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Sherlock Bones, Vol. 1

September 21, 2013 by Ash Brown

Author: Yuma Ando
Illustrator: Yuki Sato
U.S. publisher: Kodansha
ISBN: 9781612624440
Released: September 2013
Original release: 2012

Sherlock Bones is currently a seven-volume manga series written by Yuma Ando and illustrated by Yuki Sato. The first volume was originally released in Japan in 2012 while the English-language edition was published by Kodansha Comics in 2013. I didn’t realize it at first, but I was already familiar with Sato and Ando’s previous works in English. Sato is the creator of Yokai Doctor and Ando (one of many pen names used by Shin Kibayashi) worked on Bloody Monday and Drops of God. More thematically relevant, Ando was one of the original creators of The Kindaichi Case Files. Sir Arthur Conan Doyle’s Sherlock Holmes is a well-loved and well-known detective worldwide and this is no exception in Japan. Sherlock Bones is only one Japanese work among many that is directly inspired by Doyle’s stories. I was vaguely curious about the series when it was licensed, but it wasn’t high on my list of manga to acquire. Happily, Kodansha sent me a review copy of Sherlock Bones, Volume 1, so I was able to give the series a try sooner rather than later.

When Takeru Wajima adopted a puppy from the local animal shelter, he had no idea what he was getting into. Most new pet owners have to worry about things like house and obedience training, but Takeru has an entirely different problem to deal with–Sherdog is the reincarnation of none other than the brilliant detective Sherlock Holmes. Oh, and Sherdog can speak (at least to Takeru, that is) and he is certain that his new owner is the reincarnation of his dear friend and faithful assistant Dr. John H. Watson. It’s not as if the two of them go out looking for mysteries to solve, but Sherdog and Takeru seem to be drawn into criminal investigations. When one of Takeru’s classmates is killed, and Sherdog is the only witness to the crime, they must find a way to prove the guilt of the murderer. Sherdog may have the brains to determine a solution, but it will be up to Takeru to do all of the legwork. After all, who else would belive, let alone understand, a dog.

I’ll admit, I was more than a little skeptical going into Sherlock Bones. I thought that the premise–Sherlock Holmes reincarnated as an adorable puppy–would be silly at best. And it is silly, but it also ends up being a good deal of fun. I was honestly surprised by how much I enjoyed the first volume of Sherlock Bones. Its mix of goofiness and seriousness is entertaining even if it is rather ridiculous. So far, though, it seems to work. There’s Sherdog himself–appalled that he’s a canine, though on occasion he will deign to use it to his advantage–and then there’s Takeru, who seems to be a good kid even if he’s understandably a bit befuddled by the whole situation and less than convinced that he’s Watson’s reincarnation. I also like that the entire Wajima family is made up of police officers and investigators–father, mother, and sister–so Takeru’s poking around into various criminal goings-on doesn’t seem too out-of-place.

As for the central case in Sherlock Bones, Volume 1, the mystery doesn’t lie within who killed the unfortunate student. Even why the murder took place can be fairly easily deduced. The trick is in how the culprit establishes an alibi and then carries out the deed. In part this is where Sato’s artwork plays an important role–the major clues that help Sherdog and Takeru crack the cases in Sherlock Bones, Volume 1 can be found right there on the page even before they solve the mysteries, waiting for observant readers to notice. I appreciate this sort of potential for engagement in the mystery fiction that I read, and so was happy to see it included in Sherlock Bones. Granted, not all of the clues are revealed in this way, especially when things like color come into play, but overall I was pleased with how the story and art worked together to form a cohesive whole. Sherlock Bones was a pleasant surprise for me and I look forward to reading more of the series.

Thank you to Kodansha for providing a copy of Sherlock Bones, Volume 1 for review.

A Preliminary NYCC 2013 Schedule

September 21, 2013 by Sean Gaffney

This year’s NYCC is even more vicious than last year in terms of competing events at the same time. And Friday will be busier than ever. But let’s break down what I’d like to cover, in an ideal world, and if I could split into multiple bodies:

THURSDAY:
3pm: Women in Comics
6:15pm: New York Times OUT and Geeks Out present LGBT and Allies in Comics

A fairly light Thursday, to give a warm-up to the event itself. Both of these panels are things I’ve taken an increasing interest in over the last few years, and I will be intrigued to hear what is said.

FRIDAY:
11:15am: Vertical Manga
1:45pm: Welcome to Night Vale: The Art of Weird Podcasting
2:45: From Light Novel to Anime/Manga: Presented by the Japan Foundation
3pm: Shonen Jump live podcast
3pm: Kodansha Comics
4:15pm: Viz Media Panel
5:30pm: Ranma 1/2 Panel
5:30pm: CLBDF: The Secret Origins of Comic Censorship!
7:30pm: Toughpigs.com Presents Jim Henson: The Biography

As you can see, this is my first “I need to be in three places at once” day, and also assures me that I will be having an early lunch and a very late supper. Most likely Kodansha will win out over light novels and Jump for having my actual presence. And there’s no way I’m missing the Ranma panel. (And yes, it is a panel, not a screening – the screening is Thursday night.) I also suspect Night Vale may have one of those “…you know, maybe not” long lines of death.

