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Tearmoon Empire, Vol. 8

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By Nozomu Mochitsuki and Gilse. Released in Japan as “Tearmoon Teikoku Monogatari” by TO Books. Released in North America digitally by J-Novel Club. Translated by David Teng.

Tearmoon Empire is a very funny series. There are tons of scenes of Mia being silly or smug, other people misunderstanding her to comic effect, etc. But the series also knows when it’s time to be 100% serious, and that time is whenever get get a glimpse of what life was like in the original timelines. We’ve already seen how things progressed in Bel’s world (and see why Dion is her absolute hero, something that baffles both the Dion of this world as well as Citrina), but we’ve also seen the main cast occasionally have dreams of their prior lives. They’re never good dreams. It’s Tiona’s turn here, and it hits especially hard given that Mia was thinking that she hopes the Tiona and Sion of her past life, the “perfect couple”, lived happily ever after. Instead, in both Tiona and Sion’s case, we see that the need for vengeance, justice and revolution ended up driving them away from each other, and nobody ends up happy. Everyone should be relieved Mia went back in time.

Because no Tearmoon Empire volume can ever QUITE get the arcs to line up properly, we start with the end of the previous arc, as Mia fosters better relations between the Empire and its domain by doing the one thing that even the narrator admits she’s fantastic at: dancing. Feeling good about things, but reminded of her previous complacency, she decides to read her Bloody Diary. It’s a good thing she checked – now it says that Sion is assassinated in a month’s time. Coincidentally (or is it?), Esmeralda comes to Mia in a panic, as her father has said she'[s to be married off to a Sunkland noble. Realizing that she can go to Sunkland and stop Sion getting killed if she tags along with Esmeralda’s engagement party, Mia and her entourage visit Sion’s country for the first time. And, as it turns out, getting assassinated by bandits may be the least of Sion’s worries…

We do sometimes get the device of seeing Mia’s POV of a scene and then seeing the same scene again with another character, though not nearly to the extent of, say, My Next Life As a Villainess. And sometimes we don’t even need to get the other half of the scene because we can infer the heartwarming in our heads. Now that Citrina is no longer an enemy, she’s ready to do anything she can to help Mia – including, she assumes, what she’s be best at – killing people. But Mia assures her that she will never ask her to kill someone else for her, something that poleaxes Citrina. Yes, it’s framed around Mia wanting delicious mushrooms (as is most of the book, really) but the sentiment is also genuine. Mia wants as few people killed as possible, even if that might affect her end goal. It inspires Citrina, who is really crafty for such a young girl, to try to help Mia in slightly less permanent ways. Her growth was my favorite part of this book.

This volume spent most of its time setting up a stack of dominoes, but unfortunately we have to wait for the 9th volume to knock them over. Till then, this remains one of my absolute favorite light novel series.

The Demon Sword Master of Excalibur Academy, Vol. 6

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By Yu Shimizu and Asagi Tosaka. Released in Japan as “Seiken Gakuin no Maken Tsukai” by MF Bunko J. Released in North America by Yen On. Translated by Roman Lampert.

One of the sure fire ways to give a character suitable pain and determination is a good tragic backstory. And there’s no tragic backstory quite like the death of beloved family members. That’s what Sakuya, the Japanese — sorry, Sakura Orchid — swordswoman in Leo’s cadre of hot, powerful friends has dealt with since she was six years old. The death of her older sister right in front of her still gives her nightmares, and it informs not only her actions and, to a degree, disregard for her own future and safety, but also others also from Sakura Orchid, who are being far more, well, kamikaze about the whole thing. (Look, you don’t get subtlety in this series, read some other one for that.) As such, if you need to up the stakes a lot and devastate your character with the tragic past, nothing quite gets it across like resurrecting the family member who died in front of her. it’s not clear if Sakuya’s sister is actually still alive or merely a zombie of some sort, but either way, she’s still better than Sakuya in combat.

Leo may have taken over a terrorist group, but he’s having a lot of trouble keeping them from, well, doing terrorist things. Which is especially bad news when they find a cargo hold filled with… voids? How? Meanwhile, the aforementioned Sakura Orchid is having a festival, and our hero and heroines decide to attend it. It’s very much a standard Japanese summer festival, complete with yukatas (that Leo is reluctant to wear) and fireworks (that Leo thinks are an actual attack.) Unfortunately, there actually IS a real attack, but it’s not attacking the festival but the core of the entire Seventh Assault Garden. In order to stop it, Leo may not only have to push himself farther than he’s had to before, but also make another pact similar to the one he has with Riselia. Is Sakuya prepared to be no longer human?

Again, the calling card of this series is that it does not really do things well but it doesn’t really do things badly (apart from, as always, Leo being ten but being treated like he’s sixteen half the time). The fights in this one are particularly good, especially near the end, where Sakuya has to figure out what her new ability is and how it works while in a match where one false move would mean her death. On the down side, the threat of the Kenki gathering was rather pathetic – kamikaze or no, having them all suddenly be betrayed and turned into monsters was a bit too pat given they had not really accomplished much of anything. And of course there’s still the cute slice-of-magic-academy-life stuff, which such boffo gags as Leo’s minion using her spy work as an excuse to find the best places to snack and Leo’s monstrous wolf familiar essentially becoming Sakuya’s pet dog.

The next volume of the series has not been scheduled by Yen yet, so we may have to wait a bit. but that’s fine. This series does not require us to remember much about it except what’s on the surface.

The Hunger Games Trilogy by Suzanne Collins

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The Hunger Games
Though I was, of course, aware of the fervor surrounding this series, I’d never read it until now, nor have I seen the movies. (I do own some nail polish inspired by it, though!) Still, I managed to absorb a few facts through cultural osmosis.

1) The heroine is named Katniss.
2) There is also a boy called Peeta.
3) There is an MC lady with pink hair.
4) A competition and various districts?

I came close to immediately casting the book aside when Katniss casually admits to having once attempted to drown a kitten in a bucket, but this turned out to be an effective way of showing how her impoverished, hardscrabble existence in “the Seam” of District 12 has forced Katniss (now 16) to become ruthlessly practical in order to keep her family alive after the death of her father five years previously in a mining accident.

