Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Features & Reviews

Ishura: The New Demon King War

by

By Keiso and Kureta. Released in Japan by Dengeki no Shin Bungei. Released in North America by Yen On. Translated by David Musto.

I almost didn’t get this. It ticked off quite a few boxes in terms of “things I’m not interested in”, was very long, and looked like it would consist of one big fight. Most of those things are true, but I will admit that the book definitely picks up as it goes along, especially in the second half. It suffers from having a sprawling cast, each of which have to get their own introductory chapter to show off why they’re here and why they’re really pretty strong. Unfortunately, this means that it feels like we’re reading 16 prologues at times. In the back half things get much better, the fights are indeed very cool, and there are some surprisingly touching moments. I enjoyed reading it, in the end. That said, I’m pretty sure that this will be the only volume I read because, no matter how well it tries to hide it, this series is going to come down to two genres that I really cannot stand. It’s both a tournament arc AND a survival game.

This world we’re introduced to seems to have everything. There’s wyverns AND dragons. There’s various kinds of magic. There’s walking skeletons and walking mandrakes, both super powerful. And there’s isekai’d Japanese folks, though for once they’re just part of the cast pile – we learn nothing about who they were or why they ended up here. The first half of the book sets up for a war between the main city Aureatia, which is run pretty much by humans – called “mitia” here – and Lithia, a city that has split off, with its ruler declaring herself the new Demon Lord. That title is a bit taboo these days, especially after the appearance of the True Demon Lord. In the second half of the book, the war begins and we see who lives, who dies, and who gets tragic backstory and THEN dies.

As you’d expect with a book like this, some character arcs work better than others. My favorite was Kia, a young, seemingly blase elf girl with the power to control absolutely anything with her words. At first she almost comes across as a bargain-basement tsundere, but as the book goes on and she learns about how the world works – and what her powers can do – she suddenly gains morals and ethics, much to the horror of her teacher, an assassin named Elea who is trying to murder anyone who discovers Kia’s secret. I also enjoyed the touching relationship between Regnejee, a battle-hardened wyvern who is a little battle-hungry, and Curte, a blind woman who lives in a tower and marvels at everything Regnejee says… or at least that’s how it looks at first.

I could go on, I’m sure. There’s something for everyone here, and I liked the use of names and titles, which reminded me quite a bit of Katanagatari. As a fantasy series with a high body count, it’s a real winner. It’s just not my thing.

Sword Art Online, Vol. 24: Unital Ring III

by

By Reki Kawahara and abec. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

Given that this series has now been running for twenty-four volumes, it’s no surprise that the current arc is seeing a lot more discussion of what has come before. This is especially true now that Kawahara has caught up with himself and no longer has to quietly edit the crappy things he wrote when he was 20 years younger. There’s a lot of interesting stuff that never really got developed in the past that can now be looked into at more leisure. This is the concept behind the Progressive series – which these books pretty much make clear have sort of usurped the original first volume as being canonical – as well as the movie, which also gets referenced here. The line between canon versions of Sword Art Online is blurring. And given that, it’s no surprise that, despite the current death game-esque plot of Unital Ring, complete with a Death Collar of sorts for Kirito, we’re still heading back to the Underworld, which may be 200 or so years into the future but still manages to ask the important question: is *he* REALLY dead?

(Man, covers always spoil, huh? So much for my trying to be ambiguous…)

Kirito is having a bit of a rough time at the moment, though honestly compared to “I am in a coma” it’s going pretty well. In Unital Ring everyone seems to be trying to kill his party. Someone has apparently dived into the Underworld without authorization, which means there needs to be an investigation. And, most importantly, it’s Asuna’s birthday and he has to get just the right present. Frankly, he’s pretty much a dumbass about that, and it’s a good thing that Argo is back in his life to give him enough hints that he can do the right thing. Argo and Alice get to spend time with Kirito in Unital Ring this volume, as Argo has finally given in and ported her character in. Good thing too, as it turns out that it’s not just SAO, or ALO, or GGO, it’s lots of other virtual reality games. Meaning we also get GIANT INSECT BATTLES!

I suspect there may be some fans who are a bit grumpy about the supposed reveal towards the end of this book. That said, “Nobody dies in Bleach” is the phrase, not “nobody dies in SAO”. There have been important characters killed off. So I think we’re allowed to give the author a bit of rope here, especially as there’s no confirmation that it *is* who Kirito thinks it is. That said, I cannot help but be reminded of the separation of Alice Zuberg and Alice Synthesis Thirty and go “Hrrrm”. Aside from that, I continue to be amused, given his reputation as the all-powerful light novel hero, how much of this book shows Kirito being mocked or screwing up. I mean, yes, he does some cool things, but that’s mostly because his human strategy guide is back. Of course, he fares better than Asuna, who has an incredibly cool battle… recapped for us as it’s offscreen. Bleah.

This arc is settling in to be another long one, but at least it has the entire cast this time, so fans should be a bit more happy than Underworld. Till next time: d’awwww. sugar maple tree.

When Supernatural Battles Became Commonplace, Vol. 2

by

By Kota Nozomi and 029. Released in Japan as “Inou Battle wa Nichijoukei no Nakade” by GA Bunko. Released in North America by J-Novel Club. Translated by Tristan K. Hill.

So this was a nice improvement on the first volume, though I will continue to say that I hate it whenever this book has a real plot that it wants is to care about. It’s at its best when it’s just shooting the shit and riffing on Japanese media cliches. Unfortunately, when we run into Chuuni and the Chuutones towards the end, I groaned and wished that Hatoko would simply vanish and reappear back at school. Fortunately, this is precisely what happened. I suppose I’ll have to deal with them more later, but I seriously do not care, whereas I do care about the main cast. Even Andou – I can’t tell if he was far less annoying in this book or if I just got used to his antics, but he worked far better in this book, especially when we get to the relationship between him and Hatoko. Because yes, THIS is the book with “that scene”, and it’s pretty damn epic. Worth the read, definitely, especially given the stress buildup we see all book.

Stop me if you’ve heard this one before, but this is a book of two halves. In the front half we feature once again Kudou, the student council president and vague antagonist from the previous book, who has taken a letter of challenge as a love letter thanks to Andou’s over the top verbiage. Needless to say, she’s the sort to immediately go over the top herself, and Andou has to struggle to find a way to break things to her gently before he breaks her. That said, the confession comes as a shock to the rest of the club, especially two girls who we know have feelings for him. Given her presence on the cover, and the fact that most of the chapters begin with her narration before switching to Andou’s, you can assume Hatoko is especially confused by all this. But, whatever. She wouldn’t understand it anyway.

