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Der Werwolf: The Annals of Veight, Vol. 14

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By Hyougetsu and Nari Teshima. Released in Japan by SQEX Novels. Released in North America by J-Novel Club. Translated by Ningen.

A new publisher for Der Werwolf made fans of the series briefly panic, as we’ve seen manga titles cancelled in the past when they jumped from one publisher to another. Fortunately, after a brief delay, the series is back with its 14th volume. Nothing has really changed now that it’s with Square Enix – cast is the same, artist is the same, it has the same “the entire book is one long chapter” style to it. And it still stars Veight’s daughter, although (as the author admits in the afterword) the balance between her own adventures and that of her dad is struggling a bit. This is The Annals of Veight, not The Annals of Friede, and I think a lot of fans would rather we stuck with the vice-commander. That said, they may be disappointed – there’s some setup here for Airia retiring, which means she and Veight might do more traveling and leave governing in the hands of the future generation. As for Friede herself, well, she’s a lot like her dad, and that includes getting young women to fall in love with her.

After tearing up Rolmund in the last book, this time Friede and company are invited to Wa, partly as a goodwill visit but mostly so the leaders there can see what sort of person she is. Veight is fine with this, ready to give her more slack to do what she wants, and she heads out with her best friends/harem. While there she’s given a minder, Iori, a serious-minded teenage girl who at first regards Friede as soft and riding on her dad’s reputation, a first impression that changes very, very rapidly after seeing her fight and seeing her steamroll any possible obstacles with her cheerful, straightforward attitude. Heck, she even charms the local cat people Grimalkin so much that they reveal to her a secret dance that might reveals a hidden treasure…

I mentioned on Twitter that I was not expecting this book to be yuri, and I suppose it’s not TECHNICALLY yuri, but it is true that Iori falls for Friede so hard and fast that it might as well be, and most of the latter half of the book is made up of what should absolutely be scenes of flirting romance. She’s an orphan girl who has struggled to prove herself, and (like half the cast in this series, including its two leads) tends to put herself down constantly. That said, I think she’ll be a fun addition to the series, because she definitely invites herself to go back with Friede and the others at the end of the book. I also loved her and Friede discussing Veight’s habit of downplaying all his own achievements, which I’ve mocked him for since the series began – “I’m just a simple vice-commander”, etc. It’s called “toxic humility” here, and I could not agree more. That said, I doubt it will go away anytime soon.

I agree with the author, I’m not sure where the series goes from here, but be it Veight or Friede’s book, I’m looking forward to finding out.

The Ideal Sponger Life, Vol. 7

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By Tsunehiko Watanabe and Jyuu Ayakura. Released in Japan as “Risou no Himo Seikatsu” by Hero Bunko. Released in North America by J-Novel Club. Translated by MPT.

This is a series that began with the premise that our hero was being isekai’d solely for his ability to breed the queen, hence the now ludicrously inaccurate title. There has been the occasional bout of really good sex over the past six books, though usually we cut away before it happens. That said, as I’ve mentioned before, if you’re reading this book for the sex, find some other series. Or is that true? Let’s face it, The Ideal Sponger Life has pretty much made its reputation on its political wrangling, as Zenjirou has to learn the ins and outs of a world where everyone is trying to get a leg up on everyone else, and one misspoken phrase can lead to disaster. This book is ALL about that sort of situation, and let me tell you, the way Zenjirou resolves it? Is just as good as sex. There is, however, one snag. Aura’s barely in the book, left behind to rule the country and possibly be diagnosed with Baby #2. Hope you like Princess Freya!

Zenjirou is going to be attending a wedding, and since Aura can’t go he’s taking Princess Freya, despite the fact that this helps her case for being his first concubine tremendously. Once there, though, his hospitality is taken care of by the father of the bride’s second daughter, Nilda. Which is all very well and good, but Zenjirou was not told that there was a second daughter… and the records they have back at the palace did not mention it. Nilda is illegitimate, but that’s not the concern, the concern is that the records don’t match up. Fortunately, the wedding itself goes fine. Unfortunately, Nilda, Freya and Skaji spot a knight from a rival nation coming out of a corridor he should not have been in… and the knight denies that he did this. Now Zenjirou is going to have to play detective in order to avoid an international incident.

