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The Scum Villain’s Self-Saving System, Vol. 3

August 8, 2022 by Sean Gaffney

By Mo Xiang Tong Xiu and Xiao Tong Kong (Velinxi). Released in China as “Ren Zha Fanpai Zijiu Xitong” on the JJWXC website. Released in North America by Seven Seas. Translated by Faelicy & Lily.

There is a 4th and final volume in this series, but it consists of prequel and sequel short stories, from what I hear, so for all intents and purposes this is the final volume. It’s a good volume, though has even less humor than the previous book, as the author is forced to actually take this world seriously given that the demon world is literally trying to imprint itself on the human world. Shen Qingqiu has a particularly rough time of it, ending up in a coffin early on and with things only getting worse from there. It doesn’t help that Luo Binghe is proving to be one of the most annoying stalkers ever, and his affection for Shen Qingqiu is something so obvious that literally everyone in the world sees it and is vaguely offended by it. Even Shen Qingqiu, who finally gives in near the end of the book. Unfortunately, if you want a tender mutual love scene, you may have to wait for Book 4. Sexual assault warning for what comes next.

As noted above, Shen Qingqiu finds himself in a coffin within a cursed mausoleum, and has to deal with both Luo Binghe’s demon father and also Zhuzhi-Lang, one of the weirder henchmen I’ve ever read about. That said, he’s actually doing pretty well at dealing with both of them. Luo Binghe, not so much. Things aren’t helped by the fact that he keeps getting into what looks like sexual situations with Luo Binghe… including feeling him up. Indeed, by now everyone assumes the two of them are already gay lovers. Unfortunately, world saving comes first, as Luo Binghe’s father is bitter and wants to unite the demon world and the human world… physically, by having one overlay the other. Which will, um, kill the humans. But so goes life. Can Shen Qingqiu solve this set of problems while still reminding the system messages that he’s not gay? Signs point to no.

First of all, gotta give some praise. Wu Chen is awesome. Yue Qingyuan is even more awesome. And the backstory for the original Shen Qingqiu is both realistic and also reminds you of something this book hammers home, which is that usually webnovel readers don’t want depth and character development, they want violence and sex, and lots of it. Living in a book like that can be terrible. As Shen Qingqiu finds when he is raped by Luo Binghe at the end of the book. It is theoretically a “I have to do this to save the world” sort of thing, but is thankfully not remotely portrayed as erotic or fulfilling, but as incredibly painful. That said, the tortured relationship between the two leads is at last ironed out, even if it means Shen Qingqiu leaving everyone else in his life to go off with Lup Binghe, who has, well, managed to offend everyone in Shen Qingqiu’s life.

As noted, this is not usually my genre, and I’m not sure if I’ll be reading the epilogue book. But for what it was this was pretty good, and I can see why it has its followers.

Filed Under: REVIEWS, scum villain's self-saving system

Strike the Blood, Vol. 21

August 7, 2022 by Sean Gaffney

By Gakuto Mikumo and Manyako. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Jeremiah Bourque.

For once I have actual things to talk about in this volume of Strike the Blood, which is fairly low on cool action sequences. And by “fairly low” I mean there are still about 50% action scenes in the book. However, Kojou being depowered means that he can’t participate in them – indeed, for once, HE is the damsel in distress, as he makes a Faustian bargain that ends up biting him in the ass… gosh, where have I heard that before? So it’s up to Natsuki to get the band back together, as all of the girls who are in love with Kojou and also superpowered (and yes, this includes the two grade schoolers, though at least an objection to this is raised) band together to offer themselves as blood servants. All this so that he can control the new beast vassals inside him, regain his vampiric nature, and this series can FINALLY wrap up in the next. book.

There’s a bit of poignancy at the start of the book, as Kojou is forcibly reminded (by his childhood friend, no less) that giving up his powers means he is no longer the protagonist and therefore he needs to just go away. Of course, that does not stop him trying to think of ways to save Avrora, and he’s helped in this by the First Primogenitor and his servant, who could use a good laugh… erm, I mean, genuine have a desire to see Kojou succeed. Unfortunately, this goes so badly that Kojou has to literally be put on ice for twelve hours while Yukina and company try to gather twelve blood servants who can help to fight and quell Kojou’s twelve new beast vassals. Unfortunately, some of them are easier to persuade than others.

