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Crunchyroll launches digital manga service; Hetalia is back

October 31, 2013 by Brigid Alverson

The big news of the week is that Crunchyroll has launched a digital manga service that kicks off with 12 Kodansha series. New chapters will be available for free the same day they come out in Japan, and there’s an all-you-can-read service for $4.99 a month. The starting lineup includes Attack on Titan, Fairy Tail, and Ken Akamatsu’s UQ Holder, and Crunchyroll promises there is more on the way. Deb Aoki has all the details, the Japan Times talks to some of the Japanese players, Sean Gaffney takes a look at the manga themselves, and I commented on what they are doing right.

Chris Beveridge notes that volumes 4 and 5 of Hetalia are now available for pre-order at RightStuf. The first run of the book (including pre-orders) will have eight color pages. After that it will be print-on-demand. Both books have a Tokyopop logo on the cover and at the moment they are marked down from $15.99 to $10.99. No sign of a digital option, though.

The Manga Bookshelf team looks at this week’s new releases and discusses their Pick of the Week. Michelle Smith and MJ have a dialogue about two Vertical titles, Tropic of the Sea and Fashion Unfriendly, in their Off the Shelf column.

Viz Manga is now available on iBooks.

Ash Brown is giving away a copy of vol. 1 of Sankarea. Ash also rounds up some manga podcasts, with updates on those that seem to be defunct.

News from Japan: I’ll Give It My All… Tomorrow manga-ka Shunjo Aono has a new series in the works, titled Slapstick. Ichijinsa is launching a new boys love magazine, gateau.

Reviews: The Manga Bookshelf team keep it short in their latest Bookshelf Briefs column. Ash Brown takes us through another week of manga reading at Experiments in Manga.

Kristin on vols. 2 and 3 of Demon Love Spell (Comic Attack)
Ken H. on vols. 2 and 3 of Flowers of Evil (Comics Should Be Good)
Ken H. on Kitaro (Comics Should Be Good)
Sean Gaffney on vol. 1 of Love in Hell (A Case Suitable for Treatment)
Bruce P. on R+ Princess (Okazu)
Sakura Eries on vol. 11 of Sakura Hime: The Legend of Princess Sakura (The Fandom Post)
Ken H. on vol. 3 of Sankarea (Comics Should Be Good)
Derek Bown on the October 7 issue of Shonen Jump (Manga Bookshelf)
Anna N. on vol. 1 of Sweet Rein (Manga Report)
L.B. Bryant on vol. 1 of Vinland Saga (ICv2}

Manga Giveaway: Sankarea Giveaway

October 30, 2013 by Ash Brown

The end of October approaches as does Hallowe’en, so I thought it would be appropriate to feature a horror manga for this month’s giveaway. As such, this month you all will have a chance to win a copy of the first volume of Mitsuru Hattori’s Sankarea: Undying Love as published by Kodansha Comics in English, the third volume of which was just released this week. Granted, Sankarea is really more of a strange romantic comedy than straight up horror…but it has zombies, so I’m going to count it! As always, the giveaway is open worldwide.

Over the last few years, zombies have become incredibly popular in the United States. They’ve become so popular in fact, that I’ve actually become rather bored with them. (Planning for the zombie apocalypse with family and friends can still be an entertaining thought experiment, though.) With more and more zombie stories out there, it becomes more and more important that creators find a way to distinguish their work in some way. In the case of Sankarea, Hattori has not only created a rather odd sort of hydrangea zombie, but he has also made her the primary romantic interest of the series, too. It’s an unusual take on the zombie genre, and I can certainly appreciate him trying to doing something a little offbeat and different.

So, you may be wondering, how can you win a copy of Sankarea: Undying Love, Volume 1?

1) In the comments below, tell me about any run-ins you’ve had with zombies in manga. (Never encountered a manga zombie? Just mention that.)
2) For a second entry, answer the following question: Do you prefer slow-moving zombies or fast-moving zombies in your fiction?
3) If you’re on Twitter, you can earn a bonus entry by tweeting about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

That’s all there is to it! Each person can earn up to three entries for this giveaway and has one week to submit comments. Entries may also be sent via e-mail to phoenixterran(at)gmail(dot)com and I will post them in your name. The giveaway winner will be randomly selected and announced on November 6, 2013. Good luck to you all!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: Sankarea Giveaway Winner

Love in Hell, Vol. 1

October 29, 2013 by Sean Gaffney

By Reiji Suzumaru. Released in Japan as “Jigokuren” by Futabasha, serialized in the online magazine Web comic High!. Released in North America by Seven Seas.

Everyone discusses how difficult it is to write comedy, and the same applies to the person who is trying to review it. One person’s subtle satire is another’s amazingly offensive insult, and one person’s tasteless bodily function joke is another’s “BUT FARTING IS HILARIOUS!”. There are almost as many types of humor in the world as there are people, and sadly I am only allowed to use my own here. So I have to note that Love in Hell just didn’t quite gel for me, despite an interesting premise. Indeed, the author came up with the premise and setting first, which shows, as I think it’s a lot more fleshed out than the characters.

