archdemon's dilemma

By Fuminori Teshima and COMTA. Released in Japan as “Maou no Ore ga Dorei Elf wo Yome ni Shitanda ga, Dou Medereba Ii?” by HJ Bunko. Released in North America by J-Novel Club. Translated by Hikoki.

How much you like this volume probably depends on how much you like escalating shonen magic battles. About half of this book consists of a magic battle between Asmodeus and Phenex on one side, and Marchosias… erm (checks names), Glasya–Labolas, and Eligor on the other. This is entirely variations on “I will simply use the magic that always kills everything!” “Well, I’ve countered with the magic that ensures I never get killed!” over and over, with attempts to be ironic given that the battle has one combatant who can foresee their own death and another who has been desperately trying to die since before this world began. If you like this, you’re golden. If not, there is at least the rest of the book, where everyone watches videos of the long-lost tragic backstory of half the cast. I am begging the author to get back to cute romantic shenanigans. And so is Zagan.

Aside from Asmodeus’ glorious last stand against Marchosias, what else do we have here? Zagan’s still dead, but his soul at least shows up, and gets to see the story of Solomon, his grandfather, and Azazel, the seraph. Which should be very familiar to him, as they are basically him and Nephy, except unlike him and Nephy they do actually have sex. Alshiera and Marchosias are also there, as well as Azrael, who reminds me a lot of Chastille (well, competent Chastille… actually, it’s been a few volumes since crybaby Chastille, too. Oh, for the Archdemon’s Dilemmas of yesteryear…). Meanwhile, Alshiera and Asura are also watching memory videos of how everything went so badly. In the present, they’re all trying to rescue Kuroka, and Barbatos is trying to rescue Vepar… well, once he remembers to actually do it. Everyone’s fighting everyone else, in other words.

Death has always been fairly fluid in this series, with some folks genuinely being dead but a lot of the folks on the good guy’s side (though Zagan will, of course, insist archdemons are not good people) have been almost dying but not quite, or getting brought back from death. Here that’s directly addressed, as while Asmodeus would dearly love to bring back her departed loved ones from the dead, she knows that you cannot go back, only forward. Marchosias, meanwhile, presumably gestures at the previous volumes of this book as a response. Again, this isn’t badly written, though once again I wish it came with a bigger cast list than the small one it has at the back. It’s just this is not really why I started reading Archdemon’s Dilemma in the first place, and I desperately want everything to resolve soon so he and Nephy can moon over each other again. Unfortunately, it appears when this battle ends, the series may as well.

If you’ve been reading this series, there’s nothing here to make you stop. But man, please get out of Weekly Shonen Jump, Zagan.

By Fuminori Teshima and COMTA. Released in Japan as “Maou no Ore ga Dorei Elf wo Yome ni Shitanda ga, Dou Medereba Ii?” by HJ Bunko. Released in North America by J-Novel Club. Translated by Hikoki.

I wouldn’t go so far as to call this a short story volume, but its main plot is definitely a framing device meant to set off each chapter. Mostly what we get here are flashbacks giving us insight into other characters, some of them very important and some of them mostly new to us. The reason for this, of course, is that Zagan is dead, per the cliffhanger of the last volume. Well, OK, probably not, but he does not appear in this volume, and Nephy, who is holding down the fort, only shows up in one scene. Of course this means that the overly sweet romance that was why we all started to read this series is once again in short supply. This is not unique to this author. A lot of light novel and manga authors start off writing something only to find, 20-odd volumes in, that it’s become an epic shonen battle series. Mostly as authors are (mentally) teenage boys.

So yes, Zagan is dead, but nobody really believes he’s DEAD dead. Least of all Nephteros, who has decided to go on a quest to revive Zagan, along with her beloved Richard. Their investigation shows that it’s mostly that Zagan’s soul is lost, and fortunately they have a soul-finder guy, but he’s hard to convince, plus he’s busy, um, imitating the Archangel Michael to such a good degree that the actual article begins to despair. What’s more the core group has already lost Shax, who is forced to ally with the enemy given that Kuroka has been captured. Who is the enemy really? Well, as it turns out, the enemy is a lot of people, and has interacted with our cast a number of times. That said, it may end up being Asmodeus who holds the key to resolving all this.

I jokes online that the big twist at the end of the series was that every single character would turn out to have been secretly Marchiosas, and while it’s not quite as bad as that, he does show up everywhere. The stories we get are a) Bifrons being a generally terrible person, investigating Zagan, and meeting a young girl who… kind of sort of led to Nephteros; Richard’s Sacred Sword, Camael, telling of her past as a seraph and what has led her to try to protect Marchiosas at all costs; Michael/Andrealphus going back to his home only to find his entire life has been usurped by a demon; and Asmodeus/Lily’s backstory, and why she’s so obsessed with getting those soul gems. As with most short story books, even the ones that aren’t quite, the best stories are near the end – Lily is definitely the highlight of the book. That said… I kinda want to get back to awkward handholding.