I’ve talked before about how Strike the Blood’s humor frequently is painfully unfunny,l though it’s gotten better recently. (It’s hard to top the record holder in “bad humor in light novels”, A Certain Magical Index.) As for this volume, well, it has a really solid joke that made me laugh. The way that Asagi gets the Second Primogenitor to cooperate with them is genuinely hilarious and also true to character. I will therefore forgive the “we have to fight while dressed in bunny girl outfits” bullshit, which is as lame as it sounds. And doesn’t work. Honestly, girls, it’s been twenty-one books and you’re still trying to figure out what makes Kojou aroused? Even hardcore yanderes would have given up and and found another love interest by now. We also seem to be confirming, in case you hadn’t guessed, that future Kojou is going to have multiple wives – my guess is twelve, though hopefully they will not include his sister. Or his teacher. Or the tank-driving grade-schooler. (Sadly, pretty sure it will include the succubus grade-schooler.)

Strike the Blood is never going to rise above the level of “solid”, and this volume also had some boring parts where it tried to give backstory and explain the villains, which I expect few readers care about. But it sets up the finale and gives the anime fun stuff to animate. That’s really all you can ask.

Filed Under: REVIEWS, strike the blood

Chronicles of the Hidden World: How I Became a Doctor for the Gods

August 5, 2022 by Sean Gaffney

By Tamaki Itomori and Izumi. Released in Japan as “Kakuriyo Shinjuku: Isekaide, Kamisama no Oishasan Hajimemasu” by Kadokawa Beans Bunko. Released in North America by Yen On. Translated by Luke Hutton.

Given the huge explosion of villainess stories we’ve had in the last few years, I’ve actually seen some people describing the genre as “isekai for girls”, which is ridiculous. Mostly it’s ridiculous because we already have a well-established isekai for girls genre, called, well, isekai. My god, it’s as if Fushigi Yuugi never existed. This sort of isekai usually involves a young girl transported to another world, discovering that she has powers no one else does, and also attracting the attention of a number of handsome young men, all of whom are usually either divine spirits of some sort or at least supernatural. And aside from the fact that Yae is reincarnated into this world rather than being transported, this new series hits all of those buttons. Fans of Kamisama Kiss and the like will enjoy this greatly… though possibly the other big difference is in our heroine, Yae, who has a heaping helping of self-deprecation that’s destroying her life, even if she’s not aware of this.

Yae, in Japan, lived a relatively unhappy and unassuming life where she spent most of her time accepting whatever anyone else pushed onto her because she was “nice”. (This may sound familiar to the target reader for this series.) She then dies and is reincarnated in Kumo, a land that seems to be connected to Japan in many ways but is also very different and filled with divine beings and cursed beings. The world is no stranger to isekai reincarnation, and Yae is eventually taken in by a village chief, the typical solution to such matters. Sadly, Yae is NOT like those other isekai girls. She retains her memories of Japan, and she also lacks a “nature”, which helps to define a person in this land. As a result, she feels like an outsider in her village. Then, one day, while doing a yearly ritual, she ends up freeing a divine spirit…

This is one of those books that’s all about the worldbuilding. Yae can be a bit over the top in her moping, and the revelation that it’s actually her who’s distancing herself from everyone else rather than the other way around is not exactly a news flash. Arai, the divine spirit, and his brother Sui, are both fairly standard types for this sort of story as well. However, the world itself is amazing, with artifacts from Japan ending up here changed in size and use – Yae’s new house she settles down in is not literally named as such, but it’s clearly a Coke can the size of a house. I also really liked the way that she uses her “doctor” abilities to cure those with afflictions and curses, which again involves some really cool descriptions and imagery.

The series clearly sets itself up to have Yae and her two boys wandering the land seeking out others who are suffering and “naming them”, in a way that will sound VERY familiar to anyone who’s read Natsume’s Book of Friends. That said, it’s been two years, and this is the only volume in this series, so we’ll just have to hope for more down the road. I definitely enjoyed this one, though.

