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Bookshelf Briefs 12/23/13

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It’s all Viz this week, as Michelle, Sean, & Anna take a look at several recent releases.

arata16Arata: The Legend, Vol. 16 | By Yuu Watase | Viz Media – It’s hard to describe “that Shounen Sunday feel” to someone who’s never read a series from that particular magazine, but boy does Arata have it! This volume is a perfect example, in that the gang is theoretically doing something pivotal in collecting ancient musical instruments to battle a “demonized” Sho who uses sound as a weapon, but the majority of the enterprise is portrayed comedically, with one gag revolving around enemy attacks that gradually destroy the characters’ clothes, leading to a panel where Arata makes a heroic declaration whilst clad in barely there short-shorts. The whole thing has a certain Rumiko Takahashi vibe, where the interplay between the characters seems to be the main point, so it’s pleasant enough, but renders the cliffhanger ending kind of ho-hum. I’ll probably have forgotten all about it by the time volume 17 comes out in March. – Michelle Smith

dengekidaisy13Dengeki Daisy Vol 13 | By Kyousuke Motomi | Viz Media – Dengeki Daisy has settled into a bit of a formula, but fortunately it is a formula that I love. The McGuffin in this volume is the last will and testament of M, but the team realizes that they’ve actually been manipulated into searching for it despite their misgivings. Kurosaki and Riko have a significant talk, and Teru finds one secret hidden in her cell phone, leading to the team getting some suitably bizarre, funny, and useful information from her dead brother, even though he did set up a strange funhouse scenario to put everybody through their paces. Dengeki Daisiy is reliably quirky and at times very serious and suspenseful, which is hard to find in shoujo manga land. Still very highly recommended. – Anna N

devil12A Devil And Her Love Song, Vol. 12 | By Miyoshi Tomori | Viz Media – Having wrapped up most of Maria’s issues in the last volume, we’re left with Shin, who is disgusted and ashamed with himself for not being totally self-sacrificing and pure. Thus, as he’s got to go to America anyway to get operated on, he decides this is a perfect time to split with Maria – this despite the fact that he notes to others he’ll love her for the rest of his life. Sigh. Needless to say, Maria is sad, frustrated and angry in equal measure, which all comes out at what may be the best Ave Maria performance we’ve seen the entire volume. It’s not all angst and depression – Maria asking her friends for advice about sex is quite funny, and I am intrigued to see how Maria’s burgeoning YouTube career will go. Still, it’s a good thing we’ve one volume to go – I want these kids to be happy, dangit. -Sean Gaffney

nura18Nura: Rise of the Yokai Clan, Vol. 18 | By Hiroshi Shiibashi | Viz Media – Because we need to get the backstory for the Hundred Stories group, this entire volume takes place in Edo Japan at the time when Nura’s father was a young and brash man stating to take up his new role as leader. It’s refreshing to see a few more glances at some other characters, particularly Rihan’s first wife Yamabuki, who seems to have a permanent attack of the melancholics, as well as a group of young kids who, because it’s easier to draw, bear a striking resemblance to our normal human cast. In amongst this walks Sanmoto, one of the more loathsome and disgusting villains we’ve seen in a series with no small amount of loathsome and disgusting villains. He’s entirely human, too… at least until the cliffhanger. A good solid volume for Nura fans. -Sean Gaffney

skipbeat32Skip Beat! Vol 32 | By Yoshiki Nakamura | Viz Media – Each new volume of Skip Beat! makes me cackle with fangirl glee. Emotions are running high in this volume as Sho exhibits his jealousy about Kyoko’s relationship with Ren, not that Kyoko will pick up on that. Ren’s carefully constructed psychological barriers are beginning to crumble, and Kyoko with her trademark insight into anyone but herself is able to quickly see that he’s not acting like “Ren” or “Cain” but as a third party that she doesn’t even recognize. While Ren is in a panic over Sho and Kyoko being in close contact again, he reveals his own insight into her personality, pointing out that she is in no way equipped to deal with men, and he knows that she still has some deep emotional wounds to heal from.Ren’s actually acting like himself for the first time in many years, which has me eagerly awaiting the next volume. – Anna N

voiceover2Voice Over! Seiyu Academy, Vol. 2 | By Maki Minami | Viz Media – I just can’t explain what it is about Voice Over!… As with volume one, the second is undeniably generic, but I can’t help liking it. Things get off to a slightly aimless start, with a plot in which the “stragglers” of the voice-acting program must help a visual artist find a new crush so that she’ll be inspired to create an anime for them to dub, but this ends up dovetailing into a new direction for Hime, whose talent for princely male voices is at odds with her desire to voice cute female characters. I’m not sure she’s ready to embrace her obvious true destiny yet, but she’s determined to make something of herself and cease being a disappointment to her mother, which leaves me cautiously optimistic that this series is about to get a little more focused; for now it’s earned a third volume read, at least! – Michelle Smith

My Week in Manga: December 16-December 22, 2013

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My News and Reviews

Two reviews were posted last week at Experiments in Manga. The first review was for Yaya Sakuragi’s boys’ love manga Bond of Dreams, Bond of Love, Volume 3. Although the series isn’t my favorite work by Sakuragi, I tend to enjoy her manga and Bond of Dreams, Bond of Love has been growing on me. The second review was for Tales of Moonlight and Rain, the most recent English translation of Ueda Akinari’s Ugetsu monogatari, a collection of short stories about ghosts and other mysterious happenings that was originally published in Japan in 1776. It may be over two centuries old, but it’s still a great read.

I came across quite a few interesting things online last week: The Advocate posted its 10 Great Graphic Novel Gifts. It’s a great list of queer comics that came out this year and it includes a few excellent manga selections as well; Some Fog uses Kazuo Umezu’s Drifting Classroom as an example on how to creat comics–Lessons from Umezu; Voting has opened for the second Manga Translation Battle; The Comic Book Legal Defense Fund reports that Core Magazine Pleads Guilty in Japanese Obscenity Case, feeling that a “guilty plea would be a better option than a protracted legal battle.; On a happier note, the Toronto Comic Arts Festival has announced it’s initial list of featured guests. Among other great comics creators, Est Em will be coming to TCAF 2014!

Quick Takes

About LoveAbout Love written by Narise Konohara and illustrated by Tomo Ootake. Despite his family’s misgivings over his choice of career, Asaka has become an enthusiastic wedding planner. But recently things haven’t been going so well–several of the couples that he has been working with have canceled their weddings. That’s when he reunites with his first client, a man by the name of Sasagawa who has the perfect marriage and serves as an inspiration to Asaka. However, his marriage isn’t nearly as perfect as it seems. About Love is a slow-burning romance; Asaka and Sasagawa’s relationship takes a great deal of time to develop and solidify, but it’s a natural progression from acquaintances, to friends, to possibly something greater. About Love focuses on the emotional connection between the two men more than it does on their physical intimacy, although that has a role to play as well. In addition to their evolving relationship, About Love addresses some issues of same-sex marriage and there are other gay and lesbian couples important to the story as well.