The book threatens to be drowned out by Hatoko’s rant, which is beautiful, but it also highlights the gulf between them. That said, we see in the flashbacks that this is not for want of trying from Andou – he was attempting for years to get her to understand his way of thinking. But sometimes people just don’t vibe the same way, and the best part of the book is when both of them are told that, in fact, they don’t HAVE to understand each other deeply – they can just be friends because they are friends. The other highlight of the book is the short story competition, which is absolutely hilarious – Hatoko’s grimdark romance, Chifuyu’s incoherent foreign mess, Andou’s summary and character descriptions with no actual text, and Sayumi simply dragging Andou out behind the shed and shooting him in the head. Glorious.

Again, there’s a plot here somewhere, but I plan to ignore it, just as I ignore Andou’s friend Sagami, who is the absolute worst in a way that is clearly deliberate but also I don’t care that it is. Recommended if you use the word “weeb” as a term of honor.

The Manga Review, 5/6/22

by Leave a Comment

When it comes to manga commentary, I freely admit that I’m more of a reader than a listener. Mangasplaining, however, is helping change my mind about manga podcasts. Every week, Deb Aoki, David Brothers, Christopher Butcher, and Chip Zdarsky analyze manga old and new, from classic titles such as AKIRA to fan favorites such as Wotakoi: Love Is Hard for Otaku. The Mangasplainers are frequently joined by industry professionals for interesting conversations about translating, publishing, and creating manga; among their most recent guests were Jamila Rowser, founder of Black Josei Press, and Ken Niimura, a Spanish-Japanese artist best known for his work on I Kill Giants. Complementing the podcast is MSX: Mangasplaining Extra, a weekly newsletter written by Deb, Christopher, and Andrew Woodrow-Butcher that focuses on their newest venture: translating and publishing manga for North American readers.

NEWS AND FEATURES

Deb Aoki offers an in-depth look at the North American manga market. Though global supply issues have made it more difficult to bring readers their favorite series in print, manga sales reached a record high in 2021. As VIZ Media’s Kevin Hamric observes, “Manga is no longer a niche category. It is now a mainstream/mass category.” [Publisher’s Weekly]

Free Comic Book Day is tomorrow! Several manga publishers will have kid- and teen-friendly titles, from VIZ’s Pokémon Journeys to Tokyopop’s Guardian of Fukushima, a graphic novel about Naoto Matsumura, a farmer who defied government orders by returning to Fukushima to save his animals. [Free Comic Book Day]

Cat lovers take note: Daisuke Igarashi just launched a new series called Kamakura Bakeneko Kurabu, which translates roughly to Kamakura Monster Cat Club. [Anime News Network]

On Wednesday, Seven Seas unveiled four new manga licenses: Gap Papa: Daddy at Work and at Home, The Knight Blooms Behind Castle Walls, My Sister The Cat, and No Longer Human… In Another World, “a dark comedy starring a famous historical writer who would honestly rather die than live out an isekai fantasy.” [Seven Seas]

Tezuka Productions recently launched an English-language Twitter feed. [Twitter]

Megan Thee Stallion has impeccable taste in anime. [Black Girl Nerds]

If you plan to be in Tokyo next March, why not check out the Spy x Family musical, which will have its premier at the Imperial Theater? [Otaku USA]

Wondering what’s new at your local comic book store? Bill Curtis just posted a complete list of May’s manga and light novel releases. [Yatta-Tachi]

In the latest episode of Shojo & Tell, Ashley and guest Olive St. Sauver discuss the first six volumes of Suu Morishita’s Shortcake Cake. [Shojo & Tell]

Good news for yuri manga fans: Erica Friedman’s By Your Side: The First 100 Years of Yuri Anime and Manga is now available for pre-order. Her book is the first of its kind in English, offering a thoughtful, wide-ranging exploration of “the key creators, tropes, concepts, symbols and titles of the first 100 years of the Yuri genre.” [Okazu]

Sam Sattin chats with Masha Zhdanova about his latest project: a reboot of Osamu Tezuka’s Unico. “Unico in particular I found to be a fascinating character who is often misunderstood,” Sattin observes. “Unico was created for children, but like many of Tezuka’s child-oriented fables, the character’s story is complex, emotional, and chock full of meaning… In it, I see an amazing story that could simultaneously serve a new generation of readers and honor Osamu Tezuka’s work.” [Women Write About Comics]

Jeff Trexler, the Interim Director of CBLDF, sounds a cautionary note about Free Comic Book Day, noting that retailers need to be vigilant about which books they give away, and to whom. “The new comic’s code is an algorithm,” Trexler observes. “What people are trying to do is not simply the fact that they’re trying to get retailers arrested or school teachers arrested or librarians arrested. They recognize in the age of Twitter, you don’t have to do that. All you have to do is get them shamed or banned. You can mass swarm a retailer and report them to Facebook or Twitter for selling pornography.” [ICv2]

REVIEWS

Congratulations to Megan D., who celebrates the tenth anniversary of The Manga Test Drive this week! You can help her mark this milestone by checking out her recent reviews of Dick Fight Island (NSFW, as you might imagine), Hinadori Girl, Wanted, and Peepo Choo. Over at Book Dragon, Terry Hong posts a review of Gengoroh Tagame’s Our Colors, “another poignant, empowering, gay-centered narrative… translated by queer manga expert Anne Ishii.”

Manga the Week of 5/11/22

by , , , and Leave a Comment

SEAN: The week of Mother’s Day, and what manga will moms be reading?

Yen On has a 5th volume of Bofuri: I Don’t Want to Get Hurt, so I’ll Max Out My Defense.

The Yen Press debut is Mizuno and Chayama, a Comic Beam title that is done in one 2-volume omnibus. It’s Romeo and Juliet, only they’re both teenage girls, and the setting is corporations vs. the government.

MICHELLE: Hm. Potentially interesting!

ANNA: This does sound interesting.

ASH: I agree!

MJ: What everyone else said!