We’ve been told that next volume will be all battles, so I’m not getting that anytime soon. Enjoy this shonen battle novel that used to be something else.

By Fuminori Teshima and COMTA. Released in Japan as “Maou no Ore ga Dorei Elf wo Yome ni Shitanda ga, Dou Medereba Ii?” by HJ Bunko. Released in North America by J-Novel Club. Translated by Hikoki.

Despite the cover art, which is meant to match with the previous volume, there is very little romance in this book, and there’s nothing resembling a wedding. Instead, for the most part, we get a half a book of talking and posturing, and then a half a book of a big shonen fight scene. We all know how much I love reviewing big shonen fight scenes. Did you know that these two really powerful characters fight, and for a while it looks like one is going to easily win, but then the other one pulls out some great moves and so it looks like he is going to win, but then the first guy says “I have told you before that all sorcery is useless against me!” and turns the tables again… etcetcetc. On the bright side, I definitely think we’re getting near the end of the series, as this volume ends very badly for our protagonists.

After letting the bad guys stew for a week or so while Zagan and Nephy admire their engagement rings, they finally go to meet with Marchiosas for the first meeting of all the Archdemons in a long, long time. While there, Marchiosas explains why he’s called the meeting: the entire world is going to be destroyed in about a year’s time, because Alshiera’s barrier is finally breaking down. They throw around ideas to try to fix things, but there really aren’t any good ones. After this goes on for a while, Marchiosas boots out Zagan and half the cast and talks to the most important one there, Furcas, who is the only one who actually CAN save the world. Unfortunately, Marchiosas and Furcas are talking at cross-purposes, because Marchiosas wants to save the world by rescuing Alshiera… and replacing her with Lilith, who will become the new living battery. Furcas does not find this an attractive offer.

So yeah, there’s a LITTLE bit of romance here, and it revolves around the only love triangle in this series. Selphy has been fighting a losing battle from the start, as the only gay character in a series that pairs everyone very heterosexually. She knows that Furcas is madly in love with Lilith. She also knows that Lilith, once she actually figures this out and examines her own feelings, will likely return those feelings. So she hates Furcas… but also knows he’s a good person, so is forced, here at the big penultimate battle, to use an “I want my beloved to be happy” move that leaves her half-dead. Good news, though, she’s far from alone. By the end of this book, Furcas, Zagan, Nephy, Foll, and several other people are heavily wounded, and Zagan is actually in a coma. Oh, and one of our heroines is also kidnapped. Basically, it’s a darkest before the dawn moment.

When is the dawn? Well, Book 20 is due out in Japan next month, so it will probably be a while. Fans of the series, especially if they like cool battles with magic powers and punching things, will enjoy this.

By Fuminori Teshima and COMTA. Released in Japan as “Maou no Ore ga Dorei Elf wo Yome ni Shitanda ga, Dou Medereba Ii?” by HJ Bunko. Released in North America by J-Novel Club. Translated by Hikoki.

There is a moment in this book that initially made me roll my eyes at the stupidity, but upon reflection I realized it actually makes perfect sense in the context of the books. Zagan is reaching out to other archdemons, trying to ally with them before they ally with Marchosias, and Acheron is one of these powerful archdemons. He plans side side with Zagan, but then Eligor, an archdemon working for Marchosias, arrives to threaten him into joining the other side. Not to spoil too much, but Acheron is killed because it never occurred to him that she wouldn’t arrive without backup. But then I realized that at the start of the series a big deal was made about how none of the archdemons trusted each other, and that Zagan’s big change is actually forming partnerships and gaining allies. So yes, the enemy can now do that too, as our archdemon learns in his last moments. This has come down to just two sides.

Oh my God, cover, spoilers! I think the author knew what the cover would be, as we open with Zagan and Nephy in wedding outfits, blushing heavily at each other, and then flash back to try to show how we got here. As I said above, both sides are still trying to recruit the few remaining unallied powerful people to their side. We saw the fallout of one of those attempts last time, and now Zagan’s castle as additions of a porcelain robot girl trying to be human and her twitchy archangel minder. The most powerful of these people is Phenex, whose name might give an idea as to her powers, and she is (like most of the cast) deeply eccentric. She’s also lived longer than the rest of the cast, due to the nature of her existence, and Zagan might be able to do something that no one else ever has before.