Filed Under: chronicles of the hidden world, REVIEWS

Manga the Week of 8/10/22

August 4, 2022 by Sean Gaffney, Michelle Smith, Anna N, Ash Brown and MJ Leave a Comment

SEAN: There’s stuff! Coming out next week! Surprise! (You are not surprised.)

Airship has the print debut of Irina: The Vampire Cosmonaut.

ASH: Okay, I will admit to being curious about this one, more because of the cosmonauts than the vampires, but that’s an unexpected and potentially intriguing combination.

MJ: Cosmonauts… yes.

SEAN: In early digital we see The Case Files of Jeweler Richard 2 and The Most Heretical Last Boss Queen: From Villainess to Savior 3.

Cross Infinite World has a debut: The Princess’ Smile: The Body-Double Bride Searches for Happiness with the Reclusive Prince (Hidenka no Bishou – Migawari Hanayome wa, Hikikomori Denka to Shiawase ni Kurashitai). A maid is asked to marry a prince… as a body double for her friend the princess. But then her boyfriend cheats on her WITH the princess! Now she’s determined to make the best of her new life. I believe this is a one-shot.

ASH: I find this to be potentially intriguing, as well.

SEAN: Dark Horse has Berserk Deluxe Edition 11 (it got bumped – again) and Cat + Gamer 2. Dark Horse’s release dates are a constant struggle.

ASH: I’ll be here for them whenever they finally come out.

SEAN: Ghost Ship has Survival in Another World with My Mistress! 2, Who Wants to Marry a Billionaire? 3, and World’s End Harem: Fantasia 7.

J-Novel Club has a debut. They licensed the light novel and the manga, but the manga is out first next week. Oversummoned, Overpowered, and Over It! (Meccha Shoukan Sareta Ken) is about a hero who can’t stop getting summoned to different worlds to save them! He’s tired of it! This runs in Mag Garden’s MAGCOMI.

ASH: I like that title.

SEAN: Also out digitally: Ascendance of a Bookworm 20, Dahlia in Bloom: Crafting a Fresh Start with Magical Tools 4, Full Clearing Another World under a Goddess with Zero Believers 4, Private Tutor to the Duke’s Daughter 4, the 8th Seirei Gensouki: Spirit Chronicles manga, and Slayers 15, which wraps up the 2nd arc.

ASH: I will continue to say, “Yay, Bookworm!”

SEAN: Kodansha Manga has, in print, Blackguard 3, the 11th and final volume of Knight of the Ice, Sensei’s Pious Lie Omnibus 3, Shaman King Omnibus 10, and Toppu GP 9.

MICHELLE: I need to have a Knight of the Ice marathon!

ANNA: It is so good!

ASH: I’m a few volumes behind, but have been enjoying the series.

SEAN: There are… no digital debuts next week! (Glory hallelujah, they’re slowing down). We do get The Fable 5, Giant Killing 32, My Maid, Miss Kishi 2, Police in a Pod 15, The Shadows of Who We Once Were 3, Such a Treacherous Piano Sonata 3 (the final volume), and WIND BREAKER 5.

Seven Seas has a lot of debuts. The biggest one is Yokohama Kaidashi Kikou (which is using the Japanese title, but “Yokohama Shopping Log” would be a translation). A legendary title from Kodansha’s Afternoon in the 1990s, it’s finally been licensed by Seven Seas, and is coming out in 5 oversized omnibus editions! I’ve usually described the series as “the most relaxed apocalypse you’ll ever read.”

ASH: I’m caught up in the excitement surrounding this release; really looking forward to reading it.

SEAN: Kemono Jihen is a Jump Square title about a human detective and a yokai boy who investigate odd mysteries. The author was an assistant on Reborn! and Bleach, and she comes highly rated. This also got an anime.

MICHELLE: Oh, I think my friend was a fan of that anime. Hm.

ASH: Yokai, you say? (That’s my cue.)

SEAN: Sakurai-san Wants to Be Noticed (Sakurai-san wa Kidzuite Hoshii) is another in the “girl teases the guy she likes” genre, from Dengeki Daioh. This one is only 4 volumes total.

ASH: There seem to be quite a few of those, these days.

