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My Love Story!!, Vol. 13

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By Kazune Kawahara and Aruko. Released in Japan as “Ore Monogatari!!” by Shueisha, serialized in the magazine Bessatsu Margaret (Betsuma). Released in North America by Viz. Translated by JN Productions. Adapted by Ysabet Reinhardt MacFarlane.

Like a lot of ongoing Viz titles, I haven’t actually reviewed this series in full since the first volume came out, saving my thoughts for a Bookshelf Brief. This is not to say I have not been loving the series, it’s one of my favorite recent shoujo titles. But it’s not something I really try to analyze deeply or get into the nitty-gritty of, more a manga that I can relax in after a long, hard day. It’s soothing. Even its dramatic tension was soothing. Critics have said that it’s a bit too sweet and sappy, and they are 100% correct. If you tend to gag on too much sugar, we may have lost you around the 10th time Takeo swooned and thought “I love her!” to himself. But now Yamato’s about to go to Spain. What will the long distance relationship become?

Obviously, this is a romance manga, and the thrust of the story is about Takeo and Yamato. It can get a bit ridiculous at times (I screwed up our relationship. I must FLY TO SPAIN to fix it!), but even that is so over the top and glorious that by the end you find yourself grinning like a loon. To no one’s surprise, Yamato’s running away from home did not pan out, so she does end up going to Spain for her senior year. The ‘relationship’ part of this separation goes quite well, but Takeo has a best friend to remind him to study so he can get into college, while Yamato lacks such a friend. And so she starts to fall behind, which leads to a series of brutal misunderstandings. And by brutal I mean “everyone immediately realizes what went wrong and yells at him to fix it”. It’s the final volume, we don’t need extended drama, we just need a montage of every supporting player since the start. And a punch. The punch was really good.

Speaking of the puncher, for all that it’s a romance manga, Sunakawa has been just as much of a major character as Takeo and Yamato. He gets a lot to do here, and I wonder if the authors were aware of all the theorizing about his sexuality that went on, as there’s something for everyone here. He and Takeo go on a vegetable-picking vacation with tons of BL subtext, and the final pages are basically Takeo hoping that Suna finds his own awesome girlfriend someday. As for me, I tended to see Sunakawa as asexual, and the manga does not disabuse me of that notion either – he cares deeply for Takeo, but simply lives at something of a distance from the other hormone-addled teens at his school. He was a terrific friend to the end, and the reason this manga works so well is the strength of his character in among the two lovesick doofuses.

And so we end with college, and with our couple together and (presumably) marrying soon. It’s a good ending to this sweet series, where the reader usually found themselves thinking “oh, that’s adorable!” at least four times a volume. Highly recommended to heart-on-your-sleeve shoujo romantics.

The Legend of Zelda: Twilight Princess, Vols. 1-2

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Can someone who’s never played a Legend of Zelda video game still enjoy the manga adaptations? That’s the question I set out to answer by reading the first two volumes of the Twilight Princess saga.

The short answer to the question is a qualified yes — if by “enjoy” you mean, “get a handle on what’s happening.” Akira Himekawa, a pseudonym for the two-woman team of A. Honda and S. Nagano, pack a considerable amount of exposition into the first two chapters, making it easy for the uninitiated to grasp the premise. Honda and Nagano also use these introductory pages to introduce us to the residents of Ordon Village — the hero’s home — treating us to idyllic scenes of farmers tending their crops, shepherds minding their flocks, and barefoot children cavorting. Though these tableaux are as cornpone as anything John Ford ever committed to screen, they’re rendered in a crisp, readable style that helps the reader understand what’s at stake if Link fails in his quest to restore the balance between light and darkness.

But if you equate “enjoyment” with “feeling a spark of pleasure or surprise while reading,” then the answer to my initial question is a resounding no. There’s a labored quality to the storytelling that prevents Twilight Princess from coming alive on the page; Honda and Nagano try too hard to nail down every narrative detail, producing a story that often reads more like an overly scripted PowerPoint presentation on Twilight Princess than an organic work of fiction. In the first volume, for example, we’re introduced to the obviously pregnant wife of an important supporting character. Just a few pages later, however, another villager helpfully mentions that Uli’s wife is… pregnant. A similar round of no-shit statements accompany Link’s volume two transformation into a wolf, a development that prompts Link — and other characters — to repeatedly observe that he’s no longer human; you could play a decent drinking game by taking a swig of whiskey whenever someone registered surprise at Link’s lupine form. At least he looks cool.

The plot developments are equally obvious. As soon as Honda and Nagano introduced a tremulous teenage girl and her snot-faced little brother, for example, I knew it was only a matter of 30-40 pages before they’d be snatched, giving Link a compelling reason to enter the Twilight Realm. This predictable turn of events wouldn’t be frustrating if we cared about Ilia and Colin’s fate, but they’re such generic characters that they never transcend their function as plot devices. Even the combat feels more like a sprinkling of “adult spice” than a real attempt to tell a darker or more complex story; Twilight Princess is so devoid of ambiguity or suspense that even the most intense, violent sequences seem largely inconsequential.

The blandness of the manga’s execution prompts me to ask a second question: who is Twilight Princess for? Book sales indicate that there’s a large audience of Zelda fanatics who are enjoying this series, so my guess is that the manga appeals to players’ nostalgia for the original games. For the rest of us, however, Twilight Princess is neither interesting nor imaginative enough to compete with One Piece, Naruto, Fairy Tail, or Fullmetal Alchemist on its own terms, nor does it offer any clues why the Zelda games have been a global, thirty-year phenomenon that’s captivated two generations of gamers.

VIZ provided a review copy of volume two.

THE LEGEND OF ZELDA: TWILIGHT PRINCESS, VOLS. 1-2 • BY AKIRA HIMEKAWA • TRANSLATED BY JOHN WERRY • RATED T, FOR TEEN

Konosuba: God’s Blessing on This Wonderful World!: You’re Being Summoned, Darkness

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By Natsume Akatsuki and Kurone Mishima. Released in Japan as “Kono Subarashii Sekai ni Shukufuku o!: Chūnibyō demo Majo ga Shitai!” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Kevin Steinbach.

Another day, another KonoSuba novel, and another manga series being parodied in the subtitle. This time it’s You’re Being Summoned, Azazel-san, a long-running seinen comedy manga with two anime series. Last time I said that we might get a bit more plot, and that’s certainly true, though thankfully that does not mean that things get any more serious. Sure, Kazuma is being put to death for crimes against the state, but honestly, he could have gotten out of that about eight different ways simply by not being Kazuma. And as you may have guessed by the cover, Darkness features heavily in this book. We get a lot more detail on her background, and find that her strong sense of self can even duel with a lesser demon. This, again, does not make her any less ridiculous. Summing up KonoSuba remains one of the easiest things in the worst: selfish protagonists do stupid things, and the reader laughs.