I managed to get to this point without discussing the romance, go me! It’s still here, and the couples continue to be obvious, with the one exception of the love triangle between Lilith and her straight and gay options. Micca and Furfur are the newest at this, so they get the most focus, and they’re adorable. Shax and Kuroko are the old hands at this, and they also get to be adorable. Chastille and Barbatos… are still in denial, and aren’t really in this till the end, but yeah, they’re adorable in a way where you want to punch them both. As for that cover image, I admit I was expecting it to not amount to much. It’s signposted that this is a setup by Chastille as a petty revenge for Zagan broadcasting her own supposed relationship to the entire world. But for once, Zagan steps up when it comes to his love life rather than everything but his love life, and even if we don’t end up getting a wedding, we do get a punch the room, “Finally!” moment.

This is apparently Part 1 of a 2-part arc, and I expect the next one to have far more fighting. That said, it will still have schmoopy romance. The plotlines intertwine, they can’t be separated.

By Fuminori Teshima and COMTA. Released in Japan as “Maou no Ore ga Dorei Elf wo Yome ni Shitanda ga, Dou Medereba Ii?” by HJ Bunko. Released in North America by J-Novel Club. Translated by Hikoki.

This series started off with very powerful characters, and it’s only been adding more and more of them as it goes on. Even the comedy relief crybaby girl is an incredibly powerful archangel, and there are all new archdemons, each of which are, when viewed apart from the story itself, utterly terrifying. As such, it’s rather refreshing that we spend a chunk of this story with Micca, the lowest-ranked archangel, who is on the team merely because the swords choose their owner, and thus still feels like a teenage boy struggling to provide for his lower-class family. He’s a nice kid, and will happily help the mysterious, robotic-sounding maid girl try to find her master despite being obviously suspicious. So of course this guy finds himself, at the climax of the book, to be the fifth person in a battle to the death between four of the most powerful people in the world. Some days you really should stay in bed.

All Zagan and Nephy want to do is have a cute ice cream sundae date, but things keep getting in the way. Well, mostly it’s Asmodeus, who wants to try to make a deal with a somewhat irritated Zagan because she knows that “throw demons at Zagan till he’s overrun” is indeed a strategy that could work. She’s also, like many villains in this series, slowly turning out to be not so bad after all. The same cannot be said for Glaysa-Labolas, who is definitely the villain this time around, as he finds the location of Forneus, an archdemon who might be able to help Zagan, as well as Shax and Kuroka, who are supposedly on their “honeymoon” but in reality are trying to gain his support. Unfortunately, Forneus also turns out to be the owner of the maid girl I mentioned above, so when she and the teenage archangel all arrive at the same tavern, everything gets very messy.

This series tends to run on “very powerful people who can destroy the world are useless dorks when it comes to love”, and no one has been a bigger dork in the past than Shax, who the reader has wanted to throttle many times. But eventually (I assume, the anime only adapted two volumes, meaning it could theoretically come back for 8 more cour) this series is going to have to end, meaning that some of these people are going to have to get their shit together at some point. And Shax and Kuroka look to be the closest to doing so, as Chastille and Barbatos are stuck in comedy relief land (I love that her “curse” is “no, you’re just that clumsy”) and Zagan and Nephy are stuck in Archie Comics-style romance. They both get several chances to be cool here, and there’s even some accidental kinky ear biting, showing, as with every other catgirl in Japan, the ears are an erogenous zone to Kuroka.

One complaint: if the text is going to describe a dead person as “diced”, don’t draw interior art showing them with a bit of blood loss. Beyond that, this was a decent Archdemon’s Dilemma, a series that really should wrap up soon, please.

By Fuminori Teshima and COMTA. Released in Japan as “Maou no Ore ga Dorei Elf wo Yome ni Shitanda ga, Dou Medereba Ii?” by HJ Bunko. Released in North America by J-Novel Club. Translated by Hikoki.

These books are getting increasingly hard to review, as there’s simply not much that’s left in terms of “dangling plotline” beyond one or two minor things introduced here. Zagan has gotten to the point where he’s ready to propose to Nephy, and has a ring, but a) is waiting for Nephy to be emotionally prepared for a proposal, and b) has to use the ring as a magic tool when battling a demon. Barbatos and Chastille are still trapped in tsundere hell, but are at least able to go out on dates now, and it won’t be long before they manage to somehow get married while denying it to the last breath in their bodies. The only real ongoing new plot of interest is Asmodeus, who, as predicted, is trying to pretend that the whole Lily thing didn’t affect her, but it totally did.There’s also getting spirits out of angelic swords, but unless we meet any of these spirits, I don’t care.

Chastille’s birthday is coming up soon, and Barbatos is *so* bad at romance that Gremory actually asks another archdemon for help, Vepar. Vepar would rather chew glass, as he regards Barbatos as evil and thinks Chastille is being forced into this, but after a while hanging around Barbatos he starts to get the picture – Barbatos is just lame. Vepar, meanwhile, wants a chance to fight his former master Asmodeus. While this is going on, Barbatos is also approached by Astrologian Eligor, who is trying to recruit Barbatos to switch sides and fight against Zagan. Most of what follows is a string of wacky misunderstandings. While this is going on, actual demons have been appearing in the country more and more, and both Zagan and Asmodeus are trying to stop it. Though Zagan’s may be hard, as it’s 10.000 demons standing on each other wearing a trenchcoat.