Katniss lives in Panem, which we learn “rose from the ashes of a place that was once called North America.” There were originally thirteen districts, but when they rebelled against the Capitol, District 13 was obliterated and the Hunger Games were established to discourage future rebellion attempts. Each year, during a ceremony called “the Reaping,” a boy and girl from each District are selected to fight to the death in the games, which are televised across the nation. Watching them is mandatory. It’s the Capitol’s way of saying, “Look how we take your children and sacrifice them and there’s nothing you can do.” The person Katniss loves most in the world is her 12-year-old sister, Prim, so when it’s Prim’s name that gets drawn at the Reaping, Katniss immediately volunteers to take her place. A boy who once showed kindness to Katniss when she was starving, Peeta Mellark, is chosen as the male “tribute.”

I’m extremely thankful I didn’t abandon this book at the outset, because what ensues is fascinating YA dystopia at its best. Katniss and Peeta are assigned a drunken mentor named Haymitch (a past victor from District 12) who advises them in various aspects of strategy, part of which is keeping Katniss’ archery prowess a secret from her competitors and part of which is creating a narrative that the two of them are actually in love. Katniss believes for a long time that Peeta is faking it every bit as much as she is, but that’s not the case.

Katniss is an extremely resourceful protagonist, and watching her brainstorm solutions to tricky problems reminded me a fair amount of Sarasa in Basara, which is quite a big compliment. There was a little more of the romance stuff than I really wanted, mostly Katniss being confused about what her real feelings for Peeta are and what that means for her relationship with her hunting buddy, Gale, back home. But most of the time, she’s extremely capable and badass and yet not emotionally closed off.

I loved learning about her world and am sufficiently worried that she’s now under increased scrutiny from the Capitol due to her actions in the games. I cannot possibly start book two soon enough.

Catching Fire
As Catching Fire begins, Katniss and Peeta—rich, famous, and hated by the Capitol—are about to embark upon their victory tour. After President Snow puts in a personal appearance to inform Katniss that she and Peeta must convince the nation that they defied the Capitol simply out of love for one another, they do their best but are unsuccessful. Unrest continues to foment. As Katniss debates whether to flee with her family or stay and fight, President Snow announces the rules of this year’s Quarter Quell, a special Hunger Games that occurs every 25 years. This time, the tributes will be chosen from past victors, which means Katniss and Peeta are going back in.

I found the first half of the book to be pretty slow. Katniss spends a lot of time being wishy-washy regarding her feelings for Gale and Peeta and it becomes tiresome. There’s literally a line that says, “I really can’t think about kissing when I’ve got a rebellion to incite.” “NO YOU CAN’T, KATNISS,” I wrote back in my notes. However, the action picks up considerably once the rules of the Quarter Quell are announced.

This time, Katniss has half a dozen allies in the arena, so doesn’t have quite as many opportunities to solve tricky problems entirely on her own. (Mostly, she’s focused on keeping Peeta alive and has extracted a promise from Haymitch that this time he will prioritize Peeta’s survival over her own.) Yet, she is the one who understands what brilliant Wiress, who struggles to communicate clearly, is trying to tell the group about the arena and, later, quickly grasps what inventive Beetee is really trying to achieve with his electrical trap.

I did not see the ending coming at all, and while I don’t think this book is quite as strong as the first, it still ends with our characters in an interesting place. Haymitch has broken his promise and saved Katniss because she is the one who’s the face of the rebellion and she’s absolutely furious with him, and yet is that something she can walk away from? Meanwhile, Peeta is in the grip of the Capitol. Onward to the final installment!

Mockingjay
Mockingjay is quite a bit different than the other two books in the trilogy, and wound up being my favorite. Katniss, Finnick, Beetee, and a small group of survivors from District 12 find themselves in District 13, which had not been destroyed as the Capitol claimed. Katniss blames herself for the destruction of District 12 and spends the opening chapters in misery, not knowing whether Peeta is alive or dead, hating everyone and herself most of all. Meanwhile, she’s being pressured by the rebels to take on the symbolic role of the Mockingjay to unite the districts against the Capitol. It’s only after Peeta appears on television, calling for a ceasefire, that Katniss agrees to the arrangement, forcing President Coin (leader of District 13) to agree that Peeta won’t be executed as a traitor and also hoping to negate his influence on the populace.

I loved that District 13 is not some utopia, and is almost as controlling as the Capitol. I loved that Katniss, a volatile teenager, isn’t actually leading the revolution, but is initially just a figurehead who features in propaganda videos designed to inspire the districts. I loved the scenes where the people of District 13 flee to caverns during an air raid, and the fun-starved citizens are entertained by the antics of Buttercup chasing a flashlight beam. I loved Prim’s growing skill and confidence as a healer. I loved Finnick and his revelations about how Snow abuses victors, particularly attractive ones, and how we see a totally new side to him when he’s able to finally marry the woman he loves. I loved that, after the districts are united against the Capitol, the rebels have no more use for Katniss and intend to leave her behind until she manages to complete a grueling training course and qualifies to go to the Capitol as part of a sharpshooting squad, led by Boggs. I really loved Boggs, who acts as a sort of father figure to Katniss and wants to protect her from President Coin’s machinations. I loved all the scenes of battle in the Capitol, especially the fact that Katniss doesn’t storm the president’s mansion and take Snow out single-handedly. The ending is great and very satisfying.

I didn’t love the romantic triangle stuff, though it’s obvious by now that it isn’t really a triangle anymore. Katniss loves Peeta, but she hasn’t realized it yet. Things are complicated when he is rescued from the Capitol and immediately tries to kill her, having had his memories altered as part of Snow’s torture. It takes a long time for glimmers of his real self to emerge, but once that happens they begin to grow back together. I did feel that some of this was rushed at the very end, which is a complaint I could also make about the deaths of some major characters. I realize that in the heat of battle there’s no time to stop and grieve, but it was still kind of a bummer.

All in all, this is an excellent trilogy. I regret that it took me so long to read it but am happy that I finally did!

Note: Ten years after Mockingjay was published, a prequel was released. Alas, reviews are not good and I’ve decided not to potentially sully my opinion of the series by reading it.

The Festivities of Marielle Clarac

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By Haruka Momo and Maro. Released in Japan as “Marielle Clarac no Shukusai” by Ichijinsha Bunko Iris NEO. Released in North America by J-Novel Club. Translated by Philip Reuben.