I’m actually very impressed that Kazuma falls into this category as well. It would be all too easy to turn him into a Kyon type, merely reacting against the antics of everyone else. But no, he manages to make some head-scratchingly selfish and foolish decisions throughout, especially near the start, simply by running his mouth off. Of course, he does also save the day at the end – sort of, in reality Kazuma mostly saves the day by directing others to do so – but one wonders how far he’d go if he simply reined in his put-upon ego. Megumin has a reunion with a classmate of hers, and Yunyun seems to be more powerful but in reality may be even more pathetic than Megumin, which takes some doing. The name really doesn’t help, and I was highly amused that Kazuma and I had the same reaction to it.

As indicated above, Darkness gets the most to do here. The revelation of her family background is not all that surprising, really, and I was relieved that she doesn’t really switch personalities too much when she’s back in her home. As for the marriage meeting, it’s the highlight of the book, with Kazuma’s scheming and Darkness’ sabotage attempts combining in the best way, culminating in a duel which seems to end in a wet T-shirt contest. I’d mentioned before how shipping was minimal in the series, but it’s picking up – Darkness’ angry description of her ideal man does sound an awful lot like Kazuma, and the bath scene he has with Megumin gets a lot more awkward when he realized that she’ll grow out of being ‘underage’ pretty soon. As for Aqua, her part in all this is to be ridiculous, and she succeeds at this admirably. She and Kazuma make a great baka duo.

This volume takes us halfway through Season 2, meaning we only have one more till we catch up with the anime. Of course, the series is so popular there may be a third anime before December. In any case, fans of KonoSuba will enjoy this a great deal, as it’s still one of the funniest light novels being released.

Bookshelf Briefs 9/5/17

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Super mega briefs!

Aho-Girl, Vol. 2 | By Hiroyuki | Kodansha Comics -This is a 4-koma gag comic, so does not really rely on character or plot development. You just need funny gags. In this case, the gags rely on the main cast being absolute idiots. And to the manga’s credit, they are. If the cast were even a tiny bit less dumb, the whole series would merely be tedious. But everyone, especially the title girl, quadruples down on the stupidest possible outcome to any situation, and it just works. We do see a new girl here, who seems to like cute girls but may simply be as eccentric as everyone else. As for Sayaka, even given the fact that every gag comic needs a straight man, you still feel bad she’s in this series. Maybe she can go hang out with Nanase from Book Girl. – Sean Gaffney

Anne Happy, Vol. 6 | By Cotoji | Yen Press – Once again, there are hints that while the rest of the class has some random bad luck, Hanako’s bad luck—as well as her terminal case of Pollyanna optimism—may have a more sinister origin. I also get the sense, given the various hints we’re given in this volume, that their teacher is a former student of the unlucky class. In any case, we get the usual vague mixture of amusing and heartwarming, as Hibari thinks too much, Botan tries a bit too hard, and Hibiki is an absolute mess. I admit that I’m grateful for the hints of an ongoing plot regarding Hanako, mostly as otherwise this series doesn’t quite get along entirely on pure charm. You want it to be going somewhere, and for now I will trust that it is. – Sean Gaffney

A Centaur’s Life, Vol. 12 | By Kei Murayama | Seven Seas – Once again, I get the feeling that A Centaur’s Life is just a thin excuse for the author to do whatever he feels like doing every chapter. We get more action-packed dramatic flashbacks with death and maiming, framed as the cast visiting a natural history museum to look at their ancestors. We get romantic comedy hijinks, with crushes on guys and the like. We get more chapters that examine how typical Japanese events would work in the Centaur’s Life world, such as idol groups and faked ghost stories (or is it fake?). The best chapter in the book involves the cast having a mostly serious discussion on the concept of heaven, and why if you try to dig too deep to analyze heaven it just gets disturbing. As variable as ever. – Sean Gaffney

Chihayafuru, Vol. 4 | By Yuki Suetsugu | Kodansha Comics (digital only) – I love how Suetsugu-sensei uses Chihaya’s continued passion for karuta to get Arata to admit that he still loves the game. When they were kids, he was the one who introduced her to the game, and now she’s the one who brings him back to it, first by sending him updates on Mizusawa High’s progress through the Tokyo qualifiers, which has him refreshing his inbox every ten seconds for the results, and then by moving on to nationals at a venue that brings up memories of his grandfather. We learn more about what happened with his grandpa’s health, and it’s awful and sad, but learning that others look forward to seeing his grandpa’s style through him begins to clear up his guilt somewhat. Perhaps he can honor his grandpa best by continuing to play? I love this series so much. – Michelle Smith

Drifters, Vol. 4 | By Kohta Hirano | Dark Horse Comics – It has been three-and-a-half years since the last volume of Drifters came out in North America. That said, with a series like this I’m not sure it matters much. Sure, I’d forgotten literally everything going on in the previous books, and we don’t even get a ‘what has gone before’ page at the front. But I mean, this is Kohta Hirano. Is there lots of fighting? Oh yes. Some bloody killings? Definitely. Insane grins? By the bucketful. The whole manga is just an excuse for all of those things, and therefore it seems churlish to criticize the fact that the plot doesn’t really go anywhere, or that female characters are either absent or objectified. Recommended if you loved Hellsing, otherwise easily skippable. – Sean Gaffney

Food Wars!: Shokugeki no Soma, Vol. 19 | By Yuto Tsukuda and Shun Saeki | Viz Media – This volume is interesting, but it does give off a bit of a sense of filler, as we slowly advance through Azami’s plan to remake the school in his twisted image. Much to my surprise, Ryo’s battle does not go the way I assumed it would, and this leads to a number of satisfying scenes. There’s also the confirmation, which I think most readers have guessed by now, that Alice was in fact trying to contact Erina all along, and her letters were blocked all these years. The most dangerous battle may be the new one Soma has with #1 seat Tsukasa. They turn out to work very well together, almost like a well-oiled machine… which leads to Tsukasa offering to let Soma join Central. Some, of course, refuses… but will he regret it? Always good. – Sean Gaffney