SATURDAY:
11:15am: 50 Years Of Doctor Who
11:15am: Yen Press Industry Panel
2:45pm: The Mary Sue Presents: Representation in Geek Media
3pm: Archie Comics: Zombies, Heroes, Cartoons and More!

This day hurts my soul, as it has four panels, two of which conflict with the other two. Being a manga blogger, I should see the Yen panel, especially as I had to leave LAST year’s panel early for a Jump panel that was scheduled at the same time. however, the Doctor Who panel is hosted by several folks from the online rec.arts.drwho days of the mid-1990s, who I have never met in person and deeply would like to see. So MJmay cover that for MB and let me know what happened afterwards. Remind me to grovel at Kurt and Tania later.

As for the afternoon, the Mary Sue panel sounds really really interest, but I haven’t missed an Archie panel at NYCC yet, and they really give great panel every year. I’m actually still undecided about this one.

You’ll note my schedule is empty after 4. There’s likely a lot to see that I may opt for… or, alternatively, if we want to do a massive dinner with friends away from the con, that would be great too. There is a Viz anime panel at 8pm, too.

SUNDAY:
1:30pm: Warner Archive Presents: Forgotten TV Heroes
2:30pm: CBLDF: Raising a Reader
2:45pm: Doctor Who: Big Finish Audio Dramas And More…

Believe it or not, this is a bigger Sunday than usual for me… Sunday has traditionally been the ‘relax and maybe go home early’ day of the con. I’m quite fond of Warner Archive, so may see some of the TV Heroes event. And while I’m more of a prose than audio Who spinoff fan, there is the promise of Colin Baker at the Big Finish panel to entice me…

So a very busy con. No matter what I may see, though, be aware that my primary purpose at the con is to do a swell job for you, my readers. Expect much talk of things! Happening! IN THE FUTURE! And I won’t even mentioned Medaka Box at the Viz panel this year. Much.

Mobile Suit Gundam: Awakening, Escalation, Confrontation

September 20, 2013 by Ash Brown

Author: Yoshiyuki Tomino
Translator: Frederik L. Schodt
U.S. publisher: Stone Bridge
ISBN: 9781611720051
Released: April 2013
Original release: 1979-1981

The first part of the massive Gundam franchise to be officially released in English was a trilogy of novels by Yoshiyuki Tomino that were initially published in Japan between 1979 and 1981. The novels are a reimagining of the original 1979 anime series Mobile Suit Gundam which was directed and primarily developed by Tomino. Based on the trilogy’s 1987 edition, the novels were originally translated by Frederik L. Schodt and published by Del Rey between 1990 and 1991. They subsequently went out of print but were released again by Stone Bridge Press in 2004 in an omnibus edition with a revised translation. The omnibus, too, went out of print only a few years later. It wasn’t until 2012 that the license was able to be re-secured, but Mobile Suit Gundam: Awakening, Escalation, Confrontation is once again available in a newly redesigned omnibus. It also includes some of the concept design sketches form the original anime series as illustrations.

In Universal Century 0079, the colonists of Side 3 rebelled against the Earth Federation, establishing the Principality of Zeon. During the ensuing war, half of the solar system’s human population was annihilated before the two sides of the conflict could reach a temporary ceasefire. In less than a year, the relative peace came to an end. The fighting began again as the Federation and Zeon forces were caught up in an arms race. Each side continued developing more and more advanced and powerful weapon systems and mobile suits. Combined with the emergence of Newtypes–humans with astounding powers of intuition and expanded consciousness–the conflict quickly escalated. No one is entirely sure what the Newtype phenomenon means for the future of the human race or what dangers those with Newtype potential will present, but both militaries are resolved to harness their abilities in order to gain an advantage in the war.

I haven’t seen the original 1979 Mobile Suit Gundam anime series in its entirety, but I do know that the novels are a darker, more mature, and more detailed take on the story. The ending of the trilogy is significantly different from that of the anime, as well. My first real introduction to the Gundam franchise was actually through Yoshikazu Yasuhiko’s manga series Mobile Suit Gundam: The Origin, which is also a retelling of the original anime. If I am to be completely honest, I much greatly prefer the manga over the novels. However, simply by the nature of the medium, the novels allow Tomino to explore the world of Mobile Suit Gundam in greater depth than either the anime or the manga; some of the specifics about the characters and their motivations can be found nowhere else. But this can also be a drawback–at times, Mobile Suit Gundam: Awakening, Escalation, Confrontation reads more like an insider’s guide to the Gundam universe rather than a set of novels.

I like the story of Mobile Suit Gundam as well as its setting. Unfortunately, I wasn’t nearly as fond of the novels’ execution. There was an annoying preoccupation with who was or wasn’t, or who could or could not possibly be a Newtype. Though frequently debated, the characters never reach a solid conclusion and constantly change their opinions on the matter. This is somewhat understandable since the Newtype phenomenon is a new step in human evolution that has yet to be strictly identified or defined, but it’s particularly frustrating when the author doesn’t seem to have a firm grasp of the concept, either. I do like the Newtype theory, though, and it is a very important part of Mobile Suit Gundam. I also like that the novels show both sides of the conflict between Zeon and the Federation from multiple perspectives. Mobile Suit Gundam is an ambitious war tale with a fairly large cast of interesting characters. But in the end, I have a feeling that the novels will appeal most to readers who are already fans of the franchise.

