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Bookshelf Briefs 5/1/17

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Anonymous Noise, Vol. 2 | By Ryoko Fukuyama | VIZ Media – Although I’m still not convinced this series is a keeper, I did like the second volume more than the first. Nino wants to improve her singing and consults Miou, the former vocalist of Yuzu’s band, who gladly points out all of her deficiencies. Apparently Nino never bothered to learn any singing fundamentals before. Meanwhile, she hears about vocal auditions for Momo Kiryu, who might be (and ultimately is) her Momo. Only, he doesn’t want to see her because he has angst about selling the songs he originally wrote for her. There is also some ridiculous angst about the reason Yuzu doesn’t sing anymore. And we still don’t have any idea what Nino’s voice actually sounds like, only that it’s unforgettable. Yet, I’m still interested in the next volume, as Nino has formally joined Yuzu’s band. I hope she develops some goals other than incessantly shouting for her childhood friend. – Michelle Smith

Kuma Miko: Girl Meets Bear, Vol. 4 | By Masume Yoshimoto | One Peace Books – Given that this volume features two detectives investigating a murder by going into a odd, remote village where everyone has strange worshiping habits, it’s not surprising that I got a bit of a Higurashi vibe off of this volume. The rest of the book is as variable as ever—I was quite amused at some of the gags, such as Natsu ending up looking as if he’s about to eat Machi by a horrible series of coincidences, or the sheer ridiculousness of the “murder” itself. But when Kuma Miko tries to do more normal manga gags, it falls flat—Hibiki’s crush being used for comedy isn’t as funny as it thinks it is, and Machi’s naivete can wear thin fast. Honestly, Kuma Miko is best read by fans of talking bears. – Sean Gaffney

Maid-sama!, Vols. 15-16 | By Hiro Fujiwara | VIZ Media – Maid-sama! keeps on trucking towards its finale. There’s rather too much repetition of the “you’re from different worlds” theme for my liking, as Misaki first encounters some weird Miyabigaoka kids who’re trying to befriend Tatsumi by throwing him an elaborate birthday party (one gift is a bronze statue of himself) and later tries to become a polished enough young lady to follow him to England, where he has gone to formally renounce his family ties. I had expected his departure to follow the shoujo trope wherein the hero goes away and there’s a time jump, but instead we actually get the story of his parentage, which was far more interesting than I expected. Still, I’m glad this is ending next time. – Michelle Smith

My Love Story!!, Vol. 12 | By Kazune Kawahara and Aruko | VIZ Media – Unlike Maid-sama!, I’m really sad this one is ending next time! Especially since a good chunk of this volume deals with compulsively lying transfer student Tanaka and how Takeo can see through his falsehoods to the loneliness within. And then Tanaka transfers schools again. It would all feel pointless if it didn’t emphasize again how good of a person Takeo is and how deep the friendship is that he and Sunakawa share. I like Yamato and all, but it’s really the depiction of this supremely meaningful friendship between guys that makes My Love Story!! unique and wonderful. Here, too, someone is poised to go overseas and we have a cliffhanger ending, but I predict happiness and warm feelings to come. – Michelle Smith

My Monster Secret, Vol. 6 | By Eiji Masuda | Seven Seas – This series is panning out to be very long, and that can be a problem when one of the main plotlines is “when will these kids who are obviously in love with each other admit their feelings” You risk frustrating your audience—especially these days, as the more modern anime fan is less tolerant of drawn-out confessions. How do you solve that, if you’re My Monster Secret? By doubling down on the comedy, as Asahi’s confession attempt is done in by Nagisa’s desperate flailing (and occasional shovels to the head), as well as Youko’s denial that he could possibly love someone like her, and the constant feeling, omnipresent in these works, that they’d ruin a great friendship . Luckily, it *is* hilarious. – Sean Gaffney

Scum’s Wish, Vol. 3 | By Mengo Yokoyari | Yen Press – The core of this third volume is the reveal about Minagawa and how she feels about Kanai—and men in general. Given that Scum’s Wish is about the sordid, seedy side of love and sexuality, she honestly fits right in, and while she’s written to come across as highly unlikable, I still sort of get a kick out of her thoughts and scheming. Meanwhile, Mugi and Hanabi have moved on to mutual masturbation, but still are avoiding the main issues, though Mugi at least it starting to see how her actions are hurting others. Not that she lets this stop her. And speaking of mutual masturbation, there’s also her friend Ecchan, who is willing to let her emotions be played with as long as she has this. Scum’s Wish: still twisted, still readable. – Sean Gaffney

Yowamushi Pedal, Vol. 5 | By Wataru Watanabe | Yen Press – There is a certain point in this omnibus, when two of our heroes are fighting against a young man stripped half naked and screaming “ABS!” like a mantra, and refusing to work together as a team in order to easily take him down, that you are thoroughly entertained by the sheer ridiculousness of what’s going on here. Less hilarious is Midousuji, whose creepy vibe is helped along by the art—it’s as if Watanabe realized how strange his faces looked on the main characters, and wondered what would happen if he took it up to eleven. The answer is: TERRIFYING THINGS. But in between that, there is bike races galore, as well as a few tragic flashbacks. Exhilarating. – Sean Gaffney

My Week in Manga: April 24-April 30, 2016

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My News and Reviews

Last week at Experiments in Manga I posted two features in addition to the usual My Week in Manga. First up was the monthly giveaway. The winner will be announced on Wednesday, so there’s still time to enter for a chance to win the first volume of Leiji Matsumoto’s Queen Emeraldas. All you have to do is tell me a little about your favorite space manga (if you have one). Also posted last week was the long-form manga review for April. I took a look at The Girl from the Other Side: Siúil, a Rún, Volume 1 by Nagabe. The manga was one of my most anticipated debuts of 2017 and it is easily one of my favorites to be released so far this year. Last week was also the first week at my new job so I was rather preoccupied and busy with settling in there and so wasn’t online all that much. However, I did catch an interesting feature on the recent josei renaissance over at Anime Feminist. The article is written by Megan from The Manga Test Drive, one of the manga review blogs that I make a point to follow and particularly like.

