can someone please explain what's going on?!

By Tsuredurebana and Rin Hagiwara. Released in Japan as “Dareka Kono Joukyou wo Setsumei Shite Kudasai! ~Keiyaku Kara Hajimaru Wedding~” by ArianRose. Released in North America by J-Novel Club. Translated by Tara Quinn.

And so we finally get to the end of this series, with six main volumes and three After Story volumes. This is the last of the After Stories and has the least amount happening, as there’s not even a crisis to solve this time, like the mystery from the previous book. This volume has two main plotlines: 1) finish telling Lettie the story of how she was born, which this time does actually involve her birth, and 2) celebrate the kingdom’s founding day, which sounds remarkably like Christmas but is done at the height of cherry blossom season. Mostly what this volume shows off is how comfortable and happy everyone is now, and that all of the conflict and drama from earlier books has been dealt with. The only remaining issue is Viola’s constant self-image issues, which I know the author thinks of as a cute running gag but never fails to irritate me – and everyone else in the household too, judging by their reaction to her worry that Lettie will inherit her looks.

As noted, the first half of the book shows the days leading up to Viola giving birth and the weeks after it. This includes some false labor brought on by insisting on weeding while nearly due to give birth, and also a relatively quick and easy labor – much to Viola’s surprise, as from her perspective she thought it took forever. Lettie is surrounded by adoring family and servants, so the question is how is she not going to grow up spoiled, really. Viola will help there, I expect. The second chunk of the book has the mansion preparing for Flur Day, the aforementioned Christmas equivalent. A strong windstorm may put paid to some of the festivities, but otherwise there’s a relative lack of anything going on here – the main drama stems from everyone trying to get out of hearing the King’s speech again so that they can get to the truly important thing a week later – Lettie’s first birthday.

There is still the occasional reminder that there is ever present danger in this world – Viola is given a number of mazes to memorize and complete, and only after she’s done so does she realize that they’re a layout of the mansion and the royal palace, complete with secret passages and hidey-holes, if she ever needs to escape like she has in previous books. But for the most part this is a victory lap, and it even ends the way a lot of these books do – with Viola discovering she is pregnant with her second child. As I’ve noted before, this continues to be a surprise to me as Viola has not, through all nine volumes, ever really shown any sexual desire towards her husband. Even when given an obvious opportunity, such as coming in to “get warm” after a nighttime cherry blossom viewing, all they do is have cocoa. It’s very pure.

So yes, this book is also a bit boring, but I’ll take that over the classist nonsense some of the main series did. In the end, this was a flawed but fun series, and I really hope one day it hits Viola that she’s gorgeous.

By Tsuredurebana and Rin Hagiwara. Released in Japan as “Dareka Kono Joukyou wo Setsumei Shite Kudasai! ~Keiyaku Kara Hajimaru Wedding~” by ArianRose. Released in North America by J-Novel Club. Translated by Tara Quinn.

At long last, one volume until its finale, I think this series has finally learned what is fun to read and what is not fun. This feels like a normal romance novel, and does not contain any of the numerous red flags that previous volumes were infamous for containing. The downside of this is that… well, the book’s a bit boring? That’s to be expected, honestly. The main story has wrapped up. There aren’t many side couples to pair up either, though we do see that Rohtas has, in fact, been in a relationship for some time… but it hasn’t gone further because Cersis keeps him so busy. In fact, the story itself is a flashback of sorts, as Cercis and Viola’s adorable daughter is asking how she was born. Readers may be wondering that as well, given that Viola frequently seems to think of Cercis as an afterthought, and I’m still rather surprised the marriage has even been consummated. Oh well.

Viola’s pregnancy is not the main thrust of this book, which instead deals with what happened just before. She and Cercis are going to a party held by her friend Verbana’s family, which turns out to be another in a string of “please marry my grumpy and willful daughter” parties. It goes about as well as the previous ones have – Verbana doesn’t want to be married right now, especially since her one true love is, in fact, married to Viola, and radiates this from her entire body. But still, they get to see her family’s new estate, have a lot of tea parties, and go to a lot of evening ballroom dances. Unfortunately, this leads to the back half of the plot – at some point between arriving at the estate and that evening’s dance, Viola’s huge sapphire has been swapped out for a fake! Now she and Cercis have to play detective to catch the criminal.