Giant Killing, Vol. 5 | By Masaya Tsunamoto and Tsujitomo | Kodansha Comics (digital only) – East Tokyo United has lost the first several games of the season, and fans and management are starting to voice their displeasure. Now ETU is facing Nagoya, a team with three talented Brazilian players. But Tatsumi has spotted Nagoya’s one weakness and worked out a plan to exploit it. Seeing the team working together and their defense holding strong is a lot of fun, but their faces when they finally manage to score are the best bit. Tsubaki has talent, but he’s been inconsistent so far. Now, he seems to be playing without hesitation, and when he scores first ETU’s first goal, his expression conveys both his relief and a sense of atonement for past mistakes. There just seems to be more on the line than is usual in sports manga, and I was thoroughly caught up in the action until it was abruptly over. Highly recommended! – Michelle Smith

Kimi ni Todoke: From Me to You, Vol. 27 | By Karuho Shiina | VIZ Media – Inspired by Sawako’s ability to honestly discuss her thoughts and feelings, Kazehaya tries a similar approach with his gruff father concerning his university plans. The situation remains unresolved until Kazehaya’s mother tells him about a special drawer wherein he discovers that his father has saved everything Kazehaya ever gave him. “You do make your dad happy. You really do. He just doesn’t show it.” Sniff! I didn’t know I needed to see them achieve an understanding, but apparently I did. After Sawako makes her decision about where she’s going to school, the focus shifts back to Ayane and her heartache over Pin, who she is convinced will never look at her romantically. It’s great to see her feeling love, after she doubted that she could, whatever the outcome. This is still such a great series! – Michelle Smith

Kiss and White Lily for My Dearest Girl, Vol. 3 | By Canno | Yen Press – Shiramine and Kurosawa have entered their second year and evidently still aren’t a couple, despite the occasional smooch that transpires between them. Shiramine is still not particularly likable, but she’s a bit more tolerable this time around, and has managed to defeat Kurosawa by one point on an English exam. There’s some question about whether she herself is special, or whether Kurosawa would take anyone who could make her feel like a regular girl, but this question is answered when Kurosawa is roped into the gardening club due simply to sheer proximity and not for her talents. She ends up staying, and dragging Shiramine into it, but mostly the second half of the volume deals with the other two members of the club. Although it’s still not as good as some schoolgirl yuri I’ve read recently (Bloom Into You), I think this series might be improving. – Michelle Smith

Kuroko’s Basketball, Vols. 13-14 | By Tadatoshi Fujimaki | Viz Media – Seirin vs. To-Oh is the main thrust of this volume, and it’s just as exciting as you might imagine, even if it’s tough to find words to describe it. As with most sports manga, you tend to define it as “good sports happens in these pages,” so even in an omnibus I struggle to say much more than “wow, he really got stronger!” or “did you see that shot?”. There is a hot springs section at the start of the book, which gives the teams a chance to casually taunt each other before the game, and also some primo fanservice, exactly the sort that young boys will want to see. There’s also some flashbacks to Kuroko’s middle-school days, mostly to give more depth to Aomine. Basketball happens. But it’s really good basketball. -Sean Gaffney

Magi: The Labyrinth of Magic, Vol. 25 | By Shinobu Ohtaka | Viz Media – Well, we do get some Morgiana, my wish from the previous brief, but not a lot. Instead, Hakuryu is the focus of this 25th volume, which is both good and bad. Bad in that he turns to darkness, letting his anger rule him, mind-controlling soldiers and deciding murder is the best solution. Good in that the way this is handled turns out to be some of the best writing in the series, and a highlight of the volume. And honestly, if you’re going to try to murder someone, it’s hard to go wrong with his mother Gyokuen, who is smug in the best possible way, and even gets a few Higurashi faces here. (That’s her on the cover.) As for Alibaba, well, he’s headed over there, and I expect he and Hakuryu are going to clash horribly next book. – Sean Gaffney

My Love Story!!, Vol. 13 | By Kazune Kawahara and Aruko | VIZ Media – There are many shoujo romances that end with a reunion after a long separation, but My Love Story!! tackles this a little differently, showing us how tough the time apart was for Yamato and how hard she and Takeo are working to be able to get into the same college. Their romance stuff was nice, but honestly, the hero of the volume is Sunakawa, who keeps Takeo on track with studying, personally taking charge of his tutoring, and making good on a promise to smack Takeo if he ever does something really stupid. I loved that the creators took the time here at the end to emphasize what a special friend he is. I’ll miss this series, but Kawahara-sensei did say “it might be nice to write more of this story someday” in her final author’s note, so make of that what you will! – Michelle Smith

Pandora in the Crimson Shell: Ghost Urn, Vol. 8 | By Shirow Masamune and Rikudou Koushi | Seven Seas – Not as many amusing cameos this time around, and wrapping up one plot and starting another means there’s a lot of awkward transition in the middle. Also, we get more than one “activation” sequence, because kids these days can’t get enough of faux vaginal fingering. Still, I would hope kids these days would not be allowed anywhere near Pandora. The main cast does get to show off, and Nene in particular shows that she’s really something special even among this cast that seems to have a lot of special people and/or machines. Oh yes, and we also get a glimpse of the big bads, who combine Nazi imagery AND Illuminati imagery. If you like saying “wtf?” a lot, Pandora is for you. – Sean Gaffney

Vampire Knight: Memories, Vol. 1 | By Matsuri Hino | Viz Media – I will grant you that Vampire Knight left some open endings, and it’s nice to see those gone into. Still, when you see an author’s next series after their huge hit cancelled after two volumes, and then they return with a spinoff of that old series, it’s hard not to cringe. The best part of this book, even if it’s really bittersweet, is between Aido and Wakaba. It’s clear they both have deep feelings for each other, but it’s also clear that Wakaba does not want to be a vampire, and therefore this romance just isn’t going to happen. It’s an interesting look at the issues semi-immortality brings. The chapters with Yuki interested me less, mostly as they deal with her post-vampiric personality. VK fans will like this, most others will find it superfluous. – Sean Gaffney

My Week in Manga: August 28-September 3, 2017

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My News and Reviews

Last week saw the end of one month and the beginning of another, which means the most recent monthly giveaway is currently underway at Experiments in Manga! Partially in honor of the seventh anniversary of Experiments in Manga (but largely just because I feel like it) this is a giveaway for four volumes of manga rather than just one. The winner will be announced on Wednesday, so there’s still time to enter for a chance to pick up a Variety of Vertical Comics: the first volumes of Ryo Hanada’s Devils’ Line, Chihiro Ishizuka’s Flying Witch, Riichi Ueshiba’s Mysterious Girlfriend X, and Keiichi Arawi’s Nichijou: My Ordinary Life. (I tried to make sure there was a good assortment of the types of manga currently being released by Vertical.)