There’s nothing really wrong with this volume. The humor is funny if you like tsunderes. The couples are cute, though I’m less fond of Selphy, Lilth and Furcas’ love triangle, possibly as I suspect Selphy will end up on the losing side of it. Zagan gets to do cool things, Nephy gets to do cool things. And another innocent kid walks down an alleyway when they hear a noise, which has happened in this series already about four times, and I feel the need to remind the populace about taking basic safety lessons. But while there’s nothing wrong with the book, it’s not exciting either. It’s there to incrementally move things along, but it has the air of “I can drag this out as long as my publisher lets me”, and it’s starting to show. The manga spinoff that just started probably isn’t helping.

So fans of the series should read this, but don’t be surprised if you, like me, feel a bit tired of the whole thing.

By Fuminori Teshima and COMTA. Released in Japan as “Maou no Ore ga Dorei Elf wo Yome ni Shitanda ga, Dou Medereba Ii?” by HJ Bunko. Released in North America by J-Novel Club. Translated by Hikoki.

If the 13th volume in this series was the big climactic finale, and the 14th was a short story interlude, then this new volume is very much “start of the next season”. We are reminded that there are a few archdemons that we still have not met, and that many of them are terrible people in almost every way. We also have fallout to deal with from the previous “season”, which means that Kuroka has to go into hiding and Foll needs to get used to being one of the main players on the board. And of course there’s also room for love – Nephy’s birthday is coming up, as is Chastille, and the men in their lives are scrambling for the BEST present. Alshiera’s old crush has been resurrected… as has her old husband, Zagan’s dad. Love triangle? Not so much. Zagan’s dad may, in fact, be there to torpedo the one yuri relationship in this series, alas. In any case, A LOT OF STUFF.

After the big battle from Vol. 13, there are new Archdemons galore… though unfortunately, there’s no room for Barbatos, as there’s a missing sigil meaning he doesn’t get to join in the fun. Fortunately, he’s too busy competing with Chastille in “who can be the lamest possible person” sweepstakes to care. Foll, meanwhile, has been designated by Zagan to handle the Nephilim, who regard Zagan as The Enemy but might be more amenable to a dragon girl. Foll is pretty much sweet as pie and also hella strong, so things go well… till an amnesiac girl arrives. Though she calls herself Lily, her true identity is Asmodeus, one of the Archdemons, and a mercenary who will steal anything and sell out anyone. Is she faking her amnesia? And if so, is it right to just kill her?

The book does not really answer that last question all that well. It’s framed by Asmodeus towards the end of the book that she was faking it all along, but given that we even had POV narration from “Lily” that belied that, I’m inclined to believe she’s lying, possibly to herself. She’s an interesting character… but there’s also a sense that we’ve seen her character arc before with different people. It’s even pointed out they have ANOTHER amnesiac girl to help her out, in a case of non-subtle lampshading. As for the other new Archdemon (well, the one who gets actual screen time), he’s clearly not here to be redeemed by the power of niceness the way Asmodeus is, so is allowed to simply be a terrible monster, though his debate with Zagan about what you should feel when murdering something is interesting in a “cool motive, still murder” sort of way. And for all that this book starts off making a big deal about getting Chastille and Barbatos to admit they’re in love, it really doesn’t follow through at all, does it?

So an OK volume of the series, that will probably read better when this new “season” really gets going. Who knews, maybe the anime will have a release date by the time the next volume comes out, and I can’t see this series ending till that airs.

By Fuminori Teshima and COMTA. Released in Japan as “Maou no Ore ga Dorei Elf wo Yome ni Shitanda ga, Dou Medereba Ii?” by HJ Bunko. Released in North America by J-Novel Club. Translated by Hikoki.

Last time I asked where the story could go after the previous volume really seemed to wrap up most of the plots and put a bow on them. I really should have been able to guess, as the answer is: a short story volume. This one has a wraparound of the cast all having a post-saving the world party at Zagan’s castle, and Gremory (who is in a wheelchair, and also looks 16 years old becauze of, I assume, nearly dying) is trying to get everyone to tell her love stories, which ties in to Foll going around asking about love a couple of volumes ago. There’s a bit of ongoing romance stuff – Selphy has clearly very much come to terms with her love of Lilith, and is going to try harder to make sure she does not take the het route. (She probably will, be warned.) But really this volume is about the four stories, which range from good but slight to excellent.