I am pleased that this volume is back to being entirely narrated by Viola’s so we get her amusing and skewed observations about everyone else. Sadly, this also includes her poor self-image, which really takes a starring role here. No matter what, no one can seem to convince Viola that she has the looks of a tall runway model – she’s always going to be the plain stringbean in her own mind. (The funniest part of the book is towards the end, when Viola is about six months pregnant, and she cheers about having “bazongas” at last.) She also does not seem to understand why all the other women of the kingdom flock to her and hang on her every word. Oh well, better that than the alternative. The mystery itself is basically a string of “which family desperately in need of cash would do this?”, but I am quite grateful that for once all the potential bad guys are in fact rich nobles. This is a rarity in a series that tends to praise rich nobility.

The next volume is the last, and will no doubt have Viola giving birth. Till then, it’s nice to see a volume of the series that does what I hoped it would and does not feature evil foreigners or “LOL GAY” jokes.

By Tsuredurebana and Rin Hagiwara. Released in Japan as “Dareka Kono Joukyou wo Setsumei Shite Kudasai! ~Keiyaku Kara Hajimaru Wedding~” by ArianRose. Released in North America by J-Novel Club. Translated by Tara Quinn.

It’s all change for this 7th volume of Can Someone Please Explain What’s Going On?!. As you can see, there’s a new subtitle (sorry that I can’t find the Japanese romanji equivalent) that basically is the equivalent of “After Story” – the main story has ended, our couple are living happily ever after, now what? There’s a new translator (the series’ third). And, most importantly there’s a new narrative focus, which means that sadly we don’t get much at all of Viola as the narrator here. Given that at the end of my last review, which kind of tore the series apart, I said that I would keep reading because I loved Viola’s narrative charm, that’s quite a blow. Thankfully, the series also seem s to have backed off on most of the other things that I disliked in the last volume. It’s a lot fluffier and sillier than previous volumes, but that’s not a bad thing in this case. These are “extra” stories, they don’t have to try hard.

Don’t let the cover fool you, our happy main couple and their child are definitely supporting players in this – indeed, the child only shows up in a side story, as most of this takes place only a short time after the previous volume. The actual protagonists are the couple behind them – this is the story of Corydalis, Cercis’ best friend and adjutant, and Stellaria, Viola’s replacement chief maid after her regular maid takes maternity leave. They fall in love. It’s really quite cute… mostly. (I’ll get to that.) Despite the occasional seeming obstacle, everyone approves of the two of them. Both are very mature. There is no need to worry about contract marriages or mistresses here. It would be somewhat dull were it not for the back half, which features a hostage situation and the World’s Dumbest Bandits.

There’s always a ‘but’ with this series. This time there’s no fat jokes, Viola is not kept in the dark, and we don’t have “yay, another victory for white rich people!’. But we do have the book’s running gag, which is that Cercis starts a rumor that Corydalis is avoiding getting married as he’s gay, and the rest of the book has, every 4-5 pages, Cory having to say “I’M NOT GAY!’ in anger as everyone around him laughs. It’s meant to be funny and teasing, but it just reads poorly in this day and age. Other than that, this was a good return to form. As I said, this couple can be defined by their down to earth feel, and we also get some nice observations from the two of them of the events in this book, particularly the first volume where Cercis is still very much all contract, no marriage.

So yes, I’ll read the next bunch of After Stories, which looks like they’ll do what I thought this one would – tell the story of how Lettie Cercis and Viola’s daughter, came to pass. Nice save, though I’m still watching you with a weathered eye.

By Tsuredurebana and Rin Hagiwara. Released in Japan as “Dareka Kono Joukyou wo Setsumei Shite Kudasai! ~Keiyaku Kara Hajimaru Wedding~” by ArianRose. Released in North America by J-Novel Club. Translated by Emily Hemphill.

The previous five books in this series have all had me writing fairly positive reviews, but they’ve all had me turn around like Lieutenant Columbo and say “there’s just one thing that bugs me”. The constant focus on Viola being thin is telling. The use of the word “fatso” in a previous book. The fact that this book is very much on the side of the rich nobles doing whatever they want – even to other countries. Everyone keeping things from Viola “for her own good”. And it all comes to a head here, in the final book in the series. Except it’s not the final book – there are three more, which seem to be of the “side story” variety. But the author talks about how the books end here, and the tacked-on epilogue almost reads like a cancellation. Not that I’d blame the editors. Viola is still a wonderful character, but this book in particular belongs in the pit of shame.