This is, as many light novels these days are, based on a webnovel. That said, I was startled when I read that the webnovel does not feature Freya at all – she’s not in it. The only other webnovel I know where a major character was created out of whole cloth for the official version is The Saga of Tanya the Evil… which makes it appropriate that the queen’s maid refers to her and Zenjirou’s son as “Carlo Zen”. Pretty sure that’s intentional. As for this book, Zenjirou was pretty damn awesome in it, despite having to talk over and over about how weak and feeble he is as a fighter. I think he realizes by now he’s screwed in regards to Freya, because if nothing else she’s fallen 100% in love with him. Treating a woman as an equal is ALSO as good as sex. And in this case Freya is trying to turn it INTO sex. So far he’s holding out.

Everyone but Aura fans should be happy with this (and given she’s not getting another cover picture till Book 14, they may want to give up). Its title and premise may put readers off, but it’s moved way beyond that.

My Daughter Left the Nest and Returned an S-Rank Adventurer, Vol. 5

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By MOJIKAKIYA and toi8. Released in Japan as “Boukensha ni Naritai to Miyako ni Deteitta Musume ga S-Rank ni Natteta” by Earth Star Novels. Released in North America digitally by J-Novel Club. Translated by Roy Nukia.

I’ve said this before and I will say it again: I greatly appreciate that the publisher has let us know that the books are done in Japan and that this is not one of THOSE Daddy/Adopted Daughter series. Mostly because I can thoroughly enjoy the angst that both daddy and daughter are going through right now without having to worry about a future trap door. Belgrieve is worrying about the fact that his daughter has grown up, and he doesn’t know the right way to balance out being her dad vs. letting her go off on her own. It’s extremely identifiable. As for Angeline, well, she’s just starting to worry about the whole “I probably have some demon in my parentage” thing, which is less relatable, but as an adopted daughter curious about her parents while also not really wanting to know because she loves her dad, that resonates a lot. They’re a great parent-child couple.

Everything is smiles and happiness at the start. Angeline and Belgrieve are once again in the same place at the same time, and are reveling in it, even if it means having to find a new house because they just have too many houseguests now. The whole group then, once spring comes, returns to Turnera in one big group… joined by two extra women, who are tagging along as they say they have business where they’re going. Unfortunately, the business turns out to be them, as Charlotte is once again suffering the consequences of her own actions, as well as her own background as royalty. Now Belgrieve and Angeline have to figure out a way to make everyone happy and smooth things over… and this isn’t even getting into the overarching plot of the demons, or finding Belgrieve’s old party.

I really liked the two adventurers we met in this volume, and I am relieved that things could be taken care of without turning them into enemies. In particular, one of them speaks in an odd combination of normal speech and lyrics from Western rock songs (I wondered if it was a localization thing, but no, the afterword says it’s Western rock songs), and its noted to be because the beastmen in her country are treated much worse, and they use that speech as a form of coded language. This is the sort of world building I can absolutely get behind. I also liked reminding Charlotte that sometimes apologies, even when meant in earnest, won’t solve everything that she did before, and sometimes it’s best NOT to apologize in person as the wounds are still fresh. It’s literally mentioned by Angeline’s companions that Belgrieve collects daughters rather than love interests, and Charlotte is one of the best examples.

Some hinting at the end of this book suggests we’ll be tracking down the rest of Belgrieve’s old party soon, and I expect that will probably mean he and Angeline are separated again. it’s fine. I’m sure they’ll work out the right distance while staying a loving family.

Pick of the Week: We’ve Run Out of Beans!

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SEAN: I feel a bit guilty for not picking One Piece 100, but I’ve gotten really far behind with it. I’ll go to the light novel well again and pick Though I Am an Inept Villainess: Tale of the Butterfly-Rat Body Swap in the Maiden Court. It sounds like what might happen if My Next Life As a Villainess was set in The Apothecary Diaries, and I’m down for that.

MICHELLE: Yeah, I made it through volume 92 and then sort of stalled out. I’ll choose fluffy BL isekai this week with The Other World’s Books Depend on the Bean Counter. Yes, there’s a josei debut this week, but it looks like it will probably be sad and my brain is just not here for that.