Quick Takes

Ghost Diary, Volume 1Ghost Diary, Volume 1 by Seiju Natsumegu. My experience reading Ghost Diary was a little odd. I can’t say that I was overly impressed by the first volume while I was reading it, but by the time I reached the end I found that I actually had enjoyed myself and was interested in reading the rest of the short series. The individual elements of Ghost Diary aren’t particularly original, but as a whole it’s horrific fun. In some ways the manga feels like it’s a mashup of other existing stories which deal with the supernatural and the occult. Even the illustrations reminded me of other works, in particular some of CLAMP’s darker series. I was actually expecting Ghost Diary to be much more serious than it actually was. The manga definitely has a disturbing side to it, but to me it comes across as a dark comedy more than anything else. It’s both goofy and grotesque. The story follows Sukami Kyouichi, the youngest son in a long line of exorcists whose older sister (also an exorcist and far more powerful than he is) mysteriously disappears after he angers a god due to his inexperience, ineptitude, and ignorance. Now he’s desperately searching for her which proves to be a very dangerous venture.

Princess Jellyfish, Omnibus 4Princess Jellyfish, Omnibus 4 (equivalent to Voluems 7-8) by Akiko Higashimura. At this point the Princess Jellyfish manga has progressed much further along in the story than the content that was adapted for the anime series (which was my introduction to the work). So far, my love for the series has yet to diminish. In this omnibus the women of the Amamizukan apartments (along with Kuranosuke) somehow manage pull off a successful fashion show which is intended, in a roundabout way, to save their home from being demolished and redeveloped. However, for that to work, their success will have to extend to actually launching the Jelly Fish brand as well, and reality is much more challenging than a dream. Princess Jellyfish is intentionally outrageous and comedic in the telling of its story but the underlying heart of the manga is believable earnest. I find the manga’s style of humor to be immensely entertaining, but probably what I enjoy most about Princess Jellyfish are its characters and their relationships with one another. I especially liked how Shuu and Kuranosuke’s brotherly affections were developed and portrayed in these two volumes.

Twinkle Stars, Omnibus 1Twinkle Stars, Omnibuses 1-2 (equivalent to Volumes 1-4) by Natsuki Takaya. Probably like most people, my introduction to Takaya’s work was through the series Fruits Basket, a landmark title in the North American manga industry. It would seem, then, that Takaya’s next major series, Twinkle Stars, would be an obvious license choice, but the manga only began to be released in English relatively recently. Other than the fact that Takaya was the creator, I actually didn’t know much about Twinkle Stars before reading it. The series turns out to be an incredibly compelling and emotionally resonant work even if some of the story developments do seem a little convenient and trope-worn. The lead of Twinkle Stars is Sakyua Shiina, an endearing highschool third-year whose outward cheerfulness goes a long way to hide her inner struggle with depression and self-worth, the result of a troubled family life. Fortunately, she now has people in her life who care for her dearly. Under some rather peculiar circumstance she meets and ultimately falls in love with Chihiro, a young man who likewise is left dealing with the aftermath of past tragedies. At times Twinkle Stars can be absolutely heartbreaking but this countered by the immense kindness that is also exhibited in the series.

WitchlightWitchlight by Jessi Zabarsky. Before being edited and published in a collected edition with additional content, most of Witchlight had previously been released as a series of individual comic chapters. Described as a shoujo adventure, Witchlight is a delightful fantasy comic about the close bond of friendship and love which slowly develops between two young women as they travel together on a quest. They don’t start out on good terms, though. Sanja is kidnapped by Lelek, a candle witch who demands that she teach her how to use a sword. Lelek is searching for a part of herself that has been lost and magic isn’t always enough to protect her. While being abducted isn’t exactly a promising beginning to a relationship, Sanja is more curious than afraid and her good nature and openness has a positive influence on the untrusting Lelek who has kept her heart closed off from others for so long. Lelek and Sanja’s emotional journeys are the most important aspects of Witchlight, but their physical journey is also wonderful to watch unfold as they encounter other cultures and and types of magic. The characterizations, worldbuilding, artwork in Witchlight are all lovely.

RevengeRevenge: Eleven Dark Tales by Yoko Ogawa. I find the cover design and even the title selected for the English-language edition of Ogawa’s Kamoku na shigai, midara no tomurai to be somewhat misleading. Revenge, although it does make a few appearances throughout the volume, is not at all an overarching theme. And while there is death and violence, most of the gruesomeness implied by the cover occurs off-page. That being said, Revenge is a marvelously disconcerting work of subdued horror. Everything in Revenge is told from a first-person perspective, giving the collection a surprisingly quiet and contemplative atmosphere which becomes increasingly dark as the volume progresses. The individual stories can all be read and function well on their own, but what makes Revenge such a phenomenal collection is how they are all entangled with one another. Often the connections are tangential–similar turns of phrases and references are used, main characters and plot points from one story appear and reappear in the backgrounds of others, and so on–but sometimes they have a profound impact on the interpretation of the various narratives. A close, careful reading of Revenge is rewarded with the revelation of a complex, strange, and surreal web of the macabre.

Your NameYour Name directed by Makoto Shinkai. Originally I thought I would be waiting to watch a home video release of Your Name but the film actually ended up being shown at one of my local theaters and a friend invited me out to see it over the weekend. Your Name is a beautiful film, both visually and thematically, and not quite what I was expecting. (Granted, I’m not entirely sure exactly what it was that I was expecting.) To me it almost feels like three different films have been merged into one. Initially Your Name is about Mitsuha and Taki, two young people who don’t really know each other but who have started to spontaneously and erratically switch bodies when they fall asleep. But when the switching suddenly and unexpectedly stops, the film changes its focus to Taki as he tries to locate Mitsuha, keenly feeling the absence of the close intimacy that the two understandably developed over time. From there the urgency of Your Name increases even more as Taki uncovers the truth and he and Mitsuha struggle to prevent further disaster and loss. In part a romantic comedy, in part a meditation on love and spirituality, and in part (it would seem) a response to the Fukushima disasters, Your Name largely remains cohesive even while bending and shifting between genres.

Attack on Titan, Vol. 21

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By Hajime Isayama. Released in Japan by Kodansha, serialization ongoing in the magazine Bessatsu Shonen Magazine. Released in North America by Kodansha Comics. Translated by Ko Ransom.

(As always lately, there are major spoilers for this volume here.)

Well, we finally get the answer of who will survive. It was obviously Armin at first, but then a soldier showed up with Erwin’s dying body and the whole thing devolved into an argument about “whose life is worth more during a war?”. If I recall correctly, the Attack on Titan fandom was arguing about these chapters as well, though for a different reason – storywise, it feels like a cheat to have Armin come back from the dead after such a nice heroic sacrifice. Also, I sense the Attack on Titan audience is getting tired of the only characters dying being minor ones like Marlowe. Well, no worries here, as not only does Erwin due when Levi mercifully decides not to save him, but in order for Armin to survive, Bertolt has to be eaten. He doesn’t take it well.

