Ash Brown

No. 6, Vol. 8

September 5, 2014 by Ash Brown

Creator: Hinoki Kino
Original story: Atsuko Asano
U.S. publisher: Kodansha
ISBN: 9781612625782
Released: August 2014
Original release: 2013

Hinoki Kino’s manga series No. 6 is an adaptation of Atsuko Asano’s No. 6 science fiction novels. I’ve wanted to read the original series ever since I watched the No. 6 anime adaptation, but I am quite aware of how unlikely it is that the novels will be licensed any time soon, if ever. Still, I was very pleased when Kodansha Comics announced that Kino’s manga adaptation would be officially translated into English. No. 6, Volume 8 was originally released in 2013 while Kodansha’s edition was published in 2014. The English-language edition is actually based on the Japanese special edition of the volume, which means that it contains a bonus story as well as some additional material. Of particular note is a sixteen-page color illustration gallery which will most likely be limited to the first printing of No. 6, Volume 8 (at least in color). This is the first time that color pages have been included in the English-language version of No. 6; it’s Kodansha’s way of thanking readers for the strong support that they have shown the series.

Rat and Shion have been able to successfully infiltrate No. 6’s Correctional Facility, but it hasn’t been easy. The two young men have faced off with the building’s security forces and survived, but not without injury and not without taking the lives of some of those who would do them harm. It’s been a traumatizing experience for both Shion and Rat, but they are determined to complete their mission at whatever cost. Shion’s goal is to rescue his close friend Safu, who has been arrested and is being held within the Correctional Facility; Rat aspires to completely destroy No. 6 and anything and anyone associated with it. Sadly, Shion’s reunion with Safu isn’t all that he hoped for and now that Rat and Shion have reached the most secure and heavily guarded areas of the Correctional Facility they must find a way to escape–something that will prove to be even more dangerous than their initial assault on the building. With time quickly running out, it will be all that they can do just to survive.

Even though I am already familiar with the story of No. 6 it is still astounding and incredibly heart-wrenching to see just how much Shion has changed over the course of the series. And it’s not change without cause. He has seen and been put through terrible, horrifying things. Some harsh truths and decisions have been forced upon him while other choices have been entirely his own, either consciously or subconsciously. Glimmers of who Shion once was can still be seen–even when in utter despair he can somehow find beauty in life and in other people–but it’s likely only a matter of time before reality completely breaks him. Over the last few volumes he has been slipping further and further away; by this point in the series Shion’s mental state is extremely precarious. He is desperately trying, and failing, to process and make sense of everything that has happened. Tragically, Shion is no longer even capable of saving himself. It’s only when Rat’s life is in mortal danger that Shion is temporarily torn away from his inner turmoil and crisis.

No. 6, Volume 8 focuses almost entirely on the escape from the Correctional Facility. Kino’s action sequences have improved immensely since the beginning of the series, which is especially important for a volume which relies so heavily on them. Kino has started using some very interesting and effective angles of perspective, which adds to the dynamic nature of Rat and Shion’s flight. While there isn’t much plot advancement in the eighth volume of No. 6, there are still some crucial and defining character moments for both Rat and Shion. The changes that Shion has been going through have had a tremendous impact on Rat and as a result he is struggling, too. Although there is excitement and drama to be found within the story itself, it’s ultimately the characters and their evolution as the series steadily progresses that make No. 6 so gripping. With only one more volume to go there is still plenty that could happen, but no matter which direction No. 6 takes Rat and Shion will never be the same.

Manga the Week of 9/10

September 4, 2014 by Sean Gaffney, Michelle Smith, Anna N, Ash Brown and MJ 3 Comments

SEAN: School is back in session, and we have some manga to help keep you occupied and away from your homework.

First off, apologies to Viz for leaving off one of their titles last week – Dawn of the Arcana 13, the final volume, should have been there. I know it’s quite popular with the MB writers, or at least is always on the ‘I should catch up with that’ list.

MICHELLE: Indeed, it is quite good!

ANNA: This is one series I read as it was coming out, and I enjoyed it a bunch.

SEAN: Dark Horse is putting out another CLAMP omnibus, this one containing Legal Drug, which deals with two young men at a drugstore who get involved in the supernatural. This should have all the initial manga – Dark Horse has also licensed the sequel, starting in 2015.

ASH: I think I still have my old Tokyopop volumes of Legal Drug kicking around somewhere, but I’m definitely interested in the sequel series.

MICHELLE: Me too, on both counts! The sequel, Drug & Drop, is also seinen, which is an intriguing demographic change.

ANNA: I’m really interested in the sequel series. Now if only X/1999 had an actual ending….

MJ: I am pretty excited about this. It’s got a new translation, so that’s something alluring for those of us who still have our old Tokyopop editions, but yeah… the real draw is the series’ continuation, which I’ve been longing to see for myself.

SEAN: DMP brings you Wolf Magic, which I don’t think has much to do with wolves, but…

ASH: …but there is a florist!

SEAN: Kodansha has the 19th volume of Battle Angel Alita. Has it escaped the tournament yet?

ASH: I’m really not sure that it has.

SEAN: There’s also the 4th Seven Deadly Sins manga, which is starting to really flesh out its cast of Sins, though I wish it would give Elizabeth a bit more to do.

The final Sherlock Bones manga is out, meaning there are no Holmes pastiches coming out in the manga world at all. This must be remedied soon.

ASH: Sherlock Bones was a surprisingly entertaining series.

SEAN: From SubLime comes another volume of His Favorite, which I still haven’t read but whose covers make it look like it’s a ton of fun. More BL comedy mangas are needed.

MJ: I kind of fell away from this series, but the covers do always make me want to jump back in!

SEAN: The penultimate volume of From the New World ships from Vertical. Surely it’s an old world by now. It’s been 6 volumes.

07-GHOST has a dozen volumes now, meaning my chances of catching up now are slimmer than ever. Anna has kept up though, right?

MICHELLE: I keep saying “one day,” but I really mean it.

ANNA: You know what? I just bought Volume 5, which was the one gap in my stack of 07-Ghost Volumes. I am saying it now, SEPTEMBER WILL BE THE MONTH I CATCH UP ON THIS SERIES!!!!!! Look for frequent and often 07-Ghost updates from me!!!!! 07-GHOST ALL THE TIME!

MICHELLE: READ ALL THE 07-GHOSTS!