Attack on Titan, Volume 10Attack on Titan, Volume 10 by Hajime Isayama. I’m not entirely sure how Isayama pulls it off, but it’s rather impressive how many twists and turns Attack on Titan has been taking lately. I went into this volume expecting a respite from major plot reveals since there have been so many recently. I was wrong. The focus of the tenth volume is on 104th’s struggle to survive against a massive titan attack on the castle in which they were hoping to hide and recover. They are without weapons or maneuvering gear, making their situation particularly precarious. This alone would have been enough to carry the volume and there are some very exciting moments in the fight. But no. After an extended action sequence, Isayama throws in not one but two (well, maybe three depending on how you’re counting) major story twists. Although there are still plenty of questions that need to be answered, the titans themselves are becoming less of a mystery. I actually kind of miss when they were beyond humanity’s comprehension, but I’m still interested in seeing how things play out.

Baron Gong Battle, Volume 1Baron Gong Battle, Volumes 1-6 by Masayuki Taguchi. Only six out of the nine volumes of Baron Gong Battle have been released in English. After his girlfriend is horrifically murdered by a Neo Hume, Baron is determined to seek revenge against those who killed her. The Neo Hume’s are extraordinarily powerful creatures born out of the Nazi’s biological experiments. Baron Gong Battle is an utterly absurd and violent action-packed manga series that can be a tremendous amount of trashy fun when it’s not being completely offensive. Baron is an over-the-top badass and the dialogue is extreme. However, the more that I read, the less enamored I became with Baron Gong Battle. The manga’s utter ridiculousness is highly entertaining, and it becomes more and more outrageous as the series progresses, but I soon became tired of the role that the women play. Occasionally they can be very competent fighters, but more often than not they seem to only be a part of the series in order to fawn over Baron and to run around mostly if not entirely naked.

PinkPink by Kyoko Okazaki. While I didn’t find Pink to be as brutal or as hard-hitting as Okazaki’s later work Helter Skelter, I still think that the manga is an excellent work and I enjoyed it a great deal. Pink is rather curious manga filled with rather curious characters. In general, they are much more likeable than those in Helter Skelter, but they are definitely an odd bunch. Yumi works as a part-time call girl in order to feed her pet crocodile Croc. Although Yumi’s on great terms with her younger stepsister Keiko–a precocious girl with a bottomless stomach–she and her stepmother hate each other. Things get a little complicated when Yumi becomes involved with Haruo, her stepmother’s manstress and wannabe novelist. I was actually surprised by how much of the Pink was told from Haruo’s perspective. His strange relationships with these three women, and Croc, forms the basis for much of the story. But even so, it’s Yumi who really seems to be the focus of the manga. Pink has a very cynical and oddball sense of humor which I could appreciate.

From the New WorldFrom the New World directed by Masashi Ishihama. Overall I really liked the story and setting of the From the New World anime, an adaptation of the novel by the same name written by Yusuke Kishi (which sadly has yet to be licensed in English.) However, I frequently found the series’ pacing and narrative structure to be frustrating and somewhat disjointed. Saki, the main protagonist, also had an annoying habit of echoing back whatever was being said to her by someone else. I did like that the story focused on the characters at several different points in their lives. From the New World takes place in what is eventually revealed to be a post-apocalyptic environment. I actually would have liked to have seen more about how society reached the point that it is at in the series; most of the past events are merely hinted at. From the New World deals quite a bit with the terrible lengths humanity is willing to go to when driven by fear. It’s very well done in places. The anime also gets bonus points for the nice use of music from Dvořák’s From the New World symphony.

Tales of Moonlight and Rain

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Tales of Moonlight and RainAuthor: Ueda Akinari
Translator: Anthony H. Chambers
Publisher: Columbia University Press
ISBN: 9780231139137
Released: December 2008
Original release: 1776
Awards: Japan-U.S. Friendship Commission Prize

Ueda Akinari’s Ugetsu monogatari is a collection of nine short stories of ghosts and the occult that was originally published in Japan in 1776. The classic as a whole has been translated into English several times and some of the individual tales have been translated as many as ten. The most recent of these translations is a study by Anthony H. Chambers first published in 2007 by Columbia University Press as part of its series Translation from the Asian Classics. With his translation of Ugetsu monogatari, titled Tales of Moonlight and Rain, Chambers aimed to provide th most accurate, comprehensive, and faithful English edition of the work, conveying the meaning of the text while still capturing Akinari’s tone and style of writing. His efforts were rewarded with the 2007 Japan-U.S. Friendship Commission Prize for the Translation of Japanese Literature. The particular reason that Tales of Moonlight and Rain was brought to my attention was that Akinari was noted as being one of Yukio Mishima’s favorite authors in his biography, Persona.

The nine stories in Tales of Moonlight and Rain–“Shiramine,” “The Chrysanthemum Vow,” “The Reed-Choked House,” ” The Carp of My Dreams,” “The Owl of the Three Jewels,” “The Kibitsu Cauldron,” “The Serpent’s Lust,” “The Blue Hood,” and “On Poverty and Wealth”–all deal with the mysterious and the strange. Ghosts make frequent appearances, demons cause terror and strife, spirits seek revenge, people are cursed or succumb to possession, and so on. All of the stories are set in provincial Japan which, as Chambers note in the introduction, would emphasize the strangeness and otherness of the tales for Akinari’s original audience, a group mostly made up of people who lived in Japan’s major cities. Additionally, all but one of the stories takes place before the Tokugawa shogunate was established in 1603, which also had a distancing effect. Today’s readers are even further separated from the stories in Tales of Moonlight and Rain, but the tales are no less fascinating because of it.

In addition to Akinari’s nine stories, Tales of Moonlight and Rain also includes extensive notes and analysis as well as a bibliography listing texts and commentaries, secondary resources, and previous English translations of Akinari’s work. Chambers has written a lengthy introduction to the collection as a whole, but each of the stories has its own prefatory material which notes important details regarding the titles, characters, places, and time periods, explains useful background information and the stories’ relationships and affinities to other works (both classic and contemporary), and provides additional commentary and any other observations. Chambers uses both footnotes and endnotes in Tales of Moonlight and Rain–the footnotes for points critical to the immediate understanding of the text and the endnotes for more in-depth information. In theory, this is an excellent idea, but in practice I found it rather annoying and cumbersome to have to look in two different places for the stories’ notes. But this is really my only complaint about the volume and I consider it a minor one.

One of the most interesting things for me about the stories in Tales of Moonlight and Rain were all of the references and allusions that the collection contained to other classic works of Chinese and Japanese literature such as Murasaki Shikibu’s The Tale of Genji and the collection of poetry Manyōshū. Having read translations of some of the older works being referred to, I particularly appreciated Akinari’s use of them in Tales of Moonlight and Rain. However, it is not at all necessary to be familiar with the Chinese and Japanese literary classics in order to enjoy the collection. All of the stories stand completely on their own despite the borrowing and adapting that Akinari employs. I didn’t realize it before reading Tales of Moonlight and Rain, but I was actually already familiar with some of the adaptations of Akinari’s own work; Ugetsu monogatari was more influential than I knew. Personally, I enjoyed the entirety of Tales of Moonlight and Rain a great deal, including Chambers’ commentary and analysis. The stories may be more than two centuries old, but perhaps in part because of that they remain both evocative and spellbinding.

