• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Home
  • About Us
    • Privacy Policy
    • Comment Policy
    • Disclosures & Disclaimers
  • Resources
    • Links, Essays & Articles
    • Fandomology!
    • CLAMP Directory
    • BlogRoll
  • Features & Columns
    • 3 Things Thursday
    • Adventures in the Key of Shoujo
    • Bit & Blips (game reviews)
    • BL BOOKRACK
    • Bookshelf Briefs
    • Bringing the Drama
    • Comic Conversion
    • Fanservice Friday
    • Going Digital
    • It Came From the Sinosphere
    • License This!
    • Magazine no Mori
    • My Week in Manga
    • OFF THE SHELF
    • Not By Manga Alone
    • PICK OF THE WEEK
    • Subtitles & Sensibility
    • Weekly Shonen Jump Recaps
  • Manga Moveable Feast
    • MMF Full Archive
    • Yun Kouga
    • CLAMP
    • Shojo Beat
    • Osamu Tezuka
    • Sailor Moon
    • Fruits Basket
    • Takehiko Inoue
    • Wild Adapter
    • One Piece
    • After School Nightmare
    • Karakuri Odette
    • Paradise Kiss
    • The Color Trilogy
    • To Terra…
    • Sexy Voice & Robo
  • Browse by Author
    • Sean Gaffney
    • Anna Neatrour
    • Michelle Smith
    • Katherine Dacey
    • MJ
    • Brigid Alverson
    • Travis Anderson
    • Phillip Anthony
    • Derek Bown
    • Jaci Dahlvang
    • Angela Eastman
    • Erica Friedman
    • Sara K.
    • Megan Purdy
    • Emily Snodgrass
    • Nancy Thistlethwaite
    • Eva Volin
    • David Welsh
  • MB Blogs
    • A Case Suitable For Treatment
    • Experiments in Manga
    • MangaBlog
    • The Manga Critic
    • Manga Report
    • Soliloquy in Blue
    • Manga Curmudgeon (archive)

Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Archives for February 2014

No. 6, Vol. 5

February 28, 2014 by Ash Brown

No. 6, Volume 5Creator: Hinoki Kino
Original story: Atsuko Asano

U.S. publisher: Kodansha
ISBN: 9781612623597
Released: February 2014
Original release: 2012

As much as I would like to read them, it is highly unlikely that Atsuko Asano’s series of science fiction novels No. 6 will ever be licensed in English. Happily, two adaptations are available: the 2011 anime series directed by Kenji Nagasaki (which was my introduction to the story) and the manga series by Hinoki Kino. Despite the anime’s bungled ending, I actually quite enjoyed the series, so I was glad to have a chance to experience another interpretation of the original story. The fifth volume in Kino’s manga adaptation was initially published in Japan in 2012. Kodansha Comics’ English-language edition of No. 6, Volume 5, published in 2014, also collects bonus stories not included in the regular Japanese edition. Though it had its high points, overall I found the first volume of the No. 6 manga to be a bit weak. However, each volume has gotten progressively stronger as Kino has had time to more fully develop the series’ characters and world.

With the increase in the number of refugees and the rise in violent crime, the population of West Block has been deemed too large and dangerous. It’s all the excuse the holy city of No. 6 needs to mount a massive cleanup operation, known to the residents of West Block as the Manhunt, in which parts of the area outside the city walls are completely destroyed and the population conveniently “removed.” The Manhunt is a way for No. 6 to keep control and prevent riots, but this time the operation serves another purpose–to gather enough undesirables to serve as human guinea pigs for a top-secret experiment being conducted and authorized by the city’s upper echelons. The Manhunt will also provide Shion and Rat with the opportunity that they need to infiltrate the Correctional Facility in order to search for and hopefully rescue Shion’s close friend Safu. Rat is one of the few people to have made it out of the Correctional Facility alive and doesn’t particular want to go back, but he isn’t about to allow Shion to attempt it on his own.

This is the volume of No. 6 in which Shion is brought dangerously close to his breaking point, and it is heart-wrenching to witness it happen. Living in West Block has been slowly changing him; it’s an environment that is drastically different from the seemingly perfect city of No. 6 where he spent almost his entire life. But the violence and suffering that Shion has been exposed to in West Block is nothing compared to the extent of the very deliberate cruelty of the Manhunt. Any faith that he still had in No. 6 is shattered when confronted with this horrifying atrocity, absolute proof that the city is not at all what it claims to be. Shion by nature has a very positive and optimistic outlook on life, but he has begun to lose that. Both he and Rat regret that change and even fear how much Shion might continue to change, especially in light of the most recent turn of events. Shion will never be able to return to the person who he once was no matter how much either of them would want it.

The characters and their growth continue to be some of the strongest elements of Kino’s No. 6 manga. This is especially true of Shion, as can particularly be seen in this volume, but Rat has also been changing in significant ways. The supporting cast, too, has almost all seen at least some minor development. The only major exception to this is the research scientist in charge of No. 6’s experiment. In fact, even though the series is more than halfway over, he doesn’t even have a name yet and is only referred to as “the man in white” in the character profiles. Since he seems to be one of the series’ main antagonists, this is a little disappointing. It’s also rather unsatisfying that the experiment, its purpose, and the motives behind it haven’t yet been made clear to the readers. This persistent vagueness and lack of clarity, instead of being mysterious or creating ominous tension, is mostly just frustrating this far along in the series. Even so, Rat and Shion’s excellent development in the manga largely makes up for this. In the end, I’m still really enjoying No. 6.

Filed Under: REVIEWS Tagged With: Atsuko Asano, Hinoki Kino, kodansha, Kodansha Comics, manga, no. 6

Manga the Week of 3/5

February 27, 2014 by Sean Gaffney, Michelle Smith, Ash Brown, Anna N and MJ 3 Comments

SEAN: Sooooo much stuff. Let’s break it down. Oh, and apologies for last week, the date of Wallflower 32 got shoved back to May after I’d written the post. This is the danger of last minute date-changes. I will discuss it in May, and no doubt Michelle will have the same “it’s still going?” reaction.

MICHELLE: That is probably true.

holograph

SEAN: As for this week, let’s start with a Fantagraphics title from Inio Asano, Nijigahara Holograph. This single-volume release is dark, tragic, and creepy, and should immensely please Asano fans. Hey, if it sells well, maybe Viz will take a flyer on Oyasumi Punpun.

ASH: This is one of my most anticipated releases for 2014! I’ve been looking forward to getting my hands on a copy ever since it was announced.

ANNA: I am very excited about this! I enjoy Asano’s works very much, and Fantagraphics editions are always a treat.

MJ: This is definitely a draw for me. Everything about this sounds compelling.

SEAN: Did you enjoy Jiro Tanaguchi’s The Walking Man but wish it took place 300 years earlier? Than you’ll love the same author’s Furari, out from Ponent Mon.

MICHELLE: Ooooh! I really like Jiro Taniguchi!

ASH: It’s always nice to see more Taniguchi.

MJ: Agreed!

SEAN: You cannot stop the Alice in the Country of Hearts spinoffs! They are endless! Here’s March Hare, a 2nd series focusing on Alice pairing up with Eliot.

ANNA: I can take or leave new spinoffs, but sometimes they are fun.

SEAN: Seven Seas also has the 6th volume of Haganai: I Don’t Have Many Friends, featuring the tight group of not-friends getting involved in further not-friendship events.

I’ve enjoyed The Sacred Blacksmith far more than I was really expecting, and hope Vol. 4 keeps me happy despite my general distrust of manga fantasy-oriented stories.

Senran Kagura ended up being pretty much exactly what I was expecting, but the 2nd volume should give us more of that as well.

Vertical’s From the New World gives us a 3rd volume as well, speaking of popular titles I try to say as little as possible about.

ASH: I haven’t read beyond the first volume yet, but I have been told the fanservice was toned down considerably in the second.

blackbird18

SEAN: There’s no blood on the cover of Black Bird 18, and the protagonists are smiling, so we must have reached the final volume! Black Bird sold a pile, so let’s give a round of applause to this title I never warmed to but others most certainly did.