SEAN: And Arata the Legend is up to Vol. 19! Sorry, Fushigi what?

MICHELLE: Arata is pretty fun, but won’t take the place of either Fushigi in my heart.

ANNA: I do love me some Fushigi.

SEAN: Lastly, I will have a LOT to say about it in my inevitable review, but suffice it to say if you get ANY two volumes of Hayate the Combat Butler, get Vol. 24, out next week, and the one before it. The series’ high point.

What manga are you tuning your hickory sticks to?

Manga Giveaway: Nana Giveaway Winner

September 3, 2014 by Ash Brown

And the winner of the Nana Giveaway is…Jocilyn!

As the winner, Jocilyn will be receiving a copy of Ai Yazawa’s Nana, Volume 1 as published by Viz Media. Nana is a fantastic series that, for whatever reason, took me two tries to really get into, but then I was hooked. I was curious to know if other readers ever gave a manga or series a second chance and what their experiences were. Most, but not all, of those who commented were willing to try a manga a second (or even third!) time. Sometimes their opinions would change after a second reading, and sometimes they still couldn’t enjoy it. Do check out the Nana Giveaway comments for the details of everyone’s story!

Some manga (that might be) worth a second look:
Attack on Titan by Hajime Isayama
Berserk by Kentaro Miura
Fate/Stay Night by Dat Nishiwaki
Fushigi Yuugi: Genbu Kaiden by Yuu Watase
Knights of Sidonia by Tsutomu Nihei
Nana by Ai Yazawa
Magi by Shinobu Ohtaka
Maka-Maka: Sex, Life, and Communication by Torajiro Kishi
Ogre Slayer by Kei Kusunoki
One Piece by Eiichiro Oda
Otomen by Aya Kanno
Shakugan no Shana written by Yashichiro Takahashi, illustrated by Ayato Sasakura
X by CLAMP
xxxHolic by CLAMP

Thank you for everyone who entered the giveaway and shared your manga-reading experiences. I hope to see you again for the next one!

Pick of the Week: Too Many Books

September 2, 2014 by Ash Brown, Sean Gaffney, Michelle Smith, Anna N and MJ Leave a Comment

ASH: The first week of the month has quite a few manga releases and a good deal of variety among those. I’m always happy to see new volumes in series like What Did You Eat Yesterday? and Library Wars: Love & War, but I think my pick this week will go to the debut of Noragami: Stray God, a series that already shows a lot of promise in just its first volume. The manga’s premise might seem familiar, but it pulls it off with humor and charm.

SEAN: Busy week, but I will go with Library Wars: Love & War, a personal favorite.

MICHELLE: There are at least half a dozen appealing titles on this week’s release list, but I haven’t had a new volume of Skip Beat! to enthuse about since last December—and shan’t again ’til next April—so I simply must avail myself of the opportunity. Skip Beat! is great! Go, Skip Beat!.

ANNA: This is tough, as I am torn between Skip Beat! and Library Wars: Love & War. So torn, I think I’ll have to go for something completely different and pick Midnight Secretary. This final volume comes with a bonus story titled “Midnight Butler,” which was pretty great.

MJ: Well, there can never be too much Fumi Yoshinaga in the world for me, so I’ll be the one to go with the latest volume of What Did You Eat Yesterday?, out this week from Vertical. In a week with Yoshinaga, she’s likely to overshadow everything else with me, and this week is no exception. Gimme, gimme.

What looks good to you this week?

My Week in Manga: August 25-August 31, 2014

September 1, 2014 by Ash Brown

My News and Reviews

The most recent manga giveaway at Experiments in Manga is currently underway, and there is still time to enter for an opportunity to win Nana, Volume 1 by Ai Yazawa. All you have to do is tell me whether or not you’ve ever given a manga a second chance and what your experience was. I also posted two reviews last week. The first was for the third and final volume of Off*Beat by Jen Lee Quick, which I was very happy with. Nearly ten years after the series first began, fans finally have a chance to read its conclusion thanks to the efforts of Chromatic Press. The second review last week was for Keigo Higashino’s most recently translated mystery novel, Malice. I enjoy Higashino’s work tremendously and was not at all disappointed with Malice. The novel will be released in October and is recommended for readers who enjoy smart, clever mysteries. Although it was from a couple of weeks ago, my Spotlight on Masaichi Mukaide has been making the rounds and gaining some attention. I worked pretty hard on it, so I’m extremely pleased that people are finding the post interesting.

Elsewhere online, Organization of Anti-Social Geniuses has an interview with Vertical’s Ed Chavez, discussing the success of Knights of Sidonia. And speaking of Vertical, the Fall 2014’s reader survey and license request form has been launched. Comics Alliance has an interesting interview with Felipe Smith (whose series Peepo Choo was published by Vertical). Yen Press announced some new light novel and manga licenses. And for your enjoyment, one of Kate Beaton’s recent Hark! A Vagrant comics focuses on Natsume Sōseki’s classic novel Kokoro. (I actually really like Kokoro and reviewed it a few years ago.)

Quick Takes

Noragami: Stray God, Volume 1 by Adachitoka. Yato is a god of war that everyone has forgotten, or maybe never even knew about to being with. He has no temples or shrines, no followers or worshipers, but he’s determined to change all of that. Unfortunately, his personality leaves a bit to be desired and even his servants don’t like him; he’s had to resort to doing odd jobs and spreading his name (and number) by graffitiing the walls of bathroom stalls and alleyways. The beginning of Noragami: Stray God is somewhat uneven in tone, but by the end of the first volume it seems to have found a nice balance between the manga’s humor and the more serious aspects of the story. The introduction of the series’ other lead character–Hiyori, a human girl who has a little trouble with her spirit leaving her body after a near-death experience–helps to achieve this balance. She also happens to be a fan of professional wrestling, which actually comes into play in the story instead of just being a character quirk. I quite enjoyed the first volume of Noragami, finding it to be amusing and even a bit charming, and look forward to reading more of the series.

