|© Usamaru Furuya|
We’re about halfway through the Usamaru Furuya Manga Moveable Feast, so it’s time for the second roundup!
Here at Experiments in Manga I posted a review for Secret Comics Japan, a manga anthology that includes excerpts from Furuya’s debut manga Palepoli. The review is for the volume as a whole, but I do briefly mention Palepoli in it. The last Wednesday of every month I run a manga giveaway. In order to coordinate with the Feast, January’s giveaway is for Genkaku Picasso, Volume 1. All you have to do to enter is tell me how you were introduced to Usamaru Furuya and his work. My giveaways are always open world-wide, so I hope you’ll enter! I also made a (shocking!) confession: I volunteered to host the Usamaru Furuya Manga Moveable Feast before I had even read any of his manga.
Jim Hemmingfield was kind enough to contribute a guest post for the Feast at Experiments in Manga. (This is a first for the site, so I was particularly excited about it.) Jim provides a terrific overview of Furuya’s manga, including works that have yet to be licensed in English. Furuya is one of Jim’s favorite mangaka. It’s a long post, but worth reading. To quote briefly the end of the article:
Usamaru Furuya is a unique and visionary artist; probably one of the finest artists you will find working in comics today and I hope this feast helps to spread the word.
Over at Manga Xanadu, Lori Henderson reviews the first two volumes of No Longer Human. Lori didn’t originally plan to read the series, but found it to be a manga worthy of recommendation:
I wasn’t going to read No Longer Human. I’m one of those people who hears “literary classic”, and my brain shuts down. I’ve never been big on the drama and tragedy that usually permeates these kinds of books, but I’m making an effort to “expand my horizons”, so I decided to at least give the first volume a chance. What I found was a compelling human drama that didn’t feel like homework at all.
Linda of Animemiz’s Scribblings takes time to reflect on having a limited exposure to Usamaru Furuya and his works. Linda briefly looks at Lychee Light Club and Sion Sono’s film Love Exposure, in which Furuya plays the role of the leader of the Zero Church cult. In the post, Linda makes the following comment, which I couldn’t agree with more:
If there were any live action movies adaption that would reflect the vision from my limited exposure to Furuya works, then Shion Sono should be the right candidate.
At Completely Futile, Adam Stephanides reviews the first two volumes of Furuya’s The Children’s Crusade which just recently finished serialization in Japan. It hasn’t been licensed in English yet, but I sincerely hope that it will be!
The characters’ lively, expressive faces as drawn by Furuya contribute substantially to the characterizations. And the art in general is excellent, both in visual storytelling and page design, and is frequently cinematic in scope and detail. Furuya isn’t particularly well known for his action scenes, but the ones here are dynamic.
The Feast is well under way and there have been some wonderful contributions. If you can’t wait for the next roundup, be sure to keep an eye on the archive page—I update it as soon as I learn about a new article or review. And if I’ve missed something, please let me know!