Leaving aside the 80 billion counts of insubordination that Eren and Mikasa commit here, which will no doubt be gone into in the next volume, the other big dramatic moment that comes here is finding and entering the Jaeger basement. This has been the Survey Corps’ goal for who knows how long, and the “when will they get to the basement” jokes were practically a meme. Needless to say, the moment itself is given all the drama and tension it can muster, including Eren realizing that the key he’s always had isn’t for the basement door at all (Levi solves the problem by kicking the door to bits), and the cliffhanger ending showing us… a photograph! Yes, it turns out humanity may not be as completely wiped out as we suspected.

What follows is a long chapter of tragic backstory, as we have Eren’s father discussing his childhood rebellion against the authoritarian regime, the loss of his sister, his joining a resistance force, and his meeting a Historia lookalike named Dina whom he falls in love with and marries pretty quickly. Of course, we know from the very first chapters that she’s not Eren’s mother, so there’s even more drama going on here – and so yes, they’re both betrayed by Grisha’s FIRST son, named Zeke. Attack on Titan has always been fairly serious and po-faced – what little humor there is tends to come from Sasha’s antics – but even for this series, this is depressing stuff. We see a flashback to the death of the little sister, who is ripped to pieces by military dogs (no, actual dogs), and Zeke betraying his parents to the fascists is just icing on the cake.

I get the feeling that this flashback is going to take up a great deal of the next volume as well, which is good, as we still need a few more answers. For the moment, though, Attack on Titan may not be fighting too many Titans in this book, but it’s just as deadly. It’s well worth a read if you’re a fan of the series, but be warned that sometimes the mind-numbing bleakness of events can make the reader as depressed as the characters themselves.

My Brother’s Husband, Vol. 1

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The world has changed since Heather Has Two Mommies was published to controversy and acclaim in 1989. Here in the US, we’ve seen the legalization of gay marriage, first on the state and then on the federal level. We’ve also witnessed a slow but meaningful change in the way that our judicial system conceptualizes parental rights, as evidenced by a recent decision overturning Alison D. v. Virginia M., a 1991 lawsuit in which the court held that non-biological, non-adoptive parents have no legal standing in custody disputes. Writing in 2016, the New York Court of Appeals declared that “the definition of ‘parent’ established by this Court 25 years ago in Alison D. has become unworkable when applied to increasingly varied familial relationships,” recognizing the degree to which gay and lesbian partnerships had been marginalized by the original ruling.

Our recent presidential election offered a powerful reminder, however, that the initial firestorm over Heather Has Two Mommies was never fully extinguished; no matter how much the law had evolved to reflect shifting cultural attitudes, some Americans still clung tenaciously to the idea that the only legitimate families were headed by a father and a mother. In this moment of uncertainty, Gengoroh Tagame’s My Brother’s Husband is a welcome arrival in American bookstores, offering younger readers a warm, nuanced portrayal of gay life that challenges the idea that the only families that “count” are based on blood relations.

Tagame’s story focuses on Yaichi and Kana, a single father and his curious, outspoken daughter. Their cosy household is upended by the arrival of Mike Flanagan, a good-natured Canadian who was married to Yaichi’s deceased twin brother Ryoji. Yaichi is reluctant to host Mike, but seven-year-old Kana warmly embraces their visitor, insisting that Mike stay with them as an honored family member.

In the early chapters of the story, Mike represents a direct challenge to Yaichi’s unexamined beliefs about homosexuality. Tagame uses a split screen to make us privy to Yaichi’s internal monologue, contrasting Yaichi’s public actions with his private thoughts, in the process revealing the extent to which Yaichi uses stereotypes to justify his discomfort with Mike. Not surprisingly, Yaichi initially treats Mike as a nuisance, but his attitude changes as he watches Kana interact with Mike; her natural curiosity and warmth bring out the same qualities in their guest, encouraging Yaichi to view Mike as an individual, rather than a type.

In the later chapters of the story, Mike’s role in the household begins to evolve. He joins Yaichi and Kana in their daily activities — going to the store, visiting the community center — and talks openly with Kana about his marriage to Ryoji. When Yaichi’s ex-wife arrives for a visit, she marvels at Mike, Yaichi, and Kana’s closeness, recognizing the degree to which they’ve formed their own impromptu family in just a short amount of time.

My Brother’s Husband might feel like an Afterschool Special if not for the crispness of Gengoroh Tagame’s artwork, which conveys both the small-town setting and characters’ feelings with great specificity. In particular, Tagame does a fine job of suggesting just how conspicuous Mike really is in the village where Yaichi and Kana live, using the scale of Yaichi’s house — the rooms, the tatami mats, the bathtub — to drive home the point. Tagame proves equally adept at using the characters’ body language and facial expressions as a window into their feelings. In one of the story’s most poignant scenes, for example, a drunken Mike mistakes Yaichi for Ryoji, dissolving into tears as he collapses into Yaichi’s arms; it’s the only moment in which the strong, confident Mike seems vulnerable, his posture and face convulsed in grief over losing the husband he cherished. Yaichi’s grimaces, smiles, and gasps likewise reveal his vulnerability, documenting his ambivalent feelings about Mike in particular and homosexuality in general; the dialectical process by which Yaichi comes to embrace Mike as part of his family registers as much on Yaichi’s face as it does in his words and his actions.

Though some of the conflicts are resolved with sitcom tidiness, My Husband’s Brother earns points for its well-rounded characters and frank acknowledgment of Yaichi’s initial discomfort with Mike. That we believe in Yaichi’s transformation from skeptic to ally, and embrace Mike as a complex individual and not a cardboard saint, is proof of Tagame’s ability to tell a nuanced all-ages story that will resonate with readers on both sides of the Pacific. Highly recommended.

A word to parents, teachers, and librarians: My Brother’s Husband is appropriate for readers in middle and high school. Though the subject of Mike’s relationship with Ryoji is discussed at length, the story focuses on Mike’s romantic feelings for Ryoji; the sexual dimension of their relationship is not depicted.

Review copy provided by the publisher. My Brother’s Husband will be released on May 2, 2017.

MY BROTHER’S HUSBAND, VOL. 1 • BY GENGOROH TAGAME • PANTHEON BOOKS • NO RATING (SUITABLE FOR READERS 10+)

The Devil Is A Part-Timer!, Vol. 7

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By Satoshi Wagahara and 029. Released in Japan by ASCII Mediaworks. Released in North America by Yen Press. Translated by Kevin Gifford.

