Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Katherine Dacey

Pick of the Week: We Want Everything

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SEAN: My pick this week is My Solo Exchange Diary, if only as I really want to find out what happens to our author next, painful as that may be. Also The Promised Neverland, Eclair, etcetcetc…

KATE: This is one of those weeks where I’m inclined to pick seven or eight titles. I second Sean’s recommendation of My Solo Exchange Diary, but I’m also excited for new installments of Princess Jellyfish, The Promised Neverland, and Descending Stories, three of my favorite ongoing series. I’d be remiss in my manga-critic duties if I didn’t also mention Yen Press’ yuri anthology Eclair, which has been on my radar since Erica Friedman reviewed it last year.

MICHELLE: I also have lots of things I’m looking forward to. Some ongoing shounen and shoujo faves from VIZ, Those Summer Days from Kodansha, Eclair from Yen Press, etc. But since it’s my final chance to choose quirky, unique, and addictive Princess Jellyfish, I’ve gotta go with that.

ASH: Absolutely sign me up for everything that’s already been mentioned and be sure to add on Vinland Saga, too. It’s such a tremendous series that somehow manages to only get better with each new volume that’s released.

ANNA: There’s a lot that’s great coming out, but I need to join with Ash in picking Vinland Saga for sure!

Again!!, Vol. 2

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The phenomenal success of Yuri!!! On ICE turned out to be a boon for manga fans, too, as American publishers snapped up two of Mitsurou Kubo’s better-known comics: Moteki: Love Strikes!, a seinen romance about a thirty-something loser who reconnects with women from his past, and Again!!, a time-travel comedy about two teenagers who get a second chance at high school. I won’t lie: Again!! was my hands-down favorite of the two, both for its raw honesty and its sharply observed characters.

Again!! avoids the sophomore slump by briskly advancing the plot without sacrificing the humor or heart that made the first chapters so appealing. Kinichiro and Fujieda both get a turn in the spotlight, with Kinichiro discovering the pleasures of cheering, and Fujieda experiencing loneliness for the first time. Volume two also introduces three new characters, all of whom used to belong to the ouendan: Okuma, the drummer; Masaki, the vice-captain; and Suga, the cheer sergeant. Although the trio’s ostensible role is comic relief, their real function is helping us understand why the ouendan failed, revealing the degree to which their unwanted advances, passivity, and flagrant sexism undermined Usami’s authority as captain and poisoned group morale.

While this information is crucial to the story, it also points to Again!!‘s biggest problem: Usami. Mitsurou Kubo is frank about why Usami resorts to shouting, scolding, and shaming to prove that she’s “man” enough to lead the ouendan — a compassionate insight into a character who often seems more harridan than human. Yet Usami’s actual personality remains a mystery. Everything we learn about her is revealed through other characters, whether they’re discussing her beef with Abe, the head cheerleader, or describing the flurry of media interest in Usami when she first joined the ouendan. We don’t know how Usami feels about her teammates, or why she’s so passionately interested in cheering — two questions that need to be addressed if she’s to become a full-fledged character.

Despite these flaws, Again!! manages to wring fresh laughs from its time-travel premise while depicting high school in all its unpleasantness. Fujieda, for example, vacillates between trying to profit from her knowledge of the future and lamenting her lack of friends. Kinichiro also is caught between past and present: he’s angry that his first kiss didn’t go as planned, and deeply self-conscious after a loud, public declaration of how miserable he feels — an exquisitely awful scene that acknowledges the depth of his pain while recognizing that his brusque behavior directly contributes to his sense of isolation and victimhood. It’s this kind of insight that makes Again!! such a compelling story, reminding us that our memories of being shunned, wronged, or ridiculed can be so one-sided that we’d make the same mistakes if given the opportunity to relive our teenage years. Recommended.

Again!!, Vol. 2
By Mitsurou Kobu
Translated by Rose Padgett
Rated OT, for Older Teens (16+)
Kodansha Comics

Pick of the Week: Still Fighting It

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MICHELLE: I’ll definitely be picking up the latest Waiting for Spring, and I’m somewhat curious about A Kiss, for Real, but the release that really makes me squee this week is the third volume of Shojo FIGHT!. The first two volumes hooked me good and I’m extremely happy to get to read more about Neri, the girl who sometimes turns into a jerk when she lets herself play volleyball without restraint and who wants to change. It’s good stuff!

