Features & Reviews

Weekly Shonen Jump Recap: September 9, 2013

September 18, 2013 by Derek Bown 6 Comments

It’s strange, even though I haven’t really been missing Bleach, seeing it back in the lineup makes everything feel right again. I think we’ve gotten a glimpse of what life will be like post-big three, and I must say, I don’t care for it. What will I do without the top three most popular shonen manga to either love or hate? What will my life become? These are all things worth considering, leave your survival strategies in the comment section. But for now, let’s talk about the manga itself.

Bleach Ch. 547
Well, Bleach is back. Can’t say I really missed it all that much, even though my manga reading life did feel a bit emptier without it. Bleach, and Naruto, and I have a bit of an abusive relationship. They give me nothing but pain and I just can’t quit them. Bleach has the upper hand in that it hasn’t actually done anything to hurt me, rather it’s like being in a relationship that you’ve grown tired of, but you aren’t ready to quit because your partner still knows how to function like a human being and hasn’t done anything to royally piss you off.

Sure there’s some misplaced comedy, and the idea that the Quincy were hiding in Soul Society all along is pretty ludicrous, but whatever. At least Bleach doesn’t force characters I hate down my throat. Rather it forces characters I don’t care about down my throat. Which is still annoying, but not as rage inducing as what other series I’ve read do.

One matter of note is that having gotten another good look at Ichigo’s sword I have to wonder why Kubo keeps designing swords that look like they would be incredibly uncomfortable to use. His swords don’t even have hilts, they’re just pieces of the blade that happen not to be sharp. But they still have edges that look like they would dig into your skin quite painfully after a while.

World Trigger Ch. 029
Anytime I find myself thinking, “This chapter of World Trigger wasn’t so bad” I have to remind myself that it’s taken twenty nine chapters to do what most series would do in one or two. The “moderately interested” stage of manga reading should not take several months to kick in. So, even when it gets a little bit interesting I remember that World Trigger took forever just to be competent. That doesn’t bode well for any actual future enjoyment.

To be fair, this chapter, on its own, was enjoyable. A lot of my hatred for this series stems from the fact that I apparently have a hard time letting go of grudges. At best all I can say about World Trigger is what I’m saying about this chapter, “It wasn’t awful, but I’m not expecting anything from this series.”

One Piece Ch. 720
Eiichiro Oda is a master of a character writing style that I started practicing a couple years ago. The method involves taking character archetypes and stereotypes and then adding a contradictory element to them. I haven’t exactly mastered it yet, but Oda is the writer I look up to most for this method after this chapter. Already Bartolomeo was a fun character, but to find out that he’s a massive Luffy fanboy just made him shoot up in my One Piece character rankings.

Rebecca was less impressive, she does reveal more of the underlying backstory for this arc, but as far as characters go she follows the vein of most women in One Piece that aren’t main characters. She’s not a bad character, but she’s not very interesting. The fact that she spends most of the time almost completely naked (I refuse to consider that outfit actual clothing) would be a good foil to build upon, after all the scantily clad female warrior is a trope in and of itself. But taking that archetype and making her just a normal One Piece girl doesn’t quite do it for me. I’m open to being surprised, after all One Piece is nothing if not surprising, but for the moment I’m not a huge fan of Nami 5.0…I mean Rebecca.

Toriko Ch. 248
What sets Toriko apart from most other battle series is Shimabukuro’s willingness to use real science/theories in his fantasy world. After amping them up to one million of course. Maybe the Square Root Law is a real theory (don’t ask me, I don’t do statistics), but I’m pretty sure we can’t use the ten percent abnormal movement of our cells to fly. But it can be done in manga, and that’s why I love manga so much. It doesn’t have to follow normal rules like other forms of fiction do. It can do what it wants, when it wants. It’s a sign of how clever the whole idea is that I ignore the man with the giant tongue to talk about it.

Naruto Ch. 645
As I’m writing this I have to go back and reread chapters to remember what happened. I don’t need to do that with Naruto because I know for a fact it won’t make any more sense the second time around. Here’s the problem with Naruto right now. It isn’t even that Sasuke is in the story. It’s that things are happening. But none of them carry any weight. The scale has gotten so ludicrously large that any escalation leaves me cold. Sure my attitude is influenced by past chapters, but it really is a problem that this series has gotten to the point where nothing that happens will be seen as important. A formerly somewhat important character dies? Who cares, it was only Neji, we’ve all forgotten about that now.

Please, Kishimoto, just finish this so we can see Naruto and Sasuke have their final battle. And please, stop it with the inappropriate comedy. You stopped being funny years ago.

One-Punch Man Ch. 025
There wasn’t any comedy this chapter, and it’s a sign of how talented these creators are that a series based on a single gag has grown so much. The action is amazing in this chapter, and the rising conflict is exactly what I expect from an action series. It’s a shame that a comedy series is doing a better job of it than certain action series are.

Then again, plenty of action series are trying and failing at comedy while this comedy series is trying and succeeding at action. Huh.

Jaco The Galactic Patrolman Ch. 008
Now this chapter I liked. Granted it was because I was reading a lot more tension into it than was actually there, with the possibility of “insert article of clothing name here” dying during the rocket launch. But beyond that I can’t say I’m a huge fan of this series. I’ve heard rumors of this actually being a prequel of Dragon Ball, which honestly makes no sense since the overall level of technology in this series seems a bit higher than it did in Dragon Ball. Though I could be remembering things wrong. Either way, I’m hoping things turn out the way I expect since that will help raise this series’ stock in my opinion.

Blue Exorcist Ch. 049
Methinks someone is taking some liberties with Hebraic/Christian mythology. I know this may come as a shock, considering this is a manga we’re talking about, which tend to usually be so faithful to the source material they are cribbing from, but I’m getting the sneaking feeling that the author only knows a bunch of names of demons without knowing who they actually are. Wondering what I’m talking about? Well, for one, suddenly Mephisto is also Samael, but most egregiously, Lucifer and Satan are now different characters. To put that into perspective for those of you that weren’t dragged to Sunday School every week, and then didn’t spend a chunk of University researching the Hebraic roots upon which most Christian mythology is built upon, Lucifer and Satan are the same person. Lucifer, the Prince of Light, was Satan’s pre-fall identity. And Samael is an early name given to Satan in Hebraic lore. While Mephistopheles is highly suggested to be yet another name given to Satan. So it’s three different people, all of which are actually supposed to be the same person.

As for the material in this chapter itself. It was okay I guess, but I’m a little peeved that we’re entering a rescue arc. Nothing wrong with rescue arcs per-say. But it’s still been incredibly overused. It’ll take a couple decades of nobody ever using a rescue arc again for me to not immediately say “Oh jeez, not another rescue arc.”

Nisekoi Ch. 089
Amnesia is a tired old trope. But I like what Nisekoi is doing with it here. We get to see a wrench thrown into the usual antics of the characters, and we’re getting the promise that this arc we’ll get more of the past. The series is still funny, though there are some latent issues slipping in here and there. Mostly with Rakku’s reaction to Tsugumi pulling a gun on him. “Girls shouldn’t use guns”? Yeah, that’s a can of worms I don’t think should be opened. But, latent sexism aside, this series continues to be funny, just in a slightly more haremy way than I was hoping for.

Dragon Ball Z Ch. 030
So the line was “Over 8000” all along? My whole life is a lie! Anyone know what the proper number is, because I’m really curious now. My theory is that 8000 is the original number, but that the english anime changed it to 9000 to avoid the consonant sound at the end of eight and make the line flow better. Still, we’re coming to the Goku and Vegeta fight soon, which should be plenty fun.

I hope we get a new series in WSJ soon, because at the moment it feels like most of what we get is getting a bit stale. I’m hoping for another Cross Manage or another Barrage, only this time I hope for a series that actually sticks around. What do you think the new series should be? Action? Adventure? Romance? Comedy? Or a bit of everything?

If you want to hear more, check out the Manga^3 Podcast Archives.

One Piece, Vol. 68

September 17, 2013 by Sean Gaffney

By Eiichiro Oda. Released in Japan by Shueisha, serialization ongoing in the magazine Weekly Shonen Jump. Released in North America by Viz.

It’s worth noting, when reading this volume of One Piece, how much fun Oda is clearly having writing every single chapter. His simple joy in drawing all this crazy stuff comes out from the page and just overflows into your brain. Be it giant slime monsters clearly based off of video games in his youth, the bodyswap continuing to humiliate Nami and Sanji (and ending at just about the right time so it doesn’t get old), or even our heroes happily commenting on how Luffy and Smoker are locked up in another seastone cage again, just like Alabasta! (Bonus points for it being Robin commenting, who was a villain at that point.) This manga is what happy feels like.