ASH: Novel-wise, I’m really looking forward to reading Tower of the Sun, having greatly enjoyed Tomihiko Morimi’s other works in translation. As for manga, The Girl From the Other Side: Siúil, a Rún is such a beautifully illustrated and haunting series, I’m so glad to see it getting a deluxe treatment.

ANNA: I’ll go with Our Love Doesn’t Need a Happy Ending, even though it might be depressing because hooray for josei.

MJ: It’s not a stellar week for me, but I’m low-key interested in The Other World’s Books Depend on the Bean Counter, so I’ll go along with Michelle’s pick this week. When all else fails, I defer to Michelle. She’s yet to lead me astray.

Bookshelf Briefs 7/31/22

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Catch These Hands!, Vol. 2 | By murata | Yen Press – The first volume in this series mostly focused on the grumpy-faced (and, let’s face it, grumpy in general) Takebe, but this second volume allows us a better look at her new girlfriend Soramori. She took the initiative in asking Takebe out… but has no idea what couples do on a date. Her attempts to figure this out, which involves a lot of overcompensating and thinking about the wrong things, are what drive the humor in this volume. The actual romance is still pretty much in neutral, but this makes sense given that we’re not even sure how Takebe really feels about all this. We’re also introduced to Takebe’s cousin, who also seems to be a bit obsessed with her. This remains a fun yuri comedy. – Sean Gaffney

A Galaxy Next Door, Vol. 1 | By Gido Amagakure | Kodansha Comics – After his parents pass away, twenty-something Ichiro Kuga steps in to raise his younger siblings while struggling to make it in the manga biz. Through sheer luck, he finds just the right assistant to help him meet a tight deadline—an assistant who’s both a little too good to be true (her technique is flawless, even though her experience is limited to copying other people’s work) and a little odd. As Ichiro soon discovers, Shiori isn’t an ordinary person, but a visitor from a remote island where… well, I won’t spoil her backstory, but suffice to say that A Galaxy Next Door gets weirder as it goes along. The fantasy elements didn’t really work for me, but the human elements did, particularly the warm rapport between Ichiro and his siblings, and the kiddos’ interest in their strange, glamorous new housemate. File this under YMMV. – Katherine Dacey

Good Dog, Cerberus! | By Moha Arimura | Kodansha Comics (digital only) – If you’re looking for a light-hearted gag manga, you could do a lot worse than Good Dog, Cerberus!, a digital-only offering from Kodansha Comics. The premise is simple: Cerberus, the infamous three-headed guardian of the Underworld, is not a fierce, snarling beast, but a cute, fluffy Pomeranian who’s terrible at his job. Though he’s tasked with preventing souls from escaping, he’d rather be eating pastry or fetching a stick, making it easy for folks to bribe their way out of Hell. Hades, his owner, is torn between adoring his cute-as-a-button minion and castigating Cerberus for slacking off. Moha Arimura wrings a surprising number of laughs from this one-joke set-up by leaning into the idea that Cerberus is a normal dog whose extra two heads sometimes get in the way of normal dog behaviors. None of the punchlines are laugh-out-loud funny, but each vignette has a nice rhythm, and a decent payoff to boot. – Katherine Dacey

In/Spectre, Vol. 15 | By Kyo Shirodaira and Chashiba Katase | Kodansha Comics – Somehow I missed volume fifteen coming out several months ago. What it gives me is a) half the usual detective stuff, as our protagonists try to explain away how a mystical giraffe chased four men off of a cliff, and b) Kotoko being very angry that Rikka even exists, and vice versa. I note that for all that Kotoko moans and whines about Kuro being mean to her and barely acknowledging that they’re a couple, he also notably does not deny that they’re a couple either, especially in front of Rikka. This plot is nowhere near done, and I suspect that things are going to go badly for Kotoko soon, but that’s why we read this, to see her defy the odds. Well, that and be horny. – Sean Gaffney