SEAN: I’m a sucker for a good Guide Book, given how few of them are actually translated over here. So my pick goes to The Ancient Magus’ Bride: Merkmal. That said, I also want to read the new Shojo FIGHT!, and Kabukimonogatari is definitely near the top of my list too.

KATE: I was mourning the demise of Crimson Hero for years… that is, until Kodansha started publishing Shojo FIGHT!!, the best sports manga you’re not reading. It’s got great characters, great volleyball matches, and real-life conflicts that remind us how hard it can be for competitive female athletes. So I’m joining Michelle and Sean and bumping this one to the top of my list. (Sorry… not sorry.)

ASH: Alas! If only Shojo FIGHT!! was being released in print, I’m sure it would be my pick, too. And so instead, this week have my eyes on The Ancient Magus’ Bride: Merkmal.

ANNA: I have to join everyone else in picking Shojo Fight!! Good sports manga with female protagonists is hard to find in translation, so a new volume is a treat for sure.

Star Wars: Lost Stars, Vol. 1

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Remember the good ol’ days when a new Star Wars movie took three years to make, and no one was certain that George Lucas was going to get around to Episodes I, II, and III? I miss those days; new installments felt like a cause for celebration and not a dutiful obligation, and the films were an irresistible mixture of bad acting, thrilling space battles, and earnest conversations about the Force. When I’ve felt a twinge of nostalgia for my childhood Star Wars experience, I’ve found the manga adaptations of the original trilogy much more satisfying than the current batch of Disneyfied films. So I was curious to see what an original Star Wars manga might look like: would it explore new territory, or simply recycle the same plot points, a la The Force Awakens, Rogue One, and The Last Jedi?

Turns out that Lost Stars is to Star Wars what Rosencrantz and Guildenstern Are Dead is to Hamlet, a retelling of an iconic story from the perspective of two peripheral characters. Many of the most famous moments from George Lucas’ original trilogy appear in Lost Stars — the capture of Princess Leia, the annihilation of Alderaan, the ice battle on Hoth — though the framing of these events is new, seen through the eyes of two young Imperial pilots: Thane Kyrell and Ciena Ree, both of whom enrolled in the Imperial Academy hoping for adventure and a better way of life.

The inclusion of these famous scenes is a double-edged sword; they provide a handy point of reference for the Star Wars greenhorn while simultaneously pandering to the hardcore fan by faithfully recreating iconic images, characters, and dialogue from A New Hope and The Empire Strikes Back. There’s a dot-the-i quality to them that suggests that Yusaku Komiyuma was more concerned with nailing down the original details than imagining how Thane or Ciena would perceive — or participate — in these events. The other problem with these scenes is that they’re more dramatically interesting than Komiyuma’s brisk but flavorless adaptation of Claudia Gray’s novel. The most thoughtful elements of Gray’s work — particularly the class politics on Thane and Ciena’s home planet Jelucan — are presented in a bald fashion that reads more like CliffNotes than honest-to-goodness fiction, while important scenes of character development are too compressed to give us a sense of who these star-crossed lovers really are. The net result is a comic that successfully bridges the aesthetic worlds of Shonen Jump and Star Wars without achieving its own distinct identity as a manga or a Star Wars story. Your mileage may vary.

Star Wars: Lost Stars, Vol. 1
Original Story by Claudia Gray
Art and Adaptation by Yusaku Komiyuma
Yen Press, 192 pp.
Rated T, for teens

Pick of the Week: Sacrifices and Troublemakers

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SEAN: There’s several things I’m interested in. I already reviewed Golosseum, and the Devilman hardcover is a must-have. That said, both are a bit too violent for me to pick, so I will go with The Sacrificial Princess and the King of Beasts from Yen Press, as I will come running for a Hana to Yume series. It may also be violent, but I highly doubt it’s as violent as those two.

MICHELLE: I’m intrigued by Devilman, I love Ace of the Diamond, and I’m sure I’ll love Delicious in Dungeon. That said, I’m also picking The Sacrificial Princess and the King of Beasts this week. Shoujo fantasy romance just seems so appealing at this moment.

ANNA: I know I’m predictable in my love for shoujo, so I’m sure it will be no surprise that The Sacrificial Princess and the King of Beasts is my pick as well.

KATE: And I’m equally predictable in my love of Historically Important Manga, so it’s no surprise that my vote goes to Baron Yoshimoto’s The Troublemakers. Manly manga for the win!