Of course, it’s not all fun and games – or rather, the fun and games continues to be contrasted with the atrocities that Caesar Clown is committing. Drug addict giant toddlers, poison gas corpses that look like something out of Edvard Munch, and Luffy getting completely punked in his first fight with Caesar, despite his supposed poison immunity… this is not simply a walk in the park the way other arcs have felt. We even have yet another mole for the bad guy who’s a Vice-Admiral with the Marines (and, Oda-style, has a hamburger affixed to his cheek. As he forgot it was there.)

We also see Kidd and some of the other Supernovas meeting to discuss Caesar Clown’s offer, and it reminds me of something that Oda has been showing us again and again: anyone with power in this world is highly likely to be evil or insane. Luffy and company are one of the few non-evil pirate crews, and, fittingly, Smoker and Tashigi’s group are one of the few non-evil Marine crews. When you live in a world like One Piece’s, with so much raw power out there to abuse, you run into people who will do all they can to hold onto it.

Luckily, our heroes are strong, and can’t be kept down for long. Everyone has their own bodies again, and Kin’emon, the samurai, has his full body back (and is really quite tall now). What’s more, Luffy and Law have formed an alliance! I suspect that Law will rapidly come to regret allying himself with Luffy and company, which to a certain degree involves throwing your self-image out the window and giving in to the goofy. I am amused that once again Luffy says, when being informed of a plan, “Yeah, OK, I got it”, and then merrily go off to punch things again. It’s not something anyone can stop at this point.

If there’s something that feels slightly dissatisfying here, it’s that Caesar Clown doesn’t feel like a big bad. He’s pretty scummy, and I’ll enjoy seeing him defeated, but the revelation that there’s someone behind him who’s the real mastermind makes a lot more sense, and as a reader, I’d really like to leap ahead to that battle. Till then, though, One Piece continues to go where it wants to with unlimited joy.

My Week in Manga: September 9-September 15, 2013

September 16, 2013 by Ash Brown

My News and Reviews

I posted two reviews here at Experiments in Manga last week. The first was for Yusuke Kishi’s novel of horror and survival The Crimson Labyrinth. Currently The Crimson Labyrinth is the only work by Kishi available in English, but Vertical will begin releasing the manga adaptation of his novel From the New World later this year. (The same From the New World recently had an anime adaptation, too.) I also posted my latest Blade of the Immortal review–Blade of the Immortal, Volume 25: Snowfall at Dawn. The last few volumes of Blade of the Immortal have been building up to the showdown between Shira and Manji; finally the time has arrived when they face each other.

There were a couple of interesting things that I came across online last week. First, there was an interview with Annaliese Christman, a freelance letterer for Viz Media. I didn’t know much about lettering, so I found it to be a very interesting read. The other item I wanted to mention was Dan Kanemitsu’s examination of the impact the upcoming Tokyo Olympics may have on censorship in Japan–Fear and Loathing in the Bold New Olympic Era. (Too long, didn’t read? CBLDF has a nice overview of the article with some additional commentary–Tokyo Olympics Emboldens Censors.)

Quick Takes

Fairy Tail, Volume 29 by Hiro Mashima. This is only the second volume of Fairy Tail that I’ve had the opportunity to read in its entirety. At this point my general impression is that it’s a fun, but rather generic series. I just can’t seem to shake the feeling that I’ve seen it all before. I do like the variety of magic styles, though. Most of the twenty-ninth volume focuses on the battle between five young members of the Fairy Tail guild and Hades, the guild’s former grandmaster. Although not entirely unexpected, there were some great moments during fight that really show off the group’s teamwork. Fairy Tail moves along quickly with plenty of battles and action sequences. For the most part, Mashima’s art works nicely. However, all of the cuts and scratches that the characters end up with over the course of their fights make them look like they all have scales, which is a little odd. Although for some characters, like Natsu with his dragon abilities, it’s rather appropriate.

Nana, Volumes 16-18 by Ai Yazawa. The more of Yazawa’s manga that I read, the more I am impressed by it. Nana is a fantastic series. The characters are complex and multilayered; the story is dramatic and absorbing without being overwrought. These particular volumes deal just a little less with the music industry and the bands as a whole. Instead, they delve more into the characters’ personal lives. Particularly important is the revelation of Nana and Shin’s pasts as well as their less than ideal family circumstances–something that proves to be very problematic. Also included in these volumes are two lengthy side stories. One shows Nobu and Nana’s relationship back when they were in school together. Similarly, Takumi’s complicated feelings for Reira is the focus of the other. The side stories are a really nice addition to Nana, giving the story even more depth. They show the importance of the characters’ relationships and how they developed over time to become what they are in the series proper. I’m really looking forward to reading the rest of Nana.

Saiyuki Reload, Volumes 7-9 by Kazuya Minekura. While the early part of the series seemed directionless, by the end of Saiyuki Reload Minekura has a great narrative drive going. Some of the plot elements and storylines do unfortunately seem to have been dropped or forgotten (though perhaps she pulls them all back in for the finale) but the manga does benefit from having a stronger focus. What is particularly interesting about these volumes is that the yokai’s side of the conflict is shown in more detail. Although there have been exceptions, for the most part the yokai have simply been the series’ monsters. Minekura makes it very clear here that the yokai are really not all that different from humans and that it is the humans who are sometimes the real monsters. Looking back, this has actually been one of the recurring themes in the series. Although Saiyuki Reload is ten volumes long, only nine volumes were ever released in English. It’s particularly tragic since the ninth volume ends on one heck of a cliffhanger.

Smut Peddler by Various. Smut Peddler had its beginnings as a three-issue indie minicomic series back in 2003. In 2012, Smut Peddler returned as a full-length anthology collecting twenty-six short erotic comics. Smut Peddler is a phenomenal collection of sex-positive, lady- and queer-friendly comics. I was particularly happy to see the diversity included in the anthology, not only in terms of the characters’ various identities but in genre as well. Smut Peddler contains science fiction and fantasy as well as reality-based works, both historical and contemporary. The stories are short, sexy, and sweet. Some are more serious and others are more humorous, but they are all heartfelt. I was previously familiar with and already follow the work of many of the creators included in the anthology, but there were plenty of artists and writers who I was encountering for the first time. (I now have even more creators I want to seek out.) Work has already begun on a second Smut Peddler anthology, currently scheduled for release in 2014. I can’t wait.

Velveteen & Mandala by Jiro Matsumoto. Reading Velveteen & Mandala was a rather odd experience for me. I was consistently engaged while I was reading it, but I wasn’t sure that I actually liked it. But after finishing Velveteen & Mandala I couldn’t seem to get it out of my head which to me is a sign of a good manga. The more I think about it, the more I want to read it again–it’s like a lingering and intense fever-dream (or nightmare.) Velveteen & Mandala is a very strange horror manga with strong psychological elements, extremely black humor, frequent pop culture references, and characters who all seem to be at least slightly insane. The ending’s big twist was something that I suspected from the very beginning of Velveteen & Mandala but that doesn’t make it any less effective. Velveteen & Mandala easily earns it’s 18+ rating–it’s gruesome, violent, and sexually explicit. The manga’s off-beat, weird, and bizarre horror and humor definitely aren’t for everyone, but if you can stomach it Velveteen & Mandala is a strangely intriguing work.

Otome Games Review: Destiny Ninja and Pirates in Love

September 15, 2013 by Anna N

So I’ve always been leery of manga adaptations of Otome games, just because I find the plots a bit too formulaic. Even though I do have a strong fondness towards reverse harem scenarios, so far the Alice in the Country of franchise is the only Otome game manga where I’ve felt compelled to read more than a few volumes. I’ve been very busy recently and needing a new distraction, so when I saw that there was a game out called Shall We Date: Destiny Ninja, I decided to give that a try. Falling all the way down the Otome game rabbit hole, I also started playing Pirates in Love as well.

Shall We Date: Destiny Ninja is available for android and iphone.

I decided to start playing this because the name “Destiny Ninja” was hilarious. I was even more amused after sitting through a few minutes of the prologue, where the ninja are identified solely by their personality traits. The choices were Aggressive Pompous Ninja, Wicked Mean Ninja, Mischievous Masked Dark Ninja, Indifferent Merciless Stubborn Ninja, Mean But With an Angel Heart Brother Like Ninja, or Sexy Foreign Ninja. I decided to go with Mischievous Masked Dark Ninja at first.

Dark Ninja is Hyosuke, who seems to spend most of his time alternating between making jokes or indulging in cold and calculating revenge. He’s got a bit of a split personality.

The heroine of the story wakes up with amnesia near a battlefield, with no clues to her identity other than the expensive clothing and necklace that she wears. She’s taken under the wing of a local lord and his shinobi, and one of the ninjas is assigned to protect her. The heroine slowly uncovers the clues to her identity while falling in love with her chosen ninja.

