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Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Features & Reviews

Cat Paradise, Vol. 1

July 16, 2009 by Katherine Dacey

When I was applying to college, my guidance counselor encouraged me to make a list of amenities that my dream school would have — say, a first-class orchestra or a bucolic New England setting. It never occurred to me to add “pet-friendly dormitories” to that list, but reading Yuji Iwahara’s Cat Paradise makes me wish I’d been a little more imaginative in my thinking. The students at Matabi Academy, you see, are allowed to have cats in the dorms, a nice perk that has a rather sinister rationale: cats play a vital role in defending the school against Kaen, a powerful demon who’s been sealed beneath its library for a century.

Yumi Hayakawa, the series’ plucky heroine, is blissfully unaware of Kaen’s existence when she and her beloved pet Kansuke enroll at Matabi Academy. Within hours of their arrival, however, they find themselves face-to-face with a blood-thirsty demon who describes himself as “the right knee” of Kaen. (N.B. He’s a lot more badass than “right knee” might suggest, and has a coat of human skulls to prove it.) The ensuing battle reveals that the school’s six-member student council is, in fact, comprised of magically-enhanced warriors who fight in concert with their pets. Each Guardian has a different ability; some possess super-strength, while others transform their cats into powerful weapons. Though prophecy foretold only six “fighting pairs,” Yumi and Kansuke quickly discover that they, too, have similar powers that obligate them to fight alongside the Guardians. Iwahara hasn’t explained why the prophecy proved wrong — a cloudy crystal ball, perhaps? — but it’s a safe bet that Yumi and Kansuke will have a special role to play in the impending showdown with Kaen, who has yet to materialize.

Though the plot sounds like an amalgam of manga cliches, Cat Paradise proves fun and fresh, thanks to Iwahara’s rich imagination and wicked sense of humor. The Guardians’ powers are handled in a particularly droll fashion: each student’s ability is based on his best talent, whether that be great physical speed or the ability to make a mean dumpling. The scenes in which Yumi and the other Guardians unleash their powers are both hilarious and horrifying, as Iwahara pokes fun at fighting-pair manga (e.g. Loveless) while punctuating the action with scary, visceral images (e.g. the demon’s coat). Iwahara also milks the talking animal concept for all its humorous potential, giving each Guardian’s cat a distinctive voice. The jokes are predictable but amusing; Kansuke speaks for many cats when he voices disdain for sweaters.

At first glance, Iwahara’s artwork looks a lot like other manga-ka’s. His cast is filled with familiar types, from the bishonen who’s so pretty people mistake him for a girl to the steely female fighter who looks older and more worldly than her peers. Yet a closer inspection of Iwahara’s drawing reveals a much higher level of craftsmanship that his generic character designs might suggest; he’s a consummate draftsman, favoring intricate linework over screentone to create volume and depth. (Even his character designs are more distinctive than they initially appear, as each human’s face contains a subtle echo of his cat’s.) The story’s good-vs-evil theme is neatly underscored by Iwahara’s use of white spaces and bold, black patches to create strong visual contrast and menacing shadows.

I’d be the first to admit that Cat Paradise defies easy classification. Is it a parody? A horror story? A plea for greater human-cat understanding? Or just a goof on Iwahara’s part, as his afterword suggests? No matter. Iwahara demonstrates that he can make almost any story work, no matter how ridiculous the premise may be. The proof is in the pudding: you don’t need to have a special fondness for cats, manga about cats, or manga about teen demon fighters to enjoy Cat Paradise, just a good sense of humor and a good imagination.

CAT PARADISE, VOL. 1 • BY YUJI IWAHARA • YEN PRESS • 192 pp. • RATING: OLDER TEEN

Filed Under: Manga, Manga Critic, REVIEWS Tagged With: Animals, Cats, Horror/Supernatural, yen press

Twilight Comic… For The Win?

July 15, 2009 by MJ 20 Comments

The big news in the manga blogosphere today is EW’s announcement about the upcoming Twilight graphic novel from Yen Press. Adapted by Korean artist Young Kim with Stephanie Meyer “reviewing every panel,” the character designs so far resemble manhwa versions of the film actors without the over-the-top movie-star perfection. Though comments on the EW article online are mixed, this announcement is undoubtedly a cause for many fans of the book to rejoice over yet another means by which to experience the source material.