Most of the main dilemmas of the series have now been resolved, with the possible exception of Viola’s superhuman inability to realize that she is loved and cherished by all around her. That will be fixed with this book, which sees the arrival of The Crown Prince and Princess of Aurantia. A country bordering their own, they’re here looking for husbands and wives, and have their hearts set on Viola and Cersis – despite the fact that Viola and Cersis are already married! Unfortunately, they’re also sort of cartoonishly evil. It’s up to Viola’s newly mastered martial arts skills and 100-meter dash abilities to try and save herself from a nasty kidnapping and a definite international incident. Once she does this… perhaps a re-wedding is in order?

So let me get this out of the way. Both of Aurantia’s royalty (also darker-skinned, but I won’t even go into that) are described negatively by Viola and everyone around her. The prince seemingly looks like a linebacker, being described as “burly” and “2 1/2 times as wide as Mr. Fisalis”. Funny, in the illustrations he looks as handsome as all the other men. This does not apply to the princess, who is called “fat”, “plump”, etc. and mocked and belittled by all Viola’s noble friends through the entire book. It’s really grating, and I’d also like to remind readers that just because a character is bad does not mean we get to start in on fat shaming them. They really are pathetic villains, and I will admit it was fun to see slim Viola shoulder throw the Crown Prince, but it still irked me. Also irking me was the constant “we’ll keep this a secret from Viola”, either due to not wanting to worry her, or wanting to surprise her, or just to tease her. I mean, literally in this book we see that not telling Viola leads to bad things in their relationship, and yet everything is STILL kept from her. Viola herself is still the best part of the book, but even she grated on me when all her friends were attacking the royal visitors in their best “catty” way and all Viola could do was inwardly say “Eek, girls are scary!”.

The book ends with Cersis and Viola having a “second wedding” now that Viola has finally admitted she is no longer a wife in name only. Then, to my great surprise, we jump forward several years for a quick epilogue, which shows Viola’s child (and another on the way) and reads very much like a Jump series that got cancelled at 3 volumes. If this were the final volume, I’d think it was the publisher’s doing, but there’s definitely more coming, so it just reads as super abrupt. I admit I will be reading the next book in the series – I like Viola’s inner narrator – but boy howdy, this book took everything wrong with previous books and put it together in one big cocktail. Recommended for those who love to see rich white men winning the day.

By Tsuredurebana and Rin Hagiwara. Released in Japan as “Dareka Kono Joukyou wo Setsumei Shite Kudasai! ~Keiyaku Kara Hajimaru Wedding~” by ArianRose. Released in North America by J-Novel Club. Translated by Emily Hemphill.

For all those whose favorite part of this series is the disconnect between Viola’s opinion of herself and what everyone else thinks of her, I have delightful news: this book is entirely about that. Indeed, at this point I think the most interesting – and impressive – part of the book is how no one is really sitting Viola down and explaining anything to her. They’re content to merely praise her, let it flow in one ear and out the other, and watch as she slowly (very slowly) figures things out. Now, part of this is that the writer doesn’t want her to suddenly wise up, as that means the series would almost be over. But it also shows that it’s Viola who needs to make the change and realize that she really is a gorgeous, trendy person. This also applies to her marriage – Cercis continues to be content – mostly – in waiting patiently for her to recognize his feelings. She’s still not there yet.

The book begins still on their belated honeymoon, and the most important thing that happens is when they tour the Fisalis mines and Viola takes a liking to the sapphires that have been left behind (because the miners are after the rarer rubies). Cersis decides to make these sapphires – which he renames Viola Sapphires – the hot new thing, and to have her show off how gorgeous they are. Of course, this also means she finally has to go out to parties again, so sadly very little puttering around in her maid outfit in this book. That said, as the book goes on, Viola slowly realizes that fashion and tastes have changed since she was last at an event – and everyone is now following HER. Even the blond ojou, who’d dropped her princess curls and upped her tsundere. Viola also now seems to get that Cersis really does love her. As for her own feelings… work in progress.