The use of Hell here is interesting. It seems throughout the volume like your typical city, only with suffering and pain added to every equation. You need to get jobs, earn money, etc. But the way you earn money is by, well, atoning for your sins. Usually in the form of having your head chopped off, being boiled to death, etc. Being hell it’s quite nonlethal, but the pain hurts the same. In fact, we’re even told at one point that this is one of the nicer bits of hell, and we see a hole that goes down to a lower level where they keep the adulterers and murderers.

Our hero is not an adulterer or murderer, and indeed is somewhat surprised to find that he’s in hell, as he can’t quite think what he did that was bad enough. He seems to be fairly shiftless and thoughtless throughout, but by the end of the volume we’re not quite sure how he ended up here either. Rintaro is nice enough so that you’re rooting for him in the book, but he’s not really possessed of any good virtues because… well, he needs to be someone who’s believably sent to hell. He’s just a dumb manga romantic comedy schmuck, only here instead of getting punched into the sky Love Hina-style, he gets maimed and brutalized.

The girl on the cover, our heroine, is Kiyori. Like the hero, she comes from a certain ‘cliched romantic comedy manga’ background: easily embarrassed, neophyte who’s trying hard but bad things keep happening to her. The first bad thing that happens to her in Rintaro, as her promotion prospects are tied to him actually putting in repentance time in hell, and so far it’s not going well. We also have him walking in on her naked, and seeing she pads her bra, something which didn’t need hell to be one of the oldest manga cliches.

In the end, while the premise is interesting, and there’s promise of a more serious plot in the 2nd volume, the characters simply didn’t grab me enough to make this rise above ‘serviceable’. I smiled a couple of times, and I’m sure the couple will eventually be cute and moe (there’s only 3 volumes, so this shouldn’t get too drawn out). I wonder if it wouldn’t have been funnier in a 4-koma style. As it is, though, Rintaro and Koyori just can’t quite manage to carry this title on their backs.

Bookshelf Briefs 10/28/13

October 28, 2013 by Sean Gaffney and MJ Leave a Comment

This week, Sean and MJlook at recent releases from Seven Seas, Yen Press, Kodansha Comics, and Viz Media.

Alice in the Country of Joker: Circus and Liar’s Game, Vol. 3 | By QuinRose and Mamenosuke Fujimaru | Seven Seas – This continues to be the best of all the many Alice spinoffs we’ve seen by a wide margin, as it’s particularly good at developing the themes that made the original game so interesting. People you once knew vanishing and getting replaced, the fact that everyone in the world – except Alice – CAN be replaced, and wanting everything to stay in a happy stasis so that nothing bad ever has to happen are all driving factor’s in Alice’s mindset. But it’s a bad mindset to be in, which is probably why this world is always on the cusp of violence, why everyone (except Ace) keeps urging Alice to choose them, and ultimately why we keep coming back to the image of Alice’s older sister Lorina, whose appearance – supposedly – makes up the cliffhanger to this volume.-Sean Gaffney

Fairy Tail, Vol. 31 | By Hiro Mashima | Kodansha Comics – We’re essentially starting fresh after this time skip, so this volume is a good one to reinforce the basic talking points of the series to date. We see the continued connection between Fairy Tail’s world and Edolas, the reappearance of Jellal, who tries to get Erza to abandon him in one of the most transparent lies ever – no one, particularly Erza, believes a word of it. And we see Lucy’s bond with her Celestial Spirits, which help her to finally move past the death of her father. This all helps set up the Grand Magic Games, the fighting tournament that will dominate volumes to come. Fairy Tail may be back at the bottom of the heap, but the awesome teamwork shown at the end means we can’t count them out just yet. Still a fun shonen romp. -Sean Gaffney

Magi, Vol. 2 | By Shinobu Ohtaka | Viz Media – I had assumed that Jamil, the ruler we meet here, would end up being one of the series’ first major antagonists. But no, he’s just a minor antagonist, and so is allowed to show his evil, cowardly, and gutless ways right off the bat. Indeed, this volume reads very much like “if the series isn’t popular, it can end here”, with only the last few pages, sending Aladdin off into another plotline, showing that it’s moving on. Aladdin continues to be more than he seems, but we don’t really find out how much more. Instead, I was more fascinated with Morgiana, and the manga discussing how slavery works not only through physical chains but also the sheer emotional beatdown that convinces a slave that escape is impossible. I hope we see more of her soon. In the meantime, get on the Magi train now while it’s still early. – Sean Gaffney

Missions Of Love, Vol. 5 | By Ema Toyama | Kodansha Comics – Despite what the cover may lead you to believe, this is not the latest from Project H Manga. It still runs in Nakayoshi, a magazine for elementary school and junior high girls in Japan. And the actual content inside is less salactious, ear-biting aside. The author is far more interested in seeing the back and forth involved with four selfish people who see no harm in abusing the others for their own ends. Shigure, however, is probably the nicest of the four, and therefore he seems to suffer the most, between Yukina’s appalling mixed signals, Mami’s emotional manipulation, and Akira’s willingness to do whatever it takes to make Yukina his. It all adds up to a giant teen hormone cocktail, and it’s as addictive as ever, even if it’s still bad for you. – Sean Gaffney

