Ash Brown

My Week in Manga: January 5-January 11, 2015

January 12, 2015 by Ash Brown

My News and Reviews

Well, last week unintentionally became a week filled with gay-themed manga here at Experiments in Manga, not that that’s something I’m going to complain about. But, first things first, the WataMote manga giveaway winner was announced. The post also includes a list of otaku manga available in English for anyone looking for something to read in that sub-genre. And now, back to the gay manga! I posted two in-depth manga reviews last week. The first review was of Takeshi Matsu’s English-debut More and More of You and Other Stories, a collection of gay erotic doujinshi. It’s both a fun and funny volume, so I hope to see more of Matsu’s work translated in the future. Over the weekend, I also posted a review of What Did You Eat Yesterday?, Volume 5 by Fumi Yoshinaga. I continue to really enjoy the series’ mix of food and contemporary gay life. The sixth volume was actually released last week, so I’m a little behind in my reviews, but it’s still a great series.

Elsewhere online, Digital Manga launched its first non-Tezuka Kickstarter project, an effort to reprint and restock the first six volumes of Ayano Yamane’s Finder boys’ love series. (Like many of Digital Manga’s recent Kickstarter projects, I have mixed feelings about this one.) In licensing news, Seven Seas and Yen Press announced quite a few new titles on social media. Sean has a nice roundup of the licenses over at A Case Suitable for Treatment. For those who are interested in the history of manga or are more academically inclined, be sure to check out Ryan Holmberg’s most recent What Was Alternative Manga? column, “The Fukui Ei’ichi Incident and the Prehistory of Komaga-Gekiga” at The Comics Journal and the second part of Nicholas Theisen’s manga studies essay “Takeuchi Osamu and Manga Expression” at Comics Forum.

Quick Takes

Alice in the Country of Hearts, Omnibuses 2-3 (equivalent to Volumes 3-6) by Soumei Hoshino. I was taken by surprise by how much I enjoyed the first omnibus of Alice in the Country of Hearts and so soon found myself tracking down the rest of the series. I became a little less enamored with the manga the more I read, but in the end I still thoroughly enjoyed the series and I definitely plan on picking up some of the spinoffs. Because Alice in the Country of Hearts is based on a romance adventure game, it’s not too surprising that Alice is eventually paired off with one of the multitude of people who have expressed intense interest in her. However, I didn’t really like who it was she ended up with in Alice in the Country of Hearts because he’s a violent jerk. Granted, I can say that and not really spoil too much since so many of the guys in the series are violent jerks–they feel so strongly for Alice that more than one of them actually wants to, or even tries to, kill her. This certainly adds to the ominous atmosphere of Alice in the Country of Hearts, which is one of the things I particularly like about the series. What I was hoping to see and what the manga doesn’t quite deliver on was more explanation about the world itself and about the “game” that is being played. I suspect some of the other Alice series may expand on this, though.

Citrus, Volume 1 by Saburouta. I know quite a few people who were very excited for Citrus, Seven Seas’ most recent yuri acquisition. I didn’t know much about the series, but I’m always interested in seeing, and reading, more yuri in English. Yuzu is boisterous young woman whose life has been thrown into turmoil after her mother remarries. She has a new name, a new high school, and even a new sister. Mei and Yuzu don’t really get along that well and their relationship gets even more complicated when Mei suddenly kisses Yuzu, but not out of any sort of true affection. Yuzu’s not entirely sure what’s going on with her new sibling, but after the kiss she can’t get her out of her mind and begins to develop non-sisterly feelings for Mei. Quite a few things in the first volume of Citrus strained my suspension of disbelief–I cannot and will never be convinced that Yuzu’s mother completely failed to mention before they all actually moved into the same household together that as part of her remarriage Yuzu would be gaining a stepsister–but it is an intriguing start to the series. The manga has great potential for melodrama. Mei is somewhat of a mystery at this point, and I’m curious to learn more about her. She puts up a good front for most people, but she’s incredibly manipulative and Yuzu’s one of very few people who knows about and has seen that side of her.