SEAN: Also being released: Is It Wrong to Try to Pick Up Girls in a Dungeon? II 2, The Saga of Tanya the Evil 16, Solo Leveling 4, and Star Wars Leia, Princess of Alderaan 2.

Viz Media has Death Note Short Stories, which is exactly what it says.

ASH: It’s been quite a while since I’ve thought about Death Note; the series is among the earliest manga I read.

MJ: Wow, what could this possibly be? I’m actually a little curious.

SEAN: We also see Dragon Quest: The Adventure of Dai 2, Fly Me to the Moon 11, Mao 5, Pokémon Adventures: X•Y 2, and Requiem of the Rose King 15.

MICHELLE: I’m quite far behind on Requiem of the Rose King now!

ANNA: Alas, me too.

ASH: I’ve been saving up volumes to read all at once.

MJ: I am also behind, but omg!

SEAN: Tentai Books sees a print release for From Toxic Classmate to Girlfriend Goals 1, I Kissed my Girlfriend’s Little Sister?! 1, and There’s No Way a Side Character Like Me Could Be Popular Right? 3.

SEAN: Three new titles from SuBLime: Change World 2 (the final volume), Finder Deluxe Edition 11, and His Favorite 12.

ASH: Oh, somehow I didn’t realize His Favorite was still ongoing!

Square Enix manga has the 5th volume of My Dress-Up Darling.

ASH: Another series that I’m behind on, but I really enjoyed the early volumes.

MJ: I’ve heard good things about this, and I feel like I need to get into it!

SEAN: From Seven Seas we get The Ancient Magus’ Bride: Wizard’s Blue 4, the 14th and final volume of Magical Girl Spec-Ops Asuka, Mushoku Tensei: Roxy Gets Serious 7, and Wonder Cat Kyuu-chan 5.

ASH: I’ve mainly focused on the main series, so far; I need to catch up on the spinoffs of The Ancient Magus’ Bride.

SEAN: Kodansha has a print debut, coming from the ever popular Shuzo Oshimi. Devil Ecstasy is an early Young Magazine title about a brothel filled with women who may be killing men with their sexy skills. It’s also a two-volume omnibus.

ASH: Oshimi’s work is frequently disconcerting, but generally worth taking a look.

MJ: I’ll let Ash be the one to take a look, haha.

SEAN: Also in print: Battle Angel Alita 6, Ciguatera 2, My Boy 9 (the final volume), The Seven Deadly Sins: Four Knights of the Apocalypse 3, and The Seven Deadly Sins Omnibus 4.

Digitally our debut is This Vampire Won’t Give Up! (Vampire-sama ga Akiramenai!), another josei title from Comic Tint. Our heroine has to work with a handsome but rude man, but then finds out he’s also the author of her favorite childhood book about vampires. What’s his secret? (Take a guess.)

MICHELLE: Snerk.

ANNA: I don’t know what the secret is, I might have to read it and find out.

ASH: Ha!

MJ: The title is kind of hilarious, right? It’s the exclamation point…

SEAN: There’s also Ace of the Diamond 37, Apple Children of Aeon 3 (the final volume), The Fable 2, A Kiss with a Cat 3, Our Bodies, Entwining, Entwined 3, Police in a Pod 12, and Ya Boy Kongming! 7.

ASH: Ya Boy Kongming! is now more fully on my radar since I’ve been hearing good things about the anime.

SEAN: From J-Novel Club we see The Apothecary Diaries 5, Black Summoner’s 6th manga volume, Campfire Cooking in Another World with My Absurd Skill 11, My Daughter Left the Nest and Returned an S-Rank Adventurer 4, and Sorcerous Stabber Orphen: The Wayward Journey 17.

Ghost Ship debuts It’s Just Not My Night! – Tale of a Fallen Vampire Queen (Yo ga Yorunara!), a Magazine Pocket series, shows us a hard-luck vampire queen forced to find part-time work – some of which is very sketchy!

They’ve also got SUPER HXEROS 7.

Already out from Denpa, who just put it on their website, is Black Tights: WIDE, an artbook featuring, well, girls in tights. It features “some of the best artists in Japan” and also a lot of good-looking gams.

Dark Horse Comics debuts Cat + Gamer (Neko Gurashi Gamer-san), from Shonen Sunday S. the gamer is Riko, an office lady who doesn’t have time for socializing when there’s games to be played. Then she picks up a stray cat. Can games help her figure out how to deal with a pet?

ASH: This is supposed to be pretty good.

MJ: I mean, it has a cat, so it automatically wins.

SEAN: Dark Horse also has Gantz’s 9th omnibus.

Lastly, Airship has, in print, Classroom of the Elite 11 and How a Realist Hero Rebuilt the Kingdom 14.

The digital-first debut is Modern Villainess: It’s Not Easy Building a Corporate Empire Before the Crash (Gendai Shakai de Otome Game no Akuyaku Reijou wo Suru no wa Chotto Taihen), whose gimmick is that our reincarnated villainess is not in a world of nobles and princes, but in Japan at the height of the economic boom! Can she use her future knowledge to avoid her fate and avoid the upcoming bursting of the bubble economy?

ASH: Too soon?

SEAN: And also in early digital: Classroom of the Elite 11.5 and The Haunted Bookstore – Gateway to a Parallel Universe 4.

What are you getting mom? Devil Ecstasy? Tales of a Fallen Vampire Queen? Or perhaps something more wholesome?

My Stepmom’s Daughter Is My Ex: “Even If We Aren’t Dating…”

by

By Kyosuke Kamishiro and TakayaKi. Released in Japan as “Mamahaha no Tsurego ga Motokano datta” by Kadokawa Sneaker Bunko. Released in North America by J-Novel Club. Translated by Gierrlon Dunn.

This is very much a book of two halves. The first half is essentially more of the same stuff that we saw in the initial volume, with our two leads bitterly grousing at each other while also showing that eventually, when they get their heads out of their asses, they will once more be a terrific couple. The second half introduces a new girl to the mix, set up to be a rival love interest. That said, the author knows what the genre is. This is not the old school genre of “guy and the 100 girls who really, really etc. love him”, it’s part of the more recent “we are cute couples who flirt adorably” genre, with the twist that they aren’t a couple anymore and their flirting is bickering. As such, sympathy in the book stays solely with Yume, though the new girl is very nice and sweet, which is a plus, and possibly makes up for the fact that Akatsuki is still in this.