For manga/manhwa fans… maybe not so much. …

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Filed Under: FEATURES Tagged With: manga, manhwa, twilight, yen press

84, Charing Cross Road by Helene Hanff: B+

July 15, 2009 by Michelle Smith

84charingFrom the back cover:
This charming classic, first published in 1970, brings together twenty years of correspondence between Helene Hanff, a freelance writer living in New York City, and a used-book dealer in London. Through the years, though never meeting and separated both geographically and culturally, they share a winsome, sentimental friendship based on their common love for books. Their relationship, captured so acutely in these letters, is one that will grab your heart and not let go.

Review:
As promised, 84, Charing Cross Road is indeed a completely charming collection of letters, selected from twenty years’ worth of correspondence between Helene Hanff and Frank Doel. It all begins in October 1949, when Helene writes to Marks and Co., Booksellers—located in London—to inquire whether some out-of-print items on her wishlist might be located. Her letter is answered by an employee who signs his replies “FPD.” While Helene is personable from the start, and definitely quirky, her correspondent takes some time to warm up. After she hears of the rationing going on in England, however, and arranges for a package of rare food items to be delivered to the shop (a practice she will continue for several years), he writes to thank her for her kindness and reveals that his name is Frank Doel.

Helene can sometimes come across as rude in her letters, though even complaints about delays or unsuitable editions typically have a postscript inquiring about what kind of eggs the staff at Marks and Co. would like her to send (fresh eggs being extremely hard to come by in the postwar years) or something along that line. Part of this can be attributed to her attempt to “puncture that proper British reserve,” and in time, the letters from England do grow quite warm and friendly. When Frank first addresses her as Helene, I actually got a bit verklempt! Eventually, she begins to correspond with Frank’s wife as well as a few other employees of the shop. Through the years, Helene is urged many times to come visit. Though she makes several attempts to save money, life always intervenes, in the form of dental bills, new home expenses, or a lack of work as a TV writer. At the time that the book was published (1970), she had not made it there yet.

I consumed this little volume—its brevity is my chief complaint!—in unabridged audio format. Many thanks to Erica Friedman who recommended this particular edition. What’s so lovely about it is that each letter writer has their own narrator. Helene is given voice by the talented Barbara Rosenblat and Frank by John Franklyn-Robbins, with many other notable Recorded Books regulars making an appearance. It’s lovely to hear the increasing affection in each voice and it makes one particularly amusing part—during which Frank is dismayed that a “thank you” letter for the latest package hasn’t been sent to Helene when in fact several people from the shop have surreptitiously written to her already—work even better than it would in written format.

For a period of correspondence spanning twenty years, 84, Charing Cross Road does seem to go by awfully fast. But if you’re looking for a cozy read one afternoon—or a cozy listen while you toil away at some harried task—then I definitely recommend it.

Filed Under: Books, Letters Tagged With: Helene Hanff

Sayonara, Zetsubou-Sensei: The Power of Negative Thinking, Volume 2

July 14, 2009 by MJ 5 Comments

Sayonara, Zetsubou-Sensei: The Power of Negative Thinking, Vol. 2
By Koji Kumeta
Published by Del Rey Manga

szs2
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Unflinchingly bleak schoolteacher Nozomu Itoshiki and his students are back, beginning with a chapter set during Tanabata in which Itoshiki-sensei’s wish (“I want to resign”) stands in contrast to the actions of overly-optimistic Kafuka who hangs people’s college applications on the bamboo tree and convinces the masses that their wishes can be granted in their next lives. This chapter opens the volume well, re-introducing the characters effectively before moving on. This volume also features a visit from a man posing as Commodore Perry (the man who famously “opened” Japan), a tirade against information, the tragedy of overshadowed achievers, Comiket, a beach where everyone is perilously on edge, the Itoshiki family’s unusual marriage traditions, so-called “criticism training,” and an ode to instability, all presented with the same sharp, fast-paced satire as the series’ first volume.