Manga the Week of 9/25

September 19, 2013 by Sean Gaffney, Ash Brown, Michelle Smith, Anna N and MJ 1 Comment

SEAN: A surprisingly huge last week of the month. Shall we get right down to it?

Archaia has their new modern adaptation of Cyborg 009 debuting this week. I recall the old 60s series when Tokyopop took a flyer on it, and it was fun if very ‘a product of its time’. It’s a series that a modern retelling, getting rid of some of the racism and sexism, could really work wonders. Intriguing.

ASH: I’ve already got my copy of this one. I haven’t read it yet, but I can say this–Archaia’s Cyborg 009 has one of the coolest book designs that I’ve seen in quite a while.

SEAN: Kodansha continues the speedup of Attack on Titan with Vol. 7, which reminds you that the series can still be really, really brutal.

ASH: Yes it can! If Attack on Titan has one thing going for it, it’s the series’ intensity. And tragic deaths.

MICHELLE: I feel very wrong that “tragic deaths” has seriously made me consider Attack on Titan.

ANNA: I feel the same way. What is the ratio of tragic deaths to non-tragic deaths per volume?

MJ: I also would like to see some statistics on this. Yes.

SEAN: Also, lest you think there’s only omnibuses, there’s the 18th volume of Battle Angel Alita: Last Order.

And speaking of speedups, here’s Fairy Tail 30, which wraps up its very long S-class arc, and has a major plot shift that affects… well, not quite everything.

I admit I sometimes miss things coming out via Picturebox and their cadre of indie manga releases. Here’s a new one called World Map Room, which I know nothing about.

ASH: Picturebox is a publisher that has really caught my eye this year. I don’t always enjoy Yuichi Yokoyama’s manga, but I can certainly appreciate his draftsmanship and experimental work.

MJ: Agreed. I’m very interested in what they’re doing.

SEAN: I had assumed that Dictatorial Grimoire: Cinderella was another series from Quin Rose in the Alice in the Etc Etc. vein, but apparently not. This is from Media Factory’s oddball shoujo-ish Comic Gene, and is a Grimm’s Fairy Tales rewrite, in a way.

MICHELLE: Huh. I’m feeling a little oversaturated with fairy tail adaptations, though.

ANNA: I love fairy tale adaptations! Not sure if I will check it out although content from oddball shoujo-ish magazines sounds promising.

MJ: Well, huh. This does sound like my kind of thing!

SEAN: Alice in the Country of Clover: Cheshire Cat Waltz is almost finished, I believe, but not quite, so here’s more Boris and Vol. 6.

Mobile Suit Gundam: The Origin has been one of my most awaited titles of 2013, with every volume desperately needing to get into my hands as quickly as possible. Vol. 3 is called Ramba Ral!

ASH: I’ve been very impressed by Vertical’s edition of The Origin. It’s a great manga and a gorgeous release. Plus, I’m a fan of Yoshikazu Yasuhiko’s manga.

MICHELLE: I’m enjoying it, too!

ANNA: I am so happy that Vertical is putting out this series.

SEAN: If you’d told me a few years ago Vertical would be licensing a Young Animal title, I’d have laughed. But here we are. Sickness Unto Death is along the lines of Flowers of Evil, but only 2 short volumes. The first ships this week.

ASH: I’m very curious about this one.

MICHELLE: I don’t know what to think about it.

MJ: I’m always interested in what Vertical has to offer, so count me in!

SEAN: Are You Alice? has a 2nd volume that may potentially have something comprehensible happen, which Vol. 1 lacked, in my opinion.

And The Betrayal Knows My Name, a series that feels like it should be Wings but is instead in Asuka (which is becoming the new Wings), hits Vol. 6, and has lots of reincarnation romance.

MJ: I have been shamelessly addicted to this series ever since my holiday marathon read last year. More, more!

SEAN: A Bride’s Story really picked up for me with the introduction of the twins in Vol. 4, so seeing their wedding in this new volume is definitely high on my list of things to do.

ASH: I’m always happy to see a new volume of Kaoru Mori’s A Bride’s Story! (Now, if we could only get Emma back into print, too…)

MICHELLE: Someday I will have time to read this.

ANNA: Me too. I need to catch up. The first two volumes were lovely.

MJ: I adore this series, and I’m very excited about the wedding! Hurray!

SEAN: Kieli hits Vol. 9… of the novels, that is. Don’t get your novels and manga mixed up, especially from Yen, which tends to license both more than most companies.

The regular old manga may be ending in Japan, but its gag spinoff continues, as we see the 7th volume of The Melancholy of Haruhi-chan Suzumiya.

Lastly, Soul Eater hits sweet 16, and will likely start spinning out new plot threads here to see what sticks. Always fun.

What’s whetting your appetite?

MICHELLE: Isn’t Goong 13 coming out too this week, now that I think about it? At least, Amazon has it with the same date as the other Yen, and I just got it in a box of review copies (yay!).

ANNA: eeeeeeeee!

MJ: YAY GOONG YAY!

SEAN: It’s still hard for me to remember Korean books…

Attack on Titan, Vol. 7

September 19, 2013 by Sean Gaffney

By Hajime Isayama. Released in Japan by Kodansha, serialization ongoing in the magazine Bessatsu Shonen Magazine. Released in North America by Kodansha Comics.