There’s a lot of good humor in this book. Some of it is overt, such as everything about the sapphires and Viola’s embarrassment, or Viola, after her near kidnapping in the last book, learning self-defense (and finding her maids all have daggers strapped to their thighs, which she calls sexy). Some of it is more subtle, mostly as Viola’s constant self-deprecation has become both amusing and annoying. Again, all Viola sees when she looks at herself is plain, flat-chested, and gawky, but she fails to realize that she’s basically Twiggy, setting the trend that everyone else has started to follow. Her bafflement at seeing all the other young women at the parties wearing simple hairdos and dresses is really funny. That said… I really hope we are reaching the end of Viola’s endearing bafflement soon. There is only so long you can string this out. I realize that we may never see her have a good opinion about her looks, but maybe we could at least get her to fall in love a bit? (I’d wonder if she’s ace, but this is not that kind of series.)

Despite a bit of frustration, this is a strong volume in a series that runs on light froth, and for those who want to see Viola walking arounnd looking stunning, it’s a must read.

By Tsuredurebana and Rin Hagiwara. Released in Japan as “Dareka Kono Joukyou wo Setsumei Shite Kudasai! ~Keiyaku Kara Hajimaru Wedding~” by ArianRose. Released in North America by J-Novel Club. Translated by Mattias Hirsch.

Despite the fact that we’re only at Vol. 4 of 9, it is sometimes difficult to remember how far Cersis has come since the start of the series. Let’s recall the premise: he asks Viola to become his wife on paper so he can continue to fool around with a dancing girl. It’s hardly a surprise that, having fallen in love with Viola instead, she does not really believe he’s all that serious. (Viola’s amazing self-worth issues don’t help, though thankfully there’s far less of that in this particular book.) That said, we’ve slowly seen him grow and change, both as a commander and as a somewhat clueless husband. It should therefore not come as too much of a surprise when, towards the end of this new volume, he admits to his past faults and is resolving to become the best duke he can be, everyone is staring with their jaw dropping. Including Viola. He now has to prove that he means it.

the first half of the book wraps up the war storyline, with our gallant soldiers returning home victorious, and Viola forced to go to the palace to have the King welcome everyone back. (Which he does. At length.) The King gives all the soldiers a two-week vacation, and Cersis decides to use the time to take Viola on a tour of his duchy, starting with the manor that his parents normally stay in when they aren’t doting over Viola. Everyone and their brother are calling this the honeymoon that she and Cersis never actually had, and are expecting them to spend most of it trying to conceive some children. Everyone except Viola, of course, who is far more interested in the town scenery and the local shops. Fortunately, Cersis by now has sort of figured out how much of a job he has ahead of him, and just rolls with it. Unfortunately, the duchy, thanks to the war, is in more dire straits than expected…

I’m going to be honest, I was among the people who were boggling at Cersis’s change of heart at the end of the book. I was expecting that the conflict in the Town that he got into was arranged by him for Viola’s sake… though perhaps not the kidnapping attempt. But credit to him, he is trying hard, taking note of the issues that lead to the unrest, and taking Viola’s suggestions on how to handle things based on what she did in her much poorer Earldom, where they can’t afford a constant fleet of guards to keep the peace. It is also very in character of the series so far that, even after directly confessing his love to her – again – Viola’s response is still “sorry, I’m still just not really that into you”. Romance is a foreign nation to her. That said, this is going to change, and now that Cersis is no longer the bumbling doofus husband (much), I look forward to seeing how he wins her over. I will warn, though, there’s one scene where where Viola narrates a fight between her would-be kidnappers and Cersis, and there is a repeated use of the word “fatso” which, while I’m sure was also bad in the Japanese, might have been replaced with something else.

This is one of those shoujo light novels that feels the most like a Western romance, with a definite lack of magic, past lives, or villainesses. Even Calendula, the dancer and former beau of Cersis who kicked this all off, is a relatively nuanced and sympathetic woman. Definitely checking out more.

By Tsuredurebana and Rin Hagiwara. Released in Japan as “Dareka Kono Joukyou wo Setsumei Shite Kudasai! ~Keiyaku Kara Hajimaru Wedding~” by ArianRose. Released in North America by J-Novel Club. Translated by Mattias Hirsch.