Shattered: The Asian American Comics Anthology edited by Jeff Yang, Parry Shen, Keith Chow, and Jerry Ma. The followup anthology to Secret Identities, Shattered collects forty-three short comics and pin-ups from seventy-five contributors. Whereas Secret Identities focused on superhero stories, Shattered also includes other genres of comics–fantasy, science fiction, martial arts, historical, contemporary fiction, and so on. The volume is intended to address and subvert five stereotypical representations of Asians and Asian-Americans in media: The Brute, The Temptress, The Brain, The Alien, and The Manipulator. Although there are some absolute gems in the collection–personal favorites include Tak Toyoshima’s “Occupy Ethnic Foods” and the precursor to Gene Luen Yang and Sonny Liew’s graphic novel The Shadow Hero–for me Shattered works better in concept than in execution. Many of the comics are either incomplete or feel as though they are pitches for a longer series instead of being finished works in their own right, making for a rather unsatisfying reading experience. However, I did appreciate the wide variety of comics and creators included in the volume.

Shinobu Kokoro: Hidden Heart by Temari Matsumoto. Way back when, Shinobu Kokoro: Hidden Heart was one of the first boys’ love manga that I ever read. Had it been my only exposure to the genre, I might have given up on boys’ love because I didn’t enjoy Shinobu Kokoro much at all. And honestly I still don’t, despite there being a few elements that I like. Actually, it might be some of those elements that hinder my enjoyment of the manga. Two of the three couples in Shinobu Kokoro are ninja. When handled well, I generally like ninja. Sadly, they’re not handled particularly well in Shinobu Kokoro, or at least not believably. Subaru is so incredibly naive, I’m not sure how he’s managed to survive. Also because of this, the unbalanced power dynamics in his relationship with the head ninja come across as disconcerting rather than romantic. And it’s surprising that the ninja clan has continued to exist at all since Hiiragi and Asagi find it appropriate to take time to have sex while in the middle of an escape from a difficult mission. The third set of stories is about snow spirits, but I’ve since read better snow spirit stories, too. There is some nice artwork here and there, but overall I wasn’t especially impressed by Shinobu Kokoro.

Malice

August 31, 2014 by Ash Brown

Author: Keigo Higashino
Translator: Alexander O. Smith and Elye Alexander
U.S. publisher: St. Martin’s Press
ISBN: 9781250035608
Released: October 2014
Original release: 1996

Ever since reading The Devotion of Suspect X I have steadily been devouring Keigo Higashino’s other novels available in English. I really enjoy his style of clever and unusual mysteries. I was thrilled to learn that Malice would be the next of his works to be translated. Technically, Malice is the fourth novel in Higashino’s series of books featuring Detective Kyoichiro Kaga. However, in English, it is the first volume of that particular series to be released. (Before Malice only select Detective Galileo novels and Himitsu, published in English as Naoko, had been translated.) But, as with many mystery series, it is not necessary to have read every volume in order to make sense of each installment; Malice holds up very well as its own work. Malice was originally published in Japan in 1996 while the English translation by Alexander O. Smith and Elye Alexander was released by the Minotaur Books imprint of St. Martin’s Press In 2014. When offered an early copy of the novel for review, I leapt at the chance to read it.

Kunihiko Hidaka is a best-selling, award-winning novelist who, soon before he moves from Japan to Canada, is murdered in his home. His body is found in his office behind a door locked from the inside. The house, too, is locked. Only three people are known to have seen Hidaka before his death: Rie Hidaka, his second wife; Osamu Nonoguchi, his friend and fellow author; and Miyako Fujio, the sister of a man who was vilified in one of Hidaka’s novels. All three have alibis and their motives, if they even exist, are unclear at best. Kyoichiro Kaga is one of the police detectives assigned to the investigation of Hidaka’s murder. It just so happens that he knows Nonoguchi. The two men used to be teachers at the same middle school before Kaga left to join the police force and Nonoguchi left to write full-time. Kaga’s intuition and his previous acquaintance with Nonoguchi correctly leads him to believe that something isn’t quite right with the other man’s story. Digging deeper he discovers that Nonoguchi and Hidaka’s relationship was much more complicated than it first appeared.

Higashino takes a different approach in each work, but much like the two Detective Galileo novels in English–The Devotion of Suspect X and Salvation of a Saint—who the murderer is in Malice becomes quite clear early on in the work. It doesn’t take very long at all for Nonoguchi to confess. The real mystery is the reason behind Hidaka’s murder and Nonoguchi’s motives. The confession is really all that the police department needs to close the case, but human curiosity demands to know the reasons why. To some extent, Nonoguchi is counting on this; he needs Kaga to investigate. Nonoguchi leads and misleads the detectives in order to create the narrative that he wants the world to believe about Hidaka and his murder. Malice is extraordinarily clever. Nonoguchi’s novelist mindset enables him to manipulate others in ways that are unexpected and yet completely reasonable. As an author he is quite skilled in creating fictions that people are willing to believe and knows how to play into their expectations.

As a whole, Malice is an extremely engaging mystery, but one of the most interesting and intriguing things about the novel is its structure. I’ve never come across something quite like it before. Some of the chapters are told by Nonoguchi, essentially forming a novel within a novel, while other chapters are devoted to Kaga’s notes on his investigation as well as the interviews he conducts as a part of it. Nonoguchi is an inherently unreliable narrator, freely mixing select facts into the fiction of his written account. Kaga’s task is to tease the truth out of Nonoguchi’s writing. Kaga is working with the same material that is presented to the readers of Malice; it is fascinating to see his thought processes and theories develop in response to the information that Nonoguchi is deliberately providing him. I’ve come to expect smart and clever writing from Higashino and I was not at all disappointed with Malice. I hope to see even more of his work translated, and perhaps even more stories featuring Kyoichiro Kaga, in the future.

Thank you to St. Martin’s Press for providing a copy of Malice for review.

Off*Beat, Vol. 3

August 29, 2014 by Ash Brown

Creator: Jen Lee Quick
Publisher: Chromatic Press
ISBN: 9780991946648
Released: August 2014
Original run: 2013-2014

Nearly a decade after the series first began it’s finally here–the third and final volume in Jen Lee Quick’s Off*Beat. The first two graphic novels in the series were published by Tokyopop in 2005 and 2006, but the planned third volume never materialized and the first two volumes went out of print. For years fans were left languishing with one heck of a cliffhanger and with little hope of ever seeing the ending of Off*Beat. But then along comes a brand new publisher, Chromatic Press, to save the series, reprinting new editions of the first two volumes in 2013 and serializing the third in its digital multimedia magazine Sparkler Monthly. Off*Beat, Volume 3 made its debut in the first issue of Sparkler Monthly in 2013, reaching its conclusion in the ninth issue in 2014. The collected print edition of Off*Beat, Volume 3, which includes additional material not serialized online, was published later in 2014. As a long time fan of Off*Beat, I am absolutely thrilled to finally have the completed series.