(please continue to avoid spoilers in comments)

We all knew a volume like this was coming. Despite the mass deaths and danger, things had simply been going too well for our heroes recently. There were heartwarming moments, and points where you marveled at the awesomeness of humanity. That clearly cannot last. And so you have Attack on Titan 7, which, yes, also gives you heartwarming and reaffirming love for humanity, but then brutally stomps all over it and tears it to shreds while laughing in your face.

So yeah, it really didn’t bode well that Levi’s team, for all their backstory and character building, never had biographies at the front of the book. Much of this book (and indeed the series in general) is about the mindset of a soldier, and how you can commit to actions that seem stupid or that you may not believe in. I’ll give Special Ops this, they were decisive and trying to stop the Female Titan. And, in the end, they weren’t good enough and were brutally murdered. This doesn’t mean it was a bad decision, or that they didn’t die like heroes. It’s just a function of life in this book, and how horrible the situation is with the Titans. Things are really bad, and sometimes you make a firm decision that leads to an ignoble death.

Speaking of the Female Titan, as Armin has already noted, she’s definitely one of a special group of Titans that are intelligent and crafty, and it shows throughout the entire book. Even when Erwin has her cornered, she’s still able to think of a way out. And her fight with Eren and Mikasa is not only epic but gives us some stunning motivation on what the Titans are trying to achieve; when given an opportunity to kill Eren, she doesn’t, but tries to kidnap him instead. Eren, presumably as he’s also a Titan, is useful to them in some way. Chilling, really.

I do sort of wonder what it will take to get Levi to break, or if he ever will. He’s the most popular character in the series in Japan, and rapidly taking that position over here as well, but there’s only so far stoic can take you. Will he continue to suffer nobly and look off into the middle distance? If nothing else, he makes a very good contrast to hotheads Eren and Mikasa.

But it’s all about the final scene, which simply makes you want to cry. Eren waking up to see everyone re-entering the city. The jeers of the adults, and the cheers of the little children. Petra’s dad, running to Levi, asking him to give her something, and Levi’s stoic non-response. And the final narration, noting that they’re all basically under arrest, Eren’s going to be turned over (presumably to be tortured and executed), and Erwin and company may be in a lot of trouble all around. It’s a horrible place to leave a cliffhanger. And so naturally here is where it is.

But hey, from here things can only get better… right?

No. 6, Vol. 2

September 18, 2013 by Ash Brown

Creator: Hinoki Kino
Original story: Atsuko Asano
U.S. publisher: Kodansha
ISBN: 9781612623566
Released: August 2013
Original release: 2011

My introduction to Atsuko Asano’s No. 6 was through the anime adaptation of the original novels. I enjoyed the setting and characters, but was disappointed in the anime’s rushed, original ending. Asano’s No. 6 novels are unlikely to be released in English, so I was glad when Kodansha licensed Hinoki Kino’s manga adaptation of the series. The second volume of the No. 6 manga, originally published in Japan in 2011, was released in English in 2013. Although Kino’s character designs are based on the same ones used for the anime and many of the underlying elements are the same (they are both adaptations of the No. 6 novels after all), Kino’s version of the story is different. The first volume of the manga was a little too quickly paced for my taste, but for the most part I still enjoyed it. However, I did have hopes that the second volume would slow down a bit after the first volume‘s rush to establish the characters, story, and setting.

After barely escaping from the holy city of No. 6, Shion is now a fugitive hiding in West Block, a dangerous area outside of the city walls and No. 6’s dumping grounds. Although he is out of immediate danger, he still has a lot to learn about West Block if he hopes to survive there. The violent and bleak conditions outside the city are very different from the peaceful and pampered life that Shion led in No. 6. The only reason he’s made it this far is thanks to the help of Rat, the young man whose life Shion once saved as a boy. The two make an unusual pair. Shion is altruistic and slow to doubt people, characteristics which could get him into big trouble in West Block, while Rat only looks out for himself and is much more wary of others. Saving Shion’s life was a way for Rat to repay his debt, but in the process he has begun to open up to another person. For the time being Rat persists in watching over the other young man, but he is also capable of turning on Shion at any moment.

One of my favorite things about the No. 6 anime was the relationship between Rat and Shion. I’ve happily found this to be the case with the manga as well. Even though it’s only the second volume, there has already been some very nice character development. Both Shion and Rat are beginning to change due to the circumstances surrounding Shion’s escape from No. 6 and their continued association with each other. As Shion is faced with the harsh realities of living in West Block and Rat’s seemingly uncaring attitude, he is learning to stand up for himself and what matters to him. In turn, Shion is also influencing Rat to a much greater extent than either of them at first realize. When it comes to Shion, Rat finds himself acting out of character and letting his guard down. It understandably bothers and worries him, but it’s also rather touching from an outsider’s perspective. I’m really enjoying watching their relationship evolve in No. 6.

In addition to character development, the second volume of the No. 6 manga also reveals more about No. 6 and West Block. As Shion experiences West Block first hand, nearly getting killed in the process, the readers are also introduced to the world in which he now lives through the people he meets–the children who are starving, the marketplace vendors who are quick to pull guns on thieves, the prostitutes and pimps. Everyone is struggling to get by in any way that they can. It also reveals in part why Rat has the personality that he does. To survive in West Block requires people to place their own needs above those of others. Simply trusting another person means taking a huge risk. It’s a hard lesson for Shion with his innocent nature and privileged upbringing. The second volume of No. 6 does build and improve on the first in its pacing, characterization, and world-building. I can honestly say that I’m looking forward to the next volume of Kino’s adaptation.

