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Tropic Of the Sea

September 26, 2013 by Sean Gaffney

By Satoshi Kon. Released in Japan as “Kaikisen” by Kodansha, serialized in the magazine Young Magazine. Released in North America by Vertical.

I must admit, I’ve never really been into Satoshi Kon’s directing work. I saw Perfect Blue years ago, but never got around to his other movies. I do know that many of them are considered works of art by anime fandom, though, so it was intriguing to see this title licensed, a manga that he wrote before he did any of the titles he’s now famous for. I liked what I read, too. This is a solid, mellow, and sometimes preachy story of a young man growing up by the sea in a small town, having to deal with progress, tradition, friendships becoming romance, and mermaids. Most of us have dealt with the same things. Well, maybe not that last one.

The story is quite simple, and fits very well in this single volume release. Yosuke comes from a long line of priests, whose job it is to care for a mermaid egg – and return it to the sea every 60 years, as part of a pact to keep the sea filled with life and healthy. His father is a modernist, and thinks that they could also raise some money with the publicity of this egg. His grandfather is a staunch traditionalist. Yosuke, meanwhile, seems to fall in between the two camps – much like the rest of his life, where as a teen getting ready for exams he can’t quite decide if he wants to escape his hometown or not. This is not helped by the return of Nami, an old friend who had gone to the big city, and who has an obvious bond with Yosuke.

I really liked the way this manga kept a balance between everything it’s trying to do. There’s lots of reflective, quiet scenes, but there’s also several exciting action pieces and a big chase climax. Yosuke can be reserved, but he’s not repressed or anything, he’s just a normal kid who is dealing with a lot right now. I loved the not-quite-romance with Nami, which has just the right touch, and his relationship with his little sister also rang true. Essentially, despite this title involving mermaids, the fact that your suspension of disbelief never comes into play is the most praiseworthy thing.

It’s not perfect, of course – something I’m sure Kon would be the first to acknowledge. The lead villain comes from a stock template of ruthless businessmen who will get what they want without thought of the little people or environment that get trampled underfoot. I suspect Kon didn’t want to end this volume with anyone actually being killed, but that makes the villain’s conversion – oh, I’ve seen what really lives in the sea, and it has made me a better person – the one thing here that’s really hard to swallow. The ending also does seem a bit rushed, for all of its excitement.

But those are just quibbles. Tropic of the Sea is simply evocative, and makes the reader want to walk out along the beach at night and smell the salt water. It’s no surprise that the creator went on to big things.

Manga Giveaway: Arisa Giveaway

September 25, 2013 by Ash Brown

It’s just about the end of the month, which means it’s time for another manga giveaway here at Experiments in Manga! This month’s giveaway is for not one, but two volumes of Natsumi Ando’s manga series Arisa–both the first and the most recent volumes published in English. (I’ll explain my odd thought process for this below.) As always, the contest is open worldwide!

Okay, so why the first and eleventh volumes? Because Arisa has a set of twin sisters. Volume 1, because it’s the first volume. (In general, I like to give away first volumes.) And what do you get when you have two 1s? 11. And there you have it. (I told you I’m a bit odd.) Anyway.

People are fascinated by twins. It’s probably not too surprising that twins, both fraternal and identical, make frequent appearances in manga, often with an important role to play in the story. Naoki Urasawa’s Monster, Yumi Tamura’s Basara, and Rei Hiroe’s Black Lagoon are just a few examples off the top of my head. It wouldn’t take me long to come up with even more. (And I will next week.) In Arisa we have Tsubasa Uehara and Sonoda Arisa, identical twin sisters who have been separated by their parents’ divorce. Tsubasa takes Arisa’s place at school to try to discover why her sister would attempt to commit suicide, uncovering some very disturbing goings-on in Arisa’s class in the process.

So, you may be wondering, how can you win a copy of Arisa, Volumes 1 and 11?

1) In the comments below, tell me a little about a set of twins that you have encountered in manga and in which manga they appear. (If by chance you’ve never come across twins, simply mention that.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

It’s as easy as that. For this giveaway, each person can earn up to two entries. As usual, there is one week to submit comments. If you have trouble leaving comments, or if you would prefer, you can e-mail me your entries at phoenixterran(at)gmail(dot)com and I will post them in your name. The giveaway winner will be randomly selected and announced on October 2, 2013.

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address (which if you submit through the comment form won’t be publicly displayed), a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: Arisa Giveaway Winner

Voice Over! Seiyu Academy, Vol. 1

September 24, 2013 by Anna N

Voice Over! Seiyu Academy Vol. 1 by Maki Minami

This was a book that I thought I wouldn’t like very much, but as I read through the entire volume I found myself begrudgingly enjoying it more than I expected. I ordinarily enjoy manga set in the world of show business. Here, the setting here of a specialized voice over training high school had the potential to both be a bit interesting due to the possibility of learning more about this specialized acting niche in Japan but it could also be somewhat infuriating if the plot devolved into the arcane hierarchical clique hijinks that tend to plague many a shoujo title. Also, in terms of the plots that I tend to enjoy over and over again, I will happily read multiple manga about office ladies forced to marry their harsh yet irresistibly handsome bosses, but high school clique wars tend to make my eyes glaze over unless I’m distracted by other plot elements like space aliens, juvenile delinquency, or magical powers. As I was reading Voice Over, I did think it would have strong appeal to younger teen readers.