Pandora Hearts, Vol. 18 | By Jun Mochizuki | Yen Press – A day or two ago, a kind soul came along in comments to a recent post to reassure me that nobody dies in volume 18 of Pandora Hearts. But, y’know, some revelations can be more painful than death, and that’s certainly true of this volume. Fortunately, that’s just how I like it. Jun Mochizuki continues to hurt me in all the best ways, as she begins to really unravel the truth behind both Oz’s origins and Alice’s death. Her frenetic style generally sends me back for a second read shortly after I’ve finished the first, but I’ll admit I enjoy every second of it. Unfortunately, this has never been a series that can welcome new readers into its middle volumes, but if you like lively, delicious artwork and complex plotting, this series is well worth hunting down from the beginning. Still recommended. – MJ

My Week in Manga: October 21-October 27, 2013

October 28, 2013 by Ash Brown

My News and Reviews

Last week I reviewed Takako Shimura’s Wandering Son, Volume 5. The series is personally very important to me, so I’m always happy when a new volume is released. Sadly, we probably won’t see the next volume until next year. Last week I also posted Discovering Manga: Podcasts Redux. It’s a quick update on some of the podcasts that I’ve listened to and written about in the past. It also outlines my plan to write more podcast posts since my previous ones seem to have been fairly popular. If you have a manga podcast that you think I should check out, do let me know!

On to good stuff found online! A commenter on my recent post Random Musings: Queer Theory, Japanese Literature, and Translation linked to a fascinating article from earlier this year: Talking about (a)sexuality in Japanese. Over at Publishers Weekly, Deb Aoki has a great recap of Manga at New York Comic Con. Misaki C. Kido gives seven reasons Why Felipe Smith Is the Only Mangaka from America (So Far). And some of the most interesting news from last week: Crunchyroll will begin to digitally distribute Kodansha manga, providing access to new chapters the same day they are released in Japan. (Including some titles not previously available in English!) It should be interesting to see how this venture develops.

Quick Takes

Attack on Titan, Volume 8 by Hajime Isayama. The mystery of the Female Titan has been solved! Or, at least one of the mysteries–the identity of the person is who is controlling it. The reasons behind why and for what purpose are still unknown. For every question that is answered in Attack on Titan it seems as though there are even more to be asked. This particular volume includes a huge (dare I say titanic?) plot reveal which ends with a fantastic confrontation between Hanji and Minister Nick. (As an aside, I love that Hanji is a canonically gender ambiguous character.) One of the major secrets dealing with the walls is literally uncovered, but has yet to be fully explained. Attack on Titan continues to get stranger and stranger. For those who have been watching the Attack on Titan anime but who have thus far been avoiding the manga for one reason or another (I know plenty of people who can’t get past the terribly inconsistent artwork), the eighth volume is where you’ll want to pick the series up if you want to see any more of the story any time soon.

Knights of Sidonia, Volumes 4-5 by Tsutomu Nihei. I am still enjoying Knights of Sidonia, but it frequently strikes me as a peculiar mix of science fiction horror and romantic comedy. But whatever genre it falls into at any given time, I do think the manga is Nihei’s most accessible work to date. Occasionally I still miss his grittier style of illustration, but the cleaner and somewhat simpler artwork in Knights of Sidonia has really grown on me. One of the things that amuses me tremendously is that Nagate is frequently seen stuffing food into his face. This emphasizes how much of an oddity he is compared to the rest of society on the Sidonia. And he is rather odd. His social interactions can be very awkward and often he is completely oblivious to his faux pas until it’s too late. (Let’s just say that it’s fortunate that he heals quickly.) The Gauna continue to be daunting adversaries. While at first they were terrifying enigmas, over the course of the series they have adapted and evolved and have even adopted (or at least mimicked) human technology and tactics, making them even more frightening.

Monster Musume: Everyday Life with Monster Girls, Volume 1 by Okayado. Monster Musume is a harem series that attempts to distinguish itself by featuring monster girls. There is absolutely no question that Monster Musume is an ecchi manga, so unsurprisingly there are a lot of boobs and other bits. (I’m still trying to figure out how a snake can have a camel toe.) Kurusu Kimihito is an average guy who was “volunteered” for an exchange program between human and part-human species. He has become the host family for Miia, a lamia who is overly fond of him (inter-species canoodling is forbidden). Overwhelmed, he is constantly in a state of near-panic. As the first volume of Monster Musume progresses, bad puns and groan-inducing wordplay become increasingly prominent. (I’m one of those odd people who actually appreciates this sort of intentionally and ridiculously terrible dialogue, though.) It’s not at all a deep story–and I do wonder where all the monster boys are–but Monster Musume can actually be rather entertaining on occasion.