Kageki Shojo!!, Vol. 6 | By Kumiko Saiki | Seven Seas – I appreciate that we’re not going full Method Acting with this series, but there is an emphasis on trying to find something in your own past that you can draw on in order to convey what the character you’re playing feels like. For Sasara this means confronting her kabuki past, as well as the revelation that she thinks she may just have a boyfriend because his mentor told him to. Of course, the payoff for that will be in the next volume. We also get a nice look at Ayako’s Juliet, and the one thing that she really has going for her; her voice, which is absolutely stunning. She too gets some heartbreaking backstory, of course. I get the feeling Ai is going to be out of luck this time around. I wish this came out more often. – Sean Gaffney

Studio Apartment, Good Lighting, Angel Included, Vol. 1 | By matoba | Yen Press – I was unimpressed with the premise of this new series, but I greatly enjoyed the vibe of As Miss Beelzebub Likes, their previous series, so I thought I would give it a shot. Sadly, my first instincts were correct. A young man suddenly finds an angel lying on his balcony when he gets home from his job. She’s been sent from heaven to stop being such a naive chump… is what the manga implies, but does not say. As the title goes on we also meet our protagonist’s childhood friend and a snow woman, all of whom pretty much latch onto his “nebbish nice person” vibe like a leech. Say what you will about Miss Beelzebub, it wasn’t a harem manga, which this seems to be. I’ll be passing. – Sean Gaffney

Witch Hat Atelier, Vol. 9 | By Kamome Shirahama | Kodansha Comics – By now this series is a huge hit, and things can be developed that will pay off way down the road. That’s possibly why this feels like an even darker volume of the series than usual, with one chapter even having a warning about attempted sexual assault at the front of it. Witches may be something that kids want to be, but they’re also something hated and feared at the same time, and things that may turn out to be solutions are likely to be a demonic pact of some sort. It certainly looks like that’s the case with Custas, who was always on the verge of snapping, but now that he has his new magic spring legs, he’s likely going to attempt to kill Coco and Tartah. Riveting as always, and gorgeous art. – Sean Gaffney

Re: ZERO ~Starting Life in Another World~, Vol. 19

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By Tappei Nagatsuki and Shinichirou Otsuka. Released in Japan by MF Bunko J. Released in North America by Yen On. Translated by Dale DeLucia.

First off, for fans of Subaru/Emilia, this book is a full-course meal with chocolate trifle for dessert. After worrying when Emilia ended up getting kidnapped and forcibly married off to the worst man in the world (who, we are reminded here, killed her mother and “father”), Emilia spends most of this book kicking ass eight ways from Sunday. She’s joined in this by Subaru, who has his handy whip but more importantly has a increasingly analytical mind, as he, Emilia, and Reinhard (who is occasionally sent off the state in order to allow Subaru and Emilia to be cooler) to try to figure out why Regulus is invulnerable and how to stop it. Over half the book is just this fight, and it’s well worth it. That said, I am a bit worried now, as past arcs have told me that I should expect Emilia to be absent from the 6th one, just because the author simply hates using the same heroine more than twice in a row. Who could be next? Well…

Summary of this volume: They fight. They fight. They fight and fight and fight. Some sights are merely teased and will play out in full in the next volume (Otto, Garfiel, Wilhelm), and one is left for the cliffhanger (Lust vs. Anastasia, Ferris, and Al), so we’re left with two major battles. Subaru and Reinhard break up the wedding just in time, but Regulus is not only seemingly impossible to kill, but also the single most annoying character in Re: Zero to date – and this is a series which includes Subaru himself! The other big battle we get here is Priscilla and Liliana taking on Sirius, which also serves to give us some Liliana backstory. Based on the rather abrupt ending, I’m not convinced Sirius is dead yet, whereas Regulus definitely is. Through it all, Priscilla is simply fabulous. As expected.

First of all, given that I have yelled at illustrators in the past for not drawing the really obvious scenes that should be drawn, bless you, Shinichirou Otsuka, for the two-page color spread of all of Regulus’ wives tearing him a new asshole. That was beautiful. Elsewhere, I really did enjoy Priscilla here, who does show off that a) she has her own limits and weaknesses, and b) she can be quite kind – in her own arrogant way – to those that she likes and respects. And if that happens to be an incredibly annoying bard, so be it. Liliana is much better here, mostly as she’s under threat of death, so we don’t get to see her be irritating. Instead, she pretty much helps save the day. And again, Subaru and Emilia are wonderful here, so trusting of each other. Particularly at the climax, where Subaru uses some very bad powers to do good things. That said… I think he may have gotten more bad powers as a reward.