The success of this volume once again mainly comes down to personal taste and sense of humor. If the first volume did not make you laugh, this one will not either, but if it did, you’re in for another treat. Though the numerous Japanese cultural references may actually be even more dense in this volume, Joyce Aurino’s adaptation still reads quite smoothly and I maintain my original recommendation against following her meticulous translation notes during the first read.

It is the thick layers of humor that strike me most in this series. Not only are each chapter’s main gags wonderfully funny and over-the-top, but the tiny details–small, throw-away jokes nearly lost in the din with their barely legible font sizes–are often so funny I have to stop reading to let myself get in a good, long laugh. Like the first volume, this book gets funnier with multiple rereads–another reason why catching each reference the first time around is honestly unnecessary. Unlike a lot of shonen manga which is consumed so quickly it leaves you just as hungry as when you began, this series is best ingested slowly, chewed carefully several times over for the most satisfying meal.

Simultaneously breezy and dark, volume two of Sayonara, Zetsubou-Sensei is just as grimly delightful as it can be.

Filed Under: MANGA REVIEWS Tagged With: manga, sayonara zetsubou-sensei

Kamichama Karin Chu, Vol. 4

July 13, 2009 by MJ Leave a Comment

By Koge-Donbo
Del Rey, 192 pp.
Rating: T (13+)

In volume three, Karin had a dream that showed her a vision of the future featuring the horrible deaths of those she loves most. As this volume begins, she struggles to carry on with daily life while holding on to this painful truth that she believes she must keep to herself. After a blow to her head gives everyone a scare, Karin finally confesses the details of her dream to Kazune and he determines that together they must find a way to change it. Unfortunately things go rapidly downhill from this point on. After hearing about Karin’s dream, Micchi decides to give up his position as a god for good; Himeka, Kazune’s cousin who has just returned to them, is kidnapped by a mysterious and sinister girl; and new, shocking truths about their idol friend, Jin Kuga, are revealed.

Though this series is impossibly complicated and almost disturbingly cute, it’s hard not to be compelled by the overblown emotional drama and layers of supernatural intrigue. Time travelers, reincarnation, cloning, and magical girl-gods are the stuff of fantastic shojo, and if this series doesn’t quite come together like the best shojo fantasies, it is certainly fantastic in the most basic sense of the word. This volume’s drama is particularly thick with everyone fighting against their own fated deaths, but the over-the-top whimsy keeps things from ever becoming too heavy and the prevailing mood is oddly fun. A little romance never hurts either.

Dramatic, frilly, and a little bit trippy, the fourth volume of Kamichama Karin Chu provides a colorful mix of shojo staples in a super-cute package.

Review copy provided by the publisher. Review originally published at PopCultureShock.

Filed Under: MANGA REVIEWS Tagged With: kamichama karin chu

Getting Our Geek On: What Our Symbols Mean to Us

July 13, 2009 by MJ 55 Comments

As I’m sure you’ve all noticed, I am occasionally struck with an intense (if not profound) need to question the workings and motivations of my inner geek, generally expressed via long-winded navel-gazing in the form of a blog feature. In today’s installment of this periodic ramble, I address the question of my outer geek, what that means and why. As usual, I’m coming at the question from a strictly personal angle, but though the bulk of this post is about my own experiences in displaying my fandom, I’m hoping to motivate the rest of you to tell me about your own.

The outward display of fannish/geek paraphernalia is certainly nothing new or profound. From t-shirts to full-out cosplay, fans like me dress up constantly to some extent or another and have been doing so for longer than any of us have been around. I’m sure there have been academic studies done on fan culture and so on which address the subject in detail. Something that has struck me lately, however, is how personal some of these displays can be–to the point where I question the object of wearing them in the first place.

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Filed Under: FEATURES Tagged With: fandom, fullmetal alchemist, navel-gazing

The Manga Guide to Physics

July 11, 2009 by MJ 3 Comments

The Manga Guide to Physics
By Hideo Nitta & Keita Takatsu
Published by No Starch Press

mg_physics_big
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Megumi is a fine high school athlete, but her failure in physics is distracting her on the tennis court. After losing a match to arch-rival Sayaka, Megumi gloomily hangs around the court retrieving stray tennis balls, until she is accidently struck in the head with a ball thrown by Ryota Nonmura, the school’s physics star, as he clumsily attempts to help her clean up. After ranting about her loss in the game, Megumi is struck with inspiration and asks Ryota to tutor her in physics. Thanks to his guilt over hitting her in the head, Ryota reluctantly agrees and the physics lessons begin. Revolving around Newton’s three laws of motion, Ryoto’s lessons are able to not only help Megumi with her study of physics, but also with her tennis game!