Pick of the Week: Old Favorites & New

October 28, 2013 by Sean Gaffney, Michelle Smith, Anna N, Ash Brown and MJ 3 Comments

SEAN: There’s far too much stuff coming out this week, so something is bound to get lost in the shuffle. With that in mind, I will once again bang the gong for one of my addictive series. Higurashi: When They Cry continues to answer things, as we see the aftermath of Satoko and her parents, see how Rika lost her parents, and watch Miyo almost lose everything. The parallels between Miyo and Rika are emphasized even more. Definitely will be devouring this.

MICHELLE: And I’ll bang the gong for one of mine, Pandora Hearts. I’m not sure how much answering it’s going to do, but I’m sure it’ll be as riveting as it is occasionally baffling.

ANNA: I’m going to venture off-list and pick Vinland Saga again. Because today I’m finally going to head out to a physical bookstore to buy it as it seems to still be unorderable on Amazon.

ASH: Wow, there really is a lot of manga coming out this week! I’m particularly looking forward to the second volume of Mitsuhisa Kuji’s Wolfsmund which I would recommend for fans of dark and intriguing historically-inspired manga.

MJ: It’s an abundant shipping week, for sure, though for such a full week, there’s surprisingly little in it that appeals particularly to me. I’m planning to take a look at new Yen titles Another and No Matter How I Look At It, It’s You Guys’ Fault I’m Not Popular!, and I’m always happy to see a new volume of the visually stunning Bride of the Water God. But there’s only one book in this week’s batch that I absolutely can’t wait to read, and that’s volume 18 of Pandora Hearts. I’m a long-time fan of the series, as you know, and at NYCC I was reminded again of just how few of us there are in critical circles when a fellow journalist at the con asked me, “Who writes about Pandora Hearts?” I could think of very few. So, with that in mind, I’m happy to join Michelle this week in making it my pick!

What looks good to you this week?

Sweet Rein Vol 1

October 27, 2013 by Anna N

Sweet Rein Vol 1 by Sakura Tsukuba

I had totally forgotten that Sweet Rein was coming out, so when I saw it I got to be pleasantly surprised all over again. Sakura Tsukuba had two series published by CMX, Penguin Revolution and Land of the Blindfolded. Both of these series fit well into the low-fi, cozy vibe that was characteristic of many of CMX’s fantasy series. I was very happy to read Sweet Rein, and I’m calling it now – this is the perfect feel-good shoujo for the holiday season.

Sweet Rein has the sort of premise that is most enjoyed when the reader doesn’t think about it too hard. Kurumi is walking along alone when she bumps into a boy. Kurumi and the boy are suddenly tethered together, and he rushes up to her and yells “Master!” He then proceeds to explain “I’m your reindeer and you’re my Santa Claus!” It turns out that mystical reindeer with the power to take human form are bonded forever to a human Santa Claus, who is the only person who can release the reindeer’s magical powers. Kaito comes from a family of magical reindeer, and he cheerfully and happily fulfills all of Kurumi’s commands. Kurumi is extremely dubious about the invisible tether that connects them and also is very uncomfortable with the idea that she has any form of power over another being. Kaito is just happy that his Santa Claus is a nice and cute girl who is so concerned for him.

Kaito being at Kurumi’s beck and call is played more for gentle laughs than anything else, as he shoots away from her in the air when she yells “Get off of me!” and promptly appears outside her window when she wishes for his presence. Kurumi is genuinely kind, and Kaito’s presence eases her loneliness. She’s extremely careful not to get entangled in a romantic relationship with him, because she doesn’t want to abuse her power over him. In the meantime, Kaito’s enthusiasm serves as a counterpoint to Kurumi’s introspection, and it is clear that he’s fallen in love with her almost immediately.

For a manga dealing with Santa Claus and reindeer, it is actually a bit surprising how many stories in this volume take place in the spring or summer. Kurumi does deliver presents on Christmas Eve, but much of the manga is centered around Kurumi fulfilling a wish for a sick boy she encounters while on summer vacation. Readers also get a glimpse of Kaito’s extended magical reindeer family. I was actually a bit disappointed that a there was a lengthy vampire back up story, not because it was poorly executed, but I wanted to read a bit more of the main story. Tsukuba’s light and playful illustrations complement the story, ably depicting Kaito flying through the air or swooping in to comfort Kurumi. In the hands of a creator with less of a deft touch, the master/servant relationship in the manga might have seemed a bit off-putting or odd, but here it just seems like a way for two people to slowly discover how much they care about each other.

Off the Shelf: Two from Vertical

October 27, 2013 by MJ and Michelle Smith 3 Comments

MICHELLE: One of us is sad and one of us is sick, but we’re still putting our woes aside to talk about some new manga this morning. I guess that makes us troopers, huh?

MJ: Or masochists, one of the two.

MICHELLE: I… had not thought about that possible interpretation.

MJ: That’s what I’m here for!

MICHELLE: MJ, dispensing disturbing interpretations since the 1970s!

MJ: You know it!

We’ve been away from this column for a while, for various reasons, and to crank things back up again, we thought we’d take a look at a couple of recent releases from one of our favorite publishers, Vertical, Inc. First on the docket is a rare classic from the late Satoshi Kon, Tropic of the Sea, written while Kon was still a college student, and first published in Japan over twenty years ago.