Quick Takes

Cells at Work, Volume 2Cells at Work, Volumes 2-4 by by Akane Shimizu. I enjoyed the first volume of Cells at Work tremendously, but I did wonder just how long Shimizu would be able to carry the series’ conceit without it becoming tedious. I’m still not entirely sure, but apparently for at least four volumes because I still find myself highly entertained by Cells at Work. I’ve even learned a few things about the human immune system that I either didn’t previously know or had forgotten. (It’s been a long time since I’ve taken an anatomy or physiology class.) While there are a number of recurring characters–the anthropomorphized personifications of the various types of cells and organisms found in the human body–there’s not much of an overarching story or any real character development. Cells at Work is an episodic series with each chapter’s plot generally following some variation of the same theme: the body becomes compromised and an immune response is triggered because of it. Shimizu’s approach to the subject matter is to make it as epic and frequently as comedic as possible. The artwork is great, too. Cells at Work can be spectacularly violent, but it can also be surprisingly endearing. I continue to enjoy the series a great deal and look forward seeing more of Shimizu’s mayhem.

Otherworld Barbara, Omnibus 2Otherworld Barbara, Omnibus 2 (equivalent to Volumes 3-4) by Moto Hagio. It’s been around a year or so since the first half of the award-winning manga series Otherworld Barbara was released in English, long enough for me to have forgotten some of the nuances of the story. Granted, I’m not sure that I was necessarily picking up on all of the nuances to begin with. I definitely enjoyed Otherworld Barbara, and am very glad that it has been released in English, but I will admit that the manga can be frustratingly confusing and difficult to follow at times. (Perhaps I should try reading the series all in one go.) Otherworld Barbara is a very strange series and there’s a lot going on in it. Arguably a bit too much. Among many other things genetic experimentation, the search for immortality, Martian wars, dreams which impact reality and influence the future, existential crises, psychic confrontations, disastrous relationships, and precarious family dynamics all contribute to the narrative’s chaos and occasional lack of cohesiveness. In the end everything does successfully come together in a way that largely makes sense, but it does take some seemingly convenient plot twists for it all to happen. Even so, I found Otherworld Barbara to be immensely intriguing.

Wolfsmund, Volume 7Wolfsmund, Volumes 7-8 by Mitsuhisa Kuji. While it seemed like Wolfsmund had reached a natural ending point in the sixth volume, apparently Kuji had always intended the manga to be longer than that; with eight volumes, Kuji was able to reach the series’ conclusion as it was originally envisioned. Wolfsmund is an incredibly violent and frequently gruesome manga based on the historical conflict between the Swiss Confederacy and the Habspurg-led Austrian occupying forces in the early fourteenth century. The series culminates with the Battle of Morgarten, a pivotal moment in the history of Switzerland. That battle and the various skirmishes that lead up to it are brutal and legitimately gut-wrenching. Kuji does not at all shy away from showing the blood and gore associated with pre-modern warfare. The atmosphere that Kuji creates is exceptionally dark, heavy, and oppressive, the few moments of hope overshadowed by desperation and despair. However, the members of the Confederacy’s peasant army show astounding devotion to their cause even when faced with overwhelming odds. I can’t say that I was ever emotionally invested in Wolfsmund, but it was a gripping retelling.

If It’s For My Daughter, I’d Even Defeat a Demon Lord, Vol. 2

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By CHIROLU and Truffle. Released in Japan as “Uchi no Musume no Tame Naraba, Ore Moshikashitara Maou mo Taoserukamo Shirenai” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Matthew Warner.

Like a lot of second volumes, this one seems to have a bit of an “wait, I have to write more? Well, OK…” feel to it. For the most part it’s the continuing adventures of Adventurer Dale (whose last name, we find out, literally MEANS adventurer, as it’s more of a title), and his adorable adopted Devil daughter Latina (who has aged a couple more years since the first book). Since Latina is now the main reason for Dale’s existence (jokes about him being a pushover for his girl continue to be the main running gag of the series), he’s decided to take her home to meet his family. And so most of the book is a leisurely trip across the continent, as Latina experiences different cultures, tries new foods (and gets better and better as a cook), and we learn a tiny bit more about her past. That said, this book also lacks the dark yet extremely compelling climax the first book had.

Instead we get a mellower climax that introduces us to Dale’s family proper, a village of powerful folks connected to the Earth, led by his matriarch grandmother. Dale was, in fact, supposed to be the future head of the clan, but he had the calling to be an Adventurer and protect the world, so he does that calling, and his younger brother gets the clanship – and the girl, as he’s getting married while they’re there. We get a bit more of Dale’s past, mostly with occasional thoughts from other people’s POV on how he used to be, but I really wish woe could get an extended flashback or something. It’s all very well and good to say Latina changed him for the better so much, but honestly we’re only familiar with Goofy Dad Dale, so it’s got less impact. As for Latina, she still unintentionally wraps everyone around her little finger by virtue of being really good and smart and pretty and diligent and earnest and pure.

Latina also gets some rather nasty nightmares when she wakes up and Dale’s not around, brought about by too much family all at once and hearing talk about getting married and moving on. And this is an issue, as Latina is VERY attached to Dale, and she to him. For the most part, this is dealt with in the standard way you’d expect in a Japanese light novel – his family make the occasional lolicon joke, Dale says “OMG I’m her father!” a lot, and Latina misses all this subtext. But honestly, I think in the next book she’s a couple years older, and there’s a few books still to go, and I am throwing out there that this is a really enjoyable series, but I would not be surprised at all if it ended with Dale and Latina in a romantic relationship, which is obviously far more acceptable in a Japanese work. I don’t actually know any spoilers, and if I’m totally wrong I apologize, but I’ve been burned a bit too often by this sort of thing. Latina is not the perpetual 5-year-old Yotsuba.

That said, nothing has really happened yet, and what you’re left with is a heartwarming and sweet story of a father and his adopted daughter, going on mild yet entertaining adventures. If the series keeps giving us that, I’m perfectly fine with it.

Everyone’s Getting Married, Vol. 6

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Everyone’s Getting Married, Volume 6 by Izumi Miyazono

I read each volume of this series with an increasing sense of tension, because as the romance between successful businesswoman and wanna be homemaker Asuka and famed broadcaster Ryu continues to develop, I grow more and more worried that this josei romance series isn’t going to have a happy ending. Even when seeing the couple continue to evolve and grow within their seemingly incompatible relationship, I am waiting for the other shoe to drop. Both characters have such well-reasoned and firmed opinions towards marriage, and I don’t want to see either of them change without a ton of narrative justification. It’s tricky to pull off this undercurrent of tension in a romance manga, but Miyazono does this so well.

