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Discussion, Resources, Roundtables, & Reviews

Features & Reviews

Spice & Wolf, Volume 8: Town of Strife I

August 11, 2013 by Ash Brown

Author: Isuna Hasekura
Illustrator: Jyuu Ayakura

Translator: Paul Starr
U.S. publisher: Yen Press
ISBN: 9780316245463
Released: April 2013
Original release: 2008

Town of Strife I is the eighth volume in Isuna Hasekura’s light novel series Spice & Wolf, illustrated by Jyuu Ayakura. The previous volume, Side Colors, was actually a collection of three side stories; Town of Strife I picks up the story immediately following Spice & Wolf, Volume 6. As indicated by its title, Town of Strife I is the first part of a two-volume story, a first for Spice & Wolf. Town of Strife I was originally published in Japan in 2008. Paul Starr’s English translation of the novel was released by Yen Press in 2013. Spice & Wolf is a series that I have been enjoying much more than I thought I would. Although I wasn’t particularly taken with most of Side Colors, I was interested in getting back to the main story again with Town of Strife I.

Having had quite the adventure on the Roam River, Kraft Lawrence, a traveling merchant, and Holo the Wisewolf, a centuries-old spirit in the form of a young woman, have finally made their way to the port town of Kerube with a new companion in in tow–Col, a young student they encountered along the river. Together the three of them are following a curious rumor: a search is on for the bones of a northern town’s guardian deity. Many people think the story is some far fetched fairytale, but Lawrence, Holo, and Col know very well that there could be some truth behind the rumors. Upon their arrival at Kerube Lawrence seeks the aid of Eve, a former noblewoman and a skilled merchant in her own right. He’s been burned once before in his dealings with her, but Eve’s impressive network of connections may be their best chance of finding the bones.

One of the things that I have always enjoyed about Spice & Wolf is the relationship and developing romance between Lawrence and Holo. By this point in the series, Lawrence has lost some of his awkwardness when it comes to Holo. While I suppose this means he’s grown as a character, I do miss the more easily embarrassed Lawrence. With the addition of Col to the mix, the dynamics of Holo and Lawrence’s relationship has also changed. Their battles of wits and their good-natured bickering and teasing which once seemed so natural now feel forced as if the two of them are putting on some sort of performance for the boy. More often than not, Holo and Lawrence are verbally sparring for show in Town of Strife I and it’s not nearly as entertaining. Ultimately I do like Col (everyone in Spice & Wolf likes Col), but his presence in the story is somewhat distracting.

Not much happens in Town of Strife I; it mostly seems to be setting up for the second volume in the story arc. Hasekura promises that Lawrence will get to be “really cool” in the next volume and Town of Strife I does end on a great cliffhanger, but I’m not sure that I’m actually interested in finding out what happens. Unfortunately, the series has finally lost its charm for me. The characters know one another so well and their conversations are so cryptic that the story is difficult to follow. The narrative lacks sufficient detail and explanations leaving readers to puzzle out the characters’ motivations and actions. This has always been the case with Spice & Wolf but what makes it particularly frustrating in Town of Strife I is that the volume doesn’t even have a satisfying ending and doesn’t stand well on its own. Hasekura claims that he needed two volumes to tell this particular story, but considering how tedious much of Town of Strife I is, I’m not convinced.

Filed Under: REVIEWS Tagged With: Isuna Hasekura, Jyuu Ayakura, Light Novels, Novels, Spice and Wolf, yen press

BL Bookrack: Totally Captivated, MMF Edition

August 10, 2013 by MJ and Michelle Smith 1 Comment

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MJ: Back in the spring of 2010, I undertook a digital marathon read of Totally Captivated, a Korean boys’ love series by Hajin Yoo, in preparation for a review of its final volume, which was soon to be released in print by its North American publisher, NETCOMICS. It was an intense 48 hours, to be sure, and at the time, I enjoyed the series so much that this quote from my review turned up on the back of that print volume: “In its early volumes, Totally Captivated was smart, sexy, and fabulously dramatic. Now at the end of its final volume, it has also grown into an unexpectedly satisfying love story, rivaling the best of its genre.”

Since we love Korean manhwa in general (and BL manhwa in particular), for our contribution to the BL Manga Moveable Feast, Michelle suggested that we devote a column to Totally Captivated. I was excited by the idea, but a little worried that I might not love the series as much after so much time (and so much BL), and in some ways my worry was justified. Having been a relative newcomer to both manga and manhwa back then, it’s only natural that my tastes would have evolved, even over the course of just three years. Fortunately, the things I loved most about Totally Captivated have endured, and I can ultimately stand by the quote above.

So what is Totally Captivated? Since I’ve always found summarizing a story’s premise to be the most difficult part of a review (no, seriously), I’ll let my 2010 self do the heavy lifting:

Ewon Jung is a 23-year-old scholarship student in Seoul, whose curiosity over whether or not it is possible to have great sex without love (“It was possible.”) leads him to cheat on his boyfriend, Jiho.

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Devastated and yearning for revenge, Jiho persuades his new boyfriend, a small-time loan shark named Mookyul Eun, to force Ewon into service at his office where he is expected to run errands, clean, and balance the books, all without payment. Unfortunately for Jiho, Mookyul soon develops an interest in Ewon, and it isn’t long before Jiho ends up shunted aside once again. Mookyul is controlling and occasionally violent, and Ewon is far from a pushover, but they eventually reach a mutually beneficial arrangement and begin living together. Things do not continue peacefully for long, however, as Ewon becomes aware that he is falling harder for Mookyul than he intended and experiences his first real taste of jealousy. Though the story’s premise initially seems contrived, its real function is to provide a stylish, humorous background to what is essentially a very moving story about two deeply damaged men learning how to love.

Care to add to that summary, Michelle?

MICHELLE: Man, am I ever glad to see you say that your worry was justified, because up to volume four I was a bit fretful that I wasn’t enjoying the series as much as I had hoped to. Happily, that did change.

I don’t think I have anything in particular to add to the summary other than the fact that it takes these guys a long time to figure out where they’re coming from, and there are a lot of scenes (especially in volumes three and four) where you wonder, “Why on earth does Ewon stay with Mookyul?!” It’s like the stereotypical sadistic seme turned up to eleven. It’s only later that you start to gain some insight into why Mookyul is behaving like he is, so it’s definitely worth it to persevere even when you’re disgusted by him.

MJ: I was re-reading my full review of volume six, and I see that I’d mentioned there how hard it was to continue to root for the relationship during a few of the middle volumes, and that’s definitely what I found even harder to deal with this time around. Yet I had a similar reaction by the end as I’d had originally—that once we knew enough about both of them to understand why they were who they were, it was actually a really romantic story. I don’t know that any other story with such a controlling love interest has managed to redeem itself with me to that extent, which makes Totally Captivated special, indeed.

The thing that makes this really work, in my opinion, is Ewon, because he’s such a consistent character all the way through, and even if we don’t understand everything about his past from the beginning, everything we learn as we go slots right into Ewon as we know him. From the beginning, he avoids commitment and real emotional connection, he’s absolutely clear with himself about what he’s willing to put up with and what he’s not, and he’ll find a way to extract himself from a situation he can’t tolerate, one way or another (I think this is why I was able to stomach him staying with Mookyul during their worst times—because when he’s done with something, he actually does leave).

But most of all, something that I think is made very clear is that (and I think this answers your question), with all that emotional avoidance in mind, the reason Ewon gets together with Mookyul, and even the reason he stays with him for a long time, is that he finds him incredibly attractive. Mookyul is exactly Ewon’s kind of hot, and he’s pretty honest with himself about the fact that this is a highly motivating factor for him, even to the end.

MICHELLE: Yeah, I know Ewon has essentially regarded Mookyul as his dream guy since middle school, but still… No matter how attractive a guy, I wouldn’t endure what Ewon endures! That said, he does also mention at one point that, because of what happened between them in the past—young Ewon pledged to wait for delinquent Mookyul to return to school, and though he did wait, his adult self forgot all about it, when to Mookyul it became a sustaining memory—he feels somewhat responsible for how messed up Mookyul has turned out. So that’s part of it, as well.

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The big turning point for me came in volume four, when Ewon’s friends pressure him to invite Mookyul out to drink with them, and it all goes horribly wrong. I loved seeing how concerned Ewon’s friends are with how controlling his new lover is, and I love the argument that results when Ewon and Mookyul get back home. “All I wanted was to introduce you to my friends. Just like other normal people get to do!”

I feel like this was the point where we realize that this isn’t going to just be some standard BL romance, but an in-depth character study. From here on out, we start to realize that Mookyul may actually be pretty clueless, despite how suave he seems to be. He has no idea how to be in a real relationship, and he’s going about it the wrong way because he can tell that Ewon is just looking for that thing that’s going to give him an excuse to bolt.

MJ: I love that volume four argument as well (and I actually adore pretty much all of Ewon’s school friends whom we meet during the series, but I expect we’ll talk about a few of them in-depth later), and the fact that Ewon never just takes any of Mookyul’s crap—there’s always a fight.

As I was reading your response, though, it also occurred to me that I think Mookyul’s bad behavior is maybe even part of why Ewon is willing to be involved with him, because he is always looking for an excuse to bolt. And since Mookyul is providing those excuses on a pretty much daily basis, it keeps that escape route always open for Ewon. Unlike with Jiho, a genuinely sweet, devoted guy whom Ewon couldn’t help but feel guilty for betraying, Mookyul is someone he could betray almost out of a sense of righteousness. Who could ever blame him for stepping out on Mookyul? He’s practically asking for it, right? And Ewon actually does this at one point early on in their relationship (more than once, if you consider his behavior with Dohoon). In a twisted way, a jerk like Mookyul is the perfect match for someone who always has one foot out the door, and that’s Ewon all over.

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MICHELLE: I can see that. I want to be clear, though, that I’m not putting responsibility for Mookyul’s horribly controlling ways on Ewon’s inability to commit. Because Mookyul really does and says some horrible things, from threatening to kill Ewon a couple of times to forcing himself on Ewon in volume four just after that argument in which it seems like he’s beginning to see the light, to concealing the fact that he’s in a sexual relationship with “Chairman Lee,” the father figure in his life, when his declarations of love had persuaded Ewon that it was safe to give his heart—that one, precious possession that he clung to when he had nothing else—to Mookyul.

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MJ: I should be clear that I’m not, either. Mookyul is 100% responsible for every shitty thing he says and does to Ewon. Ewon’s only responsible for his decision to stay with him (which, even then, I’d probably still lay on Mookyul, given all the threats he makes, if Ewon hadn’t made it perfectly clear time and again that he’s totally capable of leaving when he wants to—and does at least twice over the course of the series), and that’s where I see his inability to commit coming into play. I’m saying that Mookyul’s abusive behavior is is attractive in some way to Ewon because it makes it easier for him to avoid dealing with his real feelings. But that doesn’t erase the fact that Mookyul’s behavior is abusive.

In fact, I’d say Mookyul is unbelievably lucky—much more than he deserves to be—in that he’s managed to find someone (Ewon) who, over time, is willing to wade through all his abuse and teach him how to be a person. I think it might make me angry that he gets to have that, actually, if Ewon didn’t ultimately get something he really needs out of the relationship. The fact that Yoo is able to write all this in a way I can stomach at all is pretty incredible.

MICHELLE: Yes, I agree with that completely.