MICHELLE: I hear Strong Bad’s voice in my head, going “It’s over!”

ANNA: I’m sure that this was a financially remunerative title for Viz, so that’s nice even though I really never connected with this series.

MJ: Oh, Black Bird… I really won’t miss you.

SEAN: Blue Exorcist is always a treat, and I’m sure Vol. 11 will live up to the anticipation and not advance any of the potential romances I read it for.

MJ: Hee!

I fell behind with D.Gray-Man’s omnibuses, so should see if I can pound through them now that the 3rd one is coming out.

I can’t even remember if this Dragon Ball 3-in-1 is the original series, Z, or the color edition. Or the VizBIG edition. But hey, it’s Dragon Ball, surely someone hasn’t read it yet. Somewhere. Perhaps in outer Mongolia.

Oh hey, look, a new volume of Fushigi Yu– (Sean is trampled by the rest of the Manga Bookshelf team rushing forward to squee.)

MICHELLE: Hmm, did I just step on something squishy?

ANNA: If trampling is the best way to express my love for this series, I will be right back as I need to put on my trampling boots!

MJ: SO MUCH LOVE. Sorry about the trampling.

SEAN: Ow. Moving on to Midnight Secretary? (cheers but no violence) Excellent. Vol. 4 is approximately halfway through this series, and I expect things will take a darker turn round about now.

ANNA: I do enjoy Midnight Secretary quite a bit!

MJ: As do I!

SEAN: Nisekoi continues to try to catch up to its digital releases with the 2nd print volume. Do you like Jump harem comedies? Sure we all do! Well, a good 40% of us, perhaps…

MICHELLE: Now I’m hearing the voice of Sally Struthers!

SEAN: One Piece hits another milestone with its 70th volume. Donflamingo steps up to what seems to be the next ‘big villain’ role here, and it promises to be a lot of fun.

MICHELLE: Somehow I’ve gotten a couple volumes behind on One Piece. Clearly I need to rectify that!

SEAN: Comedy volume of the week has to go to Oresama Teacher 16, which is filled with idiots being idiotic. Each volume takes it to a new level.

ANNA: This manga never fails to make me laugh.

jeanne1

SEAN: License Rescue of the week absolutely goes to Phantom Thief Jeanne, the one remaining Tanemura title that was out of print after CMX went under. Kudos to Viz for picking it up!

MICHELLE: Despite owning the full CMX run (and watching VHS fansubs of the anime long ago), I have not actually read this series. Perhaps the VIZ edition will compel me.

ANNA: This is my favorite Tanemura series, because it is absolutely bonkers. And Jeanne makes failed attempts to turn rhythmic gymnastics equipment into deadly weapons, which is always good for a laugh.

MJ: I’m definitely looking forward to having a chance at this!

SEAN: We’ve hit the 2nd to last volume of Psyren, which is good, as it feels like it’s just about time to start wrapping things up. Given it’s a Jump series, I’m not sure how sudden the ending will be, but…

MICHELLE: Some day I’ve gotta catch up on this.

SEAN: What’s Rin-Ne 14 doing among all these Shueisha titles? Take your Shogakukan-ness to the 2nd week of the month where it belongs! Wait, likely it’s here so that it doesn’t get in the way of that week’s OTHER Takahashi release…

MICHELLE: I’m torn. Do I like RIN-NE enough to cheer for it?

SEAN: Skip Beat! 3-in-1 hits Vol. 7, which I think means it’s still dealing with Black Moon rather than Box R.

Strobe Edge 9 is also a penultimate volume. How much worse can things get than they already are? Well, it *is* a romantic comedy…

MICHELLE: No question about these two. *Cheer!*

ANNA: I’m impatient for Strobe Edge to wrap up, but I do enjoy it!

MJ: Seconded!

SEAN: Lastly, Tegami Bachi has also reached 16 volumes, and as ever I have next to nothing to say about it.

That’s a lot of manga. What will you get this week, and what will you put off?

Filed Under: FEATURES, manga the week of

Attack on Titan: Before the Fall, Vol. 1

February 27, 2014 by Sean Gaffney

By Ryo Suzukaze and Satoshi Shiki. Released in Japan by Kodansha, serialization ongoing in the magazine Shonen Sirius. Released in North America by Kodansha Comics.

(This review is based off an advance copy provided by the publisher.)

If Attack on Titan: Junior High as the inevitable lighter, fluffier gag manga spinoff of the main Titan series, then this one is even more inevitable. A prequel set far back enough so that it features no one we know, yet providing some much needed context and perhaps even a few explanations that might carry over into the new series, while still remaining its own title. That said, it remains to be seen how successful it will be, as this is very much Vol. 1 of a longer work, and we’ve just barely gotten started before things are all over.

beforethefall1

Just like its spinoff partner, Isayama did not write or draw this. The author seems to be known for writing tie-in novels (and indeed, this manga is based on a spinoff novel that Vertical will be releasing later in the year). The artist is likely more familiar to old-school manga fans. Satoshi Shiki did a Daphne in the Brilliant Blue manga that Tokyopop released, as well as Kami-Kaze and the really old Viz title Riot, which came out back in the ‘flipped, 32-page comics’ days. The art here is pretty and serviceable, with its leads being attractive and likeable. This puts it miles ahead of Isayama, who has gotten better as he’s gone along, but whose art is still his weakest point. Of course, just because the leads are pretty doesn’t mean bad things don’t happen – some of the grotesque shots of people getting eaten by Titans (and the aftermath) are just as bad as the original.

The basic premise is that, about 70 years before the AoT series proper, a child is found in the puked-up remains of people who had been eaten by Titans, one of whom was a pregnant woman. The baby in her womb miraculously survived, right in the center of the undigested pile. Found by the Survey Corps, he is immediately described as “the child of a Titan”. And promptly locked away for the next 13 years, feeding on bugs and tiny scraps and living a horrible prisoner’s life. It should be noted that Kuklo is not large or monstrous or anything – Child Of A Titan is a metaphor that has carelessly been allowed to become real.

Most of this volume is setup, showing us what life is like inside Wall Sheena, the innermost wall that the cast of the main series haven’t really had to deal with. The answer is that it’s filled with rich smug jerks, including a spoiled brat son who will grow up to lead the military one day, and takes delight in beating the shit out of his prisoner who doesn’t even know enough to fight back. The only other likeable person in the entire series is Sharle, the smug jerk’s younger sister, whose seems to be the innocent, human face of this series and who will no doubt die horribly at some point down the line.

Most of this first volume is setup, showing us the world Kuklo and Sharle live in, and setting up their journey to escape and find answers. It runs based on its mood, which is dark and grimy (the one place that Isayama’s art might have helped… at times this world feels a bit too clean compared to his own.) Certainly a title worth getting for Titan fans, and we’ll see how many volumes it can make it through before inevitable tragedy has to happen.

Filed Under: REVIEWS

Manga Giveaway: Smuggler Giveaway

February 26, 2014 by Ash Brown

For being the shortest month of the year, February seems to be lasting a long time for me. But the end is almost here, which means it’s time for another manga giveaway! This month you all (well, mostly all) will have the opportunity to win a copy of Smuggler by Shohei Manabe. Originally released in English by Tokyopop, Smuggler is now available in a new edition from One Peace Books. Because this manga is aimed at more mature audiences, entries are restricted to those of you who are eighteen years of age or older. Otherwise, as always, the giveaway is open worldwide!

Smuggler

Assassins, they’re everywhere you look. Well, maybe not everywhere, especially as many of them generally stay out of sight as part of their job. However, it’s not uncommon to come across an assassin or two in a manga. It tends to be a fairly manly profession, with the likes of Golgo 13 and Yo Hinamura (Crying Freeman), but there are some pretty kick-ass women working as assassins, too, such as the titular Lady Snowblood and quite a few of the women in Black Lagoon. Why am I talking about assassins? Because the dark and violent Smuggler just so happens to feature more than one extraordinarily vicious killer-for-hire, though the manga’s focus is on one of the guys who has to clean up after them (he just doesn’t realize it at first).