Unlike the DanMachi collection released on the same date, this volume of short stories is not interconnected into a pseudo-plot – it’s just a collection of four short stories. Fortunately, the stories are all quite good, so we also lack the lows of that DanMachi collection as well. Devil Is A Part-Timer! is very strong when it’s talking about nothing in particular, so this volume plays to those strengths, showing our heroes going up against fraudulent shysters, adopting stray kittens, buying futons for their magical sword babies, and learning how to work fast-food without losing your mind. It’s also a good volume for shippers, particularly if you ship Maou and Emi, as the entire third story is basically about how great they work as a couple, and how much this seems to upset Emi.

The first story is probably the slightest – ironically, it’s the one they chose to adapt into the anime, as Maou has to deal with the fallout of Urushihara being tricked into buying a lot of useless stuff. He (and the reader) learn about how these schemes are done, and how difficult it can be to recover anything from them. The kitten story is probably the cutest, and again revolves around one of the themes of this novel series, which is explaining what seem to be obvious concepts to those completely unfamiliar with modern-day Japan. Not only does Maou not really know how to take care of cats, he’s not aware there are vets. And even worse, he’s not aware how fast he and the others can bond with a kitten. The third story, as I said earlier, is basically pure ship tease, with Maou and Emi buying a futon for Alas Ramus and everyone around them thinking they’re such a great couple. It’s amusing precisely because everyone is correct – when she’s not panicking about the very idea, they are a great couple.

The final story is easily the longest of the four, and takes place right before the series begins. It focuses on Chiho and how she came to get a job at McRonald’s and meet Maou, as well as why she fell in love with Maou. It’s nice to see Chiho interacting with her friends at school – indeed, I suspect one reason this story came out is to give greater depth to Kaori and Yoshiya in anticipation of them appearing in the main story later on. (It’s also very refreshing to see a ‘two girls, one boy’ high school friendship with no romantic tension whatsoever.) Chiho is a fairly sheltered girl whose father is a police officer, and so feels she’s lacking life experience, one reason why she applies for the McRonald’s job. There’s a lot made in this story about the ‘career survey’ all Japanese students dread, and exactly how relevant it needs to be. Mostly, though, this is a good showcase for Chiho and demonstrates how far she’s come in the six volumes since.

This isn’t essential reading, but all volumes in this series are good, and if you’re collecting it there’s no reason to pass it up. The Devil Is A Part-Timer! remains among the best Yen On releases.

Giant Killing, Vol. 1

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By Masaya Tsunamoto and Tsujitomo | Published digitally by Kodansha Comics

Although I genuinely, deeply love shounen sports manga, I can’t deny that most follow similar story beats. I knew going in that Giant Killing is actually seinen, but wasn’t prepared for what a breath of fresh air it would be.

Instead of some first-year joining his high-school team, the protagonist of Giant Killing is Takeshi Tatsumi, a 35-year-old former pro soccer player turned coach. The series opens with Yuri Nagata and Kosei Gotou, the PR rep and general manager of East Tokyo United (a struggling Japanese team) finally locating Tatsumi at his job in England, where has led a team of amateurs to a top-32 finish in the Football Association Cup. They have even managed to crush professional teams.

It turns out that Tatsumi specializes in leading underdog teams to victory against highly favored opponents. He sees it as a David-and-Goliath scenario, hence the title of the series. Initially, the English club president doesn’t want to let Tatsumi out of his contract, but when he learns that Tatsumi used to play for ETU and that there are desperate fans in his hometown waiting to be helped, he relents and lets him go.

Tatsumi doesn’t seem to particularly care either way and it’s this neutrality that makes him an interesting character and effective coach. For instance, at his first practice session with the ETU team, he makes them run sprints for 45 minutes. Those with the most stamina turn out to be the younger guys, but they’re also merely the alternates on the team. With his guidance, they manage to defeat the older starters in a scrimmage. The stalwart veteran of the team, Murakoshi, gets his pride wounded by this, but rather than suggest that he’s no longer useful, Tatsumi instead points out that what he needs is to find his own secret weapon to overcome these odds. Tatsumi is adept at seeing a team or an individual’s shortcomings and offering strategies to overcome them, and that’s the kind of reliable leadership that Murakoshi has done without all these years.

On the one hand, Tatsumi exemplifies the gifted protagonist that this genre is full of, but his gift is not in his own athletic prowess (or not merely that) but rather his ability to furnish others with the tools they need to succeed, to reinvigorate failing franchises, and to rekindle fan enthusiasm. And, of course, the clubs don’t mind the boost in revenue that inevitably results. Giant Killing is every bit as addictive as a shounen series, but with grown-up stakes and nuance. I can’t wait to read more!

Giant Killing is ongoing in Japan, where the 43 volumes have been released so far.

Review copy provided by the publisher.

Ace of the Diamond, Vols. 1-2

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By Yuji Terajima | Published digitally by Kodansha Comics

Eijun Sawamura really wanted to make some good baseball memories with his middle-school friends, but even though they practiced hard, they couldn’t win a single game. Although he shows talent as a pitcher, his unsportsmanlike behavior after a bitter defeat means most of the good baseball schools are no longer interested in him. And, because he is a hot-headed yet enthusiastic idiot, he totally forgot about the entrance exams required for other schools.

Luckily, Rei Takashima pays a visit and scouts him for Seido High, a big-name school in Tokyo that’s been to Koshien many times. He’s torn between testing his skills in this new world (the baseball club has over 100 members vying for nine positions on the roster, so competition is fierce) and loyalty to his old friends, but after they encourage him to seize the opportunity, he’s off to Tokyo. Of course, because he is such a hot-headed yet enthusiastic idiot, he clashes with the strict coach right away, flubs a chance to show off his pitching potential, and is barred from participating in practice.

After the Spring Tournament, in which Seido’s lack of a pitching ace becomes obvious, Eijun gets one more chance to show what he can do in a first-years versus upperclassmen game. The upperclassmen immediately dominate but Eijun isn’t intimidated or discouraged, and the second volume ends with the cliffhanger… will he and another first year succeed in scoring against overwhelming opponents?