The next volume wraps up this arc, and we’ll see if there’s any of the city left. Given the cover, I expect it will mostly focus on Wilhelm. Till then, enjoy another volume of one of the strongest light novel series for pure thrills.

I’m in Love with the Villainess, Vol. 5

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By Inori and Hanagata. Released in Japan as “Watashi no Oshi wa Akuyaku Reijou” by GL Bunko. Released in North America by Seven Seas. Translated by Kevin Ishizaka. Adapted by Nibedita Sen.

As the author notes in the afterword to this volume, this series has come a long way from its first volume, which was mostly dedicated to the relationship between Rae and Claire. That’s still the case in this final volume, but it ends up being the first volume writ large; where the first volume focused on the school they were enrolled in, and the second their kingdom, this final volume sets their romance against the end of everything. I am going to try not to spoil too much in this review, but there’s a big swerve about 1/4 of the way into this volume that makes sense on a plot level, and also helps to explain a few things that have been bubbling under since the third book began and we started to get the continuation plotline. Unfortunately, it appears that once again events may conspire to force Claire to make the difficult decision that will save the most people, leaving Rae to scream about it.

So it turns out that the ones who’ve been going after Claire so much are servants of the Demon Queen, who is here to destroy the Empire in order to get her way. Dorothea, realizing a bit too late that being the sort of person that she is means that calling for aid is going to get her nowhere, decides to abdicate in favor of Philine, who is not going to be winning any sword battles but is certainly far better at actual negotiation. And then there’s the Apostle, who bounces between bodies in order to tell Rae and Claire that she’s on their side… despite the fact that she honestly feels extremely untrustworthy. In any case, at least our heroes finally get the Demon Queen herself to make an appearance. And… oh no, that face seems really familiar somehow…

I’m not spoiling you on the main surprises, but finding out the Demon Queen has a Rae face should not be too much of a surprise after meeting the Pope in previous books. We know this series stacks up Raes the way that the Fate franchise stacks up Sabers, so the reader’s reaction is more “ah, knew it” than anything else. Also without spoiling anything, Rae reacting to things, both for good and ill, is one of the highlights of this volume. Her lack of confidence in herself deep down comes up here again, even to the point where she’s surprised that her children show her as much affection as they do Claire. It helps to make the climax of the book have even greater impact. The fight scenes are also nifty, with lots of cool battles that would look great animated, hint hint. And let’s also pour one out for poor Lilly, who is fantastic here and absolutely gets shafted by the narrative, because that’s what the narrative has to do. Ah well.

If it sounds like I’m not saying much, that’s because I really want the impact of the reveals here to surprise the reader. Trust me when I say you won’t regret it. This was an excellent finale to the series… but I’m also very happy we’re getting She’s So Cheeky for a Commoner in the next few months.

The Manga Review: San Diego Comic-Con 2022 Edition

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This week’s edition of The Manga Review focuses primarily on San Diego Comic-Con. Before I get to the SDCC links, though, I wanted to talk about a New York Times article that appeared on July 23rd: “Comics That Read Top to Bottom Are Bringing in New Readers.” As you might guess from the headline, the article explores the growing popularity of Tapas and Webtoon, both of which are attracting substantial audiences, particularly among women under 25. The numbers are impressive; authors George Gene Gustines and Matt Stevens note that over 40 million women are active on the Webtoon platform, while a full two-thirds of Tapas’ users are women. I did a spit-take, however, when the authors boldly asserted that web comics were “tapping into an audience the industry had long overlooked: Gen Z and Millennial women.”

That statement ignores the fact many of these readers grew up with comics such as Sailor Moon and Fruits Basket as well as Dav Pilkey’s Captain Underpants and Dogman, Raina Telgemeier’s Smile, and Kazu Kibushi’s Amulet. Though DC Comics and Marvel are clearly important players in the comics market, Scholastic, VIZ, Kodansha, Yen Press, and Seven Seas serve a bigger readership than the Big Two, and have been doing so for over a decade. That point wasn’t lost on many of the people that Gustines and Stevens interviewed; creators and executives alike acknowledged the popularity of manga with American readers. The article’s authors, however, never acknowledge how much the old paradigm–of “Wednesday Warriors” buying floppies at the local comic ship–had changed before Tapas and Webtoon had a presence in North America. Anyone with vivid memories of visiting Borders or Barnes and Noble in the early 2000s could attest to the fact that girls were enthralled with manga, and viewed it as an appealing alternative to tights and capes.