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Filed Under: MANGA REVIEWS Tagged With: manga

Be Buried in the Rain by Barbara Michaels: B-

July 11, 2009 by Michelle Smith

From the back cover:
There are secrets buried at Maidenwood—dark secrets that span generations. Medical student Julie Newcomb, who once spent four miserable childhood years at this rundown Virginia plantation, would rather not resurrect ancient memories, or face her own fears.

Yet Julie cannot refuse her relatives’ plea that she spend her summer caring for the bedridden—but still malevolent—family matriarch. Reluctantly, Julie agrees, praying that life at Maidenwood will not be as bleak as before. From the first, though, Julie finds Maidenwood a haunted place, not merely echoing with grim reminders, but filled with dark secrets that will become part of her life even today.

Review:
Med student Julie isn’t thrilled when she’s asked to spend her summer caring for the cruel grandmother with whom she spent four dismal years—years that are strangely blank in her memory. She complies to spare her mother the thankless task, and ends up in the middle of a local mystery. Shortly before her arrival, the skeletons of a woman and infant were found on a road cutting through the family property, known as Maidenwood, and Julie and her family are besieged by reporters, archaeologists, and psychic anthropologists who are interested in the story.

Although I enjoyed reading Be Buried in the Rain, there are several things about the way that it’s written that puzzle me. For example, nothing really happens for about 80% of the book. It registers about a two on the suspense-o-meter. Oh, little things occur that do turn out to be important later, but mostly it’s Julie coping with her hateful grandmother, complaining (rather bitchily) about a co-helper’s cooking, caring for a stray dog, and bantering with and/or eventually rekindling a romance with her ex-boyfriend, an archaeologist who’s been given permission to dig at Maidenwood in an attempt to locate the burial site from which the skeletons were presumably exhumed. Things finally start to move near the end after Julie begins work on reconstructing the face of the adult skeleton based on the skull—apparently someone doesn’t want an identification to be made.

The ending leaves rather a lot to be desired, though. One question is not answered particularly well—how the kooky psychic manages to unearth a genuine archaeological find—and a couple of others not at all, including how the skeletons wound up in the middle of the road. Although the book is grounded in reality throughout, at the very end, Michaels throws in a random dollop of supernatural hijinks, with Julie believing she’s been in communion with the dead woman’s spirit and putting forth the theory that each year, the skeletons pop up again and have to be reburied by the party responsible for their deaths. I’d more easily buy this explanation if there were any notion of supernatural doings anywhere other than the final ten pages or so of the novel.

Still, though I have my complaints I still found Be Buried in the Rain to be reasonably entertaining and expect that I shall read more by Barbara Michaels in future.

Filed Under: Books Tagged With: Barbara Michaels

Her Majesty’s Dog, Volume 2

July 11, 2009 by MJ 3 Comments

Her Majesty’s Dog, Vol. 2
By Mick Takeuchi
Published by Go!Comi

hmd21
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This volume begins by revealing that Takako’s memory wipe (intended to make her forget Amane and Hyoue’s true identities) really did not take, leaving Amane in the position of having to decide whether to try again, something she really does not want to do. The decision made here reflects their growing friendship and starts the volume off in a very touching manner that persists for much of the volume. The main story here revolves around another Koma-oni, Zakuro, who once served the same master as Hyoue. Driven by hurt and jealousy, Zakuro tries to steal Amane away for himself, but again the conclusion to this story is surprisingly moving and reinforces the relationships between the series’ primary characters.

