when supernatural battles became commonplace

By Kota Nozomi and 029. Released in Japan as “Inou Battle wa Nichijoukei no Nakade” by GA Bunko. Released in North America by J-Novel Club. Translated by Tristan K. Hill.

So this was a nice improvement on the first volume, though I will continue to say that I hate it whenever this book has a real plot that it wants is to care about. It’s at its best when it’s just shooting the shit and riffing on Japanese media cliches. Unfortunately, when we run into Chuuni and the Chuutones towards the end, I groaned and wished that Hatoko would simply vanish and reappear back at school. Fortunately, this is precisely what happened. I suppose I’ll have to deal with them more later, but I seriously do not care, whereas I do care about the main cast. Even Andou – I can’t tell if he was far less annoying in this book or if I just got used to his antics, but he worked far better in this book, especially when we get to the relationship between him and Hatoko. Because yes, THIS is the book with “that scene”, and it’s pretty damn epic. Worth the read, definitely, especially given the stress buildup we see all book.

Stop me if you’ve heard this one before, but this is a book of two halves. In the front half we feature once again Kudou, the student council president and vague antagonist from the previous book, who has taken a letter of challenge as a love letter thanks to Andou’s over the top verbiage. Needless to say, she’s the sort to immediately go over the top herself, and Andou has to struggle to find a way to break things to her gently before he breaks her. That said, the confession comes as a shock to the rest of the club, especially two girls who we know have feelings for him. Given her presence on the cover, and the fact that most of the chapters begin with her narration before switching to Andou’s, you can assume Hatoko is especially confused by all this. But, whatever. She wouldn’t understand it anyway.

The book threatens to be drowned out by Hatoko’s rant, which is beautiful, but it also highlights the gulf between them. That said, we see in the flashbacks that this is not for want of trying from Andou – he was attempting for years to get her to understand his way of thinking. But sometimes people just don’t vibe the same way, and the best part of the book is when both of them are told that, in fact, they don’t HAVE to understand each other deeply – they can just be friends because they are friends. The other highlight of the book is the short story competition, which is absolutely hilarious – Hatoko’s grimdark romance, Chifuyu’s incoherent foreign mess, Andou’s summary and character descriptions with no actual text, and Sayumi simply dragging Andou out behind the shed and shooting him in the head. Glorious.

Again, there’s a plot here somewhere, but I plan to ignore it, just as I ignore Andou’s friend Sagami, who is the absolute worst in a way that is clearly deliberate but also I don’t care that it is. Recommended if you use the word “weeb” as a term of honor.

By Kota Nozomi and 029. Released in Japan as “Inou Battle wa Nichijoukei no Nakade” by GA Bunko. Released in North America by J-Novel Club. Translated by Tristan K. Hill.

So, Andou is awful. I feel the need to get that out of the way straight off, because I’ve already been told that folks thought I would drop this book because of him. I get it, they’re not wrong. He’s cringeworthy. Yes, by the end of the book you realize he has an empathetic core and is thinking more than he lets on, but that does not stop you from having to read about him making speeches or creating nicknames or drawing dragon tattoos on his right arm. This is a series about how embarrassing you were as a teenager, and it is going to rub your face in it. (If you were not like this as a teen… let’s face it, you probably never finished the book, did you?) Throw in the fact that this is one of those “you’re licensing it NOW?!?!” series (the anime came out seven and a half years ago) and you have a really high bar to clear. That said, I did finish it.

The literature club consists of chuunibyou Andou (pardon me for avoiding his first name), wannabe writer Tomoyo, childhood friend and “normal girl” Hatoko, literal 10-year-old Chifuyu, and club president and BL fan Sayumi. Six months ago they all suddenly acquired incredibly cool superpowers… well, incredibly cool except for Andou, who can create black fire in his hand that doesn’t do anything. Andou is sure this means that they’ve been chosen to fight in an amazing series of light novel-style battles. But… six months later, all they do is go to club and use their powers for mild, meaningless things. Why on earth did they get them in the first place? Does it have anything to do with Tomoyo’s brother, a man who can actually out-chuuni Andou? And can they save the literature club from being shut down?

Not gonna lie, this series is mostly known for one scene from the anime, and I read it wanting to read that in prose form. Unfortunately, it’s not in this first volume. The weak parts of the book, apart from Andou, are the parts where it reminds you that it has a real plot it’s going to try to do. The real plot is boring and you don’t want it to happen. Not a good sign. That said, when the kids are sitting in the club shooting the shit, discussing tropes and cliches and baffling poor Hatoko, that’s when the books become fun. This is one of those “have your cake and eat it too” parodies that also tries to be the thing it’s parodying, but I like it more when it’s making fun of shonen manga, or Index, or any one of a dozen other series namechecked in this volume. I do also really like all the club members apart from Andou, though it never is explained why a 10-year-old is hanging around a high school club room.

If you watched the anime, like “chuuni” novels, or enjoy mocking cliches, you will enjoy this book. For others, can you put up with a man who has a good heart but who also makes you wish you were reading anything else?