In the first story, Zagan, Nephy and Foll go to visit a haunted house… one that looks very familiar. Chastille is there as well, separately, and runs into a boy who seems to have gotten lost. In the second, shortest story, Shax and Kuroka eat cute. In the third and longest story, we learn the story of how Raphael met Kuroka’s mother, and the love affair that sadly never was. And in the final story, Zagan and Nephy go on the most adorable date you ever did see, buying cute outfits eating parfaits, and making everyone else around them ill. It’s basically everything that readers of this series have dreamed of, except it doesn’t end with them banging each other like drums at the end of the date.

The reason to get this book is the third story, where Raphael comes to a merchant town to try to track down a serial killer who has been murdering people with swords. Also there is Heidi, who by day is a waitress at an inn and also helps out the local church, and by night goes around masked and attacks people with swords. Is she the person with swords who’s been killing everyone? This one was very compelling, and I sort of hoped that they’d get together, even though I know based on what we know about Raphael and Kuroka that wasn’t happening. It does, however, really require the reader to know what the significance of “the moon is beautiful” is. The first story (and the wraparound) give us the return of crybaby Chastille, who I’ve never really been too fond of, but oh well. The last story is absolute 100% pure sugar, and will be perfect for those who love that sort of thing. Also, Zagan and Nephy’s outfits are pretty cute.

I assume next time we will kick off whatever the next plotline is – Alshiera, I assume – but till then, this was a pretty solid short story collection.

By Fuminori Teshima and COMTA. Released in Japan as “Maou no Ore ga Dorei Elf wo Yome ni Shitanda ga, Dou Medereba Ii?” by HJ Bunko. Released in North America by J-Novel Club. Translated by Hikoki.

This is a long book. I’m not sure if it’s the longest in the series, but it has to be pretty close. Which is good, as the whole book is basically one giant battle scene, and length gives me more things to attempt to talk about other than “mmm, fight good”. It helps that we see pretty much the entire cast here, heroes, villains, and the morally grey area in between that is the majority of the group. Shere Khan finally gets a chance to try to be the Big Bad, but in the end he still manages to be upstaged by Bifrons. You know it’s bad when the villain is looking back at the one good deed they did once. We also finally – finally – get the explanation for Zagan’s past, and who his parents are. That said, in the end we learn the real reason for all of this, the reason Zagan fought back so harshly – and it’s hilarious.

Things are not in a good place at the start of the book. Nephteros is possessed AND dying, the worst combination. Richard is in a coma, Stella is in a coma, and it’s gotten to the point where they even have to abandon the castle, or at least hide it in an alternate dimension. Gremory is missing and possibly dead, and there is also the slight problem of all the resurrected heroes who are on Shere Khan’s side. To fight back they’re going to need absolutely everyone… though possibly not Chastille, who they are trying to prevent finding out about Nephteros in case it triggers her crybabay side. (They really should know better). Can they save Nephteros? Can they save Aristella? Can they deal with all these people coming back from the dead with close connections to the entire cast? And will they be able to celebrate another birthday?

There are a large number of cool scenes, as you’d expect from a book like this. Everyone gets a chance to do awesome things, either by being powerful (Foll, Kimaris) or by being “the heart” (Nephy, Chastille). If there’s a downside to the book, it’s that Shere Khan, by his very nature, can’t really do much once Zagan reaches him except die. The entire book is about trying to stop Zagan getting to him, and once he does, the book is basically over. The biggest surprise, though, may be Bifrons. He was so busy being evil and sneering that I forgot that he was also a sorcerer trying to do something that no other sorcerer had ever done, and if that means he ends up being the man who saves the day and makes everything better, trust me, that’s just a side effect. Good for you, Bifrons. Now please stay dead.

This very much has a feeling of “this is the final book in the series”, but there’s more on the way. We’ll see what it can do next – isn’t Alshiera still dying? In any case, fans of the series should be very satisfied with this one.

By Fuminori Teshima and COMTA. Released in Japan as “Maou no Ore ga Dorei Elf wo Yome ni Shitanda ga, Dou Medereba Ii?” by HJ Bunko. Released in North America digitally by J-Novel Club. Translated by Hikoki.

Usually when I’m reading books that I’m going to be reviewing I try to come up with a theme for the review so that it doesn’t end up just being me babbling on for 500 words. (Sometimes I can’t, as longtime readers who have read my babble know.) With this volume of Archdemon’s Dilemma, watching everyone suddenly obsessed with birthdays, it was going to be about how this series tries to balance out the cute romance aspect of it with the much darker plot and backstory part, and how that can be difficult because it’s pretty clear the main audience – or at least me – are far more interested in the former. Seeing magic battles and having traitors get rewarded as they deserve is all very well and good, but where are the blushing idiots? That *was* the plan for the review. Then Richard and Nephteros had to pull a “your shirt” moment, and everything went to hell.