Manga the Week of 12/25

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SEAN: For the most part, it’s a Merry Christmas and not a lot of manga, as most publishers take the holidays off. We do have a couple of titles trickling in, however…

sankarea4

Kodansha has the 4th volume of Sankarea, which continues to walk the line between harem romance and horror movie. As you can see from the cover art seen here, Kodansha is gunning more for the latter.

ASH: Sankarea is such a strange manga. I’m enjoying it more than I thought I would, but some of the fanservice really detracts from the series’ quirky charms.

SEAN: And Seven Seas has the 3rd and final volume of Crimson Empire. I really like the heroine and basic premise of this series, but I admit I have not really enjoyed the manga as much as I have the author’s Alice series. Perhaps the otome game plays out better, or perhaps this volume will give us a big finish.

ANNA: I actually enjoyed the first volume of Crimson Empire quite a bit, and was planning on picking up subsequent volumes but hadn’t got around to it yet. Perhaps I’m just easily amused by the idea of an assassin maid in a reverse harem series.

SEAN: That’s it. Either of these under your stocking?

MICHELLE: Not for me, this time.

MJ: Sadly, I’m with Michelle, in that neither of these titles is for me. But that doesn’t mean I’m not buying this week! So much to catch up on…

Sunshine Sketch, Vol. 7

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By Ume Aoki. Released in Japan as “Hidamari Sketch” by Houbunsha, serialization ongoing in the magazine Manga Time Kirara Carat. Released in North America by Yen Press.

When I last reviewed this cute 4-koma series, I noted that this volume might be the last as clearly Sae and Hiro were close to graduating. Well, by the end of this volume, they’re definitely closer, but haven’t quite gotten there yet, and it seems that it will be Volume 8 where we find out how the series can keep going without two of its big players. That said, attention is paid to all six of the main cast here, along with a few of the bit players we’ve seen sprinkled throughout, so maybe it doesn’t need to end quite yet, despite the loss of its main not-yuri couple.

sunshinesketch7

Sae and Hiro haven’t left yet, though this volume gives them a bit less attention on the grounds that they’re studying for finals and applying to art colleges. We see some nice interaction with the first-years, as Hiro tries to teach Nazuna to cook (which doesn’t go as well as she hoped) and Sae discusses the nature of nightmares and the value of a printed book vs. an online one with Nori. We also get the most character development we’re ever likely to see for Natsume, the tsundere who loves Sae but can only express her affection through harsh words. Luckily, things thaw a bit as Natsume is invited to be part of a Christmas Party thrown by the gang, and cuteness ensues rather than frustration. Still no confession, though.

There really aren’t very many jokes here that we haven’t really seen variations on before, just with fresh settings and slightly redone. Yuno is short, Miyako is eccentric, Hiro constantly binge eats and then binge diets, and Sae frets (this is especially clear when her sister comes for a visit, annoyed that Sae may make her college choice based on what others want rather than what she wants.) Aside from Sae and Hiro’s college stress, the one sense that time is actually passing comes when Yuno runs into Arisawa, the sempai she’d met a few books back who’s now in college.

If there’s a theme to this book, it’s “even though life moves on, you should always treasure your friends no matter what”. I suspect Sae and Hiro leaving hasn’t quite hit Yuno yet (that may be in Volume 8), but when it does, it’s going to be tough. It will be less tough for Sae and Hiro themselves, as they’ve managed to find colleges that not only have the program they need but are also right next to each other! Yuri continues to tease but be mostly absent – in fact, there’s not even a lot of teasing here, beyond their beaming faces when they note their colleges. They really need to find an apartment to share once they get to college. With a big pluffy bed.

The art school aspect, as always, isn’t pushed as much as it is in GA Art Design Class, the other 4-koma art student manga. But in the end, even if it doesn’t really knock it out of the park, Sunshine Sketch inspires smiles and “awww, cute” remarks, and the occasional giggle. It’s an excellent comfort manga – provided, as ever, you don’t mind the characters being squished like pancakes sometimes.

Bond of Dreams, Bond of Love, Vol. 3

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Bond of Dreams, Bond of Love, Volume 3Creator: Yaya Sakuragi
U.S. publisher: Viz Media
ISBN: 9781421549781
Released: February 2013
Original release: 2010

Yaya Sakuragi has had several of her boys’ love manga released in English. Bond of Dreams, Bond of Love was the second of her series to be licensed. Bond of Dreams, Bond of Love is loosely connected to her earlier series Tea for Two. Reading Tea for Two isn’t at all necessary to understand Bond of Dreams, Bond of Love, but it does provide more details about one of the character’s back stories. Sakuragi was actually my introduction to yaoi and boys’ love manga and I continue to be very fond of her work. I like her particular sense of humor and lanky character designs. Bond of Dreams, Bond of Love isn’t my favorite of her works, but I’m still largely enjoying the manga; it’s a rather goofy series. The third volume of Bond of Dreams, Bond of Love was originally published in Japan in 2010. The English-language edition was released in 2013 by Sublime Manga, the boys’ love imprint associated with Viz Media.

There are some big changes occurring in Ao’s life. One of the biggest is that he might be moving out of his grandmother’s place and transferring schools in order to live with his mother and his twin brother Aka. Ao’s not too keen on the idea, especially since it would mean he would see Ryomei less, but more than one person has encouraged him to make the move, believing it to be in his best interest. Even though Ao’s life has been thrown into turmoil his preoccupation with Ryomei is still foremost on his mind. He somehow even manages to convince the older man to go on a date with him, though it doesn’t exactly turn out how either of them expected it would. As for Ryomei, he continues to be somewhat baffled by and conflicted over Ao’s advances. He’ trying to work out just what his feelings really are for the younger man, but it hasn’t been an easy process. And with Ao potentially moving away, Ryomei had better figure it out sooner rather than later.

Bond of Dreams, Bond of Love started with a wet dream (Ao’s, to be specific) and dreams and daydreams have continued to be a recurring element in the series. But now with the third volume, Ryomei has to deal with them, too. It’s a nice way to tie the narrative together and show the parallels between Ryomei and Ao’s feelings as the develop. Another way that Sakuragi show these parallels is through Ryomei and Ao’s not-quite-date, which is handled exceptionally well in the manga. Though the two of them are on the same outing they are experience it very differently. As a reader it’s interesting to be able to simultaneously see and compare their thoughts and reactions while they themselves are completely unaware of how the other person is interpreting the events. It’s a situation in which the lack of communication is completely believable. Both Ao and Ryomei are holding back, but for different reasons–Ao is worried about scaring Ryomei off while Ryomei is understandably concerned about his changing feelings for Ao.

For me, Bond of Dreams, Bond of Love works best as a comedy and shouldn’t be taken too seriously, which is not to say there aren’t some genuinely touching and occasionally bittersweet moments. However, the series excels in its humor and reaction shots. In general the characters’ faces are all very expressive and dynamic, but Ryomei, who tries so hard to be serious and reserved, has some of the best expressions. He has become hyper-aware of how he interacts with Ao and it shows. Despite the focus of Bond of Dreams, Bond of Love being on Ao and Ryomei, the series actually has a fairly large cast of secondary characters who all have their roles to play, too. This includes a fair number of important female characters, which can be a rarity in boys’ love manga. However, it’s Ao’s best friend Shunpei who remains one of my favorites. (Shunpei is also the character from Tea for Two; I’d love to see him get his own series at some point.) Ao’s twin brother Aka, who is constantly on edge, can be pretty entertaining, too. With its slightly ridiculous and over-the-top characters and interactions, Bond of Dreams, Bond of Love has really grown on me, and there’s still one more volume to go.