Orphan Blade written by M. Nicholas Almand and illustrated by Jake Myler. After previewing some of Myler’s work in progress for Orphan Blade, I was really looking forward to reading the graphic novel. Unfortunately, while there were some aspects of the comic that I really appreciated (it’s nice to see a gay protagonist), overall I was disappointed with Orphan Blade, especially since it had such great potential. The setting is an alternate-universe, 17th-century Japan in which the world was overrun with kaijū. But now that most of the monsters have been destroyed, humans are once again at war with each other. Particularly coveted are Artifacts, weapons of immense power fashioned out of the bodies and bones of the defeated kaijū. Hadashi is a young man who comes into possession of one of those Artifacts, but it possesses him in return. For the most part, Myler’s artwork is excellent. The monster and character designs, while lacking cohesiveness, are great and I love the colors. Orphan Blade is surprisingly violent, bloody, and gruesome. There are plenty of dynamic battles, however the action is frequently confusing and difficult to follow which is particularly problematic since a large part of the graphic novel is devoted to fight sequences. I like the world and basic premise of Orphan Blade, but the story feels inexpertly cobbled together in places, which may be explained by the fact that Almand sadly passed away before the comic’s completion.

What Did You Eat Yesterday?, Vol. 5

January 11, 2015 by Ash Brown

Creator: Fumi Yoshinaga
U.S. publisher: Vertical
ISBN: 9781939130808
Released: November 2014
Original release: 2011

I have thoroughly been enjoying the English-language release of Fumi Yoshinaga’s manga series What Did You Eat Yesterday?. This probably shouldn’t be too much of a surprise since the series brings together so many of my loves and interests: manga, Fumi Yoshinaga, food, and queer life, just to name a few. What Did You Eat Yesterday?, Volume 5 was originally published in Japan in 2011 while the English translation of the volume was released by Vertical in 2014. Vertical made many fans of Yoshinaga, myself included, very happy when it licensed What Did You Eat Yesterday?, a somewhat niche title, but a series with the potential to appeal to a variety of audiences. Food and handsome gay men are common themes in many of Yoshinaga’s manga and are frequently even found within the same work, which is certainly the case with What Did You Eat Yesterday?. Though not my favorite Yoshinaga manga, it’s still a great series and one that I enjoy.

Food brings people together, sometimes in unanticipated ways. Shiro’s friendship with Kayoko, which started when they decided to split a watermelon that was on sale at the supermarket, has continued to deepen. Though they were once complete strangers, they have now become regular cooking buddies, sharing recipes and food. Her family likes Shiro as well, though at times he’s treated as something of a novelty simply because he’s gay. Kayoko’s husband even makes a point to introduce Shiro to a member of his tennis club, assuming they’ll get along well since Kohinata happens to be gay, too. They actually do, in an odd sort of fashion, and eventually Shiro, Kohinata, and Kenji and Wataru–their respective boyfriends–all end up sharing a meal together. In a roundabout sort of way, it’s thanks to that watermelon that they ever met. Food can help turn acquaintances into friends and can strengthen the existing bonds between family members as traditions are passed along from one person to the next.

One of my favorite chapters in What Did You Eat Yesterday?, Volume 5 was actually when Shiro visited his parents for the New Year holiday. For the most part, What Did You Eat Yesterday? is fairly episodic, although there is ongoing character development. However, Shiro returning home for the New Year celebration is a recurring event in the series which has already happened several times in the manga’s earlier volumes. Generally, there’s also some family drama involved with these visits. Shiro’s parents initially struggled when he came out to them, but it’s marvelously touching to see how much more accepting and even supportive they have become of their son’s homosexuality. There is a really wonderful scene with Shiro and his mother cooking together in the fifth volume of What Did You Eat Yesterday?. Sometimes the series’ focus on food feels completely separated from its story, but here it was a perfect combination, the cooking furthering the characters’ personal growth and connections.

While the food and recipes are prominent parts of What Did You Eat Yesterday?, not to mention some of the reasons that I enjoy the series, the characters and their relationships are just as important to the manga and are what really make it successful as a work. It makes perfect sense to me since I associate family with food, but family relations are a frequent focus in What Did You Eat Yesterday?, especially those between Shiro and his parents as well as those between Shiro and Kenji as they continue to make a life and home together. The fifth volume also reveals more about Kenji’s past and his own unfortunate family situation. What Did You Eat Yesterday? largely tends to follow Shiro and therefore not as much is known about Kenji, so I particularly appreciate when the story turns towards him for a time. Yoshinaga’s characters in What Did You Eat Yesterday?, are believable flawed and complex individuals with histories and subtle depth, making the series particularly gratifying.