The fun part of the book is the fact that Zagan has the idea of a birthday party for Nephy, and this just spirals on until everyone wants to know everyone’s else’s birthday. This is both hilarious and tragic because half the characters are either orphans, constructs, or hundreds of years old, so have no experience with birthdays or parties. So you get a lot of randomly chosen days, and a lot of worrying about presents. The three “main” couples (Zagan and Nephy, Chastille and Barbatos, and Shax and Kuroka) all get a cute scene or two. As the book goes on, though, the cuteness takes a back seat to the darkness. Nephteros is dying and does NOT want to have the usual fix when a homunculus is dying. Dexia is on the run and desperately trying to resurrect her sister. And we have two bad guys from the past suddenly show up in the present… and they seem to know who Zagan is? Finally, Nephteros too finds out what it’s like to love someone. In the worst way possible.

I think we can all agree that Bifrons is the Big Bad of this series, and he’s at his absolute worst here. You know a villain is bad when they start quoting Izaya Orihara, and that’s what we get here, with Bifrons “I love humanity” amounting to the same thing – he loves seeing them suffer and struggle. The Nephteros and Richard scenes were very good, but I will knock the book off two points for reminding me of that scene with Willow and Tara in Buffy that I pretend never happened. There’s also an attempted rape, which I could also have done without. I did enjoy seeing a new love triangle form, especially when one of the points in it admits that she’s a lesbian, but I’m pretty sure that she’s going to be the one left out of it in the end, so oh well.

As the book went on and got more serious, it was very well written but not really what I read this series for. I suspect the next volume, whenever it comes out, will be rather dark, but I hope it finds the time to remember its core plot: dorks in love.

By Fuminori Teshima and COMTA. Released in Japan as “Maou no Ore ga Dorei Elf wo Yome ni Shitanda ga, Dou Medereba Ii?” by HJ Bunko. Released in North America digitally by J-Novel Club. Translated by Hikoki.

This series is trying its hardest to keep a good balance between the light-hearted romantic comedy that the majority of its readers are here for and the increasingly dark backstory that is constantly threatening to become the front story as well. That continues in this book, which has an awful lot of Zagan and Nephy being incredibly blushy and goofy around each other, wearing each others clothes, being in each other’s dreams, and generally being the most adorable couple around that haven’t even gotten to first base yet. Contrasted with that is the increasingly doomed Alshiera, the plotting, sinister or otherwise, of the various other archdemons, and the continued horrors being piled upon Dexia and Aristella. Fortunately, with one or two exceptions, this remains very readable overall, even if you are only in it to see when these two lovebirds will finally get it on. (Spoiler: don’t hold your breath.)

The main plotline involves Lilith, who is a succubus that controls dreams. She’s able to give Zagan and Nephy a shared dream (that, oddly, shows them in a Japanese high school) and is also trying to rescue a boy who is stranded in a nightmare. He’s connected to Alshiera, who is still slowly dying from events in previous books, and is trying to show everyone that this is fine and that she’s content with it, ignoring the fact that there are others who are absolutely not content with it. To make matters worse, Zagan and friends may have found Azazel, who is also in Lilith’s dreamland, and is likyly going to kill Alshiera once and for all. And, perhaps worst of all, Foll is going around asking everyone what they think about love. Is there someone actually interested in her? Or is she just a normal girl? (Well, a normal powerful dragon girl).

Describing the plot is somewhat difficult, as you can tell from the preceding paragraph, but it holds together pretty well. One irritating negative is a new character is introduced, and there is some anti-trans humor about them, so be warned. Still sadly very popular in Japanese manga and light novels. Lilith is, for the most part, taken seriously, and proves to be pretty awesome when she tries. I especially liked Alshiera gently trying to push Lilith away and get her to accept Alshiera’s death, and Lilith basically saying “nope, fuck that, gonna save you”. Zagan is also awesome as always, though there is worrying evidence that he’s pushing himself too hard that may come up in future books. Oh yes, and Kuroka gets drunk and horny on catnip wine. Let’s ignore that.

The series seems content to meander along, both in its romantic plotlines and its more serious fantasy-based plots. And we’re caught up with Japan, meaning we’ll likely be waiting even longer for the next book. Still, if you enjoy archdemons and elfs being super cute together, and don’t mind the occasional tonal crash when the bad guys have a scene, this remains a good series to be reading.

By Fuminori Teshima and COMTA. Released in Japan as “Maou no Ore ga Dorei Elf wo Yome ni Shitanda ga, Dou Medereba Ii?” by HJ Bunko. Released in North America digitally by J-Novel Club. Translated by Hikoki.