So far, Ace of the Diamond is a lot of fun. I can’t claim that Eijun’s personality type is especially endearing, but he’s got his admirable qualities, too. More, though, I am having fun with the rapidly expanding cast. Beyond the upperclassmen, which include Eijun’s roommates at the dorm and a genius catcher with a troublemaking streak, we also meet Satoru Furuya, another first-year pitcher who’ll likely become Eijun’s fiercest rival; Haruno Yoshikawa, a clumsy first year manager and presumed love interest; and Haruichi Kominato, a diminutive wallflower with a talent for precision batting.

The pace is fast, the characters are fun, the protagonist has a lot of room to grow, the series is 47 volumes long with a sequel… All of that sounds spectacular for a sports manga geek like me. Thank you, Kodansha!

Side note: I keep wanting to call this series Aim for the Ace!, but that’s something completely different. (I still really want to read it, though.)

Ace of the Diamond is complete with 47 volumes. However, a sequel series—subtitled Act II—is still running. The seventh volume came out in Japan last week.

Review copies provided by the publisher.

The Girl from the Other Side: Siúil, a Rún, Vol. 1

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The Girl from the Other Side: Siúil, a Rún, Volume 1Creator: Nagabe
Translator: Adrienne Beck
Adapter: Ysabet Reinhardt MacFarlane
U.S. publisher: Seven Seas
ISBN: 9781626924673
Released: January 2017
Original run: 2016

The Girl from the Other Side: Siúil, a Rún by Nagabe was easily one of my most anticipated manga debuts of 2017. Nagabe is known as a creator of somewhat unusual or unorthodox manga, The Girl form the Other Side easily fitting into that category. (Nagabe’s work was actually first brought to my attention thanks to a series of beautifully drawn boys’ love doujinshi featuring birds.) The first volume of The Girl from the Other Side was originally published in Japan in 2016, while the English-language edition was released by Seven Seas early in 2017. The quality of the physical release is admittedly a little disappointing–the cover stock feels ephemeral and ink tends to smudge and transfer between pages (granted, this does at least seem to be thematically appropriate)–but I’m thrilled that The Girl from the Other Side is being translated at all. It’s also worth noting that the manga does share some obvious parallels with another unusual series, Kore Yamazaki’s The Ancient Magus’ Bride, but even considering their similarities they are quite different from each another.

Once upon a time, two kingdoms existed in a world divided into the Outside and the Inside. Humans live on the Inside behind a wall intended to keep the monstrous Outsiders and the dark curse associated with them at bay. Coming into contact with an Outsider is to be avoided at all costs; to do otherwise means risking ones’ life and humanity. But the darkness of the Outside is slowly encroaching upon the light of the Inside. Humans are succumbing to a cursed disease and are abandoning entire villages as they unsuccessfully try to flee from it. Out of fear and suspicion, people have started to turn against one another in a desperate effort to survive. In the midst of this turmoil is a young girl, Shiva. Unexpectedly left behind in an area which is now considered a part of the Outside, she is waiting to be reunited with her family. In a peculiar twist of fate, Shiva is being guarded and cared for by an inhuman Outsider who she simply calls “Teacher.” The circumstances are unusual and dangerous for them both as Shiva’s safety becoming more and more difficult to guarantee the longer she remains on the Outside, set apart from others.

The Girl from the Other Side: Siúil, a Rún, Volume 1, page 32The fact that Shiva’s very life is in danger is clear from the beginning of The Girl from the Other Side. As a sort of prologue, the manga opens with her being warned of the curse brought by the touch of an Outsider while the first panel of the story-proper shows her lying listless on the stump of a tree. She has only fallen asleep, but the visual cues of the scene are closely reminiscent of death. An ominous feeling of uncertainty–is Shiva actually alive or is she dead, how much of her world is real and how much of it is a fairytale–pervades The Girl from the Other Side. Shiva is young enough that she doesn’t completely understand everything that is happening to her and doesn’t know enough to be afraid. But as she experiences more her awareness grows, even when Teacher tries to shield her from life’s harsher realities. Likewise, readers gain more knowledge as the underlying truths of Shiva’s situation are slowly revealed. However, they don’t have Teacher to soften the blows for them. To some extent Shiva’s innocence protects her from the tragedy and heartbreak inherent to The Girl from the Other Side which is so obvious from an outside perspective.

The Girl from the Other Side is incredibly atmospheric, a beautiful and surprisingly gentle and charming story which simultaneously manages to be disconcerting and unsettling. The series is very dark, in both theme and illustration. There is a tremendous amount of ink on the manga’s pages–the oppressive shadow of death which haunts the story is reinforced visually, the darkness permeating the scenes. Shiva, with her light-colored hair and dressed in white, stands apart from the unwelcoming environment. She is obviously out of place, separate from what is around her. In contrast, Teacher is clothed in black and at times is barely discernible from the background. But although an Outsider and demonic in form, Teacher is Shiva’s only hope, trying to safeguard her from anyone who would seek to do her harm. Their strange yet sweet and endearing relationship is core to The Girl on the Other Side. The life that they have, no matter how impermanent, carries great weight as they face an uncertain future together. The Girl from the Other Side is a gorgeous and striking work; I can’t wait for the next volume to be released.

Is It Wrong To Try To Pick Up Girls In A Dungeon?, Vol. 8

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By Fujino Omori and Suzuhito Yasuda. Released in Japan as “Dungeon ni Deai o Motomeru no wa Machigatte Iru Darou ka?” by Softbank Creative. Released in North America by Yen On. Translated by Andrew Gaippe.

I knew going in that this was going to be a short-story collection, but it turns out that’s not quite true. What it is is more “A day in the life” – there’s still an overarching plot going on, and stories do affect other stories, but each of the six main stories is also self-contained and stars a specific member of Hestia Familia. Omori said that he wanted to write stories about love in this volume, which may make some readers cringe, and rightly so. DanMachi works best when the harem romance is used as a spice, in my opinion, and this is definitely a heaping helping of main course romance. That said, I have an easy way to tell whether you’ll enjoy a story or not – the longer the story, the better it is.

Unfortunately, that means the book begins with its worst story. I’ve never been a fan of “we’re not blood related so it’s not really incest” stories, and so Mikoto’s crush on her adoptive God father Takemikazuchi merely aggravated me, especially as it’s surrounded by a host of other cliches. I suspect the author meant it to be the funny one of the group. Eina’s story involved Bell protecting her from a stalker, but was probably the most boring of the stories, much like its female lead (sorry, Eina). Syr’s story was all right, but it teased that it was going to finally show off how she was related to Freya – fan rumor suggested she IS Freya, but that seems unlikely – but left things a bit too vague to be satisfying.