We’re nine volumes into Marielle Clarac, and she’s been happily married for quite a few of them. That said, the audience is still more interested in her as the heroine of a mystery/thriller than it is her as a socialite and wife. Which she would probably think is a good thing, as Marielle is starting to doubt herself as a socialite and a wife. Growing up inevitably means feeling that you have not grown up enough, and Marielle is worried that she is not really bringing to her marriage the things that wives should be doing. Instead, she’s getting kidnapped, solving crimes, causing international incidents, etc. Fortunately for her, her husband is having the same sort of issues, wanting to always be there to protect her but knowing that that’s impossible, and still dealing with being jealous of any other man who’s remotely close to her. Which, in this series, is pretty much every man. Basically, they’re both awkward dorks, and made for each other.

The main plot of this book concerns Prince Gracius, the orphaned son of Orta’s former king. He’s recovered his memories, but is now having to deal with something that all rich and powerful people have to: sycophants and hangers-on. Indeed, the people around him seem particularly bent on making sure he listens to them, and they seem to hate Marielle in particular. She doesn’t really care about that, however, as she wants to make the prince experience Noël, their Christmas equivalent, without fear of getting assassinated. Even if this means having to call in Lutin in order to disguise him. For once things actually work perfectly, but Marielle does not endear herself to Gracius’ entourage. And now there are rumors that she’s being unfaithful?!

There’s a running gag in this book that’s actually about the series’ main running gag, which is that Marielle still thinks of herself as being able to blend into the background and be dull and plain, and it’s increasingly untrue. Sure, she can get away with it while hiding from those who want to frame her by having her sexually assaulted (a rare unpleasant part of this otherwise pleasant book), but when she’s around her peers she is now increasingly the center of attention… mostly because of what she’s been doing the previous eight volumes. This also means that the rumor doesn’t really go anywhere – anyone who knows Marielle even a little bit will know how ridiculous it is. I was also amused to see that she’s learning – she suspects a letter from Gracius is fake, brings her servants and a guard, tells Simeon where she’s going… and STILL gets drugged and kidnapped. Sorry, Marielle, it’s the genre, not you.

This series is simply a barrel of fun, and also one that is easy to recommend to casual readers, as Marielle’s BL obsession is the sole “this is definitely Japanese” element – no reincarnated villainesses, no isekais, and no game stats. Just a series of mystery thrillers.

Fushi no Kami: Rebuilding Civilization Starts with a Village, Vol. 6

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By Mizuumi Amakawa and Mai Okuma. Released in Japan as “Fushi no Kami: Henkyou kara Hajimeru Bunmei Saiseiki” by Overlap. Released in North America by J-Novel Club. Translated by Maurice Alesch.

The last volume of Fushi no Kami finally resolved the burgeoning romance that’s been in this series since the first volume, as Ash and Maika are now old enough, at least in Ash’s opinion, so that he can’t get away with “she’s too young for me to be attracted to”. As such, they are now engaged, though not yet married, and apparently haven’t really consummated anything, despite Maika’s murmurings about wanting a baby. That said, fear not, romance is still in the air, as beta couple Reina and Hermes are still working on it… mostly because they’re essentially carbon copies of Maika and Ash, which is amusing but also lazy writing to an extent. And of course there is “foreign spymaster” Seire, who is clearly still very interested in Ash, not to mention Princess Alicia, aka Arthur. That said, everyone had better get on Maika’s good side if they want to get anywhere, and even so, I’m pretty sure this is not a polycule sort of book.

Ask and Maika may be engaged, but that’s not the plot of the series, the Industrial Revolution is. As such, we see the attempts at making a gas-powered engine (which sadly blow up), a steam engine (more successful), and other instances. Unfortunately, their little city has gone up in the world a bit too much, and the nearby areas have leaders who are Very Unhappy. Thus they’re seeing more bandits than usual, more refugees than usual, and, when all else fails, a full-blown invasion, supported by a few very familiar traitors who have always been jerks in previous books so it’s no surprise to see them being the bad guys here. That said, our good guys have Ash and Maika, who between them are good enough to stop any human plotting. Unfortunately, towards the end of the book, we get what every city fears – a demon invasion. We’ve seen Ash beat a werewolf beast before, can he beat over 200?

This remains a good series provided you accept all of its faults. Ash’s narration is always trying its hardest to pretend that he is just this ordinary dull normal guy, and sometimes it succeeds more than the author intends. Maika’s attachment to Ash and desire to protect him is funny much of the time, but when she has to be reminded not to murder people it’s a bit less fun. And, as noted, Reina and Hermes’ not-relationship is less interesting to me precisely because we’ve seen this sort of thing before. An attempt is made to give them a rival to draw them closer together, but he’s such a horrible person in every way that the big surprise at the end of the book was that he was NOT in fact a spy working for the bad guys… and I’m still not 100% convinced. On the bright side, the worldbuilding and fight scenes are still fun, and the humor can be very good.

This will probably always fall under the definition of “solid” rather than “good”, but sometimes solid is all you need.

Manga the Week of 7/6/22

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SEAN: July, and the fireworks are here. Oh god. They’re everywhere. *whimper*

MICHELLE: Someone in my neighborhood actually set off fireworks for Father’s Day. My cat was not amused.

ASH: Goodness! And here I thought my neighborhood was overenthusiastic with explosives.

SEAN: Yen On gives us I’m the Villainess, So I’m Taming the Final Boss 3.

Two debuts for Yen Press. The Girl I Saved on the Train Turned Out to Be My Childhood Friend (Chikan Saresou ni Natteiru S-kyuu Bishoujo wo Tasuketara Tonari no Seki no Osananajimi datta) already has the light novels from Yen On, and this is the manga adaptation that runs in Manga Up!. The plot is the title. The manga has to struggle with art not being by Fly.

The other debut is Studio Apartment, Good Lighting, Angel Included (One Room, Hiatari Futsuu, Tenshitsuki), a harem fantasy from Shonen Gangan about a guy who wakes one morning to find an angel in his bed. Literally. This is by the author of As Miss Beelzebub Likes, which I really enjoyed, so I am inclined to cut it more slack than it probably deserves. Expect more cute than sexy knowing this author.