This has been such a relaxed, somewhat sweet series that it actually can be startling when bad things happen. For the most part, the bulk of this book involves building a giant bath at Zagan’s castle, which he doesn’t really care about, but the rest of his increasingly large cast of women staying with him want very much. There’s discussion of the different kinds of baths, lots of teasing of various people who are still not quite hooked up with anyone yet, and a huge fight between Zagan and Barbatos, taking out large chunks of the forest, that basically revolves around “is it OK to peep?”. (Zagan says no.) Even when we cut to the bad guys, things are seemingly a bit more calm, with the twin assassin girls being given pocket money and sent out to the city, whereupon they buy a giant parfait. Unfortunately, horrible things do still happen here, and there is actually a real plot burbling underneath.

It can be a bit difficult to figure out who the major evil that needs to be defeated is in this series. First of all, Zagan has ended up turning a lot of former enemies into his allies. Secondly, of the current evil forces group, the twins are actually very cute when they’re in downtime mode (which makes the fate of one of them all the more tragic), Shere Khan is essentially a non-entity here, and Bifrons, the closest thing we’ve had to a big bad to date, ends up helping Zagan at the end – sort of. He’s still plenty evil, as the leading archdemon will attest, but there seems to be something even more evil behind all this – perhaps related to Azazel. Speaking of the twins, the serious part of the book has them both realizing they’d sacrifice their life to protect the other one, and then getting in situations where this is required. It’s touching and also a bit horrifying.

Then there’s the flip side of all this, which is Zagan and company. He’s still trying to figure out his own past, and there are several new revelations here about his childhood with Stella and Marc. Indeed, one of Archdemon’s Dilemma’s conceits is that everyone has connections to each other person in the series that they either don’t know or forgot about – ranging from serious (Marc’s identity in the church) to somewhat comical (where Chastille learned how to be such a good swordswoman at such a young age). Zagan and Nephy, fortunately, just get to be a cute little couple, again not actually achieving a romantic breakthrough just yet but this time around they manage to have a bath together with washing of the backs, which is nice. Certainly they’re miles ahead of the other not-quite-couples in this book.

So yes, this is mostly sweet and fun, but be warned it gets quite dark about 3/4 of the way through. Still a solid entry in the series, though.

By Fuminori Teshima and COMTA. Released in Japan as “Maou no Ore ga Dorei Elf wo Yome ni Shitanda ga, Dou Medereba Ii?” by HJ Bunko. Released in North America digitally by J-Novel Club. Translated by Hikoki.

As this series has gone on and become a reasonable success, the author has sensibly decided to widen its brief. As such, the “will they actually do anything?” parts get smaller and less relevant as time goes on. This is not to say that they’re absent, however, and we do get possibly the funniest moment in this volume when Zagan thinks that he and Nephy are literally cursed to never get closer to each other rather than, as everyone else around them can see, just being two socially awkward dorks in love. Still, at least the two of them share a honeymoon suite. That’s progress? And they sleep in each other’s arms, and call each other (as they are under cover) as “honey” and “dear”. But yeah, that’s all you’re going to get. Honestly, even Chastille and Barbatos make more progress in this book than Zagan and Nephy, who are adorable but really should grow up the teensiest bit. That said, they’re ahead of Shax, Mr. “I had your underwear in my pocket for a reason”.

The main thrust of the plot sees everyone converging on the Holy City for various reasons. That’s where Azazel’s Staff is, which is highly important to every single faction in the series. So we get the Angelic Knights, who don’t know much about it but know it should not fall into the wrong hands; Bifrons and Shere Khan, who have sent two minions to destroy the holy treasure room to get it; and Zagan and Nephy, who are actually there to try to find Orias, who might be able to help her cure Kuroka’s blindness, but end up looking for the staff as well. As you might imagine, there’s a lot of fighting towards the end of the book, mostly involving everyone attacking Zagan and his mopping the floor with them. That said, in the final battle against one of the stronger Angelic Knights, he has to use martial arts, rather than sorcery, to win. He regards this as a loss. Everyone else thinks he’s simply ridiculously overpowered.

It is amusing to see how many of the characters are leading double lives. There’s a traitor among the Angelic Knights, and you might briefly be worried for Chastille, but everyone agrees her alliance with Zagan is far too open and honest; she’s not tricky enough to be the real traitor. Then there’s Michael, who is secretly an Archdemon, but is also not the actual traitor. We also continue to get more insight on Alshiera, who continues to stay true to the course of “blond underage vampire mistress” in modern Japanese works, i.e. she’s pretending to be an irredeemable bad guy but really fits the caring mentor role better. And props to Foll, who is growing powerful enough to take on Bifrons and deal him actual damage. Our little dragon girl is growing up.

We’ve now caught up with Japan, as the 10th volume came out there two weeks ago, so it might be a bit till we get it here. Till then, though, this is a good, solid entry in the series, provided you don’t care that Zagan and Nephy are the most awkward couple ever – still.

By Fuminori Teshima and COMTA. Released in Japan by HJ Bunko. Released in North America digitally by J-Novel Club. Translated by Hikoki.