With the next stage of the Gaia Project about to begin, Colin must make a decision. He knows that Tory has been spying on him–he even has one of Tory’s many notebooks recording his activities as proof–and despite Colin being drawn to the other young man, Tory seems to be lacking the attunement that Colin is hoping to find in another person. Though somewhat reluctant, Colin is preparing himself to end his strange relationship with Tory. As for Tory, what started out as a dubious obsession with his neighbor has grown into genuine affection. Although he is still intensely curious about the top-secret Gaia Project, he has begun to care less and less about it and more and more about Colin. He can’t seem to help himself. And so when Colin disappears without a word, Tory momentarily finds himself at a loss before applying all of his investigative skills into searching for him. He has very few clues to work with, but if nothing else Tory is meticulous and determined.

I really love the slow, natural development of Tory and Colin’s awkward relationship over the course of Off*Beat. It takes them all three volumes to recognize and come to terms with their complicated feelings for each other and matters are made even more difficult by Colin’s peculiar circumstances. They both have to figure out what to do about Colin’s devotion to the Gaia Project and how that will impact their budding relationship. One of the things that is never called into question in Off*Beat is the legitimacy of Colin and Tory’s liking each other–something about the series that makes me extraordinarily happy. If the two young men can somehow find a way to make their relationship work despite the strangeness of their situation, they have the ready support of family, friends, and classmates. That they would even be interested in another person romantically is what the drama stems from; a big deal is never made over the fact that they both happen to be guys. Their close relationships with the other characters in the series are another very important part of Off*Beat as well.

Off*Beat reaches a very satisfying conclusion with the third volume and yet at the same time it is open-ended enough that readers are left imagining all of the possibilities presented by the last few pages. Quick’s ending, like real life, is messy and complicated, but most of the plot threads are tied up in some fashion. Which is not to say that all of the questions have been answered–more has been revealed about the Gaia Project, but there is still plenty about it and about Colin himself that remains hidden and unknown even by the series’ end. The needed speculation may frustrate some readers, but I found it to be a believable and engaging aspect of the story. Despite all of the curious mysteries and top-secret projects, the characters’ relationships and feelings are both realistic and authentic. They all have their quirks, flaws, and strengths. It’s this beautifully strong human element in Off*Beat that really makes the series work. With the final volume of Off*Beat I find that I love the series more than ever. I am so incredibly happy to have finally been able to see the completion of such a wonderful story.

Manga the Week of 9/3

August 28, 2014 by Sean Gaffney, Ash Brown, Anna N, MJ and Michelle Smith 6 Comments

SEAN: Remember when I whined about so many titles coming out in August? Yeah, September is just as bad if not worse. Didn’t the manga boom end? Here’s what’s out the first week:

Dark Horse gives us the 2nd volume of the New, Modern-day Lone Wolf… no, wait, it’s the New Lone Wolf & Cub, but it’s still an old samurai manga. The lone wolf himself is new, though.

Gen Manga has the first volume of a series called Kamen, a word with much history in Japanese manga.

ASH: This is actually a new edition of a volume that was originally released in 2012 in preparation for the release of the rest of the series.

SEAN: If I say ‘ordinary middle school girl meets a god’ are you excited? No? Well, Noragami has that premise, but it’s apparently quite a coveted title, from the artists who brought you Alive, if you recall that old abandoned Del Rey series. Kodansha has Vol. 1 next week.

ASH: I got my hands on an early copy of Noragami and rather enjoyed it. I’m looking forward to reading more of the series.

ANNA: Hmm, I am a little curious about this.

MJ: Same.

MICHELLE: I recall hearing good things about Alive while it was ongoing, so consider me intrigued.

SEAN: The 2nd volume of Knight’s Knowledge, an Ace entry in the Country of Hearts series, is out. I thought vol. 1 was pretty good in showing that everyone just doesn’t gave in to the love interest of the arc. Hopefully it continues to interest.

ANNA: I need to pick up the first volume! Ace is my favorite. I also have no sense of direction and murderous urges.

SEAN: A Centaur’s Life has its fourth volume, and I think introduces us to a new cast member. My suspicion is this volume may deal with racism in a fantasy sort of way.

ASH: That it may.

SEAN: Mayo Chiki has its seventh and final volume, and further deponent sayeth not.

There’s also another volume of the 2nd part of the Zero’s Familiar series, Chevalier.

What Did You Eat Yesterday? has another volume of food and Shiro driving me crazy.

ANNA: I’m so happy this is being released in English! I am happy with every volume that comes out!

ASH: It makes me happy, too!

MJ: Hurray! Just when I thought this abundant week might not really have much for me… this is enough!

MICHELLE: Commence happy dance!

SEAN: Viz has a pile of releases, and a goodly number of them are omnibuses. Bleach, Naruto, and Dragon Ball all have 3-in-1 omnibuses for you to play catch up with.

Library Wars: Love & War had a fantastic action-packed 11th volume. Can this 12th volume keep things going? And will there be actual romantic progress?

ASH: I’m pretty sure I enjoy this series more than I should, but I can’t help it!

ANNA: I have read this volume and it features librarians kissing!!!!!

ASH: Oh, most excellent!

MICHELLE: Library Wars really has grown on me. I’m looking forward to this!

SEAN: Midnight Secretary comes to an end with the 7th volume. If you enjoyed it, no worries; Spell of Desire by the same author is out from Viz now. No vampires (yet), but it does have witches!

ANNA: This was a good conclusion to the series, and the bonus story included in this volume titled “Midnight Butler,” with a gender swapped couple consisting of a female vampire and human man is quite amusing.

MICHELLE: Spell of Desire also has kitties!

SEAN: Nisekoi has introduced a new antagonist to its harem, so I’m sure this 5th volume will be devoted to softening her antagonism a bit.

One Piece reaches its 72nd volume. 72! Will Luffy continue to advance in the tournament, or get distracted by shiny objects?

Phantom Thief Jeanne had quite a cliffhanger at the end of its third volume, and I suspect that a good chunk of the 4th will involve picking up the pieces.

ANNA: I don’t always greet reissues with glee, but this series more than deserves to be in print.

MJ: Clearly, I need to give this some attention.