Something struck me as I was reading this book, particularly as our hero is away fighting a war that we never actually see and our heroine and her in-laws sit at home eating snacks and wondering how long it will be before their country triumphs: this particular story is rich people and their rich lifestyles. It does point out the arrogance of Cercis in trying to wine and dine Viola with the most expensive possible food and accessories, but this is meant to point out his naivete as a man more than his naivete as a rich man. Even Viola, who arguably goes from rags to riches as the point of the entire story, is a poor NOBLE – she is still the daughter of an earl. Most of the plot involves Viola bopping around her mansion, tending to her garden, and eating yummy food, and the closest she gets to utter shock is when she spills tea on one of the expensive dresses. It’s a fairytale.

As noted, the majority of this book sees Cersis reluctantly away from the wife he is desperately trying to woo, as the country next door has decided to battle, and they have to go over there and put them down. We get a very one-sided view of this conflict – it’s basically accepted that Cersis and company will win, the question is how long it will take, and we get no real impression of the other side at all. It’s dissatisfying, frankly, and makes everyone feel just a little bit smug. This is not helped by Cersis being in heavy-duty lovey-dovey mode throughout, so he’s writing super sappy letters to his wife and also punishing other soldiers who apparently hit on Viola without knowing who she is. It’s meant to be amusing, but it again struck me more as “I am rich and a duke, so I can do what I want.”

As you’d expect, we’re also still dealing with the fact that Viola does not realize how much Cersis is in love with her, mostly as Viola still has killer self-loathing that is starting to become a problem. Her servants are beginning to wear down a little the more Viola describes herself as plain and dull, because it just isn’t true. We do see that she’s not very good with socializing at garden parties, but that’s more as she was abandoned the moment she came in and forced to walk around on her own. Fortunately for Cersis, it does seem as if Viola is starting to develop feelings for him unconsciously. These don’t show up in her third person narration, which still seems to be filled with “gosh, we’re just a contract marriage”, but her reaction when a messenger brings what she thinks might be bad news about her husband is the clincher – she’s clearly panicked and also clearly has no idea why she’s panicked.

So overall, this is a pretty good volume in the series, but, well, even the “commoner date” Cersis takes Viola on at the start is shown to be “we use our power to take over a restaurant so that they can have their sweet date”. It’s not the most 2020 series in the world.

By Tsuredurebana and Rin Hagiwara. Released in Japan as “Dareka Kono Joukyou wo Setsumei Shite Kudasai! ~Keiyaku Kara Hajimaru Wedding~” by ArianRose. Released in North America by J-Novel Club. Translated by Mattias Hirsch.

Despite everything seemingly being resolved at the end of the last book in terms of their marriage, the title of this series still fits, as Viola continues to not really believe it. A combination of her own low self-worth and the guy who’s now trying to win her love being astonishingly bad at it means that any romantic progression we see here is minimal at best. To Viola’s credit, she does actually blush near the end of the book when Cercis gets in her face and says he wants them to be a real couple. But even then, there’s no real sign that she’s fallen for him, more that she’s taken aback by his actions. In order to win the girl, Cercis is not only going to have to get a lot better at not being a rich playboy type, he’s also going to have to hammer into her again and again that he loves her. Fortunately, he has several more volumes to do this.

We begin where the last book left off, with Cercis’ Mistress moving out after dumping his sorry ass. I appreciated the fact that, although she was clearly the “other woman”, the story treated her with respect anyway, and I wonder if we’ll see her again. After that, there’s various events that Cercis uses to try to get closer to his wife who just wants to hang around the mansion and pretend to be a maid. There’s balls (where Viola completely trashes a stereotypical “princess curl” rich girl by simply using her low self-image as a weapon), there’s dates (where Viola continues to be appalled at how much rich people spend, and Cercis begins to vaguely catch a clue), there’s visits back home (where we see a lot of what made Viola who she is today… her mother certainly didn’t go out of her way to praise her), and in the end there’s yet ANOTHER rumor that Cercis has taken a mistress, showing that it’s hard to reform when everyone already thinks the worst of you. Through all this, Viola blithely glides along, with her inner narration providing the snark and her outer face being mostly the perfect duchess.