Attack on Titan, Vol. 10

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By Hajime Isayama. Released in Japan by Kodansha, serialization ongoing in the magazine Bessatsu Shonen Magazine. Released in North America by Kodansha Comics.

(Note: this review is based on a copy provided by the publisher. Also, this review spoils this volume even more than my reviews normally do. I recommend reading it first. Also, don’t discuss post-Vol. 10 spoilers in comments.)

This is not exactly a relaxing, peaceful volume of Attack on Titan. Not that we’ve seen any of those to date, but this one in particular is pretty much wall-to-wall action, with only a few flashbacks to distract us from what’s going on. We get a few more Survey Corps deaths, as the Titans show that when they’re led by a clever bastard (the Beast Titan), they can be nastily effective. Luckily, so can our heroes, as even without gear on, they manage to take on a couple of Titans and survive, though not without injury.

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This does lead to one of my favorite funny bits in the series, where Krista tears her skirt to make Reiner a sling/bandage and Ymir, watching silently from the sidelines, says “Hey, Krista, my hand got skinned.” Those of us watching Ymir from the start, however little attention has been paid to her until the previous volume, know that whenever she’s seen she’s looking at Krista, or protecting Krista, or otherwise does not have context without being next to Krista. After this volume, I think it’s pretty safe to say that Ymir is in love with Krista. (Indeed, the author’s website notes it is a romantic attraction.) Of course, this being Attack on Titan, that doesn’t mean it’s a healthy or pure love. Ymir and Krista both have issues beyond simply fighting Titans.

I must admit, I’m not really sure how well Krista’s martyr complex has actually been telegraphed in the story besides Ymir simply stating it. We do get a flashback after the fact to try to explain it, where we see more of what I’ve taken to be their usual relationship – Ymir being cutting and nasty, Krista being stubbornly nice to the point of near-death – as they try to rescue a wounded colleague in the middle of nowhere during the winter. Of course, the other characters are just as surprised by Ymir’s words as we are – they’ve never really seen much of Krista beyond “beautiful, angel, goddess”, etc.

As for Ymir’s secret, well, she’s a Titan Shifter. Not particularly a surprise given the hints and buildup we got leading up to it, though her being the Titan who destroyed Reiner and Bertolt’s hometown was a bit of a shocker. Needless to say, the reason this gets revealed is that they are at the very bring of death – or rather Krista is, I’m not sure that Ymir would really do this for any of the others, though she does show them affection. Ymir’s battle is pretty badass, even if she ends up seriously wounded – she clearly has experience doing this sort of thing. Also, given Krista’s reaction to Ymir’s fighting, I think it’s safe to say that Ymir’s feelings are not simply one-sided. Though in this series, a happy ending is almost impossible.

Speaking of Reiner and Bertolt… if Ymir’s reveal was given lots of buildup and flashbacks with Ilse’s Notebook and such, leading to a bit dramatic fight scene, then here we have the polar opposite – a conversation so casual that you turn the page before you even realize what was just said. It’s almost comedic in its own way – “Oh, by the way, Eren, we’re the Armored and Colossal Titan.” There is at least some attempt to show how so many Titan shifters managed to make it into the same squad – Annie, Reiner and Bertolt are all from around the same place, and the records were lost or damaged so it took hem this long to figure things out. Also they were damn good soldiers. Indeed, they still seem to be – Reiner and Bertolt’s motivations are somewhat murky here, and I presume future volumes will show why they feel that thanks to Eren, they can stop destroying humanity. Also, why they need Ymir, unless it’s revenge for what she apparently did to them as kids.

With more and more Titan shifters showing themselves, the question now becomes “are all the Titans transformed humans?” And if so, how innocent are they meant to be? A few of the Titans seen in the battle act much like kids would playing around their dad, and one shudders to think whether that’s really the case. There’s a nice little cliffhanger here, with the Shifter Titans on the run – some unwillingly – from the rest of the Military. Mikasa, for one, is likely to take this badly. Assuming she’s able to move – come on, some of these near-fatal wounds must slow her down, at least? In any event, despite some awkward exposition designed to move the characters around on the board to where the author needs them to be, the series remains as addicting as even. Beware, though – the speedup is almost over.

Bookshelf Briefs 12/19/13

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This week, Sean and Michelle look at recent releases from Yen Press, Seven Seas, and Viz Media.

bloodycrossBloody Cross, Vol. 1 | By Shiwo Komeyama | Yen Press – Has there been something missing in your life ever since JinJun Park’s Raiders came to an end? Well, you’re in luck, because Bloody Cross is here to fill that void! Seriously, with its stark black and white artwork and religious themes, I was getting some major Raiders flashbacks while reading this! Tsukimiya and Hinata are mixed-race angels who have been placed under a deadly curse by God and they’re working together to break it, even if it means double-crossing each other at every opportunity. There are some elements I’m not fond of—Tsukimiya is a half-vampire angel because of course she is, not to mention the random fanservice and infantile female demon foe—but I was genuinely surprised by the way the volume ended and I think I may have to check out volume two just to see how Tsukimiya and Hinata get out of that predicament. Not quite recommended, but not bad, either. – Michelle Smith

demon5Demon Love Spell, Vol. 5 | By Mayu Shinjo | Viz Media – I am beginning to suspect, especially given the cute little omake at the end of this volume, that this will be one of Shinjo’s titles where the sex doesn’t arrive till the very end. Which is fine, particularly if the storyline remains as strong as the one we see here. Kagura and Miko move out to their own place, but that doesn’t necessarily mean they’re getting it on – her father is still wary of trusting an incubus. But Kagura is easily the least jerk-like of the Shinjo heroes we’ve seen translated over here – ironic, given he’s a demon – which makes it easier to deal with both of them getting jealous over the course of this book. All this and an interesting dovetailing of demonic possession and the entertainment industry, where people will likely not realize you’re different. This is Shinjo’s best Viz series to date. – Sean Gaffney

rin-ne13RIN-NE, Vol. 13 | By Rumiko Takahashi | Viz Media – “Pleasant but pointless” is how I would sum up this most recent volume of RIN-NE. True, one might apply that label to most of the series, but volume twelve did have the Black Cat Ranking Exam, which was a nice change of pace. Volume thirteen features one-chapter cameos by antagonists like Masato the devil and Rinne’s deadbeat dad and introduces a supremely unfunny sibling duo that specializes in scythe modifications, including one made of bonito flakes that helps cat spirits pass on. (That bit, at least, was kind of cute.) Nothing is outright bad, but I do have to wonder how Takahashi’s editor keeps from yawning when ideas for new chapters are proposed. Perhaps Takahashi is so revered—and her sitcom stylings so familiar and comforting—that no one minds when her stories go nowhere. And, really, I guess that’s why I’m still reading, too. – Michelle Smith