Hime’s idol is a famous voice over actress on the anime Lovely Blazers named Sakura Aoyama. Hime’s accepted into a special voice acting school, but she has to fight against her natural tendencies towards emoting in a deep raspy voice. She’s quickly singled out and placed in the “stragglers” group that makes up the bottom students in her class. To add to Hime’s stress, Senri, the son of her idol is in her class and he is both incredibly gifted and a grouchy snob.

Hime is as plucky and determined as you would expect a shoujo heroine in her situation to be, even though she is promptly nicknamed Gorilla Princess by her classmates due to her deep voice. Hime’s motley crew of stragglers includes the super adorable Tsukino who can’t project her voice, an ex-juvenile delinquent named Sho, and boy with horrible nerves and an unfortunate accent named Mitchel. Hime’s initial overtures to Senri are met with determined rudeness. There is a voice over battle (isn’t there always) between the stragglers and their more high-class competition. Hime ends up using her deep voice to surprising effect when she subs in for Mitchel and ends up doing a superb job as the prince in a Snow White play. Hime and Senri keep running into each other, and she gradually sees his more human side. I found Senri’s habit of adoring kittens contrasted with his horrible manners to be lacking a bit of nuance. But I was very amused by some of the visual techniques Minami uses to portray the voice over acting of the cast. Little old ladies and old men appear in the background of the panels whenever Hime acts, providing an amusing way of showing how mismatched Hime’s voice is with the lines she’s speaking. I also enjoyed the glimpse of the almost too close to each other male idol duo at school with their legion of female fans who want to ward off any girl from getting close to them so they can continue to get their yaoi fix.

As I was nearing the end of the volume, I was surprised by how much I enjoyed it, simply because all the elements of humor were almost enough to distract me from a plot that I’m not particularly interested in. This manga doesn’t have the manic energy of an Oresama Teacher that makes the plot almost irrelevant though. If future volumes lean more on the high school clique fighting and less on wacky voice over antics, I expect I’ll be less entertained. I do think that readers less jaded than me would enjoy this manga quite a bit.

Review copy provided by the publisher.

Attack on Titan explained; new Jiro Taniguchi manga on the way

September 24, 2013 by Brigid Alverson

MTV Geek has posted my picks for the most anticipated manga of the fall, and to go along with ’em we have some special content:
A preview of a short story from the first volume of Sailor Moon Short Stories
A preview of Satoshi Kon’s Tropic of the Sea, definitely one of the outstanding manga of the year
An interview with Charles Brownstein of the CBLDF about their guide to manga
An interview with Pancha Diaz, the editor of Voice Over: Seiyuu Academy
A interview with Nancy Thistlethwaite, editor of the Christmas-themed manga Sweet Rein
Everything you need to know to jump in to Attack on Titan with volume 6

This is pretty cool: Attack on Titan creator Hajime Isayama was interviewed on Nihon TV’s Zip! and explained how he got the idea for the Titans (an inebriated customer in the internet cafe where he worked) and how he draws them so well (with the help of a reference book of facial expressions).

Fanfare/Ponent Mon will publish Jiro Taniguchi’s Furari, which sounds like an Edo-era version of The Walking Man.

Planning on going to New York Comic Con? Sean Gaffney has pulled out the manga panels and a few others that may be of interest.

Helen McCarthy gives us the rundown on Daiji Kazumine, who drew manga versions of popular television shows such as Ultraman.

Here’s a look at the Original Algerian Manga scene, where homegrown manga in French, Algerian, and soon, Berber, are selling briskly, but not so well that creators can make a living from comics alone.

News from Japan: Eight years after it was originally announced, Hideo Azuma’s sequel to Disappearance Diary will be published next month; the title is Shissō Nikki 2: Al-Chū Byōtō (Disappearance Diary 2: The Ward for Alcoholics).

Reviews

Sean Gaffney on vol. 7 of Attack on Titan (A Case Suitable for Treatment)
Helen on vol. 1 of Eat For Your Life (Narrative Investigations)
Kate O’Neil on vol. 1 of Midnight Secretary (The Fandom Post)
Connie C. on Midori Days, Pretty Face, and Genkaku Picasso (Comics Should Be Good)
TSOTE on vol. 29 of QED (Three Steps Over Japan)
Erica Friedman on Rira to Shion (Okazu)
Ash Brown on vol. 1 of Sherlock Bones (Experiments in Manga)
Manjiorin on vol. 1 of Takasugi-san’s Obento (Organization Anti-Social Geniuses)

It Came From the Sinosphere: State of Divinity (Part 3)

September 24, 2013 by Sara K. 3 Comments

Yue Buqun

Yue Buqun in soliloquy mode.

When I first read the novel, Yue Buqun did not leave such a strong impression on me, and I did not understand why so many people consider him to be the character that the entire story turns on. As I’ve read/seen more adaptations, I have gotten a better understanding of his importance, but it is this adaptation which really drove home to me what a great character he is.

What really distinguishes State of Divinity’s Yue Buqun is that, unlike any other version of the story I’ve seen/read, we get to see his inner thoughts.

In the original novel, everything we know about Yue Buqun comes from Linghu Chong or Lin Pingzhi, and since Yue Buqun never reveals his private thoughts to these two characters, we can only understand him based on his actions. By contrast, State of Divinity offers Yue Buqun ample opportunities for soliloquy.

What really struck me is that Yue Buqun’s thoughts as depicted by State of Divinity are very different from what I expected – yet entirely consistent with canon. This, of course, is a reflection of just an enigma Yue Buqun is – though we know what he does, the reader never knows what he says to himself.