So, you may be wondering, how can you win a copy of the Smuggler?

1) In the comments below, tell me a little about your favorite manga assassin.
2) For a second entry, name another manga that features an assassin that hasn’t been mentioned yet by me or by someone else.
3) If you’re on Twitter, you can earn a bonus entry by tweeting about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

And there you have it! Each person can earn up to three entries for this giveaway. As usual, you will all have a week to submit your comments. If you would prefer or have trouble leaving a comment, entries may also be submitted via e-mail to phoenixterran(at)gmail(dot)com. I will then post them in your name. The giveaway winner will be randomly selected and announced on March 5, 2014. Good luck!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: Smuggler Giveaway Winner

Filed Under: FEATURES Tagged With: manga, Shohei Manabe

Weekly Shonen Jump Recap: February 10, 2014

February 26, 2014 by Derek Bown 1 Comment

February 10 CoverIf you don’t have a Weekly Shonen Jump membership you really should consider buying one. The past couple weeks have been quite excellent, almost all the manga published in the magazine have had a pretty excellent run the past couple months. Even the series I complain about on a regular basis have been doing pretty well.

A good week of manga is a lot of good chapters. Or just a lot of chapters. But it’s a double edged sword. Because the more there is for me to read and enjoy, the more work I have to do when writing it all up. It’s a good thing I love sharing my opinion so much on the internet. So let’s do this.

Blue Exorcist Ch. 054
This series has been a bit lackluster the past several chapters. This month is a return to form as we get the pay off for some foreshadowing we didn’t even realize was being implemented. We also go back to a focus on action instead of in between chapters and backstory. Keep in mind, in between chapters are necessary, but in a monthly series more than just a single in between chapter drags on for a dangerously long time. Finally getting some action after a long while really helped me be more interested in this chapter. And the way the story is portrayed really works in that we have two separate stories being interwoven quite well, as we switch from Kamiki to the rest of the group. Definitely a recommended read for this issue.

Blue Exorcist

Nisekoi Ch. 109
Last week I raised some concerns about how Komi would handle Haru as a character. I worried that she would go the stereotypical route of being just another member of the harem. Fortunately this week mostly dispelled those fears. There are of course major hints that she will become a member of the harem, but for the moment she is going to be a much more interesting character than I initially feared. I find the idea of a character who clearly accepts how they feel about someone, but are willing to step aside for someone else quite interesting. I’m curious to see how far Naoshi Komi will be taking this idea, whether he will go all the way with having Haru refusing to act on her feelings, or if we will be treated to her confession to Raku despite her intention to support her sister. Either way, this chapter definitely salvaged what I feared was a lost cause of a character.

Nisekoi

World Trigger Ch. 048
This was an excellent chapter. I’ve railed against Border for being another incompetent military organization, and while I still question the ethics of using teenagers as soldiers, I loved seeing the commanders competently handle the battle. And not just the ones we figured would be competent, but even characters built up as buffoons are showing their intelligence. We get a pretty badass scene where Tachikawa cuts a bomber in half, which was easily my favourite part of the chapter. And seeing Kitora act outside her originally established character was an excellent moment, one that I’m sure the shippers probably are enjoying. With each trope a character follows, the best way to gain points with me is to have them act outside that trope. It does wonders for making characters feel more real, and Kitora certainly is doing that for me in this series.

World Trigger

Toriko Ch. 265
This was much better than last week. While I enjoyed last week’s chapter I found that it was a lot harder to get over Komatsu’s rescue being skipped. This week I’ve accepted that jarring shift and was able to enjoy the chapter for what it was. And while a little emotionally manipulative I loved how the chapter sets up the food shortage as a very real problem, the world has clearly had to evolve around this situation, rather than just being a one chapter problem and yet somehow we get the emotional payoff of seeing Toriko deliver the food he brought. And all that in just a single chapter. I love Mansom’s new design, though he does look quite a bit like Ichiryu. And is it just me or does it look like Komatsu may have just found his long lost son?

Naruto Ch. 663
So we get confirmation that Gaara is going to try and fuse Minato’s ninetails chakra with Naruto, so that’s nice. And I enjoy seeing Sakura actually be involved in the story. And actually care about her so called friend. But the sudden powerup from Karin comes out of nowhere, though I’m biased against her so I doubt she could do anything I wouldn’t hate. And Madara finally takes on the form of the sage of six paths. So at least the plot is moving forward. And for all intents and purposes Sasuke is pretty dead. So overall this was a good chapter for me. Though I have to wonder as to the effectiveness of cutting a dying person’s side open and massaging their heart directly. That’s not an actual thing that’s ever been done is it?

Naruto

One-Punch Man Ch. 32
This is definitely a chapter where if you haven’t shifted your paradigm from comedy to action you probably won’t enjoy. Personally I’ve finally made the switch again so I was able to enjoy the excellent art and fighting scenes. I like the idea of an enemy that can regenerate no matter what, which I think is honestly the only way to pose any kind of threat to Saitama. So I look forward to this monster fighting Saitama. Other than that, this was definitely a great chapter to show of the fighting prowess of the other characters. Worth a read, but unless you spend a lot of time studying the art you will get through it very fast.

Bleach Ch. 567
Has Kubo just forgotten that his characters are ghosts/spirits/gods? What’s all this talk about Rukia being dead as if it wasn’t her usual state. She is already deceased! That which is dead cannot be alive as well! She is a spirit! A soul! Are we supposed to believe that souls in this world have a different kind of life? And that’s why they can die? I guess that kind of works. This chapter would be a lot easier to swallow if it weren’t for the fact that the mythology of the afterlife in this world is completely messed up. The best I’ve been able to gather is that after humans die they become spirits. But spirits can also die/be destroyed. But their energy cannot be destroyed, because physics, and ultimately they are re-purposed as energy to create spiritual constructs and (and this is me assuming) new spirits. Hence how soul reapers can have families. But if spiritual energy can become spirits in the afterlife, what with there being families that soul reapers are born into, then at what point does spirit matter go back into the human world? Can only the soul reapers reproduce? Or can the souls of dead humans do the same? In fact, if they ultimately become spirit energy, then what’s the point of human spirits retaining their consciousness? And ultimately, what is the purpose of this system? If souls can be destroyed, as quincies have shown the ability to be able to do, and that destruction causes an imbalance, suggesting that the spirit energy is destroyed as well (which should be impossible since it is energy) then what is consciousness and what is spirit?

Ultimately, how can Rukia be any more dead than already dead!?!?!

All You Need Is Kill Ch. 004
We get a satisfying answer to how Keiji gets his battleaxe. And I guess it doesn’t need to be forged in the traditional sense so it doesn’t take as long to make. But is he really going to have to convince Shasta to make him a new axe every single time. I guess we aren’t really supposed to think about it too much. I do feel a bit disappointed that we don’t get to see any actual action, but the anticipation is good enough for me right now. The pacing has been quite strong, and I’ve found no real fault in the series to this point. The writing is strong and the art is as always excellent. Though I cannot stress enough how out of place Obata’s women are. But at least I haven’t seen anything in this series that could lead to major accusations of sexism like in Bakuman.

All You Need Is Kill

One Piece Ch. 737
So would Peka’s Stone-Stone ability qualify as a paramecia or a logia? Since he doesn’t really turn himself into stone on his own, rather he has to absorb it from somewhere, I’m guessing it’s a paramecia, even if earth/stone is considered one of the classical elements. Either way, things aren’t looking good for Luffy’s group, how can they fight someone that controls the entire building they are inside?

The answer will of course be, “Amazingly” but we’ll have to wait for that. For now it’s time to focus on the coliseum. Clearly “Lucy” is a force to be reckoned with, and what we all thought would happen occurs, people start to notice that “Lucy” fights differently from Lucy. The delayed final reveal of his identity is puzzling. We all know who he is, but Oda continues to hide him from the audience. All I can say is, what exactly is he planning?