Yen Press also has new volumes of Bungo Stray Dogs: Wan! 2, Durarara!! RE;DOLLARS Arc 7, The Eminence in Shadow 4, Re:ZERO -Starting Life in Another World-, Chapter 4: The Sanctuary and the Witch of Greed 4, Slasher Maidens 5, Sword Art Online: Project Alicization 5 (the final volume), and Val x Love 12.

Viz debuts a new Jump title, The Elusive Samurai (Nige Jouzu no Wakagimi). A former noble whose family was overthrown is on the run, his only power a truly superhuman ability to run away. This made it past the traditional 2-3 volumes death for most Jump series, so good for it.

ASH: Revenge, redemption, and by the creator of Assassination Classroom? Count me as officially curious.

ANNA: Me too!

MJ: Oh, interesting!

SEAN: Also from Viz: Dr. STONE 22, Kubo Won’t Let Me Be Invisible 2, My Hero Academia 31, My Love Mix-Up! 4, and Vampire Knight: Memories 7.

MICHELLE: I need to catch up on both My Hero Academia and My Love Mix-Up!.

SEAN: Seven Seas debut is actually a one-shot sequel: Go For It Again, Nakamura!! (Motto Ganbare! Nakamura-kun!!), the BL series that honestly may be better known for the memes parodying its cover art than its actual content. It ran in Akaneshinsha’s Opera.

MICHELLE: I really liked the original volume, and look forward to the sequel!

ASH: I’m really excited for this one, too! I unequivocally loved the first manga.

SEAN: Also from Seven Seas: Magic Artisan Dahlia Wilts No More 2, Non Non Biyori 16 (the final volume), The Savior’s Book Café Story in Another World 3, semelparous 3, and Superwomen in Love! Honey Trap and Rapid Rabbit 4

Kodansha has some print titles. Battle Angel Alita Mars Chronicle 8 (the final volume), EDENS ZERO 17, Fire Force 27, Noragami: Stray God 24, and Sensei’s Pious Lie 2.

ASH: Alas, I’m already behind and just finally got my hands on the first volume of Sensei’s Pious Lie.

SEAN: Digitally the first debut is Desert Eagle, a comedic gang title from the creator of Tokyo Revengers. it ran in Weekly Shonen Magazine.

We also get My Wonderful World (Boku no Subarashii Jinsei), a josei title from Be Love about a young man whose inability to read or write well is discovered to be dyslexia.

Also digitally: Changes of Heart 3, A Couple of Cuckoos 8, Drifting Dragons 11, Kounodori: Dr. Stork 25, My Master Has No Tail 7, Oh, Those Hanazono Twins 3, Saint Young Men 19, and A Sign of Affection 6. A Sign of Affection is awesome.

MICHELLE: One of these days I will actually read A Sign of Affection.

ASH: I really need to, too.

ANNA: It is so so so good!

MJ: I want to get excited over Saint Young Men but it’s been so long since I read any, I’m so far behind…

SEAN: J-Novel Club has a new digital light novel debut: D-Genesis: Three Years after the Dungeons Appeared (D Genesis Dungeon ga Dekite 3 Nen). This is one of those “fantasy comes to Japan” works, about dungeons suddenly appearing everywhere.

Also digital: In Another World With My Smartphone 25, My Friend’s Little Sister Has It In for Me! 7, The Reincarnated Princess Spends Another Day Skipping Story Routes 4, Record of Wortenia War 15, and Tearmoon Empire 8.

Ghost Ship has Call Girl in Another World 4 and GUNBURED × SISTERS 2.

Cross Infinite World has The Drab Princess, the Black Cat, and the Satisfying Break-up (Jimihime to Kuroneko no, Enman na Konyaku Haki), one in the fairly recent romance drama of “not a villainess, but breaking off the engagement anyway” titles. It looks fun.

ASH: It does! And I like the title.

SEAN: Airship, in print, has new volumes. Loner Life in Another World 2 and Survival in Another World with My Mistress! 2.

The early digital debut is Vivy Prototype, a spinoff of the anime Vivy -Fluorite Eye’s Song- and written by the author of Re: Zero. The story of an AI who tries to prevent a war, any similarity to certain Macross franchises is purely coincidental.

ASH: I know nothing about Vivy, but stories about AI do appeal to me.

MJ: I loved this anime, so I’m here for it!

Any titles grab your eye here?

The Manga Review, 7/1/22

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Good news: The United Workers of Seven Seas (UW7S) achieved a major victory this week when the company agreed to recognize their union. Though management has not yet spoken to the press, the UW7S Twitter feed posted the following statement on June 24th: “This decision by Seven Seas eliminates the need for an NLRB conducted election and will pave the way for a more expedited path to bargaining a first contract. At a time when many employers continue to fight the unionization of their employees, we appreciate that Seven Seas decided to respect the voices of the majority of staff and recognize us. We look forward to developing a mutually beneficial relationship and reaching a collective bargaining agreement in the near future.” The path to a better contract and better working conditions, however, is a long one. As OASG contributor Krystallina notes, “Bloomberg Law estimates the average length of time for initial negotiations to be 409 days — in other words, 1 year, 1 month, and 2 weeks. One analyst says there’s only about a 50-50 chance of reaching an agreement in a year, with additional estimates calculating it will take about a year and a half.”

NEWS

After 247 chapters, Yuki Suegetsu will bring Chihayafuru to an end. The series, which has been running in Be Love since 2007, proved so popular with Japanese readers that it spawned three live-action films and three anime series. [Anime News Network]

Looking for a manga industry job? VIZ is currently advertising four positions in its publishing division: Copy Editor, Editor, Editor of Original Graphic Novels, and Publishing Production Assistant. [VIZ]

The American comics market is booming, according to industry experts Milton Griepp and John Jackson Miller. They report that “total comics and graphic novel sales to consumers in the U.S. and Canada were approximately $2.075 billion, a 62% increase over sales in 2020.” Comics performed well at many types of retail outlets as well. As Griepp observes, “Sales through comic stores were up 60% vs. last year and 34% vs. 2019; sales through the book channel, including book fairs (which were back in operation) grew at a blistering 81% pace. Digital growth, while slower, was coming off a gangbuster year in 2020 during the shutdowns.” [ICv2]