blacksmith3The Sacred Blacksmith, Vol. 3 | By Isao Miura and Kotaro Yamada | Seven Seas – There’s a fair bit of fanservice here, and gratuitous dressing up as maids (very common in fantasy not-quite-medieval stories). But there’s also a lot of worldbuilding, as the arrival of a young woman and her entourage proves to be far more serious than I had initially thought. The selfish ojou front quickly drops away from Charlotte, as we see the desperate young woman beneath, and the bond between her and her three guardians is very well told. There’s also some excellent action sequences here, as Cecily takes on said guardians in an indoor battle that destroys the building but saves the day. All this plus an ominous warning of a future bad guy. Of Seven Seas’ recent fantasy titles, this has been far and away my favorite. -Sean Gaffney

voiceover2Voice Over!: Seiyu Academy, Vol. 2 | By Maki Minami | Viz Media – I was pleased that the first half of this volume fleshed out Hime’s group of ‘misfits – indeed, the male love interest barely appears in this volume at all. Instead, we continue to show that despite her dreams, Hime is at her best with male roles – something underlined by her posing as a male at the end in order to satisfy her producer’s plans. On the more dramatic front, her mother proves to be the classic horrible shoujo mother as seen in so many series, and the sadness comes from seeing how Hime has grown so used to it that it doesn’t even register as sorrow anymore – just a weary determination to one day show her mother she’s not useless. Even Haruka, the aforementioned producer, is taken aback – and knows that to succeed, the first step for Hime is to get out of that house. Mission accomplished. -Sean Gaffney

My Week in Manga: December 9-December 15, 2013

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My News and Reviews

Last week I posted the first review in my new monthly review project, A Year of Yuri. This project will focus on comics and manga with yuri and lesbian themes. For this month’s review, I took a closer look at June Kim’s debut graphic novel 12 Days which was even better than I remembered it being. It’s a beautiful work that addresses the complexities of grief, family, love, and loss.

Also last week, I wrote a post that focused on how to find manga in libraries–Finding Manga: Library Love. The post is sort of a combination of two of my semi-regular features–Finding Manga and Library Love. (I’ve actually decided to retire Library Love, so the post was also a way for me to give the feature a nice send-off.) It’s a pretty long post; if you don’t feel like reading the whole thing, you can always just skip to the quick tips at the end.

As for interesting things found online: The Pew Research Center coincidentally posted its report on How Americans Value Public Libraries in Their Communities the same day I was expressing my own love of libraries; over at Geekscape, Kari Lane discussed yaoi with Jennifer LeBlanc, SuBLime’s editor; and Erica Friedman talked about some of the differences between the U.S. and Japanese comic book industries on Quora.

Quick Takes

Fake FurFake Fur by Satomi Yamagata. For a boys’ love manga, Fake Fur is surprisingly realistic in its portrayal of Yamashita–a young man who in high school is just starting to come to terms with his sexuality and homosexuality. The manga follows him as he becomes aware that he is in love with his close friend Kubo and how he handles the aftermath of that realization and his changing relationships. Fake Fur deals with both physical and romantic desire and how those two aspects of love can often be in conflict with each other. In some cases, sex and physical pleasure is used as a replacement for true affection. For Yamashita and several of the other characters in Fake Fur, this is something that is both comforting and heartbreaking. On the other hand, for better or for worse, physical intimacy can naturally lead to emotional intimacy. After all, a sexual relationship is still a relationship. In Fake Fur Yamashita and the others grapple with this, hoping to find love but also recognizing that there is more than one way to be close to another person.

Sankarea: Undying Love, Volume 4Sankarea: Undying Love, Volume 4 by Mitsuru Hattori. The covers for the English-language edition of the Sankarea manga tend to focus on the horror elements of the series. While that horror is certainly a part of Sankarea, I still see it as more of a romantic comedy than anything else. Granted, it is a very strange romantic comedy with even stranger characters. I like the series best when it’s focusing on the relationship between Chihiro and the recently zombified Rea, which has some interesting developments in this volume. For one, Rea continues to become more zombie-like, her cravings for flesh barely being held in check by her natural inhibitions. However, I was less impressed with the mostly unnecessary scene between Chihiro and Rea’s mother in which she drunkenly and nakedly propositions him. Apparently the volume’s fanservice quota needed to be met somehow. My favorite part of this volume was actually the side-comic “I Am Also…A Zombie…” which is told from the perspective of Chihiro’s pet cat (and zombie) Bub. Bub is the greatest.

Showa1Showa: A History of Japan, 1926-1939 by Shigeru Mizuki. Originally published in Japan as an eight-volume series, Drawn & Quarterly’s edition of Showa: A History of Japan is being released in four, two-volume omnibuses. Japan’s Showa era, corresponding to Emperor Hirohito’s reign, lasted from December 25, 1926 to January 7, 1989. In the introduction to the first volume of Showa, Frederik L Schodt describes the Showa era as one of “the most tumultuous, violent, and tragic” periods in Japan’s history. There are actually two intertwining stories contained in Mizuki’s Showa: the factual history of the country as a whole at that time and Mizuki’s personal history as someone who lived through it. Mizuki’s artwork also reflects these two different portrayals of the Showa era. The illustrations range from the highly detailed and realistic, based on news and photographs from that period, to the more free-form and cartoonish. Showa is an informative read. I’m personally more familiar with the late Showa era, so I appreciated being able to learn more about early Showa in such an engaging format.

The World Exists for Me, Volume 1The World Exists for Me, Volumes 1-2 written by Be-Papas and illustrated by Chiho Saito. The literal translation of the Japanese title for The World Exists for Me would actually be The World of S and M. Though I’m sure it was intentionally chosen, it’s a rather peculiar title for a rather peculiar manga. Only two volumes were ever published, but I get the feeling that The World Exists for Me was originally conceived of as a much longer work. The ending comes very suddenly and very little, if anything, is actually resolved. The series definitely had some potential–I found its use of time travel, destiny, and historical figures and events to be interesting–but the story never quite pulls together as something particularly coherent. It’s a bit of a mess, really. While it can be enjoyable, it doesn’t really make much sense at all. The World Exists for Me was developed by the same creators involved with the Revolutionary Girl Utena manga. Some similarities can be seen between the two series, but I much prefer Utena.

Hetalia Axis Powers, Vols. 4-5

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By Hidekaz Himaruya. Released in Japan by Gentosha, originally serialized as an online webcomic, then in Comic Birz. Released in North America by Tokyopop in association with Right Stuf, Inc.

After a long wait, Tokyopop and Right Stuf bring us not one but two volumes of Hetalia just in time for the holidays. As you’d expect, there’s lots of historical in-jokes, wacky 4-koma humor, and stereotypes galore. You’d think that this would get tired eventually, but I’ve found myself enjoying the series even more, especially as the cast has widened from the main eight. Indeed, the back cover of Vol. 4 shows that Himaruya has done his best to add more female countries in order to balance things out – Hungary is a major player, of course, and Ukraine, Belarus, Belgium and Liechtenstein have had substantial roles. But in these two volumes we see Seychelles, Monaco, Vietnam, Taiwan, and even the Principality of Wy, though that last one may drive you to Wikipedia.