Destiny Ninja is free to play, but it has some cumbersome game elements that are basically designed to frustrate the player into spending actual money. You can only progress forward through each chapter if your ninja has energy. You can revive your ninja by feeding him rice cakes, which you can attain through purchasing or winning them in ninja lotteries, or getting more energy through leveling up. Each energy unit is only worth getting through about a couple dozen lines of text, so it takes a long time to get through several chapters. The energy units also fill up at a very slow pace without using rice cakes. Players can earn points and virtual money through befriending other players. There are stopping points and checkpoints along the way where you have to have extra items like shuriken and passes. You also have to accessorize your chosen ninja’s companion animal by giving it scarves and masks. While I think it would be entirely possible to progress in the game for free, you would have to have a great deal of patience.

The storyline is fairly standard, and when the characters end up going through a lot of ninja history plot exposition it cam be a tiny bit boring, but generally I was entertained. I’m almost at the end of the storyline with the first ninja I picked, and I started trying to play from the beginning again just to see how the story would differ with a different character. This time I picked the Indifferent Merciless Stubborn Ninja, who indeed seems to be both indifferent and merciless as advertized, although as the story progresses, he begins to seem less and less indifferent.

There’s a complicated love meter for the game where depending on the answers you give, you can get one of four endings with each ninja. This means that if you have an obsessive personality and actually want to experience all the endings, you will have to play through the game four times per character. There’s a “sweet happy ending” which is more emotional or a “lovey dovey” ending which is evidently more risque. In terms of general romantic content though, the entire game is about at the level of a slightly risque harlequin romance novel. The English translation for this game is also not very good, but you can still understand everything that’s happening.

The game interface for this game is a bit crowded, because there are so many little add-ons and extra tasks needed for you to complete the story. I found the visual clutter a bit endearing, although I did get frustrated at the slow rate of progression for the game, even after spending money on rice cakes to power up my ninja. It was so slow I decided to check out another game, Pirates in Love.

Pirates in Love is available for android and iphone

This game requires you to pay for stories after a free introductory chapter. The interface for the game is smooth and easy to navigate, there’s some background music for the game that quickly becomes annoying, and the art looks less like clip art. With each decision point the heroine has three options, and there are no extra mini-games or tasks to complete. Pirates In Love functions pretty much like a classic choose your own adventure novel. It is easy to go through the storyline for a character in about an hour and a half or so.

I figured that when playing a game with pirate characters, one has to go for the guy in the eye patch.

Hello there.

As much as I enjoyed the looks of eye patch guy, whose name was Eduardo, I didn’t care very much for the storyline. He seemed to treat the heroine like a dim-witted mascot most of the time, and while certain aspects of Eduardo’s mysterious past were very interesting, there was a bit of a misogynistic vibe that I didn’t care for too much. By the end of the story he is much less of a creep, and he does get style points for the eye patch. I found the game interesting enough that I decided to play again with a different character, Russell the arrogant fencing pirate.

This storyline focuses more on the hero gaining a more mature sense of his place in the world, and it wasn’t as complex as Eduardo’s journey where he deals with his past, eye patch, and various conflicts with other pirates. It was less annoying but also a bit less interesting than the first character I tried. This game does a good job of balancing appearances from all the characters in every story, so it is easy to start wondering about all the different outcomes if you tried to play through the game with yet another character.

For my third time through this game, I picked the womanizing borderline alcoholic pirate captain.

Captain Morgan’s story involved ensuring an island’s water supply, mysterious twins, him being chased through a towm by all the woman in port that he wronged before, a hydra, and pirate captain political maneuvering. It was probably the most entertaining of the stories I’d tried so far in Pirates in Love, and of course the heroine cures him of his alcoholism and womanizing by the time the story is done.

Pirates in Love was much less frustrating to play than Destiny Ninja, because once you’ve bought a storyline you can play it until the end, and you can also go back and switch your answers to try to get a different ending without having to pay any extra. I actually played through three full stories in Pirates in Love for less money than I spend on buying rice cakes and other items in Destiny Ninja. Overall, I think Pirates in Love is a better value for what you get from the game, although I do find all the ninja quite amusing. I found my first foray into Otome gaming much more entertaining than I thought it would be. I’m going to continue with both of these games, as there are a couple characters with stories I’m still interested in from Pirates in Love. I might just adjust to the glacial pace of Destiny Ninja and play it more casually, as the lag time in normal game play makes it a bit frustrating to follow the stories closely.

If you do decide to give Destiny Ninja a try, my invite code is:CqWB9YLrSW (we both get bonus rice cakes!)

Who exactly are these pirates in love with?

Weekly Shonen Jump Recap: July 22 – September 2, 2013

September 15, 2013 by Derek Bown Leave a Comment

Well, it’s been a while. I have to apologize for my long silence. Personal circumstances and a stressful stretch of months at work made it very difficult to get anything done outside of waking up, going to work, coming home, playing video games until I pass out, and then waking up to start it all over again. Now, to some that second to last part might sound like I was just being lazy. And yes, there was a certain element of laziness involved. But it was less motivated by being a slacker, rather it was because nine to eight hours a day working customer service will drain the desire to do anything, even something you enjoy, out of anyone.

But, with no real change in my situation in sight, rather than just give up, I’m going to just suck it up and pick back up where I left off. I love writing about manga, and if I don’t share my opinions here, then where else can I go that people will actually listen when I go off on an incoherent rant about Naruto, Bleach, and World Trigger?

Obviously covering the past month plus in detail would take too long. So instead I’m going to give a quick recap of what I’ve thought of the past few weeks of manga before getting back to producing this column at a weekly rate.

And because the order in which the chapters are posted changes from week to week, I will be posting my comments about each series in the order that I feel like talking about them. So, essentially it’ll be organized by what I liked most to what I liked least.

Cross Manage
It’s been a while so I can’t be certain, but I do believe I forgot to cover Cross Manage‘s final chapter. Astute readers may notice a correlation between the end of this manga and when I went on my extended hiatus. And yes, I would say that the two are connected. I really did fall in love with this series, and really do think it could have gone much further than it did. Sadly it would appear that the readers of Japan did not agree with me. And while this may just be a pipe dream, I hope that in the future our votes will matter in regards to which series will get cancelled. But, even if that does happen in the distant future, it won’t be enough to save this series.

Since it has been long enough since this series was cancelled, and my initial rage has subsided to a certain extent, I feel that now I can talk about this final chapter without making veiled and overt threats towards the Japanese readers for letting this series get cancelled.

And, like I had been saying, the ending really was satisfying. Sure there were some elements that didn’t get resolved, but it ended well by foregoing the “See, this is what you could have had route” that so many passive aggressive manga artists seem to go when their series is cancelled prematurely. As Viz brings out the digital volumes I’ll be reading the series again, so that I can at least enjoy one of the only sports manga I ever liked.

I know it’s a bit late, but please, I want to know how everyone else felt about this manga ending. Also, I feel it’s relevant to point out that I think there are certain series that have been going on for years with established fanbases that are making the rankings system extremely unfair towards new series. We know One Piece and Naruto are going to stick around, so why should anyone be voting for them? I say we need to take those series out of the voting pool, they will keep going no matter what, and open up the floor for new manga to get some votes. After all, beating series like One Piece, Toriko, Bleach, and Naruto is an insanely unfair requirement for new series.

One Piece
While I’ve been losing a good deal of my enthusiasm for Weekly Shonen Jump since the cancellation of Cross Manage, at least One Piece has been there for me all along (not counting those couple of weeks hiatus due to health reasons). And while the story has been great, with this last week revealing the nature of Don Chin Jao’s gripe against Garp in the most ludicrous way, I think events relating to Oda’s life have been far more significant. With his health issues it’s become clear that fans don’t mind Oda taking some time off. After all, if we have to go a couple weeks without new manga so that the series actually keeps going then that’s a small price to pay. It’s also helped to remind us that while a manga-ka’s schedule is insane and inhumanely punishing, the editors are also human and want their artists to stay healthy, as shown by how they’ve been insisting Oda take it easier and actually take scheduled breaks even after a month long hiatus.

While we love having weekly manga, I think the grueling schedule manga artists go through to provide us with manga is worth discussing. It makes the issue of piracy even more relevant, considering that so many of us are willing to take what they’re sacrificing their lives for for free. And granted there is distribution to keep in mind, after all how can one get manga that isn’t being officially translated, I think what we really need to do is spread the word about this magazine so that we not only get more series in this magazine, but so that other companies make it worth their while to start emulating Viz.

Toriko
Toriko the past couple weeks has shown that I may not be the biggest fan of our protagonist. He’s not awful, but compared to all the other characters I can’t help but feel like Toriko is a bit…dull. This series is the definition of Cuckoo for Cocoa Puffs, so it’s a shame when the protagonist feels a bit samey with all the other protagonists in manga. Still, everything else has been amazing in that silly Toriko way. The power levels of the players keep ramping up in ways that sometimes make absolutely no sense but I’m inclined to forgive it because this series just does ridiculous so well.