ASH: Like Kate, my pick this week goes to The Troublemakers, though I’m certainly interested in The Sacrificial Princess and the King of Beasts and am looking forward to another helping of Delicious in Dungeon, too. And of course there’s the debut of the original Devilman to consider as well!

Happiness, Vols. 4-7

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This review contains a few spoilers for later volumes of Happiness, and discusses one character’s efforts to cope with PTSD after a violent attack. Proceed with caution. 

The first three volumes of Shuzo Oshimi’s Happiness explore familiar terrain, using vampirism as a metaphor for the ravages of puberty, that moment when hormonal urges overwhelm the rational mind and the body morphs into its adult form. And while these early volumes contained some well-rehearsed scenes of bullying and bloodlust, Oshimi’s artwork — at once raw and refined, primitive and expressionist — made these moments feel strange, fresh, and specific to his story. One could feel fourteen-year-old Makoto Okazaki’s palpable anguish over being trapped in a body and a life he could no longer control, and wondered how he might escape his fate.

Volume four was a turning point in the series, culminating in a scene of frenzied violence in which a major character was killed, another forced into hiding, and a third — Gosho — badly wounded. The violence was grotesque in the Romantic sense of the word, a scene so horrific that it filled with reader with a strong sense of revulsion and pity. But a curious thing happened in the next installment: in the aftermath of this bloody cataclysm, Happiness became Gosho’s story. A time jump advanced the plot ten years into the future, showing us Gosho’s efforts to rebuild her life, one temp job at a time.

Though Gosho seems outwardly calm and self-possessed, her carefully constructed facade is shattered in volume six by a sensational newspaper headline: “Vampire Boy: Where Is He Now?” Oshimi captures Gosho’s experience of being triggered in all its nauseous horror; we can see a painful memory well up in Gosho, causing her to double over and fall to her knees as if she were trying to purge her body of all the fear and shame she’d experienced on that fateful night ten years ago. What makes this moment even more powerful is the skill with which Oshimi captures Gosho’s mounting terror through a series of closeups — first her face, then her eye, then the article itself, as her gaze darts across the page, lingering on a striking image or a suggestive snippet of text.

For all the emotional intensity of this moment, however, volume six is largely uneventful, focusing primarily on the tenative relationship between Gosho and Sudo, her co-worker. Much of their courtship unfolds in brief, wordless scenes depicting everyday activities: eating out, walking home from the train station, buying groceries. The normalcy of these vignettes suggests that Gosho has recovered from her anxiety attack — that is, until Gosho glimpses a boy who might be a vampire:

What makes this image so potent is its ambiguity: is it a figment of Gosho’s imagination, a flashback, or an actual vampire? We’re left feeling as unsettled as Gosho, and wonder what this bloody omen might mean.

That brings me to the hardest part of my review.

Despite the consummate skill and sensitivity with which volumes five and six explore Gosho’s psychic wounds, volume seven may be my last, primarily because I’m dismayed by Oshimi’s decision to further brutalize Gosho. In volume five, Gosho nearly died at the hands of a knife-wielding psychopath, an event that left her with an angry scar on her neck. The terror she felt, and the violence of the scene, seemed necessary at that juncture in the story, revealing the extent to which Gosho’s naivete, determination, and caring could be ruthlessly exploited by someone older and more experienced.

In volume seven, however, Gosho is captured by a cult leader who tortures her, mutilating her body and smearing it with her own menstrual blood. The violence in this scene is fundamentally sexual and, frankly, disgusting. One might argue that Oshimi is deliberately provoking the reader, making us complicit in Gosho’s exploitation, but nothing in Oshimi’s other work — Drifting Net Cafe, The Flowers of Evil — suggests that level of critical engagement with tropes. Instead, it feels as if Oshimi is using this violence as a shortcut, a way of revealing the cult leader’s depravity while providing Sudo motivation to seek revenge on behalf of his girlfriend. The scene also undermines Gosho’s agency — she broke into the cult’s compound looking for Okazaki — and dehumanizes her, reducing her womanhood to breasts and blood rather than her courage, intelligence, and determination to save a friend she hasn’t seen in a decade.