OK… I’m hopping off my soapbox.

NEWS FROM SDCC 2022

Junji Ito’s Lovesickness beat out Chainsaw Man, Kaiju No. 8, Robo Sapiens: Tales of the Future, Spy x Family, and Zom 100: Bucket List of the Dead for the title of Best U.S. Edition of International Material–Asia. I was surprised to see that this year’s field was so heavily focused on Shonen Jump titles; there’s nothing wrong with acknowledging popular series, but given how many other interesting projects were released in 2021, it seems odd that the nominating committee didn’t cast a wider net. [The Beat]

File this under About Damn Time: shojo manga pioneer Moto Hagio was finally inducted into the Eisner Hall of Fame, joining Osamu Tezuka (2002), Goseki Kojima (2004), Katsuhiro Otomo (2012), Hayao Miyazaki (2014), and Rumiko Takahashi (2018). [The Beat]

Also taking home an award from SDCC was illustrator Hidetaka Tenjin, who won the Inkpot Award for his work on such franchises as Macross, Gundham, and Space Battleship Yamato. [Anime News Network]

No SDCC would be complete without Deb Aoki’s Best and Worst Manga Panel. She was joined by Brigid Alverson (ICv2, School Library Journal, Smash Pages), Siddarth Gupta (Manga Mavericks), Laura Neuzeth (YouTube, TikTok), Ryley Moore (The Omnibus Collector), and Jillian Rudes (mangainlibraries.com). Looking over their master list, I was relieved to see I wasn’t the only person who thought Crazy Food Truck was kind of terrible. [Mangasplaining]

Square Enix recently announced two new manga acquisitions: My Clueless First Friend, a manga about a gloomy girl and the perky boy who befriends her, and Daemons of the Shadow Realm, Hiromu Arakawa’s latest fantasy series. Both series will debut in spring 2023. [Anime News Network]

Seven Seas just added twelve new manga and light novels to its 2023 schedule, among them Yumi Tamura’s Do Not Say Mystery and a new edition of Wataru Yoshizumi’s shojo classic Marmalade Boy. [Seven Seas]

REVIEWS

Are you reading Helen Chazan’s work? Her writing is terrific, and may be the best thing that’s happened to The Comics Journal in an age. Her latest review focuses on Yamada Murasaki’s Talk to My Back,  a story about a middle-aged woman struggling with her role as housewife and mother. Chazan observers that Murasaki “confronts the reader with a woman’s life, a common woman’s inner world. Each chapter is a meditation on the sheer will it takes her housewife to survive under normalized abuse and oppressive demands, and the brief moments of beauty and humor that make survival possible.”

Also worth a look: Manga Bookshelf’s own Anna N. weighs in on Nina the Starry Bride, while the Anime UK News crew compile a list of their favorite CLAMP manga and anime.

Ascendance of a Bookworm: I’ll Do Anything to Become a Librarian!: Royal Academy Stories – First Year

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By Miya Kazuki and You Shiina. Released in Japan as “Honzuki no Gekokujou: Shisho ni Naru Tame ni wa Shudan wo Erandeiraremasen” by TO Books. Released in North America by J-Novel Club. Translated by quof.

While we have gotten short stories at the end of each volume of Bookworm from the perspectives of the people in the cast who are not Myne/Rozemyne, it’s nice to have an entire volume that does not feature her at the center – in fact, a lot of these stories revolve around her absence. Instead we get a sense of what the Academy is supposed to be like for people who are not Rozemyne, and how she really is just tearing through everything like a bull in a china shop. There is political wrangling about tea parties, political wrangling about sports, and literal assault as a romantic overture. One thing I will note: everyone who said “I still hate Wilfried” as we went into the 4th arc should read this, as you really do feel bad for him. That said, anyone who hated Traugott will find only things that make you hate him more. I can’t believe he was once engaged to Best Girl.