Yue Buqun … vulnerable?

And State of Divinity shows Yue Buqun being vulnerable. This is something I have never seen in any other version of the story. One of the principles of Yue Buqun’s personality is that he *never* shows vulnerability (at least not in Linghu Chong or Lin Pingzhi’s presence). To be honest, vulnerable!Yue Buqun shocked me.

I now think that Yue Buqun is one of Jin Yong’s finest characters.

Lin Pingzhi

I ended up really liking Lin Pingzhi in State of Divinity.

I’m not just saying that I thought he was well-written and well performed (though I do think that). I actually ended up liking the character himself.

Lin Pingzhi with his mother.

While most versions of the story note that Yue Buqun and Lin Pingzhi have similar personalities, State of Divinity really emphasizes that Lin Pingzhi = young!Yue Buqun. Thus they reinforce each other’s position in the story.

Laughing on the Wind introduces Lin Pingzhi as being privileged, coddled, and spoiled, which of course sets him up for being disliked by the audience. It’s almost satisfying to watch him suffer.

State of Divinity, by contrast, makes it really easy to love Lin Pingzhi. This was hard for me, because I knew what happens to Lin Pingzhi at the end. I wanted to hope that State of Divinity would show some mercy to Lin Pingzhi … but I already knew that hope was in vain.

Lin Pingzhi is experiencing a Horrible Revelation.

In this adaptation, it is Lin Pingzhi who breaks my heart the most.

About the Music

Well, a lot of the music used in the show is not original (for example, it borrows the soundtrack from Ashes of Time, among other sources). I still found it a bit jarring to hear music pulled from other contexts. Then again, borrowing really good music was probably wiser than composing original-yet-mediocre music – and what original music the show has is mostly uninteresting.

There is one original song which actually stands out is the tune of “The Laughing Proud Wanderer” itself. According to the story, it’s the more beautiful song the characters have ever heard, but I don’t think the audience actually expects that of the makers of the TV show.

The song works because it fits the atmosphere story. Bach it is not, but it does a pretty good job of condensing 43 episodes of story into a single tune. That is much more important than being a great music in its own right.

A Shift in the Ending

This scene wasn’t in the original novel, so where have I seen this before … oh that’s right, it’s just like that scene in Shēn Diāo Xiá Lǚ

Every adaptation (except Lee Chi-Ching’s manhua) alter the ending.

To be fair, the ending of State of Divinity is actually mostly the same as the ending of the novel. But there is one crucial change.

In the original novel, Linghu Chong is helpless at the end. There is practically nothing he can do to change the course of events. His must experience whatever fate sends his way.

Linghu Chong experiences utter despair.

And that is what State of Divinity tweaks. At the end, Linghu Chong does change the course of events.

That doesn’t make it a bad ending. But I find it interesting that most adaptations feel that have to change that part.

Comments on the Acting

Overall, I think both shows have very good acting. Even when they did not cast the most suitable actor, at least it is somebody competent enough to make the part work anyway.

That said, these are the highlights for me (from both shows)

Xu Qing as Ren Yingying and Wei Zi as Yue Buqun

Xu Qing as Ren Yingying (LitW) – I think it’s a bit unfair to compare Xu Qing and Fiona Leung’s performances as Ren Yingying, since the script of LitW gives Xu Qing a lot more to work with. Nonetheless, I think Xu Qing does a better job of exposing Ren Yingying in her most vulnerable moments.

Wei Zi as Yue Buqun (LitW) – It is really hard to decide whether Wei Zi (LitW) or Wong Wai (SoD) is a better Yue Buqun, but my gut says that Wei Zi’s acting is a little better (though as far as the script, Yue Buqun is definitely better written in SoD).

He Meitian as Yilin and Jackie Lui as LInghu Chong

Jackie Lui as Linghu Chong (SoD) – This is an example of great casting. To quote a review (which I can’t find right now) ‘Jackie Lui is Linghu Chong’. Li Yapeng’s performance in LitW is also good, but he fails to embody the character as fully as Jackie Lui.

He Meitian as Yilin (SoD) – If casting Jackie Lui as Linghu Chong is great, then casting He Meitian as Yilin is perfect. In a show which sets a very high bar for acting, it is Jackie Lui and He Meitian who really stand out. He Meitian also plays Qi Fang in another of my favorite wuxia dramas, A Deadly Secret, where she is once again a highlight.

Small Evil is Scarier than Great Evil

One of the messages of this story (and most of Jin Yong’s work) is that good cannot defeat evil.

Good can avoid evil. Evil can self-destruct. Good can even, rarely, persuade evil to change. But good cannot defeat evil.

Ren Woxing holds a puppy in his arms as Ren Yingying rushes up to him.

Evil can also rescue puppies.

Some adaptations (including Laughing in the Wind) try to turn one of the villains into the Big Bad, which the heroes can then take down and triumph over. That’s not how the original novel works. In the original novel, all of the villains are narrow-minded men (none of the villains are cis-female). Though they can fall individually, they can never be eliminated as a group. If you take down one petty tyrant, another will emerge.

This is scary.

Ren Yingying and Linghu Chong look really scared.

Yep, they’re scared.

If you think in terms of great evil, at least there is the hope that, after taking out the Big Bad, you will be free once and for all. But if evil is like a weed which will grow back from the soil of human nature as soon as you pull it out, then it will be with you forever.