Finally, the build up for Leo’s mission is to over the top that it’s clear that something will go wrong. I kind of want it to go right, because that never happens in any story ever. But it’s pretty clear that something will go awry. Either way, I got more than a chuckle out of the running gag with Usopp this time around.

One Piece

Dragon Ball Z Ch. 50
Who knew this was only going to be a temporary thing. Next week we lose Dragon Ball Z, and here I was hoping it would run through the whole series, to give me a chance to read it all the way through again. But I guess if we’re getting some new manga space must be made in the magazine. And while space isn’t really an issue in a digital magazine, the effort it takes to get an extra series ready for publication really does push costs up.

I enjoyed the Superman parallels with Kami, this was a part of the series I hadn’t read before, so I’m picking up a lot of details that I had missed before. I enjoy Dragon Ball Z a bit more when we aren’t focusing entirely on the fighting. And this was definitely worth the read for me.


I don’t know how we got through it, but we did. This was a long issue, and while I love reading all the extra manga, I look forward to a lighter load next week.

Don’t forget to mention in the comments which series was your favorite this week.

If you want to hear more, check out the Manga^3 Podcast Archives.

Filed Under: FEATURES & REVIEWS, WSJA Recaps Tagged With: bleach, blue exorcist, Dragon Ball Z, naruto, nisekoi, One Piece, one punch man, toriko, world trigger

MangaBox: What Is It & What’s Good to Read

February 26, 2014 by Justin Stroman 4 Comments

Manga BoxA few weeks ago, I finally did what a rational manga consumer and someone who attempts to write about manga would do: consume everything that MangaBox has to offer and try and talk to people behind MangaBox. Let’s just say the last part was mostly a pipe dream. But I worked with what I got. In the end though, you probably want to know one thing: is MangaBox worth your time?

YES!

…

Read More

Filed Under: FEATURES Tagged With: Android, Araidoki, Billion Dogs, Digital Manga, First Love Suicide Pact, Free Manga, GREEN WORLDZ, High-Rise Invasion, In a Heartbeat, iPhone, Kindachi Case Files: Takato's Side, kodansha, Logick, Man's Best Friend, Manga Box, NadeNadeShikoShiko, Peephole, Schoolgirl Landlord Honoka, Spoof on Titan, The Knight in The Area Side Story

Bringing the Drama: Heirs

February 25, 2014 by Anna N and Nancy Thistlethwaite Leave a Comment

Heirs is available for streaming on Dramafever.

Anna: I’ve just finished watching Heirs, and if someone had told me months ago that I would be forcing myself to watch a show with Lee Min Ho and Park Shin Hye, I would have been absolutely flabbergasted. But Heirs has managed to produce a show that squanders a good cast due to the lack of an interesting plot. I can’t believe I watched the whole thing! Really, the only thing keeping me going was knowing that I’d have the chance to discuss it with you. So I’m hoping for a chance to process my feelings of resentment for losing 20 hours of my life watching this show.

Heirs. This Picture is Much Better than the Actual Show.

Heirs. This Picture is Much Better than the Actual Show.

Nancy: Ha! Though I think it is important we discuss this K-drama because it got high ratings and won drama awards for popularity in Korea. So basically Heirs is about a poor high school girl Eun Sang, who meets Kim Tan, a rich, unhappy boy. Her mother works for his family, and she ends up going to his posh school where the have-nots are bullied. It’s said the writer wanted it to be like a Korean Gossip Girl, and there are many similarities. But where Gossip Girl suffered from too many plot turnovers so that the characters couldn’t fully develop, here THERE IS NO PLOT. The characters interact with each other, but nothing really happens. They are all gorgeous. They are all unhappy. And…? And…?

Woo Bin Eats Noodles!

Woo Bin Eats Noodles!

Anna: I think also it is somewhat similar to Boys Over Flowers, but Kim Woo Bin had the Tsukasa Domyouji part instead of Lee Min Ho. This is actually something that might have been interesting if it had been more fully explored, but nothing much happened. As I was thinking back over this show I thought that it would be great for people who want to see Lee Min Ho cry a lot, but I am unfortunately not one of those people.

In California for some reason. Also inexplicably wet.

In California for some reason. Also inexplicably wet.

Nancy: But Eun Sang has no spirit or courage like Tsukushi does in Boys Over Flowers, so the formula does not work. I remember thinking, “It’s good Park Shin Hye can cry at the drop of a hat, because nothing else is going on….” Let’s talk about the shining light in this drama–the reason I kept watching (besides morbid curiosity): Kim Woo Bin! Woo Bin as Choi Young Do stole the show. Heck, he WAS the show. The climax in this drama did not involve the heroine. It was Young Do running to find Kim Tan. Young Do was the only character who showed growth in this drama. He was a compelling baddie. I enjoyed his scenes with Eun Sang far more than Kim Tan’s. Though sometimes it was painful to see how much the script tried to pull from Woo Bin’s role in School 2013 and fail. Unexpectedly, I also enjoyed Lee Bo Na [played by Krystal of f(x)]. Her scene running from Yoon Chan Young in the hallway was delightful. But she talked so fast that keeping up with the subtitles was a challenge. And what did you think of the scenes shot in California?

Woo Bin being annoying and awesome!

Woo Bin being annoying and awesome!

Anna: I agree that there was far too much crying in this show. Kim Woo Bin was great! At first I found Choi Young Do really annoying, but as the drama progressed it was clear that his character was the main one that had any character development written into the plot of the show. Young Do was also so much more dynamic in personality than the large supporting cast. I also enjoyed the supporting romance between Lee Bo Na and Yoon Chan Young. I looked forward to their scenes, just because the more lighthearted nature of their issues was a huge relief compared to the heavy handedness of most of the other scenes.

I thought that the California scenes relied far too much on the scenery and setting, which was a problem since they came at the start of the show and nothing was really happening to make me invested in the story. The American actors were uniformly terrible, but I was expecting that.

Nancy: Someone told me on Twitter that the “Californian” actors had been hired in Korea and sent over, which makes perfect sense as they all had dodgy accents and looked like they had just stepped out of a rather seedy underwear catalog. Not only that, but nearly all the “Californian” roles were offensive–don’t even get me started on the wife beater wearing a wife beater! I was embarrassed for the writer for the puerile racism in those episodes. But I did enjoy the scenery and had a giggle at the number of locations they spliced together.

Sharing a tender moment!

Sharing a tender moment!

Anna: That rumor about the casting makes a lot of sense. Honestly, my expectations for the California setting were really low, and there wasn’t anything on those few episodes that was very good. I was holding out hope that the show would get better when the characters went back to Korea, and while more Woo Bin was good, if I hadn’t been planning on discussing the show with you, I would have given up midway through the season.

With the topic of wife beaters, I found myself mentally constructing a narrative about the costuming choices for the show. I wondered at times if the costume designer was deliberately trying to punk the audience, or if there was some other explanation for the terrible things that Lee Kin Ho had to wear. The sweaters were really something else.

Hello. Here is a sweater.

Hello. Here is a sweater.

Nancy: I tend to focus on knitwear when a K-drama gets boring, so it was good this was a fall/winter show! Min Ho in the pale pink angora cardigan to show his “soft heart”–BA HA HA HA! But Woo Bin’s sweaters were always dishy. They really should have a K-drama award for knitwear.

Lee Min Ho can wear almost anything, but I think even he cannot pull off pink angora.

Lee Min Ho can wear almost anything, but I think even he cannot pull off pink angora.

I feel that we must mention Heirs was the most-watched drama on DramaFever in 2013. It won out over Master’s Sun, Two Weeks, and School 2013: all of which had great stories. Heirs is pretty with pretty actors, and of course there is Woo Bin. But if you require that something actually happens in your K-drama, this show is not for you.