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There seems to be a return to World War II after the previous volume, with many strips detailing the battles in Africa. These are all done with a light touch, of course, but there are historical facts sprinkled throughout – Italy’s poorly-designed tanks, Germany not realizing how hot Africa would be, and America barreling in ready to win at everything and getting his ass handed to him. There’s also examinations of prior military skirmishes, as Austria is forced to make a very dangerous decision when he’s on the verge of losing the Seven Years war and ask Russia and France to ally with him. And in the “Battle of the Ice”, a young Russia encounters Prussia and realizes that he is far too stupid to be allowed to live.

As you’d expect, there’s a lot of modern-day stuff as well. In fact, we get an alternate universe high school section in both volumes, based on the Hetalia otome game that came out in Japan a while back. Don’t worry, BL fans, Seychelles isn’t the star here. It has our three Axis Powers as the newspaper club, trying to do an article about the various school clubs and finding that almost all of them are eccentric and weird. In the 5th volume, we also get an examination of horror movies in many of the major countries, which vary greatly in mood and scare tactics.

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There are two serious chapters in here, and strangely they both involve France, who is normally one of the most flamboyant of the Hetalia cast. In Volume 4 he runs into a young tourist visiting Paris, who is hinted to be a reincarnation of Jeanne D’Arc, France’s lost love. In the 5th, a construction worker meets France, and is somewhat taken aback by the fact that his grandfather had also met him, but France hasn’t aged a day. France has come to terms with it, but the man’s wife points out how sad it would be to never age while you watch your loved ones dying, and for a moment we understand the inner tragedy of what it must be like to be the personification of a country. (Himaruya has stated that Prussia lives on, by the way, first as ‘East Germany’ and now basically just as Prussia in modern times, living in Germany’s basement. I wonder how the nations face the death of a country.)

As long as there is history to be mined, there will still be Hetalia coming out, most likely. We get some development of Netherlands here as well, an amusing look at Southern Italy’s relationship with Spain, China dealing with a rebellious Hong Kong asking for more freedom, and Taiwan attempting to give Vietnam a makeover. There are character profiles which detail each nation’s flag, as well as the reasoning behind the design and colors of that flag. There are cute sidebars explaining weird laws in various countries, and a look at various foods. And we see Hungary forcing Austria to wear cat ears for Belgium’s festival, which satisfies the shipper in me. Those who find the premise rubs them the wrong way won’t want to pick this up, but fans of the series will find lots to love here. Definitely recommended.

12 Days

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12 DaysCreator: June Kim
Publisher: Tokyopop
ISBN: 9781598166910
Released: November 2006

June Kim is a Korean-born comics artist and illustrator who currently lives and works in the United States. Although some of her short comics had previously been collected in various anthologies, 12 Days was her first and, as far as I know, only graphic novel to have been published. What I can say for certain is that 12 Days was my introduction to Kim and her work. 12 Days was released by Tokyopop in 2006. The book’s cover design is really quite lovely with silver foil line work and striking red accents. Tokyopop didn’t always take such care with the presentation of its releases, so this was nice to see. 12 Days is at least partially based on a true story–a sad tale that a stranger told to Kim about her ex-girlfriend. Kim herself originally developed the story of 12 Days while getting over a breakup in her sophomore year of college. However, it wasn’t until 12 Days was picked up by Tokyopop that she completed the graphic novel.

On the way back from her honeymoon, Noah was in a lethal car accident. That was a month ago. Noah’s death hits her ex-girlfriend Jackie hard. Already a wreck from their breakup, Jackie is faced with the reality that she has now completely lost the love of her life. And so she devises a way to forget and finally let go. Over the course of twelve days she will drink Noah’s ashes as part of a personal ritual. Somehow Jackie convinces Nick, Noah’s half-brother, to steal some of his sister’s ashes for her from the urn on his parents’ mantle. It’s under these strange circumstances that the two most important people in Noah’s life meet. Nick and Jackie are each struggling to accept and cope with Noah’s death in their own ways. Their shared experience becomes a source of comfort as much as it is a source of pain. They both loved Noah dearly and it will take far more than twelve days to ever change that.

Kim’s style in 12 Days is influenced by both manga and manhwa as well as by independent comics. A prominent theme in both the artwork and narrative of 12 Days is reflection. This can be seen in Kim’s use of mirrors in the graphic novel, but also in the page layouts and panel composition. Jackie and Nick’s actions and how they are captured in the artwork often parallel or echo each other, providing yet another tenuous connection between the two of them. The narrative itself isn’t linear. Much of the story is told through the flashbacks, dreams, and memories that intrude upon Nick and Jackie’s lives. It’s as if a mirror containing all of their thoughts of Noah has been shattered and they are left picking up the pieces–a fitting metaphor for the grieving process. Some of the transitions can be a little difficult to follow at first, but overall it as a remarkably effective approach.

As a whole 12 Days is a very reflective and introspective work. There is intensity and drama but it’s not overblown; the graphic novel tends to be rather intimate and quiet. Despite the realistic portrayal of the complexities of grief, family, love, and loss, 12 Days is not overwhelmingly bleak or depressing. The graphic novel can certainly be heartbreaking considering Noah’s death, the circumstances surrounding her and Jackie’s breakups, and some of society’s prevailing attitudes towards same-sex love, but there is also a fair amount of humor in 12 Days that keeps things from getting too heavy or dark. Even while dealing with the tragedies in their lives, Jackie and Nick, who are both endearingly eccentric, are still able to joke around and tease each other. Sometimes that humor can be a bittersweet reminder of what they have lost, though. 12 Days is a work that holds extraordinarily up well to multiple readings. In fact, I think I enjoyed and appreciated its subtleties even more after reading it several times.

Manga the Week of 12/18

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SEAN: Just before Christmas, we have a fairly big week with lots of stuff to give folks for the holidays (or request for your own present.)

First off, another “Sean missed this” entry. Since I go by Amazon now, I forgot that Right Stuf shipped Hetalia Axis Powers Vols. 4 and 5 and left them off last week’s list. I’ve already devoured my own copies, and can safely assure Hetalia fans these are well worth picking up. Non-Hetalia fans likely find the whole phenomenon baffling.

ASH: I’m hoping that Hetalia continues to do well (at least I think it’s doing well) so that Right Stuf will be able to expand it’s print-on-demand program.

MJ: I’ve never been able to muster interest in Hetalia, but hearing that you’re so hooked on it, Sean, makes me feel foolish. So. Hm.

SEAN: It’s definitely not for everyone… Hetalia requires a love of World War II-era history and at the same time an ability to completely disassociate the atrocities of that period from the characters that represent each country. It’s pure fluff, and just the idea that it’s pure fluff really bothers folks – and rightly so. That said, if you can bend your brain that way, there are a lot of fun stereotypes here that are all done with a kind, loving heart.

Dark Horse’s Evangelion spinoff, The Shinji Ikari Raising Project, is getting close to actually surpassing the main manga series in terms of volume count. Vol. 13 hits next week, and promises an actual plot!

The fourth volume of No. 6 comes out from Kodansha. Is the BL tease in this series the same as the yuri tease in series like Sunshine Sketch?

ASH: I haven’t read Sunshine Sketch to be able to compare, but I am enjoying the development of Rat and Shion’s relationship in No. 6.

smuggler

SEAN: One Peace has an omnibus collection of Smuggler, a seinen series that ran in Kodansha’s Afternoon back in 2000. Tokyopop apparently released this before, but I have no recollection of it at all. More seinen is always good, especially from a new-ish publisher.