Weekly Shonen Jump Recap: September 9, 2013

September 18, 2013 by Derek Bown 6 Comments

It’s strange, even though I haven’t really been missing Bleach, seeing it back in the lineup makes everything feel right again. I think we’ve gotten a glimpse of what life will be like post-big three, and I must say, I don’t care for it. What will I do without the top three most popular shonen manga to either love or hate? What will my life become? These are all things worth considering, leave your survival strategies in the comment section. But for now, let’s talk about the manga itself.

Bleach Ch. 547
Well, Bleach is back. Can’t say I really missed it all that much, even though my manga reading life did feel a bit emptier without it. Bleach, and Naruto, and I have a bit of an abusive relationship. They give me nothing but pain and I just can’t quit them. Bleach has the upper hand in that it hasn’t actually done anything to hurt me, rather it’s like being in a relationship that you’ve grown tired of, but you aren’t ready to quit because your partner still knows how to function like a human being and hasn’t done anything to royally piss you off.

Sure there’s some misplaced comedy, and the idea that the Quincy were hiding in Soul Society all along is pretty ludicrous, but whatever. At least Bleach doesn’t force characters I hate down my throat. Rather it forces characters I don’t care about down my throat. Which is still annoying, but not as rage inducing as what other series I’ve read do.

One matter of note is that having gotten another good look at Ichigo’s sword I have to wonder why Kubo keeps designing swords that look like they would be incredibly uncomfortable to use. His swords don’t even have hilts, they’re just pieces of the blade that happen not to be sharp. But they still have edges that look like they would dig into your skin quite painfully after a while.

World Trigger Ch. 029
Anytime I find myself thinking, “This chapter of World Trigger wasn’t so bad” I have to remind myself that it’s taken twenty nine chapters to do what most series would do in one or two. The “moderately interested” stage of manga reading should not take several months to kick in. So, even when it gets a little bit interesting I remember that World Trigger took forever just to be competent. That doesn’t bode well for any actual future enjoyment.

To be fair, this chapter, on its own, was enjoyable. A lot of my hatred for this series stems from the fact that I apparently have a hard time letting go of grudges. At best all I can say about World Trigger is what I’m saying about this chapter, “It wasn’t awful, but I’m not expecting anything from this series.”

One Piece Ch. 720
Eiichiro Oda is a master of a character writing style that I started practicing a couple years ago. The method involves taking character archetypes and stereotypes and then adding a contradictory element to them. I haven’t exactly mastered it yet, but Oda is the writer I look up to most for this method after this chapter. Already Bartolomeo was a fun character, but to find out that he’s a massive Luffy fanboy just made him shoot up in my One Piece character rankings.

Rebecca was less impressive, she does reveal more of the underlying backstory for this arc, but as far as characters go she follows the vein of most women in One Piece that aren’t main characters. She’s not a bad character, but she’s not very interesting. The fact that she spends most of the time almost completely naked (I refuse to consider that outfit actual clothing) would be a good foil to build upon, after all the scantily clad female warrior is a trope in and of itself. But taking that archetype and making her just a normal One Piece girl doesn’t quite do it for me. I’m open to being surprised, after all One Piece is nothing if not surprising, but for the moment I’m not a huge fan of Nami 5.0…I mean Rebecca.

Toriko Ch. 248
What sets Toriko apart from most other battle series is Shimabukuro’s willingness to use real science/theories in his fantasy world. After amping them up to one million of course. Maybe the Square Root Law is a real theory (don’t ask me, I don’t do statistics), but I’m pretty sure we can’t use the ten percent abnormal movement of our cells to fly. But it can be done in manga, and that’s why I love manga so much. It doesn’t have to follow normal rules like other forms of fiction do. It can do what it wants, when it wants. It’s a sign of how clever the whole idea is that I ignore the man with the giant tongue to talk about it.

Naruto Ch. 645
As I’m writing this I have to go back and reread chapters to remember what happened. I don’t need to do that with Naruto because I know for a fact it won’t make any more sense the second time around. Here’s the problem with Naruto right now. It isn’t even that Sasuke is in the story. It’s that things are happening. But none of them carry any weight. The scale has gotten so ludicrously large that any escalation leaves me cold. Sure my attitude is influenced by past chapters, but it really is a problem that this series has gotten to the point where nothing that happens will be seen as important. A formerly somewhat important character dies? Who cares, it was only Neji, we’ve all forgotten about that now.

Please, Kishimoto, just finish this so we can see Naruto and Sasuke have their final battle. And please, stop it with the inappropriate comedy. You stopped being funny years ago.

One-Punch Man Ch. 025
There wasn’t any comedy this chapter, and it’s a sign of how talented these creators are that a series based on a single gag has grown so much. The action is amazing in this chapter, and the rising conflict is exactly what I expect from an action series. It’s a shame that a comedy series is doing a better job of it than certain action series are.

Then again, plenty of action series are trying and failing at comedy while this comedy series is trying and succeeding at action. Huh.