It’s only in the second half of the series that we start to see that Mookyul is actually pretty desparate to keep the people he cares about from leaving him. He’s jealous of any other guy Ewon talks to, and attempts to restrict his behavior, and yet also continues to sleep with Chairman Lee because he can’t just toss aside his own “father,” to whom he owes so much. Because he’s compartmentalized those two parts of his life, it’s almost like he can’t even see that sleeping with Lee qualifies as cheating on Ewon, which is something guaranteed to drive him away.

MJ: And, you know, I have so little sympathy for cheaters (it’s a thing), you think I’d have at least a moment of satisfaction when Ewon gets a taste of his own medicine (after all, the first thing we see Ewon do in the series is cheat on Jiho), but Ewon’s so genuinely distraught when he realizes that his pain over the discovery of Mookyul and Chairman Lee’s relationship is the same pain he’s inflicted on Jiho… I couldn’t even get there. And oh, Ewon’s pain. Yoo writes this perfectly, because it isn’t just pain Ewon feels, but also the humiliation of discovering that he’d been essentially made a fool—that he’d stood by, smiling, while Mookyul was cheating on him in the next room. Ewon’s sickening reaction and his remorse towards Jiho… it’s all written with such emotional truth.

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MICHELLE: Exactly! What I really loved about all of this is that it honestly, genuinely shocked me. We’re so conditioned by romantic fiction of all kinds to believe the behaviorally challenged (seriously, I tried out and rejected ten adjectives here) hero when he claims that his beloved is the only one for him that I totally did believe it when Mookyul said so. It never even occurred to me that Yoo would let him be lying. But, of course, in reality people lie all the time, and they hurt each other like this all the time. It’s a complication to Ewon and Mookyul’s relationship that I can love deeply because it is realistic and not just some genre trope.

MJ: Yes! And actually, there is a ton of lying in this series, perpetrated by characters we care about—in fact, Ewon does more of it than anyone. He lies frequently, sometimes to save himself from grief (or serious harm), sometimes to save someone else, and sometimes just because it’s easy to do and it makes a potentially complicated situation less complicated for him. And because he’s our POV character, we know about all of it.

MICHELLE: I love that, even though he’s our POV character, Yoo still lets him do some pretty shitty things. Like when he leaves Mookyul’s place and goes straight to Dohoon, the friend he knows has a thing for him, and proceeds to sleep with him. Poor Dohoon thinks that Ewon has chosen him at last, but it turns out not to be the case. Ewon’s just distracting himself from his
pain.

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MJ: Help! I’m torn between two emphatic responses!

First, yes, I so agree with what you’ve said here. I love the fact that Ewon is not always a good guy, at least when it comes to the way he treats his romantic and/or sexual partners (and in Dohoon’s case, his romantically-interested friends). Which isn’t to say that he’s an anti-hero by any means. He’s a protagonist you can’t help but love. It’s just that he’s a mess in a lot of ways, and one of the ways in which that manifests himself is in the way he takes advantage of his attractiveness to other men.

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But what I maybe love even more is the way his circle of friends feels like the real thing, in all the best and worst ways. Dohoon is a fantastic character (one of my favorites in the series, actually), but more than that, I know that guy. Not necessarily in the most obvious sense—I don’t have many close friends from wealthy, connected families—but that friend, that long-time friend with whom one has weird sexual tension that is maybe mostly one-sided, but you’d do anything for each other no matter what shit is going down… I know that guy. And Ewon’s whole circle feels like that. They drink together, they date, they break up, they sometimes hate each other, but mostly love each other to bits. They can hurt and use each other and ultimately be forgiven. Those are friends I know and love. And though Ewon’s friends are sort of in the periphery of this story, they are fully realized all the same.

MICHELLE: I find I’m partial to a guy whose name I don’t know, so I’ll just call him the Peacemaker. He’s the one in the scene with Mookyul and Ewon’s friends who is trying to smooth things out, reinterpreting what other people are saying in order to foster understanding and avoid unpleasantness. I mean, he’s just a bit character, really, and we already can tell so much about him by how he acts in that situation.

MJ: I know that guy, too! I think I used to be that guy!

MICHELLE: I pretty much am that guy!

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MJ: I think you’ve articulated something here, too, that is key to the success of this series. The fact that Yoo creates a character like the Peacemaker, whose name we don’t even know, but who is so immediately familiar and fully fleshed-out for us in his tiny role—that’s exactly what she does throughout the series, and she kind of does it on the sly. Particularly early on, before we start getting into the meat of Ewon and Mookyul’s histories (which takes a while, partly because Ewon avoids thinking about his past and because he lies so often), Totally Captivated is a deceptively light read. It’s over-the-top and genuinely funny (I’d forgotten, really, how funny it is), and on the surface it appears to be pretty much just a stylish romp. But Yoo is so skillful with things like characterization, that before you know it, you’re hooked into something much deeper, and you’re not even sure how you go there.

MICHELLE: And the story is just well constructed in general. The most significant action takes the form of conversations (or arguments), which I liked, but there’s also the storyline about the power struggle within Chairman Lee’s organization, and I thought that was handled quite well. There’s not too much of the gangster stuff to make it boring, but it ties together reasonably well and impacts our leads in significant ways.

MJ: Yeah, gangster stuff is not usually something I’m extremely interested in, but not only does it support the main romantic story in various ways, especially in terms of dealing with Mookyul’s relationship with Chairman Lee (which did not play out as I expected!), but the day-to-day stuff in the office of a loan shark actually provided some of my favorite moments in the series! Obviously the main relationship is developing in that office, but I also really love the way Ewon makes a place for himself with Mookyul’s underlings, and the way they all support him. There’s a scene somewhat early on in which Ewon is studying in the office and though he’s already asked everyone if they needed coffee, Mookyul fails to ask for any until later on. When he then does ask for coffee, his guys basically reprimand him, “You should have raised your hand when he asked.” It’s such a heartwarming little moment.

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Then, of course, there’s all the stuff with Byungsoo Yoo, which is so interesting. He’s an underling working for Mookyul, who gets kicked out early on for embezzling from the organization—a feat he clumsily accomplishes by convincing Ewon to let him temporarily take over the office bookkeeping (it had originally been his job before it was Ewon’s) while Ewon is busy with schoolwork. There are a whole slew of things I love about Byungsoo’s story, though not for his sake, but rather for what his story reveals about both Ewon and Mookyul over the course of the series.

First, during the scene in which he asks to take over the bookkeeping, Byungsoo makes a homophobic remark to Ewon, and Ewon’s reaction is so much exactly who he is. He doesn’t try to defend himself (why should he have to defend his existance to anyone, especially a guy like that?) or engage him on the subject at all, he just quietly writes him off as a person.

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Then later, as the increasingly clueless Byungsoo walks away, spouting promises to buy him a drink, Ewon just gives him the finger. “I don’t want some stinking homophobe to buy me a drink.” It’s just Ewon all over. He’s totally comfortable with himself and his sexuality, and anyone who’s not simply isn’t worth his concern. And yet, still, when the shit inevitably hits the fan, Ewon throws himself to the lions (Mookyul) in order to save Byungsoo from a grisly death. Which, incidentally, ends up being a surprisingly hilarious moment, in the way that Yoo creates hilarious moments.

TC-homophobe3MICHELLE: I think that was our first inkling, too, that Ewon isn’t going to necessarily be completely honest about everything. Because he didn’t ever really confess that he pretty much knew that the guy was going to embezzle, only that he wanted to take over the accounting and Ewon let him.

MJ: Yes, you’re right. This is our first really clear glimpse of Ewon’s lying for self-preservation, something that happens a lot, and which I don’t even totally disapprove of, I find, which is interesting for me as a reader.

Then, later, when Byungsoo re-enters the story, it’s Mookyul we end up learning things about—namely that he’s smarter and more forgiving than I had realized, though it all seems so obvious once it’s out there.

MICHELLE: We start to see new facets of Mookyul once he’s given up everything for Ewon. It’s like he can relax at last because Ewon has come back to him. There’s a great scene early in volume six just after they’ve been reunited when he is still clearly himself and yet exudes a completely different vibe, saying, “It’s strange… I have nothing left now. But I’m happy.”

MJ: This brings up something that’s a point of discomfort for me in the series, and that definitely bothered me more on my second read than it had originally. Both Ewon and Mookyul have epic abandonment issues that make them each who they are, and it all feels very real. It rings true, even during the most super-dramatic portions of the series. Mookyul needs to control and Ewon needs to detach—this is how they’ve each learned to cope. Obviously each character’s behavior is destructive to himself and his relationships, and we watch that happening, over and over. Nobody, including Mookyul, Ewon, and the author thinks this behavior is healthy. It just is what it is.

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Where I feel uncomfortable is where they ultimately end up, but I wonder if that’s just because it pings my own issues. By the end, they’ve each finally accepted that the other *isn’t going to leave* and that’s a huge relief for them both. They can worry about losing each other to outside forces, but they’re also there to keep each other safe from those things. And I really appreciate that this intense universe of two, which is so often just written as a super-romantic vision of controlling, over-protective behavior, is instead here a mutual coping mechanism that can help these two seriously damaged men build a happy life together—one happier than either of them ever hoped to find. It’s brilliant, actually. Yoo has taken an overused, unhealthy romantic cliche and turned it into something understandable and actually not creepy.

But a little bit? I’m still creeped.

MICHELLE: I’d say I’m more concerned than creeped. It’s just not healthy to be so dependent on another person that you declare “I won’t be able to breathe without you.” But, as you said, it’s understandable given what they’ve gone through. I hope that, with time and maturity, they’ll be able to achieve the ability to function separately as need be while retaining a feeling of certainty about their relationship.

MJ: The other thing that bothers me is that I worry that Ewon doesn’t get his way often enough in the bedroom, and this also was a bigger issue for me on my second read. Now, I’m not even talking about the non-con early on. The power dynamic is seriously screwed up in the beginning, and even though Ewon proves he can get out of situations he doesn’t want to be in, it’s still clear that he sometimes goes through with things he doesn’t want just because it’s easier, which isn’t the same as actual consent. This is a problem, and though it’s handled in a more complex manner here than in a lot of BL, it’s still yucky.

But what I’m talking about here is just their general bedroom dynamic. Ewon finds Mookyul to be pretty impossibly sexy, and clearly wants to sleep with him, so that’s not the issue. The issue is that they always have sex the way Mookyul wants to have it, and I never get the feeling that this is really okay with Ewon.

Yoo tackles the whole seme/uke (if we’re talking Japanese BL tropes), top/bottom business in a way that feels more authentic than what we usually see (I’m not saying it is authentic—how would I know?—just that it reads like it is, so I’m able to buy in), but where it works well in her scenes with Ewon and Dohoon (both exclusively “pitchers” who aren’t particularly interested in experimentation, which leads to verbal sparring), the arrangement between Ewon and Mookyul (also two “pitchers”) just reads as perpetually unsatisfying for Ewon. I’m unhappy with this state of affairs, and Ewon should be, too.

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MICHELLE: I wondered a bit about that myself. I think Ewon only makes one complaint about that aspect of their relationship, and it’s not followed up on. But after he leaves Mookyul and goes on his sex-as-distraction spree, he starts off by being “catcher” for Dohoon. I’m not sure what he does with those other guys, but I kind of thought maybe he realized he liked it after all. I do note here that this title is rated 16+, so we don’t get any kind of intimate details of bedroom relations, for which I’m grateful.