The longer stories fare much better. Lilly and Hestia are the only characters who get to definitively talk about their love for Bell openly in the series, and we see that love being put to the test on Lilly’s end, as not only has the rest of the group been told about Bell’s special skills (and thus that his stats are literally driven by his love of Ais), but she’s feeling useless in the dungeon as well, and ends up with a huge case of self-hatred (which honestly is always sort of boiling beneath the surface of Lilly). Help comes in the form of Finn, who is not only the only other hobbit – sorry, prum – in the book, but also far more savvy about romance (well, except for the advances of the amazon with the crush on him). As for Welf, his is the least romantic story in the book, though we see his respect for Hephaistos borders on love, and she also loves seeing his growth. Welf actually drives the main plot, as his magic sword skills are now well known – and people are trying to use them for evil.

The final story stars Hestia, Bell and Ais, and I enjoyed it a great deal as well, though a brief caveat that people who dislike jealous, petty Hestia will probably dislike it a bit more. That said, Bell finally seems to be catching a clue about how Hestia feels about him, though it’s not clear whether he’ll actually do anything about that. (Finn mentions harems to him at one point, but I honestly don’t think this is going to be that kind of series.) As for Ais, she’s showing a lot more emotion in her own stoic way than she ever has before, and we see her as furious as she ever gets when seeing how a reclusive village worships an ancient dragon. I suspect this may be related to backstory we’ll get more of in Sword Oratoria.

So in the end a bit of a mixed bag, but still well worth reading for fans of the series, especially if you like Lilly, Welf, or Hestia. There’s a bit of a tease for the next book at the end, and I sense we’re about to get a more serious arc next. Perhaps with a more normal focus on action rather than romance?

Manga the Week of 5/3/17

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SEAN: It’s May, and a young man’s thoughts turn to … well, hopefully things other than manga. But if you want manga, we have you covered.

ASH: I always want manga.

SEAN: We also have light novels covered. J-Novel has the debut of Arifureta: From Commonplace to World’s Strongest. It’s one of the most popular “isekai” titles out there, and unlike most examples of the genre we’ve seen lately, I think it plays it perfectly straight, for good or ill.

I was blown away by the readability of In Another World With My Smartphone, though I would not remotely call the book good. Vol. 2 is out next week, and I expect to be equally entertained.

ANNA: Well, things don’t have to be good to be entertaining!

SEAN: Kodansha has some more old Del Rey titles out digitally. Alive 14, Pumpkin Scissors 12, Yokazura Quartet 10… and sadly we can’t count down by 2s any more.

In new Kodansha digital releases, we have the 3rd All-Rounder Meguru and the 3rd (and final?) Museum.

In addition, Kodansha schnookered me with a last-minute title. The 3rd Wave, Listen to Me! is already out. I was not able to inform you a week ahead of time. I am filled with shame.

MICHELLE: But a hearty “Yay!” anyway.

ANNA: Arrgh, haven’t even read the first volume.

SEAN: And in print Kodansha news, a 4th volume of Cells at Work!.

ASH: This series is ridiculous fun. And informative, too.

SEAN: I’ve been waiting for this one since it was announced. Pantheon has the debut omnibus of My Brother’s Husband, a manga by Gengoroh Tagame about a Japanese man whose brother passes away, and the brother’s Canadian husband then moves in with him and his young daughter. It runs in Fuitabasha’s Manga Action, and I believe just announced it’s finishing with 4 volumes, meaning we should get a 2nd omnibus at some point. Go get this release.

MICHELLE: So excited for this one.

ANNA: Sounds great!

ASH: This is absolutely one of my most anticipated releases for this year. I’ve been collecting the Japanese volumes, but I’m so excited that it’s being translated and will definitely be picking up the English-language edition.

MJ: So very much on board with this!

SEAN: Seven Seas has a quartet of titles, starting with the 10th Arpeggio of Blue Steel.

Dreamin’ Sun is their first debut, and any other week it’d be the title I’m most excited about. It’s by the creator of orange, and is the title she had success with before that one. It ran in Bessatsu Margaret, a Shueisha title. Yay, shoujo!

MICHELLE: !!!! How did I miss this?! I loved orange and usually love things that rain in Margaret or its offshoots.

ANNA: Woo hoo for shoujo!

ASH: I loved orange, so I’m looking forward to giving Dreamin’ Sun a try.

SEAN: Another Hatsune Miku spinoff comes out, as we get Vol. 1 of Bad End Night. This seems to be Hatsune Miku meets Alice in the Country of, and it ran in Zero-Sum Online.

And there is a 2nd volume of Magical Girl Site, no doubt featuring more dead young girls, because that’s what kids like these days.

Vertical has an 8th volume of Nichijou, and this is the volume where the plot really starts kicking in… OK, not really.

And the rest is Viz. Anonymous Noise gets a second encore… I mean volume.

ANNA: I find this title both entertaining and frustrating, but I keep getting drawn in by the stylish cover art.

ASH: I feel much the same.

MJ: Yep. I guess we’ll see if it gets less frustrating, eventually.

SEAN: Bleach has a 19th 3-in-1.

Guess what’s back from the dead? That’s right, D.Gray-Man, with its 25th volume out a mere 2 and a half years after its 24th.

And speaking of necromanced properties, we begin the release of Dragon Ball Super, taking place sometime after Z but before its epilogue, and apparently being more of a tie-in to the anime than anything else. Which is to be expected given it runs in tie-in paradise V-Jump.

It’s not a Viz release party without a Haikyu!!. Here’s Vol. 11.

MICHELLE: Woot.

ANNA: Woo hoo vollebyall!!!!

ASH: Yeah!!

SEAN: JoJo’s Bizarre Adventure continues its hardcover release of what is becoming its most boring arc, though I’ll keep trucking along. Have the 3rd Stardust Crusaders book.

ASH: Just you wait, Sean, things will start to pick up again.

SEAN: Last time I said we got the penultimate Maid-sama! omnibus, showing I can’t count. Instead THIS is the penultimate volume, and I expect we’ll get the last in August.

MICHELLE: Actually, I had it in my head that the series was 16 volumes long, too, so you’re not alone.

SEAN: The 8th My Hero Academia will show off more Superhero School, as they try to pass their finals in the most awesome way possible.

Speaking of penultimate volumes, here’s the 2nd to last My Love Story!!. Just typing that is making me sad.

MICHELLE: Me, too.

ANNA: NO, IT MUST NEVER END!!!!!