Jaco The Galactic Patrolman Ch. 008
Now this chapter I liked. Granted it was because I was reading a lot more tension into it than was actually there, with the possibility of “insert article of clothing name here” dying during the rocket launch. But beyond that I can’t say I’m a huge fan of this series. I’ve heard rumors of this actually being a prequel of Dragon Ball, which honestly makes no sense since the overall level of technology in this series seems a bit higher than it did in Dragon Ball. Though I could be remembering things wrong. Either way, I’m hoping things turn out the way I expect since that will help raise this series’ stock in my opinion.

Blue Exorcist Ch. 049
Methinks someone is taking some liberties with Hebraic/Christian mythology. I know this may come as a shock, considering this is a manga we’re talking about, which tend to usually be so faithful to the source material they are cribbing from, but I’m getting the sneaking feeling that the author only knows a bunch of names of demons without knowing who they actually are. Wondering what I’m talking about? Well, for one, suddenly Mephisto is also Samael, but most egregiously, Lucifer and Satan are now different characters. To put that into perspective for those of you that weren’t dragged to Sunday School every week, and then didn’t spend a chunk of University researching the Hebraic roots upon which most Christian mythology is built upon, Lucifer and Satan are the same person. Lucifer, the Prince of Light, was Satan’s pre-fall identity. And Samael is an early name given to Satan in Hebraic lore. While Mephistopheles is highly suggested to be yet another name given to Satan. So it’s three different people, all of which are actually supposed to be the same person.

As for the material in this chapter itself. It was okay I guess, but I’m a little peeved that we’re entering a rescue arc. Nothing wrong with rescue arcs per-say. But it’s still been incredibly overused. It’ll take a couple decades of nobody ever using a rescue arc again for me to not immediately say “Oh jeez, not another rescue arc.”

Nisekoi Ch. 089
Amnesia is a tired old trope. But I like what Nisekoi is doing with it here. We get to see a wrench thrown into the usual antics of the characters, and we’re getting the promise that this arc we’ll get more of the past. The series is still funny, though there are some latent issues slipping in here and there. Mostly with Rakku’s reaction to Tsugumi pulling a gun on him. “Girls shouldn’t use guns”? Yeah, that’s a can of worms I don’t think should be opened. But, latent sexism aside, this series continues to be funny, just in a slightly more haremy way than I was hoping for.

Dragon Ball Z Ch. 030
So the line was “Over 8000” all along? My whole life is a lie! Anyone know what the proper number is, because I’m really curious now. My theory is that 8000 is the original number, but that the english anime changed it to 9000 to avoid the consonant sound at the end of eight and make the line flow better. Still, we’re coming to the Goku and Vegeta fight soon, which should be plenty fun.

I hope we get a new series in WSJ soon, because at the moment it feels like most of what we get is getting a bit stale. I’m hoping for another Cross Manage or another Barrage, only this time I hope for a series that actually sticks around. What do you think the new series should be? Action? Adventure? Romance? Comedy? Or a bit of everything?

If you want to hear more, check out the Manga^3 Podcast Archives.

Jojo is back, plus what you missed in Shonen Jump!

September 18, 2013 by Brigid Alverson

Good news for fans of Jojo’s Bizarre Adventure: Viz is going to release part 3 digitally, and if that catches on, there may be more…

The Manga Bookshelf bloggers look over this week’s new releases and discuss their Pick of the Week.

Lissa Pattillo looks at three series that were recently announced in Japan that she hopes will make it over here: You Higuri’s Princess Ledalia: The Rose Pirate, Makoto Tateno’s Vampire Romanshiki, and the Attack on Titan spinoff.

Derek Bown catches us up on the past few weeks’ worth of Shonen Jump.

Erica Friedman rounds up the latest yuri news at Okazu.

Justin chats with freelance manga letterer Annaliese Christman, who works on a lot of Viz titles, including Nura: Rise of the Yokai Clan and Psyren.

Lori Henderson looks at the BookScan best-seller list, what’s up at Vizmanga.com, and Kodansha Comics’ digital samplers in her latest Manga Dome podcast at Manga Xanadu.

Reviews: Ash Brown leads us through a week’s worth of manga reading at Experiments in Manga.