And I wonder how flexible Mookyul is in that department. When Ewon discovers that Mookyul and Lee are sleeping together, he implies that Mookyul is the catcher in that scenario and Mookyul doesn’t deny it, but doesn’t confirm it, either.

MJ: Hmmmmm, perhaps you’re right. I suppose my overall reaction is based on a sense that we mostly see Ewon just exhausted from sex with Mookyul, rather than basking in the afterglow. So I kind of felt that he never really liked it as much as he could. And when he goes to Dohoon, it’s out of a pretty destructive kind of need, so I’m not convinced he actually wants the sex then either, but rather just to be wanted, which is something Dohoon can easily deliver (unfortunately for Dohoon). I mean, Ewon’s a guy who clearly likes sex, but I’m not sure that particular spree is representative of his healthiest impulses.

Speaking of Chairman Lee… wow. There are very few characters I hate more than Chairman Lee, between the semi-incestuous (and definitely abusive) relationship with his “son,” to his downright *mean* behavior with Ewon, he enraged me more often than anyone else in the series, with a healthy side of SKEEVE. Though, true to form, Yoo managed to surprise me with him in the end.

MICHELLE: While majorly, majorly icky, I still found Chairman Lee pretty fascinating. Yoo could’ve easily turned him into a mustache-twirling villain, but he never feels like that at all.

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MJ: Yeah, he’s significantly less that kind of villain than, say, Papa Dino in Banana Fish. Fortunately, he’s also never portrayed as actually sympathetic, which I don’t think I could stomach. But he is a more fully-formed character than your average sexual abuser might be, and that at least makes it easier to understand Mookyul’s extreme loyalty. And this makes it feel that much more profound when he actually does cut Lee out of his life in order to be with Ewon, too. As twisted as Mookyul’s relationship is with Lee, I think they actually love each other. It’s just that this love is constantly compromised by Lee having established a deeply inappropriate sexual relationship with Mookyul.

And speaking of twisted relationships… oh, Jiho. Poor Jiho. Want to talk about him a bit?

MICHELLE: Sure! I actually grew to like him quite a lot. I like that he was still able to care about Ewon, despite everything that happened, and felt close enough to challenge him on some of his bad behavior. I think this may be another case of someone finding love and security—Jiho eventually acquires a sweet and adoring boyfriend—and then being able to move past some of their past hangups.

MJ: I was surprised to end up liking Jiho as much as I did, even though he was initially wronged by Ewon. I thought his revenge (or what I interpreted as simple revenge at the time) was disproportionate to the crime. But he absolutely won me over, and actually his friendship with Ewon is one of my favorites in the series. It’s one of those times where I think maybe they just got it wrong the first time around, and they were always meant to be friends. I love watching the two of them care for each other, which they do over and over. And Jiho’s little declaration of independence is possibly the cutest thing ever.

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And here’s another area where Yoo just really gets it right. When Ewon is going through his self-destructive sex spree, Jiho can’t help but care, and he kind of scolds himself for worrying about who Ewon is sleeping with when he’s got his own awesome boyfriend to care about now. And that’s exactly what would happen. It’s not like we stop caring about people who wrong us… if we did, they wouldn’t have been able to hurt us in the first place. So Jiho can’t help but care.

MICHELLE: And, of course, there’s that great moment above when Ewon is able to apologize to Jiho for the pain he caused, finally knowing what it feels like to be betrayed by the one to whom you’ve given your heart. I think we’re back to the “Ewon has great friends” point again. :) But actually, Mookyul has some loyal friends, too. Especially Sangchul, who’s his right-hand man in many ways.

MJ: You’re right, of course! I mean, technically Mookyul’s friends are kinda paid to be on his side, but it’s obvious that their loyalty to him is real. And later, when Mookyul really needs them, they come through, particularly Sangchul and, surprisingly, Byungsoo.

MICHELLE: I guess we are Friend Fangirls for this series. They provide a good deal of the humor, too.

MJ: It’s true, they do. Like the entire section where the the boys in the office are trying to cover up the fact that Ewon’s in hiding after having accidentally broken an important vase? That whole thing is hilarious, from start to finish.

Heh, I was going through the books to pick out some of my favorite bits of humor, and there are just so many! Humor is so much a part of the fabric of Yoo’s storytelling, I get the feeling that she’s barely trying; humor just happens. Sure, sometimes she takes the time to go all chibi-like to punctuate the humor (and her chibis are freaking adorable, I have to say). But so often it’s just part of the drama. I mean, there are are, in the middle of a life-or-death scene, and somehow there’s nothing funnier than Ewon suddenly exclaiming, “The crazy fucker that tried to grab your sac in elementary school was me!”

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MICHELLE: I thought it was a good sign when I snickered on, like, page three. That “It was possible.” line is just so well-timed.

MJ: Heh, yes, it really is. I suppose this is what you get when an author is just plain funny herself, rather than trying to make jokes. She can’t help but endow her protagonist with the same natural comic timing she has. And the same self-deprectating humor, too.

TC-doujinshiWe get to see that directly aimed at Yoo, even, from time to time, during occasional breaks in the fourth wall. One of my favorite instances of this is in volume two, before Ewon is sexually or romantically involved with Mookyul, and he’s gossiping about Mookyul’s relationship to Chairman Lee with Sangchul. “Hajin Yoo says she’s gonna elaborate on the relationship between Mookyul and the big boss in a doujinshi,” says Sangchul. Ewon responds, “How can you trust what that lazy-ass says?” at which point he is punched in the eye by the text bubble.

MICHELLE: Hee. I’d forgotten that bit.

So, are we basically saying that Totally Captivated has it all (save for gratuitous sex scenes)? Good points, bad points, humor, romance, well-developed characters, and loads of profanity?

MJ: And eyes! I love the heavily-lined, detailed eyes we see in so much female-aimed manhwa. Yoo totally delivers on the eyes.

But yes, I guess that’s what we’re saying. Now that you’ve laid it all out there like that, it makes me want more.

MICHELLE: Alas, this appears to be Yoo’s only work released in English. It looks like she did follow through with writing a few doujinshi based on the series, though—including one featuring Ewon’s fourteen-year-old little sister.

MJ: I procrastinated on picking up the volumes that NETCOMICS printed (they were awfully spendy) and they sold out long ago. Though, given the 18+ rating, I suppose none of these is the little sister story. Sad.

MICHELLE: I actually had no idea they’d printed any of the doujinshi!

MJ: I still have some hope for a manhwa resurgence over here, and given how much I’ve enjoyed most of the Korean BL I’ve read, more of that (and more of Hajin Yoo) is absolutely on my wish list.

MICHELLE: Mine, too!


All images © Hajin Yoo, English text © NETCOMICS. This article was written for the 801 Manga Moveable Feast. Check out Otaku Champloo for more!


More full-series discussions with MJ & Michelle:

Moon Child | Fullmetal Alchemist | Paradise Kiss
The “Color of…” Trilogy | One Thousand and One Nights | Please Save My Earth
Princess Knight | Fruits Basket | Chocolat
Wild Adapter (with guest David Welsh) | Tokyo Babylon (with guest Danielle Leigh)

Full-series multi-guest roundtables: Hikaru no Go | Banana Fish | Basara | Gerard & Jacques | Flower of Life

Filed Under: BL BOOKRACK Tagged With: Manga Moveable Feast, manhwa, MMF, totally captivated, yaoi/boys' love

Book Girl and the Scribe Who Faced God, Part 1

August 9, 2013 by Sean Gaffney

By Mizuki Nomura. Released in Japan by Enterbrain. Released in North America by Yen Press.

It is not uncommon in the world of fiction – and indeed in the world of manga – for the main character to be the most difficult, the most problematic, and sometimes the least satisfying. This is particularly true when the goal of your book or series of books is to have that character achieve catharsis, to rise above mental and emotional blocks and become a better person who can move past the past that may be causing them suffering. There’s a fine line here, particularly in a series. Their faults and trauma drive the plot, but at the same time the goal is to heal them. This can lead to an unfortunate tendency to ‘forget’ past lessons learned in time for the new book to roll around, so the character always starts two steps backward from where he was before.

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As you can guess, I’m talking about Konoha Inoue, the first-persona narrator and hero of these books. The last events in this series chronologically, Book Girl And The Wayfarer’s Lamentation, showed Konoha finally confronting directly the girl most associated with his past trauma – Asakura Miu – and dealing with exactly what led to that point, both his actions and those of Miu. At the end, both have moved to a point where they can start to repair their psyches. So you can imagine my frustration where, at several times during this new volumes, Konoha is still consumed by the same demons that haunted him before, particularly in regards to his writing.

It’s especially frustrating because we even see Miu, who is brought in in a short scene to attempt to smack some sense into Konoha, and we can see for ourselves that the same thing has not happened to her. Miu is changing, has grown and started to mature, even though we see that it’s hard for her, and she may still be regretting a few things. We thought this is what Konoha was doing as well. He was moving in the right direction, had started to opemn up to others, and had (we thought) made peace with Tohko, his mentor/friend, moving on to college. Of course, the main problem with this is that the series didn’t end with Book 5, and there’s one more backstory we haven’t really focused on, and that’s Tohko’s.

Konoha and Tohko have what amounts to a very codependent relationship in this book, far more than what we appeared to see in the prior books in the series. There had been small hints in the past, but nothing that quite led us to expect what was going on with Tohko and Ryuto here. It thus feels overwrought and emotionally draining, and worse, it feels like those emotions haven’t really been earned yet. This is in contrast with the scenes with Miu, and also Nanase, where you can buy into the tension and dissonance that flows between their characters and Konoha. Tohko seems to have made a leap here I wasn’t prepared for.

Speaking of Nanase, she really needs to move to another series ASAP. K-On!, or Sunshine Sketch, or something cute and fluffy that is absolutely not filled with broken people who think nothing of throwing each other to the wolves. While Ryuto’s frustration with Konoha is absolutely understandable – we feel the same way, honestly – his handling of Konoha is brutal and horrible, and made me lose all sympathy for him, mostly as he’s risking Konoha having a complete mental breakdown. Given the cliffhanger shows that he’s determined to ‘break’ Nanase, I can only look forward to that part of Vol. 8 with dread. I never had any illusions that Konoha and Nanase were going to remain a couple – his affection for her has never quite seemed like genuine romantic love – but this isn’t how I want to see them break up.

Lastly, there’s the question of what Book Girl as a series thinks of writing and authors in general. Ryuto’s mother points out that Konoha shouldn’t be an author, and Konoha through this book seems to regard writing as suffering. Except, of course, that he’s been writing short stories for Tohko the entire time. He just doesn’t think of that as coming from the same place. What he fears more than writing is notoriety – someone reading his work, holding it up to others, and judging it. Tohko notably never does that – his snacks are pretty much immediately eaten by her, and never see anyone else’s eyes. But given how screwed up Kohona is at this point, and the fact that Tohko’s mask may have been in place more than any of the other masked characters in this series, can we really resolve this in just one volume?

Well, no, that’s why there’s a Part 1 up there. This came out in Japan in 2 parts, and unlike the Haruhi 2-parter coming out in November, Yen has chosen to release it separately as two volumes. This means we have to wait till January to find out how this will all end. And despite all my complaints, I still want very much to see the resolution. After all, any series that can make me go on at this length about its faults is one that’s worthy enough to read. Even if Konoha does make me grind my teeth. A lot.