Anna: Woo Bin was great, and I would honestly like to see Lee Min Ho and Park Shin Hye together in a show again with much better writing.

spoon1
spoon2
spoon3

And one can hope that Lee Min Ho will make a triumphant return to hurting people with spoons once again!

Watch at Dramafever!

Filed Under: Bringing the Drama, Dramas

Yen announces more Bloody Brat

February 25, 2014 by Brigid Alverson

Yen Press has confirmed that it will publish the Blood Lad four-panel spinoff BuraBuratto Buradora, by Yūki Kodama and Kanata Yoshino, as the second volume of Bloody Brat.

The Manga Bookshelf team looks at this week’s new manga.

Jason Thompson devotes his latest House of 1000 Manga column to a primer on porn manga.

Ryan Holmberg profiles “action cartoonist” Shinohara Ushio at The Comics Journal.

Why are the pages of some of your manga turning yellow, while others stay white? Ed Chavez explains at ANN.

News from Japan: Hiro Mashima will publish four different Fairy Tail one-shots in four different magazines this spring. Ichijinsa’s WAaI! boys in skirts magazine has suspended publication “for now”; readers are instructed to follow their Twitter and Facebook for updates.

Reviews

A Library Girl on vol. 2 of Attack on Titan (A Library Girl’s Familiar Diversions)
Lesley Aeschliman on vol. 17 of Fullmetal Alchemist (Lesley’s Musings… on Manga)
Rebecca Silverman on vol. 1 of Gangsta (ANN)
Maggie on vol. 1 of Hentai Prince and the Stony Cat (Organization Anti-Social Geniuses)
Alice Vernon on vol. 1 of Knights of Sidonia (Girls Like Comics)
Kristin on vol. 2 of Midnight Secretary (Comic Attack)
Sean Gaffney on vol. 1 of My Little Monster (A Case Suitable for Treatment)
Alice Vernon on vol. 1 of Toradora! (Girls Like Comics)

Filed Under: MANGABLOG

My Little Monster, Vol. 1

February 25, 2014 by Sean Gaffney

By Robico. Released in Japan by Kodansha, serialized in the magazine Dessert. Released in North America by Kodansha Comics.

(This review is based on an advance copy provided by the publisher.)

After an extended period where it seemed that only Nakayoshi titles could get licensed in North America, Kodansha Comics is slowly edging its way back into the more mature shoujo market, starting with this title from the older teen magazine Dessert. (Brief nerd aside: Dessert arose from the ashes of Shoujo Friend, Kodansha’s main ‘older teen’ magazine, which also spawned ‘Bessatsu Shoujo Friend’, aka Betsufure, home of The Wallflower et al. In case you wondered where the Fure came from.) As you can see by the cover, our two lead characters are just absolutely delighted with life and each other, and this is their sweet, fluffy love-love comedy.

mylittle1

Oooooookay, maybe that’s not quite accurate after all. Haru, the male lead, is the monster of the title, a freakishly strong, freakishly weird loner who doesn’t have any real friends, mostly as his reactions to any social situation are so far off the map from any reasonable human interaction he drives everyone away. As for Shizuku, she just wants to get perfect grades so that she can grow up to be rich, and has absolutely no time for nonsense or friendship. Which is a shame as she’s starring in a shoujo manga, so you know that she’s going to be dragged into shenanigans, if unwillingly.

I want to note that, though he’s nowhere near WataMote levels of social maladjustment (this is still a normal shoujo manga), Haru can be very hard to take for the average reader. I could have done without his forcefully dragging Shizuku into an alley at one point, and later forcefully kissing her without her consent. It stems from his ignorance of the basic norms of society, but that doesn’t make it any easier to see. We’ve also just barely begun the series, so there’s no real explanation as to why he’s like this beyond “well, he’s wacky like that”. I hope as the series goes on he gains some depth, as he seems a bit like a Manic Pixie Dream Boy at the moment.

I was far more interested in Shizuku. As the volume goes on and you see the way she interacts with people, you begin to notice that she’s not really the normal, slightly snarky girl she initially comes across as. Indeed, for all that Haru goes on about the need to have friends, Shizuku is equally solitary, and has closed herself off from emotions so much that she has difficulty dealing with then when they need to emerge… which can result in sudden explosions, such as when she realizes Haru is the #1 student in the school (if only he weren’t suspended at the start of the year). I suspect as this title goes on we’ll find she needs this interaction even more than Haru does.

We also get a couple of other characters set up to be regulars… Natsume is the slightly overwrought, ditzy type who contrasts well with Shizuku, and Sasayan is a sports-oriented boy who knew Haru from his previous school and I suspect will turn out to have a dark past or somesuch. This manga doesn’t really break any new shoujo ground. But it’s put together well, the characters are intriguing, and it can be funny (if a bit unnerving) much of the time. It’s 12 volumes total, so we’ll see how long it can keep this up. Definitely a solid first volume, though.

Filed Under: REVIEWS

Bookshelf Briefs 2/24/14

February 24, 2014 by Michelle Smith, Sean Gaffney and Anna N 2 Comments

This week, Michelle, Sean, & Anna look at recent releases from Viz Media and Yen Press.


devil13A Devil and Her Love Song, Vol. 13 | By Miyoshi Tomori | Viz Media – Recently, A Devil and Her Love Song has been pretty melodramatic, but I’m pleased to report that the thirteenth and final volume is the best in some time. The best parts, though, have nothing to do with main couple Maria and Shin. Instead, I really liked how much focus the group of friends received as a whole, particularly Ayu, with her unrequited feelings for Yusuke, and Yusuke with his unrequited feelings for Maria. Their plight is much more genuinely interesting than that of Maria and Shin, and the ending is actually kind of awesomely bittersweet, if I am interpreting Yusuke’s narration in the right way. Unfortunately, the series struggled a little getting to this point, and I’m not sure if I’m down for rereading it, but at least it comes to a very satisfatory conclusion. – Michelle Smith

saika3Durarara!!: Saika Arc, Vol. 3 | By Ryohgo Narita, Suzuhito Yasuda, and Akiyo Satorigi | Yen Press – In the first Durarara!! arc, we saw how seemingly meek and mild-mannered Mikado was far more than he seemed. In this arc, we discover the same thing about quiet and reserved Anri, who is quiet and reserved for a very good reason. The series has several ‘monsters’ in it – Celty, Shizuo and his strength, and now, as we discover, Anri. Yet it also takes pains to show us how human and relatable they all are, and in fact the one inhuman monster left, Izaya, seemingly has no superpowers at all (is jerkass a superpower?). It’s a fun series with lots of fights and smug characters being smug. I expect the Yellow scarves arc, coming this fall, will focus on Masaomi, given what we’ve seen so far. I hear it’s much darker than the Saika Arc. – Sean Gaffney

librarywars11Library Wars: Love and War, Vol 11 | By Kiiro Yumi | Viz Media – I feel like it has been quite some time since I’ve been able to enjoy a new volume of Library Wars. This volume takes a turn towards the grim and solemn side, as a confrontation defending freedom of expression at a museum turns deadly, giving Iku her first traumatic combat experience, and severely wounding superior officer Genda. Dojo helps Iku get through the aftermath as best he can, but the political pressures on the Library Corps prompt Commander Inamine to announce his resignation, leading to even more emotional turmoil in the ranks. Library Wars tends to shift in tone a bit, and this volume didn’t have much of the light-hearted scenes to break up the action and angst. I did find this volume very gripping and I’m looking forward to what happens next, hopefully with a bit of relaxation time for my favorite front line combat librarians. – Anna N

magi4Magi, Vol. 4 | By Shinobu Ohtaka | Viz Media – The first half of this volume is devoted to showing off the pure awesome that is Morgiana, and I for one could not be happier. Aladdin may have destiny, and Alibaba may have street smarts, but Morgiana has PURE POWER, and she learns here how to use it to help and save others. Meanwhile, in case the cover didn’t clue you in, we get a new hero introduced in the 2nd half. Given that his name is Sinbad, I expect that he will be playing a large role here. As for Alibaba, well, we’re not really sure what to make of him, as he seems to have joined the side of the villains this time around. Luckily, his friends are there to beat some sense into him (literally at times), and I expect that the nxt volume will give us a nice, tragic backstory to explain everything. This is still a terrific shone action series. – Sean Gaffney