SEAN: The Tunnel to Summer, the Exit of Goodbyes: Ultramarine (Natsu e no Tonneru, Sayonara no Deguchi Gunjou) is the manga version of the light novel also released by Seven Seas. A tunnel grants wishes… in exchange for a shorter life span. This ran in Dengeki Daioh, and should also be 4 volumes.

World End Solte is from the creator of Lucifer and the Biscuit Hammer and Spirit Circle, so attention must be paid. An orphan goes on a journey to wipe out the pollution that plagues their world. This runs in MAGCOMI.

ASH: Attention must indeed be paid!

Also from Seven Seas: The Duke of Death and His Maid 2, The Haunted Bookstore – Gateway to a Parallel Universe 2, Miss Kobayashi’s Dragon Maid 12, My Next Life as a Villainess: All Routes Lead to Doom! 7, and The Weakest Contestant of All Space and Time 2.

Steamship debuts GAME: Between the Suits (Game – Suit no Sukima), a josei title from Hakusensha’s Love Jossie. The artist might be remembered for CMX’s Venus Capriccio. A career woman has a healthy sex life, but is married to her job, so can’t keep a boyfriend. Then the new guy shows up at work…

ANNA: I do remember Venus Capriccio…

ASH: Same; that’s been awhile!

SEAN: SuBLime has the 2nd volume of Therapy Game Restart.

MICHELLE: <3

SEAN: TOKYOPOP gives us Double 4 and Ossan Idol! 6.

Viz Media has new volumes. We get Fly Me to the Moon 12, Kaze Hikaru 30 (only 15 more years till the final volume!), Kirby Manga Mania 5, Komi Can’t Communicate 20, One Piece Omnibus 32, Pokémon: Sword & Shield 4, Radiant 15, Sakamoto Days 3, Splatoon: Squid Kids Comedy Show 6, and YO-KAI WATCH 19. Lots of stuff for the kids next week.

ANNA: Yay for the annual release of a Kaze Hikaru volume!

ASH: For sure!

SEAN: Yen On has the 5th Solo Leveling novel.

Three debuts from Yen Press. Kowloon Generic Romance comes from the author of After the Rain, the story of a dystopian walled city and the people who live there. It runs in Weekly Young Jump.

ASH: That sounds to be up my alley.

SEAN: A Returner’s Magic Should be Special is a webtoon manwha based on a Korean webnovel. Our hero, a trained fighter, tries to help his colleagues save the world, but to no avail. Then… he wakes up as a 13-year-old? Somehow I think “for fans of Tearmoon Empire” is not accurate in this case.

MJ: This might be interesting.

Tales of the Kingdom (Oukoku Monogatari) is an Ultra Jump series from the creator of Classmates and A White Rose in Bloom. This is a historical fantasy about twins who can’t live without each other. This is getting a hardcover release.

ASH: Asumiko Nakamura manga are always a must read for me.

SEAN: Also from Yen Press: High School Prodigies Have It Easy Even in Another World! 12, In Another World with My Smartphone 6, Phantom Tales of the Night 9, The Royal Tutor 17 (the final volume), and Uncle from Another World 5.

Do any of these make you want to jump for joy? Or at least have a nice cup of tea?

Filed Under: FEATURES, manga the week of

Konosuba: God’s Blessing on This Wonderful World!: God’s Blessing on These Wonderful Adventurers!

August 4, 2022 by Sean Gaffney

By Natsume Akatsuki and Kurone Mishima. Released in Japan as “Kono Subarashii Sekai ni Shukufuku o!” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Kevin Steinbach.

After a couple of volumes where I felt that perhaps the page count did not justify the limited content within, this final book in the main KonoSuba series seems to be just right. The final battle against the Demon Lord contains just about everything you’d want in a KonoSuba book. Kazuma wins by being kind of scummy and tricky; Aqua wails and whines but is also kinda lovable; Megumin casts explosion so much that the overuse of magic makes her nose bleed (at least I hope it’s due to overuse of magic, as otherwise that’s one weird fetish); and speaking of fetishes, Darkness is Darkness. The only thing missing is Yunyun being toyed with; she’s here, but mostly functions as a real competent person. As for the plot, it’s pretty much what you’d imagine, and the one big surprise I had with the book was not seeing one of the characters killed off, but when it happened.