The villains are horrible not because they are inhuman, but because they are human.

My Encounter with the TV Show

I had been in Taiwan for a short time, and I was just starting to feel out Chinese-language media. As a starting point, I would channel-surf. During my channel-surfing, the wuxia dramas caught my eye the most, since they were quite different from what I was familiar with.

However, even with my lack of listening comprehension skill, I could tell that wuxia TV dramas follow Sturgeon’s Law.

There was one wuxia drama which stood out. I could only understand 10-20% of the dialogue, so of course I couldn’t follow the story, but it still drew me in. Without understanding it, I still felt that what was happening mattered.

I remember one scene where a certain nun killed another character.

This nun has just killed somebody.

Now, I understood enough to know that the nun was horrified by the fact that she had just killed somebody. I also knew that Buddhist nuns are generally not supposed to killing living creatures. I did not know the broader context – for example, I did not know what the nun’s relationship to the victim was – but I *felt* it.

Scenes like this made an impression on me, even though I didn’t know what they mean.

Well, I had to find out what this TV show was – and I learned it was State of Divinity, adapted from a novel by Jin Yong.

Yep, this TV show was my gateway drug, both to Jin Yong specifically and the wuxia genre as a whole (I’ve even written about this before).

Now, even if I hadn’t caught reruns of this show, I would have almost certainly encountered Jin Yong and wuxia anyway. But if my first encounter had been, say The Book and the Sword, I might have concluded that it wasn’t for me, and left it at that.

And if I hadn’t gotten hooked on wuxia, this column would be really, really, really different.

Linghu Chong, Xiang Wentian, and Ren Woxing by a bonfire on the beach.

I remember watching this scene on Taiwanese TV.

It also made for a weird experience when I finally read the novel. As I read a scene, images from the TV show
would emerge in my head, and I would have lots deja-vu moments -‘This seems oddly familiar’, ‘So, this is what that was actually about’, ‘Oh shit, this is the scene where she dies!’

Availability in English

As far as I know, this show is currently not available in English.

It is listed on Dramafever as ‘coming soon’, but there are so many Hong Kong dramas which are listed as ‘coming soon’ that, unless Dramafever has a gigantic army of translators/subtitlers/etc. at its command, not all of those dramas can ‘come soon’. My guess is that ‘coming soon’ means ‘we have a license to stream this show, but we’ll only actually translate it if we think it will generate a lot of interest among our viewers’.

So if you would like to see this show with English/Spanish subtitles, tell Dramafever.

Conclusion

Okay, in some ways, Laughing in the Wind does kick State of Divinity‘s ass. Yet I think it should be obvious that I love State of Divinity much more.

I think most people agree with me. While both shows get onto many people’s ‘best wuxia TV show’ lists, everybody who has compared the two (including a Laughing in the Wind fansite!) says that State of Divinity is better.

I would take it a step further. There are many classic wuxia TV shows I have yet to see – as well as many classic Chinese-language TV shows in other genres. But of all of the Chinese-language dramas I have seen, State of Divinity is the best. That’s right, it is better than every other single TV show I have discussed here at Manga Bookshelf.

This show is so highly recommended that I think I have just wrecked the roof.

Sara K. made some comments about Shén Tōu Tiānxià by Zheng Feng (who also wrote Passionate Wastrel, Infatuated Hero and Spirit Sword) over at her personal blog.

Fairy Tail, Vol. 30

September 24, 2013 by Sean Gaffney

By Hiro Mashima. Released in Japan by Kodansha, serialization ongoing in the magazine Weekly Shonen Magazine. Released in North America by Kodansha Comics.

It’s been a long time since I last did a full review of Fairy Tail. In fact, the last time I did the blurb above said “released by Del Rey”. But this is a pivotal volume of the series, for many reasons. It also suffers from the same problem that has plagued the series since it began, one that many fans, particularly in the West, have trouble getting past: it feels like a One Piece ripoff. What’s most interesting about this volume is that Mashima, who surely must have heard this about five thousand times, goes ahead and duplicates one of One Piece’s most famous moves… but with a slight twist. He is embracing the One Piece-ness of his manga.

But before we get to that, let’s take a quick look at Gildarts and Cana. I’ve always liked Gildarts, who is a great way of showing that goofy grinning shonen boys grow up to become goofy grinning shonen men. This shows in Cana’s confession to him about her parentage, where he can’t resist making jokes about it, till he realizes that this is exactly what she doesn’t need right now. After that, it’s all heartwarming. It also ties in tragically with the end of the volume, where Lucy has to deal with the death of her own estranged father, who she discovers wanted to make amends with her. Lucy’s emotions, where she’s sort of at a loss and vaguely sad at first, are handled in a mature and understandable way.

This brings us to the timeskip. Yes, a timeskip, just like One Piece. This one is a full seven years, though. What makes this one interesting – and divisive – is that in those seven years our heroes were held in a sort of stasis bubble of magic, so that the outside world has aged but they haven’t. This was quite upsetting to many fans, who wanted to see older, non-teenage versions of their heroes start beating things up. But Mashima defends his choice, and I see his point. Fairy Tail as a guild has spent 30 volumes building itself up from a minor laughingstock of a guild to the very best in the land… and now everything is right back to where it started, with our heroes having to climb up once more.