strobeedge9Strobe Edge, vol 9 | By Io Sakisaka | Viz Media – I could feel myself getting a little bit impatient with this series during the last volume, and I am still looking forward to the conclusion, just because I generally don’t enjoy romance scenarios where the inevetible main couple is kept apart because they refuse to actually talk to each other about their emotions. This does continue a bit in this volume, but I’m also really enjoying Sakisaka’s art while I’m waiting for Ninako and Ren to hurry up and finally get together. Here Ninako’s holding back from confessing her feelings again for Ren due to her not wanting to hurt Ando, while Ren finally seems to be ready to force the issue. The next volume is the last, which seems about right for this series. Even though the plot elements are a bit predictable, Sakisaka’s execution of standard shoujo manga tropes is excellent, and I hope that more series from her get translated. – Anna N

voiceover3Voice Over! Seiyu Academy, Vol. 3 | By Maki Minami | Viz Media – Most of this volume is devoted to the fact that Hime can’t do her ‘prince voice’ on command, and trying to make it come naturally to her. Unfortunately, this is easier said than done – to date, she’s only done it when the situation really needed it, which isn’t something that an actor can count on all the time. Luckily, she has her manager and friends to help her, even if it may also involve falling for her. (She’s contrasted with another actress who didn’t have the willpower to succeed Hime possesses.) We also get a closer look at Senri, and open one one of the classic genderbender plot t2wists – Hime is disguised as a boy and Senri can’t spot the difference. I expect this to lead to a lot of wacky and tragic misunderstandings. Not as eventful as the 2nd volume, but still fun. – Sean Gaffney

Filed Under: Bookshelf Briefs

My Week in Manga: February 17-February 23, 2014

February 24, 2014 by Ash Brown

My News and Reviews

Two reviews posted last week! First up was Jeffery Angles’ Writing the Love of Boys: Origins of Bishōnen Culture in Modernist Japanese Literature. It’s a very interesting work examining the portrayal of male-male desire in Japanese literature in the early twentieth century. I discovered Writing the Love of Boys while looking for more information about Edogawa Rampo and his writing. The work even briefly addresses boys’ love manga, which I didn’t realize that it would when I first picked up the volume. The second review from last week was of Yoshikazu Yasuhiko’s Mobile Suit Gundam: The Origin, Volume 4: Jaburo. I’ll be honest, since I wasn’t already a Gundam fan, I didn’t anticipate that I would be enjoying this series as much as I am. I’ve actually been quite impressed with the manga. Yasuhiko’s artwork is fantastic and the balance between the individual characters’ struggles and the war as a whole has been excellent. And It doesn’t hurt that Vertical’s edition of The Origin is simply gorgeous.

As for interesting things online: Matt Thorn received An unambiguous response from Asano Inio regarding the use of pronouns and has some final thoughts on the whole affair. I had somehow forgotten about Ryan Holmberg’s What Was Alternative Manga? column at The Comics Journal. The latest article examines Shinohara Ushio’s Action Cartooning. In the most recent House of 1000 Manga column, Jason Thompson uses the return of two boxes of manga amounting to 64 Pounds of Porn as a jumping off point to discuss some of the history of the publication of hentai and ecchi manga in English. Manga translator Amanda Haley was interviewed over at Organization Anti-Social Geniuses. In somewhat older news, but Brigid Alverson and Publishers Weekly now have bit more information about it–Digital Manga, Inc. to Publish Tezuka Backlist.

Quick Takes

Gangsta, Volume 1Gangsta, Volume 1 by Kohske. Other than having seen some of the artwork and having a rough sense of the series’ premise, I actually didn’t know much about Gangsta going into the first volume. It turns out that the manga is Kohske’s first series and it seems to be doing fairly well for her. At the very least, I can say that I’m definitely interested in reading more of Gangsta. Worick and Nicolas are two “handymen” who are brought in to deal, often quite violently, with people and situations that for one reason or another the authorities would rather avoid. The two men have dark pasts, ties to organized crime, and a very close relationship with each other, but only one volume in the details have mostly just been hinted at. I like Nic and Worick a lot, and am particularly interested in learning more about Nic and his background. At one point a mercenary, he’s an incredibly skilled and powerful fighter. He’s also a “tag” with superhuman abilities, considered to be a monster or freak by many. Worick can hold his own, too, though. They’re both badasses with attitudes. The supporting cast is also pretty great.

Ikigami: The Ultimate Limit, Volume 1Ikigami: The Ultimate Limit, Volumes 1-2 by Motoro Mase. In order to encourage the population to value life and increase social productivity, the National Welfare Act is passed. During inoculation, 1 out of 1,000 people are randomly injected with a nano-capsule that will kill them sometime between the age of 18 and 24. The day before they are scheduled to die, they receive death papers–Ikigami–so that they can prepare for their last hours. Ikigami follows those people and how they deal and cope with their impending deaths. It’s a grim subject matter, but handled well. The manga manages to show that even seemingly senseless deaths matter and can have a purpose–people can continue to influence others even after they are gone. At this point, Ikigami seems to be largely episodic. However, there is also an overarching framing story that ties everything together. Kengo Fujimoto is one of the government workers responsible for delivering Ikigami to those who are about to die. He struggles to come to terms with his work and the role he plays within the system as he (and therefore the readers) learn more about it.

The Manzai Comics, Volume 1The Manzai Comics, Volume 1 written by Atsuko Asano and illustrated by Hizuru Imai. I discovered The Manzai Comics due to the fact that it is written by the author of No. 6. It’s a five-volume series, but only the first volume was ever released in English. I was actually quite surprised by The Manzai Comics; it’s a rather delightful and amusing manga. And touching, too, as transfer student Ayumu struggles to overcome his hikikomori tendencies and is almost forcefully befriended by his new classmates. One of the major running jokes is that almost everything that Takashi says to Ayumu when taken out of context makes it sound like he’s hitting on him. When he’s talking about “doing it” and so on, he’s talking about becoming a manzai duo, not boyfriends. (Although it may very well be that Takashi is gay; it’s left as an ambiguous possibility.) In some ways, The Manzai Comics is like a boys’ love manga without actually being a boys’ love manga. People who are at least passing familiar with manzai stand-up comedy will probably get a little more out of it than those who aren’t, but that knowledge isn’t at all necessary to enjoy the story as a whole.

Swan, Volume 10Swan, Volumes 10-12 by Kyoko Ariyoshi. I am still absolutely loving Swan. The Second Annual Tokyo World Ballet Competition is drawing to a close, but the passion and intensity of the dancers is as strong as ever. They are all pushing themselves to the breaking point in order to give their very best performances. Ultimately the competition is too much for some of the dancers, both physically and emotionally, as they are confronted with their own limitations. These particular volumes of Swan emphasize the importance of a dancer’s personal strength and abilities, but also the importance of a dancer’s partner and their ability to work with, rely upon, and support each other. This extends beyond the realm of dance and spills over into the rest of their lives, as well. Years have passed since the story first began; it’s marvelous to see how much Masumi has changed and developed as the Swan has progressed, not just as a dancer but as a person. I like her even more now than I did the beginning. She’s gone through a lot of trials, pain, and suffering for her art, but she has also experienced great joy and satisfaction because of it.