We pick up where we left off last time, with our heroes getting most of the Demon King’s minions out of the castle by simply having Megumin carpet bomb it to death. And yes, she does this with Yunyun and the other heroes IN the castle. Then they’ve got to go find Aqua, which Kazuma does almost immediately, as he overthinks a trap for dumb people and therefore picks the dumb option. We then get a series of KonoSuba-esque scenes, which involve fighting minions, arguing, and comedy, until everyone reunited and takes on the Demon King and his most powerful supporters. Unfortunately, the Demon King is not named that for nothing; he’s pretty much impossible to kill, unless Kazuma does something that he’d really rather not do, as he was told that if it happens again there’s no turning back…

I’ve spent several reviews discussing the romance, such as it is, in KonoSuba, and it’s therefore amusing how little it actually matters here. Megumin’s still in the lead, yes, but that’s mostly by default, and it’s mentioned that darkness is turning down the many marriage proposals she’s getting for a reason, and that, after the final battle’s legend is passed around, Princess Iris has more of a crush on her “older brother” than ever before. But the romance is irrelevant because it’s secondary to the family. This whole adventure came about not because they actually wanted to kill the Demon King, but because Aqua was depressed. By the end of the book we’ve solved that, although I think Aqua wishes there was a way to do that that involved less of her sobbing desperately. The series ends restoring everything to the status quo, although things will presumably be easier with the lack of a Demon Lord making all monsters stronger than they should be.

There are many other unlicensed spinoffs in this series, featuring Darkness, Dust and Yunyun, Cecily, etc. The author also says he has ideas for sequels – this volume has several final battles, both in Axel and at Iris’ castle, but we don’t actually see any of them, and it’s hinted he may write that as well. That said, aside from the upcoming fanbook, I think Yen On is finished with KonoSuba novels for now. This is a very satisfying conclusion, and all fans should enjoy it.

Filed Under: konosuba, REVIEWS

Der Werwolf: The Annals of Veight, Vol. 14

August 3, 2022 by Sean Gaffney

By Hyougetsu and Nari Teshima. Released in Japan by SQEX Novels. Released in North America by J-Novel Club. Translated by Ningen.

A new publisher for Der Werwolf made fans of the series briefly panic, as we’ve seen manga titles cancelled in the past when they jumped from one publisher to another. Fortunately, after a brief delay, the series is back with its 14th volume. Nothing has really changed now that it’s with Square Enix – cast is the same, artist is the same, it has the same “the entire book is one long chapter” style to it. And it still stars Veight’s daughter, although (as the author admits in the afterword) the balance between her own adventures and that of her dad is struggling a bit. This is The Annals of Veight, not The Annals of Friede, and I think a lot of fans would rather we stuck with the vice-commander. That said, they may be disappointed – there’s some setup here for Airia retiring, which means she and Veight might do more traveling and leave governing in the hands of the future generation. As for Friede herself, well, she’s a lot like her dad, and that includes getting young women to fall in love with her.

After tearing up Rolmund in the last book, this time Friede and company are invited to Wa, partly as a goodwill visit but mostly so the leaders there can see what sort of person she is. Veight is fine with this, ready to give her more slack to do what she wants, and she heads out with her best friends/harem. While there she’s given a minder, Iori, a serious-minded teenage girl who at first regards Friede as soft and riding on her dad’s reputation, a first impression that changes very, very rapidly after seeing her fight and seeing her steamroll any possible obstacles with her cheerful, straightforward attitude. Heck, she even charms the local cat people Grimalkin so much that they reveal to her a secret dance that might reveals a hidden treasure…

I mentioned on Twitter that I was not expecting this book to be yuri, and I suppose it’s not TECHNICALLY yuri, but it is true that Iori falls for Friede so hard and fast that it might as well be, and most of the latter half of the book is made up of what should absolutely be scenes of flirting romance. She’s an orphan girl who has struggled to prove herself, and (like half the cast in this series, including its two leads) tends to put herself down constantly. That said, I think she’ll be a fun addition to the series, because she definitely invites herself to go back with Friede and the others at the end of the book. I also loved her and Friede discussing Veight’s habit of downplaying all his own achievements, which I’ve mocked him for since the series began – “I’m just a simple vice-commander”, etc. It’s called “toxic humility” here, and I could not agree more. That said, I doubt it will go away anytime soon.