I don’t know about you, but I’m tired of reading and watching scenes like these, whether they serve a legitimate dramatic purpose or not. Oshimi’s undeniable artistry makes quitting Happiness an even more difficult decision for me, as I found his artwork and storytelling in the first six volumes compelling. (Hell, I’m quoted in the promotional literature for Happiness.) I don’t have the stomach for another scene of Gosho’s degradation, however, so I don’t think I’ll be reading volume eight.

HAPPINESS, VOLS. 3-7 • BY SHUZO OSHIMI • KODANSHA COMICS • RATED OT, FOR OLDER TEENS (VIOLENCE, PARTIAL NUDITY, SEXUALITY)

Cutie Honey A Go-Go

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Cutie Honey a Go Go! is not a conventionally good manga: the plot is riddled with holes, the story lacks a proper conclusion, and the characters are paper-thin. Yet for all its obvious limitations, Cutie Honey a Go Go! is cheeky fun in the manner of an Austin Powers movie; it’s a cartoon of a cartoon, an irreverent send-up of the source material that simultaneously captures the original manga’s naughty tone while updating the plot and characters for contemporary readers.

Cutie Honey a Go Go! borrows liberally from Hideaki Anno’s 2004 film and Go Nagai’s original 1973 manga, mixing elements of both with a few new flourishes. In Cutie Honey a Go Go!, for example, Aki Natsuko is no longer a blushing school girl with a crush on her android sempai, but a hard-charging special agent who faces down danger with the brash confidence of a Harrison Ford character. Aki and Cutie’s arch nemesis Sister Jill has likewise gotten a makeover, from whip-wielding bad girl to wicked android intent on world domination. The signature elements of Nagai’s original story remain intact, however: Cutie Honey is still an impossibly innocent, cheerful android whose clothing dissolves to tatters every time she powers up, and her main opponents are the Panther Claw ladies, a group of monstrous beauties who work for Sister Jill.

Though manga-ka Shimpei Itoh’s action scenes are clumsy, his character designs are a playful nod to the era that begat Cutie Honey, straddling the fence between retro and modern. The Panther Claw gang look like Betty Paige cosplayers, busty gals in barely-there costumes that feature leopard spots and extra arms, while Cutie Honey rocks her signature pixie cut and a backless jumpsuit that David Lee Roth might have worn in 1984. It’s hard to be offended by the T&A, though, since Cutie Honey a Go Go! resembles a 1962 issue of Playboy more than a volume of Air Gear; there’s a pin-up coyness about Itoh’s cheesecake that renders these images benign. It’s also difficult to be offended by a manga that works so hard to entertain the reader with its anything-for-a-laugh jokes, over-the-top battle sequences, and campy dialogue. I found its unironic goofiness charming — costume failures and all — and think you might, too. Recommended.

Cutie Honey a Go Go!
Original Story by Go Nagai; Story & Art by Shimpei Itoh; Planning Cooperation by Hideaki Anno
Translated by Zack Davisson and Adrienne Beck
Seven Seas, 400 pp.
Rated T, for Teen (Nudity and bloodless violence)

Pick of the Week: Heart vs. Head

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MICHELLE: I’m most excited about Kodansha’s digital josei offerings this week. Since I’ve already advocated for Chihayafuru several times in this space, this week I’ll go with the second volume of Perfect World. I look forward to catching up on this series, as I hear it’s fab.

ASH: I feel like I should officially pick Okinawa–and I certainly plan on getting my hands on a copy–but if I’m honest, my heart this week belongs to Dorohedoro. The series is drawing near its end, I think, and I still love it just as much as I did in beginning.

SEAN: Same. I loves me some Dorohedoro.

KATE: The part of me that eats kale and recycles is recommending Okinawa, as it’s undoubtedly an Important Manga, but the juvie delinquent part of me is more excited about the sixth volume of I Am a Hero. So my keepin’ it real pick for the week is ZOMBIES.

ANNA: I’m going to have to go with Chihayafuru even though I’m far behind with this series. I am still so happy it is being translated!

Pick of the Week: Brides, Kings and Tigers

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SEAN: While I’d argue that The Bride Was a Boy is the most important title this week, and Requiem of the Rose King probably the continuing series of the week, I have been waiting for the Toradora! novels for so long that there’s no question that it is my pick of the week. Put a Taiga in your tank!