FEATURES, INTERVIEWS, AND PODCASTS

As Pride Month comes to a close, Okazu reader Meru explains how reading yuri manga played an important role in their decision to come out as transgender. “When I look at Yuri, I see myself: I see the soft butches that could, in another series, be they/them or even they/he,” they note. “I see bodies and ideals and identities that mirror myself. I feel less alone. I feel natural in a country that would rather me turn my back on playing at soft masculinity and gender ambivalence in exchange for kitten heels, a lack of body hair, and legs crossed at the ankle. When I crack open a volume of Yuri and see tomboys and boyish girls and girls straddling the lines of socially acceptable gender and being themselves.” [Okazu]

If you’re a fan of Daytime Shooting star, Deb Aoki thinks you might like Mika Yamamori’s latest series, In the Clear Moonlit Dusk. [Mangasplaining]

On the newest installment of Manga Mavericks, Colton and Lum check in with ongoing series Haikyu!! and Magu-Chan!, and look at new offerings from VIZ, Manga Plus, and Azuki. [Manga Mavericks]

The Manga Machinations crew discuss three series that explore different facets of the LBGTQ experience: New York, New York; Catch These Hands!; and I Want to Be a Wall. [Manga Machinations]

Kory, Helen, and Apryll dedicate the latest Manga In Your Ears podcast to My Solo Exchange Diary and Yuri Is My Job! [Taiiku Podcast]

Paul Semel and Anne Ishii interview Gengoroh Tagame about Our Colours, a coming-of-age story that centers on a queer teen artist. “It’s something I’d wanted to read as a middle and high schooler myself, so decided to write for my own self,” Tagame explains. As I’m now in my 50s, I think of it as a gift to myself 40 years ago.” [Paul Semel]

Also of interest: Cayla Coates talks to Okura about I Think Our Son Is Gay, a gentle comedy about a woman who begins questioning her son’s sexual orientation. “I’ve always felt that gay people in manga and drama are often portrayed as either comic relief or someone with struggles and hardship.,” Okura observes. “I wanted to draw what I consider to be natural, ordinary gay people.” [Crunchyroll]

REVIEWS

Erica Friedman delves into the latest installment of Even Though We’re Adults, singling out the translation and lettering for special praise. “Jocelyne Allen’s translation is outstanding, in providing the nuance and ‘adultness’ this series needs,” she notes, while the “lettering and retouch by Rina Mapa lets’ me feel in the story in exactly the same way as I do when I’m reading the Japanese.” Meanwhile, Megan D. explores the forgotten corners of Tokyopop’s BL catalog with a look at Innocent Bird, “a limp, shallow romance… illustrated with an indifferent and murky hand,” and Christopher Chiu-Tabet continues his retrospective on Sailor Moon with a look at issues 15-20.

Bookshelf Briefs 6/30/22

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Kageki Shojo!!, Vol. 5 | By Kumiko Saiki | Seven Seas – I really like the fact that Sarasa is choosing the more difficult option. They’re doing auditions for a five-minute Romeo and Juliet, with singing, and Sarasa, who would make a much better Romeo, resolves to try for Tybalt again, as she wants to figure out the role and how she can make it not what the actress she emulated had done. This ends up impacting Ai, who’s going for Juliet, but realizes that she has absolutely no idea what being a girl who falls in love at first sight is like… until she starts thinking of Sarasa, and how they first met in a very romantically charged scene, and the bulb lights up. This may not be a yuri series, but as all good Takarazuka manga should, it’s not afraid to lean really hard into it. – Sean Gaffney

Laid-Back Camp, Vol. 11 | By Afro | Yen Press – It’s rare to see real character development in a slice-of-life fluff series, so it’s quite something to see Rin in this volume, who is almost unrecognizable from the Rin at the start of the series. Camping with others has really helped to open her up to the point where ‘the stoic, unemotional one’ doesn’t even fit anymore. It works in reverse as well, as Nadeshiko is able to go off on her own solo adventures without us worrying about her getting in too much trouble. As for the camping trip itself, it involves crossing a lot of suspension bridges, some of which are fantastic and scenic, and some of which are simply terrifying. I know I would never be able to do any of them. Laid-Back Camp is pure ambience. – Sean Gaffney

Lost Lad London, Vol. 1 | By Shima Shinya | Yen Press – I’ve learned to temper my expectations when it comes to “mystery” manga, so it pleases me greatly to announce that Lost Lad London is the real deal and I loved it wholeheartedly. Al Adley is a somewhat aloof university student who happened to be riding the Tube at the same time that the mayor of London was murdered in one of the train carriages. It just seems like an odd coincidence until Al discovers a bloody knife in his jacket pocket. Thankfully, when Inspector Lenny Ellis turns up, he believes in Al’s innocence and they start working together to uncover whether Al was just a convenient scapegoat or if he’s being intentionally framed. The art style is striking, full of large, uncluttered panels, and I love seeing people of color in main roles. The final scene is wonderfully cinematic and I can’t wait for volume two. – Michelle Smith

Sacrificial Princess and the King of Beasts, Vol. 15 | By Yu Tomofuji | Yen Press – We finally get the actual backstory of the king, and it’s a pretty tragic one. It also helps explain why Set is so intent on destroying them like this. That said, most of this final volume is spent wrapping everything up in a neat bow. The allies arrive just in time, the people love their king regardless of whether he’s a human or a beast, and he and Seriphi can now be married. We even get to see a little of their life after, with kids running around being little terrors. This series felt a bit too much like “Fantasy Fruits Basket” sometimes, but I think it was quite underrated, and is a great one for shoujo fans. That said… man, why didn’t our favorite crocodile couple make it official? Slowpokes. – Sean Gaffney

Skip and Loafer, Vol. 4 | By Misaki Takamatsu |Seven Seas – I really appreciate the fact that Mitsumi is allowed to screw up here, realize it, and resolve to do better without the help of a magical love interest to resolve things. As I said in the previous volume, Shima still has his own issues which are taking priority, including a realization that not everyone hates him because of his actions. Maybe they’re just awkward! Maybe they’re a child whose motives you’re misreading! There’s also some nifty parallels with The Sound of Music, which Shima is forced to act in despite his not wanting to because… well, because he’s supposed to be the swell guy in class. I admit the series is starting to meander a bit from its premise, but I’m here for the Loafer half as well as the Skip. – Sean Gaffney

Tales of Wedding Rings, Vol. 10 | By Maybe | Yen Press – After last volume having “when are they going to do it” absent from the plot, and being better for it, this volume returns to it with a vengeance. Hime is overtaken by evil, and Satou tries various things to stop her, including dealing with different aspects of her personality (the childhood friend, the child, the princess, etc.). But, in the end, it turns out she just needs a good rogering and her magical power overflows with evil-destroying light. In fact, they do it a good five or six times to be sure. One might argue that plot resolution is a bit much, but honestly this entire series has been driven by “when is he going to rid these girls of their virginity,” so it seems rather apt. Still, more battles, less sex next time. Maybe. – Sean Gaffney

Unnamed Memory, Vol. 5

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By Kuji Furumiya and chibi. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Sarah Tangney.