Filed Under: REVIEWS

The Strange Tale of Panorama Island

August 9, 2013 by Ash Brown

Creator: Suehiro Maruo
Original story: Edogawa Rampo

U.S. publisher: Last Gasp
ISBN: 9780867197778
Released: July 2013
Original release: 2008

I have been looking forward to Suehiro Maruo’s The Strange Tale of Panorama Island with great anticipation ever since the license was announced by Last Gasp in 2009. After years of delay, the manga was finally released in English in 2013 as a gorgeous, large-format hardcover. Maruo’s The Strange Tale of Panorama Island was originally released in Japan in 2008. The manga is an adaptation of the renowned author Edogawa Rampo’s novella Strange Tale of Panorama Island which was initially serialized between 1926 and 1927. (Coincidentally, the novella was also released in English for the first time in 2013.) After reading Edogawa’s Strange Tale of Panorama Island, I couldn’t think of a more perfect artist to adapt his work than Maruo. I didn’t think it was possible, but I was somehow even more excited for the release of Maruo’s The Strange Tale of Panorama Island after reading the original.

As the Taishō Era draws to a close, failed novelist Hirosuke Hitomi finds himself behind in his rent and the prospect of his work being published slim. His latest novel, The Tale of RA, is a utopian fantasy which allows him to dream about what he would do if he had limitless riches. His editor encourages him to write about something closer to his real life instead. Months later Hitomi is confronted with an almost impossible opportunity that could be straight out of his novel. His former classmate Genzaburō Komoda, to whom he bears an uncanny resemblance, has unexpectedly died, leaving behind an immense fortune. Devising an outlandish scheme to take Komoda’s place and take control of his wealth, Hitomi plans on devoting all of it to the creation of a hedonistic paradise, Panorama Island. The plan proceeds surprisingly well, but there is still one person who could reveal Hitomi as a fake–Komoda’s wife.

I have been an admirer of Maruo’s work ever since I first discovered it. At this point, only two other volumes of Maruo’s manga have been published in English: Mr. Arashi’s Amazing Freak Show and Ultra-Gash Inferno. As I have come to expect, Maruo’s illustrations in The Strange Tale of Panorama Island are exquisite. With its sensuality, eroticism, and shades of the macabre and grotesque, Maruo’s artwork is ideally suited to Rampo’s story. Even in all of its beauty, The Strange Tale of Panorama Island has an ominous and vaguely disconcerting atmosphere that is extraordinarily effective in setting the mood of the work. Hitomi’s paranoia and madness is captured in ink for all to see. And then there’s the island itself–Maruo’s portrayal is breathtaking with stunning reveals, careful attention to detail, and beautiful design and perspective work. The art in The Strange Tale of Panorama Island is simply marvelous.

Maruo’s The Strange Tale of Panorama Island is a superb adaptation and a spectacular work in its own right. The manga is not at all a slavishly executed interpretation. While staying true to Rampo’s original, Maruo allows himself to put his own touches and flourishes on the story. The ending is admittedly abrupt and somewhat disorienting (this was true of the novella as well), but what comes before more than makes up for this weakness. In part, Maruo’s The Strange Tale of Panorama Island is about the end of one era and the beginning of the next, the start of a new life after the old has been discarded. Hitomi begins as a penniless author only to become intoxicated with his own ideas as he slips into a life of debauchery and excess. Maruo’s vision of his descent is both captivating and unsettling, alluring and abhorrent. In the end, I am absolutely thrilled that The Strange Tale of Panorama Island is finally available in English.

Filed Under: REVIEWS Tagged With: Edogawa Rampo, Last Gasp, manga, Suehiro Maruo

Red Blinds the Foolish by est em

August 8, 2013 by Anna N

I wasn’t sure at first what I was going to write about for the 801 Manga Moveable Feast, and then I remembered that I bought a few volumes of manga when Deux was going out of business and hadn’t gotten around to reading them. In particular I’ve been hoarding a couple Est Em books that I haven’t read yet, I think just because I just liked knowing that there was some English language Est Em manga that I could look forward to.

As I picked up this volume, one thing that caught my attention was a quote on the back by translator Matt Thorn comparing est em to Ursula LeGuin. At first I wasn’t sure what to make of that comparison, but as I thought about it more it seemed to make sense, as both authors explore concepts, ideas, and place in their work in an extremely thoughtful way. I tend to think of est em as a literary titan among yaoi authors. Red Blinds the Foolish doesn’t disappoint the reader looking for more thoughtful yaoi.

The main story in this volume focuses on Ratifa, a young successful matador, and Mauro who ends up butchering the bulls that are killed in the ring. Maruo is bull-like in some of his characteristics, as he is color blind just like a bull. This type of set-up might seem like a bit like metaphoric overload from a lessor creator, but est em’s slice of life approach documents the growing relationship between the couple in such a natural way that the reader ends up absorbing a lot of philosophy and bullfighting information without being hit over the head with a hammer of symbolism. There are fairly explicit sex scenes in this book, but I didn’t find them to be particularly lascivious because they take place in the context of a conversation between the characters. They could just be going out for coffee or eating tapas and and talking but since this is a yaoi manga they’re having sex.

The last third of the manga is a few short stories focusing on relationships in various stages – established, just beginning, and nostalgic. What makes est em’s work so interesting isn’t so much the specific details of the plots of her stories, but the general sense of wistfulness or longing she evokes by the time the reader reaches the conclusion. Seeing est em illustrations and then going back to more commercial manga always gives me a bit of mental whiplash, as her style with delicate, not overly polished lines and a very judicious use of screen tone always evokes a sense of clarity. I enjoyed reading Red Blinds the Foolish very much. It shows how versatile est em can be, that she can produce a work that explores relationships like Red Blinds the Foolish and then is also able to make an abrupt turn into the wacky but still poignant with a manga like Working Kentauros.

Filed Under: REVIEWS Tagged With: est em, Manga Moveable Feast, Yaoi

Manga the Week of 8/14

August 8, 2013 by Sean Gaffney, Anna N, Michelle Smith and MJ 3 Comments

SEAN: First of all, I’m giving up on moving Yen to when I get it. Diamond is shipping it next week to me, but that would mean 25 books this week, and only 3 to discuss next week. That’s just imbalanced. I’ll go back to using Amazon’s street date, and just revel in things on my own earlier.

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We start off with another Tezuka manga, as Vol. 1 of Triton of the Sea hits stores via Digital Manga Publishing. Another late 60s/early 70s Tezuka title, this was serialized one page at a time in Kodansha’s daily newspaper Sankei Shimbun. The story involves humans and mermaids, and is not as peppy and cheerful as Unico and Atomcat were.

ANNA: This looks interesting!

SEAN: DMP are slowly returning to print, which means more BL titles as well. The Tyrant Falls in Love has hit 8 volumes, and judging by the description it’s done that by basically being a giant soap opera. Expect emotions.

MICHELLE: I’ve never read any of this series, but I’m very happy to see DMP returning to print editions.

ANNA: I’m also glad to see that DMP is returning to print.

MJ: I hated the first volume of this series and then loved the second. I’ve been warned off later volumes of the series by fans who know my tastes, but I’m still glad to see it returning to print.

SEAN: Meanwhile, Wild Honey is a one-and-done volume that involves… sigh… werewolves. Really hot werewolves, no doubt.

Kodansha has the 2nd Battle Angel Alita: Last Order omnibus. I think this volume will feature the title’s descent into the Tournament Arc from Hell, which it takes several years to emerge from. That said, the fights are quite well drawn.

And the second volume of No. 6 drops, where no doubt our hero continues to find out how this world really operates and has more not-quite-ship tease with his newfound companion.

MICHELLE: I’m going to give this series one more volume at least, but I’m feeling a little meh so far.

SEAN: SubLime has the 2nd volume of Blue Morning, for those who want butlers and masters and really well-done cover art.

MICHELLE: Yay!

MJ: I kinda can’t wait for this.

SEAN: For those who don’t want well-done cover art, there’s Embracing Love, debuting here in a 2-in-1 omnibus. See how the leads stare at you. They are serious about being gay. VERY serious.

MICHELLE: *snerk* I believe this is considered a BL classic, so I’m interested to read it.

MJ: Agreed.

SEAN: Viz has some amazing titles coming out this week, making my Pick of the Week either a chore or something I will have to cheat on. Dorohedoro hits double digits, which I am honestly delighted by. Still my favorite SigIkki title, and it looks like it may be hitting a point of no return soon in regards to Caiman.

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EXCEL SAGA 26! The second to last volume! Do you realize that we are almost at a point where you will not be buying new volumes of Excel Saga? This makes me so sad! And yet, new volume! Everyone must buy it! It has Homestuck, Warehouse 13, and Welcome to Night Vale cameos in it! Really! Trust me! Would I lie to you?

MJ: Someday, Sean, I’m going to try to read this series, and it will be entirely because of your undying enthusiasm.

SEAN: InuYasha’s VIZBIG edition hits Vol. 16, containing… (calculates) 3 more volumes! Honestly, I can’t remember. I think it’s somewhere in the 40s. Takahashi fantasy at its most popular. I really must catch up one day.

MICHELLE: I still haven’t finished InuYasha. I think I have the last ten volumes hanging around here unread.

ANNA: I am frightened by the length of this series, but it is totally something I would check out of the library one day.

SEAN: Itsuwaribito 9 brings us to a village ruled by women who have no use for men. Oh dear. In a shonen manga? Please don’t have the village learn a valuable lesson about how awesome the male lead is…

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I’ve been waiting for this debut for a while now. Magi is one of Shonen Sunday’s more successful current titles, and I hope the title breaks out here in North America in a big way. Retelling the Arabian Nights the shonen fantasy way, with verve and sass. And yes, starts slow. All Sunday titles start slow.

MICHELLE: I was pleasantly surprised by volume one, so if it gets even better from here, that’s definitely promising.

ANNA: Hmm, this sounds like a good shonen series for me to try out.

MJ: I’ve definitely got this in my queue!

SEAN: Neon Genesis Evangelion 3-in-1 gives us Vol. 4, containing Vols. 10-12 of the original title, and everything begins to go completely to hell here. Not that it had all that far to wander, honestly.

If you can’t get enough of the main Tiger & Bunny series, how about a doujinshi anthology? No, not like that, you pervs. This is 100% clean, though no doubt FILLED with ship tease. Vol. 1 of the anthology debuts from Viz.

MJ: I gotta say… meh. Unfortunately.

SEAN: Lastly, the X 3-in-1 hits Vol. 6. If I’m not mistaken, this is where the volumes will have to end, at least until CLAMP returns to the title to wrap it up. Which ain’t happening anytime soon. In the meantime, enjoy where it leaves off.

MICHELLE: I have no idea if it’s still available, but the anime did offer an ending of sorts. Or at least a reasonably satisfying stopping point.

ANNA: This is really one of my favorite CLAMP series despite the lack of ending.

MJ: I’m actually really looking forward to this, even though I’ve already read the not!ending. These lovely editions really have given me a new appreciation for the series.

SEAN: Besides EXCEL SAGA!, what else interests you here?