MICHELLE: MJ, if there were ever an Arina Tanemura series you would love, I think this is the one. But seriously also read One Piece! :)

SEAN: A word of warning to those of weak constitutions: the 4th Ranma 1/2 omnibus introduces us to Happosai. Yes, I’m sad as well, but sometimes life just hands you lemons that you can’t even make lemonade from.

Seraph of the End has its second volume, and it’s probably not a good sign that I’m having trouble remembering what happened in the first already.

ANNA: I thought the first volume was intriguing and am looking forward to the second volume.

SEAN: Skip Beat! has reached Vol. 33, and it’s starting to creep up on the ‘longest running shojo manga in North America’ title.

ANNA: Skip Beat! is another favorite of mine. I’m also currently obsessed with the live action drama series based on the title.

MICHELLE: *happy sigh* Does Boys Over Flowers hold the title currently? That had 37 volumes, if you count Jewelry Box. Also, HOW DID I NOT KNOW THERE WAS A LIVE ACTION DRAMA SERIES?!

SEAN: For fans of Blue Exorcist, Viz has a short story collection from its author called Time Killers, collecting various one-shots done before she became a household word.

ASH: I’m looking forward to checking this one out.

ANNA: Me too!

MJ: I’m interested, I’m interested.

SEAN: Lastly, and I still don’t have anything to say about it, there’s the 6th volume of Yu-Gi-Oh 5Ds.

What kind of September are you trying to remember?

Manga Giveaway: Nana Giveaway

August 27, 2014 by Ash Brown

It’s that time again! Time for Experiments in Manga’s monthly manga giveaway! This month everyone will have a chance to win the first volume of Ai Yazawa’s fantastic series Nana as published by Viz Media. The series may not be finished, and it might never be, but it’s still well worth reading. The first volume actually stands very well on its own, too. As always, this giveaway is open worldwide!

Many, many years ago, before Experiments in Manga even existed, I read the first volume of Ai Yazawa’s Nana. I enjoyed it well enough, but didn’t initially get around to reading much beyond that. However, I kept seeing other people write about the series, expressing their love for the manga. And so a couple of years ago I decided to try reading the series again. And it floored me. (In a good way.) Who knows why at first Nana didn’t grab me? Maybe it was just bad timing, or maybe I was in a bad mood the day I read it. But I’m so glad that I gave the series a second look–it’s a tremendous work deserving all of the praise that has been bestowed upon it. Nana isn’t the only series that I’ve had a similar experience with. Take CLAMP’s X, for another example. I didn’t like the first volume at all, but gave the series a second chance when Viz began to release the beautiful omnibus edition. For whatever reason, the second time around X hooked me. Granted, in the case of X, it’s one of those manga that’s so bad it’s good as opposed to something like Nana which is just damn good.

So, you may be wondering, how can you win a copy of Nana, Volume 1?

1) Have you ever given a particular manga or series a second chance? If so, tell me about your experience in the comments below. If not, simply mention that and tell me why.
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

There you have it! Each person can earn up to two entries for this giveaway and has one week to submit comments. If you prefer or have trouble with the comment form, entries may also be sent via e-mail to phoenixterran(at)gmail(dot)com. (The entry will then be posted in your name.) The giveaway winner will be randomly selected and announced on September 3, 2014. Best of luck!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: Nana Giveaway Winner

Pick of the Week: Guilty Pleasures & More

August 25, 2014 by Sean Gaffney, Michelle Smith, Ash Brown, Anna N and MJ 1 Comment

SEAN: There’s really not a lot of literary, “worthy” manga out this week. It’s a load of titles that are the manga equivalent of candy. So I reserve the right to pick one of my favorite guilty pleasures that everyone has abandoned but me – The Wallflower. I expect to see a lot of laughs, some possible incremental advances of romance, and no end in sight. So very, very bad for me. I love it.

MICHELLE: Given that I’m not following anything else being released this week, my pick kind of falls on Say I Love You. by default, but I really am enjoying this series and probably would’ve picked it anyway.

ASH: I’m actually really excited for the eighth volume of No. 6. Things have been getting exceptionally intense (and heartbreaking) as the series approaches its end. Plus, we get a illustration gallery and color pages in this, the penultimate volume!

ANNA: I’ll have to throw in with Michelle, Say I Love You is by far the most interesting manga coming out this week for me.

MJ: I realize this series will seem like a strange choice for me, but I’m going with the second volume of the Sword Art Online novel series. I really enjoy this world and its characters, and it’s nice to read some prose once in a while, even when it’s escapist prose. I’m there, SAO.

What looks good to you this week?

My Week in Manga: August 18-August 24, 2014

August 25, 2014 by Ash Brown

My News and Reviews

Last week–last Monday, to be exact–Experiments in Manga celebrated its fourth anniversary. I’ve taken to writing what usually ends up being a rather lengthy anniversary post every year in which I reflect on the past three-hundred-sixty-five days, and this year was no different. I also posted a review last week of The World of the Shining Prince: Court Life in Ancient Japan, Ivan Morris’ classic study of Heian-era Japan and The Tale of Genji. The work was originally published in 1964 and it’s still a great read. Finally, for something a little different, I posted a Spotlight on Masaichi Mukaide who, in the late 1970s, became one of the first Japanese comics artists to be released in English. I rather enjoyed investigating this bit of comics history; I hope other people find it interesting as well.

While working on my random musings about Masaichi Mukaide, I discovered that the three short manga currently believed to be the earliest manga to have been translated into English (Akasegawa Genpei’s “Sakura Illustrated,” Shirato Sampei’s “Red Eyes,” and Tsuge Yoshiharu’s “The Stopcock”) are available online to read digitally. Another interesting piece of reading that I came across last week was Ryan Holmberg’s article on manga, art history, and Seiichi Hayashi at The Comics Journal. Elsewhere online, Sean at A Case Suitable for Treatment looks at some of the latest offerings from Crunchyroll Manga and Justin at Organization Anti-Social Geniuses was able to get some of the manga publishers to weigh in on their approaches to the last pages of manga volumes.