More and More of You and Other Stories

January 9, 2015 by Ash Brown

Creator: Takeshi Matsu
Publisher: Bruno Gmünder
ISBN: 9783867877930
Released: November 2014

Takeshi Matsu is a popular creator of gay manga in Japan, his work appealing to both male and female readerships. He initially started out working for shounen magazines, at one point even winning an award for his manga. Matsu moved on to creating erotic gay manga around the age of thirty and was successful enough that he was actually able to make a career of it. It wasn’t until 2014 that any of Matsu’s work was officially translated and released in English. He was one of the nine mangaka featured in Massive: Gay Erotic Manga and the Men Who Make It which included his short manga “Kannai’s Dilemma,” and he became the first creator after Gengoroh Tagame to have a major release of gay manga printed in English. More and More of You and Other Stories, published by the Germany-based Bruno Gmünder as part of its Gay Manga line, collects several of Matsu’ self-published doujinshi in a single volume for the very first time. Although the individual manga are available in Japanese, the anthology itself is an original English-language release.

More and More of You and Other Stories collects four of Matsu’s manga, beginning with the titular and longest, “More and More of You.” It’s a surprisingly sweet and even romantic story about a young man named Kosuke who is in love with his childhood friend and neighbor Shokichi, who just so happens to now be one of his high school teachers as well. Sho actually returns his feelings, although neither one of the men has admitted it to the other, and the romantic inclinations of some of Kosuke’s classmates only complicate matters further. “Go West” is an erotically charged parody of the Chinese classic The Journey to the West, following the sexual escapades and battles of Sanzo and his small crew as they cruise their way through the gay clubs from Ni-chōme to Doyama-chō. Things get a little heated in the kitchen and in the bedroom when two cooks of rival cuisines begin dating in “Recipe for Love” while “Tales from the Kitchen” features several autobiographically-based gag manga.

Because More and More of You and Other Stories is a collection of erotic doujinshi, it’s not too surprising that each chapter somehow incorporates the characters’ masturbatory fantasies or other sexual encounters. Matsu’s men tend to be lanky, muscular, and very well-endowed. More and More of You and Other Stories can be explicit, but there’s also a lot of playfulness and humor to the sex. Even when the plot includes drama and conflict, ultimately Matsu’s manga is delightfully upbeat and sometimes even hilarious. As just one example, the absolutely ridiculous pillow talk of “Recipe for Love” as the two men rhapsodize about their lover’s body in terms of food is highly amusing. A few of the jokes and references made in “Go West” will make more sense to readers who have at least passing familiarity with The Journey to the West, but no prior knowledge is needed to appreciate the impressive sexual prowess and the rather interesting, psychically-enhanced sexual abilities and powers of the characters.

It’s very clear that Matsu enjoyed creating the manga collected in More and More of You and Other Stories. Because the selections were originally all self-published, he had the freedom to develop the works exactly in the way that he wanted and chose to do. As a result More and More of You and Other Stores is both a fun and funny volume. Even the manga included that aren’t primarily comedies have humor and charm to them. The characters are likeable and by and large are obviously enjoying all of the sex that they are having. Another thing that I particularly welcomed about More and More of You and Other Stories is that in part it’s a food manga, which I love. I also happen to have an interest in The Journey to the West in its various incarnations, so it was as if More and More of You and Other Stories was made with me in mind. In the afterword Matsu mentions that he hopes to have the opportunity to release additional collections of his manga in English; I know that I’d certainly like to see them!

Manga the Week of 1/14

January 8, 2015 by Sean Gaffney, Ash Brown, Michelle Smith, MJ and Anna N 2 Comments

SEAN: In between two fairly hefty weeks, we have a low number of titles out this week. Let’s take them one by one.

Kodansha has a 6th volume of its shonen fantasy The Seven Deadly Sins.