Mizuto and Yume continue to stubbornly not get along, despite the fact that their entire life is a series of light novel romcom moments (as is literally pointed out later). There’s seat changes in class, which brings back awkward memories; a Mother’s Day event which brings back sad awkward memories; a sleepover with their mutual friends which turns hideously awkward when it turns out that said friends live next door to each other; and a battle over best grades in the school that goes beyond awkward and into painful. We are then introduced to Isana Hagashira, who hangs out in the library, loves light novels, is socially inept, and has really large breasts (something she will point out, as she regards it as one of her few interesting features). She and Mizuto bond immediately, leaving Yume forced to confront her own repressed feelings.

Isana reminded me not a little of Kotomi Ichinose from Clannad, and the smile she gives on the cover art doesn’t really match her in this book, where she’s mostly rather expressionless, as part of her social difficulties. She’s really sweet, and I enjoyed seeing Akatsuki and Yume slowly force her to realize that she’s fallen in love with Mizuto. Unfortunately, framing her character as having crippling self-esteem issues and then having to have her forcibly rejected due to… well, due to the plot of the series… seems a bit mean. That said, it’s not nearly as mean as forcing us to spend time around Kagure and Akatsuki, who are there to remind us what a really toxic couple are like. Not that they’re dating, but this certainly is not the “if we just admitted we still love each other everything would be solved” of our two leads, there’s some real hatred here. I fear we will learn more about it later.

So yeah, this series still works best when it’s about the main couple. Fortunately, they’re the stars of the book. Recommended with reservations.

Bookshelf Briefs 5/4/22

by , and Leave a Comment

Minami Nanami Wants to Shine, Vol. 1 | By Bana Yoshida and Yuki Yaku | Yen Press – For most of the volume, this feels like a typical side-story spin-off from Bottom-Tier Character Tomozaki, focusing on perpetual second-best Minami, and her frustration with being the perpetual second-best. The plot involves her mother, who works at a modeling agency, suggesting that her daughter model for them. Minami is a bit taken aback by this, partly as I don’t think she really sees herself as pretty, but also because it’s not anything she had thought about before. The surprise comes when she chooses NOT to run against Aoi for student council—as in the books—and goes for the modeling instead. Will she succeed? Will she start to like herself? Can’t wait to find out. – Sean Gaffney

My Love Mix-Up! Vol. 3 | By Wataru Hinekure and Aruko | Viz Media – This series has settled into a groove of being a heartwarming romantic farce and I am here for it. Aoki and Hashimoto deal with a survival-style ski instructor on a school trip and manage to get a little closer to their respective crushes. Aoki in particular manages to experience the heights of romantic hope and crushing despair as he pursues the perpetually stoic yet still sympathetic Ida. The illustrations easily capture Aoki’s ugly crying, joy, and the time when he feels so depressed he metaphorically turns into a slime. Highly recommended for anyone enjoying romance hijinks. – Anna N

New Game!, Vol. 12 | By Shotaro Tokuno | Seven Seas – This is the penultimate volume, and you know what that means: it means we’re going out with some drama. The team finds out that their game has lost its funding and they need to either find a new company to bankroll them or give up entirely. The obvious answer is Catherine’s company, even if that means groveling a bit. But the carrot comes with a stick, and this means that, once AGAIN, Aoba will not be the lead character designer. As this is about the third time this has happened, I suspect the final volume is probably going to have her questioning her ongoing life choices—she’s a perpetual “not good enough” designer. With all this drama, will we ever find out if Kou and Rin are a canon couple? – Sean Gaffney

Skip Beat!, Vol. 46 | By Yoshiki Nakamura | Viz Media – Skip Beat! is still nowhere near finished, and so the fact that Ren has confessed to Kyoko does not mean that things are wrapping up in a neat bow. Kyoko is stressed about anyone loving her—still—and also has not told him that she is Bo—still. Fortunately, the author knows the other reason that we’re reading this, which is the acting, and the next volume promises to focus more on that. Unfortunately, there are still many parts of Ren’s past that have yet to come to light, and they also promise to show up in the next volume. With all this going on, can Kyoko still find time to go on a date to an amusement park with her real true love, Moko? This was shorter than most volumes, but still worth the wait. – Sean Gaffney

Snow White with the Red Hair, Vol. 18 | By Sorata Akiduki | Viz Media – It’s really a rare shoujo series that makes me wonder “OK, maybe they *are* going for a threesome ending?”, but Snow White with the Red Hair comes close. The romance between Zen and Shirayuki gets some more focus here, as they get to reunite in a big romantic scene. That said, Obi is not only intertwined damn near permanently with Shirayuki, but also with Zen, and it doesn’t help that the end of this volume has the author teasing about the two of them sleeping in the same bed. This series has a whole lot of Teasing Creator to it when it comes to the romance, and while I doubt Obi will be an official partner with Shirayuki—or indeed Zen—he’s still one of the best reasons to read this. – Sean Gaffney

Spy x Family, Vol. 7 | By Tatsuya Endo | Viz Media – I feel like a bit of a bad fan for saying this, but I will admit that I love Spy x Family better when it’s focusing on the antics of Loid and Yor than when it’s Anya’s Adventures at the Academy, and that’s what the majority of this volume is. That said, it does give some much-needed depth to Damian (and also a cover shot), as we see how much his insecurities stem from a desperate need to please and be noticed by his uncaring father. Elsewhere, Bond helps Loid to survive a mission, and we see that Yuri, while dedicated to stamping out subversives, is not without a heart. Most importantly, we kick off the next arc, at last focusing on Yor, who must protect rather than kill. Keep reading this great and extremely popular series. – Sean Gaffney

The Walking Cat: A Cat’s Eye View of the Apocalypse | By Tomo Kitaoka | Seven Seas – Stop me if you’ve heard this one before: a virus ravages humanity, turning millions of people into zombies and leaving small, scrappy bands of survivors to fend for themselves. That’s the basic premise of The Walking Cat: A Cat’s Eye View of the Apocalypse, a middling horror story by newcomer Tomo Hideoka. The idea of depicting a zombie plague from an animal’s perspective sounds promising, but in practice, Yuki feels more like a gimmick than a thoughtful vehicle for exploring how a human pandemic might effect other species. Yuki is barely a character; he functions mostly as a plot device, providing continuity between the series’ three main storylines and chasing the occasional butterfly. The humans aren’t very compelling either, as their stories are too rushed—and cliché—for the reader to feel much investment in their fate. Personally, I’m rooting for the zombies. – Katherine Dacey

Kuma Kuma Kuma Bear, Vol. 10

by

By Kumanano and 029. Released in Japan by PASH! Books. Released in North America by Seven Seas. Translated by Jan Cash & Vincent Castaneda. Adapted by M.B. Hare.