Nisekoi
Nisekoi has been a bit hit and miss over the past month or so. I’ve been enjoying it, but some chapters were weaker than others. I particularly haven’t been a fan of the Haru heavy chapters, but there have been some great ones. The teacher leaving her job after getting married was problematic for me, but you can always listen to the podcast as to why I thought that. The most recent chapters get into the old amnesia shtick, but I find that it’s working so far if for no other reason that it’s being used to hang a lamp shade on harem series tropes. Particularly the unspoken reality that most harem protagonists would be considered scumbags in real life.

One-Punch Man
The amazing thing about One-Punch Man is that it goes beyond just being funny. It has great action, and great characters. Sure Saitama is pretty one note, but he’s entertaining enough and the side characters, even brand new ones, get some pretty great moments to shine. I won’t lie, the Puri Puri Prisoner character is problematic in how it shows that Japan apparently has a ways to go in their social rights issues. Though it does make me chuckle to compare how most gays are portrayed in our media versus how they are portrayed in manga. Let’s just say that at least gays in our media aren’t being threatened with arrest for hitting on other men.

Bleach
Bleach has been off for most of the time that I’ve been gone. And no, this is not a case of correlation. I honestly could care less about this series as it is now. We’ll see where things go when it picks back up this week, but all that really needs to be said now is that this series has been dull for far too long. It better pick up with this finale, and I hope that Kubo is able to resolve things in a way that satisfies everyone. And if that isn’t possible than I at least hope he resolves everything in a way that satisfies me specifically.

Dragon Ball Z
Dragon Ball Z may not be the most sophisticated manga out there, but I can’t help but love its old fashioned simplicity. Sometimes all we need is a little punching and characters yelling out their attack names. Without all the extra complications. Granted Dragon Ball Z is hardly my favorite manga, but I really do enjoy reading these old chapters again.

Blue Exorcist
I love a good “traitor revealed” moment. And then I start questioning whether it actually makes sense. A month is a long time for me to suspend my disbelief, but we’ll see whether it actually makes sense this coming chapter. My best guess is that it’ll be a red herring. Or maybe I’m wrong and Blue Exorcist is about to be shaken up real well. Which would be really well done, considering that Kato was distracting us with the Rin, Yuki, and Shiemi triangle.

Naruto
I don’t like Naruto. I really don’t. And with so many other series to go over I don’t think it’s worth my time to list exactly why this series has been pissing me off of late. But don’t worry, we’ll go back to our regularly scheduled rants with this coming week.

Jaco the Galactic Patrolman
Toriyama keeps saying that we probably won’t enjoy this since it doesn’t have the stuff he usually puts into his manga. And I keep saying that I agree with that statement. Jaco is a fun enough diversion, but hardly a work of art. But, considering how harmless it is I don’t see why I should waste any time complaining about things the author would probably just agree with anyway.

World Trigger
I hate this series for one reason and one reason only. It’s dull, it’s predictable, the characters are getting on my nerves. But the one reason is that I feel like this manga artist is wasting their time. So many better series have been cancelled, and this lousy series can’t be bothered to actually make an effort to stop sucking. And even when it does try to get some kind of direction it’s in a direction that was overused a decade ago. And even the fight scenes, while competent at places, spend most of the time being dull. It infuriates me that this series is still going when I can think of at least two that have been published in this magazine alone that should have kept going.

And that catches us up. Look forward to more consistent releases as I put my big boy pants on and actually get stuff done despite my work schedule.

If you want to hear more, check out the Manga^3 Podcast Archives.

Strobe Edge, Vols 5 and 6

September 15, 2013 by Anna N

One of the reasons why I keep reading manga is that it still has the capacity to surprise me. I found the fifth volume of Strobe Edge exciting to read, because it went in a totally different direction from what I was expecting. I’d always expected that the love triangle between Ren, Mayuka, and Ninako would have to be resolved somehow, but I wasn’t expecting a big change to come from Mayuka this early in the series. Ren is deliberately holding himself back from developing feelings for Ninako due to his sense of duty towards Mayuka. She’s emotional fragile and stressed out with the demands of her modeling career, school, and her parents’ divorce. Ren has a finely honed sense of integrity and wouldn’t do anything to hurt another person, with the expense of actually subverting his own feelings in the process.

I always expect anyone in a shoujo manga with a modeling career to be evil, but Mayuka shows that she’s been slowly picking up on Ren’s distance, coming to terms with her own goals for how she wants to live her life, and she realizes that she’s the one who is going to have to take a big step forward on her own. The change in Ren and Mayuka’s relationship isn’t without pain on both sides, but everything is handled with a degree of emotional maturity and sensitivity that is notable. It is fun to read a shoujo series that explores the shifting relationships between characters with such nuance.

In the meantime Ninako and Ando are in the grips of adorable teenage awkwardness, as she attempts to bury her own feelings for Ren and Ando tries to show her that he’s the better choice for her. Ando’s shifted from the cheerful flirtations personality that he displayed in the first few volumes to showing Ninako just how much he cares about her. There was a fun bonus story in this volume that delved into the past friendship between Ren and Ando, and just where it went wrong. This is the type of bonus story that I really enjoy, as it gives the reader a glimpse of the characters in a slightly different context, and provides more background as the manga moves forward.

There’s emotional turmoil ahead in the sixth volume of Strobe Edge, as Ando’s antagonism towards Ren resurfaces and Ren is dealing with the aftermath of his breakup with Mayuka. The burden of popularity and extreme handsomeness weighs heavily on Ren, as he is girlfriendless for barely a day before the girls at school start circling him. Ninako assumes that Ren is sad, and doesn’t want to do anything to add to his stress. Even with Valentine’s day coming up, she doesn’t want to add to the mountain of chocolate he’s going to be receiving from all the other girls.

There are some fun action scenes as Ren and Ando (mostly Ando) work through some aggression on the basketball court. The antagonistic relationship between them takes a turn towards the hilarious as Ando gets injured and when he wakes up and spots Ren he yells “You’re what I have to wake up to?” If Strobe Edge was only focused on the relationship between Ninako and Ren, it has the potential to get boring fairly fast. But seeing Ren and Ando start to work through their issues feels like an important emotional breakthrough. Ando instructs Ren not to smile, and Ren assumes that it is because his smile is somehow hideous, but really Ando doesn’t like the inadvertent effect a smiling Ren has on all the people in his vicinity. The end of volume six offers the promise of a new beginning at the start of a new school year, with Ren and Ninako being assigned to the same class.

Strobe Edge is a good example of why sometimes it is good to give a manga series a few volumes to develop before giving up on it. I was a bit on the fence about this series after reading only the first volume even though I generally enjoyed it. I wouldn’t have thought from just the first volume that Sakisaka would have built up the interesting relationships between the characters and handled some emotional journeys without relying on some of the standard shoujo plot elements. In some ways Strobe Edge is a less angsty successor to We Were There, as both series explore similar nuanced psychological territory.

Review copy of vol 6 provided by the publisher.

Hayate the Combat Butler, Vol. 22

September 15, 2013 by Sean Gaffney

By Kenjiro Hata. Released in Japan as “Hayate no Gotoku!” by Shogakukan, serialization ongoing in the magazine Shonen Sunday. Released in North America by Viz.

This volume, and the two that follow it, are for me the high point of the entire run of Hayate the Combat Butler. Hata has a tendency to get sidetracked and lost in comedy asides, to the point where he’s started to parody his tendency to do so. Also, it’s becoming quite clear that someone is telling him that he has to keep the series going and can’t wrap things up. But that’s in Japan. Here, we’re finally getting to the good stuff. All the slow character development, glacial plot points, and G*ndam references lead to this confrontation in Greece.

For all that Hayate is a wacky harem comedy, it has some dark tones at its core. Mostly it’s been about the horrible parents of Hayate, Wataru and Hina, and the absent/dead parents of Nagi and Athena. But there’s also been a sense of aiming for your dream and failing that’s come up several times with Hina’s alcoholic sister Yukiji. She’s in Italy because the teacher (and old high-school friend) who has a crush on her is trying to make grand gestures so that he doesn’t have to actually confess. After a chapter of misunderstandings and beatings, the now drunken teacher wonders out loud how the cool, guitar-playing Yukiji turned into the lazy, shiftless, aimless young woman we all know. And the answer is that life happens. It’s why people make wishes, and dream of fairy stories. And create magical luck stones, for that matter.

Speaking of which, we finally get the confrontation we’ve waited 10 years for… well OK, four volumes. Hayate sees Athena, and calls out to her. Unfortunately, she doesn’t know who he is. Or at least pretends she doesn’t know – as a very cute aftershot tells us, she is quite aware of Hayate but has some longer game, which involves that stone. The last volume gave us a few minor villains trying to get their hands on the stone, but now we move on to the more dangerous players. 16-year-old Athena looks like a dark queen, what with her black dress and princess curls (and healthy bust – clearly larger than any of the other girls in Hayate’s wannabe harem). We can only hope that she sides with her feelings over her need for that stone.