There were many entertaining and sometimes infuriating moments in this volume of Everyone’s Getting Married. On the infuriating side, Kamiya continues his pursuit of Asuka in a fashion that is somewhat stalker-like, when he shows up as she is visiting her parents. It turns out that Kamiya is an acquaintance of Asuka’s father, so while him showing up isn’t as creepy as it could be, it is still plenty uncomfortable. One quick scene I enjoyed shows how much Asuka has idealized her image of family life, but when she talks with her mother about her own choices her mother reveals that she was initially planning on working after marriage but then changed her mind after having children. She comments “Every new person who came into my life took precedence, and my original plan kept getting pushed back.” The contrast between Asuka’s single-minded mission to become a homemaker and her mother’s reflection about pushing aside her desires but still wanting to do the best for her family was interesting, and I’m hoping that Asuka will ponder this more in later volumes.

Asuka and Ryu are closer than ever at the end of the volume, but with his job making it impossible for him to date someone in public and Kamiya’s habit of showing up wherever the couple goes, I sense a confrontation happening in the future. I’m hoping for a happy ending, but I’m genuinely not sure how it is going to happen, which makes this one of the more compelling romance manga that I’ve read recently.

Blood Lad, Vol. 9

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By Yuuki Kodama. Released in Japan by Kadokawa Shoten, serialized in the magazine Young Ace. Released in North America by Yen Press. Translated by Melissa Tanaka.

As you might have guessed by the fact that this volume is half the length of the previous ones, this is the final volume of Blood Lad. The word ‘Final’ on the cover might also clue you in. Fortunately, the main villain of the last several books is polished off fairly early on. I say fortunately because, as if the author had been listening to the whining in my reviews all along, the majority of this book is devoted to Fuyumi and the relationship she has with the others, and particularly with Staz. It doesn’t necessarily redeem her entirely as a character, but it fits very well thematically, and allows for an ending that is both bittersweet and sentimental.

We left off with Staz commandeering Fuyumi’s body in order to take out Grimm, adding more and more of the secondary characters as he went along, to the point where he visualized them as being on the main bridge of a battleship. I’d said last time that I was annoyed that while he was using Fuyumi’s body, Staz was still in charge and doing everything. It turns out that this is actually a fatal flaw, and starts to lead to his defeat. He can’t actually do all this himself, no matter how much he wants to protect everyone, or take on everyone’s troubles, or feel responsible. He is just one (very overpowered) vampire. Fortunately, she gets through to him and they defeat Grimm with the power of a massive FRIENDSHIP BEEEEEEAM! Unfortunately, the combination of this and the loss of a sense of self that it brings on forces everyone that was in the Fuyumi fusion to fall into a coma. Gradually most come out of it, but Fuyumi is the real issue, because her tendency to go with the flow has led to a lack of sense of self.

But Staz, frustrating as he can be, figures things out in time, and we get what seems to be a sweet, happy ending… except, of course, Fuyumi is still a ghost. Now, they can fix that… but it will in fact lead to the separation of teh happy couple. I will try not to spoil too much of what follows (I know, I know, what review blog are you reading?), but it manages to combine the sense of loss that comes of letting someone go in order for them to have a better life (or in this case, an actual life), and then turning it on its head and gaining the possibility of happiness in the future. It’s a bit of an ass pull, but I’m all for these when they lead to sweet things like this.

I wasn’t all too impressed with the premise of this series, when I first saw the solicit, and therefore I’m really pleased that it turned out to be so good. I had issues with it, but it was in turns amusing, thrilling, heartwarming, and a barrel of fun. It’s a good series to do a big reread on now that it’s finished. Go seek it out.

A Certain Magical Index, Vol. 12

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By Kazumi Kamachi and Kiyotaka Haimura. Released in Japan as “To Aru Majutsu no Index” by ASCII Mediaworks. Released in North America by Yen On. Translated by Andrew Prowse.

I’m afraid that I just have to say it at this point: Kamachi is simply not very good at writing comedy. Deliberate comedy, like the events of the first 3/4 or so of this book, seems like it should be something of a success for him, but he gets tripped up by his own overly wordy prose, and also the tendency to rely on familiar cliches and character types – “tee hee, she’s embarrassed to admit her feelings” pretty much defines Mikoto, but it’s not funny per se. The anime actually improved much of this by cutting it down and removing the musty prose, and it’s one of the few times I recommend watching the anime as it handles the material better than the source. Unfortunately, as most of this book is a “cooldown” book, we’re left with another even-number volume curse. It certainly picks up speed by the cliffhanger ending, though.

Introduced in this volume: Amata Kihara. For the most part, this is catching up with old characters and seeing how they’re doing. Kihara is a nasty piece of work, and keep an eye out for his last name in future volumes, as he’s party of a family of nasty pieces of work. We’ve also seen another Kihara, Gensei, as one of the main villains in a Railgun arc. Speaking of Railgun, take those timelines and crumple them in a ball, as we see Mikoto run into Uiharu here, and she barely knows who she is beyond “Kuroko’s friend”. The anime corrected this, of course, since it already took place after Railgun’s first season. This is the trouble with sprawling continuities with multiple spinoffs – you’re going to get contradictions like this. (Uiharu is also OOC here, still being in the “I aspire to be a pure young maiden” stage.) Obviously, this also takes place immediately after Vol. 11 of Index, as Vento of the Front has arrived in Academy City and is here to kick ass and chew bubblegum.

The main conceit of this book, however, is to reintegrate Accelerator into the main events of Academy City. After his seeming heel-face turn in Vol. 5 (though he’d be the first to deny that was what it was), he’s been getting healed in a hospital, and he and Last Order are finally able to move out. Not that they’re going far, as they’re moving in with Yomikawa and Yoshikawa, who continue to have vaguely yuri subtext if you bother to hunt closely for it. Accelerator is quite grumpy about the fact that he can’t use his power for more than 15 minutes anymore, and can’t use it at all – even to keep himself coherent – without the help of the remaining Misaka clones he hadn’t killed off. His understandable self-hatred is a running theme, as he doesn’t really believe he can ever be redeemed (many fans would agree). As for Last Order, she’s still pretty much a brat here, stealing Misaka 10032’s goggles and taking off.