This is a lighter volume of Kuma Bear, despite the threat of the destruction of an ancient sacred tree. You know Yuna’s got this, though the fight is difficult enough that she has to switch from black bear onesie to white bear onesie, and she ends up fairly exhausted. Speaking of that switch… Kuma Bear is, I think, mostly written for a male audience, but I also think we’re supposed to go “aww” at the antics more than “Cor!”. Yuna has to strip to change her costume, and there’s a shot of her in her underwear. But it’s not particularly sexy, and the narrative is far more concerned with Yuna’s childish bear panties and her reaction to anyone who finds out about them. Yuna has an image that she wants to keep up of her as a cool lone wolf (or rather lone bear) sort, but it’s constantly undone by the reality of her being the big sister to 11 million kids and also having older than she looks issues. Is embarrassment fanservice?

Arriving at the elf village allows the author to bring out a whole mess of fantasy novel elf tropes to make fun of, from their supposed perfect hidden tracking skills (which Yuna spots immediately) to the fact that even “grandfather” looks, at most, about 40 years old. The barrier nis weakening, however, and it turns out the problem is that the elves’ sacred tree has been infested by a parasite, who is slowly killing it and weakening said barrier. So it’s up to the elves to fix things… along with Yuna, who can enter the protective ward that no one but elves can, because, you know, OP bear. There’s also other dangerous monsters to fight, some of which might actually kill off an elf or two… but probably not, as this is not one of the dark Kuma Bear books. The worst we’ll see is Yuna worrying about her secrets.

Yuna has, for the most part, remained quiet on her origins and the basis of her awesome powers, not even telling Fina, the one person she’s closest to. I had wondered briefly if she might open up a bit to the elves here, given that they sign a contract that tortures them with unstoppable laughter if they reveal her secret, but no, it turns out she’s just telling them about her bear gates so she can set one up here, and her bear phone so that the village can communicate with Sanya and Yuna when they want to. It doesn’t feel like she’s revealing much here, but I get it. Yuna hates making ties with other people, but does it anyway, and she also hates it when people praise her because she doesn’t think of any of it as HER. The Bear Suit is the OP heroine. She’s just the girl inside it. Which is an interesting psychological trauma to dig into, but I doubt we’re going there soon.

If you read Kuma Bear, you’ll enjoy this. If you don’t, we;ll, cute but OP bear girl slice-of-life again.

Saint? No! I’m Just a Passing Beast Tamer!: The Invincible Saint and the Quest for Fluff, Vol. 2

by

By Inumajin and Falmaro. Released in Japan as “Seijo-sama? Iie, Toorisugari no Mamono Tsukai desu! – Zettai Muteki no Seijo wa Mofumofu to Tabi wo suru” by Kadokawa Books. Released in North America by J-Novel Club. Translated by Meteora.

As with the last volume, the main thing you notice about this book is that it’s a comedy. That said,, things are actually pretty dark when Kanata’s not on the scene. The church is evil and is taking the money for themselves. The church is also brainwashing local ogres into having their minions attack small villages. Bitter blacksmiths are tricking their rival’s daughter into paying fake debt. And yet… when Kanata IS on the page, everyone turns into the broadest comedy. The hypercompetent adventurer Melissa turns into the ultimate whiny office lady. The evil Saint causing all this is far more annoyed that Kanata doesn’t even bother to see her as an enemy. And the massive wolf-spirit imprisoned by the Church finds that he can get far more laughs if he’s a cute puffball. The key to Kanata saving the world is not her ludicrous power to do anything, or her vague kindness that mostly revolves around fluff. It’s that she’s funny.

We pick up where we left off, with Kanata and her demon lord turned pussycat companion Zaggy trying to track down more fluff for Kanata to pet. They run into a small dog puffball, who Kanata nicknames Fen-Fen, who is of course the aforementioned Wolf Spirit. He’s spent decades waiting for the Saint that he’s supposed to dedicate himself to, only to be locked up by Marianne, the girl who actually does have the Saint title but has none of the Saint morality. She’s actually being led by the goddess we saw last time, who has one piece of advice for her: if you see Kanata, run away. Sadly, Marianne does not take this advice, and now has to deal with a girl who will get more fluff By Any Means Necessary, even if it means doing endless amounts of tiny, cheap good deeds.

The joke about Kanata, of course, is that she *is* the Saint, but accidentally. She’s not particularly saving lives, helping find lost pets, or taking down the evil church that’s controlling everything because it’s the right thing to do. Indeed, you could argue that she doesn’t notice what she’s doing at all. She does it because it will get her fluff. Hell, the evil Saint, Marianne, is seemingly killed by her patron goddess, only for Kanata to resurrect her… because her hair is a 10 points on the fluffy scale. No other reason. We do occasionally see flashes of her actually comprehending what’s going on… in the side story she clearly sees the cheating going on and decides to help by having Zaggy cheat on the other side… But for the most part, she’s not good or bad. She’s fluff. And since no one in this world knows what that means, it becomes an all-purpose thing to strive for, be it strength, good deeds, whatever. Fluff is what you want it to be.

Of course, Kanata wants it to be fluff she can snuggle. She may have to wait a bit, the third volume is not out in Japan yet. Till then, this is silly but… no, it’s just silly.

Can Someone Please Explain What’s Going On?! ~The Contract Couple’s Happily Ever After~, Vol. 9

by

By Tsuredurebana and Rin Hagiwara. Released in Japan as “Dareka Kono Joukyou wo Setsumei Shite Kudasai! ~Keiyaku Kara Hajimaru Wedding~” by ArianRose. Released in North America by J-Novel Club. Translated by Tara Quinn.