I praised the translation on Twitter, as Viola’s narrative voice is the main reason to buy this. There is a caveat, though: if you’re bothered by the use of ‘modern’ language in a series with horse and carriages, you may find some of Viola’s remarks jar – at one point she uses the term “helicopter parent”, for example. But honestly it didn’t really bother me, and I found it gave Viola a snap to her lines that was perfectly in character. I do hope that future books work a bit more on her self-loathing… there’s a point where she (having slept poorly the night before) accidentally breaks a vase and she immediately loses it. She’s sent back to her earldom to recuperate for the day, but is convinced in her sleepiness that Cercis will divorce her now. The fact that this isn’t really panicked or upset but just as matter of fact as her other thoughts makes it hurt all the more. Someone needs to teach this girl confidence.

That said, right now it’s Cercis who needs to be learning lessons more, as he starts to figure out that expensive food and presents is not going to win him jack shit, and he slowly begins to see what Viola actually likes. If he continues to be a better person, and someone kick start’s Viola’s self-image, we could see this couple on paper become a real couple soon. In the meantime, I enjoy Viola’s snark a whole lot.

Oh yes, and the entire book is made even better by Cercis’ trio of drunken lady knights, who are a stitch.

By Tsuredurebana and Rin Hagiwara. Released in Japan as “Dareka Kono Joukyou wo Setsumei Shite Kudasai! ~Keiyaku Kara Hajimaru Wedding~” by ArianRose. Released in North America by J-Novel Club. Translated by Mattias Hirsch.

Sometimes you go into a book with expectations. Perhaps the book is part of a new line of romance novels for young women the publisher is putting out. Perhaps the title features the words ‘wedding story’. Perhaps the cover, which shows the heroine in a wedding gown and a handsome young man, draws you in. Perhaps you read the manga version, which is available on the Renta ebooks site, and every single chapter was filled with a breathless romantic description of what was happening. Indeed, the book does indeed hit all these points. There is indeed a wedding. There are balls where the heroine shines. There is another woman, constantly trying to call out the heroine so that she can prove who’s top dog. There’s even the tried and true “hero asks for marriage of convenience and then gradually falls in love anyway” plotline. The startling thing about this book, though, is that its heroine, Viola, starts the book completely uninterested in romance and Cercis, the hero… and ends it the same way.

Viola is the daughter of an Earl whose landholdings have fallen on hard times, and is used to doing most things herself with a minimum of fuss and servants. She is rather startled when Duke Cercis arrives at her door with a proposal. Well, more of a contract. He has a woman he already loves, but she’s a dancing girl and therefore he can’t marry her and his family won’t approve. So Viola is to be his “show wife”. Viola, after securing enough funding to save her family’s debt, agrees very matter-of-factly, and a year later they are married and she’s living in a fabulous mansion. Wondering what to do with herself at first, she’s soon winning over the servants (and indeed dressing as one), cutting back on the extravagant meals, brightening up the gardens and house, and putting her own stamp on everything while the Duke and his lover live in the cottage elsewhere on the estate. All well and good… but why is the Duke coming over more and more often?

Viola’s narrative voice is all over this book, and it’s a fun one. She has a fair amount of snarkiness to her, but there’s also a heaping helping of unawareness, and those two don’t usually go together. She’s the sort to describe herself as scrawny, plain and flat-chested, and has absolutely no idea why her maids, when given the opportunity to put her in real fashion and jewelry, go absolutely ga-ga. The answer, of course, is that Viola’s scrawny and flat-chested is everyone else’s tall and willowy, and she looks fantastic dressed up. She doesn’t put on airs, she actually cares about the people around her, and she shows absolutely no interest in getting involved with the Duke and his mistress. Indeed, I was sort of hoping for more Duke and mistress – there’s a running gag where the mistress keeps showing up looking for the lady of the manor and runs into Viola (dressed in her normal black “maid dress” and therefore unrecognizable), but for the most part the book is content to gradually work its way up to the inevitable breakup that comes when the Duke realizes he does love Viola after all.

This leads to the climax, where the duke confesses his love, and Viola says she doesn’t really think of him that way. Given that the series is nine volumes long to date, one would assume he will eventually get his point across, but if he’s going to be wooing her, he’d better try a bit harder – rewriting their contract (which had said she, as a “show wife”, could also have lovers) to say she can only love him is not a terrific start. Still, the combination of the oddly shaped not-romance and the intelligent (if somewhat too self-deprecating) heroine makes me want to read further.