Filed Under: FEATURES, manga the week of

Last of the Mohicans

August 7, 2013 by Sean Gaffney

By Shigeru Suguira. Released in Japan initially by Shueisha; this updated edition was released by Shobunsha. Released in North America by PictureBox.

Wow. I had heard that this author was a bit surreal, so I went into this thinking I was prepared, but I was not remotely prepared. I’m not entirely sure that this manga can be read, per se. It’s an experience, almost like going to an interactive art show or something. Each page led to a new expression on my face: awe, bewilderment, sometimes staring blankly while saying “Really?” There is a story to tell, and it flows pretty well, but I’ll be honest, there’s nothing here regarding plot and characterization to talk about. Not that this is a bad thing. I found reading this to be very sensory, and absolutely would recommend it to other hardcore manga fans.

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Technically, this is an adaptation of James Fenimore Cooper’s Leatherstocking Tale, and the basic framework does sort of follow the plot. This doesn’t take place in a realistic world, however. This is the world of Wild West movies, where the East Coast can have huge mesa and rocky cliffs. It’s also very much the world of 50s comic books and strips. Photorealistic serious-minded Indians stand together with some of the goofiest faces you’ve seen this side of Doraemon. And it’s in your face the whole time – there’s no way you can try to work around it. Because this is also very comedic, despite its presence. There’s lots of fourth-wall breaking, and silly gags, and dumb Indians doing dumb things. It’s fun, but loose – one feels that if you take one wrong step along the way, you’ll end up in a place no reader has gone before.

According to the very welcome essays at the end of this book by translator Ryan Holmberg, this is how Sugiura’s style worked in general, particularly in the 60s and 70s. This edition dates from 1973-74, and is an update of the original 1953 edition. Reading the essays made me realize what my mind had been struggling with the entire time I read the manga – it felt like a collage. Pastiche isn’t quite right, because it doesn’t explain the way that the work gives a sense that anything can be pasted in from anywhere as you go. And so the two military daughters who need to be rescued are straight out of a romance comic-book and the villain of the piece is drawn completely straight, yet one of the guards is Oliver Hardy, and Wimpy from Popeye is the chef. The band Negativland once called this kind of approach culture jamming, and that’s what we see here – American and Japanese influence all thrown into one glorious canvas.

This is not the sort of manga I would recommend to any casual manga reader, nor do I think it would be a good present for kids, even if it was meant for young children in Japan. The content pretty much deals with the old, slightly racist way that Hollywood and comic books dealt with Indians, though honestly it’s much better than other contemporary works could be. But for those who really love something different in their manga, or for scholars, this is a real treat. It’s just about the right length – I’m not sure I could have taken more than the 114 pages it turned out to be, mostly as reading it can be a bit exhausting. For those who like a challenge, or art lovers, or even folks who enjoy slapstick comedy, give Last of the Mohicans a try. It’s like a yaminabe – you never quite know what ingredient will come out next.

Filed Under: REVIEWS

It Came From the Sinosphere: Shadow of Visions

August 6, 2013 by Sara K. Leave a Comment

Cover of Volume One of Shadow of Visions.

Example Scene

When I first picked this up and browsed through it, this was the scene that caught my eye.

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Wanxiang’s dream is to win the beauty pageant so she can win the prize, return to her hometown, marry her childhood friend, and live comfortably ever after.

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However, a seer has told her that it’s best for her to forget about the pageant and just return to her hometown now. But without the prize, she will be poor. And she’s certain she will win.

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The pageant has started, and Wanxiang is as confident as ever.

Wanxiang is on a boat displaying her beauty.

It is the most beautiful, splendid, glorious moment of her life …

Wanxiang is shot, is bleeding, falls, and dies.

… and the end of her life.

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I was struck by the contrast of her beauty and the serenity all around her, and the fact that she has just been murdered.

The Story

Yingshuang has a dream: the freedom to wander and go where she wants. Strange, I know. However, everybody expects her to marry the son of her wealthy neighbor, Wen Moyan. Though Moyan has been sweet on Yingshuang since childhood, she doesn’t have the slightest interest in being his wife.

Moyan visits Yingshuang

Then one day, an apparently blind man, Shan Yumu, appears in the village. He is said to bring bad luck. In fact, he’s not blind – he’s merely tired of seeing the future. And he sees that, unless Yingshuang gives up her dream and marries Moyan, her family will soon be destroyed.

Well … not long afterwards, her home is set on fire, and Yingshuang is the sole survivor of her family. It is eventually revealed that the arsonist/murderer is … Moyan, who is so in love with Yingshuang that, after her repeated refusals of his marriage proposals, was driven to destroy her family so that she would be completely dependent on him and finally agree to marry him (note: if this is “love,” then I hope nobody ever “loves” me).

After Yingshuang frees Yumu (who had been arrested as a suspected arsonist), they start wandering together. But Moyan does not give up so easily…

Background

This is yet another Star Girls title (I have written about StarGirls before). Sheau Giun (she seems to prefer her Taiwanese name to her Mandarin name) is a regular contributor to Star Girls – she has a series running in the magazine right now.

Artwork

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Can you tell this is from Taiwan and not Japan just by looking at the artwork?

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I can’t. Sure, the visual sensibility is certainly informed by Chinese traditions, but that’s also true of Japanese manga set in historical China.

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Of course, this is what I expect from Star Girls, which tries to be as much like Japanese shojo magazines as possible.

And this manhua can be just as bloody as Japanese shojo manga.

And this manhua can be just as bloody as Japanese shojo manga.

I like the artwork. First, it’s very effective at telling the story. It’s also clean, and pleasing to the eye (or at least my eye).

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While I could go into a detailed analysis of how the artwork works, this time, I think I’ll let the pictures speak for themselves.

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Choice vs. Predestination

Well, the premise of this story is: are our fates determined, or can we choose our fate? (the answer: both, because our choices are predetermined)

The story adds a feminist slant, in that society defines women’s fates more narrowly than men’s. Yingshuang *should* just go ahead and marry Moyan, who will “love” her and spend many happy years with her, while her family can continue to prosper. All she needs to do is give up on her dream of having some freedom.

And when Yingshuang refuses this path, and Moyan decides to burn her family because he “loves” her so much, it’s *Yingshuangs’s* fault that her family is gone and that Moyan is now a criminal. No, not Moyan’s fault at all. In the real world, this victim-blaming happens all the time when men punish women for exercising autonomy.

The thing is: it’s humans who determine this. There wasn’t any supernatural force which makes Moyan act as he does; Moyan, in spite of his claims that Yingshuang’s rejection of his love “forced” him, actually chooses his own actions. However, society assigns the blame to Yingshuang because she has rejected the status quo, whereas Moyan is acting in accordance to the status quo. We later learn that, though Yumu is male, his personal circumstances are more like Yingshuang’s than Moyan’s. This is why, repeatedly throughout the story, people trust Moyan but not Yingshuang or Yumu – Yumu looks like a bum, Yingshuang is a teenage girl, but Moyan is a “charming” man from a “good” (re: powerful) family.

Yingshuang, with her hair cut, wanders through the desert

The story puts a neatly ironic twist in Yingshuang’s ‘fate’, but that would be a spoiler.

My History With This Manhua

When I was first nursing a curiosity about Chinese-language comics, there was precious little information available. I could piece together some bits of information from the internet, but it was not very newbie-friendly. I did, however, learn about Star Girls, and lacking better guidance, I went to a Taiwanese comic book shop and picked up the first volume of every Star Girls manhua they had in stock.

This manhua was one of them.

Some of the manhua I picked up from that grab-bag were so terrible that I am grateful that I’ve already forgotten them.

This, however, made the deepest impression. It was one of the few which I bothered to track down in its entirety.

One of the reasons I write this column is so that it will be a little easier for the next person who becomes curious about Chinese-language comics. While this column is not a comprehensive guide, I hope it’s more useful than what I was working with when I started exploring.

Availability in English

This manhua has never been licensed in English *Sara K. experiences a coughing attack*.

Conclusion

This is overall a solid read. While I can quibble about its faults (for example, that plot hole left wide open in the last volume), overall, it’s competent storytelling. I also have fond memories of it being one of the first manhua I liked.

Yet, somehow, it falls short of being so wonderful that I simply MUST SHARE WITH EVERYONE!!!! But perhaps that’s just as well. I’m fine with it going on being the manhua which I like, but which nobody else reads (not that anybody reads the manhua which I enthusiastically recommend either).

Next time: Laughing in the Wind (TV show)


Hail. In Taiwan. In JULY. Sara knows it snows in the mountains in winter, but she sure did not expect the summer to be this cold. After spending three nights at temperatures of about 12 degrees C with only a sleeping bag to keep her warm, Sara was even looking forward to returning to humid, 30+ degrees-C weather. Well, one of the reasons she went to the mountains in the first place was to get away from summer heat. In that respect, the trip was a resounding success.

Filed Under: It Came From the Sinosphere Tagged With: manhua, Sheau Giun, star girls, taiwan

Bookshelf Briefs 8/5/13

August 5, 2013 by Anna N, Sean Gaffney and Michelle Smith 4 Comments

This week, Anna, Sean, and Michelle look at recent releases from Viz Media and Kodansha Comics.

dawn10Dawn of the Arcana, Vol. 10 | By Rei Toma | Viz Media – This fantasy manga featuring a misfit red-headed princess struggling with her gift to see into the past and future has developed into an engrossing story with a focus on expansive worldbuilding and political machinations. The tenth volume heads into a new direction as Nakaba and Caesar are remarried to other people, while still determined to somehow build the better world they envisioned together. Nakaba has come a long way since her more tentative appearance in the first volume, so I’m looking forward to seeing what she does as she seeks her own political power with only Loki by her side. – Anna N.

devil10A Devil and Her Love Song, Vol. 10 | By Miyoshi Tomori | Viz Media – It isn’t often that a shoujo manga volume leaves me with conflicting feelings a few days after reading it, but I’ve come to expect the unexpected from this manga. While Shin has been warned off from physical intimacy with Maria due to her psychological issues, he does force the issue with traumatizing results. Maria has unsettling flashbacks as her repressed memories are triggered, and Shin continues for a bit despite her clear distress. In a way this scene almost feels like Tomori’s commentary on the way similar set-ups are romanticized in manga, but in A Devil and Her Love Song it is genuinely unsettling. I predict fallout from this volume will continue for awhile. This is one manga that is always a bit unpredictable, which is why I enjoy reading it. – Anna N

fairytail28Fairy Tail, Vol. 28 | By Hiro Mashima | Kodansha Comics – Several people may have been surprised, even a bit annoyed, at Cana ignoring her friends’ plight in order to reach the goal of the S-class battle that is clearly cancelled. Now we find out why – it’s tied in to finding her father, whose identity is someone we all know. Cana’s past is rather sad and lonely, and reminds me a bit of Wendy. Meanwhile, the villains strike back in the quest to secure victory on the island, and at one point are so strong they even take out Gildarts (who, it has been said, rarely appears as he’s such a game-breaker). Luckily, Erza wins the day by, well, her psychic connection with Jellal – sorry, folks who hate him. As for Grey, he quickly sees through Ultear’s false crocodile tears. But is that going to do him any good? Still a fun shonen battle manga. – Sean Gaffney

kaze21Kaze Hikaru, Vol. 21 | By Taeko Watanabe | Viz Media – Volume 21 focuses on the fallout from Sei’s stint as an undercover spy—as a result of Okita’s feelings for her jeopardizing the mission, Sei is transferred to another company. She’s never been one for just following orders and so demands an explanation, and when Okita claims he requested the transfer because he’s sick of her, she contemplates giving up on bushi life and becoming a nun until an actual nun helps her gain perspective. I enjoyed this volume, but I was troubled by the number of times various characters equate being a girl with impetuous thinking. Too, Sei blames the female part of herself for wanting love, but isn’t it equally the girl part of her that wants to be a bushi and avenge her father and brother? This is something that Basara got right, and which I thought Kaze Hikaru did too. I must say I’m a little disappointed, though my love for the series remains intact. – Michelle Smith

magi1Magi, Vol. 1 | By Shinobu Ohtaka | Viz Media – I knew absolutely nothing about Magi going in to this debut volume, but it turned out to be pretty fun! The first chapter introduces Aladdin, a young boy with a penchant for good food, pretty ladies, and super-deformity. He’s on the search for a metal vessel for his friend, Ugo the djinn, who currently resides in the flute Aladdin wears around his neck and who can be summoned in times of need. When Alibaba, a destitute young man looking to strike it rich by “clearing” one of the mysterious and deadly treasure-laden dungeons that have sprung up around the world, witnesses Ugo in action, he decides that Aladdin must be his servant friend and accompany him in this perilous endeavour. Magi‘s tone is light and the RPG influence strong, resulting in something that’s familiar and yet sort of refreshing. I’ll definitely be checking out volume two. – Michelle Smith

Filed Under: Bookshelf Briefs

Manga the Week of 8/7

August 1, 2013 by Sean Gaffney, Michelle Smith, Anna N and MJ 9 Comments

SEAN: Can’t talk, too much manga.