This does lead to a few issues. Most of the main cast whose faces we see a lot were on the island, so for a while when we’re back at Fairy Tail 7 years later we’re following some characters that we haven’t really focused on since Volume 1, like Romeo. It’s meant to be heartbreaking, but lacks the emotional resonance simply as we haven’t seen any of these people enough to feel their frustration. Fairy Tail’s cast is huge, but Mashima sometimes expects us to have an encyclopedic knowledge of it.

So Fairy Tail has done a timeskip, and honestly there’s really only a few shonen cliches it hasn’t gone through yet. I’m not quite sure what could be left to go over in the next volume… oh hey, did someone say tournament arc?

My Week in Manga: September 16-September 22, 2013

September 23, 2013 by Ash Brown

My News and Reviews

Well, I somehow managed to post three reviews last week. This is a little unusual for me as normally I only have one or two ready to go. The first review was for Hinoki Kino’s No. 6, Volume 2. The pacing, characterization, and world-building improves on the first volume, which I was very glad to see. (I’m really hoping that the manga will have a better ending than the anime.) The second review was for Yoshiyuki Tomino’s Mobile Suit Gundam: Awakening, Escalation, Confrontation, an omnibus of a trilogy of early Gundam novels–the first part of the Gundam franchise to be officially released in English. (To be honest, though, I much prefer Yoshikazu Yasuhiko’s manga series Mobile Suit Gundam: The Origin.) I also reviewed Sherlock Bones, Volume 1 by Yuma Ando and Yuki Sato. I was very skeptical going into the series, but found the first volume of the manga to be surprisingly entertaining.

As for a few interesting things found online: Comic Natalie has announced the winners of its first annual manga awards. If you don’t read Japanese and can’t identify manga by their covers, Vertical compiled a list of the winners currently avilable in English (in addition to posting a hint for an as of yet unannounced Vertical license.) As reported by the Business Standard, Viz Media is apparently entering the market in India–Top Manga publisher set to make India entry. And if the relationship between Kodansha Comics, Del Rey/Del Rey Manga, and Random House has you confused, Kodansha posted a brief explanation/clarification of the situation on its Tumblr account.

Quick Takes

Attack on Titan, Volume 7 by Hajime Isayama. The terror in Attack on Titan has started to shift. At the beginning of the series the fear was much more about the unknown–the titans were these terrifying creatures beyond comprehension. But now the fear is coming from the knowledge that other humans may very well have a hand in what is happening. There have been plenty of deaths in Attack on Titan, but when those deaths involve characters who you’ve gotten a chance to know instead of just being nameless faces, suddenly the casualties carry even more weight. It makes the terror, frustration, and utter despair experienced by the characters even more palpable. Attack on Titan is dark, and it has been from the start, but the developments in the seventh volume pack quite a punch. I’ve had my doubts about the series in the past, and the artwork is still terribly inconsistent and occasionally difficult to follow, but I am hooked on it.

Boxers & Saints written and illustrated by Gene Luen Yang, colors by Lark Pien. Boxers & Saints is easily one of the best comics that I’ve read this year. The two graphic novels that make up the duology can be read separately, but together they are even more powerful. The work is a retelling of the Boxer Rebellion–a violent uprising against foreign and Christian influence in northern China that took place at the turn of the 20th century. Boxers follows the life of a young man who becomes one of the leaders of the rebellion while Saints shows the conflict from the perspective of a young Chinese woman who converted to Christianity. Although very different in their details and narrative style, the two volumes follow a similar story arc as the characters come of age and find something to believe in, but are then challenged by those beliefs and conflicted over their decisions and actions. The Boxer Rebellion was a complicated and tragic event for both sides of the dispute. Boxers & Saints is a fictional account, but Yang put in a tremendous amount of research into the work. Highly, highly recommended.

Genshiken: Second Season, Volumes 1-3 by Shimoku Kio. The Genshiken has turned into a fujoshi club. This doesn’t really bother me (I also enjoy BL and yaoi), but to an extent I do miss the greater variety of otaku that were represented in the original series. Still, even the fujoshi have their quirks and differences–the Genshiken has always attracted weirdos. And then there’s the cross-dressing Hato-kun, who for me is really stealing the show in the second season of Genshiken. The only male first-year to join the club, he’s created a very complete and convincing female persona. I find him to be the most interesting new character in the new series and he seems to be the focal point for much of the drama. I’m also particularly enjoying Yajima’s character development. She is uncomfortable with Hato’s cross-dressing but becomes very protective of him. As for the older characters, I was very happy to see Madarame return as he remains one of my favorites. Put him and Hato together in a scene and it’s just perfect.

Library Wars: Love & War, Volumes 9-10 by Kiiro Yumi. Perhaps it’s because I’m a librarian, but I can’t help but be fond of Library Wars even when it’s not always the strongest series. Sometimes the characters and their interactions are fantastic, and sometimes it seems as if they’re all acting like a bunch of high school students when they’re supposed to be mature, capable adults. Granted, there are some delightfully awkward scenes now that Iku has come to the realization that Dojo is her “prince.” He’s known for quite a while, but he doesn’t know that she knows, yet. It’s all rather amusing. I am very glad that Iku seems to be more competent now than she was at the beginning of the series. I don’t care how enthusiastic a person is, if they don’t have the needed skills for the job there’s not much hope for them. Library Wars is a fantasy, but it actually does address some real issues encountered in the library world. Censorship is the biggest one and at the core of the series, but things like sexual harassment and dealing with inappropriate patron behavior come up, too.