Vertical has a debut I’ve been waiting for ever since it was announced: My Neighbor Seki, from Media Factory’s Comic Flapper. The story of a girl who is constantly distracted in class by her next-desk neighbor’s attempts to… well, revealing more would spoil the surprise. It’s been nominated for awards, it’s had an anime, and it is really, really funny. Absolutely one to watch out for.

ASH: I’ve been really looking forward to this debut! The anime adaptation was absolutely delightful.

MICHELLE: I didn’t have this on my radar at all and then Vertical kindly sent me a copy. Researching it yielded cautious optimism and now I’m downright eager.

MJ: I am so ready for this.

ANNA: I also didn’t have this on my radar before, but it sounds interesting!

SEAN: Lastly, there’s a 53rd volume of Case Closed, and Shinichi… sorry, Jimmy… is still a kid.

MICHELLE: I have occasionally dabbled in Case Closed and found it entertaining enough, but I just can’t get excited about it.

SEAN: What (Seki) will you be buying (Seki) next week? (hint: Seki.)

Manga Giveaway: WataMote Giveaway Winner

January 7, 2015 by Ash Brown

And the winner of the WataMote giveaway is…MegaKnogga!

As the winner, MegaKnogga will be receiving a copy of the first volume in Nico Tanigawa’s No Matter How I Look at It, It’s You Guys’ Fault I’m Not Popular! (hereafter referred to as WataMote) as published by Yen Press. Because WataMote is a humorous, if sometimes painful, story about otaku, for this giveaway I asked that entrants tell me a little about their favorite otaku or otaku manga. Check out the WataMote giveaway comments for the detailed responses.

Some otaku manga (or manga with great otaku characters) available in English:

Barakamon by Satsuki Yoshino
Blood Lad by Yuuki Kodama
Flower of Life by Fumi Yoshinaga
Fujoshi Rumi by Natsumi Konjoh
Galaxy Angel by Kanan
Gin Tama by Hideak Sorachi
Genshiken by Shimoku Kio
Hayate the Combat Butler by Kenjiro Hata
I’ll Give It My All… Tomorrow by Shunju Aono
Insufficient Direction by Moyoco Anno
Kiss Him, Not Me by Junko
Love Stage!! written by Eiki Eiki, illustrated by Taishi Zaou
Lucky Star by Kagami Yoshimizu
My Girlfriend Is a Geek written by Pentabu, illustrated by Rize Shinba
No Matter How I Look at It, It’s You Guys’ Fault I’m Not Popular! by Nico Tanigawa
Oh My Goddess! by Kosuke Fujishima
Oreimo by Sakura Ikeda
Ouran High School Host Club by Bisco Hatori
Peepo Choo by Felipe Smith
Welcome to the N.H.K. written by Tatsuhiko Takimoto, illustrated by Kendi Oiwa

Welcome to the N.H.K. got quite a few mentions, which made me happy (the novel is great, as are the manga and anime adaptations), as did a few of my other otaku favorites like Fujoshi Rumi and Genshiken (and Flower of Life and Gin Tama, too!). Thank you to everyone who participated and shared; there are a few manga that I definitely need to pick up. I hope to see you all again for the first manga giveaway of 2015!

Pick of the Week: Drug & Drop & more

January 5, 2015 by Sean Gaffney, Michelle Smith, Ash Brown, Anna N and MJ 1 Comment

SEAN: Meteor Prince looks fun, and there’s lots of my favorites out. That said, I suspect this week will be a landslide, and who am I to get in its way? Drug & Drop is the continuations of fan favorite Legal Drug after a 10-year absence. The characters look prettier, the plot looks heavier, the crossovers to other CLAMP works are stronger, and the BL tease is, of course, off the charts. Also, Legal Drug was very well-written. If you liked xxxHOLIC but wish Watanuki and Doumeki were gayer, this is the title for you!

MICHELLE: I still love My Love Story!! with all my being, but even so, I am going to have to pick Drug & Drop, too. It’s just been so long in coming, and at least something that was left hanging is getting continued.

ASH: While I’ll definitely be reading Drug & Drop, my love for My Love Story!! will not be denied. One of my favorite shoujo series to debut last year, I’m looking forward to reading even more of it if for no other reason than the manga simply makes me incredibly happy.