Dark Horse has the 2nd Lone Wolf and Cub omnibus. I enjoyed the first one more than I thought, and will hope that the 2nd gives us just as much assassination intrigue and adorable toddlers with killer eyes.

MICHELLE: I also liked it more than I expected.

ANNA: I read the first five or so volumes of this back in the day, and am glad it is getting reissued.

MJ: I’m surprised to find myself really looking forward to this second omnibus!

kitaro

SEAN: Drawn and Quarterly finally, after a long gestation period, has the first in what I hope becomes a series of books based on Shigeru Mizuki’s 60s yokai classic, Gegege no Kitaro. Retitled Kitaro for North America (Gegege is sort of an untranslatable sound of fear), it’s over 400 pages of 60s shonen goodness. For those who love all the yokai manga coming out these days, here’s the King.

ANNA: I am intrigued by this!

MJ: Same here!

SEAN: I know only I care, but I still do care: Kodansha Comics has Vol. 31 of The Wallflower. 31 volumes! That’s more than Kenshin! Lots more than Fruits Basket! It’s 30 volumes more than Gaba Kawa! It’s a long series that rewards me with comedy, not romance.

MICHELLE: Back in the day, I bought the first six or seven volumes of this. But then I learned about its length and its episodic nature and I just went “Ugh.”

ANNA: I had a very similar reaction to Michelle’s. I found the first few volumes amusing but wasn’t willing to sign up for a neverending series.

SEAN: Seven Seas has a significant presence this week. There’s another Alice spinoff, The Clockmaker’s Story. The spinoffs are starting to glut the market, but I really enjoy Julius and his grumpypantsness. He reminds me of Austria from Hetalia. So I have hopes for this.

MICHELLE: I kinda like Julius, too, but I have really lost count of these spinoffs.

ANNA: I am pro-Julius!

SEAN: Hooray, a new volume of A Certain Scientific Railgun, the manga that reminds you once again that spinoffs can not only do better than the original, but inspire flamewars about the original! The athletics festival continues here, and we find out what Misaka does when her support team of good friends is taken from her.

Dance in the Vampire Bund continues to omnibus itself with Vols. 7-9. I understand it has vampires.

Kanokon also gives us an omnibus, featuring Vols. 3 and 4. I think I’ve already said what I need to about this series.

MICHELLE: I don’t even know what Kanokon is. Should I be glad?

sacredblacksmith

SEAN: The Sacred Blacksmith has a second volume, for fantasy swordplay fans. I seem to recall I liked this slightly better.

And World War Blue, Seven Seas’ attempt to license a Fairy Tail that’s all their own, has its own Volume 2, just a month after Vol. 1.

It’s rare I discuss artbooks, but I’m also a giant Haruhi Suzumiya fanboy, so this dovetails nicely. Udon is putting out the first of a series of Haruhi artbooks, this called Haruhi-Ism: Noizi Ito Artworks. I suspect, as opposed to Udon’s amazing Read or Die artbook, we’ll see more art and less infotext here. But hey, getting it anyway.

MJ: I’m actually kind of interested in this, too.

SEAN: Vertical gives us the 4th volume of Knights of Sidonia. What’s the chance they go back to the wacky harem comedy this time around? I’m guessing it’s more likely there will be body horror and space battles instead. But it’s good. I’m just being churlish.

MICHELLE: But it’s creepy body horror of the best kind! I love Sidonia a lot.

ANNA: I guess I am now two volumes behind on this series, but I look forward to getting caught up. I’m happy that Vertical is bringing over mecha manga like this and Gundam: The Origin.

MJ: I *heart* Knights of Sidonia very much.

SEAN: And Viz. Bakuman comes to an end with its 20th volume, and has proven to at least be a slightly happier ride than Death Note. Certainly more people know about the workings of Jump now…

MICHELLE: Stay tuned for a special Off the Shelf devoted to Bakuman., coming next month!

MJ: I’m really looking forward to the discussion with Michelle. This series surprised me at intervals, throughout, and I was especially surprised to find myself actually caring about the romance during the last volume. Can’t wait to see how it plays out!

SEAN: A Devil And Her Love Song hits double digits with Vol. 10. Given where last volume left off, it’s expecting this one will be a big ol’ angstfest, but you never know.

MICHELLE: I think angstfest is a good bet.

ANNA: I have read this and haven’t been able to write my review yet, but I would say that it goes beyond angsfest and heads strongly into severe emotional traumaland.

MJ: Oh, my.

hapimari1

SEAN: Happy Marriage?! is the new josei title from Shojo Beat, being another foray into the magazine that gave us Butterflies, Flowers. I must admit, I’m a bit wary – Butterflies, Flowers succeeded for me because of its ridiculousness – this may not have as much of that. But hey, any Petit Comic over here is good.

MICHELLE: I’m wary, too, but I’ll give it a shot.

ANNA: I liked it just fine! It is a lightweight, fun to read josei title. Not as goofy as Butterflies, Flowers, but still enjoyable.

MJ: I’m interested, for sure. Wary, but interested.

SEAN: Kamisama Kiss has caught up with Japan, at least as much as Viz allows itself to do, so it’s been a while since we’ve seen it. Lucky Number 13 should give us yokai manga of the week #2.

MICHELLE: I’m going to try to get caught up on this soon.

SEAN: Kaze Hikaru 21! Squee! OK, I admit, I’m still 20 volumes behind on this series. But hey, any series that comes out yearly is always in my wheelhouse, given Excel Saga was there for a while as well. Highly underrated shoujo, from what my friends tell me.

MICHELLE: I love Kaze Hikaru very much. Everyone should read it! But especially MJ.

ANNA: I adore this series and I always feel a bit giddy when a new volume comes out.

MJ: *hangs head in shame*

SEAN: Kimi ni Todoke 17. I have little to say about this series, even though I love it to bits. Just expect everyone to be even more sweet and adorable, OK?

MICHELLE: Works for me!

ANNA: Works for me too!

MJ: Count me in!

SEAN: Another series hits double digits as Library Wars: Love & War gets to Vol. 10. I think this got delayed a month or so, so I hope it’s worth the wait.

MICHELLE: I’m kind of surprised how much I’ve been enjoying Library Wars lately.

ANNA: I was always going to be a fan because it is not that often that my profession gets featured in a manga, but I think that this series has gotten more enjoyable several volumes in.

naruto62

SEAN: Naruto 62. That’s a whole lotta ninja.

Nura: Rise of the Yokai Clan wraps up Kyoto here at last, and moves on to a few side stories before the next big arc. It’s also yokai manga #3.

There’s always one Viz manga Diamond ships to my store late, and this month it’s Otomen 16. But the rest of you will get it. As always, I’m there for the Ryo.

Slam Dunk is in its closing volumes, but still not quite there yet. Here’s Vol. 29.

MICHELLE: It is taking a lot of willpower not to read the three unread volumes I have now collected, but this series is so good when read in chunks, so I’m tying to hold out ’til volume 31 gets here.

ANNA: I have less self control and generally read Slam Dunk as soon as it arrives because I can’t ration out my reading of this sports manga masterwork.

SEAN: Tegami Bachi is bachi-ing its tegami with Vol. 14. (Sorry, this has been a long post, I’m tired, and I don’t read the series.)

Lastly, Toriko 17 wraps everything up with some more tasty food fighting.

Assuming you didn’t move on halfway through this endless list, what are you getting this week?

Filed Under: FEATURES, manga the week of

The Twin Knights

July 31, 2013 by Sean Gaffney

By Osamu Tezuka. Released in Japan as “Futago no Kishi” by Kodansha, serialized in the magazine Nakayoshi. Released in North America by Vertical, Inc.

In this sequel to Princess Knight (well, the original Princess Knight, that is – the rewrite we saw here is still 5 years away), Osamu Tezuka shows us very clearly right from the start that this is a fairy tale, a stage production, a full-blown melodrama. No, even more, a mellerdrammer. This is a cartoon straight out of Mickey Mouse. It has talking animals, it has villains that are so paper-thin it’s amazing they don’t blow away, it has truly ridiculous plot contrivances, it’s has somewhat questionable gypsies (who are straight out of the European Comics Book Of Stereotypes), two sets of twins, multiple breaks of the fourth wall, including an appearance by Tezuka as himself, and an ending that does not so much end as simply stop.

twinknights

I loved it. But it really does seem to have everything that folks find annoying in a Tezuka manga. More than anything, I think this is the style of manga Tezuka did that we haven’t really seen over here much. The quick, dashed-off adventure stories. Lots of animal characters. Glib protagonists with not much depth. This is a good chunk of his output, particularly at this point in his career. If you read Tezuka for titles such as Barbara or MW, I can see you finding this ridiculously cloying and silly. Which it is. But it’s also so much fun! I can’t tell you the number of times I was grinning like a maniac while reading this. Not just for the adventures of Daisy and Violetta – truth be told, Daisy is perhaps the weak point of the entire manga. No, for things like the evil Duchess simply having her henchmen back out a high window to their deaths for irritating her. Ridiculous, but fun.

As for the sexism or lack thereof, it’s not too bad given the era and country it was written in, and I think does slightly better than Princess Knight. Yes, Violetta is constantly yearning to be female and wear dresses, etc, and her relationship with Emerald is far more interesting than that of her with Prince White (if this plot were written today, Daisy would marry Prince White and pretend to be Violetta while she goes off with Emerald for more adventures). But there’s no denying that Violetta kicks ass throughout, and the last page does note “Well, she may dress up as a man and have adventures in the future.”