Totally Peeking Under the Sheets, Volumes 1-2 by Hajin Yoo. Totally Peeking Under the Sheets is a collection of side stories relating to Yoo’s boys’ love manwha Totally Captivated. It’s definitely intended for those who have read and enjoyed the original series. The first volume contains quite a few short manhwa, some of them only a few pages long. Many of these stories emphasize the more humorous aspects of Totally Captivated and its characters. And as might be expected from the title Totally Peeking Under the Sheets, several stories are also rather racy–what little plot there is is used to get Ewon and Mookyul into bed with each other. (Not that that’s very difficult.) The focus of the second volume is a much longer sequel manhwa called “The Final Chapter.” Although there were some great character moments, the story felt forced to me. Ewon suddenly has to deal with his family, particularly the mother who abandoned him. I’m not sure the situation would have really played out in the way that Yoo presents it. Overall, I much preferred the first volume.

Fist of the North Star: The TV Series, Volume 2 (Episodes 37-72) directed by Toyoo Ashida. While the first collection of the Fist of the North Star anime series had quite a bit of filler, the second collection starts to really dig into the plot and characters. The series is much better for it. Plus, the anime has now reached a point in the story beyond the manga that was released in English. Some of the fights do still get to be a little repetitive, especially when the protagonists face off against large groups of unnamed bad guys and minions, but there’s always something about each battle that makes it stand out from the rest. The best fights, though, are those that occur between two martial arts masters. But Fist of the North Star isn’t just about power, skill, and strength (although that’s certainly an important part of it). The series is also about destiny, loyalty, friendship, and love. Kenshiro is a tragic hero who continues to lose those who are close to him. Fist of the North Star is a post-apocalyptic martial arts epic, and I’m loving it.

Bookshelf Briefs 9/23/13

September 23, 2013 by MJ, Sean Gaffney and Michelle Smith 1 Comment

This week, MJ, Sean, & Michelle look at recent releases from Yen Press, Viz Media, Kodansha Comics, and Seven Seas!

The Betrayal Knows My Name, Vol. 6 | By Hotaru Odagiri | Yen Press – Now that this series has caught up with Japan, Yen Press has switched from double-length omnibus releases to single volumes, and I’ll admit this worried me to start. Though I’ve found this melodramatic, BL-leaning, supernatural epic to be a fairly satisfying (if somewhat guilty) pleasure, I was concerned that single-volume releases might only serve to expose a lack of real substance. I’m happy to report that I underestimated the series. Not only does this relatively thin-looking volume manage to successfully engage, but it does so without the constant addition of new characters that had become the series’ greatest point of weakness, at least for this reader. The Betrayal Knows My Name may not be a shoujo masterpiece, but it hits enough of my personal storytelling kinks to remain thoroughly enjoyable. – MJ

Genshiken 2nd Season, Vol. 3 | By Shimoku Kio | Kodansha Comics – Despite the fact that the series has gone from a male-dominated series where otaku talk about ero games to a female-dominated series where otaku talk about BL, the core premise of the series really hasn’t changed, nor have its observational tendencies dimmed in any way. We also get even more gender-bending as another new character is shown to be a ‘trap’ in some way… given the direction both fandom and this series have taken in recent years, this isn’t really a surprise. Hato remains at the core of this new series, though. His gender displacement gets so bad that he draws totally differently depending how he’s dressed, and he still can’t get over his attraction to Madarame. Genshiken’s always been about the characters, and that will never change. Still very good. – Sean Gaffney

The Melancholy of Suzumiya Haruhi-chan, Vol. 7 | By Puyo and Nagaru Tanigawa | Yen Press – The nature of this series means that it’s a playground to have fun. We see the main series being made fun of, the nature of 4-koma driven gag comics being made fun of, and Japanese holidays and customs being made fun of, taking advantage of Haruhi‘s obsession with them. Divorced from canon, Koizumi can be far more active in his desire to get our stubborn couple together. Nagato can be far more adorable in her interaction with others… and also far more petulant, as the chapter where she sends Ryouko and Kimidori against a dragon proves. The main manga series is ending, so I’m not sure how long Haruhi-chan will last on its own. Or indeed if the cast from the 9th-11th novels, who show up at the end, will have any relevance. It’s a gag series, after all.. – Sean Gaffney

Otomen, Vol. 16 | By Aya Kanno | Viz Media – There’s a definite sense of this being the final arc in Otomen – the series is ending in Japan right about now – and as everyone no doubt expected, Asuka’s mother is clearly the final boss, and gets a cover with her son. Her obsession with manliness is starting to look like a mental illness of some sort. Unfortunately, she has lots of influence to get anyone to do whatever she wants, which is… good for most of our heroes, as they find great opportunities that coincidentally take them far away from Asuka. No such luck for Juta, whose Love Chick is summarily canned at the cliffhanger. God only knows what she’s going to do to Ryo… I hope that Asuka can turn things around next volume. Then again, I suspect next volume may be a ‘darkest before the dawn’ type book. Ryo’s not the type to break things off, but…? -Sean Gaffney

Psyren, Vol. 12 | By Toshiaki Iwashiro | Viz Media – Most of this volume consists of Ageha, Sakurako and Matsuri walking into the world’s most obvious trap – indeed, it comes as a surprise that the mole leading them to it *isn’t* in on the trap himself. Much of what follows is a battle between good guys and a psychopath, with lots of psychic attacks and near-deaths, along with lots of assorted army officers getting slaughtered (this series has quite a high mook death count). The high point, though, is the appearance of Sakurako’s dark alternate personality. Just in case we miss the point, her skin literally darkens when she takes over. And she has no issues whatsoever with expressing her feelings for Ageha, in the loudest way possible. If this were a romantic comedy, no doubt shenanigans would ensue. But it’s a battle manga, so more likely we go back to fights. -Sean Gaffney