ASH: One Peace tends to license some interesting manga. I’m particularly curious about this rescue since I missed Smuggler the first time around.

MJ: Ditto!

SEAN: Vertical has a new hardcover edition of Gundam The Origin, the 4th. It’s subtitled Jaburo, and I presume it will keep the stellar quality of the previous releases. Must buy.

ANNA: The world is a better place due to the existence of this glorious manga. And Char Aznable.

ASH: The Origin is definitely one of the highest quality releases of manga in English right now.

SEAN: There’s also the 2nd and final volume of Summer Wars. I was surprised how much I enjoyed the first one of this series – far more than I expected – and look forward to the 2nd with bated breath.

MJ: I’m looking forward to this as well!

SEAN: Viz has the 11th volume of one of my pet favorites, Dorohedoro. It can be hard to dip in and out of, but it’s a series that rewards close reading and re-reading. Plus it’s filled with awesome characters.

ASH: I’m always excited to see a new volume of Dorohedoro! It also makes me want to eat mushroom gyoza.

SEAN: And then there’s a giant pile of Yen. The 3rd volume of Are You Alice? continues the Alice trend we’ve seen all year, which looks to pile up even more titles in 2014.

bloodycross

Bloody Cross is one of those series that cried out to be licensed. Vampires, demons, hot guys, hot girls… all this and it runs in Shonen Gangan, a magazine with a very good reputation to exciting series. This should be fun.

MJ: I’m cautiously optimistic.

SEAN: High School of the Dead is still popular enough to get those giant full-color omnibuses, and here is the 2nd.

The Melancholy of Haruhi Suzimiya manga is wrapping up soon, mostly as the novel author hasn’t written new material. The final arc continues in this 17th manga volume.

Pandora Hearts 19. I think that says it all.

MICHELLE: Pandora (Will Break Your) Hearts!

MJ: Yes, it really will. In the best way possible. *heart*

SEAN: Puella Magi Kazumi Magica has its 3rd volume coming out. The movies have made this franchise even more popular, though I am also hearing talk of a backlash against the darkness. Will this manga make things even bigger?

The 10th Spice & Wolf novel continues to combine fantasy, moe, economics and confusing people who buy it thinking it’s the manga. This is the novel.

Sunshine Sketch not only has its 7th volume ship to stores, but it also has all 7 volumes available in ebook format next week! Great news. As for whether Sae and Hiro finally graduate and the title is forced to continue without them… I suspect that may get dragged out a bit longer.

Finally, Until Death Do Us Part has its 5th omnibus arrive. Mamoru has been having a rough time of it lately, and this volume is not likely to help him in any way.

MICHELLE: I really need to catch up on this one; I definitely liked the first omnibus more than I’d expected to.

SEAN: Deck the halls with volumes of manga! What’cha getting?

Harlequin Manga: Ordinary Girl in a Tiara and The Greek Tycoon’s Defiant Bride

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I was excited when emanga.com announced that they were releasing a bunch of new Harlequin manga on their platform! I’m going to pretend that emanga wanted to give me an awesome holiday present, because I am always up for reading some Harlequin manga.

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Ordinary Girl in a Tiara by Jessica Hart and Yuki Shiomiya

available on emanga.com

Harlequin stories are plenty formulaic, so much so that pulling off a Harlequin romance that is both familiar and enjoyable can be somewhat tricky. Part of the fun for me when reading Harlequin manga is encountering plot elements that I’ve seen before, but executed in an interesting way. This is one of my favorite recent Harlequin manga reads. Ordinary Girl in a Tiara is, as one would surmise, about an ordinary girl who ends up accidentally taking up with royalty. Caro has an intense love of vintage fashion and an interesting past where she went to school with the elite of Europe on scholarship. Caro’s best friend Charlotte is a princess of a tiny European country who calls upon Caro to provide a diversion by dating her distant cousin and rumored fiance Prince Phillipe.

Phillipe shows up at Caro’s door to ask her to be his fake girlfriend, and he is suitably horrified by Caro’s devotion to horrible crochet vests from the 1970s. Clearly he is a man of great taste and refinement. Caro agrees to go along with the charade of dating him, and goes back to his tiny European country only to get caught up in court politics. Phillipe is struggling to establish himself as the future ruler, and the fake couple gradually become a real couple as they begin to spend more and more time together. All too often in Harlequin stories, the hero acts like a big jerk, but while Phillipe does have is standoffish moments he and Caro are a very sympathetic couple. There are elements of humor in Caro’s unending parade of vintage fashion choices, and while the art isn’t terribly detailed, it doesn’t suffer from the lack of fluidity and expression that sometimes plagues Harlequin adaptations. Highly recommended!

greektycoon

The Greek Tycoon’s Defiant Bride by Lynne Graham and Natsu Momose

available on emanga.com

Whenever I read Harlequin manga, I tend to go for the volumes that have the longest and most ridiculous titles involving Defiant Brides, Virgin Stable Girls, or Secret Agent Secretaries (I just found out that there is a romance with the title Secret Agent Secretary, I think I’m going to have to read it). This manga was exactly what you would expect from the title, as it does indeed feature a Defiant Bride of a Greek Tycoon!

Maribel is an ordinary girl (aren’t they always!) who is desperately in love with her deceased cousin Imogen’s ex-boyfriend Leonidas. Maribel sees Leonidas at a memorial service after running away from him years before, but she returns to her life as a single mother, confident that romance will not find her again (OR WILL IT!?). Leonidas shows up at Maribel’s house and is immediately suspicious when he discovers that she has a toddler with the name of his grandfather. The narrative structure of this manga was interesting, because it kept switching between the flashbacks where Maribel and Leonidas are just getting to know each other, and the present day where Maribel is desperately trying to get away from him in order to live an ordinary life. The relationship unfolds in both the present and the past, leading to a time when Maribel will perhaps not be quite so defiant about being in a relationship with Leonidas. I enjoyed the art in this volume. The paneling was a bit more varied and interesting than I tend to expect from a Harlequin manga, and Momose frequently cuts in detailed close-ups of the characters when they are in the grips of a dramatic emotion.

Finding Manga: Library Love

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Support manga, support your library!

National Library SymbolI recently came to the decision to retire my bimonthly Library Love feature. With the slogan “Support manga, support your library!,” Library Love was a way for me to highlight manga that I was borrowing and reading from my local libraries. It’s time for me to finally say goodbye to Library Love in order to make room at Experiments in Manga for other features and reviews. In the future, I will be including my thoughts on my library manga finds in the “Quick Takes” section of the My Week in Manga feature. As I say my final farewell to Library Love (the feature, not my actual love for libraries which is eternal), I wanted to make one last special Library Love post that focused on actually finding manga in libraries. What I’ll have to say specifically applies to libraries in the United States and Canada since those are what I am most familiar with, but hopefully my comments will apply to library systems in other countries as well.