And so, having started the volume with Yukiji noting that sometimes things don’t work out, and dreams don’t come true, we end with the dinner date between Hayate and Hinagiku, who is determined to confess. Of course, Hina is mistakenly thinking that Hayate hates her because of her tsundere antics. And Hayate has worked out that Athena was lying, and is wondering what to do now and why meeting Athena is affecting him so much. So the dinner date is a masterpiece of distraction. Tragically, the two characters have revelations exactly at the WRONG time. Hina finally mans up her courage and starts to confess. And Hayate finally puts two and two together and realizes why he’s so devastated by Athena’s disfavor, and why he wants desperately to apologize: he loves her.

It’s an epic cliffhanger, to be sure. Hata certainly thought so, as Vols. 23 and 24 came out in Japan the same day. Sadly, that won’t happen here, where Hayate simply doesn’t have the sales. So we’ll have to check back in another six months to see how Hayate’s admission affects Hina, and whether it spurs him to return to Athena. The tension only gets higher from here.

Blade of the Immortal, Volume 25: Snowfall at Dawn

September 13, 2013 by Ash Brown

Creator: Hiroaki Samura
U.S. publisher: Dark Horse
ISBN: 9781595828835
Released: August 2012
Original release: 2009
Awards: Eisner Award, Japan Media Arts Award

Snowfall at Dawn is the twenty-fifth volume in the English-language release of Hiroaki Samura’s award-winning manga series Blade of the Immortal. Published by Dark Horse in 2012, Snowfall at Dawn collects the same chapters as the twenty-fourth volume of the original Japanese edition of Blade of the Immortal released in 2009. Blade of the Immortal first began serialization in 1993 and has covered a lot of ground since then. Starting as a story of revenge with a touch of the supernatural, the series mixes historical reality with the fantastic and later on even a healthy dose of horror. Snowfall at Dawn is part of the fifth and final major story arc of the series. With morally complex characters, dynamic artwork, and an engaging story, Blade of the Immortal continues to be one of my favorite manga series.

After their daring assault on Edō Castle, Baro Sukezane provides the diversion needed to allow his comrades Magatsu Taito and Anotsu Kagehisa, the leader of the Ittō-ryū sword school, to escape. They aim to rejoin the rest of the Ittō-ryū as quickly as possible while avoiding their pursuers. Among those trying to locate Anotsu are Asano Rin and Manji, her bodyguard and companion. Little do the pair know, but they are also being pursued. Shira, a sadistic murderer who holds a particularly intense grudge against Manji, is steadily getting closer to exacting his revenge. Accompanying Shira is Kawakami Renzō, a broken young man with his own reason for hating Manji. It’s only a matter of time before the four of them meet once again. The encounter is one that Shira has been preparing for and fantasizing about, taking great pleasure in anticipating and contemplating the pain and torment his plans will bring Manji and Rin.

The last few volumes have been building up to the confrontation between Shira and Manji. Unsurprisingly, their battle is the focus of Snowfall at Dawn. What did surprise me, however, is how comparatively tame it is physically when considering the perverse and barbaric nature of Shira’s past exploits and misdeeds. The potential for extreme physical violence between Shira and Manji is great. Shira is an unapologetic and twisted sadist while Manji is a man who is extraordinarily difficult to kill, making him an ideal victim and target. But Shira isn’t only interested in Manji’s physical suffering, he also takes great joy in causing mental anguish. Although there is still plenty of bodily harm and pain inflicted during the battle in Snowfall at Dawn, the psychological impact and agony caused by Shira’s attack on Rin and Manji is just as crucial to the fight. Out of all of the characters in Blade of the Immortal, Shira is easily the most unquestionably villanous and terrifying.

In addition to the showdown between Shira and Manji, Snowfall at Dawn also reveals Shira’s whereabouts during the long prison story arc as well as his involvement in the immortality experiments. Shira may be an utter bastard, but he’s had some unspeakable things done to him as well. As part of this, there is also a lengthy discourse in Snowfall at Dawn about the nature and limitations of Manji’s bizarre regenerative abilities. While vaguely interesting, it is largely unnecessary. Anyone who has been reading Blade of the Immortal should be well aware by this point that Manji’s immortality is imperfect; ample evidence can be found throughout the series. However, Samura hasn’t previously gone into such specific detail about it as he does in Snowfall at Dawn. Unfortunately, he has to interrupt the flow of the story in order to do so. Still, Samura soon returns to what really matters in Snowfall at Dawn–Manji and Shira’s battle, which will reach its conclusion in the next volume, Blizzard.

Manga the Week of 9/18

September 12, 2013 by Sean Gaffney, Michelle Smith, Ash Brown and MJ 3 Comments

SEAN: Three weeks this September have a huge pile of manga, one is merely a small pile. This is that week. (Though some may get Yen titles one week early via Diamond.)

Genshiken has continued to prove that if you have a good enough ensemble cast, it doesn’t matter who the ‘lead character’ or stars are. It rotates students in, it rotates students out. Well, OK, Madarame and his not-quite-harem continue to be the focus of the 2nd Season. Vol. 3 is out this week.

MICHELLE: I must admit that I have never read any Genshiken.

ASH: I haven’t read any of the second season yet, but I did rather enjoy the Genshiken omnibuses. Guess I’ll need to catch up!

MJ: I’ve always been interested in this title, but missed picking up the first season, so I’ve never managed to get into it. I would like to rectify that at some point!

SEAN: The other Kodansha title, Sherlock Bones, you may at first glance think is meant for younger readers, especially once you see the premise “Sherlock Holmes reincarnated as a dog”. That said, I think there may be something I can do to tempt old-school mystery and manga fans to get this volume: “From the creator of Kindaichi Case Files.”

MICHELLE: … and also !!! That certainly tempts me!

MJ: What she said!

SEAN: Everyone knows that old-school manga titles are not really looked at by companies anymore. UNLESS… they’re by the late director Satoshi Kon, aka Perfect Blue, Tokyo Godfathers, etc. Tropic of the Sea was a single-volume manga he did for Kodansha’s Young Magazine in 1990, and it’s at the start of his career, before he became famous for other things. It promises to be riveting, from what I hear.

ASH: I’m really looking forward to Tropic of the Sea. That cover is simply gorgeous and the interior art I’ve seen is also striking.

MJ: I’m very interested in this as well.

SEAN: Bokurano: Ours must still have cast members to kill off in a tragic yet heartwarming and life-affirming way, as the series is still going. Here’s Vol. 9 from Viz, whose continued support of the SigIKKI line I will always appreciate.

MICHELLE: I’ve fallen somewhat behind on Bokurano: Ours, but I do like it.

SEAN: Lastly, Ooku: The Inner Chambers has a new volume. We’re caught up with Japan, and the series doesn’t come out all that rapidly anymore. But this just makes this alternate world tale of court intrigue a rare treat.

MICHELLE: Yay, more Ooku!

ASH: Indeed! Hooray for more Ooku!

MJ: Insert additional cheers here!

SEAN: What manga dost thou wish to acquire on the morrow?

Pretty Guardian Sailor Moon Short Stories, Vol. 1

September 12, 2013 by Sean Gaffney

By Naoko Takeuchi. Released in Japan as “Bishoujo Senshi Sailor Moon” by Kodansha, serialized in the magazine Run Run. Released in North America by Kodansha Comics.

There’s an important thing to keep in mind when reading this first of two collections of short stories that were interspersed throughout the series’ run: they didn’t run in Nakayoshi. They ran in a sister magazine, run Run, which was also home to Sailor V. Run Run no longer exists today, but I seem to recall when it was around that its core audience was girls about 2-3 years younger than the usual Nakayoshi audience. And that’s not even getting into the fact that these are quick side-stories Naoko dashed off in between chapters, so are naturally going to be a bit more comedic and fluffy than the core plotline.

If all of this sounds a bit defensive, well, let’s just say that ‘light and frothy’ doesn’t begin to describe this volume of Sailor Moon extras, most of which are very silly and not exactly lending themselves to deeper analysis. Four of the stories star Chibi-Usa and her friends (with occasional rescues from Sailors Moon and V), while three others detail the struggles of the Inners to pass high school exams. The first one is around the R continuity (Chibi-Usa has just arrived, and is meeting her very busty friend Momo… Ranma fans will immediately be reminded of Shampoo), but most of the stories take place around the SuperS continuity – indeed, a few of them were adapted into the SuperS anime – with the final one seeming to be around Stars, given it has Hotaru.

This is not to say I did not 100% enjoy these stories, as I did. I like Naoko’s style of blatant humor, and she has a knack for amusing caricature faces. The Chibi-Usa stories at the beginning are pure fun for kids, with the kids getting into danger and having to transform to get themselves out of it. The story at the end is slightly longer and attempts to have more depth, but there’s only so far you can go when you find out that Naru’s sister is not only a kogal but is also named Naruru. It’s good to know that Japan has horrible naming sense as well. (Also, kudos to Mari Morimoto for the translation of this chapter, which was filled with topical Japanese slang that Chibi-Usa and Hotaru pointed out and lampshaded throughout, thus making it virtually unadaptable. A very nice job.)