ANNA: There are so many great manga out that I want to pick! But I am forever distracted by the lure of the new, so I’m going to have to go with Meteor Prince just because the premise is so ridiculous.

MJ: I’m sure there are plenty of perfectly lovely titles coming out this week, but the truth is, I can’t see anything but Drug & Drop. I was a fan of Legal Drug, but even more than that, I’m a fan of abandoned CLAMP titles coming back to life. Drug & Drop stands not only as an exiting title in its own right, but also as a beacon of hope for fans of X, or really any abandoned series from anyone, in my view. My point is, IT CAN BE DONE. With the right publisher, it can be done. So let’s hear it for Drug & Drop! PS: For the record, if you didn’t think Watanuki and Doumeki were gay, I don’t know what series you were reading. ;)

What looks good to you this week?

My Week in Manga: December 29, 2014-January 4, 2015

January 5, 2015 by Ash Brown

My News and Reviews

Happy New Year, everyone! Things are already off to a good start at Experiments in Manga. The last manga giveaway of 2014 is currently underway and there’s still time to enter for a chance to win No Matter How I Look at It, It’s You Guys’ Fault I’m Not Popular!, Volume 1 by Nico Tanigawa. All you have to do is tell me a little about some of your favorite otaku. The honor of the first in-depth manga review of the year, and in fact the very first post of 2015, goes to Hiroaki Samura’s Vigilance, the thirtieth and penultimate volume of Blade of the Immortal. I still love the series after all this time, and this installment has some particularly nice fight sequences. Finally, December’s Bookshelf Overload was posted over the weekend as well.

There were a few interesting things from Vertical this week, including a roundup of the happenings of 2014 and what fans can look forward to from the publisher in 2015. Another enlightening read from Vertical’s Tumblr account tackles sports, sports fiction, and sports manga and the challenges it presents to the North American market. Also, in case you missed it, Vertical is now on ask.fm and is answering all sorts of questions there. Last but not least, thanks to the success of its release of Mobile Suit Gundam: The Origin, Vertical is looking into publishing more Gundam manga. If you’re interested and haven’t already, be sure to take Vertical’s Gundam survey which will be open through the end of today.

Elsewhere online, Khursten has made a manga resolution for the year to feature josei more at Otaku Champloo. Organization Anti-Social Geniuses debuted a new feature, Inside the Industry, with Inside the Manga Industry with Lillian Diaz-Przybyl. The Hairpin has an excellent interview with Anne Ishii who, among other things, is the translator and one of the editors of the newly released Massive: Gay Erotic Manga and the Men Who Make It (which I recently reviewed; it’s great).

Quick Takes

Blue Morning, Volumes 1-5 by Shoko Hidaka. I’ve been meaning to read Blue Morning for a while but have only now gotten around to it. The benefit of this is that I had five volumes that I could read all at once. The drawback, of course, is the long wait until the sixth volume is released. I loved Blue Morning. It’s a moody, slow-burning boys’ love series with beautiful, elegant artwork and well-developed, subtly nuanced characters. A dramatic period piece, the manga takes place during Japan’s Meji era in which the country’s social, political, and economic structures underwent great change. The story focuses on Akihito Kuze who, after being orphaned, is suddenly thrust into Japan’s peerage as a viscount at the age of ten. Tomoyuki Katsuragi, the Kuze family steward, becomes his tutor and guardian. As he grows Akihito ends up developing feelings for Katsuragi and their relationship undergoes an intense evolution and power reversal. The romantic elements of Blue Morning are important, but much of the plot is actually focused on the political maneuverings of both Katsuragi and Akihito to raise the family’s status, though the each of the men have their own reasons for doing so.

Knights of Sidonia, Volumes 10-12 by Tsutomu Nihei. I decided to save up a few volumes of Knights of Sidonia since they read so quickly and I wanted to enjoy a larger chunk of the story. But even though there are quite a few major developments in these particular volumes, including the introduction of an important new character, somehow it just feels like Nihei is stalling for time and that there wasn’t actually much forward movement in the series. Even so, it was still an enjoyable read and I still like the manga. Knights of Sidionia remains a rather peculiar series, a combination of horror, science fiction and, of all things, romantic comedy. Sidonia’s hero Tanikaze, despite being incredibly awkward socially, has managed capture the romantic interest of quite a few of the other characters, basically amassing one of the most unusual harems that I’ve ever come across in manga. And while he has all sorts of domestic challenges to deal with now that his house has five residents more or less living there, he’s also one of humanity’s best pilots in the fight for survival against the Gauna. The war is entering a new stage, new technology has been developed, and the Gauna continue to gain new abilities.