Even better, and my favorite scene in the entire book, is when she and her family are thrown into the tower by the evil Duke and Duchess. She and her mother are separated into one room, and Violetta starts to despair. Then her mother sees a couple of swords that were conveniently left on the wall (the duke and duchess are not exactly the smartest of villains… we’re talking Gargamel-level smarts here) and decides that Violetta needs to learn how to REALLY fence… and be taught by Princess Knight. Here we see that, despite choosing to be Queen and settle down to raise a family, Sapphire has never truly abandoned her upbringing as a boy (and in fact, clearly must keep in shape with the rapier, given that she kicks her daughter’s ass). I loved this bit of family bonding.

There’s a lot packed into the 240 pages we get here. I didn’t even mention the incredibly tragic deer, or the cartoon wolves (one of whom I swear is voiced by Billy Bletcher), or the truly weird art that we see in places (check out the duke on page 231… pure Tex Avery). It’s not deep… it is in fact the very opposite of deep. But it’s fun, and lively, and would make a great fairy tale for children. Which, of course, is what it was meant to be back in 1958. A great addition to the North American Tezuka canon.

Filed Under: REVIEWS

Goong: The Royal Palace vols. 11 and 12

July 30, 2013 by Anna N

“This will be my great, tear-filled finale!”

Melodramatic lines like this, spoken in this case by prince-in-waiting Yul are why I enjoy this melodramatic manhwa so much. The misadventures and heartbreak of Prince Shin and common girl turned princess Chae-Kyung continue in Goong, as she deals with the death of her grandfather and forces within the royal family conspire to drive the couple apart.

Shin is consumed with guilt over not being able to tell Chae-Kyung that the palace kept her from going to her grandfather’s side as he was dying. The King begins to crack under the weight of the promise he made to make Yul the Prince instead of Shin. Yul manipulates the Queen into putting forward the divorce of Shin and Chae-Kyung even as he’s saddled with his own fiancee, the psychotic rich girl Mi-Roo. Yul justifies his actions by thinking of the love he has for Chae-Kyung, thinking that she’ll be happier outside the palace. While it is clear that living in the palace is taking a toll on her physical health, her growing devotion to Shin ensures that she’ll be experiencing plenty of trauma if she’s separated from her young husband.

As I was reading this volume I appreciated how far Shin has come as he’s adjusted to his royal responsibilities. The reader gets a sense of the king he could become when he hears out his father’s confession and makes an audacious speech to parliament. Shin and Chae-Kyung manage to sneak off with each other a little bit, and as a couple they seem stronger, which means that surely disaster lurks ahead.

The 12th volume marks a turning point, as the divorce between Chae-Kyung and Shin becomes public. Even thought the queen attempts to get Chae-Kyung to keep the reasons for the divorce secret, Shin quickly figures out that his wife isn’t divorcing him willingly. Chae-Kyung prepares to live the life of an ex-princess and Shin is determined to get her back somehow even after the divorce goes through. Chae-Kyung at first protests the idea of leaving the palace with money and property but Shin insists on giving her what she’s due because that’s the only thing he can do for her during the divorce.

More than anything else, I finished reading this volume with a sense that the institution of the palace in Goong damages most people in irreparable ways. The King seems like he’s about to have a nervous breakdown. The Queen vows revenge on her evil sister-in-law. Yul continues to be both handsome and deluded. Chae-Kyung and Shin are devastated, and while there’s no doubt in my mind that they’ll end up together, I’m guessing that it’ll take a bit of time before that’s possible. The glimmerings of kingly behavior Shin has displayed recently make me think that he might be up to the task of manipulating the Royal Family and leaning on public opinion until he gets what he wants.

Goong is a very satisfying, soapy series. The slapstick comedy elements combined with all the scenes of emotional devastation sometimes make the tone a little off, but the elaborate settings, ongoing plots, and stylized art combine to tie everything together nicely. I’m looking forward to reading volume 13, and I was excited to see that it looks like previous volumes of Goong are going to get a release on the kindle in the next couple months.

Filed Under: REVIEWS Tagged With: goong

Bookshelf Briefs 7/29/13

July 29, 2013 by Sean Gaffney, MJ and Michelle Smith Leave a Comment

This week, Sean, MJ, & Michelle look at recent releases from Yen Press, Seven Seas, Viz Media, and Vertical, Inc.


cheshire5Alice in the Country of Clover: Cheshire Cat Waltz, Vol. 5 | By QuinRose and Mamenosuke Fujimaru | Seven Seas – Once again, we have half a volume of the main story and half a volume of a side story, though at least the side story is about Alice and Boris. Aside from that niggle, this volume has a couple of interesting things going on. Ace is back to being the psychopath I like after the miserable Ace of Hearts spinoff, noting he only loves Alice when she’s miserable and indecisive. We also see two faceless spies who actually seem to have motivation and an agenda, which gives a whole new impression as to the real roles of the faceless. Mostly, though, this is Boris and Alice still feeling out their new relationship: what I noted are the interesting irrelevant bits. Still worth getting if you don’t mind the romance and can put up with side stories galore. – Sean Gaffney

limit6Limit, Vol. 6 | By Keiko Suenobu | Vertical, Inc. – The final volume of Limit is filled with dramatic, expository speeches that play to the back of the house. It is over the top, it is emotional, it is theatrical, and it has a truly ridiculous plot twist right at the end. Despite that, it’s also highly enjoyable and cathartic… precisely for those very reasons. No one wants a dull blase book about teens fighting for survival in the wilderness. Moreover, teenagers are by definition over the top, emotional creatures – heck, even Kamiya, the closest this series had to a stoic, is losing it by the middle of this book. And so we accept the ridiculous plot twists, and the drama. These are likeable characters put through the wringer, and I liked seeing how they all ended up by the end. Which I will try not to reveal here. I’m pleased that Vertical picked this up, though if it had been any longer I think I might have broken. – Sean Gaffney

pandorahearts16Pandora Hearts, Vol. 16 | By Jun Mochizuki | Yen Press – The best description I can come up with for the events of recent volumes of Pandora Hearts is “dizzying.” And as if volume 15 weren’t painful enough, with its heartwrenching revelations and noble self-sacrifice, volume 16 shows absolutely no signs of relenting. Oh sure, there’s a brief interlude at the beginning in which it seems that our heroes are going to be able to have a moment’s peace to process what has happened, but this is quickly shattered by a thoroughly creepy meeting with their new nemesis, still more betrayal, followed by still more hints of betrayal to come, or at least of intentions concealed and origins heretofore unknown. Now I honestly find myself worrying about the allegiance of everyone Oz is associated with, particularly Break, who in the past seemed to be attempting to strike up an alliance with the Baskervilles. I’m genuinely on edge! Kudos to you, Mochizuki-sensei. – Michelle Smith

tigerbunny2Tiger & Bunny, Vol. 2 | By Mizuki Sasakibara, based on the franchise created by Sunrise, Masafumi Nishida, and Masakazu Katsura | Viz Media – The beauty of series like these is that I get to write much less than usual, as the list of authors takes up half the review. There’s nothing particularly wrong with this volume of Tiger & Bunny – the art is sufficient, we get more of Barnaby’s backstory which I presume drives the plot, and I liked seeing that the other superheroes are all just as goofy as these two – but there’s nothing really that makes me want to keep reading more. It’s not gripping, and it still feels very corporate – for those who enjoyed the anime, here it is again in book form. Thus I’d recommend the manga for those who love Kotetsu and Barnaby, but it’s easily skippable for those who have no investment in it. – Sean Gaffney

twinknightsTwin Knights | By Osamu Tezuka | Vertical, Inc. – In this sequel to the original version of Tezuka’s Princess Knight, Sapphire, now happily married to Franz, has given birth to twins—a boy and a girl. Thanks to an internal dispute over the right of succession, the two are separated, and the princess, Violetta, finds herself on an epic journey in search of her lost brother, Prince Daisy. Though Violetta’s path as a cross-dressing swashbuckler is exciting and thankfully devoid of the unfortunate boy’s heart/girl’s heart drama that so heavily compromised the feminist potential of Princess Knight, her ultimate destiny as a conventional princess feels a little disappointing, as does the silliness that so often overwhelms any truly empowering moments the book might have had. Still, Twin Knights is undeniably fun and action-packed, and its heroine is glorious, indeed. Quibbles aside, it’s definitely worth a look. – MJ

Filed Under: Bookshelf Briefs

Off the Shelf: Cats, Rats, & First Love

July 27, 2013 by MJ and Michelle Smith 10 Comments

MICHELLE: I looked for a dumb joke that was not utterly unfunny, but I couldn’t find one, so you are all spared this week.

MJ: … is it weird that I’m kind of disappointed?

MICHELLE: Actually, it’s kind of gratifying!

Anyway, it feels like forever since we’ve done a “normal” column. What’ve you been reading lately?

MJ: Well, this will probably come as a surprise to no one, but the truth is, I’ve spent most of this week eagerly, painfully anticipating the launch of Chromatic Press’ new online magazine Sparker Monthly, due out sometime over the next couple of days. And though I’m looking forward to delving into the publication’s promised mix of female-focused comics, illustrated prose, and audio dramas, I’ll admit that the intensity of my anticipation is fueled largely by the long-awaited revival of Off*Beat, Jen Lee Quick’s manga-influenced comic that has been in publishing limbo ever since the demise of Tokyopop’s OEL manga initiative in 2008.

I read the first two volumes of Off*Beat in 2009, when they were already officially out of print, and immediately fell in love, though as the years flew by, it seemed less and less likely that we’d ever get to see its final volume. I’ll admit to having pretty much danced with glee when Chromatic Press announced its Kickstarter campaign to continue the series. I backed that project, of course, and I’ve been fawning over my new print editions of the first two volumes ever since. But, like every fan of Off*Beat, it’s new material I’ve been dying for, so when I was offered the opportunity to review the first new chapter in advance, I leapt at it in the least dignified manner possible.

MICHELLE: I have yet to read Off*Beat, so I am going to imagine your squeeful ecstasy as akin to what happened to me, a Veronica Mars fan since 2005, when the Kickstarter campaign for the movie first started. And also there are books coming! But, I digress.

MJ: I think that is probably an apt comparison!

offbeatcoverOff*Beat tells the story of Christopher “Tory” Blake, an exceptionally smart teenager who lives with his divorced mom in Queens. Tory’s a capable kid, but the sense of abandonment brought on by his father’s absence has manifested itself in an odd habit—meticulous record-keeping of every single thing that happens to him and those around him. And when a new kid, Colin, moves onto Tory’s block under potentially mysterious circumstances, Tory’s obsessive attention becomes focused on him, and he goes so far as to get himself transferred to Colin’s private school on Long Island, even though it takes him two hours (by subway, rail, and bus) to get there every day. Tory soon discovers that Colin and his guardian are involved in some sort of top-secret scientific project, and he’s able to convince himself that it’s the project he’s obsessed with, but it clearly all comes around to Colin.

Colin is initially cold and resistant to interaction with pretty much anyone, but thanks to Tory’s persistent (stalkerish?) approach and Colin’s failing grades, the two eventually begin to form a friendship. To the reader, it’s long been obvious that Tory’s falling in love, but just as he’s on the brink of maybe coming to terms with his sexuality (and the possibility that his feelings for Colin may even be reciprocated), his secret diaries are discovered and everything falls apart.