I agree with the author, I’m not sure where the series goes from here, but be it Veight or Friede’s book, I’m looking forward to finding out.

Filed Under: der werwolf, REVIEWS

The Ideal Sponger Life, Vol. 7

August 2, 2022 by Sean Gaffney

By Tsunehiko Watanabe and Jyuu Ayakura. Released in Japan as “Risou no Himo Seikatsu” by Hero Bunko. Released in North America by J-Novel Club. Translated by MPT.

This is a series that began with the premise that our hero was being isekai’d solely for his ability to breed the queen, hence the now ludicrously inaccurate title. There has been the occasional bout of really good sex over the past six books, though usually we cut away before it happens. That said, as I’ve mentioned before, if you’re reading this book for the sex, find some other series. Or is that true? Let’s face it, The Ideal Sponger Life has pretty much made its reputation on its political wrangling, as Zenjirou has to learn the ins and outs of a world where everyone is trying to get a leg up on everyone else, and one misspoken phrase can lead to disaster. This book is ALL about that sort of situation, and let me tell you, the way Zenjirou resolves it? Is just as good as sex. There is, however, one snag. Aura’s barely in the book, left behind to rule the country and possibly be diagnosed with Baby #2. Hope you like Princess Freya!

Zenjirou is going to be attending a wedding, and since Aura can’t go he’s taking Princess Freya, despite the fact that this helps her case for being his first concubine tremendously. Once there, though, his hospitality is taken care of by the father of the bride’s second daughter, Nilda. Which is all very well and good, but Zenjirou was not told that there was a second daughter… and the records they have back at the palace did not mention it. Nilda is illegitimate, but that’s not the concern, the concern is that the records don’t match up. Fortunately, the wedding itself goes fine. Unfortunately, Nilda, Freya and Skaji spot a knight from a rival nation coming out of a corridor he should not have been in… and the knight denies that he did this. Now Zenjirou is going to have to play detective in order to avoid an international incident.

This is, as many light novels these days are, based on a webnovel. That said, I was startled when I read that the webnovel does not feature Freya at all – she’s not in it. The only other webnovel I know where a major character was created out of whole cloth for the official version is The Saga of Tanya the Evil… which makes it appropriate that the queen’s maid refers to her and Zenjirou’s son as “Carlo Zen”. Pretty sure that’s intentional. As for this book, Zenjirou was pretty damn awesome in it, despite having to talk over and over about how weak and feeble he is as a fighter. I think he realizes by now he’s screwed in regards to Freya, because if nothing else she’s fallen 100% in love with him. Treating a woman as an equal is ALSO as good as sex. And in this case Freya is trying to turn it INTO sex. So far he’s holding out.

Everyone but Aura fans should be happy with this (and given she’s not getting another cover picture till Book 14, they may want to give up). Its title and premise may put readers off, but it’s moved way beyond that.

Filed Under: ideal sponger life, REVIEWS

My Daughter Left the Nest and Returned an S-Rank Adventurer, Vol. 5

August 1, 2022 by Sean Gaffney

By MOJIKAKIYA and toi8. Released in Japan as “Boukensha ni Naritai to Miyako ni Deteitta Musume ga S-Rank ni Natteta” by Earth Star Novels. Released in North America digitally by J-Novel Club. Translated by Roy Nukia.

I’ve said this before and I will say it again: I greatly appreciate that the publisher has let us know that the books are done in Japan and that this is not one of THOSE Daddy/Adopted Daughter series. Mostly because I can thoroughly enjoy the angst that both daddy and daughter are going through right now without having to worry about a future trap door. Belgrieve is worrying about the fact that his daughter has grown up, and he doesn’t know the right way to balance out being her dad vs. letting her go off on her own. It’s extremely identifiable. As for Angeline, well, she’s just starting to worry about the whole “I probably have some demon in my parentage” thing, which is less relatable, but as an adopted daughter curious about her parents while also not really wanting to know because she loves her dad, that resonates a lot. They’re a great parent-child couple.