My favorite part of the book, I will admit, are the three stories focusing on the Inners. Makoto’s is probably the weakest, but we do get some amusing scenes of her procrastination through cooking and housework, and also hear about her late parents for what may be the only time in the manga OR anime canon. (They’re killed in a plane crash when Makoto was a little girl, which is used here as both an amusing gag and to have Mako gain sympathy points from her friends.) Ami’s First Love is probably the best written of the three, and it’s no surprise that the anime adapted this into a short film for theaters. Ami can be very tightly wound, so seeing her coming unglued at finding a student who’s just as perfect in studying as she is is hilarious, particularly when she gets so upset by this she seems to make herself ill.

And then there’s Rei and Minako. I’ve discussed how much I love this chapter before, silly as it is, and that hasn’t changed. The manga version of Rei – cool, collection, a bit ‘ice queen’ – is in such contrast to Minako’s extrovert that it makes sense that she’d want to see what Rei’s life at school is like – and yes, she’d want to ask if Rei farted. I think that Minako regards Rei as a bit too perfect, and this is just her own tactless way of trying to reassure herself that Rei is human after all. Of course, all that her visit to Rei’s perfect Catholic school ends up doing is tweaking Minako’s own insecurities – and that leads to Rei seeming genuinely upset at Minako getting angry, showing she *isn’t* the perfect ice princess. Rei is likely very lonely at that school where she only has admirers, and just can’t express her friendships in the way that Minako wants her to. Still, they manage to bond by… well, Rei being possessed and trying to kiss Minako. And afterwards being crankier than ever. But Minako’s feeling good again, and that’s what’s important. Bless these children.

So if the Sailor Moon series was a full-course meal, then this is dessert. Don’t go into it expecting anything more than delicious sweets that are easy on the eyes but not all that good for you, and you should be fine. Also, Rei has never farted. She is better than all of us.

The Crimson Labyrinth

September 11, 2013 by Ash Brown

Author: Yusuke Kishi
Translator: Masami Isetani and Camellia Nieh
U.S. publisher: Vertical
ISBN: 9781932234114
Released: October 2006
Original release: 1999

The Crimson Labyrinth, written by Yusuke Kishi, was first published in Japan in 1999. Prior to the novel’s release, Kishi had won two Japan Horror Association Awards. He continues to be a bestseller and award winner in Japan both for his horror and for his speculative fiction. The Crimson Labyrinth was released in English in 2006 by Vertical with a translation by Masami Isetani and Camellia Nieh. The novel was Kishi’s English debut and so far remains the only work of his that has been translated, although Vertical is scheduled to release Tōru Oikawa’s manga adaptation of Kishi’s novel From the New World in 2013. The Crimson Labyrinth was my introduction to Kishi and his work. I was particularly interested in reading The Crimson Labyrinth after seeing it compared to Koushun Takami’s Battle Royale, a personal favorite of mine. Also, I tend to enjoy just about everything that Vertical publishes.

Forty years old and unemployed, Yoshihiko Fujiki never expected that answering a job advertisement would end up with him being drugged and abandoned in the wild. He wakes up alone with only a small amount of food and water and a Pocket Game Kids handheld game console to keep him company. Soon he encounters Ai Otomo who is also wandering alone and who has been given similar provisions. Following the instructions provided by the game console, together they navigate the labyrinthine corridors and valleys of the bizarre landscape in which they find themselves. When they reach the first checkpoint indicated by the console they discover another group of people waiting there. All together there are nine Japanese men and women and no one seems to be certain of what is going on, where they are, who has stranded them or for what purpose. What they do know is that have become unwilling participants in a perverse game of survival. If they want to stay alive they may very well have to turn on each other.

The Crimson Labyrinth is heavily influenced by extreme reality television as well as classic, text-based role-playing games. And just like those RPGs, the decisions made by the characters early on in The Crimson Labyrinth are the most crucial and will determine how the rest of the game will play out. At first the group of nine works together, but their cooperation quickly disintegrates. The group fragments into four smaller teams, each following a different path outlined by the game: survival, self-defense, food, or information. Game theory might suggest how the competition will progress and what will lead to the ideal outcome for all involved, but as Fujiki points out, game theory is nearly useless in their situation. It depends on people making logical and rational decisions after considering all the information available to them. Humans are most certainly not rational creatures, especially when faced with the unknown, consumed by fear, and fighting for their lives.

Most of The Crimson Labyrinth takes place over the course of a few weeks. As events and the game unfold, the novel is seen exclusively from Fujiki’s perspective. For a large part of The Crimson Labyrinth he doesn’t interact much with anyone except Ai. This is a little unfortunate since the utter hell the other teams are going through can only be inferred. But as the novel and the game progress, Ai and Fujiki come across shocking evidence that the other players are having a very hard time of it and that it didn’t take long at all for violence to erupt. The wilderness is filled with its own dangers, but it’s really their fellow humans that they need to be wary of. Terrible things happen in The Crimson Labyrinth. What makes it even worse is the fact that so many of them could have been avoided if only people were able to bring themselves to trust each other and work together. In the end, no one is entirely innocent of the deaths that occur. A quick read, The Crimson Labyrinth is an absorbing novel of horror and survival.

It Came from the Sinosphere: State of Divinity (Part 2)

September 10, 2013 by Sara K. Leave a Comment

Picking up from last week, here is even more State of Divinity.

Background

This is a TVB production.

TVB Hong Kong’s (and the Cantonese-speaking world’s) biggest commercial television station, and one of the most popular television production companies in all of Asia. Their hit shows get dubbed in Vietnamese Indonesian, Hindi, Mandarin, Thai, and other widely major languages.

In wuxia, ‘TVB’ is a legendary name. Many people around Asia (and in Asian communities abroad) first got hooked onto wuxia due thanks to a TVB production. TVB has also been a launching point for the careers of many of Hong Kong’s top actors. In particular, the 1980s is known as the ‘golden era’ of TVB wuxia dramas.

Chow Yun-Fat as Linghu Chong and Rebecca Chan as Ren Yingying from the 1984 TV adaptation.

Well, this drama, State of Divinity, was made in the 1990s, after the ‘golden era’. Yet on every single list I have ever seen ranking wuxia dramas from the 1990s, State of Divinity is always in first or second place. This is actually the second time that TVB has adapted this novel – the first adaptation was The Smiling Proud Wanderer 1984, starring Chow Yun-fat as Linghu Chong. Yet, in spite of the fact that The Smiling Proud Wanderer 1984 was made in the golden 80s, every single reviewer says that State of Divinity is much, much better.

This is also TVB’s last adaptation of this novel – in 2000, Jin Yong revoked TVB’s license to adapt his work.

The Visuals

State of Divinity is not ugly. At times, it’s pretty. But if you compare it to Laughing in the Wind, which is probably the most beautiful TV drama I have ever seen, it will lose really, really badly. Therefore I will be merciful, and not compare them.

Shenggu is wearing a veil as she walks out of a burning building.

I do like this dramatic shot.

Yilin and the Hengshan Sect

I think Yilin, the young Buddhist nun, might be one of the most under-appreciated characters in the story. Almost nobody takes her because she’s just a teenage girl, and as well all know, teenage girls – particularly teenage girls with strong feelings combined with doubt – are by default silly. But if you actually think about what she says and what she does … it actually does not seem so silly after all, at least not to me.

She says that if doing the right thing would mean going to hell, then she would willingly spend an eternity in hell. Think about that for a moment. If she things that doing the right thing *might* send her to hell, that means that she does not consider the Buddhist world order to be perfectly just. While her religion heavily influences her sense of ethics, she thinks it does not have the final word on what is right and what is wrong. And she is so committed to doing the right thing that she would be willing to go to hell for it.

Can you bribe someone who is willing to go to hell in order to do the right thing? Can you threaten them?

In this respect, Yilin and Linghu Chong are very much alike. For most of the story, Linghu Chong believes that he is going to die quite soon, so whenever somebody tries to bribe/threaten him, his standard response is ‘I am going to die soon, so why should I care?’

The nuns of the Hengshan Sect

And then there is the doubt. Her religious order tells her on thing, her father tells her another thing, and then there are the feelings inside her own heart that she doesn’t completely understand. It is therefore quite reasonable that she is not sure what to do, and she is humble enough to recognize this. However, in the deepest levels of her heart, I think she has no doubt that she wants to do the right thing, it is merely a question of what the ‘right’ thing actually is.

Of course, Yilin is part of the Hengshan Sect, which is the voice of morality in the story. And many of the issues specific to Yilin also apply to the whole sect. The Hengshan sect is an order of Buddhist nuns who have taken vows to live a simple life and do no harm. While many characters publicly praise the Hengshan Sect for their upright way of life, they privately hold contempt for that ‘bunch of nuns’. I think this partially because the nuns are women, but I think it’s also because, by putting morality and humility first, they silently critique anybody whose goal is to amass power and prestige.