And so we finally get to the end of this series, with six main volumes and three After Story volumes. This is the last of the After Stories and has the least amount happening, as there’s not even a crisis to solve this time, like the mystery from the previous book. This volume has two main plotlines: 1) finish telling Lettie the story of how she was born, which this time does actually involve her birth, and 2) celebrate the kingdom’s founding day, which sounds remarkably like Christmas but is done at the height of cherry blossom season. Mostly what this volume shows off is how comfortable and happy everyone is now, and that all of the conflict and drama from earlier books has been dealt with. The only remaining issue is Viola’s constant self-image issues, which I know the author thinks of as a cute running gag but never fails to irritate me – and everyone else in the household too, judging by their reaction to her worry that Lettie will inherit her looks.

As noted, the first half of the book shows the days leading up to Viola giving birth and the weeks after it. This includes some false labor brought on by insisting on weeding while nearly due to give birth, and also a relatively quick and easy labor – much to Viola’s surprise, as from her perspective she thought it took forever. Lettie is surrounded by adoring family and servants, so the question is how is she not going to grow up spoiled, really. Viola will help there, I expect. The second chunk of the book has the mansion preparing for Flur Day, the aforementioned Christmas equivalent. A strong windstorm may put paid to some of the festivities, but otherwise there’s a relative lack of anything going on here – the main drama stems from everyone trying to get out of hearing the King’s speech again so that they can get to the truly important thing a week later – Lettie’s first birthday.

There is still the occasional reminder that there is ever present danger in this world – Viola is given a number of mazes to memorize and complete, and only after she’s done so does she realize that they’re a layout of the mansion and the royal palace, complete with secret passages and hidey-holes, if she ever needs to escape like she has in previous books. But for the most part this is a victory lap, and it even ends the way a lot of these books do – with Viola discovering she is pregnant with her second child. As I’ve noted before, this continues to be a surprise to me as Viola has not, through all nine volumes, ever really shown any sexual desire towards her husband. Even when given an obvious opportunity, such as coming in to “get warm” after a nighttime cherry blossom viewing, all they do is have cocoa. It’s very pure.

So yes, this book is also a bit boring, but I’ll take that over the classist nonsense some of the main series did. In the end, this was a flawed but fun series, and I really hope one day it hits Viola that she’s gorgeous.

In the Land of Leadale, Vol. 5

by

By Ceez and Tenmaso. Released in Japan as “Leadale no Daichi nite” by Famitsu Bunko. Released in North America by Yen On. Translated by Jessica Lange.

We’ve introduced most of the main cast at this point, but there’s one other major player (and indeed Major Player) whose absence from this has felt like a plot point: Opus, Cayna’s rival and partner in crime. She knows he’s there, as the presence of L’il Fairy has demonstrated, but he has not really shown up in front of her and we haven’t gotten a good sense of his character. Well, despite the fact that he only appears in the last few pages of this volume, we have a much better idea now. He’s a troll. A massive troll. And while Cayna, who is also incredibly eccentric in her own right, proved to be OK with that when she was helping him do the trolling, being on the receiving end of it for once pushes her to a righteous fury we haven’t really seen from her that much. For all that Cayna tends to use fists to solve arguments, she’s a relatively mellow person. Well, OK, she’s not. But her own “persona” pretends she is.

Cayna is still going around being a force of nature, but she can’t be everywhere, particularly if something needs to be solved the hard way rather than the Cayna way. So Exis and Quolkeh team up with another ex-player to take on a massive Guardian Tower that is a mobile turtle… heading for the royal palace. (This is solved by a typical Japanese quiz game.) As for Cayna, she suddenly finds that L’il Fairy needs a name, So she goes with Kuu, because it sounds like Kee, because Cayna is still pretty childish most of the time. She then goes on to do what she does best: There Is No Kill Like Overkill, as she takes on a huge pile of monsters led by a goblin master who is somewhat stunned to see how easily she carves them up. She then takes Cloffe and Clofia (remember them? The anime cut them?) on a dungeon crawl to find Opus. A very annoying dungeon crawl.

Since our last review the anime ran, and it seems to be a case where fans of the light novels enjoyed it (despite the cuts) but those who had not read the books were deeply turned off by Cayna’s temper and the series’ lack of a plot. To be honest, they’re good points. The author really enjoys showing Cayna lose it and hit people with her fists or big-ass weapons, usually whether they deserve it or not. Fortunately, in this case, Opus definitely does deserve it. As for the lack of anything happening… that’s true as well. This is at heart a slow life series, it’s just Cayna doesn’t run a drugstore or a library, she goes around trying to discover the secrets of this post-game world. It’s a hard vibe to get into, and I don’t think the anime got far along enough to show it off.

Still, this volume is pleasant enough, and thankfully had less of the body horror of Book 4. Now that Opus is here, will he help shed some light on things? Or will he just be a dick? We’ll find out soon.

The Manga Review, 4/29/22

by Leave a Comment

Back in March, Titan Comics announced that it would launching its own manga imprint, Titan Manga, with the publication of a new “director’s cut” of Takashi Okazaki’s Afro-Samurai. This week, Titan announced two more acquisitions: Kamen Rider Kuuga and Atom: The Beginning, both of which will debut in October. This deal is part of a new partnership with StoneBot Comics. In other licensing news, Seven Seas just unveiled several new titles including Malevolent Spirits: Monogatari, Let’s Buy the Land and Cultivate It in a Different World, Anti-Romance, and Night of the Living Cat, a horror-comedy in which “a virus transforms humans into cats.” The mode of transmission? Snuggling with an infected kitty! (Seriously, did my cats write this?!!) All four series are scheduled for a late 2022/early 2023 release.