ASH: My Love Story!! has been such a treasure. I love the series so much.

SEAN: Nisekoi continues to trundle towards its ending as well with Vol. 21.

One Piece’s 82nd volume will hopefully tell us what’s going to happen to Sanji, though knowing Oda no doubt it will be drawn out.

Toriko has ended in Japan, and its schedule is slowing down here. This is the 38th volume.

MICHELLE: Someday I really will read this.

SEAN: And what would a list of Viz releases be without a Yu-Gi-Oh volume at the end? This is the 10th 3-in-1.

Do you feel the PASSION pouring through your veins? BUY SOMETHING FROM THIS LIST!

Princess Jellyfish, Vol. 4

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By Akiko Higashimura. Released in Japan in two separate volumes as “Kuragehime” by Kodansha, serialization ongoing in the magazine Kiss. Released in North America by Kodansha Comics. Translated by Sarah Alys Lindholm.

I’ve mentioned before that I read this book more for Kuranosuke than Tsukimi, mostly as I keep waiting for everything to come crashing down on him and it just hasn’t yet. Kuranosuke is a giant whirling ball of poor impulse control, and while most of the time this is channeled in a good direction, and I do like that he’s helping the others in his own way, I always grit my teeth a bit when the moral seems to be “consequences are for other people!”. We get a bit of backstory as to how he came to the mansion as a child, and a bit more insight into the relationship he has with his older brother. I liked this, it makes sense for the character. Best of all, though, we have several moments, especially in the second half of the book, where Kuranosuke is thrown off his game, and forced to actually deal with unplanned things. He really shines then.

Speaking of the second half of the book, Nisha is a highly welcome breath of fresh air, and provides a dose of reality to the series that is desperately needed, as Kuranosuke has his head in the clouds just as much as Amars seems to. In particular, they are reminded that if they expect to make any money at all, Tsukimi’s jellyfish dresses need to be priced as haute couture, which is to say way, way above anything that the Amars crew could ever afford. We get a visit to an outlet store for expensive clothing, and while Tsukimi remains horrified, it really is a good object lesson in how the other half lives. She is not the target market for her dresses – people like the rick old ladies who came to the fashion show are. It will be interesting to see how well the dresses succeed in future books.

As you’d expect, there’s also lots of other things going on in these two volumes. Tsukimi and Shu get closer, even as she still has tremendous trouble dealing with a man AS a man (Kuranosuke dressing as a woman helps), and the residence is still very much on the chopping block, which gives Inari a chance to give a magnificently villainous speech tearing down Tsukimi – it’s cliched by design, and after all, if it does what it intended, why not use the cliche? That said, I think Tsukimi will be fighting back soon thanks to her fellow neighbors, who now that they know the strength of their resolve are prepared to bring them in to the protest fold.

There’s more tiny little character moments – I loved Jiji agreeing to run operations for the newly minted Jellyfish fashion business, if only as it gave her something to do for the first time in the entire series. Essentially, Princess Jellyfish’s fourth volumes shows the work of an assured manga artist continuing to draw us into the world of fashion and introverts, and you eagerly read on to see what happens next.

The Girl From the Other Side: : Siúil, A Rún Vol. 1

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The Girl From the Other Side: Siúil, A Rún Volume 1 by Nagabe

This title from Seven Seas is totally the opposite of what I tend to expect from the publisher. The Girl From the Other Side is a fascinating dark fairy tale that has overtones of a philosophical thought experiment, while still presenting the reader with compelling art and characters.

Shiva lives with her teacher, a man with an affliction who appears to be half-man, half beast. They live in a house and venture out to an abandoned village to forage for food and household items. Shiva thinks that her aunt is going to appear soon to pick her up, but she’s actually been abandoned and her teacher can’t bring himself to tell her. There’s a divide between the remains of humanity, who seem to have retreated behind walls, and the land overtaken by “The Others”, people who have been cursed or perhaps contracted some sort of disease that robs them of their humanity.

Shiva’s teacher attempts to keep some sort of regular routine, and while Shiva runs around like the extremely resilient little girl that she is, the reader is filled with a growing sense of unease as more and more of her world is filled in. Is food going to run out at some time? Why are The Others, or anyone suspected of being in contact with them hunted down and killed? Is Shiva’s teacher different from the rest of The Others, and how did that manage to happen? How has Shiva even managed to survive up until this point? I haven’t read a manga before that manages to blend heartwarming slice of life moments with supernatural horror, but The Girl From the Other Side pulls it off masterfully. I’m not actually sure yet if The Others should be dreaded quite as much as the humans who are attempting to defend their society from them though.

The art in The Girl From the Other Side fits the themes of the story perfectly. Instead of a more generic or commercial style, Nagabe’s illustrations are filled with dark cross-hatching and tones that give the panels a feeling of an antique woodcut. Shiva is rendered almost entirely in white, providing a visual counterweight to the dark backgrounds. Shiva’s teacher is rendered in darkness, with the details of his face difficult to discern, making the condition of “The Others” seem more mysterious and frightening.

There’s an all ages rating on this manga, which I find odd. While there might be no sexual content and not much overt violence, the themes of the manga are both grim and emotionally challenging, and it isn’t a manga I would recommend for all audiences. That being said, this is one of the most unique and well-executed manga that I’ve read in quite some time, and I highly recommend it.

Manga Giveaway: Queen Emeraldas Giveaway

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It’s that time again! The end of the month is fast approaching which means another giveaway at Experiments in Manga is now underway! This month’s giveaway features Queen Emeraldas, Volume 1 by Leiji Matsumoto as published in English by Kodansha Comics. (It’s a hardcover!) The second and final volume of the series will be released later this year (I believe it’s scheduled for July), so this giveaway is a great opportunity for a chance to win the first volume to give the series a try. And, as always, the giveaway is open worldwide!

Queen Emeraldas, Volume 1

I have been a long-time fan of speculative and science fiction of all types, but I do seem to particularly fond of those that somehow involve space. Taking that into consideration, it probably shouldn’t be too surprising that manga about space travel and exploration especially tend to appeal to me. When Leiji Matsumoto’s Queen Emeraldas was licensed it immediately caught my attention. Not only does it take place in space, it’s also a series from the 1970s. “Classic” manga aren’t frequently released in English (unless they’re by Osamu Tezuka), so that aspect of Queen Emeraldas interested me, too. And indeed, I enjoyed the first volume a great deal.

So, you may be wondering, how can you a copy of the Queen Emeraldas, Volume 1?