This series started out starring two people, but the cast has grown exponentially sine then. As such, it seems appropriate that this volume is fairly light on both Zagan and Nephy – in fact, it actually manages to work that into the plot, as Foll is planning a massive party for the not-Christmas holiday that is upon us and wants to surprise both of them. Zagan is completely in the dark about the holiday, but Nephy isn’t – in fact, she’s working part-time at a pub to get money for a present. As such, both are absent from the main plot itself till the end, though there’s many scenes with both of them, of course. The main plot focuses again on Kuroko, who is literally confronting her past – unfortunately, she has to confront it as a small kitten. She (accidentally) joins forces with another sorcerer, one who has a troubled past that is a lot closer to hers than she’s aware. And worst of all, due to a villain and also the nature of the holiday, the dead are rising up.

Also on the cover is Alshiera, the vampire who’s trying her best to get everyone to see her as someone not worth saving but doing a fairly terrible job of it – indeed, by the end Zagan has figured out the way to handle her best – it’s how to handle Nephy, and Chastille, and indeed literally everyone in the cast. Yes, be really nice to her until she cowers in embarrassment. She and Shax, the sorcerer that Kuroko befriends here, are both examples of the classic “can a former villain be redeemed” school of writing, and the answer is fairly firmly “yes” in both cases. Indeed, Shax is pretty much set up here as a love interest for Kuroko, complete with a father who now wants to kill him for daring to have his daughter take interest in him. Combining this with the somewhat sad and pathetic pairing of Chastille and Barbatos (who both have a long way to go), and you can see the author is definitely “pairing the spares” here.

The holiday during this book is Alshiere Imera, which (it’s hinted) is named after Alshiera, the vampire whose birthday it is. It’s an odd fusion of Christmas, Halloween and the Day of the Dead, which allows for the plot to happen (the zombies are created easily as it’s the one day per year when the line between here and the afterlife is so thin) but, let’s face it, is also an excuse to put Nephy and her friends in Santa outfits, even though Santa is never quite mentioned. Much as I mocked Chastille and Barbatos earlier, she and Zagan are not all that further along, though at least they have confessed. The present-giving scene is the sort of “so sweet it makes you sick” scene that people read this series for.

We are almost caught up with Japan on this series, as the next volume is the latest. Will it move the plot along/ Depends on what you’re calling the plot. In any case, this is a nice, solid volume of this sweet series.

By Fuminori Teshima and COMTA. Released in Japan by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Hikoki.

As the author indicates in the afterword, this series has gotten reasonably successful, to the point where they can now plan foreshadowing and deeper plots for future volumes. It also means that they can afford to have the cast simply hanging out on the beach for half the book as well. We get lots of swimsuit watching, everyone goes deep-sea fishing, there’s a barbecue, there’s yukatas, and everyone has lots of fun watching Chastille and Barbatos be the worst Ranma and Akane ripoff ever. Yes, it’s all fun and games till someone loses an eye… that someone being a mysterious man who has been going around killing archdemons (well, an archdemon) and has now decided he wants to go after Zagan using the strength of his mighty fists and the power of his mystical silver cursed eye giving him tons of mana. Unfortunately for him, Zagan has both of those to spare. Fortunately, there are a few additional twists and turns to help the story along its merry path.

Zagan’s past has always been given to us in dribs and drabs, but we get a lot more of it now than we did before, including mention of other kids on the streets he was living with in his pre-archdemon days (stories of which seem to reduce his entourage to tears). And I hate to spoil things, but if you’re surprised you haven’t read too many light novels; it turns out those same kids may now be getting involved with his life as adults! One is a older brother figure wearing glasses, so he has to be a Big Bad going down the road. The other is more of a spoiler I won’t give away, but I was very impressed with how the author handled it, making it obvious to the reader just before the actual revelation, in the best mystery tradition, though this isn’t much of a mystery. We also meet a new Archangel who helps us to understand that the relationship between the Church and the Archdemons is not nearly as cut and dry as some people think it is, and they also provide the best battle scene in the book.

Nephy and Zagan both mention in this volume how much they’ve changed since they first met, and it’s a good reminder that in Vol. 1 Zagan was stiff and sullen and inclined to brutally murdering bandits in front of young women just because he didn’t really think much of it, while Nephy was a death-seeking stoic who was an abuse survivor. It’s quite heartwarming to see how far they’ve come, even though they STILL have not gone on a cliched love-ydovey date the way that Zagan really wants, nor has their relationship advanced physically. Still, they’re way ahead of Chastille and Barbatos, who are trapped at the “embarrassment = love” stage of things, or Richard (assistant to Chastille) and Nephteros, in the “hopeless suitor” stage. They’re still the best couple to watch.

The final scene implies that future volumes may get darker. That said, I suspect they won’t get that dark. We know why readers want to read this series, and it can be summed up in one word: ‘D’awww!’.