Yosuke is the teenaged son of a village priest, whose family has long guarded the secret of a mermaid’s egg, which was reportedly entrusted to his forebears in return for the continuing safety and bounty of their small fishing community. According to legend, the egg must be protected and watered regularly for sixty years, at which point it is returned to its home and replaced by a new one. As the next in line to care for the egg, Yosuke is charged with bringing fresh seawater up to the shrine in which it is kept, which he does both out of duty and a lingering fondness for the legend he believed as a child.

When Yosuke discovers that his father has sold out their family secret to land developers seeking to transform the village into a sprawling resort, he is mildly appalled, but not nearly so much as his grandfather, who, enraged by his son’s hubris, risks his life in an attempt to return the egg to the mermaids as promised. Meanwhile, the villagers wage their own battle with the land developers whose promises of luxury and prosperity threaten their way of life. As the volume continues, Yosuke must decide what he believes and what is really important as he watches his community and his family being torn apart over their land and the mysterious egg.

MICHELLE: Usually, stories about families who stop honoring their contracts with supernatural beings never end well, but I was pleased that this story took a slightly different route. That said, I often times found the pacing disjointed. Perhaps Kon was trying to cram as much story as possible into a limited number of chapters, but there were a few transitions that puzzled me. And in the end, it all just seems to zip by so quickly, and I got a much firmer sense of the awesomeness of Yosuke’s dog (Fujimaru) than many of the human characters.

MJ: I realize that it might be the decongestants slowing me down, I didn’t have quite the same experience. While some sections did feel a bit zippy—particularly the final confrontation and chase with the land developers, I appreciated way Kon slowly and quietly revealed his characters’ truths, particularly Yosuke’s. For instance, while it’s clear early on that Yosuke has some kind of painful past association with the water that makes him reluctant to swim, Kon avoids the sort of carefully manipulated drama that would normally accompany a hero’s childhood trauma. There’s obviously an issue—one that his close friends are distractedly aware of—but it results in none of the kind of drama I’d expect from most stories.

First of all, Yosuke is uncomfortable with swimming, but he still *does* it when he needs to, without any tortured posturing. Then, later, when we finally figure out what it’s all about, the drama of the reveal is overshadowed by the larger problems at hand. I found this somehow refreshing.

MICHELLE: I’m glad that it read a bit differently for you. I wonder if part of the problem for me is that I am usually a slow reader, but the art style (which I loved) and paneling and everything made it possible for me to read this much more quickly than usual. Whereas you’re used to reading stuff quickly. I dunno.

But I absolutely agree about the low-key approach to Yosuke’s trauma. I also really loved the final page of the volume, which would be an absolutely ordinary image to anyone who hadn’t read the story to learn its full significance.

MJ: I love the subtlety of that final image, too, and the way Kon consistently lets his artwork do the storytelling. And while I think that this strong instinct to “show, not tell” is probably part of what made it read so quickly for you, it’s also his greatest strength here. I’m not saying that I think this is a perfect work, by any means, and even as much as I enjoyed it, it very much feels like an artist’s early work. But I found a lot to appreciate in it.

So, would you like to introduce our second selection?

MICHELLE: Alrighty!

Helter Skelter is another one-shot from Vertical, and another sort of cautionary tale, as well. Currently popular model Liliko is much talked about but also, as we soon see, a wretched person. She’s obligated to her agency’s president, whom she calls “Mama,” who helped to transform her from an unattractive and overweight girl into a celebrity with a perfect, but nearly entirely fake, body. Liliko sought fame and adulation and made this choice herself, but is soon disillusioned with the life and dissatisfied with the work and yet terrified of the moment that it all ends. “What happens when I stop being sellable?” she wonders. “Everyone who pampers me now will leave me.”

Meanwhile, a prosecutor named Asada and his assistant are investigating the clinic where Liliko’s procedures were performed as well as a string of suicides committed by former patients.

MJ: Liliko makes for a troublesome heroine, as her disillusionment and fear has created in her a level of cynicism and raw desire that would ruin even the purest soul (which she is decidedly not). In a frantic bid to keep control of someone, even as she’s (literally) falling to pieces, she calls upon her remaining allure in order to emotionally enslave both an eager assistant and the assistant’s boyfriend. She’s cruel, manipulative, and every bit as terrifying as the technology that led her there. Yet, even as we witness her careful destruction of those around her, it’s impossible not to understand her. And perhaps that’s the most terrifying thing of all.

MICHELLE: I thought Okazaki did a great job at making Liliko sympathetic and understandable even while she’s doing utterly horrible things, like ensnaring/tainting Hada (the assistant) and Okumura (her boyfriend). She interrupts them together right after she learns that “Mama” has never sent money back home to her family as promised, and the narration makes it clear that there’s a direct correlation between the discovery and her subsequent actions. And later, after she has “punished” Hada for wanting to quit, she thinks, “I just want to play with bodies. And have fun wrecking others. How can I help it? Aren’t others making a wreck of me?”