KATE: I agree with Sean: The Bride Was a Boy should be on everyone’s reading list, and it’s my top pick for the week. For continuing series, though, I gotta rep for Shuzo Oshimi’s Happiness, one of the most compelling horror series I’ve read in ages. The sixth volume was a masterclass in when to tell the story just through pictures, and when a few words really add value. The sixth ended on a hell of a cliffhanger, so I’m glad volume seven arrives this week.

MICHELLE: Definitely put me down for The Bride Was a Boy, as well. However, what my heart most wants just now is another serving of Sweetness & Lightning .

ASH: As previously mentioned, The Bride Was a Boy is one of my most anticipated releases of the year, so it’s the obvious pick of the week for me! But as everyone else has pointed out, there are some really great ongoing series being released this week, too.

ANNA: The Bride Was a Boy sounds like the standout release this week, but I can’t pass up an opportunity to mention Requiem of the Rose King which can always be relied upon for plenty of surreal kingmaking drama.

MJ: I gotta join in with Anna here. I love Requiem of the Rose King too much to pass up the chance to speak its name loudly to the universe. It’s my pick by default.

Pick of the Week: Sweet and Bizarre Adventures

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KATE: There’s plenty of product this week, from long-running shojo favorites like Kimi ni Todoke to new light novel series. My vote, however, goes to Chi’s Sweet Adventure, a spin-off of the Chi’s Sweet Home anime. I’m not expecting anything too ground-breaking here, just some cute kitty antics. What looks good to you?

SEAN: It feels odd to be picking nonfiction as my pick of the week (and prose for the second week running), but the Mari Okada autobiography, From Truant to Anime Screenwriter. I am looking forward to a lot of Viz stuff as well, but Mari Okada is definitely my pick this week.

MICHELLE: I’ll go with the 29th and penultimate volume of Kimi ni Todoke, even though I fully intend to hoard my copy and read it along with the final volume, since we have to wait until December for that one (sniff)!

ANNA: There’s a ton of great manga coming out this week! I’m going to have to go with the latest volume of JoJo’s Bizarre Adventure: Stardust Chronicles. I might be hopelessly far behind in my reading of this series, but I love that it is getting the deluxe hardcover treatment.

ASH: I’ll join Anna this week in declaring JoJo my pick! I’m actually double-dipping for Stardust Crusaders because the deluxe edition is so handsome. There’s plenty of other manga coming out that I plan on giving a read, too, though!

The Girl from the Other Side: Siúil, a Rún, Vol. 4

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The Girl from the Other Side: Siúil, a Rún was one of 2017’s surprise hits, an emotionally wrenching fantasy manga about a demon who rescues an orphan girl from a plague-ridden world. Nagabe’s art — with its graceful linework and unique character designs — was enough to distinguish Girl from the Other Side from virtually any other series licensed by a major American publisher. But it was the characters and the poignancy of their relationship that truly captivated readers, as the bond between Teacher (the demon) and Shiva (the girl) was tested by Shiva’s ties to the human world, particularly her attachment to the aunt who raised her — and then abandoned her in the woods. Four volumes in, Girl from the Other Side is still casting a powerful spell, even as the story takes another grim turn.

As the volume opens, Teacher, Shiva, and Auntie have formed an uneasy family unit, with Shiva desperate to broker the peace between her adoptive parents. Nagabe does a fine job of dramatizing the conflict between Teacher and Auntie without spoiling the quiet mood of the story, using small gestures to convey how desperately each wants to protect Shiva from the human world. Nagabe also includes a handful of scenes that chart the progress of Auntie’s disease, showing us how quickly the curse erases a victim’s memory and personality — a development that raises the interesting question of who Teacher was before he assumed his demonic form.

Perhaps the most striking aspect of volume four is how much of the characters’ interior lives are revealed through the artwork. In the first chapter, for example, Teacher and Auntie slip into the woods for a nighttime conference about Shiva. Each carries a lantern as they walk and talk — two pinpoints of light against a scrim of trees — their conversation ending when Auntie’s lantern flickers out, leaving her and Teacher side by side in darkness. What makes this sequence so effective is the deliberate placement of the characters on the page and the meticulous attention to lighting; Nagabe has found an elegant — and wordless — way to demonstrate the characters’ shared resolve to protect Shiva, even though they remain suspicious of one another. Such carefully observed moments are a potent reminder that The Girl from the Other Side is an all-too-rare example of a manga whose story engages the heart and mind by suggesting, rather than saying, what the characters are feeling. Recommended.