1) In the comments below, tell me about your favorite manga set in space. (Don’t have a favorite or have never read one? Simply mention that instead.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

And there you have it. Everyone participating in the giveaway can earn up to two entries and has one week to submit comments. If needed or preferred, entries can also be sent directly to me at phoenixterran(at)gmail(dot)com. The comments will then be posted here in your name. The giveaway winner will be randomly selected and announced on May 3, 2017. Good luck!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: Queen Emeraldas Giveaway Winner

Sword Art Online, Vol. 10: Alicization Running

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By Reki Kawahara and abec. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Stephen Paul.

If the 7th Sword Art Online novels felt rushed because we weren’t used to the pace of a single volume story, then this book has the opposite issue. Alicization Running is filled with cool scenes, exposition, and character development, but it is the very definition of “Part 2 of 10” – it doesn’t stand on its own as a novel, really. For those who expected we’d see Kirito and Eugeo reuniting with Alice in this book, she’s barely even mentioned except as a goal, because to get to her they have to become Knights, which means winning a tournament, which means going through sword training school, which means winning ANOTHER tournament. Kawahara is stretching this out, for good or ill. Fortunately, it’s partly good – this is still readable, and by now I hope the average Sword Art Online reader takes Kirito’s success with a sword for granted and does not grind their teeth at it.

The other good news is that the first third or so of this book is devoted to Asuna in the real world, who is trying to figure out what happened to Kirito, who is not, as we may have expected, in a hospital but has instead completely vanished. We do eventually find out where he is, with a lot of seeming villains who are really helping out heroes and the like. We also get more of one of my least favorite things in Sword Art Online – praising Akihiko Kayaba, the villain of the first arc who condemned thousands to death, but is really just a misunderstood man with a dream, something that even Asuna says she can respect, which just makes me shake my head. Unfortunately, the rest of Asuna’s section is taken up with huge swaths of technobabble as Kikuoka explains what they’re trying to do here, why they’re trying to do it, and why Kirito is here. Some of those explanations are a bit disturbing – the author even has to remind us in the afterword that he does not necessarily agree with his characters (I’m guessing he’s meaning the use of DELICIOUS TASTY BABY SOULS).

Meanwhile, Kirito’s having an adventure, and while he does think of Asuna and the others, and misses them, his focus is on getting to the central capitol. This involves a lot of showing off, because this is Kirito after all, as well as forging him an amazing weapon that can be the equal of the sword Eugeo possesses (which is a black blade almost identical to his Aincrad one). He also gets to face off in a battle with the #1 swordsman at the school… who sadly is not the young woman on the cover. She’s the second strongest swordsman, and the plot is set up to build to a final battle against her that never happens. I’d like to say it’s not just because she’s a woman, but let’s be honest, it probably is. As always, Kirito is at his most interesting when he’s upset or something goes wrong, such as when his classmates’ petty bullying and destruction leads him to the literal power of prayer to fix things (fortunately, this is a gaming world, so it succeeds).

I wish we had more of Eugeo, who’s a nice sweet kid but not much else – he got far more development last time. As for the regulars who aren’t Kirito or Asuna, well, Leafa and Sinon get to have a confab with Asuna at the start of the book, but Lisbeth and Silica are reduced to begging on the back cover. Yui actually fares better than they do – her discussion of AIs, and how in the end she isn’t the amazingly self-aware fairy daughter she appears to be, is well-written and also chilling. This is a necessary volume of Sword Art Online if you want to read more of Alicization, but by itself it’s a bit frustrating. Recommended for fans of the series, but I’m hoping for a bit of a Turning point next time…

Also, Kirito spends most of the book being protected by invisible sentient head lice, who I can’t help but picture as Jiminy Cricket. I just want to throw that out there.

Flying Witch, Vol. 1

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If you’ve dipped a toe in the online dating world, you’ve undoubtedly arranged a date with someone who turned out to be pleasant, polite, and attractive, but not terribly interesting. I had a similar experience with volume one of Flying Witch, a manga that looked promising but lacked the necessary spark of weirdness or wit to make it worth a second chance.

Flying Witch has a simple but fertile premise: Makoto Kowata, a teenage witch-in-training, moves from Yokohama to her cousins’ farm and enrolls in the local high school. Though Makoto’s parents warned her not to reveal her true identity to other people, Makoto blithely confesses her avocation to peers and strangers alike, almost always without prompting.

That running gag is indicative of what works — and what doesn’t — in Flying Witch. In the manga’s best scenes, artist Chihiro Ishizuka wryly juxtaposes the banality of the setting with the strangeness of Makoto’s witchcraft, whether Makoto is test-driving brooms at the local supermarket or pulling up a mandrake from an abandoned field. In these moments, Makoto’s enthusiasm overwhelms her desire to escape detection; she’s astonished that her classmate Nao recoils from the noisy, squirming mandrake, and begins regaling Nao with a list of its medicinal uses in an effort to explain why mandrakes, are in fact, awesome gifts.

In other scenes, however, the punchline is toothless, coming at the end of a long monologue about witchcraft or a chance encounter with a villager who isn’t the least bit scandalized by Makoto’s true calling. Makoto’s blushing and stammering is overplayed to diminishing returns; any reasonable person would wonder why Makoto hasn’t realized that her big secret isn’t a big deal. The same is true for other recurring “jokes” about Makoto’s terrible sense of direction, which are as unfunny on the third or sixth iteration as they were on the first.

The artwork, like the script, is lackluster. Though Ishizuka’s lines are clean and her layouts easy to read, the characters’ blank faces do little to sell the jokes. Chinatsu, Makoto’s ten-year-old cousin, is one of the few characters to register any emotional response to Makoto’s behavior, reacting with a mixture of saucer-eyed fear and astonished exuberance. The rest of the characters drift through the story without much purpose, functioning more like props or set decoration than actual people. Only cameo appearances by the aforementioned mandrake root and the Harbinger of Spring inject the proper note of piquant strangeness to the proceedings, reminding us that Makoto’s existence straddles the fence between the ordinary and the supernatural.

I wish I liked Flying Witch more, as it has all the right ingredients to be a quirky, fun series. Alas, reading Flying Witch is like having dinner with a handsome bore who collects vintage lunch boxes or builds crystal radios; you just know there’s a good story there, but it never comes across in the telling.

FLYING WITCH, VOL. 1 • BY CHIHIRO ISHIZUKA • VERTICAL COMICS • NO RATING (SUITABLE FOR ALL AGES)