Quick Takes

Food Wars!: Shokugeki no Soma, Volume 1 written by Yuto Tsukuda and illustrated by Shun Saeki. Soma Yukihira wants nothing more than to surpass his father in the kitchen, but his goal of becoming the ultimate chef becomes a little more difficult when his father closes up the family restaurant for three years. In the meantime, Soma is expected to transfer into the most elite and competitive culinary school in Japan. The other students aren’t very welcoming of the son of a low-end family restaurant, so it’s entirely up to the arrogant and uncouth Soma to prove that his cooking is just as impressive as their high-class cuisine. Overall, the artwork in Food Wars is great. The illustrations of the food in particular are incredibly sumptuous. And then there are the reaction shots–those who taste Soma’s cooking often fall into nearly orgasmic ecstasy which is accompanied by highly sexualized imagery. This does include such things as young women being molested by tentacles, which will certainly not appeal to every reader. Personally, I was for the most part rather amused by the ridiculous levels and absurdity of the occasional fanservice.

The Prince of Tennis, Volumes 1-7 by Takeshi Konomi. While recently reading The Princess of Tennis, a memoir written by one of Konomi’s assistants, I came to the realization that I had never actually read any of The Prince of Tennis. The series is one of the most successful and popular sports manga in Japan, growing into a fairly substantial franchise. The Prince of Tennis is an oddly addictive series–I tore through the first seven volumes very quickly–but to some extent it’s also a bit frustrating. There is virtually no story or character development, simply game after game of tennis and middle school trash talk. Some of the most important games, the ones that actually impact the characters’ growth (what little there is) happen almost entirely off-page. All of the players are very strong to begin with, so there hasn’t been much evolution in their performance or skill levels, either. But the various games are interesting and entertaining, if a little over-the-top. There are a lot of good-looking characters of various types, too, which is probably a large part of the series’ appeal. I’m not in a rush to read more, but I did enjoy the first seven volumes.

Random Musings: Spotlight on Masaichi Mukaide

August 22, 2014 by Ash Brown

Star Reach #7

While reading Comics: A Global History, 1968 to the Present, I encountered a single sentence that particularly caught my attention: “Star Reach was also notable for printing the first Japanese comics to be translated into English, two short pieces by Masaichi Mukaide; the style displayed was not characteristically Japanese, however, and failed to ignite any further interest in importing manga for the time being.”

Masaichi Mukaide. Though at that point I was unfamiliar with Star Reach, I was pretty sure that I had come across Mukaide’s name somewhere before. And so I decided to investigate.

Star Reach was an influential independent American comics anthology that focused on science fiction and fantasy stories. Mike Friedrich, who was once an editor and writer at both DC Comics and Marvel, established his own press in order publish Star Reach, which began in 1974. In 1978, he also started to release Star Reach‘s sister publication Imagine. At one point or another, both of those magazines included short works by Mukaide. Some of the comics were entirely his own creation while others were collaborations with different writers, both Japanese and American–notably Lee Marrs and Steven Grant. The first of Mukaide’s comics to appear in English, “The Bushi,” was written by Satoshi Hirota and was published in the seventh issue of Star Reach January 1977.

In an interview with Friedrich included in the Star Reach Companion, Richard Arndt asked how it came about that Star Reach published the first manga to appear in America. Friedrich replied:

I’ve never met the Japanese artist I published, although we did present a fair amount of his work. Oddly enough, he’s not a comic book artist in Japan. He was basically a fan artist over there. He could not make his living as an artist in Japan because his work was considered too American! If you look at it now, it was probably the first combination of manga and American comics. His work didn’t quite fit anywhere. But, yeah, there’s a book, Manga! Manga!, which certifies that the first appearance of manga in the United States was in Star Reach. I had no idea that was true.

Well, it turns out that technically isn’t true–Ryan Sands has noted that a 1971 issue of Concerned Theatre Japan included three short manga in translation–but for all intents and purposes, Mukaide’s work was the first exposure that the average comics reader in the United States had to manga.

Try as I might, I’ve been unable to find very much information about Mukaide himself. The best clue that I’ve discovered comes from Friedrich’s editor’s note accompanying Star Reach #18, the magazine’s final issue:

A friend of Masaichi Mukaide dropped by the other day and I found out a bit more about our distant Japanese contributor. He’s a law school graduate who opted out of a legal career to enter the publishing world and keep up his art. His wife is also an artist, working on the local comics (I believe I was told).

However, that’s not the last that was seen of Mukaide in English. Sometime between 1980 and 1982 a volume simply called Manga was released. (ISBN 4946427015 for those who are interested in trying to track down a copy.) This collection is the reason that Mukaide’s name seemed familiar to me–his comic, “The Promise,” concludes the volume. He was also the editor of the collection. Looking more closely at Manga‘s credits, there are also some other names that I now recognize: Friedrich served as the consulting editor, Hirota was the associate editor, and Marrs was a contributing writer.

Manga was one of the first collections deliberately crafted in order to introduce Japanese comics to Western audiences: “Our purpose in publishing Manga is to give the non-Japanese reading public a visual taste of Japan and the creative talents that exist there. Nothing would give us greater pleasure, however, if in doing so we are able to boost the cultural understanding in the west about Japan.”

“The Bushi”

As already mentioned, the first work by Mukaide to appear in English was “The Bushi,” which was written by Satoshi Hirota. Were it not for the historical Japanese setting, there is very little to indicate that the creators themselves were also Japanese. Mukaide’s artwork is not all that different from many of the other comics found in Star Reach. The story is set during the tumultuous time between the age of myth and legends and the age of humans. A young warrior confronts and battles with a demon, seeking revenge for the slaughter of his family, only to become a demon himself.

“The Spider Thread” is based on the well-known short story “The Spider’s Thread” written by Ryūnosuke Akutagawa in 1918. In it, a sinner is given the chance to escape hell because he once saved the life of a spider–the only good deed that he ever committed. However, Mukaide gives his own little twist to the tale at the end of the comic. Considering the seriousness and drama of the story–it almost entirely takes place among the tortured souls in hell–the final panel is surprisingly humorous, turning the comic into a joke. “The Spider Thread” also contains what is probably my favorite single page composed by Mukaide.

Mukaide’s first collaboration with writer Lee Marrs, “The Awakening of Tamaki,” was apparently intended to be the start of a series which would follow the trials of a young woman named Tamaki. After her family is killed, Tamaki is raised in seclusion by her sole-surviving uncle. When he dies as well she must make her own way in the world, disguised as a boy for the sake of her safety. Thanks to her uncle’s training, Tamaki is an excellent swordswoman with exceptional moral strength. As far as I know, there were never any more installments in the series, which is a shame; I really liked the comic.