Everything is smiles and happiness at the start. Angeline and Belgrieve are once again in the same place at the same time, and are reveling in it, even if it means having to find a new house because they just have too many houseguests now. The whole group then, once spring comes, returns to Turnera in one big group… joined by two extra women, who are tagging along as they say they have business where they’re going. Unfortunately, the business turns out to be them, as Charlotte is once again suffering the consequences of her own actions, as well as her own background as royalty. Now Belgrieve and Angeline have to figure out a way to make everyone happy and smooth things over… and this isn’t even getting into the overarching plot of the demons, or finding Belgrieve’s old party.

I really liked the two adventurers we met in this volume, and I am relieved that things could be taken care of without turning them into enemies. In particular, one of them speaks in an odd combination of normal speech and lyrics from Western rock songs (I wondered if it was a localization thing, but no, the afterword says it’s Western rock songs), and its noted to be because the beastmen in her country are treated much worse, and they use that speech as a form of coded language. This is the sort of world building I can absolutely get behind. I also liked reminding Charlotte that sometimes apologies, even when meant in earnest, won’t solve everything that she did before, and sometimes it’s best NOT to apologize in person as the wounds are still fresh. It’s literally mentioned by Angeline’s companions that Belgrieve collects daughters rather than love interests, and Charlotte is one of the best examples.

Some hinting at the end of this book suggests we’ll be tracking down the rest of Belgrieve’s old party soon, and I expect that will probably mean he and Angeline are separated again. it’s fine. I’m sure they’ll work out the right distance while staying a loving family.

Filed Under: my daughter left the nest, REVIEWS

Pick of the Week: We’ve Run Out of Beans!

August 1, 2022 by Sean Gaffney, Michelle Smith, Ash Brown, Anna N and MJ Leave a Comment

SEAN: I feel a bit guilty for not picking One Piece 100, but I’ve gotten really far behind with it. I’ll go to the light novel well again and pick Though I Am an Inept Villainess: Tale of the Butterfly-Rat Body Swap in the Maiden Court. It sounds like what might happen if My Next Life As a Villainess was set in The Apothecary Diaries, and I’m down for that.

MICHELLE: Yeah, I made it through volume 92 and then sort of stalled out. I’ll choose fluffy BL isekai this week with The Other World’s Books Depend on the Bean Counter. Yes, there’s a josei debut this week, but it looks like it will probably be sad and my brain is just not here for that.

ASH: Novel-wise, I’m really looking forward to reading Tower of the Sun, having greatly enjoyed Tomihiko Morimi’s other works in translation. As for manga, The Girl From the Other Side: Siúil, a Rún is such a beautifully illustrated and haunting series, I’m so glad to see it getting a deluxe treatment.

ANNA: I’ll go with Our Love Doesn’t Need a Happy Ending, even though it might be depressing because hooray for josei.

MJ: It’s not a stellar week for me, but I’m low-key interested in The Other World’s Books Depend on the Bean Counter, so I’ll go along with Michelle’s pick this week. When all else fails, I defer to Michelle. She’s yet to lead me astray.

Filed Under: PICK OF THE WEEK

Bookshelf Briefs 7/31/22

July 31, 2022 by Katherine Dacey and Sean Gaffney Leave a Comment

Catch These Hands!, Vol. 2 | By murata | Yen Press – The first volume in this series mostly focused on the grumpy-faced (and, let’s face it, grumpy in general) Takebe, but this second volume allows us a better look at her new girlfriend Soramori. She took the initiative in asking Takebe out… but has no idea what couples do on a date. Her attempts to figure this out, which involves a lot of overcompensating and thinking about the wrong things, are what drive the humor in this volume. The actual romance is still pretty much in neutral, but this makes sense given that we’re not even sure how Takebe really feels about all this. We’re also introduced to Takebe’s cousin, who also seems to be a bit obsessed with her. This remains a fun yuri comedy. – Sean Gaffney

A Galaxy Next Door, Vol. 1 | By Gido Amagakure | Kodansha Comics – After his parents pass away, twenty-something Ichiro Kuga steps in to raise his younger siblings while struggling to make it in the manga biz. Through sheer luck, he finds just the right assistant to help him meet a tight deadline—an assistant who’s both a little too good to be true (her technique is flawless, even though her experience is limited to copying other people’s work) and a little odd. As Ichiro soon discovers, Shiori isn’t an ordinary person, but a visitor from a remote island where… well, I won’t spoil her backstory, but suffice to say that A Galaxy Next Door gets weirder as it goes along. The fantasy elements didn’t really work for me, but the human elements did, particularly the warm rapport between Ichiro and his siblings, and the kiddos’ interest in their strange, glamorous new housemate. File this under YMMV. – Katherine Dacey