The highlight of the book, deliberately, is the crossing of heroines. Touma is out on a “date” with Mikoto as his punishment game for losing at the Athletic Festival, and Accelerator is out and about trying to find where Last Order has run off. As a result, they each run into the other’s main girl – Last Order has a chat with Touma, and Accelerator comes across a very hungry Index, who he proceeds to feed hamburgers, which may be a mistake. This is not really the highlight per se, of course – as I indicated earlier, the comedy is not as good as it could be, and the anime did it better. What makes it a highlight is the end of the book, where things turn serious – Kihara is here to take back Last Order, and nullifies Accelerator’s powers. Meanwhile, Vento of the Front has invaded and is taking out all of the security forces with apparent magical powers. As a result, at the end of the book the heroines have shifted once more – Index is here to rescue Accelerator (somehow), and Last Order is tearfully asking Touma for help.

It’s a nifty cliffhanger, and should be resolved next time. We also may get even more old faces, as Aleister talks about using Hyouka Kazakiri (remember her?) to help wipe out the Roman Orthodox Church invasion. Somehow – how he plans to use a meek, busty, somewhat nonexistent girl is something that will have to wait for another time. In the end, this isn’t the best volume of Index, but I suspect it needs to be judged when read with Vol. 13, due out in November.

Otherworld Barbara, Vol. 2

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By Moto Hagio. Released in Japan as “Barbara Ikai” by Shogakukan, serialized in the magazine flowers. Released in North America by Fantagraphics. Translated by Matt Thorn.

The second and final volume of Otherworld Barbara has a lot less actual Barbara in it, but that doesn’t make it any less strange. We don’t see as much of the city in Aoba and Dr. Watarai’s dreams because their own current reality is far too busy. We get a lot more revelations regarding Johannes, the guru who turns out to be responsible for a great deal of the plot. We find that Akemi, Dr. Watarai’s ex-wife, is more than simply “slightly hysterical” as I said in my last review, but borders on genuinely disturbed. And various events that seemed to be happening on Barbara, or on Mars, overlap with other events happening on Earth, so that by the end we have an emotionally rewarding but logically befuddling series of reunions. But it’s fine, because the emotional payoff is what you want here.

Despite all of the immortality research, past lives discussion, and reincarnation theories that pop up in this book, at heart it remains about Dr. Watarai’s awkward yet heartfelt efforts to bond with his son Kariya. He’s not very good at it, and Kariya is also not very good at accepting his father, and the tension between them feels very real. Kariya has several forces pulling at him here, none more so than the dream spectre of Aoba, who urges cannibalism without really going into detail about why it’s such a good idea. And then there’s the question of whether Dr. Watarai is Kariya’s real father – Akemi said he was, but she’s backtracking now, and saying “I did DNA tests that I totally didn’t fake honest” is not really the best reassurance. As it turns out, there really *is* something to the whole “eating hearts” thing, though fortunately we don’t have to go quite that far.

So much of Otherworld Barbara relies on being pulled along by the mangaka without asking too many questions, and it’s actually rather exhilarating. I’m sure that if I sat down and reread the entire series in one gulp most of it would make sense, but I am not actually sure I want to do that. There’s a certain joy involved in being just as confused as everyone else as to what’s actually going on, why Johannes is a young handsome middle-aged man but also an old guy who never leaves his room; why Kariya and Taka seem to swap bodies and lives, and what happened to Laika’s parents, which I admit caused me to say “Oh, come ON”, so that may have been one too many trips to the well. The art also serves the title well, being sensible and direct when it needs to be but gorgeous and evocative when hitting high emotional moments. The faces in particular stay with you, particularly Akemi’s 57 varieties of anger and rage.

Mostly, though, Otherworld Barbara makes me long for more works by Moto Hagio. I want to be pulled along by her as she lays out another story again. This, Heart of Thomas and A Drunken Dream just aren’t enough. What about a They Were Eleven rescue? Or A Cruel God Reigns? I bet Fantagraphics could pull off Marginal, it’s short and offbeat enough for them. Basically what I’m saying is, I think I’m addicted to this author. You should be too.

Manga the Week of 9/6/17

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SEAN: September begins, and it’s back to school with a giant crush of manga. As always.

Dark Horse has a 3rd volume of Psycho-Pass prequel Inspector Shinya Kogami.

J-Novel Club gives us a 5th digital Grimgar of Fantasy and Ash novel, which… may not be depressing? Possibly?

And there’s also a 6th Invaders of the Rokujouma!?, which gives focus to our favorite underground priestess.

Did you know that Pumpkin Scissors is still running to this day? Somehow? It’s true! Kodansha is still rescuing it digitally with Vol. 13.

MICHELLE: I did not!

SEAN: On to non-Del Rey stuff, we have a 5th volume of GTO Paradise Lost, the latest in the author’s “no matter what I try to write, only Onizuka seems to sell” sequel.

ASH: I’ll admit, although I greatly enjoyed GTO, I haven’t really been keeping up with the sequels.

SEAN: And a 3rd Kounodori: Dr. Stork, which I am now behind on. Yay!

We also have two debuts from Kodansha digitally, that actually came out this week but Kodansha dropped them secretly as always. Black Panther and Sweet 16 (Kurohyou to 16-sai) is a Nakayoshi title that nevertheless seems very racy. It also has a weak female lead and pushy male lead. Ergh.

MICHELLE: Pass.

ANNA: I feel like I have seen this too many times before…

SEAN: And Elegant Yokai Apartment Life (Youkai Apato no Yuuga na Nichijou) runs in Shonen Sirius, and is what it sounds like – protagonist moves into an apartment filled with yokai.

MICHELLE: Hm. Maybe.

ANNA: That sounds promising, but I have a high tolerance for yokai titles.

ASH: As do I, for that matter.

SEAN: You want print? How about the 8th Sweetness and Lightning?

MICHELLE: Yay!

ASH: The series is such a delight! (And yes, print, please!)

SEAN: And there is also the 2nd Waiting for Spring for shoujo fans. Its first volume was unoriginal but soothing.

MICHELLE: I think there’s room for a series like that in my heart. I plan to read volumes one and two together.

ANNA: I have the first volume and haven’t read it yet, but soothing shoujo sounds nice.

Seven Seas has an 11th Arpeggio of Blue Steel, which continues to be the Tom Clancy novel of anthropomorphic personifications.

The debut next week is Captain Harlock: Dimensional Voyage, the 2014 manga sequel that apparently updates Harlock for the 21st century. Despite the fact that it runs in Champion Red, I look forward to it.

ASH: I’m looking forward to giving this one a try, too.

SEAN: And there’s the 8th Golden Time. Still a soap opera, still enjoyable to me.

And Tales of Zestria has a 2nd volume.

ASH: Whoops, I’d already forgotten about this series (probably because it’s based on a video game I’m not particularly familiar with), but it seems like it could have potential.

SEAN: Vertical gives us the 2nd Mobile Suit Gundam Wing manga, which continues to adapt Endless Waltz.