And, of course, her jealousy of newcomer teen model Kozue is completely understandable, especially considering that Kozue has come by all of her beauty naturally and is able to be herself in public in a way that Liliko can never be. (One of the things that intrigues the prosecutor about her, after all, is that her responses in interviews are completely devoid of any hint of her actual personality or upbringing.) We can even understand why she might lash out at the woman who ended up marrying the rich guy Liliko had pegged for her safety net, though it’s less easy to understand why Hada and Okumura might do her bidding in actually carrying out an attack on the woman.

MJ: I admit I found them understandable as well, though identifying at all with them may actually be more disturbing than understanding Liliko. Their own relationship is so dysfunctional and lacking, I think harboring mutual shame becomes a sort of sick bonding experience for them. They’ll continue down their road with Liliko, because any attempt to go back only forces them to confront what their relationship has become, which is somehow more uncomfortable than just doing what they’re told. The deeper in they get, the less they resemble themselves, and this is actually a plus for them. That’s my interpretation, anyway.

You know, I was thinking as I read this… I’m always anxious for more josei manga, but I’ll admit that there’s a part of me that bristles at the notion that good stories for adult women must be those that prove that the world is a horrible place filled with horrible people. It’s an ugly, cynical view that doesn’t generally resonate with me at all. But though Helter Skelter is exactly that kind of manga, there’s an honest fury to it that makes me somehow thrilled that it exists. As disillusioned and cynical as Liliko is, Okazaki’s take on her circumstances reads to me as just plain angry. To her, Liliko matters, and as awful as she’s become, Okazaki is still furious on her behalf. Is that a strange thing to say? And my feelings about this were reinforced a million-fold by the way she ends the story.

MICHELLE: No, I think you’re spot-on with that. This isn’t an indictment of Liliko; it’s an indictment of the culture of disposable, commodified celebrity that helped create and destroy her. One of my very favorite pages is quite near the end, where the babble of fans/consumers is now obsessed with obtaining “That.” This just reinforces the idea that Liliko was never a person to them; just a thing to be interested in for a while until the next thing comes along.

And wow, that ending was so unexpected! I wonder whether we’re to take the “to be continued” literally, as in that Okazaki really will pick up the story again later, or if we’re only to take that as a sign that Liliko’s “curious journey of adventure” will continue.

MJ: I selfishly hope for the former, but my hopes may be in vain!

MICHELLE: I don’t know whether I want a sequel or not; I kind of like the ambiguous ending as it is. We will, at least, be getting more Okazaki in English soon, as Vertical will be releasing Pink next month!

MJ: I’m certainly looking forward to it!

Weekly Shonen Jump Recap: October 7, 2013

October 27, 2013 by Derek Bown Leave a Comment

It’s always interesting to get a new series in Weekly Shonen Jump. Though in the case of monthly series the experience is altered a little bit. Rather than spending every week wondering if the series will get cancelled, we find ourselves not even considering that because there are already several months worth of chapters that have been published in Japan. But, as Cross Manage proved, just because something hasn’t been cancelled in Japan yet doesn’t mean a Western audience will like it, and vice versa. So let’s take a gander at the newest series and the rest of the issue.

Seraph of the End Ch. 1
If this magazine was aimed at adults there is no way a series like this would fly. And considering how many adults read the magazine (unless I’m the only one) then I can’t say this series will be very well received. Why? Because for starters the creepy overtones I got from the one vampire made me think we needed to get Chris Hansen on standby. Now there’s a manga idea, “Chris Hansen: Pedo-Vampire Slayer”. And then there’s the climax of the chapter where a baker’s dozen’s worth of children get massacred by one of the vampires. Now, if any of you didn’t feel uncomfortable during this segment then I must ask you to stay well away from my family.

The idea of children fighting vampires had potential, uncomfortable potential, but still potential. But that is immediately undermined when at the end of the chapter we discover that not all adults died. Only those in Japan apparently. So the first promise the series makes is already broken. I can’t say I hold high hopes for the rest of it.

Worst of all is the tonal shifts. I admit to not knowing many orphans, but I refuse to believe any of them could talk about how their parents died, often in horrible ways, with any kind of smile on their face. I call all kinds of bullshit on every single element of the main character’s backstory. This is a problem throughout the whole story, where we switch from typical shonen enthusiasm to incredibly dark events. It’s just that one scene in the orphanage encapsulates the entire problem. I know manga likes to make these kind of tonal jumps, but it doesn’t always work, and in this case it most definitely doesn’t work.

I’m probably being harsher than I need to be, but that tends to happen when I’m made to read the wholesale slaughter of a bunch of twelve and youngers. I may not have my own children, but I’m certainly at the point where I feel protective of those hobbit sized humans. So this was not the best way to endear a new manga to me.