The six books in this series are divided into three books each, and this is the middle one of the second arc. As such, it tends to mirror the middle one of the first arc, in that it’s a bunch of shorter events that happen to our two leads rather than one big storyline. Of course, there’s a lot going on in those shorter events. The author describes this book as the lighter, fluffier one before the final book, and that does make me a bit worried, because this book was not all THAT light and fluffy. That said, there are many sweet moments in here, as Oscar accepts Tinasha’s love and they get engaged. We also get to know more about Travis and his relationship with Aurelia, which is also adorable in its own twisted way and I really hope does not end badly. But there is an ominous core to this volume that definitely will continue to the next: time travel made things bad, and the world needs to reset itself to its proper place.

We start things off with Tinasha solving the curse that’s on Oscar and (presumably) making him able to have children again. She’s then able to return to her coronation… but has a big announcement to make that will upend Tuldarr. We see Tinasha solve a particularly nasty incident at a magical academy, and help to fight off an invasion by another country, who are primarily using zombies as troops, which is annoying. Unfortunately, Valt is also still around, and he explains to Tinasha what the two orbs currently locked up in the two kingdoms do. Fortunately, we won’t have to deal with that particular subplot till Book 6. Oh, yes, and we also meet the Witch who cursed Oscar in the first place, and she’s very unhappy with everyone… and a lot more familiar to some than was expected.

Probably my favorite story in this volume was the academy one, which was simple tragedy with no purpose except to show that this world still has a tendency to run on death. It even gives us a little side plot with three students talking about the disappearances, and you wonder if we’re going to take a detour into a side story, but alas no. I also really liked Aurelia, who has a touch of the Maria Campbells to her but (like Maria) also a strong cure. She also works well with Oscar, which would create a love triangle in any book which is not this one. This book is all about the OTP. As for the witch, well, it certainly opens up Oscar’s past, which we finally get to see for the first time, and explains why his late mother has never dwelt much in his thoughts. But the key takeaway from that is “Oscar should be dead”, and I expect the final book may try harder to push on that.

This is another very solid volume. If you’re sick of the usual light novel brand of fantasy, you should absolutely be reading this.

Accomplishments of the Duke’s Daughter, Vol. 6

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By Reia and Haduki Futaba. Released in Japan as “Koushaku Reijou no Tashinami” by Kadokawa Books. Released in North America by Seven Seas. Translated by Andria Cheng.

It would be more accurate to call this volume, and apparently the two following it, “Accomplishments of the Duchess”, as we now begin an extended side story telling us about Iris’ mother Merellis. Featured in the first few books of the main series as a caring mother who seemed the sort to speak with her mouth behind a fan, the final book in the series showed us that behind all that etiquette is a dangerous swordswoman who will cut you down as soon as look at you. I said I wanted to hear her story, and it turns out iris does as well. Merellis’ past had never been revealed to her daughter, so Iris asks and Merellis tells up about her childhood, starting with the tragic murder of her mother by bandits, which sets her on a path leading to revenge and… well, revenge. What else does one need? the book was excellent, but fans of the series who loved it for the economic theory might be a bit thrown off.

After her mother’s funeral, Merellis is consumed with rage and a desire to take revenge on the bandits who did this to her family. Her father decides to train her in the sword to at least try to distract her, and, although from her own perspective the gains she makes and slow and inadequate, it’s actually rather terrifying how quickly she takes to it. Soon she is Mer, impersonating her own body double and rising through other guards, then knights, rapidly becoming an amazing military commander. Unfortunately, when all your life is dedicated to one goal, there are obstacles that are hard to overcome, such as your father getting his own revenge for his wife’s death and leaving you with no purpose in life. If only there was a guy her own age she could talk to about this…

As I said before, this feels like a completely different story. Merellis is not a meathead swordswoman, and very much shows she can take charge on a battlefield, but the book shows her worldview gradually opening up, as she goes from “I only care about my revenge” to “now what the hell do I do?” to “I want to protect my family” and then to “I want to protect others around me so that they do not suffer as I have”. At her side, though they’re not a couple yet (the two haven’t even hit puberty by the end of this first novel in the subseries, though the inner artwork may not have gotten that message) is Louis, son of the Prime Minster and Merellis’ future husband. She’s fairly smitten with him by the end of the book, but they also fight,as he tries to get her to see the bigger picture.

I suspect the next book will feature a lot more nobility and gowns and less fighting, but who knows? Merellis was clearly a little hellion until she got married (and then became a big hellion). This is a great book, but it’s nothing like its parent series, except maybe as it regards the greater good and how to move towards it.

Arifureta: From Commonplace to World’s Strongest, Vol. 12

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By Ryo Shirakome and Takayaki. Released in Japan as “Arifureta Shokugyou de Sekai Saikyou” by Overlap Bunko. Released in North America digitally by J-Novel Club. Translated by Ningen

It was about 18 months in Japan between Vol. 11 and 12, and it’s been about the same here in the West as well. I was briefly worried that I’d forget literally everything that had been happening before, but that was before I remembered what series I was reading. Arifureta is not particularly interested in its own plot, or even that much in its characters. Arifureta is interested in people powering up and getting new special moves. The author has clearly drowned himself in Jump series as a kid, and as a result this book, especially the back half, can be summed up by using the “It’s over 9000!” meme over and over again. That said, there is a little bit of character stuff in the front half, but I was less happy with that, as it leans too heavily into an evil cliche stereotype I dislike. This is also NOT the final volume of the series – we’ve got one more to go after this. Fortunately, it’s scheduled for the fall in Japan.