NEWS AND FEATURES

Young Jump just published the final chapter in Satoru Noda’s bloody revenge saga Golden Kamuy. Not to worry: Noda’s ice-hockey drama Supinamarada! will take its place. [Anime News Network]

CLAMP fans rejoice: the collective will resume work on xxxHolic-rei, though they haven’t announced a date for its official return. [Anime News Network]

Also in the news is Moto Hagio, who is one of this year’s Eisner Hall of Fame nominees. [Comic-Con International]

Kodansha just announced its May digital manga releases. The most promising? When a Cat Faces West, a new series from the creator of Mushishi. [Crunchyroll]

Are you a parent, teacher, or librarian looking for kid-friendly manga recommendations? Brigid Alverson has got you covered with a helpful list of titles that are suitable for pre-teen and young teen readers. [ICv2]

The librarians at No Flying No Tights compile a list of their favorite cute comics, from Umi Sakurai’s A Man and His Cat to Claire Belton’s I Am Pusheen the Cat. (Warning to dog lovers: this list heavily favors kitties.) [No Flying No Tights]

Bill Kartalopoulos files a lengthy report on the 49th Angoulême International Comics Festival. Among the highlights: a special exhibit honoring the legacy of Kitaro creator Shigeru Mizuki. [The Comics Journal]

Kelli Ewing offers a sneak peak at Hen Kai Pan, the latest series from Eldo Yoshimizu (Ryuko). [Panel Patter]

Wondering what to read next? Masha Zhdanova takes a look at this month’s new VIZ Media titles. [Women Write About Comics]

REVIEWS

Over at Anime News Network, Rebecca Silverman declares Sakamoto Days a “fun” series with a “well executed premise,” while Lynzee Loveridge argues that Sensei’s Pious Lie “does a lot of interesting, if uncomfortable, things that make it worth a read.” AiPT’s Eric Alex Cline gives high marks to Island in a Puddle, a new thriller from Kei Sanbe (Erased), while Megan D., host of The Manga Test Drive, takes Kaoru Mori’s Shirley for a spin.

Ascendance of a Bookworm: I’ll Do Anything to Become a Librarian!, Part 4: Founder of the Royal Academy’s So-Called Library Committee, Vol. 6

by

By Miya Kazuki and You Shiina. Released in Japan as “Honzuki no Gekokujou: Shisho ni Naru Tame ni wa Shudan wo Erandeiraremasen” by TO Books. Released in North America by J-Novel Club. Translated by quof.

I must admit, she’s started to mesmerize me, that’s the only explanation. Towards the end of this book, I recall thinking that it was another quiet book with not much happening and with Rozemyne not really doing anything wrong. While the latter is… partly true, the hilarious epilogue reminded me how earth-shaking all of this was to the folks back home, and how Sylvester and Ferdinand desperately need the invention of Tylenol. Rozemyne is getting better at the social niceties, but she’s still a huge chasm away from everyone else, and things are not helped by having someone who is basically the same as her come along, and be royalty at that. The two of them join forces in this volume, and I am grateful that they have Hannelore there to try to keep things from exploding, but I also feel very bad for her. It’s tough to be a minder to a cataclysmic event like Rozemyne.

We’re back at school for Rozemyne’s 2nd year, and she’s a little bit calmer about things this time around, though of course that’s only by degree. Her main concern is starting her library committee and being a good big sister to Charlotte (which is not helped by Charlotte being both taller and more mature than her big sister). Then things… start to happen. Lessons are for the most part fine, though Rozemyne is starting to discover how much of the entire 7-year curriculum Ferdinand has already drilled into her. And she almost kills a teacher. Whoops. Things escalate a bit when she runs into Hildebrand, the 3rd prince, at the library. Hildebrand is supposed to be hiding from the rest of the students, but he quickly gets attached to Rozemyne (who he has finally figured out is not Charlotte) and ends up part of Rozemyne’s library committee. Which… complicates things.

I haven’t even mentioned the most interesting part of the book, which is when Roderick, the former Veronica Faction boy who wants to pledge his name to Rozemyne, goes out hunting feystones with others and runs into a magical beast that absolutely should not be there, forcing everyone – including Rozemyne – to rally round and try to stop it. This has moments of humor, as Rozemyne, who was chiding Wilfried for trying to look cool earlier in the book, is upset that everyone was able to be cool except her, but it’s also a scary moment, and a bit ominous, as it becomes clear that this monster was directed directly at the area their duchy occupies. Bookworm loves to drop little hints of things to come and then leave them alone for a few books, so I’m not sure when we’ll get back to this, but let’s just say the political war that is inevitably coming simmers in the background.

We leave off with Rozemyne heading back home for a series of lectures about how she is appalling, but again, only about 1/3 of this was her fault this time. Still an essential light novel series.

Manga the Week of 5/4/22

by , , and Leave a Comment

SEAN: It’s May! A time to smell the fresh air, get outside, and continue to wear a mask.

ASH: Pretty helpful for seasonal allergies among other things.

SEAN: Airship has a pile of new light novel titles (that we have seen in early digital releases already). The debut is Survival in Another World with My Mistress!, a classic ‘arrogant girl and harried guy’ fantasy.

Airship also has print for Classroom of the Elite 11, Disciple of the Lich: Or How I Was Cursed by the Gods and Dropped Into the Abyss! 3, Drugstore in Another World: The Slow Life of a Cheat Pharmacist 5, The Haunted Bookstore – Gateway to a Parallel Universe 3, and Reincarnated as a Dragon Hatchling 3.

We also get early digital volumes for Accomplishments of the Duke’s Daughter 5 and Trapped in a Dating Sim: The World of Otome Games is Tough for Mobs 6.

Dark Horse gives us the 8th volume of Mob Psycho 100.

ASH: Oh! I’ll need to catch up with that.

SEAN: Ghost Ship debuts Survival in Another World with My Mistress! (Goshujin-sama to Yuku Isekai Survival!), which may be familiar from a few lines up. This runs in Micro Magazine’s Comic Ride.

They’ve also got Fire in His Fingertips: A Flirty Fireman Ravishes Me with His Smoldering Gaze 3.

MICHELLE: Snerk.

ASH: It’s an amazing title.

ANNA: Incredible.

SEAN: In print, J-Novel Club has the 7th manga volume of I Shall Survive Using Potions!.

Digitally, we see An Archdemon’s Dilemma: How to Love Your Elf Bride 13, Ascendance of a Bookworm’s 12th manga volume, Full Clearing Another World under a Goddess with Zero Believers 3, Jessica Bannister 5, My Quiet Blacksmith Life in Another World 2, My Stepmom’s Daughter Is My Ex 2, To Another World… with Land Mines! 2, and When Supernatural Battles Became Commonplace 2.

Kodansha is releasing a new version of Sailor Moon. This will have larger page counts and yet another updated translation. it seems to be print only.

MICHELLE: Huh.

SEAN: Kodansha, in print, also has the 2nd volume of Blackguard (that was fast), The Hero Life of a (Self-Proclaimed) “Mediocre” Demon! 4, When Will Ayumu Make His Move? 5, and a reprint of the classic Tezuka manga Ode to Kirihito in one 825-page tome.