I adore libraries and I have since I was very young. I don’t think anyone was really very surprised when I fell into librarianship as a career. There are many, many reasons that I’m thankful for libraries which I won’t get into here, but I would like to say this: If it wasn’t for libraries, I would not have become the manga fanatic that I am now. When I first started reading manga, it was all borrowed from libraries. For one thing, collecting manga requires both money and space. Making use of libraries that are already doing some of that collecting is a good thing. It benefits you and it benefits libraries, too. Manga and comics tend to circulate well, and good circulations statistics help libraries in a variety of ways. Plus, by supporting manga at your library, you are also supporting the creators and publishers of that manga.

Manga can be found in all types of libraries: public, academic, school, special. Archives and museums get in on the manga action, too. It’s somewhat difficult to make generalizations regarding how to find manga in libraries because each library is different and serves a different population. Broadly speaking, libraries are organized in the way that best serves its patrons, which means that the same manga found in one library may be shelved in another area entirely at a different library. Some libraries will shelve manga and other comics by subject, mixed in with the rest of the collection. Other libraries will have an entire section devoted specifically to manga and graphic novels. In some cases, a library may divide materials by age group. There any number of ways to organize a collection, and each library is different. Familiarize yourself with your library’s system and be aware that you may need to look in multiple places to find all of the manga.

One of the benefits of a library is that it is a physical location that you can visit.  After you figure out where the manga is shelved, take time to browse! It’s a quick and easy way of determining what sorts of manga your library collects and sampling what it has. There’s also this wonderful phenomena called serendipity–you might discover manga that you didn’t even know you wanted to read. But don’t limit yourself to what you can see on the shelf, because the library will always have more manga available. Be sure to make use of the library’s catalog, too. Most libraries have an online catalog that supports searches by title, creator, subject, ISBN, general keyword, and more. Some libraries are even beginning to explore digital options for manga and comics, too.

Finding manga through a library doesn’t stop there, either. Many libraries participate in interlibrary loan programs which allow one library to borrow materials that another library owns. This is a fantastic way to track down copies of hard-to-find or out-of-print manga to read. Many libraries also accept and pursue purchase suggestions from their patrons. If there’s a manga you’d like to read or that you think would be a good fit for your library, let someone know! Generally, libraries want to provide access to the materials that people want or are excited about; they want to spend money on materials that will actually be used. Which brings me to my final point about manga in libraries: Don’t be afraid to talk with the librarians and other library workers! Make suggestions, ask questions, and give feedback. We really are here to help.

Quick Tips for Finding Manga in Libraries
1) Manga might be kept in multiple areas, you may need to look around
2) Browse the shelves, but search the catalog, too
3) Check to see if your library participates in an interlibrary loan program
4) Many libraries accept purchase suggestions. Don’t see what you want? Ask for it!
5) Don’t be afraid of the librarians and other library workers (We’re here to help!)

Bookshelf Briefs 12/9/13

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This week, Sean, Anna, & Michelle look at recent releases from Seven Seas and Viz Media.

alicelovefablesAlice Love Fables: Toy Box | By QuinRose and Mamenosuke Fujimaru | Seven Seas – This is pretty much what it sounded like, a series of short stories, all romance-themed, on QuinRose’s 3 properties. Arabians Lost is the first (and dullest), Alice in the Country of (blank) gets the majority, and Crimson Empire rounds it out. I’m most familiar with Alice, so those were the most enjoyable, even if they lack the twisted core I like in my Wonderland. She gets stories with Peter and Grey as love interest, something we haven’t gotten books for yet. And the Blood story is really adorable and sweet. As for Sheila, she’s the most interesting of the three heroines, but is rarely served as well by her male leads, so her stories don’t really gel as much. Still, nothing here truly bothered me, and it’s a good stocking stuffer for Alice fans. – Sean Gaffney

dengekidaisy13Dengeki Daisy, Vol. 13 | By Kyousuke Motomi | Viz Media – By now everyone knows that this is one of the best shoujo manga coming out today, with laughs, thrills, excitement, and frustratingly unconsummated romance that gets even more tantalizing here. Heck, even Akira, who’s been a horrible thorn in the side of our heroes, looks like he may get a bit of redemption after all, once we hear of his tragic past. (You know, the one every character in this series has.) What I really noticed in this volume was the way the art has matured. There’s a scene with Riko receiving something belatedly from Soichiro, and it’s made even more intimate by our never seeing what it is (even though we know). It shows a lovely subtlety that contrasts with the wacky “what color are Teru’s favorite panties” schtick that’s going on next door. I will be so sad when this ends. – Sean Gaffney

kiminitodoke18Kimi Ni Todoke, Vol. 18 | By Karuho Shiina | Viz Media – This volume, set during Christmas, is the perfect manga to read while curled up by a fire and enjoying some hot chocolate. Lack of communication has caused some issues with Sawako and Kazehaya’s budding relationship. They have a breakthrough around Christmastime, and finally acknowledge how much they care about each other. Sawako and her friends Ayane and Chizu get together for some post-date gossip, as each girl has new romantic developments to report. The whole gang gets together at Sawako’s house for a party, and even Sakako’s overprotective father begins to acknowledge how good Kazehaya is for his sheltered daughter. This slice of life manga works through plenty of emotional developments in a warm and cozy manner, making it the perfect volume for some winter relaxation. – Anna N

midnight3Midnight Secretary, Vol. 3 | By Tohmu Ohmi | Viz Media – Things continue to be hot and heavy in the 3rd volume of this josei paranormal romance series. Kaya’s extreme competence as a secretary allows her to work for a subsidiary office by day and then return to her lover/ex-boss and vampire Kyohei at night to serve his secretarial, carnal, and blood bank needs, but her double life begins to take a toll on her. Kaya collapses, and it results in Kyohei trying to rearrange his life to accommodate their new unusual lifestyle. Along the way he begins to realize that he might actually care for Kaya, even though she is a human woman. This series is top notch paranormal romance for those who enjoy that kind of thing, which I certainly do! – Anna N

skipbeat32Skip Beat!, Vol. 32 | By Yoshiki Nakamura | Viz Media – For those who love the love triangle between Ren, Kyoko and Sho, you will revel in this volume and all its glorious horribleness. Sho in particular is in fine form, showing off both his consummate skill at reading Kyoko and his complete and total immaturity when it comes to what she wants or needs. (I could do without Shoko starting to fall for him, though.) He tries the same mental manipulation on Ren, and while it may not work while Sho is there in person, Ren’s distrust of himself is enough to make it niggle regardless. This all comes to a head in the hotel room, where a phone call from Sho causes Ren and Kyoko to both fall out of character… or maybe, given the incestuous subtext between Cain and Setsu, the character and the self may be bleeding together. I warn you, the cliffhanger will drive you nuts. Can’t put this down. -Sean Gaffney

Skip Beat!, Vol. 32 | By Yoshiki Nakamura | Viz Media – What a dramatic volume! It definitely feels like the beginning of the end here, with Kyoko getting an inkling of what might’ve happened in Ren’s past, Sho pushing her buttons expertly and getting her to declare that she’ll never fall for Ren (lest she lose herself even more than she did with Sho), and then Sho promptly informing Ren of this fact. Poor Ren’s barely hanging on by a thread (a thread named Kyoko) and with two guys out to possibly snag her affections, he snaps and breaks character when they’re supposed to be on assignment as the Heel siblings, scaring her with the darkness he’s desperately trying to hide. It’s not that I want this series to end, but these developments definitely have me excited for a grand finale to come! – Michelle Smith