It’s interesting to note that, while the Hengshan Sect has many rules, whenever those rules come into conflict with what’s right, they always bend the rule and do what’s right. This is something which almost no other group in the story will do – and indeed the Hengshan Sect gets heavily criticised for bending its rules. How dare they put ethics first! Silly women!

Laughing in the Wind removes much of Yilin’s and the Hengshan Sect’s role in the story, and I understand why – its interpretation of the story doesn’t need them so much. State of Divinity, on the other hand, really does justice to Yilin and the Hengshan Sect. They are a crucial part of State of Divinity’s humanistic vision.

The Thick, Deep Humanity of It All

One thing that is really striking about this drama is the depth of the human relationships.

For example, more than any other version of this story I’ve experienced (including the original novel), this TV show establishes really well the relationships within the Huashan Sect. While
they certainly aren’t a perfect ‘family’, overall, it feels like a tight, warm group.

Linghu Chong is injured. Again. Never fear, the Huashan Sect looks after its own.

Of course, this makes the eventual fate of the Huashan Sect all the more heartbreaking.

And then there is Zuo Lengshan. Unlike most of the ‘villains’, he doesn’t seem to have any redeeming qualities. Yet in this adaptation, he feels human. That’s not to say he is *not* a villain – his actions, after all, are pretty much the same as in every other version of the story. But it feels like there is a human being behind those actions, rather than a mere ‘bad guy’.

Zuo Lengshan is puzzled.

I think what made the difference to me was the very first episode, where Zuo Lengshan was pondering something which puzzled him. Something about that very simple act – trying to figure out a something he doesn’t understand – made Zuo Lengshan feel like a genuine person.

Indeed, it seems much of the artistic directive in this TV drama was to make everybody feel like a real person. For example, there is an entire new subplot which is added just to explain why Yue Lingshan acts a certain way (she does the same thing in most versions of the story, but it usually difficult to buy it).

Yue Lingshan

Clearly, the actors put a lot of work into making their characters feel genuine, and to make their connections feel authentic. In addition to the actors work, there’s also the work of the camera operators and editors – I didn’t realize just how much of this TV show consists of meaningful glances and reaction shots until I translated that scene for Part 1. It all works really, really well.

The Bad Gender Baggage

Alas, there is a huge exception to the story’s humanistic vision, and that’s the way it handles non-binary/cis gender. Or, if I may be blunt, it’s transmisogynist.

During the course of the story, four characters lose their testicles. One of them loses his testicles in an ‘ordinary’ way – while he loses his interest in sex, his voice doesn’t change, and he generally still seems fairly masculine. This is consistent with what happens in the real world to people who lose their testicles post-puberty.

The other three, however (I am making up a term in order to avoid spoilers) ‘go through the mork’. In addition to losing their genitalia, they become stereotypically feminine – they develop an interest in pretty clothes, make-up, embroidery, etc. Clearly this is due to ‘going through the mork’, not just the absence of their testicles.

The thing is, these three characters happen to be villains.

Now, in some versions of the story, you could argue that they were evil *before* they ‘went through the mork’, and that it’s just a coincidence that the characters transitioning from male to female are all evil. Well, in State of Divinity that argument doesn’t hold – it clearly depicts the characters becoming *more* evil after they ‘go through the mork’. Now you could say that it’s just a coincidence that the same thing which makes them evil also makes them feminine … but that’s not what the characters in the story think (to paraphrase Ren Yingying ‘Don’t trust him because he’s a neither male nor female freak’).

I actually like Henry Lo’s performance. It’s not his fault that the story is transmisogynist.

Believe me, I have tried to interpret this story in a way which is not transmisogynist … and basically the only two ways to pull that off is a) change the story (which is what Laughing in the Wind does to reduce the transmisogyny) or b) not be honest with myself.

Some people might excuse the transphobia/transmisogyny by saying that it was written in the 1960s. My response is that Liang Yusheng managed to write an wuxia novel in 1960s Hong Kong with a transwoman character *without* implying that MtF people are evil. If he could do it, why not Jin Yong?

I am really disappointed that such a great story is also transmisogynist.

If Laughing in the Wind is a Work of Art, then State of Divinity Is a Cat

As I’ve described before, Laughing in the Wind feels like it’s been curated by somebody with impeccable artistic taste. Part of the joy of watching that show is wondering what exquisite delight is coming next, for the TV show manages to get the viewer to trust its artistic sense pretty quickly.

State of Divinity is not like that. It does not dazzle the audience with its refined elegance. It feels like a typical wuxia TV show – just as the opening theme song announces. It submits itself so entirely to being a standard wuxia TV show that it has become a ‘cat’.

The actress Uta Hagen says in the book Respect for Acting that, if you put an adult human on stage with an animal, such as cat, or a very young child, then the audience will probably pay more attention to the animal/young child than the adult human. That’s because animals/young children are not very stage conscious, and will probably act more authentically than adults who have been trained to monitor themselves. Uta Hagen said that her goal, as a performer, is to always be more fascinating to watch than a cat.

State of Divinity is so true to what it is that it sucks the viewers in and holds onto them tightly. I actually cannot think of another TV show – in any language and any genre – which excels State of Divinity in this specific respect.

And I Still Have More to Say…

So come back next week!

Midnight Secretary, Vol. 1

September 10, 2013 by Sean Gaffney

By Tomu Ohmi. Released in Japan by Shogakukan, serialized in the magazine Petit Comic. Released in North America by Viz.

I often joke when discussing licenses that the thing most companies tend to look for is “does this manga have vampires in it? And are they hot??”. But of course in general there has to be more substance to it than that. We need smart, compelling characters, we need some intriguing backstory, and of course we do need some nice seductive romance. With Midnight Secretary we get two out of the three, and I suspect the intriguing backstory will come in future volumes as this develops more of a plot.

Kaya is a young woman living with her mother who is highly skilled but has one big problem (at least it’s a problem to her): she has a face that makes her look far too young. So, in order to get the secretarial work that she’s so good at, she does her hair up in a tight bun and wears glasses, looking very much like the cliche of what we think good secretaries should be. Like most Petit Comic heroines I’ve read about, her family has fallen on hard times, and her father has passed away from being incompetent… um, from stress. Luckily, she has a new job as secretary to the company director. Unluckily, he’s a womanizer, arrogant, and unimpressed with her looks. Oh yes, and he’s a vampire.

I am pleased that we get the reveal to this right off the bat, and that, after a bit of soul searching (and some blackmail on Kyohei’s part) she manages to file “vampire” under “things I have to manage in my boss’ day”. Indeed, Kaya takes her job very seriously indeed, and once she accepts what Kyohei is, she’s quick to research everything about vampires (most of which, amusingly, is wrong) and try to deal with the issues. And yes, sometimes that involves his sucking her blood, but only in emergencies. And it’s totally not one of the most erotic experiences she’s ever had, nope.

Kyohei’s brother is the executive director, and Kaya notes he isn’t a vampire, something I was prepared to have be wrong but no, it appears that is the case. It’s amusing to me that most of the drama in this fist volume comes less from Kyohei’s vampiric tendencies and more from the corporate intrigue. Kaya is far more valuable to him for her smarts and her spying ability than as a free meal ticket. Of course, he does eventually get her hair down and glasses off, and we start to see the smoldering passion that will no doubt justify this series’ 7-volume length. Indeed, by the end of Vol. 1 Kyohei is finding that other women’s blood just doesn’t do it for him, and he adds ‘blood for me’ to the endless list of Kaya’s tasks.

This is a fun series, with a more capable heroine than I’m used to seeing in this type of title. I wonder if we’ll get more of Kyohei’s vampire backstory as the series goes on, or if it will stick to corporate intrigue. And of course how these two will fall deeper in love. It’s another spicy romantic josei series from Shojo Beat. Fans of romance and the supernatural will snap it up.

My Week in Manga: September 2-September 8, 2013

September 9, 2013 by Ash Brown

My News and Reviews

Last week I announced the Blood Lad Giveaway Winner. The post also includes a list of manga licensed in English that feature vampires, too, if you’re looking for something to sink your teeth into. I posted two reviews last week in addition to the giveaway announcement. The honor of the first in-depth manga review for September goes to Shigeru Mizuki’s Kitaro. The manga collects stories from the first three volumes of Mizuki’s yokai classic GeGeGe no Kitaro. I absolutely loved it. I also reviewed Manga: Introduction, Challenges, and Best Practices, edited by Manga Bookshelf’s own MJ and presented by the Comic Book Legal Defense Fund. It’s a great resource and recommended for anyone wanting to learn a bit more about manga. The book’s general release is in December, but it is possible to purchase an early copy directly from CBLDF.