“The Spider Thread”

“The Mission” was Mukaide’s second collaboration with Marrs. Whereas I was very fond of “The Awakening of Tamaki,” “The Mission” is probably my least favorite of Mukaide’s comics in English. It seems like it should be a something that I would enjoy, but it just didn’t grab me. Despite the numerous twists and turns the story takes within its few pages, despite the lies and betrayals, despite the quick pace and all of the action and fighting, for some reason “The Mission” simply strikes me as somewhat generic ninja adventure. Ninja doesn’t even have a name; he’s just Ninja.

When compared to the rest of Mukaide’s English-language comics, the two-paged “Salvation” stands out because the artwork and story is so simple. Backgrounds are almost nonexistent and the shading and detail of the illustrations are limited as well. The story follows a drunkard who keeps getting kicked out of drinking establishments. He causes a panic by claiming that a doomsday flood is coming in order to sneak back into the bars after everyone else has fled. It’s an amusing and silly short comic that, like most of Mukaide’s other comics, has a bit of a twist at the end.

“The Soldier Who Guards the Gate of the City Freedom” is another two-paged comic by Mukaide, although it is more of a historical allegory instead of a humorous gag like “Salvation.” A young soldier, a man of honor, has the lonely duty of guarding the city gates. He does so willingly, though the eventual enemy attack is a long time in coming. Mukaide’s emphasis on the soldier’s loneliness is the key to the impact of the brief comic. The steady passage of time, too, is important. Mukaide captures this through the use of a very regular progression of narrow panels which are all of the exact same size.

“Crashing,” which was written by Steven Grant, is the only example of Mukaide’s work in the genre of science fiction. All of his other comics published in English are historical in nature, generally with touches of the fantastic. Mukaide’s artwork in “Crashing” is not at all dissimilar to American science fiction comics of the era. It’s a somewhat confusing story, but this is exceedingly appropriate as the comic’s protagonist has gone insane. Mukaide’s artwork supports this as well–the illustrations can be somewhat hallucinogenic and the page layouts are often fragmented.

“The Awakening of Tamaki”

“The Promise,” the last of Mukaide’s comics to be translated, is his rendition of the legend of the Yuki-onna, or the Snow Woman. Lafcadio Hearn’s telling of the story in Kwaidan is probably the version with which English-language audiences are most familiar. Mukaide’s tale incorporates many of the same elements as Hearn’s, but he adds his own touches as well. “The Promise” also shares some similarities with “The Bushi,” especially in style, although “The Promise” tends to be stronger overall. However, the two comics bookend Mukaide’s excursion into English particularly nicely because of their parallels.

After that, Mukaide seems to disappear. I have no idea what happened to him or if he’s even still creating comics. Perhaps he went back to working in law. Either way, a small corpus of Mukaide’s comics released in English in the late 1970s and early 1980s does exist. What particularly strikes me about these works are the changes and adjustments that he makes to his art style and page layouts to better suit each story being told. Although each comic is definitely its own work, there are some common elements as well. For example, his narratives and artwork frequently draw inspiration from traditional stories, tales, and legends. Interestingly, although many of his comics take place within a vaguely historical Japanese setting, he does not exclusively limit himself to Japanese sources. Instead, Mukaide’s work blends together both Eastern and Western influences, which seems oddly fitting for one of the first Japanese comics creators to be released in English.

Masaichi Mukaide Bibliography

“The Awakening of Tamaki” written by Lee Marrs and illustrated by Masaichi Mukaide (Imagine #4, October 1978)
“The Bushi” written by Satoshi Hirota and illustrated by Masaichi Mukaide (Star Reach #7, January 1977)
“Crashing” written by Steven Grant and illustrated by Masaichi Mukaide (Star Reach #18, October 1979)
“The Mission” written by Lee Marrs and illustrated by Masaichi Mukaide (Star Reach #15, December 1978)
“The Promise” written and illustrated by Masaichi Mukaide (Manga, 1980/1982?)
“Salvation” written and illustrated by Masaichi Mukaide (Imagine #6, June 1979)
“The Soldier Who Guards the Gate of the City Freedom” written and illustrated by Masaichi Mukaide (Star Reach #18, October 1979)
“The Spider Thread” written and illustrated by Masaichi Mukaide (Imagine #3, July 1978)

“Salvation”

Further Reading
Comics: A Global History, 1968 to the Present by Dan Mazur and Alexander Danner
Early Manga: A Chronology by Ryan Sands
Incredible First-Ever Manga Translated in 1971 by Ryan Sands
Manga and Mega Comics by Jason Thompson
Manga in the USA by Michael Toole
My Life is Choked with Comics #19a: Manga by Joe McCulloch
My Life is Choked with Comics #19b: Manga by Joe McCulloch
Star Reach Companion by Richard Arndt

Manga the Week of 8/27

August 21, 2014 by Sean Gaffney, Michelle Smith, Ash Brown and Anna N Leave a Comment

SEAN: The final week of this brutal August, at least before we arrive at a brutal September with just as many books. Yen for once is being fairly quiet, but that’s all right, Kodansha’s here to pitch in.

Dark Horse brings us the 6th Blood Blockade Battlefront, blocked out by the brigand who brought us Brigun!… OK, Trigun. That sort of fell apart at the end there.

MICHELLE: *snerk*

SEAN: There is also the Hatsune Miku Unofficial Hatsune Mix, a manga compilation about the Vocaloid personality.

Kodansha gives us the 13th Attack on Titan volume, which delves further into Historia’s background, and brings the action back to the Town – for better and worse.

Cage of Eden 15 will no doubt continue its descent into the pyramid of EVIL.

No. 8 is up to Vol. 6… um, I mean No. 6 is up to Vol. 8… guh. Ash, take over.

ASH: Indeed! No. 6 has reached its eighth, and penultimate volume. Also, as a bonus, Kodansha has included a 16-page color illustration gallery in this volume as a thanks to readers for supporting the series.

SEAN: Sankarea is also up to Vol. 8, and continues to try to answer the question “will this romantic harem comedy end with everyone brutally slaughtered?” Actually, that could apply to Cage of Eden as well.

No murders in Say “I Love You” yet, but plenty of teenage trauma and dealing with budding sexualities. Will things get lighter in Vol. 3?

MICHELLE: I look forward to finding out!

ANNA: Me too! this is the only manga I have my eye on this week, which should theoretically give me a chance to catch up with the many piles of unread manga I have stashed around my house.

SEAN: And The Wallflower 33, whose volume arrives a lot faster than 32, and yes, is still coming out in Japan with no signs of ending soon.