Many of these stories are from Hannelore’s POV, and indeed the collection itself came about as the author wanted to find a place for the web-only Hannelore stories that didn’t fit into the main books. I can sum most of them up as “Being Hannelore Is Suffering” and leave it at that. There’s also a long story from the POV of Rauffen, the ditter-obsessed housemaster of Dunkenfelger, and how he proves to be much more on the ball than I had anticipated. And we get a wonderful story with Angelica, showing how even if she wants to serve Rozemyne for the rest of her life, she still has to realize what that actually means (though she also proves more emotionally adept than I had anticipated at handling the temple servants). And there’s Hartmut, as we see the short story that had been referenced before in the 7th book of Arc 4 (this volume came out in Japan before that one), and it’s a lot of fun.

I’d argue this is pretty essential reading even if it’s just short stories without Rozemyne in them. The discussion of ditter and what it was originally meant to do, as well as the changed made to it, forecast an ominous fate for the knights if there is, say, a civil war. The most ominous short story is the one with Ortwin and his sister Adolphine, who had been expecting a relatively easy and happy engagement, but thanks to Rozemyne’s intervention and the power of True Love, is going to get one that’s far less easy and far less happy. The words “I’m screwed” do not pass her lips, but they drench the text, and I think this is also going to play out in future volumes of the main series. And we also learn that even if she may only be 11 years old and look like she’s 7, Rozemyne is still a hot item, which helps explain why she got a rushed engagement. Powerful people want her in their duchy.

As with most short story collections of large series these days, this came out awkwardly after the books that refer to it. I assume that’s the usual rights issues and contract stuff. Still better than Re: Zero, which relies on “no, we’re not doing these volumes, just read the wiki to figure out who this is”. Thankfully, we have it now, and it’s a great read for Bookworm fans.

Manga the Week of 8/3/22

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SEAN: August is here. Still hot. But now hot in August rather than July!

ASH: I’m not sure it’s allowed to be August yet.

SEAN: Yen On has two debuts. Chronicles of the Hidden World: How I Became a Doctor for the Gods (Kakuriyo Shinjuuki: Isekai de Kami-sama no Oisha-san Hajimemasu) is a fantasy isekai where a girl is reincarnated in “ancient Japan but with magic”, and quickly finds an affinity with the world’s gods.

The other is a one-shot, Tower of the Sun, the latest from Tomihiko Morimi, author of Penguin Highway and The Night Is Short, Walk On Girl. It seems to share themes with the latter, not uncommon with this author. A guy who’s been dumped mopes through Kyoto. This was his debut novel!

ASH: I am so happy to see more of Morimi’s work being translated!

SEAN: There’s also the 17th and final volume of Konosuba: God’s Blessing on This Wonderful World! and Strike the Blood 21.

Two debuts from Yen Press as well. The Beginning After the End is a webcomic that’s been collected by Yen, based on a long-running novel series. A king dies and is reincarnated in a world of magic and monsters.

The Other World’s Books Depend on the Bean Counter (Isekai no Sata wa Shachiku Shidai) is a BL isekai manga from B’s Log Comic. A workaholic salaryman is summoned to another world… and continues to be a workaholic salaryman. But he catches the heart of a knight!

MICHELLE: Hm. Potentially cute!

ASH: I’ll admit that BL isekai interests me more than most other isekai.

ANNA: Sounds cute.

MJ: Oh, interesting indeed!

SEAN: Also from Yen: Bungo Stray Dogs: Beast 3, I’ve Been Killing Slimes for 300 Years and Maxed Out My Level 9, Love and Heart 5, My Youth Romantic Comedy Is Wrong, As I Expected 18, Overlord: The Undead King Oh! 8, The Splendid Work of a Monster Maid 3, and Toilet-bound Hanako-kun 14.

ASH: I really need to catch up on Toilet-bound Hanako-kun.

SEAN: It’s almost time for the anime to return, and the shippers are getting ready to doxx and destroy everyone’s lives all over again. It can only be Bleach. To celebrate, Viz is releasing Bleach 20th Anniversary Edition 1, which features cover art showing the original Shonen Jump cover. Despite the Vol. 1, this seems to be a one-off.