Leroy Douresseaux on vol. 7 of 07-Ghost (The Comic Book Bin)
Leroy Douresseaux on vol. 15 of Arata: The Legend (The Comic Book Bin)
Lissa Pattillo on vol. 20 of Bakuman (Kuriousity)
Ash Brown on vol. 25 of Blade of the Immortal (Experiments in Manga)
Chris Kirby on vol. 2 of Btooom! (The Fandom Post)
Mark Thomas on vols. 1-3 of Dragonball (omnibus edition) (The Fandom Post)
Erica Friedman on vol. 2 of Eden no Higashitotsuka (Okazu)
Ken H. on vols. 1 and 2 of Happy-Go-Lucky Days (Comics Should Be Good)
Matthew Warner on vol. 1 of Happy Marriage?! (The Fandom Post)
Sean Gaffney on vol. 22 of Hayate the Combat Butler (A Case Suitable for Treatment)
Angela Sylvia on vol. 13 of Kamisama Kiss (The Fandom Post)
Lissa Pattillo on vol. 21 of Kaze Hikaru (Kuriousity)
Matthew Warner on vol. 1 of Kingdom Hearts II (The Fandom Post)
Dana Lynch on Knights of Sidonia (Culture, whatnot, etc.)
Michael Buntag on K-ON! College (NonSensical Words)
Kate O’Neil on vols. 7-8 of Loveless (omnibus edition)
Dana Lynch on Me and the Devil Blues (Culture, whatnot, etc.)
Kristin on vol. 1 of Midnight Secretary (Comic Attack)
A Library Girl on vol. 1 of Nightschool (A Library Girl’s Familiar Diversions)
Lesley Aeschliman on vol. 1 of Nura: Rise of the Yokai Clan (Blogcritics)
Erica Friedman on vol. 2 of Omoi no Kakera (Okazu)
Erica Friedman on Onna no ko Awase (Okazu)
Sean Gaffney on vol. 68 of One Piece (A Case Suitable for Treatment)
Lori Henderson on Phoenix Wright: Ace Attorney Official Casebook, vol. 1: The Phoenix Wright Files (Manga Xanadu)
Lesley Aeschliman on vol. 11 of Pokemon Black and White (Blogcritics)
Lesley Aeschliman on Pokemon Adventures HeartGold and SoulSilver (Blogcritics)
Matthew Warner on vol. 11 of Psyren (The Fandom Post)
Leroy Douresseaux on vol. 12 of Psyren (The Comic Book Bin)
Matthew Warner on vol. 1 of Puella Magi Kazuma Magica: The Innocent Malice (The Fandom Post)
Matthew Warner on vol. 12 of Rin-ne (The Fandom Post)
Connie C. on Saikano: The Last Love Song on this Little Planet, X, and The Melancholy of Haruhi Suzumiya (Comics Should Be Good)
Lesley Aeschliman on vol. 12 of Sailor Moon (Blogcritics)
Sean Gaffney on vol. 1 of Sailor Moon Short Stories (A Case Suitable for Treatment)
Kate O’Neil on vol. 15 of Soul Eater (The Fandom Post)
Anna N. on vols. 5 and 6 of Strobe Edge (Manga Report)
Leroy Douresseaux on vol. 6 of Strobe Edge (The Comic Book Bin)
Leroy Douresseaux on vol. 17 of Toriko (The Comic Book Bin)
Justin on Tropic of the Sea (Organization Anti-Social Geniuses)
Nick Smith on Tropic of the Sea (ICv2)
Dave Ferraro on Unico (Comics-and-More)
Kate O’Neil on vol. 4 of Until Death Do Us Part (The Fandom Post)

One Piece, Vol. 68

September 17, 2013 by Sean Gaffney

By Eiichiro Oda. Released in Japan by Shueisha, serialization ongoing in the magazine Weekly Shonen Jump. Released in North America by Viz.

It’s worth noting, when reading this volume of One Piece, how much fun Oda is clearly having writing every single chapter. His simple joy in drawing all this crazy stuff comes out from the page and just overflows into your brain. Be it giant slime monsters clearly based off of video games in his youth, the bodyswap continuing to humiliate Nami and Sanji (and ending at just about the right time so it doesn’t get old), or even our heroes happily commenting on how Luffy and Smoker are locked up in another seastone cage again, just like Alabasta! (Bonus points for it being Robin commenting, who was a villain at that point.) This manga is what happy feels like.

Of course, it’s not all fun and games – or rather, the fun and games continues to be contrasted with the atrocities that Caesar Clown is committing. Drug addict giant toddlers, poison gas corpses that look like something out of Edvard Munch, and Luffy getting completely punked in his first fight with Caesar, despite his supposed poison immunity… this is not simply a walk in the park the way other arcs have felt. We even have yet another mole for the bad guy who’s a Vice-Admiral with the Marines (and, Oda-style, has a hamburger affixed to his cheek. As he forgot it was there.)

We also see Kidd and some of the other Supernovas meeting to discuss Caesar Clown’s offer, and it reminds me of something that Oda has been showing us again and again: anyone with power in this world is highly likely to be evil or insane. Luffy and company are one of the few non-evil pirate crews, and, fittingly, Smoker and Tashigi’s group are one of the few non-evil Marine crews. When you live in a world like One Piece’s, with so much raw power out there to abuse, you run into people who will do all they can to hold onto it.

Luckily, our heroes are strong, and can’t be kept down for long. Everyone has their own bodies again, and Kin’emon, the samurai, has his full body back (and is really quite tall now). What’s more, Luffy and Law have formed an alliance! I suspect that Law will rapidly come to regret allying himself with Luffy and company, which to a certain degree involves throwing your self-image out the window and giving in to the goofy. I am amused that once again Luffy says, when being informed of a plan, “Yeah, OK, I got it”, and then merrily go off to punch things again. It’s not something anyone can stop at this point.

If there’s something that feels slightly dissatisfying here, it’s that Caesar Clown doesn’t feel like a big bad. He’s pretty scummy, and I’ll enjoy seeing him defeated, but the revelation that there’s someone behind him who’s the real mastermind makes a lot more sense, and as a reader, I’d really like to leap ahead to that battle. Till then, though, One Piece continues to go where it wants to with unlimited joy.

