice-of-life, sometimes sweet story, so hope they enjoy seeing it go on. And on.

Speaking of license rescues, we have a new old series from Mag Garden’s Comic Blade. The first volume of Elemental Gelade came out from Tokyopop in 2006; they put out 12 of the 18 volumes before it was dropped. Digital Manga Guild re-licensed the series earlier this year; I’m not sure if this is their translation. In any case, it’s a fantasy series with pirates and living weapons, and also spawned its own anime.

MJ: While I’m always happy about manga becoming as accessible to people as possible, am I the only one who finds duplicate releases like this a little confusing?

SEAN: Ninja Papa hits Volume 3 of its seven volumes. As I’ve noted before, no one will ever accuse this of being great literature. But if you’re a middle-aged flabby balding guy and you want to imagine yourself doing mad ninja tricks, gorily killing bad guys in sprays of blood, then returning home to make love to your gorgeous hot wife… well, then you might want a subscription to Futabasha’s Manga Action in general. But this is *particularly* for you.

MICHELLE: … I can totally see this plot being yoinked for an American movie.

KATE: I’d like to see a josei take on this same basic fantasy: middle-aged woman performs mad ninja tricks, dispatches bad guys, then comes home to her impossibly hot husband. I’d definitely read that manga.

SEAN: Clair Voyance is a new manga from Ohta Shuppan’s online magazine Pocopoco. It’s actually by a Singaporean artist, FSc, aka Foo Swee Chin. She has done some alternative comics for Neko Press and Slave Labor Graphics. It seems to be about Monster Helpers rather than Monster Hunters, and I’m intrigued to see where it’s headed.

MJ: Thanks to Kate’s recommendation, I’m definitely planning to pick this up!

MICHELLE: Yeah, that one looks neat!

SEAN: And there’s Vol. 4 (of 7 and still going) of My Sadistic Boyfriend, which runs in Futabasha’s little known shoujo magazine Comic Mahou no Island. From what I’ve gathered, this fits squarely in the Black Bird/Hot Gimmick/B.O.D.Y. mode of “I love this guy who treats me horribly and I let him as I am weak and he is sexy.” I admit it is not my genre, but Viz apparently sells them like hotcakes (well, mildly warmcakes), so the audience is there. Has anyone compared this one with the classics like Hot Gimmick? How does it stack up?

MJ: “From what I’ve gathered, this fits squarely in the Black Bird/Hot Gimmick/B.O.D.Y. mode of ‘I love this guy who treats me horribly and I let him as I am weak and he is sexy.'” In a word, “Ugh.”

MICHELLE: I admit that I have judged this one purely on its title and did no further investigation regarding it. Also, I snickered at mildly warmcakes. :)

KATE: Wait… Hot Gimmick is a classic?

SEAN: Next up, JManga just announced 5 titles for release next Thursday.

Neko Ramen is another Mag Garden Comic Blade license rescue from Tokyopop, and is a cute 4-koma series about, well, a cat who owns a ramen shop. Funnier than it sounds, this was a surprisingly fun series when it first came out, and I’m pleased to see it here.

Peacemaker Kurogane is also a Comic Blade title, and this one has a long and tortured publication history. ADV manga (remember them?) put out Vols. 1-3 a long while back, then went under. Tokyopop revived the series and released Vol. 4, then they moved on. Now JManga has reissued the first 2, with presumably plans for more. I hope it catches on this time. It’s a Shinsengumi book, supposedly chronicling the life of Tetsunosuke Ichimura during the Meiji period and his attempts to get revenge.

MJ: Here’s a title I’ve always wanted to read! I’m pretty excited about this one, actually. I was a fan of the first volume of Momo Tama (from the same artist), though I never managed to pick up subsequent volumes, and I’ve been curious about this series ever since.

MICHELLE: Peacemaker doesn’t engender much of a response from me, but I am very pleased to see Neko Ramen arrive! I found the series to be a pleasant surprise, and though some volumes weren’t quite as giggle-inducing as others, it’s definitely among the series I mourned when TOKYOPOP went under. It fits in well with JManga’s quirky foodie manga, too!

KATE: I’m also glad to see Neko Ramen series get a second chance with readers. In the abstract, Neko Ramen sounds like a one-joke manga — hey, waiter, there’s a cat hair in my soup! — but the strips manage to wring fresh humor out of Taisho’s misguided promotions, menu items, and interactions with long-suffering customers. I don’t know if JManga will preserve the original Tokyopop translation, but I hope they do; the Tokyopop re-write has the same snappy quality as an Abbott and Costello routine.

SEAN: Lastly, there’s a new classic literature adaptation from Variety Art Works. This publisher specializes in adapting famous works of literature (both Japanese and worldwide, though the latter is what JManga has mostly focused on) in single volume manga format. This new title adapts Sun Tzu’s The Art of War, which, um, is really more of a lecture than a story, but hey. It’ll be quite interesting to see how this gets presented.

KATE: I’ve read a few of these “Illustrated Classics” — including the adaptation of Osamu Dazai’s No Longer Human — and thought the artwork was pretty bad. Their great redeeming virtue is that they hew closely to the original texts, so I suppose they have some value as Cliff Notes.

SEAN: So, what are you picking up this week?