Kaori gets a nice cover art picture, which makes it a shame that she’s the only one not in the main book, getting left behind to guard everyone else and make sure they’re not killed. (She gets a nice short story at the end to make up for it.) The rest of the book is divided almost exactly in half. In the first part, Shizuku, Ryoutarou and Suzu head over to try and beat Kouki and Emi up and return them to their senses. Only one of them actually gets beaten up enough to have that happen, and you can probably guess who. But hey, Suzu gets to say goodbye. In the back half, Hajime is sent ahead to go rescue Yue (which will clearly be most of Book 13), so we get Shea and Tio taking on a whole bunch of apostles and monsters, as well as Freid. Unfortunately, the bad guys seem to have forgotten how our heroines are basically nightmares themselves by now.

So yeah, we get Eri’s backstory here to explain why she’s incredibly evil, and it’s because her father died saving her from getting run over, her mother blamed her and abused her, and she was almost raped by her mother’s new boyfriend. Getting abused as a child leading to a bad person later in life is something we need to see less of. Kouki, meanwhile, remains a shallow parody of the standard shoujo boyfriend, so it’s no surprise that once the mind control is removed and he’s punched a lot he manages to recover what wits he has… though we’ll see what happens when he sees Hajime again. But really the majority of this book is exactly what I said earlier: yelling out attacks, just barely avoiding lethal moves, pulling off near lethal moves in return, and lots of shouting.

The return of everyone’s favorite Zero protagonist at the end of the volume is interesting, and I wonder if she’ll help Hajime in the next volume. Till then: boy, this sure was a volume of Arifureta.

So I’m a Spider, So What?, Vol. 14

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By Okina Baba and Tsukasa Kiryu. Released in Japan as “Kumo Desu ga, Nani ka?” by Kadokawa Books. Released in North America by Yen On. Translated by Jenny McKeon.

The subtitle of this volume could be summed up as “At Long Last”. At long last, we have finally caught up with where we left Shun, Katia and the rest of the human cast in Book 5. At long last, we get several extended flashbacks explaining to us the origins of Ariel, Potimas, and Guli-Guli… erm, Guliedistodiez. But perhaps most importantly, at long last, Potimas is dead dead dead. Yes, technically this is a spoiler and it happens at the very end of this volume, but I think most readers of the series won’t blame me too much, because every single one of us have wanted that asshole dead for almost ten books now, and it’s about damn time. Of course, there’s one slight problem with all these things happening at once, which is that none of them really land as satisfyingly as I want them to. For a book that should have been a home run, this ends up being merely “okay”.

The Imperial Army, augmented by hidden demon army members, has arrived at the Elf Village to kill every single elf there, including Potimas (but excluding Ms. Oka, who gets a pass for being nice to our spider long ago). Ariel asks White to leave Potimas all to her, which White very reluctantly does. But that’s fine, as it turns out there’s a lot more going on, including robots, giant robots, even gianter robots, massive sea urchin robots, and UFOs. All of these force White to work harder than she’s ever…. well, no, White barely breaks a sweat, but she does have to use a few tricks she’d been saving for later. As for the rest of the human cast? Erm, sorry, the title of this book is still about the spider. They barely get a look in. In the meantime, Ariel has flashbacks to her past, and the previous end of the world apocalypse, which is mostly thanks to Potimas, though the dragons helped.

There is some funny stuff here. White’s narration is always amusing, especially as Potimas keeps topping himself with more and more dakka. Her four spider daughters are also very amusing as they have to team up with Ronandt, something which pleases them a whole lot more than it does him. But for the most part I think the parts of this book set in the past don’t land as hard as they should, because they’re told from the perspectives of three people who were not present at the major events. It is interesting to see Ariel as a wheelchair-bound near death teenager, and helps to explain a lot of her actions (as well as her relationship with Potimas). That said, I’m going to be honest, the most interesting part of the book was the final line. White has always been a bit of a villain protagonist. Is she finally going to turn full evil?

So yeah, Spider fans will like this, but not a lot. The next book promises to be a banger, though.

Reborn to Master the Blade: From Hero-King to Extraordinary Squire, Vol. 5

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By Hayaken and Nagu. Released in Japan as “Eiyu-oh, Bu wo Kiwameru tame Tensei su. Soshite, Sekai Saikyou no Minarai Kisi ♀” by HJ Bunko. Released in North America by J-Novel Club. Translated by Mike Langwiser.

I am deliberately not reading prior reviews of this (which I normally do), because I know I will be typing the exact same goddamn thing again. There’s just no avoiding it. So here we go: This series only has one joke. It’s STILL a good joke. That said, the dichotomy between Reborn to Master the Blade as amusing reading about a meathead and her slightly less meathead sister and Reborn to Master the Blade as a dark fantasy with a lot of casual death is widening, and it does not always mesh together well. There’s a moment in this book where an entire city rises into the air, and Inglis notes that this is likely due to a LOT of people being executed to harvest their energy. And, as it turns out later, she is correct. However, we barely notice this as we’re listening to Inglis trying to figure out how to clone herself to solve her fighting problems.

Inglis and company are traveling in secret to Alcard, in order to try to do something about the impending war. Unfortunately, Alcard has changed a LOT since the last time Lahti, Pullum and Ian were there. The people are starving to death, their food having been taken at the behest of their heiral menace, Tiffanyer, who has the power to make anyone sing “I Think We’re Alone Now”… erm, well, I’m not sure if her power is literal brainwashing or merely incredible charisma, but she’s won over a lot of the knights of Alcard, including Lahti’s older brother. She’s also hella strong, meaning Inglish is having trouble focusing on the mission and not focusing on getting a really good fight with Tiffanyer. That said, the thing that shows up at the very end of the book makes even our favorite meathead step back and pause to reflect.