Good Dog, Cerberus! | By Moha Arimura | Kodansha Comics (digital only) – If you’re looking for a light-hearted gag manga, you could do a lot worse than Good Dog, Cerberus!, a digital-only offering from Kodansha Comics. The premise is simple: Cerberus, the infamous three-headed guardian of the Underworld, is not a fierce, snarling beast, but a cute, fluffy Pomeranian who’s terrible at his job. Though he’s tasked with preventing souls from escaping, he’d rather be eating pastry or fetching a stick, making it easy for folks to bribe their way out of Hell. Hades, his owner, is torn between adoring his cute-as-a-button minion and castigating Cerberus for slacking off. Moha Arimura wrings a surprising number of laughs from this one-joke set-up by leaning into the idea that Cerberus is a normal dog whose extra two heads sometimes get in the way of normal dog behaviors. None of the punchlines are laugh-out-loud funny, but each vignette has a nice rhythm, and a decent payoff to boot. – Katherine Dacey

In/Spectre, Vol. 15 | By Kyo Shirodaira and Chashiba Katase | Kodansha Comics – Somehow I missed volume fifteen coming out several months ago. What it gives me is a) half the usual detective stuff, as our protagonists try to explain away how a mystical giraffe chased four men off of a cliff, and b) Kotoko being very angry that Rikka even exists, and vice versa. I note that for all that Kotoko moans and whines about Kuro being mean to her and barely acknowledging that they’re a couple, he also notably does not deny that they’re a couple either, especially in front of Rikka. This plot is nowhere near done, and I suspect that things are going to go badly for Kotoko soon, but that’s why we read this, to see her defy the odds. Well, that and be horny. – Sean Gaffney

Kageki Shojo!!, Vol. 6 | By Kumiko Saiki | Seven Seas – I appreciate that we’re not going full Method Acting with this series, but there is an emphasis on trying to find something in your own past that you can draw on in order to convey what the character you’re playing feels like. For Sasara this means confronting her kabuki past, as well as the revelation that she thinks she may just have a boyfriend because his mentor told him to. Of course, the payoff for that will be in the next volume. We also get a nice look at Ayako’s Juliet, and the one thing that she really has going for her; her voice, which is absolutely stunning. She too gets some heartbreaking backstory, of course. I get the feeling Ai is going to be out of luck this time around. I wish this came out more often. – Sean Gaffney

Studio Apartment, Good Lighting, Angel Included, Vol. 1 | By matoba | Yen Press – I was unimpressed with the premise of this new series, but I greatly enjoyed the vibe of As Miss Beelzebub Likes, their previous series, so I thought I would give it a shot. Sadly, my first instincts were correct. A young man suddenly finds an angel lying on his balcony when he gets home from his job. She’s been sent from heaven to stop being such a naive chump… is what the manga implies, but does not say. As the title goes on we also meet our protagonist’s childhood friend and a snow woman, all of whom pretty much latch onto his “nebbish nice person” vibe like a leech. Say what you will about Miss Beelzebub, it wasn’t a harem manga, which this seems to be. I’ll be passing. – Sean Gaffney

Witch Hat Atelier, Vol. 9 | By Kamome Shirahama | Kodansha Comics – By now this series is a huge hit, and things can be developed that will pay off way down the road. That’s possibly why this feels like an even darker volume of the series than usual, with one chapter even having a warning about attempted sexual assault at the front of it. Witches may be something that kids want to be, but they’re also something hated and feared at the same time, and things that may turn out to be solutions are likely to be a demonic pact of some sort. It certainly looks like that’s the case with Custas, who was always on the verge of snapping, but now that he has his new magic spring legs, he’s likely going to attempt to kill Coco and Tartah. Riveting as always, and gorgeous art. – Sean Gaffney

Filed Under: Bookshelf Briefs

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