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Filed Under: MANGA REVIEWS Tagged With: her majesty's dog, manga

On Bended Knee

July 11, 2009 by MJ 3 Comments

On Bended Knee
By Ruri Fujikawa
Published by 801 Media
Rated 18+

onbended
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Hibiki and Wu Xiong are childhood friends, now grown up and settled into the roles planned for them by their parents: Wu Xiong as the next heir to his family’s corporate empire and Hibiki as his bodyguard. Each has harbored secret love for the other over their many years together–something that neither is willing to own up to until a brush with death forces them both to face the truth. “On Bended Knee” is the first of several short stories in this collection by Ruri Fujikawa, establishing the volume’s dominant theme, “learning to accept one’s true feelings.” The other stories feature two doctors who secretly love each other (“Slight Fever”), a university student and teacher who secretly love each other (“I Won’t Lose to the Sun!”), a model and his manager who secretly love each other (“Cinderella’s Lure”), and so on.

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Filed Under: BL BOOKRACK Tagged With: manga, yaoi/boys' love

Moon Child, Volume 2

July 9, 2009 by MJ 5 Comments

Moon Child, Vol. 2
By Reiko Shimizu
Published by CMX

moonchild2
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This volume starts out somewhat joyously for Jimmy. Though his powers freak him out and he keeps running into monsters that Art can’t see, somehow all the weirdness is making things go his way. A traffic jam caused by a giant apparition causes Art to arrive too late to an audition but the situation (aided by invisible fish only Jimmy can see) ends up bringing him directly into the path of a producer who is dying to audition him for a new Broadway show. Thrilled by the news, Art and Jimmy rush off to celebrate, only to be intercepted by Art’s ex-girlfriend, Holly, who unsubtly tells Jimmy that he is in Art’s way. (“Don’t you see?” she says, bowing her head in false concern. “You’re just holding him back.”) After this, things turn ugly for Jimmy. Left alone for the night, he falls asleep in the moonlight which causes him to transform into Benjamin, the beautiful half-human, half-mermaid daughter of Siera, the original “Little Mermaid.”

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Filed Under: MANGA REVIEWS Tagged With: manga, moon child

Swallowing the Earth

July 9, 2009 by Katherine Dacey

Nineteen sixty-eight was a critical year in Osamu Tezuka’s artistic development. Best known as the creator of Astro Boy, Jungle Emperor Leo, and Princess Knight, the public viewed Tezuka primarily as a children’s author. That assessment of Tezuka wasn’t entirely warranted; he had, in fact, made several forays into serious literature with adaptations of Manon Lescaut (1947), Faust (1950), and Crime and Punishment (1953). None of these works had made a lasting impression, however, so in 1968, as gekiga was gaining more traction with adult readers, Tezuka adopted a different tact, writing a dark, erotic story for Big Comic magazine: Swallowing the Earth.

Like MW (1976-78), which was also serialized in Big Comic, Swallowing the Earth is an overripe, overstuffed period piece that’s both entertaining and frustrating for modern readers. The basic plot is simple: seven beautiful young women seek to avenge the untimely death of their mother by wrecking havoc on the political, social, and economic systems that robbed Zephryus of her money and her home. The only thing standing in their way is Gohonmatsu, a perpetually drunken longshoreman who’s immune to their charms.

Tezuka’s presentation of the story, however, is anything but straightforward, as he employs flashbacks, subplots, and red herrings galore to sustain the reader’s interest. Some of these gambits are so ridiculous and nervy they work. Zephyrus’ daughters, for example, team up with a female scientist to produce Dermoid Z, a synthetic skin that can completely transform a person’s appearance. From a manga-ka’s standpoint, Dermoid Z is a brilliant device, as it allows him to plausibly conceal his characters’ identities from the reader and the other actors in the drama, giving him latitude to do just about anything.

Other gambits flat fall, as they rely on outdated notions of gender and race for their dramatic impact. When Dermoid Z arrives in the United States, for example, African-Americans begin buying white “skins” in vast quantities, donning them to commit crimes, enjoy privileges that had been denied them, and exact retribution on their oppressors. White retaliation is swift and brutal, plunging American cities into a race war that destroys the very fabric of society. Lacking a deep understanding of American history, or the underlying causes of the 1968 riots that erupted after Martin Luther King, Jr. was assassinated, Tezuka’s subplot feels like a crude attempt to be topical. He’s grasped the basic injustice of segregation, yet he never humanizes his black characters; they remain a violent, faceless mob throughout this unfortunate episode.