When we last saw Tory, he’d just been punched in the face by Colin … and that’s where Tokyopop left us hanging back in 2007. Fortunately, the new chapter picks up just where we left off, and it suddenly feels as if no time has passed at all. There’s always the danger that anticipation of a thing will turn out to be tragically superior to the thing itself, but I’m happy to report that this is not the case at all with the newest chapter of Off*Beat. The transition is seamless and Quick gratefully gets right into the meat of things, including the nature of Colin’s top-secret project, and the boys’ obvious mutual attraction, both in the same grounded, thoughtful manner in which the comic has conducted itself from the beginning.

I was thinking as I prepared for our column today about the contrast between Off*Beat and something like Loveless, which we lovingly discussed last week. Both series fall somewhere on the boys’ love spectrum (at least as far as their fans are concerned) and both succeed largely on their commitment to emotional truth. But where Loveless expresses that truth by way of the supernatural, Off*Beat feels very much like a celebration of the natural, the endless wonder of the everyday people and things that are just right in front of us, and the epic gloriousness of the most naturally human thing of all—honest connection with other human beings. Despite the whole “top-secret project” thing going on in the background of Off*Beat, the series is so deeply grounded in its environment and in Tory’s teenaged existence, its focus is really on the plain wonder of growing up and being a person. And I love it for that.

Also, there are cats, Michelle. Lots and lots of cats.

OffBeat-Cats1

MICHELLE: That really does sound wonderful. And y’know, for all the praise I’ve heard about Off*Beat over the years, no one has ever focused on the secret project as one of the reasons why it’s so compelling.

Do you know whether there are plans for a print edition of the new material?

MJ: Indeed there are! Chromatic Press’ publishing model is based heavily on Japan’s serialization-to-tankoubon process, so once the third volume has been completed in serialization, it will be made available in full, both electronically and in print. The first two volumes are already being sold this way, with print volumes priced at $13.99 apiece (plus some extra options) or downloadable ebooks (epub, mobi, or pdf) for $6.00 each. The ebook deal in particular is pretty unbeatable, I think, when you compare it with other download-to-own manga. I’m tempted to buy them all in both formats, just for the convenience.

So what have you been reading Michelle? And were there any cats involved?

MICHELLE: No cats, but quite a few rats!

number6My solo read this week was the first volume of No. 6, a new shoujo series from Kodansha. Originally a series of novels by Atsuko Asano, the manga adaptation is by Hinoki Kino and ran in Kodansha’s Aria magazine. (I confess that I had to look this up to confirm its shoujo bona fides, because Kino’s art does not have that traditional shoujo look.)

Shion is an elite student in a futuristic city called No. 6, which is lauded for its low crime rate, excellent medical care, etc. In this “ideal” city, everything is managed, from the weather to the people, and testing at the age of two put Shion on his current academic path. He has just been accepted into the advanced ecology program when his world is forever changed when Rat, a prison escapee from the wrong side of the tracks, slips through his open window. Seeing that Rat is wounded (and around his age), Shion stitches him up and shelters him for the night, which costs him his placement in society. But Shion doesn’t seem to mind, because he never held with all the conformist attitudes anyway. He regrets nothing.

Fast forward four years when mysterious insects are draining the life out of human victims. Shion has the bad luck to be nearby a couple of the resulting corpses and the government, attempting to bury the news, attempts to pin it all on him. Rat reappears just in time to repay his debt by rescuing Shion, and urges him to abandon all connection to his former life if he wants to survive.

If this summary seems very plot-driven and light on character, then that’s because No. 6 is the same. Despite attempts to depict a restrictive future society—which succeed about as well as those in Library Wars for a frame of reference—the setting feels generic and the characters flat. I couldn’t connect with any of them at all. There’s a particularly weird scene in which Shion is bidding farewell to his childhood friend Safu as she heads off to study abroad. Out of nowhere, and with barely any interaction between them (that readers have been privy to, at least), she blurts, “I want to have sex with you.”

In the end, I can’t label this “a mess,” because it flows coherently enough, but it’s rather blah. I’ll probably give it another volume to see if it improves, though.

MJ: I feel quite disappointed, not so much because I’d eagerly anticipated this release (though I was interested, for sure) but because all the way through your summary here, I was thinking that it really should be interesting. I mean, the story sounds like something I’d enjoy, but in my head, it magically contained awesome characterization, despite the lack of such in your description. I’m so disappointed. I’d rather it be “a mess,” as long as the characters were compelling. So sad. I hope the second volume is an improvement!

MICHELLE: The first volume ends with Shion on the verge of discovering the world that exists beyond No. 6, so hopefully that should be interesting. We shall see.

Anyhoo, want to take a stab at introducing this week’s mutual read?

kare-first-loveMJ: Sure! So, we’ve been delving into quite a number of Viz’s digital re-releases of older shoujo series—particularly those from their now-defunct “shōjo” imprint. So far, we’ve been focusing on supernatural and schoolgirl-in-another-world series such as From Far Away, Red River, and Angel Sanctuary, but this week we went for regular ol’ high school romance with the first two volumes of Kaho Miyasaka’s Kare First Love, originally released in North America between 2004 and 2006.

Karin is a quiet, bespectacled high school student who has never had a date with a boy, and whose school friendships revolve around Yuka, a vapid, popular girl who mainly uses Karin to get out of doing her own homework. On the bus to school one day, Karin overhears a group of boys making snide comments about her looks, but when one of them sees that she’s reading a particular photography book, he comes over to talk to her. The encounter ends in embarrassment for both of them, as the boy, Kiriya, accidentally lifts up the back of Karin’s skirt while trying to return the book to her. Kiriya turns up later at Karin’s school, again in an attempt to return her book, and the two are swept up in plans for a group date, spearheaded by Yuka.

In true shoujo manga form, Yuka sets her sights on Kiriya (who only has eyes for Karin), and tries to bully Karin into supporting her efforts. Fortunately, another girl from their class, mature, independent-minded Nanri, sticks up for Karin and even lets Kiriya in on what’s going on so that he can step up and become Karin’s knight in shining armor. Which he does. And they’re in love, whee! First love! Next: the group trip to the beach!

If my summary sounds a little jaded, I suppose it is, as there is truly nothing original to be found in Kare First Love. Its premise, its conflicts, even its artwork are so closely painted by the shoujo manga numbers, it’s maddening, truly. Yet, perhaps more maddening is the fact that, as a reader, I still care. These tropes endure because they mostly work, and they work on me here, despite myself. Even though I know what comes next, I still want to watch it play out. And though that may be sad on a number of levels, it’s undeniably the truth.

MICHELLE: I didn’t like Kare First Love as much as I expected to, either, which was disappointing. I do lay some of the blame for this on the back cover copy, though. Consider this excerpt from volume two:

The age-old dilemma of choosing between your friend and the one you love is the lesson for the day for these bubbly high-schoolers.

Okay, number one, none of them is bubbly. But more importantly, and established immediately… Yuka is not really Karin’s friend!

I was lead to expect exquisitely poignant angst, with Karin knowing how much her friend truly loves Kiriya, but still deciding that she’s not willing to sacrifice a chance at love and happiness for her friend’s sake. Something like Yano and Takeuchi in We Were There, for example. But that’s not what we get. Instead, Yuka is a “shallow skank,” to quote one of Kiriya’s friends, and completely unsympathetic. When things don’t go as she plans, she engages in tiresome mean girl shenanigans for a volume and a half, until Karin finally declares “You were never my friend,” at which point Yuka disappears from the story and we move on to more traditional couple drama.

Now, granted, I thought the story improved from this point, as I liked the increased presence of Nanri (my favorite character) and the depiction of Karin’s pressure to succeed in school, but it’s not really what the blurb originally promised.

MJ: Agreed on all points. And honestly, it’s Nanri who will probably keep me going through subsequent volumes, assuming she sticks around. Well, Nanri and the annoying fact that, in spite of everything, I still want to find out what happens. I would bet all my money and meager possessions that they get married. They totally get married in the end. Am I right?

MICHELLE: You’re right. And possibly in a few volumes there’ll be some focus on Nanri and her older (possibly married) boyfriend, and then perhaps she’ll end up forming a couple with Kiriya’s friend, or something.

MJ: And don’t forget the inevitable parental disapproval! Surely that is yet to come. Also, what dark secret lurks in Kiriya’s past??

*Sigh* I’ll probably read it all.

MICHELLE: Hee. Me, too. We are shoujo’s bitches.

MJ: Amen.

Filed Under: OFF THE SHELF Tagged With: kare first love, no. 6, off*beat

Soul Eater, Vol. 15

July 26, 2013 by Sean Gaffney

By Atsushi Ohkubo. Released in Japan by Square Enix, serialization ongoing in the magazine Shonen Gangan. Released in North America by Yen Press.

Soul Eater is a series I love, but it’s also a series that’s very easy to put on my ‘I only have one paragraph worth of things to say’ list, which is why I’ve been reviewing it as a brief for the last two years. With this volume ending the Baba Yaga’s Castle arc, however, it’s a good time to take stock and remind ourselves just why this series works. It’s not just about the awesomely surreal art any more. (Though the art is great… in particular, the use of simple black scribbles to show everyone’s minds being taken over by “spiders” is absolutely horrific.)

souleater15

The last time I did a big review was Vol. 6, where our heroes ended up losing their battle to stop the resurrection of the big bad. They fare somewhat better here, but it’s still something of a Pyrrhic victory. Arachnae, for all her disturbing spider imagery, was always going to fall into the category of ‘not as interesting as Medusa’. And the astute reader has been waiting for Medusa’s ‘helping’ our heroes to eventually rebound back on them for about 4 volumes, now, so it’s not much of a surprise when it does. (I do wonder what happened to the little girl Medusa was possessing… I assume she lived, but we never do see her again. The anime implied she was returned to her parents and absolutely not mentally scarred by all this, which… seems unlikely.)

And of course our heroes have some casualties of their own, namely Kid, who is still trapped within the villains’ book. This means that Liz and Patty are now a duo like everyone else, rather than a threesome with Kid, and Patty is now the meister. This is dealt with mostly in a lighthearted way (Patty is shown to be hella strong, and also has no qualms whatsoever in fighting dirty when the need arises), but I am hoping that at some point we get an explanation of their backstory, as Liz and Patty just aren’t as developed as the rest of the cast (no pun intended).

The end of one arc means the start of another, though, and there are several things in this volume that point forward to what is coming soon. We discover who the killer of B.J. is, and while it wasn’t obvious, it wasn’t all that surprising either – the killer has always seemed a little fishy throughout the series, so seeing he’s really evil is not that much of a stretch. As for Kim Diehl, it’s a bit of an anticlimax, as the far-too-understanding Shinigami seems to be perfectly OK with “she’s a witch, but not evil, so forgive her”. I wonder if Soul Eater Not! will deal with any of this fallout… assuming it ever catches up to this point in the manga. (I also want to meet her sister, who will inevitably be called Kelly Diehl.) Lastly, Maka and Soul hunt down a serial killer who is an amusing Freddy/Sadako hybrid, and finally gain the Death Weapon status they almost had in Chapter 1 before Soul messed everything up.

Everyone has matured and seem stronger now, which is good, as things are only going to get more dangerous from now on, particularly if Maka is still intent on saving Crona. Soul Eater has rapidly become one of the best shonen series available today. Get it.

(Also, trigger warning for spiders, but honestly, Soul Eater has so many terrifying art things that it seems a bit pointless to just narrow it to one.)

Filed Under: REVIEWS

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