The Girl From the Other Side: Siúil, a Rún, Vol. 4
Art and Story by Nagabe
Translated by Adrienne Beck
Seven Seas, 180 pp.

Pick of the Week: An Embarrassment of Riches

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SEAN: My pick this week is tricky, especially with so much good manga. There’s Nozaki-kun, Silver Spoon, Murcielago… that said, as you’d expect, my eye is drawn to light novels. No, not Vending Machine, though I am morbidly curious. My pick is I’ve Been Killing Slimes for 300 Years and Maxed Out My Level, which not only has a female protagonist but seems to be dedicated to “relaxing and taking it easy” despite the max level. I like the idea of an isekai with the mood of, say, Flying Witch.

MICHELLE: Because I am confident at least one other person will pick Silver Spoon, I’m going with the eighth Yowamushi Pedal omnibus. I rejoice every time there’s a new volume of this series.

KATE: I like To Your Eternity, but jeez — it’s a downer. My vote goes for volume two of Silver Spoon, the only manga series in English that features at least three udder-ly wonderful jokes about cows per volume. (Yeah, I went there.) (No, I’m not sorry.)

ANNA: I’m so far behind, I haven’t read the first volumes of To Your Eternity and Silver Spoon, but out of everything coming out this week, those are the titles that I’m sure I’d like.

ASH: There are so many great releases again this week, it’s difficult to pick just one! Many of my favorites have already been mentioned–Monthly Girls’ Nozaki-kun, Silver Spoon, Yowamushi Pedal, To Your Eternity–and I’m not even going to try to choose among them. And so, even though it’s not manga, I would like to take the opportunity to call attention to Perfect Blue: Awaken from a Dream.

MJ: Probably predictably, I’m Silver Spoon all the way this week. I absolutely loved the first volume, and I’m anxious for more. Also, I deeply appreciate Kate for the cow pun.

Pick of the Week: Again!! Again

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MICHELLE: I am, of course, looking forward to DAYS 8 and Giant Killing 12, as well as the second volume of Again!!, but I’ve been anticipating Wotakoi for a long time, so it’s gotta be that.

SEAN: I really should be picking Dead Dead Demon’s Dededede Destruction, but I’ve had experience with thinking I’ll love Asano titles and then finding them too dark. So instead I too will go with Wotakoi, which looks like a lot of fun.

KATE: Oof… there’s too much good stuff to pick just one title this week. If I had to limit myself to one, however, my vote would be for volume two of Again!!, a fresh take on the time-travel-to-high-school genre. It’s funny, rueful, and sometimes cringe-inducing — just like high school, only with better jokes.

ASH: I’m thrilled by pretty much everything that’s been mentioned so far. For ongoing series Again!! and Spirit Circle are probably the top of my list this week. As for debuts, I look forward to giving Wotakoi a try, but I’ll make Dead Dead Demon’s Dededede Destruction my official pick since no one else has yet. (I will never be able to say or type the title without looking at it though, and maybe not even then…)

ANNA: I liked the first volume of Again!! so much, I’m happy the second volume is coming out so soon after I finished the first one! That’s my pick!

Short Takes: Delicious in Dungeon and Golden Kamuy

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Today’s reviews come to you courtesy of Patriot’s Day, my second favorite Massachusetts-only holiday. (The first is Evacuation Day, a thinly-disguised attempt to give Boston’s civil servants permission to skip work on St. Paddy’s.) For your consideration are volume four of D&D cooking extravaganza Delicious in Dungeon, and volumes three and four of everyone’s favorite backwoods culinary adventure Golden Kamuy. Looking back on food manga’s early history in the US, who could have predicted that readers would be feasting on such a wide array of titles in 2018, from Sweetness and Lightning and What Did You Eat Yesterday? to Giant Spider & Me: A Post-Apocalyptic Tale, Food Wars!! Shokugeki no Soma, and Toriko. Maybe the North American market is finally ready for an Iron Wok Jan renaissance…

Delicious in Dungeon, Vol. 4
Story and Art by Ryoko Kui
Translated by Taylor Engel
Yen Press, 192 pp.
Rated T, for Teens (13+)

If the first volume of Delicious in Dungeon was about assembling a posse, and the second and third about turning monsters into meals, then the fourth is about friendship — specifically, the strong emotional bond between Laois, Marcille, and Falin — and revenge, as the gang finally comes face-to-face with the Red Dragon. The showdown takes place inside a walled city whose narrow, maze-like streets give them a strategic advantage over their Godzilla-sized foe. And as exciting as the fight is, the real payoff is what follows, as Laois and Marcille discover that bringing Falin back from the dead isn’t a simple proposition. It’s in these moments that Ryoko Kui proves a more deft storyteller than we initially realized, effortlessly shifting gears from comedy to drama without mawkishness or cheap jokes. Instead, we’re allowed to contemplate the real horror of being eaten alive — as Falin was — and the real possibility of a character dying for good.