ASH: That was fast! So I don’t feel as bad about already being behind. Also, still glad to see these Tezuka reprints coming out!

ANNA: Also glad for Tezuka reprints.

SEAN: Kodansha’s first digital debut is Changes of Heart (Honnou Switch), a josei series that ran in Kodansha’s Comic Tint, and is from the creator of A Witch’s Love at the End of the World. A woman who just got dumped ends up sleeping with her childhood friend, who surprises her by telling her he loves her. But her ex wants her back! The words “smutty potboiler” were made for series like these…

MICHELLE: Hm. It might be fun!

ANNA: I’m intrigued for sure.

The other debut is Oh, Those Hanazono Twins (Hanazono-sanchi no Futago-chan), a shonen title from Magazine Pocket. I would give a synopsis, but it’s a harem comedy describing the male lead as “so average it hurts”, so will not bother.

Also digital: The Abandoned Reincarnation Sage 2, A Couple of Cuckoos 7, Kounodori: Dr. Stork 23, the 6th and final volume of My Darling, the Company President, My Master Has No Tail 5, Sakura’s Dedication 2, Shangri-La Frontier 6, and Tying the Knot with an Amagami Sister 3.

One Peace has Farming Life in Another World 5.

The debut for Seven Seas is Witches: The Complete Collection (Majo), a manga from the creator of Children of the Sea. It ran in Shogakukan’s Ikki back in the day, and is a collection of award-winning and unsettling stories.

ASH: I am very excited for this one!

ANNA: Me too, although I don’t know if I want to be unsettled.

SEAN: Seven Seas also gives us Accomplishments of the Duke’s Daughter 8, Dance in the Vampire Bund: Age of Scarlet Order 6, Happy Kanako’s Killer Life 4, Made in Abyss 10, Miss Kobayashi’s Dragon Maid: Elma’s Office Lady Diary 5, and Reincarnated as a Dragon Hatchling 3.

MICHELLE: I should really read Happy Kanako.

ASH: I suspect it’s one that I’d enjoy, too, once I get around to it.

SEAN: Tokyopop has a 3rd volume of Double.

Udon Entertainment has the 3rd and final volume of Persona 5: Mementos Mission.

Viz has a relatively quiet May, with a lot of its main series on an off month. The debut is Kubo Won’t Let Me Be Invisible (Kubo-san wa Boku (Mobu) wo Yurusanai), another in the genre of ‘teasing girl and nondescript boy’ manga. It runs in Weekly Young Jump.

Viz also has Blue Exorcist 27, Boruto: Naruto Next Generations 14, Dr. STONE 21, The King’s Beast 6, One Piece 99, and Prince Freya 6.

MICHELLE: I should really read The King’s Beast, too, having enjoyed the creator’s other work.

ASH: Same! I’ve a few volumes of the series on hand already; I just need to read them.

ANNA: I’ve read some of them and find it a bit too sad, but as expected very well done.

SEAN: There’s a pile of Yen On. The debut is Ishura, a light novel about the war to determine the next demon king. It sounds very shonen.

Also from Yen On: The Executioner and Her Way of Life 4, The Hero Laughs While Walking the Path of Vengeance a Second Time 2, Magical Explorer 2, Rascal Does Not Dream 7, Reign of the Seven Spellblades 5, Sabikui Bisco 2, Sword Art Online 24, and Torture Princess 8.

Lastly, Yen Press has Can’t Stop Cursing You 3, Kingdom Hearts III 2, Tales of Wedding Rings 10, and That Time I Got Reincarnated as a Slime: The Ways of the Monster Nation 7.

Konosuba: God’s Blessing on This Wonderful World!: Runaway Goddess, Come Home!

by

By Natsume Akatsuki and Kurone Mishima. Released in Japan as “Kono Subarashii Sekai ni Shukufuku o!” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Kevin Steinbach.

Last time I suggested the entire book had been written around one 40-50 page scene. This one’s even worse, as the entire book is entirely setup for one 3-4 page scene. The author even admits in the afterword that they had the ending to this book in mind right from the start of the series. It’s pretty spectacular, frankly, and fans of Megumin will be over the moon. That said, there is also the rest of this book to deal with. Good news, it’s also good, though it does not quite hit the highs that the end gives us. It’s the second to last in the series, so we’re setting up for the final battle here, but we’re also showing off how well everyone has integrated into Axel, and how much Kazuma, Megumin and Darkness have mellowed out and become boon companions. And in some cases more than that, as Kazuma and Megumin try once more to try to lose their virginity. (Take a wild guess how well that goes.)

As we saw at the end of the last volume, Aqua has run away to go defeat the Demon Lord, though it’s pretty clear she wants the rest of her friends to catch up ASAP. Instead she gets Handsome Sword Guy (whose name she forgets, and so do I), Cecily, and Yunyun… which is actually a far more balanced party than her normal one, so she mostly ends up very bored on the journey when she’s not accidentally tempting monsters to eat her. Kazuma is, alas, very reluctant to come after her as he’s back to Level 1 after recent events. That said, his level is back to baseline but he still has his skills… which gives him an idea. An idea involving Vanir, Wiz, and a very difficult dungeon…

If there’s a runner-up in terms of best bit in the book after the Rise and Rise of Megumin, it’s the adventures of Vanir and Wiz in the dungeon, keeping the useless Kazuma safe while also letting him get in the last hit to raise his level again (and then lower it, as he’s cheating as per usual). Vanir is just the same as always, but it’s an absolute delight to see Wiz getting obsessed with clearing the dungeon and just as over the top. They make a very good team. As for others in the book, the award for “worst person in the world” has to go to Zesta, who not only pervs hard on Kazuma, Megumin and Darkness, but is such a lustful pervert that even high-level monsters run away as they are worried he’ll try to screw them. (He will, indeed, try that.) He’s also the one who gets a horrible idea regarding Serena’s powers to return the pain she receives back on the giver, which relies on her being a virgin. KonoSuba is not about to forget its roots of being terrible in the best ways.

So all the main players have finally arrived at the final battle. Will our heroes triumph? Will the demon lord prevail? Will Kazuma die again? And what’s up with the link between this world and Japan? That will wait till the final volume next time. Till then, this was a lot of fun. Also, I find it hilarious that it took till Book 16 for Megumin and Darkness to learn Kazuma is from another world.