Vertical has the 3rd Cardfight!! Vanguard, in which I assume there will be fighting. With cards. And excessive punctuation.

Yen On brings us the second volume of the Sword Art Online novels. This does not pick up after the end of the first novel, but doubles back to introduce a few more regulars and tell some Aincrad short stories.

Fanservice Overload #1: the 7th volume of BTOOOM!, which still has people to blow up and cleavage to show off.

Fanservice Overload #2: The 2nd High School DxD, where a harem continues to form. Which, given this is a harem manga, is as it should be.

A brief interlude with the penultimate volume of the Melancholy of Haruhi Suzumiya manga. The novel is awaiting a new volume from its writer-blocked author, so the manga ends with Vol. 20 while we see if there will be any more. This, however, is merely Vol. 19, so expect a lot of Sasaki.

Fanservice Overload #3: Triage X Volume 7, which… what the hell is even HAPPENING on that cover?

MICHELLE: Yeah, these fanservice titles are so not for me.

SEAN: Will you be getting fanservice next week? (And honestly, Cage of Eden should be in there as well.) If not, what will you be checking out?

The World of the Shining Prince: Court Life in Ancient Japan

August 20, 2014 by Ash Brown

Author: Ivan Morris
Publisher: Kodansha
ISBN: 9781568360294
Released: June 1994
Original release: 1964

Several years ago I read the entirety of The Tale of Genji, a novel written by Murasaki Shikibu in the eleventh century. It was a pretty big undertaking, but absolutely worth it. I love the novel. Ever since finishing The Tale of Genji for the first time, I’ve been meaning to read Ivan Morris’ The World of the Shining Prince: Court Life in Ancient Japan. The volume takes its title from the hero of The Tale of Genji who is referred to as the shining prince due to his exquisite visage and exceptional character. In many ways, The World of the Shining Prince serves as a companion to The Tale of Genji as Morris explores the historical reality of the aristocracy of Heian-era Japan. The World of the Shining Prince was originally published in 1964. Beginning in 1994, later editions of the work also include an introduction by Barbara Ruch. I recently read and was rather impressed by another of Morris’ works, The Nobility of Failure: Tragic Heroes in the History of Japan, and so was looking forward to reading The World of the Shining Prince even more.

In addition to the introductions, preface, appendices, bibliography, and topical index, The World of the Shining Prince examines a number of different aspects of tenth-century Japan, Heian court society, and The Tale of Genji within it ten chapters. Morris begins with a broad overview of the era in the first chapter, “The Heian Period.” Though the Heian Period lasted from 782 to 1167, The World of the Shining Prince largely, but not exclusively, focuses on the 900s. The next chapter, “The Setting” looks at Heian architecture, city planning, and geography. From there Morris delves into more detailed analysis of Heian culture in the chapters “Politics and Society,” “Religions,” and “Superstitions.” Next, attention is specifically turned to the Heian nobility and aristocracy. “The Good People and Their Lives” details day-to-day activities, amusements, and ceremonies while “The Cult of Beauty” looks at the particular aesthetics of the era. The eighth chapter, “The Women of Heian and their Relations with Men” outlines household and family structures as well as the place of romantic liaisons. The World of the Shining Prince concludes with chapters devoted to Murasaki Shikibu and to The Tale of Genji itself.

Although written more than five decades ago, The World of the Shining Prince has held up remarkably well. Admittedly, it is nearly impossible to write a completely objective cultural study–Morris’ analysis is informed and influenced by his own cultural subjectivity. In the half-century since The World of the Shining Prince was written, Western thought and scholarly approaches to cultural analysis have also changed. (For example, as Ruch mentions in her introduction, views on gender politics and the relationship between religion and superstition has shifted over the years.) The World of the Shining Prince is a product of its time, but that doesn’t at all diminish its value as a resource on Heian-era Japan, and more specifically on Japanese court life in the tenth century. Additionally, the volume is written with a general audience in mind. It is quite approachable, even for the average reader, and is engagingly written. Granted, the subject mater of The World of the Shining Prince is fascinating to being with.

Although Morris does provide some important general context within which he situates The World of the Shining Prince, the volume’s scope is relatively narrow, concentrating on a very specific part of Heian society. However, this specificity also allows him to explore that subject from several different perspectives. Information about the Heian Period is somewhat limited, especially in regards to the lower classes, which is another reason that The World of the Shining Prince is so focused on the era’s nobility. The Tale of Genji is a major source for Morris’ study of the Heian-era Japan, as are other works of contemporary literature–The Pillow Book of Sei Shōnagon especially features prominently–as well as diaries and court records from the time period. The World of the Shining Prince is an extremely informative and absorbing work. It’s more than just a companion to The Tale of Genji and reaches beyond its literary connections. The volume should appeal to anyone interested in learning more about classical Japanese history.

Pick of the Week: Arakawa & More

August 19, 2014 by MJ, Sean Gaffney, Ash Brown, Michelle Smith and Anna N 1 Comment

MJ: There isn’t a ton of manga I’m dying to buy this week, but enough that I did have to make a relatively difficult choice. In the end, I’ve embraced a favorite artist, even if it might not be the work I’m most interested in seeing from her–and that would be Hiromu Arakawa and her manga adaptation of The Heroic Legend of Arslan, debuting this week from Kodansha Comics. Since I love Arakawa’s storytelling at least as much as her art, it’s not giving me what I want most (*cough* Silver Spoon *cough*) but I’ll take it.

SEAN: Looking forward to Arslan, but my heart, as ever, belongs to Dorohedoro. Though given the kind of manga it is, it’s possible that my heart may have already been removed. And used as a mask. Or in pies.

ASH: It may be a relatively quiet week for new manga but I’m still interested in quite a few of the releases–the most recent volume of Dorohedoro and the debut of The Heroic Legend of Arslan being only two of them. But my pick for the week is unquestionably Takako Shimura’s Wandering Son. In addition to being a lovely and sensitive story about identity and growing up, it’s also a series that is personally very meaningful to me.

MICHELLE: And I’ll bring it ’round again to Arslan. I haven’t read anything of Arakawa’s aside from Fullmetal Alchemist, so I’m interested to see what she’ll do with this story.

ANNA: The third volume of Gangsta. is coming out this week! I really enjoyed the first two volumes of this stylish and intriguing seinen title, and I’m hoping that the third volume delves into some additional back story about the main characters.

What looks good to you this week?