Gatchaman CrowdsGatchaman Crowds directed by Kenji Nakamura. I am only vaguely familiar with the Gatchaman franchise and so wasn’t initially intending to watch Gatchaman Crowds, but after hearing nothing but good things about the series I decided to give it a try. I’m glad that I did because I ended up quite enjoying Gatchaman Crowds. Hajime Ichinose is the most recent member of the Gatchaman team, a group of humans and aliens granted superpowers in order to protect the planet from aliens that would do it and the population harm. She’s an extraordinarily vibrant and optimistic young woman, and at first I thought she was going to be terribly annoying, but Hajime turns out to be a fantastic character and is not nearly as naive as one might expect. Her presence on the team has a huge effect on the other members and they all begin to rethink what it means to be Gatchaman and what their roles as superheros should be. Basically, it’s a series about using your skills and talents to the best of your ability no matter who you are and how even dangerous powers (and technology) can be harnessed for good.

Filed Under: FEATURES, My Week in Manga Tagged With: anime, Atsuko Asano, Gangsta, Gatchaman, Hizuru Imai, Ikigami: The Ultimate Limit, Kohske, Kyoko Ariyoshi, manga, Manzai Comics, Motoro Mase, swan

Pick of the Week: Insufficient Direction

February 24, 2014 by MJ, Ash Brown, Michelle Smith, Anna N and Sean Gaffney 1 Comment

directionMJ: It’s a slowish week for new manga releases, but there is at least one release I’m greatly looking forward to. To be more specific, I’m talking about Insufficient Direction, Moyoco Anno’s comic about her relationship with husband (and famous anime director) Hideaki Anno, out this week from Vertical. I was surprised by a few bits of Moyoco Anno’s personality when I interviewed her a couple of years ago at NYCC, and I expect to be surprised further by this (presumably humorous) look into her personal life. This is a must-buy for me this week!

ASH: Insufficient Direction is a must for me this week as well! I love Moyoco Anno’s manga (so much so that I hosted the Moyoco Anno Manga Moveable Feast last year) and am thrilled that we’re seeing more of her work released in English.

MICHELLE: I have a feeling this one might be unanimous! Insufficient Direction for me as well!

ANNA: I’m going to pick this too!

SEAN: Yup, it’s unanimous. Insufficient Direction for me as well.

What looks good to you this week?

Filed Under: PICK OF THE WEEK

Weekly Shonen Jump Recap: February 2, 2014

February 23, 2014 by Derek Bown Leave a Comment

Cover Feb 2, 2014This was another really strong week, though the lack of Naruto might be what put me in such a good mood about this week’s issue. Who knows, I doubt that’s the case since I’ve actually been enjoying the past couple weeks of Naruto. Though perhaps for the wrong reasons.

Toriko Ch. 264
Toriko is back! After a month off we finally get the start of the Gourmet World Arc. Finally Toriko is going to save Komatsu and…wait did I miss something? Komatsu has already been rescued? It’s been over a year that they’ve been in the Gourmet World? What’s going on!?!?!

The thing about timeskips and manga is that they can work when we are warned ahead of time. And then there’s the approach Fairy Tail and Toriko took, which is to spring it on us with no warning. And that leaves me feeling conflicted. On the one hand we dodged a rescue arc, though it’s not like Midora would have tried to keep him. He said Komatsu could go, but the latter decided to stick around and wait for his ride. Chances are Toriko would have shown up, ready to fight, and Midora was all “Whatever, take him.” And I kind of wanted to see that!!

Given how much time we spent getting Komatsu captured, it feels like all of that was a waste of time if it doesn’t even matter in the end. I have to admit, while I don’t care for rescue arcs, given how they’ve been overdone, having it completely skipped like this feels incomplete.

An odd return for one of my favorite manga, but considering Toriko has a track record of amazing chapters, and some less than stellar, I’m willing to wait and see where this goes.

Toriko

One Piece Ch. 736
It’s always a good chapter when a brand new character finds themselves trapped in Luffy’s pace. Though I have to wonder how on earth Zoro still hasn’t gotten used to Luffy always doing the wrong thing. You’d think he’d be able to predict it by now. I hope that at some point in the future we’ll get Luffy about to go and do the absolute worst thing possible and one of the smarter crew members catches him before he can.

And you gotta love DoFlamingo losing his cool as he realizes that the “Lucy” in the coliseum is not Luffy at all. It’s the beginning of the fall for him.

And then there’s a giant rock monster. Looks like we’re moving into the action packed climax of this story, and I can’t wait for all the fighting goodness.

One Piece

World Trigger Ch. 047
What is it with manga always having military groups act completely unprofessionally? Even if the neighbors invading aren’t exactly human, they must be some kind of military group, so what’s with all the bickering? It’s getting a bit tiring seeing this in every manga I read.

The escalation of the battle is handled very well, especially considering how early on in the series we still are. Compared to other series that had wars happen. And the fact that I actually care about the characters, compared to where we started with this series is kind of surprising.

Nisekoi Ch. 108
I’m curious to see where the next chapter goes, seeing how it will determine whether Haru is just a bland character or the worst character in the manga in a way that will never be surpassed by anyone else. Her obsession with her Prince Charming is an annoyance I would rather do without, but it would really make her a pretty awful person if she decides to pursue Ichijo, who to this point she hated, just because it turns out he did something nice for her in the past. It’d be kind of a crummy thing to pursue someone you know your sister likes just because you have a sense of romance that even Disney has been trying to distance itself from.

I wouldn’t be so annoyed by all this, if it weren’t for the fact that this series is really good when Haru isn’t the focus. And trying to play her off as another one of the girls being added to the harem feels unnecessary considering Nisekoi is usually so good at not being just another harem series. I’d hate to see it change that. And trying to pass off a pretty unlikable character as legitimate as the other characters that have been around for much longer would be a pretty boneheaded move.

Nisekoi

All You Need Is Kill Ch. 003
Definitely a strong showing for this series. The ongoing development of Keiji as a soldier is fascinating to watch, and the weaponry and battle tactics employed by the humans is very interesting. Though it makes me wonder why they even bother with guns if said guns are not effective.

The timeloop does raise some problematic issues that I’m not sure how the manga will adapt to. Keiji seeking out an axe like Rita’s doesn’t make much sense, if he’s in a timeloop he’d need to have it made new every time. I’m pretty sure there is no way for him to take it back in time with him. And if those axes aren’t standard issue, which they should be, how does he expect to carry one of those into battle without questions being asked.

And, of course, we get a third woman, with a design that really, really doesn’t fit in with the rest of the manga. They all feel like they belong in the dating sim version of All You Need Is Kill (would that be All You Need Is Ecchi?)

Still, this is a promising series, and the art by Obata, some design choices aside, is always a treat.

All You Need Is Kill

Bleach Ch. 566
I’m curious to see what the explanation for Rukia not being affected by Äs Nödt’s fear powers. She certainly has experience enough in her life that there isn’t much left to fear I imagine. And the continued abuse of Umlautte by Kubo aside, I look forward to seeing Rukia win a fight without almost dying herself.

At times, however the art gets a bit confusing and I can’t make out exactly what is happening. Which really shouldn’t be something Kubo has to worry about, considering how much space he gives his art. I could understand someone with a cramped art style having a hard time with the blocking of their action scenes, but when someone uses a style that leaves a lot of open space I wouldn’t expect them to be the one that has a hard time showing exactly what is happening.

Seraph of the End Ch. 010
There are few things sadder than seeing a writer continue to fail at comedy. Shinoa is not a funny character, and the constant attempts to make her endearing in an odd way just aren’t working. And it’s amazing how Yuichiro is everything a stereotypical shonen hero is. And yet somehow he manages to combine all the worst qualities of shonen heroes without any of the charm any of his predecessors have. Everything he does just infuriates me even more. When Luffy doesn’t listen and just does his own thing it’s endearing. When Yuichiro does it he’s the worst character in existence. And I’m not entirely sure why this is.

Maybe it’s because I’m an adult now, as opposed to when I started reading One Piece. Back then I could appreciate a hero that did his own thing, without taking any guff from anyone. Now anytime I see the same thing in a new manga my reaction is more akin to “Damn kid, can’t you just listen for once you little moron?”

It almost makes me sad that the vampires didn’t finish them off when they had the chance this week. It’s not like it would have taken long. Just a couple minutes and you could have been on your way. Please?