My Week in Manga: September 9-September 15, 2013

September 16, 2013 by Ash Brown

My News and Reviews

I posted two reviews here at Experiments in Manga last week. The first was for Yusuke Kishi’s novel of horror and survival The Crimson Labyrinth. Currently The Crimson Labyrinth is the only work by Kishi available in English, but Vertical will begin releasing the manga adaptation of his novel From the New World later this year. (The same From the New World recently had an anime adaptation, too.) I also posted my latest Blade of the Immortal review–Blade of the Immortal, Volume 25: Snowfall at Dawn. The last few volumes of Blade of the Immortal have been building up to the showdown between Shira and Manji; finally the time has arrived when they face each other.

There were a couple of interesting things that I came across online last week. First, there was an interview with Annaliese Christman, a freelance letterer for Viz Media. I didn’t know much about lettering, so I found it to be a very interesting read. The other item I wanted to mention was Dan Kanemitsu’s examination of the impact the upcoming Tokyo Olympics may have on censorship in Japan–Fear and Loathing in the Bold New Olympic Era. (Too long, didn’t read? CBLDF has a nice overview of the article with some additional commentary–Tokyo Olympics Emboldens Censors.)

Quick Takes

Fairy Tail, Volume 29 by Hiro Mashima. This is only the second volume of Fairy Tail that I’ve had the opportunity to read in its entirety. At this point my general impression is that it’s a fun, but rather generic series. I just can’t seem to shake the feeling that I’ve seen it all before. I do like the variety of magic styles, though. Most of the twenty-ninth volume focuses on the battle between five young members of the Fairy Tail guild and Hades, the guild’s former grandmaster. Although not entirely unexpected, there were some great moments during fight that really show off the group’s teamwork. Fairy Tail moves along quickly with plenty of battles and action sequences. For the most part, Mashima’s art works nicely. However, all of the cuts and scratches that the characters end up with over the course of their fights make them look like they all have scales, which is a little odd. Although for some characters, like Natsu with his dragon abilities, it’s rather appropriate.

Nana, Volumes 16-18 by Ai Yazawa. The more of Yazawa’s manga that I read, the more I am impressed by it. Nana is a fantastic series. The characters are complex and multilayered; the story is dramatic and absorbing without being overwrought. These particular volumes deal just a little less with the music industry and the bands as a whole. Instead, they delve more into the characters’ personal lives. Particularly important is the revelation of Nana and Shin’s pasts as well as their less than ideal family circumstances–something that proves to be very problematic. Also included in these volumes are two lengthy side stories. One shows Nobu and Nana’s relationship back when they were in school together. Similarly, Takumi’s complicated feelings for Reira is the focus of the other. The side stories are a really nice addition to Nana, giving the story even more depth. They show the importance of the characters’ relationships and how they developed over time to become what they are in the series proper. I’m really looking forward to reading the rest of Nana.

Saiyuki Reload, Volumes 7-9 by Kazuya Minekura. While the early part of the series seemed directionless, by the end of Saiyuki Reload Minekura has a great narrative drive going. Some of the plot elements and storylines do unfortunately seem to have been dropped or forgotten (though perhaps she pulls them all back in for the finale) but the manga does benefit from having a stronger focus. What is particularly interesting about these volumes is that the yokai’s side of the conflict is shown in more detail. Although there have been exceptions, for the most part the yokai have simply been the series’ monsters. Minekura makes it very clear here that the yokai are really not all that different from humans and that it is the humans who are sometimes the real monsters. Looking back, this has actually been one of the recurring themes in the series. Although Saiyuki Reload is ten volumes long, only nine volumes were ever released in English. It’s particularly tragic since the ninth volume ends on one heck of a cliffhanger.

Smut Peddler by Various. Smut Peddler had its beginnings as a three-issue indie minicomic series back in 2003. In 2012, Smut Peddler returned as a full-length anthology collecting twenty-six short erotic comics. Smut Peddler is a phenomenal collection of sex-positive, lady- and queer-friendly comics. I was particularly happy to see the diversity included in the anthology, not only in terms of the characters’ various identities but in genre as well. Smut Peddler contains science fiction and fantasy as well as reality-based works, both historical and contemporary. The stories are short, sexy, and sweet. Some are more serious and others are more humorous, but they are all heartfelt. I was previously familiar with and already follow the work of many of the creators included in the anthology, but there were plenty of artists and writers who I was encountering for the first time. (I now have even more creators I want to seek out.) Work has already begun on a second Smut Peddler anthology, currently scheduled for release in 2014. I can’t wait.

Velveteen & Mandala by Jiro Matsumoto. Reading Velveteen & Mandala was a rather odd experience for me. I was consistently engaged while I was reading it, but I wasn’t sure that I actually liked it. But after finishing Velveteen & Mandala I couldn’t seem to get it out of my head which to me is a sign of a good manga. The more I think about it, the more I want to read it again–it’s like a lingering and intense fever-dream (or nightmare.) Velveteen & Mandala is a very strange horror manga with strong psychological elements, extremely black humor, frequent pop culture references, and characters who all seem to be at least slightly insane. The ending’s big twist was something that I suspected from the very beginning of Velveteen & Mandala but that doesn’t make it any less effective. Velveteen & Mandala easily earns it’s 18+ rating–it’s gruesome, violent, and sexually explicit. The manga’s off-beat, weird, and bizarre horror and humor definitely aren’t for everyone, but if you can stomach it Velveteen & Mandala is a strangely intriguing work.