ASH: Huh.

SEAN: Viz also has One Piece Volume 100! Only 101 more volumes to go before it catches up to KochiKame.

And also Dragon Ball Super 16, Kaguya-sama: Love Is War 23, The King’s Beast 7, Moriarty the Patriot 8, and Snow White with the Red Hair 20.

ASH: I spy Shojo Beat titles!

ANNA: Yay, I need to get caught up on so much.

SEAN: Udon Entertainment has the 4th, 5th, and 6th volumes of Summertime Rendering, which wraps up the series, as these are omnibuses. they’re out in paperback and hardcover.

ASH: I’ve heard good things about the series, but have so far failed to start actually reading it. Need to get on that!

SEAN: Tokyopop has stopped updating its website for some reason, but should have Assassin’s Creed Dynasty 4.

Titan Books have Junji Ito Collection: A Horror Coloring Book, which speaks for itself, really.

ASH: Very interesting.

MJ: Oh, huh.

SEAN: Seven Seas debuts The Girl From the Other Side: Siúil, a Rún Deluxe Edition, a 3-volume omnibus in hardcover for the gorgeous and bittersweet (more bitter than sweet, really) fantasy series.

ASH: I’m happily double-dipping for this.

We also get Bite Maker: The King’s Omega 5, Dai Dark 4, and My Wife Has No Emotion 3.

Also, last week, KUMA released the first volume of Canis: Dear Hatter, which I missed because I suck. I assume it is related to Canis: Dear Mr. Rain, which came out a couple of years ago.

Kodansha, in print, has the 2nd and final omnibus of Devil Ecstasy and Sailor Moon Naoko Takeuchi Collection 3.

Digitally the debut is Our Love Doesn’t Need a Happy Ending (Boku-tachi no Koi ni Happy End nante Iranai), the story of a college guy who’s in love with his classmate… but has to decide whether to confess of not when she reveals that she’s dying. This josei title ran in Kiss.

MICHELLE: Obligatory josei squee.

ANNA: Squeeeeeeeeee!

SEAN: Also digital: The Abandoned Reincarnation Sage 4, Changes of Heart 4, Chihayafuru 33, Desert Eagle 2, I Was Reincarnated as the 7th Prince so I Can Take My Time Perfecting My Magical Ability 6, Kounodori: Dr. Stork 26, and My Wonderful World 2.

MICHELLE: And obligatory Chihayafuru squee, as well.

SEAN: J-Novel Club has one print volume: Infinite Dendrogram 16.

Digital items from J-Novel Club include An Archdemon’s Dilemma: How to Love Your Elf Bride 14, the 6th and final volume of Arifureta Zero, By the Grace of the Gods 11, Chillin’ in Another World with Level 2 Super Cheat Powers 6, The Great Cleric 9, the 5th manga volume of My Instant Death Ability is So Overpowered, No One in This Other World Stands a Chance Against Me! —AΩ—, and the 3rd manga volume of Reborn to Master the Blade: From Hero-King to Extraordinary Squire ♀.

ASH: I can’t quite tell if that’s a lot of titles, or just a bunch of long titles.

ANNA: What if it was all one single title?

SEAN: Denpa has the 4th volume of Today’s Menu for the Emiya Family. Actually, this came out last month, but I have to use Amazon’s release dates as Denpa hasn’t updated its own site, and Amazon hasn’t shipped it yet. But it’s out everywhere BUT Amazon.

Airship, in print, has Failure Frame: I Became the Strongest and Annihilated Everything With Low-Level Spells 4.

In early digital the debut is Though I Am an Inept Villainess: Tale of the Butterfly-Rat Body Swap in the Maiden Court (Futsutsuka na Akujo de wa Gozaimasu ga – Suuguu Chouso Torikae Den), the story of a consort who ends up body swapped with her rival, then thrown in prison. But she couldn’t be happier – after years of illness, she has a healthy body at last! This has recommendations from both the Bookworm *and* Apothecary authors, so is highly anticipated.

ASH: Oh, ho!

SEAN: And they’ve also got Berserk of Gluttony 7.

Are you a noble? A villainess? A villainess who’s also a noble? Also, what manga do villainesses read?