Strobe Edge, Vol. 6 | By Io Sakisaka | Viz Media – After the previous couple of volumes of Strobe Edge tried to hit maximum angstosity, this one seems to be more of a breather. Everyone finds out that Ren is now single, and this means that every girl in the school except Ninako is trying to hook up with him. Ninako accurately surmises that he needs time to cope with the breakup, but isn’t quite sure how to help him. Ren, meanwhile, is also dealing with this rivalry/friendship with Ando, and wonders how exactly to define it. A new school year, and some old faces, might mean a lot more tension next time around. This is a short volume, so there’s an unrelated short story at the end. Sadly, it really didn’t grab me the way that Strobe Edge does, as the heroine’s flakiness is less endearing (like Ninako’s), and more simply irritating. It’s clear the author has improved with time. -Sean Gaffney

Voice Over!: Seiyu Academy, Vol. 1 | By Maki Minami | Viz Media – Let me get this out of the way up front: Voice Over! is every bit as generic as you might suppose. Its lead, Hime Kino, is a “bright-eyed first-year” whom we meet on her first day at a high school with a prestigious voice acting program. She’s ditzy and uncoordinated and possessed of a voice that makes the other students wonder why she was accepted, yet somehow attracts the notice of the most surly/handsome/talented boy in her year as well as that of a popular idol duo. Soon, she discovers a Hidden Talent she is loathe to embrace, but Surly Boy’s taunts fire her up to surpass him. So, okay, a work of genius this is clearly not, and yet… I kind of liked it. Perhaps it just suited my mood in the moment, but I have to admit that I’m planning to read volume two. – Michelle Smith

Zero’s Familiar, Vols. 4-5 | By Noboru Yamaguchi and Nana Mochizuki | Seven Seas – The North American market has seen a glut of manga series adapted from light novels these days, for good or for ill. At one end of the spectrum is a series that can enhance and even outpace its core series… Railgun is a good example here, as is the Higurashi franchise in its later books. On the other end… sometimes you read an adaptation, and know it must have been far more thrilling and emotional in the original story. Such is the case with Zero’s Familiar, where the need to write thrilling action battles finally catches up to its artist. Saito’s sword battles are simply dull, and the facial expressions of the main cast also seem stiff when trying to emote the tragedies contained herein. The light novels are unlikely to be licensed, so this is all we have at the moment. I hope the artist improves. -Sean Gaffney

Pick of the Week: Goong Returns!

September 23, 2013 by MJ, Anna N, Sean Gaffney, Ash Brown and Michelle Smith 4 Comments

MJ: I have a number of favorites to choose from this week, which would normally cause me a bit of angst. But if I’m being honest with myself, there’s very little in the wide world of comics that could, for me, trump a new volume of something as gloriously addictive as Goong—the only series among Yen Press’ collection of Ice Kunion manhwa acquisitions still running (to my recollection). I love this fabulously dramatic soap-opera more than I can possibly say, and I simply can’t wait to read its newest volume. Happily, too, this series is being released in chunky omnibus format, so I’ll be able to enjoy a nice, substantial fix. Thanks, Yen Press, for continuing to offer up this series! Gimme, gimme.

ANNA: Goong also makes me happy! But I have to go with Gundam: The Origin Vol. 3 Ramba Ral. This is the only book on this week’s list that I felt compelled to pre-order and I’m eagerly awaiting this volume. The hardcover and deluxe presentation of this series make it a real treat.

SEAN: There’s a lot of really nice books out this week, including some intriguing debuts and personal favorites. But I’ll go with Vol. 5 of A Bride’s Story. I’d been somewhat lukewarm about the series to start, mostly as I just find it hard to get inside the head of its female lead. But with the action switching to a pair of rambunctious twins, things picked up and also got much funnier, while keeping the warmth and heart from prior books. Definitely can’t wait to read this.

ASH: Wow, this is a great week for manga, so it really is hard to choose! Since the most recent volumes of Mobile Suit Gundam: The Origin and A Bride’s Story have already been mentioned (both of which I’m looking forward to a great deal), I’ll put my vote in for the first part of Hikaru Asada and Takahiro Seguchi’s Sickness Unto Death. I don’t really know much about the series, but Vertical has a habit of publishing some very intriguing manga, so it has caught my interest.

MICHELLE: It’s Goong all the way for me! This series has been on hiatus for a full two years, so I am INTENSELY grateful to Yen for bringing it back to finish its run and for scheduling subsequent releases at four-month intervals! This omnibus covers material from volumes 17-18 of the original Korean release, so if my math is right, the rest of the volumes on Yen’s schedule will take us not only through the conclusion of the series (volume 27), but through the extra 28th volume, as well.

What looks good to you this week?

Weekly Shonen Jump Recap: September 16, 2013

September 22, 2013 by Derek Bown Leave a Comment

It’s a hard thing, to be set in an opinion and then be forced to change it. Why do you suppose there is so much resistance to all the social change we’ve gone through recently and historically. People are creatures of habit, and when they are set in their ways of hating a specific thing it will take a lot to break them out of their rut.