Seraph of the End

Dragon Ball Z Ch. 049
This chapter was really good. The obvious, “I have a message about this character” was kept to a minimum, and what did happen was really funny. Most people think of Dragon Ball Z as just an action series. But keep in mind Dragon Ball was a comedy originally. And Toriyama is still adept at comedy this early on in the Z incarnation.

Though I have to wonder, how is it that the Dragon Balls are limited by their creator’s power level, but they can resurrect the dead? Does that mean Kami can resurrect the dead? And if he can, why does he constantly make them gather the Dragon Balls? Unless the idea is that he has enough power to do so, but doesn’t know how? Which doesn’t make any sense because I know for a fact that if I had supernatural powers, and my ability was strong enough to learn how to raise the dead, I sure as heck would take the time to learn how to do it. Or maybe the idea is that he is powerful enough, but cannot do it without a focus like the Dragon Balls.

Either way, it’s never explained and I want a bloody explanation!


If you want to hear more, check out the Manga^3 Podcast Archives.

Filed Under: FEATURES & REVIEWS, WSJA Recaps Tagged With: bleach, blue exorcist, Dragon Ball Z, naruto, nisekoi, One Piece, one punch man, toriko, world trigger

Attack on Titan: Junior High, Vol. 1

February 23, 2014 by Sean Gaffney

By Saki Nakagawa. Released in Japan in two separate volumes by Kodansha, serialization ongoing in the magazine Bessatsu Shonen Magazine. Released in North America by Kodansha Comics.

(This review is based on a copy provided by the publisher.)

Attack on Titan has been such a breakout success both here and in Japan that spinoffs were inevitable, and indeed there are now at least four distinct spinoffs, all available (or coming soon) in English. Two of these are dramatic prequels covering life before the fall of the Wall and Levi’s past. One, out via the online Mangabox site, is a straight-up 4-koma gag comic. I had assumed that Junior High would also be that sort of title, but no, it’s got actual plot and sequential art. It is, however, aimed squarely at comedy, and some of the comedy is very funny indeed.

titanhigh

If you’ve ever read one of the several thousand High School AU fics on Fanfiction.Net, you know where this series is going. Eren and company all go to a junior high that’s quite unusual… it’s divided into human and titan sections. This appalls Eren, who has a hideous grudge against the titans for destroying his life five years earlier. (This being a gag manga, how his life is destroyed will be a punchline.) With the help of his exasperated yet overprotective childhood friend Mikasa, nerdy shut-in Armin, walking appetite Sasha, and “rival” Jean, will he be able to get through school life without making a fool of himself?

Of course not. Seeing Eren make a fool of himself is part of the point of this series. In fact, no one in the entire cast is spared ritual humiliation. Everyone’s personality traits are exaggerated and deconstructed. Eren’s constant anger is combined with a sort of shonen hero effect. Mikasa is still sort of crushing on Eren, but thankfully this isn’t made too explicit. Annie is definitely crushing on Eren, but seeing her interaction with Mikasa is funnier. Sasha is sadly two-dimensional, but at least it’s a funny dimension (her family’s poverty makes for some of the best side-comments). Some cast get very little screen time (Bertolt, Ymir), but this is likely due to this running at the same time as the main series was, so they hadn’t had their big reveals yet.

Indeed, this spinoff actually gives some folks a bit more development than the regular series. Hitch, Annie’s snarky co-worker in the Military Police, is here a snarky princess type, working with Annie on the Student Council, and her personality works well with everyone, but especially Jean. Levi’s squad are back from the dead as 2nd year students, and each get some of the amusing quirks we saw in the original. Nothing here is really deep or meaningful, but I’d hardly expect that from a manga of this sort. If you take Attack on Titan very seriously, you likely rejected this when you heard the title.

Lastly, I want to mention the translation. For some odd reason, this title has not been scanlated online like all the other Titan titles. This proved to be a godsend to translator William Flanagan, who is thus allowed to adapt loosely in order to make things even funnier without fear of fans pointing at an over-literal translation online and crying foul. So expect some Western Culture references mixed in. Best of all, the subject of Hange’s gender is made into a running gag (which I imagine must be Western-only, as in Japan it’s much easier to be gender-ambiguous) which mocks everyone who takes offense to Hange being anything other than ‘uncertain’. Not since Excel Saga have I read a book where it looks like the translator is having as much fun as the reader.

Don’t expect more than a light-hearted comedy AU here. But it’s very good comedy, with lots of quotable bits. In fact, let me leave with one of my favorite lines, from Mikasa as she tries to get hikkikomori Armin to come to school for the athletic festival:

“It’s true that you’re clumsy, talentless, and constantly weirding everyone out. And we know that in the match you’ll just flail around like a terrified toddler fleeing a birthday clown. You don’t have to worry about that. Everyone’s ready to accept you as the freak show weakling that you are.”

Filed Under: REVIEWS

The Disappearance of Nagato Yuki-chan, Vol. 5

February 22, 2014 by Sean Gaffney

By Nagaru Tanigawa and Puyo. Released in Japan as “Nagato Yuki-chan no Shoushitsu” by Kadokawa Shoten, serialization ongoing in the magazine Young Ace. Released in North America by Yen Press.

So when does one choose to end a cash cow? Particularly if the cash cow is a spinoff of an even bigger cash cow whose author seems to have dwindled down to 2 books a decade? Well, the answer is that you don’t – you need to keep the audience interested in these characters for as long as you possibly can, and if the main Suzumiya Haruhi series is on hiatus while its author deals with trying to wrap yup the monster he’s created, and the manga has to end as it can’t make up new Main Storyline stuff – well then, you keep the spinoffs going for as long as they are able.

nagato5

(For the record, I have generally assumed that when dealing with spinoff titles like these, the main plot is being created by the artist, with the writer only signing off on suggestions and censoring plots he wants to handle himself. Thus I assume that Puyo is in charge of both this and the Haruhi-chan manga, but I could be wrong.)

This volume really reads like the author was intending to wrap it up here. Yuki and her AU counterpart have a talk in her mind, after which she’s back to normal with no memories of what happened before… which is a bit of a pain to Kyon and Ryouko. Luckily it’s summer vacation and Haruhi returns to drag everyone through a series of fun activities. You can see Puyo starting to wrap things up. Haruhi reveals how things changed for her 3 years prior, and shows how she developed in a different, slightly more sedate direction due to Kyon’s unthinking response. There’s a sense she’;s moving on from him here. Likewise, Kyon manages to resolve the awkwardness he feels around Nagato, and we finally get to the big confession…

…except there are fireworks, so she doesn’t hear him. And he immediately pulls back, noting that it’s OK if he said it, and now they can go back to their happy carefree days. We then move on to a slight homework arc, and return to the school for the 2nd half of the year, which features Haruhi trying to figure out how to inveigle herself into the culture festival despite not going to that school, and the return of a very familiar face.

Yes, if you write a spinoff featuring the most popular Haruhi character in a starring role, it makes sense to bring in the big breakout character of the last few years as well. So Sasaki’s back. What will her return mean for the relationship between Yuki and Kyon? Probably not a lot, to be honest. But it will at least keep it dragged out for another couple of volumes, which is all Kadokawa asks, really.

I really do enjoy this title. I wish the art rose above mediocre, but given the popularity of Attack on Titan, mediocre art is not a big setback anymore. Puyo specializes in quiet, introspective emotional moments, and the humor here is gentle and mild – it’s probably to contrast with the Haruhi-chan 4-koma he also writes. But I simply can never get out of my head the fact that this is a cash grab for a large anime franchise, and the addition of Sasaki and pullback from an obvious ending do nothing to assuage my worries in that regard. As always, recommended for Haruhi fans.

Filed Under: REVIEWS

  • Page 1
  • Page 2
  • Page 3
  • Page 4
  • Go to Next Page »
 | Log in
Copyright © 2010 Manga Bookshelf | Powered by WordPress & the Genesis Framework