One Piece Ch. 723
Oh One Piece, at least you only mentally scar your children instead of outright murdering them. Sadly there are only so many ways I can say this series is awesome without growing repetitive. Perhaps that’s why so many reviewers, and I myself, fall into the routine of writing bad reviews. But don’t think I’m trying to put a negative twist on a great series by trying to find some kind of fault with it. Even if that fault is me complaining about how I can’t find any fault with it. Okay so that may actually be me trying to do what I said I wasn’t doing. But can you blame me? Most of the time One Piece is so perfect and I’m such a fanboy that I’m probably the worst person to be analyzing it.

At least this chapter finally gives Sanji a chance to show his badass self. Even if we all know he’s going to get his butt kicked next chapter. But with plenty of comedy, and a great climax I have to say that One Piece is as amazing as ever. But when one always excels it becomes harder and harder to stand out. And I fear that One Piece has been at risk of this for the past couple years. We’re so used to expecting amazing things, and while One Piece has been amazing it feels like it hasn’t exceeded any expectations it’s just been meeting them. And as much as I love this series it feels like the chapters just continue to be amazing rather than wowing me like they did a couple years ago.

Naruto Ch. 649
Oh Naruto, you’re my favorite series that I don’t actually like. Why? Because I can find so many things wrong with every single chapter. Usually. Sometimes you just bore me and I can’t find the will to even bother complaining. This week I don’t have as much material, but there are a couple bones I feel the need to pick.

It constantly surprises me how big of a fanbase this manga continues to have, despite the fact that Kishimoto has shown himself incapable of writing characters beyond their base stereotypes. Such as several chapters ago when Ino showed that she’s just as terrible a character as she was at the start of the series. Maybe even more so. Don’t get me wrong, stereotypes can be very useful, very powerful tools. The thing is that when writing characters you need to expand beyond the initial stereotype, not constantly bring it back to that original stereotype without any further development. For example, when the Mizukage was introduced her gimmick was that she was an unmarried woman approaching middle age who just wanted to get married, and was very sensitive about the subject, to the point where she would make threats against people for the most innocent of comments. Not the most progressive portrayal but amusing enough. Any other writer would use that character trait as a bouncing off point towards character development. Maybe she would find a man, maybe she would realize that she didn’t need a man, maybe she’d realize she liked women instead. Or maybe she’d come to realize that real relationships take a lot of work but are ultimately more rewarding than the fairy tail romance she’d built up in her mind. But since this is a shonen action series and not a romantic comedy, that would never happen. So instead she’s the exact same character she was before. Why do I make such a big deal about this? Because with her comment about not being married this chapter I once again am reminded that Kishimoto does not write character traits, he writes gags that are confused as character traits. Rather than actually giving us any kind of satisfying development his characters stay in the same limbo they were at their introduction and we end up with nothing but a bunch of uninteresting characters cracking unfunny jokes.

Fortunately Shikamaru still has a semblance of a character and is actually undergoing some growth. And I’m not about to cry sexism since so many of the female characters remain unrealized, because Kiba shows us this chapter that he hasn’t developed in the slightest either. So yay, some semblance of equality, even if it’s equality in mediocrity.

Bleach Ch. 551
You know, it doesn’t make villains any smarter when they point out the abject stupidity of the protagonists. The whole “You should have taught this skill to others” isn’t so much a keen villainous insight as it is an exercise in the basic mental faculties of any human being whose brain is still capable of breathing. And Nanao is supposed to be one of the smart ones! And here she didn’t consider that maybe, just maybe this ultimate barrier spell would be useful elsewhere as well. It’s really hard to root for the good guys when I’m too busy praying they don’t accidentally hurt themselves with the swords they’re carrying. The intelligence displayed by these characters would make me think twice before letting them have safety scissors let alone weapons.

And of course rather than building up the tension for a bit longer we discover that Urahara has a way to win back their bankai. Well isn’t that just convenient.

Nisekoi Ch. 93
Whether you like this chapter depends entirely on what your views are in regards to female stereotypes. Are you the kind that becomes enraged when a girl worries about her weight? Possibly consider avoiding this chapter. Unless you like getting angry, like me. If you don’t mind it then read on. It’s plenty funny and plenty cute, but not the most outstanding chapter in this series. Though the punchline at the end of the chapter is well worth the chapter.

Toriko Ch. 252
The majority of this chapter is made up of small montages. While these are enjoyable enough I can’t help but feel like this is all something that needs to be expanded upon. And maybe if we were living a couple decades in the past we’d get a full flashback. But for now I guess I can just look forward to the anime expanding on everything that happened in this chapter.

Though I have one complaint. Under what circumstances is it realistic for a starving person to have the gall to ask for better food? I know there are some people out there with an amazing amount of gall, but the segment where Froese was feeding the hungry felt so unrealistic it dragged me out of the story. And I know, I know, there’s plenty of other more unbelievable things happening in this series. But for the most part they make sense in the context of the series. But what cannot be treated subjectively is how people act. Even in the most outlandish series there needs to be some sense that people still follow understandable human logic. And a starving person asking for better food just doesn’t make any sense.