And no, I’m not talking about Naruto. Read on to find out what I’m on about.

One-Punch Man Ch. 25.2
It’s not hard to create a “cool” character. What is hard is creating a character that stays “cool” while getting his butt kicked. Granted, Genos gives as good as he gets (which is one of the secrets for maintaining a character’s cool image even in defeat), but he gets beat up pretty good and I think it’s clear that he won’t be the one to finish this fight.

What amazes me about this series is how much I’m enjoying it despite it being a fairly shallow premise. We don’t know much of anything about this threat, and yet it’s being played completely straight. The setup was literally just, “And then some monsters came out of the ocean.” Why are they invading? Who knows, but it’s awesome anyway. It’s the mark of a great series when I’m able to read it and notice the flaws but dismiss them because the rest is just so well done.

Bleach Ch. 548
Kubo has this odd habit of trying to make Omaeda, a character that was basically the butt of a joke, a sympathetic character. I’m not sure how to feel about that because I like my comedic characters and my dramatic characters kept separate. And yet, somehow it works for me. He’s not my favorite character, but I find that the tonal dissonance in how he’s written actually works in a strange way.

Hitsugaya, fan favorite that he is, actually has a pretty good fight this chapter. It may seem a bit short, and the “science” behind it is questionable at best, but I like to see more intellectual combat in my shonen action. I can only take so many “the strength of our friendship gives me power” climaxes without wanting to tear my hair out. It’s good to see Rangiku back in the series too. She was always a favorite of mine (not just for the reasons you may think), mostly because she’s another one of those gag characters who gets serious moments that work. For some reason. I’m not sure why, but somehow Kubo can pull it off.

Naruto Ch. 646
Methinks Kishimoto has been reading the Bible. And he’s managed to adapt the story of Genesis into his story without completely missing the point. Sure there aren’t very many tailed demons in christian canon, but at least the basics of the story are used in a way that is far more respectful of the source material than one tends to see in manga. It’s a shame that all it really does for the story is convolute the whole thing more than it needs to be.

I really can’t say anything but, “Why is this fight still going?” We finally see some progress with the Infinite Tsukoyomi being set up. But this all could have been done in a quarter of the time we’ve spent. I’m sticking it through because for some reason I’m still curious about how Naruto will end, but by this point I’m just looking for material to complain about online.

One Piece Ch. 721
What!? A dead mother!? Such a thing has never been done in One Piece! Oda you edgy devil!

Sarcasm aside, I think One Piece has desensitized me to tragic backstories. Rebecca’s backstory is par for the course for One Piece. That of course means that it’s good, just not the best I’ve seen in this series. I do have some theories about the toy soldier and Ricky the gladiator. I’m pretty certain that one of them is her grandfather, and one of them is her father. I don’t know which of course, and it’s not like I’m going to be the only one to draw that conclusion from this chapter but I still feel like throwing that idea out there.

The idea that Rebecca is being forced to fight because of her family could explain why she fights in a scale-mail bikini. Doflamingo is probably forcing her to wear the outfit to humiliate her. Or Oda just likes drawing fanservice a lot more than he used to, but I like my explanation too.

Nisekoi Ch. 090
It’s been a while since the mystery of Rakku and the girls’ past was brought up. And this chapter gives us more hints than we’ve gotten in a while, including the bombshell that Chitoge probably isn’t the girl that Rakku made a promise with. This doesn’t mean they won’t end together, and I’m still wary about the Love Hina route this story might take, but I’ve missed the wrenches Naoshi used to throw into the story.

The standout this chapter for expressions and reactions was definitely Ruri. Her face when the keys are brought out may be the more subtle of her expressions, but I loved it the most.

Jaco Ch. 009
Well, I was right about the rocket crashing. But I’m probably wrong about whatsherface dying. Oh well. Not much else to really comment on this chapter, except that Jaco revealing himself is a bit surprising. The plot really started moving after several chapters that felt far too slow. I guess we really do only have a couple chapters left. We’ll see how things go.

Toriko Ch. 249
What I love most about Toriko is that Shimabukuro takes the time to actually think through the implications of the powers he comes up with. Of course making abnormal movements of cells the norm would wreak havoc on the automatic processes of the body. Fortunately Midora isn’t going down as easily as we thought, and the fact that he can keep up with Ichiryu promises yet another grand fight. The pacing was a bit off this arc, but as of late it’s been moving along quite nicely, switching between scenes where needed. I expect this fight will be a couple more chapters. Hopefully it won’t overstay its welcome like Toriko’s fight.

World Trigger Ch. 030
Yes. I didn’t hate this chapter of World Trigger. And this is the first time that I not only didn’t find anything to complain about, I actually was able to look at the chapter without prejudice. It’s still not a great manga, but the fight was competent. And that alone is promising. I give credit where due, and the fight in this chapter was well paced and well thought out. Kitora is definitely turning out to be one of my favorite characters for this series.

Dragon Ball Z Ch. 031
I really wish we knew more about Saiyan society. This chapter hints a bit at it, with Nappa mentioning being nobility. There’s so much more I’d like to know about the Saiyans, but I already know we won’t be learning much more from the manga. And even the anime doesn’t go that into depth.

This was a good week. The chapters were, for the most part, enjoyable. At the very least the good outweighed the bad by a considerable margin. I think, as usual, One Piece was my definite favorite this week. But World Trigger showed the most improvement, so I’m definitely open to the idea of not hating it.

Which was your favorite this week?

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