Again, the one joke is a REALLY GOOD JOKE. The running idea of Inglis thinking about cloning herself, and being told the many ways this is a bad idea, then trying to fix it by tripling herself… it’s hilarious. It will never happen, and THANK GOD, but it’s hilarious anyway. I also loved the desperate stupidity of the world’s two hungriest girls trying to get by on eating snow with sugar and salt sprinkled on top of it. Beyond that, however, things are pretty dark. There’s one point where they literally find a church full of dead children who starved to death due to the machinations of Tiffanyer. What’s more, she’s not merely evil for evil’s sake – she’s grabbing what she can because she knows the penalty for failure. It’s increasingly likely that peace is not something that’s coming anytime soon. And given what shows up at the end of the book, apocalypse is looking a bit more likely.

If you can tolerate the book turning from “this is a horrible tragedy with the corpses of children” to “dur hur Inglis love fighting!” this is still a fun series. Plus the books read fast.

The Manga Review, 6/24/22

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Hi, all! Its been a relatively slow news week manga-wise and a crazy week for me work-wise, so I’m going to dispense with the snappy introduction and get right to the links! As always, if there’s a great blog, podcast, or YouTube channel that you think should be featured in The Manga Review, leave a comment below or contact me through Twitter. Your suggestions have already helped me make this a more inclusive and representative space, so keep ’em coming!

NEWS AND FEATURES

The folks at J-List have posted a thoughtful article explaining the steps the United Workers of Seven Seas will need to take in order to unionize. If you don’t know much about the National Labor Relations Board (NLRB) and its role in “mediat[ing] between the employer, union, and other parties to iron out all the details,” start here. [J-List Blog]

Erica Friedman’s latest Yuri Studio episode is now live, and focuses on sports in yuri anime and manga. [Okazu]

After a brief hiatus from blogging, Allison Ziebruh has revived Bloom Reviews with a raft of new reviews, as well as a thoughtful reflection on the current isekai manga boom. [Bloom Reviews]

Kelli Ewings posts a sneak preview of new works by Gengoroh Tagame, explaining why she’s excited to see more of his ground-breaking work available in English. [Panel Patter]

Wondering what’s new at Seven Seas? Carrie McClain has you covered with licensing news, unionization updated, and brief reviews of The Muscle Girl Next Door, Until I Meet My Husband, and more. [Women Write About Comics]

Laura Grace continues working her way through the shojo manga alphabet with a look at her favorite titles that begin with the letter D. [Beneath the Tangles]

Buckle up, Ryuko fans: Andrew Osmond just sat down for an interview with creator Eldo Yoshimizu. When asked why all his manga feature tough, sexy women in leading roles, he responded, “I like the strong woman, maybe that’s the reason. Especially when I started writing Ryuko, I wanted a lot to have female readers. I had that idea in my head. Especially in Japan, the woman is treated as vulnerable, kawaii… For child readers, that’s fine, but I wanted to provide something more sophisticated, better for the adult readers. Asura [the protagonist in Hen Kai Pan] and Ryuko, they make mistakes and they suffer a lot, and they’re going to grow up… That’s the kind of story I wanted.” [Anime News Network]

REVIEWS

Over at The Guardian, Rachel Cooke posts a thoughtful review of Yamada Murasaki’s Talk to My Back, due out from Drawn & Quarterly this summer. “Murasaki captures her character’s every mood shift and internal contradiction, her guilt as well as her longing (more than once, other people tell Chiharu she should be “grateful” for her life – as if she didn’t know this herself),” Cooke observes. “But Murasaki leavens this by recalling, too, the quotidian pleasures and rituals of home: the jokes, the teasing, a delicious (“slurp”) bowl of noodles. The result is a cross-cultural book about female self-worth – about where it comes from and why it sometimes disappears – that stands the test of time in the most remarkable way.”

Also of note: The OASG’s Justin and Helen offer their perspectives on the latest volume of Witch Hat Atelier, while ANN’s Lynzee Loveridge gives Hideshi Hino’s The Town of Pigs a solid grade of B, and Solrad’s Helen Chazan posts capsule reviews of several new releases.

 

Slayers: Hatred in Selentia

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By Hajime Kanzaka and Rui Araizumi. Released in Japan by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by Elizabeth Ellis.

At last, I have something to talk about. That is not a good thing. The Slayers novels are fast-paced, action-packed, have some interesting fantasy plotting, and Lina and Gourry are fun, but let’s face it, the reason this series is beloved is that the anime took the characters and fleshed them out, made them human. Character development and deep emotional pain is not something that Kanzaka specializes in or is good at. And that’s going to be a problem with this book, whose second half relies entirely on the death of a beloved character and said death driving another character to an extended murder spree, one that I suspect may continue in the next book. There’s just one problem. The emotional impact is taken as read. The author assumes we will be devastated when this character dies, but mostly we’re merely surprised at how fast and pointlessly it happened. And the roaring rampage of revenge is more of a mildly simmering rampage of revenge. Slayers runs on snark and fighting. When there isn’t either of those, it gets into trouble.

Lina and Gourry come to Selentia, a city where religion is the biggest mover and shaker. There’s a high priest as well as four other slightly lower priests. Unfortunately, the high priest has just burned to death in an “accident” that no one thinks is an accident. Lina and Gourry are hired by the Sorcerer’s Guild to investigate, and find that there’s a lot of motive but not a lot of evidence. That is until we get more killings happening. What’s more, Luke and Mileena are here again, being hired bodyguards for one of the priests. Can Lina and Gourry figure out what’s happening and stop it before the entire city turns into a blood-soaked canvas? Answer: no.

Kanzaka apologizes to readers in the afterword for Amelia and Zelgadis not being in this, but for the wrong reason. He states that if they’d been there, they could have healed the fatal wound and thus avoided everything that came after. That said, I think the bigger problem is: this should have been Zel and Amelia, not Luke and Mileena. After being introduced in Book 9, the two of them have had “replacement scrappy” written all over then, despite occasional attempts at depth. Frankly, if Kanzaka had simply used Amelia and Zel in Book 9-14, and had Amelia killed off and Zel go on a rampage, the impact would have been much greater because we actually care about them. And, see, I say that, but I can’t bring myself to believe that either. Because Mileena’s death is so fast, so lame, and so emotionally void that it took me a while to realize it had happened. Kanzaka cannot write depth. And that means this book winds up suffering terribly, because it’s where depth is needed the most.

This second “arc” in the S;layers series will end in the next volume, and I suspect will wrap up Luke’s plot as well. I hope it’s filled with cool action sequences and magical battles. Because really, why else would you read this?