Tezuka’s treatment of women is likewise muddled. He clearly recognizes that men have treated women as property throughout human history, a point he illustrates both through Zephryus’ story (which unfolds in Nazi-occupied France) and through an interlude in the South Seas, where a tribal chief barters with Gohonmatsu for a downed airplane, offering his two daughters in exchange for the machine. Yet Tezuka’s own notions of female sexuality frequently undermine his critique of male privilege. He depicts Gohonmatsu’s South Seas brides as sexual grotesques, with bodies as roundly deformed as the Venus of Willendorf’s and libidos that verge on nymphomania. Women from the developed world don’t fare much better, as Tezuka neatly divides them into two camps: man-hating hysterics (e.g. Zephyrus’ daughters) and tormented victims (e.g. a beautiful aphasiac who lost her ability to speak after she was raped).

However dated Swallowing the Earth‘s racial and sexual politics may be, it’s hard to deny the sheer exuberance of Tezuka’s artwork. His imagination yields some stunning — and stunningly weird — images. Zephyrus’ palace, in particular, is a marvelous creation, an Art Deco ziggeraut filled with enormous cat statues that look like they were swiped from Cleopatra’s tomb. Tezuka frequently experiments with the layout, varying the shape of the panels to suit the pace and intensity of the action, or to suggest the simultaneity of two events. One of the best examples occurs early in the story, when Gohonmatsu duels a handsome Spanish count on the deck of a tugboat:

fightscene

Tezuka uses diagonal panels to mimic the rocking motion of a ship anchored in choppy water. The shape of the panels also demonstrate just how difficult it is for both characters to find their footing on the slippery deck — a small but tricky detail that isn’t easy to capture in a static image.

In an excellent companion essay to the English-language edition, manga scholar Frederick Schodt acknowledges Swallowing the Earth‘s myriad flaws — its surfeit of plotlines, its racial caricatures — while celebrating the almost anarchic way in which the story unfolds. He encourages readers to enjoy Earth as a “wild ride” and a window into a critical period in Tezuka’s development, showing us “how he began to make the transition from a children’s artist to someone who could push the manga medium in every genre, even for adult readers.” It’s in this spirit that I recommend Swallowing the Earth, as testament to Tezuka’s fertile imagination, and his ability to grow as an artist and a storyteller.

SWALLOWING THE EARTH • BY OSAMU TEZUKA • DMP • 516 pp. • RATING: OLDER TEEN (16+)

Filed Under: Manga, Manga Critic, REVIEWS Tagged With: Action/Adventure, Classic, DMP, Osamu Tezuka

Kimi ni Todoke: From Me to You, Volume 1

July 8, 2009 by MJ 2 Comments

Kimi ni Todoke: From Me to You, Vol. 1
By Karuho Shiina
Published by Viz Media

kiminitodoke
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Sawako Kuronuma is a quiet, socially awkward girl with an unfortunate physical resemblance to “Sadako” from Ringu–enough so that her classmates call her by that name, either out of cruelty or (in many cases), ignorance. Though rumors persist that she sees ghosts, summons spirits, and places curses on those who are foolish enough to look her in the eye for more than three seconds, Sawako is actually an earnest, exceptionally kind girl who always volunteers to do the work nobody else wants to do and whose most heartfelt dreams involve helping her classmates understand their schoolwork. The only student in school who shows Sawako kindness is, inexplicably (to her), a popular boy named Kazehaya. He smiles at her and calls her by her real name–treating her no differently than anyone else, something for which Sawako is consistently grateful. What Sawako doesn’t realize is that to Kazehaya she is much different from everyone else, in a way she is honestly unable to fathom.

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Filed Under: MANGA REVIEWS Tagged With: kimi ni todoke, manga

Boys Over Flowers 26 by Yoko Kamio: B+

July 7, 2009 by Michelle Smith

boysoverflowers26From the back cover:
Tsukushi struggles to understand her feelings for Tsukasa, her on-and-off boyfriend, and he struggles to not destroy Tokyo. Will the man who came between them step aside? The meddlesome F4 try their hand at forcing Tsukushi and Tsukasa together. All the while Tsukasa’s mother’s spies are hot on their trail!