One-Punch Man Ch. 28
The one thing I really appreciated in this chapter was the end. Saitama getting promoted was all good and fine, but I’m glad to see that Mumen Rider made another appearance, possibly as a future friend and ally of Saitama. I’m partly glad that my earlier prediction was right, but for the most part I just think he’s a fun character that I hope we will get to see more of.

World Trigger Ch. 33
Well, at least this arc isn’t a straight up tournament just yet. By which I mean at least the candidates aren’t all just fighting each other. That would be cliche and boring. Too bad most of this chapter is spent explaining things with very little actual payoff. This series has been somewhat getting better, but it’s far from being any kind of favorite of mine. It’s just really dull, and I’m pretty enraged that the series is doing so well in Japan when better series have been cancelled. No, I don’t ever intend to let Cross Manage’s cancellation go.

Blue Exorcist Ch. 50
I have to give Blue Exorcist props for pulling off a character betrayal while retaining that character’s personality. It’s so easy to have an established character turn into a traitor and then completely change their personality, turning them into a total villain. Shima on the other hand is still the same person he was before, he just has different loyalties now.

Shiemi being a bad cook is a manga trope, but at least in her case it makes sense. Too often the joke is played as “Look at these people putting disparate ingredients into their food!” in a way that makes no sense whatsoever. Any intelligent human being knows that you don’t put curry powder in cookies! But rather than mix ingredients that clearly don’t go together Shiemi tries to make healthy food and ends up making it really bland. That works for me because it’s more realistic than mixing ingredients that clearly don’t belong. \

Dragonball Z Ch. 34
I must confess. Dragonball Z is not the most engaging manga to be writing about. Let’s just say Goku and Vegeta fought and leave it at that. Though, it is worth pointing out that this chapter we get to see the first part of Goku falling so in love with fighting that he makes terrible decisions in the future.

And that’s our reviews for the week. Some decent chapters, but nothing that really stood out. Though, once again, that might have something to do with my unreasonable expectations.

If you want to hear more, check out the Manga^3 Podcast Archives.

Kodansha and Crunchyroll Partnership: What Are We Getting?

October 26, 2013 by Sean Gaffney

For those wondering what I mean, here’s Crunchyroll’s presser.

Kodansha not having a weekly digital equivalent to Viz’s Shonen Jump was always a major stumbling block, and this should fix that right up.

So… what are we getting? Attack on Titan and Fairy Tail you already know. UQ Holder! and The Seven Deadly Sins were announced at NYCC by Kodansha for next year.

That leaves 8. Let’s take a look.

The biggie here is definitely Space Brothers, which has an anime to its name, and which Kodansha Comics has already admitted they’d love to put out if it wasn’t 20+ volumes and seinen. If it does well digitally, perhaps we can see it in print. I once heard this described as “Twin Spica for MANLY MEN”, and that’s not far off. It’s called Uchuu Kyoudai in Japan, and runs in Weekly Morning.

Mysterious Girlfriend X (Nazo no Kanojo X) runs in Monthly Afternoon, and also has a tie-in anime. It’s 10+ volumes, and is sort of a weird romantic comedy. It also has an obsession with drool that I recall made me avoid it, but hey, whatever floats your boat.

A Town Where You Live (Kimi no Iru Machi) has everything a modern manga publisher doesn’t want: it’s 20+ volumes (and weekly – it runs in Shonen Magazine), a harem comedy, and its author had a prior series get cancelled for low sales over here (Suzuka). That said, it has a very active online fanbase, and let’s hope they pay to see it coming out over here.

Back a long time ago, I license requested Yankee-kun to Megane-chan, aka Flunk Punk Rumble. Sadly, it was one of my license requests that did not get fulfilled. But now we have the author’s new work, Yamada-kun and the Seven Witches (Yamada-kun to 7-nin no Majo)! It has bodyswaps, it’s funny, and it has a female creator. Can’t wait.

As the Gods Will (2nd Series) (Kami-sama no Iutoori Ni 2) is, as you might imagine, the sequel to As the Gods Will 1, which is (oh dear) a survival game horror manga that runs in Shonen Magazine. Despite picking up with the sequel, and my utter boredom with this genre, I hope it does well.

My Wife Is Wagatsuma-san (Wagatsuma-san wa Ore no Yome) is one of the more interesting romantic comedies Kodansha’s putting out these days. A loser guy (no, wait, come back) who really wants the cute girl he likes to (no, really come back!) like him wakes up one day, 10 years in the future, married to his dream girl! But he has no memories of the last 10 years. He has to figure out how they got this way. The author also writes a prison horror comic, so this must be the light relief.

…oh wait, here is the comic in question! Fort of Apocalypse (Apocalypse no Toride) is by the author of Wagatsuma-san but with a different artist. It runs in Shonen Rival, and has prisons AND zombies. I suspect it may be the darkhorse hit of this whole deal.

Coppelion, a Young Magazine title, is one of those series everyone expects to be the announcement at every single con but it never is. Genetically modified cute girls plus post-apocalyptic Japan, who can possibly resist? It’s 19+ volumes, which explains why Kodansha resisted. But now… digital!

Which of these has you most excited? For me, it’s Space Brothers and Yamada-kun.