And now for Viz. So much Viz. Starting with the 4th Anonymous Noise, which I hope features some nice screaming.

MICHELLE: Volume three was the first time I had a “this is actually kind of cool” moment, so I will keep going for a little while to see if that becomes a trend.

ANNA: I think it has gotten better as the series develops, and I enjoy the screaming scenes.

SEAN: Bloody Mary’s 8th volume is not about vampires!… wait, yes, sorry. It is.

MICHELLE: *snerk*

ANNA: SO behind on this series, but I enjoyed the vampire angst in the early volumes.

SEAN: Boruto has a 2nd manga volume, which I imagine means the anime has already long since passed it.

Death Note gets an all-in-one edition, and at 2400 pages it comes close to taking the crown for best blunt object.

ASH: I really want to see one of these in person, just to see how it’s put together. I’ve been assured that the spine will hold up, but what about the readers?!

SEAN: Everyone’s still not getting married in the 6th Everyone’s Getting Married.

ANNA: I so enjoy this series. Hooray for Shojo Beat’s stealth josei publication practices!

SEAN: Haikyu!! 15 is out. But you knew that, as it’s a monthly. It’d be weirder if it weren’t out next week.

MICHELLE: I actually have a nice little pile of Haikyu!! to read now. I expect a mini-marathon will be great fun.

ANNA: I have a difficult time reading this series because my kids steal each volume.

ASH: Like Michelle, I’ve (unintentionally) been preparing for a mini-marathon as well. But I do enjoy Haikyu!! so incredibly much.

SEAN: Kimi Ni Todoke crawls to its conclusion some more. I dearly love it every time I read it, but admit that I wish it would hurry up.

MICHELLE: Yeah, I still can’t tell whether it’ll end after high school or actually follow the characters into their college endeavors.

ANNA: I need to get caught up!

SEAN: It’s the end for My Love Story!!, which has a lucky 13th volume to end on. Will the rain in Spain defeat our separated couple? Will we get a sweet happy ending! (spoilers: we will.)

MICHELLE: I’m counting on it!

ANNA: Such a great series.

ASH: It really is wonderful!

SEAN: And Nisekoi is also almost-but-not-quite done with this 23rd volume.

Chibi Sasuke’s Sharingan Legend is a superdeformed parody that aims to show us the humorous side of Sasuke. It should be about 4 pages long, then.

One Piece’s 21st 3-in-1 takes us to Fish-Man Island, so it’s slowly catching up with the main volumes.

One-Punch Man’s 12th volume will have some quality punching.

ASH: Excellent.

SEAN: And speaking of Quality, QQ Sweeper finally gets its sequel/reboot with Queen’s Quality. I love this author, so definitely want to read this.

MICHELLE: I’m glad this is finally out!

ANNA: Yay!

ASH: I’ve somehow still not managed to finish QQ Sweeper, but I’m glad we’re getting Queen’s Quality, too!

SEAN: Skip Beat! has a 39th volume, which I hope wraps up the arc with Kyoko’s mother.

MICHELLE: I just read it and it’s great. Of course.

ANNA: Skip Beat is always great, but I am also not fond of Kyoko’s mother.

SEAN: Lastly, it’s not a long Viz list unless it ends with a Yu-Gi-Oh volume, and we get the 2nd of “Arc V” here.

Got your pencils and paper? Or tablets and digital pens, whatever the kids use these days. Also, manga?

Sword Art Online, Vol. 11: Alicization Turning

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By Reki Kawahara and abec. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Stephen Paul.

I don’t think I’ve ever come across a book that more perfectly summarizes the best and the worst of Sword Art Online in one handy gulp. The high points of this book are excellent, and the low points are incredibly frustrating. Put together, though, we have a series that continues to intrigue even as the main cast that isn’t Kirito continues to be entirely absent – Asuna gets a few pages in the middle, but for the most part we are entirely in Kirito’s fantasy world here. Fortunately, the first half of the book or so gives another break from Kirito’s first person, as we get a long stretch narrated by Eugeo, who is nice and earnest and a good contrast to Kirito. I was expecting that we would see more training at the knight academy, probably ending up in the giant fighting tournament that had been lampshaded earlier. But then things went entirely off the rails.

Let’s get the bad out of the way first. We have yet ANOTHER instance where female characters are captured and threatened with rape, so that we may see how irredeemably evil the villains are (Kawahara’s villains remain his giant weak point – he can’t write nuance) and also justify Kirito’s violence towards them. This is even more annoying because we’d barely gotten to know Tiese and Ronie, so the threat doesn’t have as much of a reader impact as it did with Asuna and Shino, assuming the reader impact cannot just be narrowed down to “rolls eyes, sighs”. And then due to the plot moving on, we don’t see the girls after this, which just makes it more blatant it was done for pure “damsels in distress” reasons. I understand in the original webnovel this was taken from, the girls actually were raped – thank heavens for small favors that this was changed. SO BORED WITH RAPE THREATS, KAWAHARA.

Of course, disposing of the two villains does mean that the plot makes a right turn, as now Kirito and Eugeo are captured by the Synthesis Knights and brought to the Central Cathedral… which was their goal, to be fair, but probably not as prisoners to be judged. Things pick up a great deal here, as we find that Alice (remember Alice?) is one of the knights, but doesn’t seem to remember Eugeo at all. Kirito takes up the narration again here, and it works out well, showing off his smarts in knowing when to push hard on “this is a game world with game rules” – breaking the chains was particularly good. What’s more, after a long and highly interesting fight scene that shows us the knights may in fact be brainwashed, we are given a long, long infodump by a new character that actually feels realistic and welcome, telling us a lot more about the Underworld, how it got its start, and the evil woman now at the head of it all.

In the end, this is book 3 of a 10-book arc, so there’s a limit to how far it can take things. But once you get past Kawahara deciding that nothing adds to drama quite like rape threats, it’s enjoyable and fun, with excellent fight scenes. Just… get a new gimmick. I beg you.

Manga Giveaway: A Variety of Vertical Comics

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It’s nearly the end of August which means it’s time for another giveaway at Experiments in Manga! Earlier this month I celebrated the blog’s seventh anniversary, and I’d like to continue that celebration by offering you all the chance to win not one, not two, not three, but four volumes of manga. In this particular case the first volumes of Ryo Hanada’s Devils’ Line, Chihiro Ishizuka’s Flying Witch, Riichi Ueshiba’s Mysterious Girlfriend X, and Keiichi Arawi’s Nichijou: My Ordinary Life, all of which have been published in English by Vertical Comics. As usual, the giveaway is open worldwide!