Review:
If I were to give a one-word reaction to the events of this volume, that word would be “hooray!” Tsukasa intercepts Tsukushi at a bus stop with Amon and makes another attempt at convincing her to be with him, saying, “I don’t want anyone but you. It has to be you.” While moved by his plea, Tsukushi remembers what will happen to her friends’ families if Tsukasa’s mother finds out they’re dating, and so she gets on the bus. Moments later, there’s a terrific scene where she comes running back and, honestly, I have goosebumps just typing about it!

While the fangirl in me would’ve loved a big epic declaration of mutual feeling, that would be completely out of character for these two headstrong people. Instead, awkward tension ensues. Tsukushi is unable to express herself adequately and Tsukasa worries that he has misunderstood yet again. What’s different now is that Tsukushi realizes they’re on the verge of falling into their same old pattern and actually comes out and tells Tsukasa that she wants to be with him. The catch is that she wants their relationship to remain a secret. Amon has bought them some time by telling Kaede’s minions that he and Tsukushi are dating, but the problem of her threats has yet to be resolved.

It’s truly great seeing these two together, and even small things like hugs are so hard-won that they are elevated into monumental moments. Even though they still have to face Kaede—a looming obstacle that has Tsukushi thinking that their happiness is “like standing over water, on a layer of thin ice”—at least they’ll (presumably) be doing so together and seem to understand each other at last.

This volume also picks up the friendship between Sojiro and Yuki, spawned a few volumes back when he helped her get revenge on the boyfriend that betrayed her. I really like how Kamio is handling this subplot. I’ve read a few other series where the heroine’s friends get some attention (Kare Kano and Love*Com come to mind) but only in Boys Over Flowers does it feel like a well-integrated part of the main storyline. In fact, I am downright happy to let Tsukasa and Tsukushi remain united for a while and shift the focus to fleshing out some of the supporting characters. I’d also like to see some kind of resolution to Rui’s relationship with Shizuka, who at least gets a mention here after being off the radar for quite some time.

Lastly, I must spare a paragraph to compliment the cover to this volume. While Tsukushi’s face looks a little frenzied, I love Tsukasa’s expression and the colors are gorgeous.

Filed Under: REVIEWS Tagged With: VIZ, Yoko Kamio

Boys Over Flowers 25 by Yoko Kamio: B

July 7, 2009 by Michelle Smith

boysoverflowers25From the back cover:
Tsukushi has an on-and-off romantic entanglement with a hothead named Tsukasa. Tsukasa has a sketchy relationship with his even more hotheaded mother, named Kaede. Kaede has hired a near sociopath to woo Tsukushi and destroy her son’s relationship with Tsukushi once and for all. Will Tsukushi fall for this?!

Review:
The fake “cousin” hired by Kaede, whose real name is Amon, is not my favorite character, but calling him a sociopath is pretty extreme. It turns out that, one his guise is dropped, he’s actually not a bad guy. Although he has a cynical outlook on love, and advises Tsukushi on several times not to go through suffering on Tsukasa’s account because their love can only last a maximum of a few years, he is still better able to understand her than most others and offers her a different kind of relationship, free from drama but also free from love.

While this whole idea of Tsukushi dating Amon seems mostly an attempt to postpone the inevitable moment when she and Tsukasa finally, irrevocably get together, it does still offer some worthwhile moments. Tsukasa has grown to see Shigeru as a friend, and has a couple of nice conversations with her, including one in which they finally seem to realize that their hyper-wealthy lives are not normal. Also, though he initially feels like there’s nothing he can do about Tsukushi dating Amon, he somehow (exactly how isn’t clear) resolves that he’s going to make Tsukushi his.

And, okay, yes, this is kind of an antiquated idea, but somehow I love Tsukasa for this unwavering devotion. If both of the lead characters were floundering and uncertain, this series would be a mess. With the looming threat to her friends’ families if she gets near Tsukasa, Tsukushi certainly isn’t going to make the first move, so it’s up to him to help this story go somewhere satisfying. Even though I’m well aware that he’s a fictional character, I still want to cheer him on.

Filed Under: REVIEWS Tagged With: VIZ, Yoko Kamio

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