Elsewhere online, Vertical’s licensing and reader survey is now open and will close on September 25. It’s a great way to let Vertical know what you’re reading. If you want you can even suggest manga you’d like to see Vertical publish in English. Related to Vertical manga, Matt Cycyk at Matt Talks About Manga has a nice post about Knights of Sidonia and why fans of Attack on Titan might want to check the series out–Attack on Sidonia: Selling Knights of Sidonia to Attack on Titan Fans. And speaking of manga, I was amused to come across the article Attack on Titan’s author causes a stir with his less-than-stellar sketches at RocketNews24. (Amused since I’m used to hearing complaints about the artwork in Attack on Titan and didn’t realize it was something so shocking.)

Quick Takes

Battle Angel Alita: Last Order, Omnibus 1-2 (equivalent to Volumes 1-6) by Yukito Kishiro. Although I have been aware of Battle Angel Alita for quite some time I haven’t read any of the manga until now. Last Order is the original series’ immediate successor, serving as a sort of alternate ending. It’s still ongoing in Japan. The manga is a little difficult to jump into without already having some familiarity with the franchise; I frequently found myself confused why certain characters were important to the story and what their motivations were. But by the time I reached the second omnibus I had started to settle into the series and even began to enjoy myself. I like Last Order best when Kishiro isn’t trying to be too serious with the story and focuses more on the action–cyborg battles, ancient Martian martial arts, space karate, and so on. Alita is an appealing lead, but at the moment I think I like the more erratic and unruly supporting character Sechs even better.

Chi’s Sweet Home, Volume 10 by Konami Kanata. I can always count on Chi’s Sweet Home to bring a smile to my face. Kanata’s color work is lovely and Chi is adorable. I grew up around a lot of cats and continue to be surrounded by them, so I can particularly appreciate Chi’s antics. And with the tenth volume of Chi’s Sweet Home, there are even more kittens romping around–Cocchi and Chi have befriended a pair of sibling kittens. Kanata captures the attitudes and behavior of cats perfectly. Chi has finally come to the realization that she’s a not a human, but she still has a far way to go before mastering all the skills expected of a feline. In many ways Chi’s Sweet Home is very episodic, but there’s also the underlying story of Chi being separated from her original family. By the end of the tenth volume it looks as though she may be getting closer to finding her mother. (She’s easily distracted, though.) Generally the series is funny and sweet, but there’s a bit of sadness and drama, too.

Diary of Sangchul by Hajin Yoo. Two side stories from Yoo’s Totally Captivated boys’ love manhwa were released in English. One of those is Diary of Sangchul, which is a prequel to the main series. It’s not absolutely necessary to have read Totally Captivated in order to enjoy Diary of Sangchul, but the manhwa will probably appeal most to those who have. The majority of the volume is devoted Sangchul’s story through which is shown Mookyul’s rise to power and how he earns the respect of the men who work under him. Dairy of Sangchul also reveals more about Mookyul’s relationship with the Chairman (who looks a lot younger here than he does in the original series.) Diary of Sangchul dovetails quite nicely with Totally Captivated. There is also a short manhwa about Mookyul and the Chairman’s first meeting included in the volume. In the epilogue Yoo goes on to outline the rest of their story. I’m not sure if she ever drew it, but I’m okay if she didn’t–it’s extraordinarily melodramatic.

Helter Skelter: Fashion Unfriendly by Kyoko Okazaki. I’m always happy to see more josei released in English, but I was especially excited for Okazaki’s debut. Okazaki is a particularly influential josei artist. (The marvelous Moyoco Anno even once worked as her assistant.) The award-winning Helter Skelter is a harsh and brutal tale about the darker side of the entertainment industry. Thanks to drastic and repeated plastic surgery, Liliko is enjoying the height of her career as a celebrity but the operations can only take her so far. As her body begins to deteriorate her life begins to spin out of control. Her obsessions and society’s unrealistic expectations drive her to extremes; in the end she isn’t the only one ruined. Helter Skelther is an startling work. Even though the characters are often unlikeable, the manga is extremely engaging; it’s hard to look away from their unraveling. Helter Skelter works simply as fiction, but it can also be read as a deeper criticism of celebrity culture.

Bookshelf Briefs 9/9/13

September 9, 2013 by Anna N, MJ and Sean Gaffney Leave a Comment

This week, Anna, MJ, & Sean look at recent releases from Viz Media, SuBLime Manga, and Swedish publisher Nosebleed Studio.

Demon Love Spell, Vol. 4 | By Mayu Shinjo | Viz Media – Part of me reads Shinjo’s recent works with a feeling of wistful nostalgia for the more melodrama-filled antics of her earlier series. However, each volume of Demon Love Spell becomes more hilarious and disarming. This volume of the comedic supernatural romance features Miko and incubus Kagura temporarily becoming parents to a boy who appears from a peach, and Miko’s trip to the demon world features her being confronted with a parade of Kagura’s siblings, each more gorgeous than the next. This is one of those series that leaps up to the top of my to-read stack whenever a new volume arrives. Highly recommended. – Anna N

Demon Love Spell, Vol. 4 | By Mayu Shinjo | Viz Media – Now that Mayu Shinjo is no longer at Shogakukan and can’t just have everyone fall into the sack after 2 chapters (though you’d never know it by that seductive cover), she’s forced to find ways to have our heroes not going there. It’s especially amusing in this volume as the last few obstacles that are stopping them are getting removed; Miko now admits that she desires Kagura and is ready to give herself to him, and Kagura has admitted that she is different from his other conquests and he wants to marry her, not just screw her. Of course, this doesn’t mean anything happens. Between peach babies, bodyswaps, interfering fathers on both sides, and a swarm of amazingly sexy in-laws, Miko has her hands full here. But I’m OK with that, as this is the most fun I’ve ever had with a Shinjo series. – Sean Gaffney

Hide and Seek, Vol. 1 | By Yaya Sakuragi | SuBLime Manga – Despite some decidedly positive experiences with the works of Yaya Sakuragi, I can’t deny that my intense dislike of Bond of Dreams, Bond of Love caused me to approach this spin-off with great apprehension. With that in mind, I’m happy to report that I’ve been pleasantly surprised! Though Hide and Seek‘s carefree single dad, Shuji Tanihara, and reserved doctor, Takafumi Saji, represent fairly typical BL types, their characterization feels fresh and their slow-building relationship reads as nuanced and unpredictable, even within the predictable confines of the genre. Furthermore, the sex scenes actually enhance characterization and move the plot forward—something I’ve long stopped expecting in BL romance. If anyone ever told me I’d one day consider revisiting Bond of Dreams, Bond of Love, I’d have scoffed heartily. Yet here we are. Unexpectedly recommended. – MJ

Kimi Ni Todoke Vol. 17 | by Karuho Shiina | Viz Media – Kimi Ni Todoke is one of those longer series that deserves to be whatever length the author wishes to stretch it out to, simply because the length of the series allows the reader to build up an affinity for all the characters and the manga as a whole is so well-executed. Sawako and Kazehaya’s relationship is under a bit of a strain, as he attempts to maintain distance between them out of respect for her naivete and she begins to worry that he doesn’t want to be around her anymore. Usually this type of storyline where the characters are kept apart because they aren’t really communicating can cause me to feel highly impatient, but Shiina’s slow, emotionally delicate handling of the situation just wants me to follow along with the progression of this relationship.
– Anna N

Slam Dunk, Vol. 30 | by Takehiko Inoue | Viz Media – When most long-running series come to a close after 30+ volumes I usually read the final volumes with a bit of relief, looking forward to the conclusion. I am actually extremely sad that this is the next to last volume of Slam Dunk, because I feel like there are so many other stories that could be told with these characters, 31 volumes is just scratching the surface. There are hints of a conclusion, as Akagi looks back over his career during a timeout and Rukawa continues to evolve on the court. I’m going to be sitting here impatiently waiting until December, because I’m worried that Sakuragi really did injure his back making a key play in the game. It is a shame that sports manga isn’t more commercially appealing in North America, but at least with this series we have the opportunity to read one of the best examples of the genre. Highly recommended as always. – Anna N

Swedish Manga Anthology | By Catarina Batista, Natalia Batista, & Joakim Waller | Nosebleed Studio – This anthology of three global manga comes from Nosebleed Studio, a group of Swedish artists who are not only influenced heavily by Japanese manga, but who have, in some cases, pursued publication in Japan. I mention this, because even in this anthology, which is deliberately Swedish-themed, there is a sense that the authors are writing for Japanese audiences. The book’s second two stories, Natalia Batista’s “Hearts of Midsummer” and Joakim Waller’s “Leo” both read right-to-left, as they would if they’d been intended for publication in Japanese. “Leo,” in fact, doesn’t read as something particularly Swedish at all, aside from the characters’ names, and could just as easily be set in Japanese school. The volume’s standout is Catarina Batista’s “Crying Wolf,” an anti-wolf-hunting story that manages to be more charming than heavy-handed, though all three are well-constructed and enjoyable to read. – MJ