Devils' Line, Volume 1Flying Witch, Volume 1Mysterious Girlfriend X, Omnibus 1Nichijou: My Ordinary Life, Volume 1

I’ve been a big fan of Vertical releases for years, not only of its manga, but its prose works, too, both fiction and nonfiction. (Two of my younger sisters also greatly enjoy Vertical’s puzzle books, although I think it’s been a few years since the last one was published). In 2014, Vertical launched Vertical Comics, an imprint specializing in the publisher’s manga and anime-related titles. Since then, Vertical Comics has continued to expand and offer more and more manga of a wide variety–there seems to be a little bit of something for just about everyone. And I’m always happy to give just about any manga a chance when it’s released by Vertical Comics.

So, you may be wondering, how can you win a variety of Vertical Comics?

1) In the comments below, tell me a little about your favorite manga that has been released by Vertical Comics. (If you don’t have a favorite, or haven’t read any, simply mention that instead.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

And it’s as easy as that! Giveaway participants can earn up to two entries and have one week to submit comments. If needed or if preferred, comments can also be sent to me at phoenixterran(at)gmail(dot)com and I will then post them here in your name. The giveaway winner will be randomly selected and announced on September 6, 2017. Best of luck to you all!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: A Variety of Vertical Comics Winner

JoJo’s Bizarre Adventure: Stardust Crusaders, Vol. 4

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By Hirohiko Araki. Released in Japan as “Jojo no Kimyou na Bouken” by Shueisha, serialized in the magazine Weekly Shonen Jump. Released in North America by Viz. Translated by Evan Galloway, original translation and adaptation by Alexis Kirsch and Mayumi Kobayashi.

For all of the cool fight scenes and new arrogant villains, there is a certain sameness to Stardust Crusaders that I just can’t seem to escape from. It doesn’t help that this arc of JoJo’s is essentially a road movie/extended chase scene, and so we don’t really get much plot beyond “who will turn up in which Middle Eastern town to attack our heroes?”. To be fair, some of those villains are interesting, and there’s a lot of “the villain thinks they will be saved by the main villain, but no, they are just another pawn” here, but I’ll tell you; reading Jotaro’s story is a lot like traveling across the Midwest and staying at the same Holiday Inn with the same wallpaper every single night. Fortunately, there is the art if nothing else; JoJo’s always LOOKS really cool.

As I’ve observed before, there is a huge love of Western music that we’ve seen throughout the series, particularly in the naming of its various characters (mostly villains, but let’s not forget R.E.O. Speedwagon too). It reminds me of a previous old-school manga Viz used to release back in the day, Bastard!!. And just like that series, some of the names have to be changed to avoid litigation. Here we have Enyaba on the cover, who is Enya with a -ba added to her name to let us know she’s a wizened granny. There is also Dan of Steel, who is named after Steely Dan, of course, and like the item the band named themselves after, he proves to be a giant dick. An enterprising young fan could probably give us a nice JoJo’s soundtrack filled with songs from the bands and artists mentioned here. It also helps to emphasize the ‘road’ feel of this storyline.

The fights are the same, filled with action and horror, also continuing the body possession from last time. Fortunately, there is also a helping of humor, some of it gross (Polnareff and his tendency to need to use the bathroom – which rebounds nastily on him here) and some of it amusing if a bit sad (Joseph was always street smart rather than intelligent, but a lot of times here he becomes stupid for the sake of the gag). The humor is needed to offset the grisliness of the battles here, with many of the villains being taken out in highly grotesque ways. For all that Dio is meant to be the main villain of this arc, and I’ve no doubt he will be appearing in the final volumes, so much of this is like a video game where you have to battle endless mid-boss after mid-boss. The journey here in JoJo’s is definitely more important than the destination, and therefore this volume gets the same opinion as the others: I liked it, but like the first two arcs better.

Otherworld Barbara, Vols. 1-2

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By Moto Hagio | Published by Fantagraphics

otherworldIt’s 2052 and Tokio Watarai, a dream pilot, is coming home to Japan for the first time in three years. Although his ex-wife and son are in Japan, he’s actually returning for a job involving a girl who’s been sleeping for seven years since being found with her parents’ hearts in her stomach. Her name is Aoba, and when Tokio enters her dream it’s all about an island called Barbara in which kids can fly and cannibalism factors in to funeral rites. Soon, he learns that his son, Kiriya, actually invented Barbara. So how is Aoba able to dream about it?

That introductory paragraph actually simplifies the story greatly. There’s also Tokio’s horrid ex-wife Akemi and the creepy priest Johannes whom she loves and who could possibly be Aoba’s grandfather but also head of an American orphanage in which cloned children were created, including one called Paris who comes to Japan and believes Kiriya might be a boy he knew called Taka. There’s Kiriya’s massive angst, his dreams of Mars, his dream conversations with Aoba, the girl Laika who fancies him, a psychiatrist who treated Aoba who is killed by a tornado she created, his identity-swapping and cross-dressing fraternal twin children, anti-aging research (potentially conducted upon the residents of Barbara) including a suit that turns Aoba’s grandma into a young woman who calls herself Marienbad and has a fling with Tokio, Daikoku’s ominous hinting that Kiriya will kill Tokio someday, parental regrets, etc.

By the end of the first volume, so very many plot threads are in the air that I was not at all sure that Hagio-sensei would be able to make everything make sense in the end. To use just one example: If Barbara is just a dream—and, indeed, no such island actually exists—then how is it possible that the blood of its residents is used for anti-aging medicine? And yet we see evidence that such advances are already in the works. And because of all this plot stuff, there’s not a lot of time for building solid relationships. There is angst aplenty, especially courtesy of Kiriya, but the whole Marienbad/Tokio hookup, for example, is just extremely random. The strongest bond, though, is definitely the love Tokio feels for his son and his regret over having been a crappy father.

Happily, the second volume does make with the answers, starting almost immediately. Not everything is answered with absolute certainty—one particular narrative thread takes a completely unexpected and surprisingly poignant turn. Even 90% of the way through, I would’ve said there was no way Otherworld Barbara would be able to make me cry, and yet it did. I won’t reveal how, but I loved the devastating consequences of a desperate act on Tokio’s part, and how it led him to have faith that Aoba’s dream of Barbara really could be shaping a vision of the future. That ending makes everything else worthwhile. Too, I enjoyed the contrast between Hagio’s uncomplicated, light-filled artwork and the dark and weird story she told.

Ultimately, Otherworld Barbara is definitely worth reading. Thank you, Fantagraphics, for releasing it!

Otherworld Barbara is complete in two 2-in-1 editions.

Review copies provided by the publisher