If I’ve made volume four sound like a bummer, rest assured it isn’t. Seshi gets his turn in the spotlight with a weaponized assortment of kitchen tools, while the rest of the gang endures its share of fumbles and miscommunications on the way to catching their dragon adversary. Though I suspect the next volume of Delicious in Dungeon will revert to a monster-of-the-week formula, that’s OK; Kui has firmly established her dramatic and culinary bonafides in volume four, leaving the door open for more character development in the future. Recommended.

Golden Kamuy, Vols. 3-4
Story and Art by Satoru Noda
Translated by Eiji Yasuda
VIZ Media
Rated M, for Mature (18+)

Midway through volume four of Golden Kamuy, Asirpa builds a fox trap in the woods. “Do foxes taste good?” Sugimoto inquires. “No, not really,” Asirpa replies. “Tanuki have more fat in them and taste a lot better.” With a twinkle in her eye, she then asks, “But Sugimoto, don’t you want to try eating a fox?” A mildly exasperated Sugimoto replies, “You know, I’m not out here to try all the delicacies in Hokkaido.”

There are two ways to read this exchange: as a tacit admission that the cooking elements of Golden Kamuy sometimes occupy more real estate than the battles, or a tacit admission that the series is more compelling as a study of Ainu culture than a bloody frontier adventure. I vote for the second interpretation, as the series’ frequent detours into the food, medicine, and mythology of the Ainu are fascinating, offering a window into a culture that has been largely hidden from Western view. Golden Kamuy is on weaker footing, however, when focusing on its secondary characters and subplots. None of the other gold-seekers are fleshed out as carefully as Asirpa and Sugimoto, despite Satoru Noda’s efforts to give each villain a unique motivation for wanting the treasure. The newest baddie — Kazuo Hemni — exemplifies this problem to a tee: though he’s been given a particularly grisly backstory to explain his murderous proclivities, he’s such a textbook sociopath that he barely rises above the preternaturally-calm-and-savage type.

The art, too, sometimes has a perfunctory quality; in several scenes, Noda’s use of a Photoshopped background doesn’t mesh well with the hand-drawn elements, resulting in an awkward collage. Noda’s use of perspective can also be a distraction. He has difficulty drawing bodies to scale, especially when he’s depicting Asirpa and her family, some of whom look more like Smurfs than people in their head-to-body ratio.

Still, the camaraderie between Asirpa and Sugimoto, and the well-staged action scenes more than compensate for the occasional roughness of the execution or flatness of the characterizations. Golden Kamuy continues to entertain, horrify, and educate in equal measure — something I can’t say for any other manly-man manga that’s currently being published in English. Recommended.

Pick of the Week: Talking About Boys

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SEAN: Even though I have reservations, I admit My Boy is my Pick of the Week. I’m curious to see how it’s handled, and how good the writing is. I want to know why Vertical wanted to license it. It’s intriguing.

MICHELLE: I’m wary of My Boy, so I reckon I’ll just go the shoujo debut route and pick You Got Me, Sempai. I can’t say I’m super-excited about it, though.

KATE: Hmmmmm… I don’t see anything on this week’s list that feels like a must-buy, so I’m going to focus instead on my ever-growing pile of unread manga. That manga isn’t going to read itself, you know!

ASH: I’m going to follow Michelle’s lead this week and go the shoujo debut route. In my case, I’m curious about Mermaid Boys and its gender-reversed take on The Little Mermaid.

ANNA: I’m sort of half-Kate, half-Ash. I’m most likely to spend my time this week trying to get caught up on the unread stacks of manga in my house, but I am also curious about Mermaid Boys.

MJ: I’m in the same boat as everyone else here this week, in that I’m a little wary of everything. But I think I’ll join Ash and Anna and throw my vote behind Mermaid Boys. That’s a lot to live up to, Mermaid Boys. Good luck.