Say I Love You, Volume 4 by Kanae Hazuki. Four volumes in, Say I Love You continues to set itself apart from many of the other shoujo manga series that are currently being released with its very realistic approach to young adult relationships, romance, and sexuality. The characters show a believable mix of maturity and immaturity, at times handling themselves extraordinarily well and at other times ending up a mess of confused emotions. This volume also introduces a new character, Kai, whom I’m particularly looking forward to seeing more of. In the afterword Hazuki mentions that she believes that manga “isn’t just for showing the nice side of things,” a belief that I think comes through in Say I Love You. There are the wonderful moments between characters as they grow closer, but every relationship has its ups and downs and Hazuki isn’t afraid to show the emotional pain and turmoil experienced by her characters as part of that growth. Regret, jealousy, selfishness, and uncertainty all have a role to play as do happiness, affection, altruism, and confidence. None of the characters are perfect and they all make mistakes as they navigate new and sometimes surprising relationships.

Ping Pong: The Animation directed by Masaaki Yuasa. Taiyō Matsumoto’s breakout manga was a five-volume series from the mid-1990s called Ping Pong. I’ve become a fan of Matsumoto’s work and would love to read Ping Pong, but it’s probably unlikely to ever be licensed. However, the eleven-episode anime adaptation made me very happy. The style of animation is somewhat unusual, reminiscent of Matsumoto’s loose but deliberate lines and uses a variety of palettes ranging from monochrome to pastel to vivid colors. I was particularly impressed by the series’ sound design and effective use of music. Smile and Peco are close friends and the strongest members of their school’s table tennis club but they both approach the game very differently. On its surface, Ping Pong is a fairly straightforward tale about competitive table tennis, but the series has prominent psychological elements and more depth than it might appear at first glance. Peco and Smile aren’t the only important players in Ping Pong; the protagonists and antagonists of the series are in constant flux. I enjoyed the Ping Pong anime immensely; I’ll definitely be picking up the physical release this summer.

Bookshelf Overload: December 2014

January 4, 2015 by Ash Brown

It may have been the last month of the year, but that certainly didn’t stop me at all from acquiring a slightly absurd amount of manga. Part of that is thanks to Right Stuf’s major holiday sales. I picked up a couple of anime series–Shiki and Princess Tutu–as well as a rather large stack of mostly out-of-print boys’ love manga for super cheap. Also thanks to the sale, I finally got around to picking up the new Tokyo Babylon omnibuses. Other than that, most everything else was either a preorder or a gift. December was a particularly notable month for gay manga. Bruno Gmünder’s releases of Takeshi Matsu’s More and More of You and Other Stories (which I believe technically came out in November) and Gengoroh Tagame’s Fisherman’s Lodge are now both available. From Fantagraphics there was Massive: Gay Japanese Manga and the Men Who Make It and it’s fantastic. I’ll be reviewing Matsu’s English debut in the very near future and my review of Massive has already been posted. Chromatic Press also had some notable releases in December. Ellery Prime’s Gauntlet, the first Sparkler Monthly original novel to receive a print edition, is now available. As is one of the books that I’m most excited about (so much so, there’s even a quote from me on its cover), the paperback of the second volume of Lianne Sentar’s Tokyo Demons, Add a Little Chaos. I actually reviewed the novel back in July, but needless to say, I loved it and it looks great in print.

Manga!
Ajin: Demi-Human, Volume 2 by Gamon Sakurai
Alice in the Country of Hearts, Omnibus 2 by by Soumei Hoshino
Alley of First Love by Ellie Mamahara
Barakamon, Volume 2 by Satsuki Yoshino
Citrus, Volume 1 by Saburouta
Desire written by Maki Kazumi, illustrated by Yukine Honami
Dorohedoro, Volume 14 by Q Hayashida
Drug and Drop, Volume 1 by CLAMP
Fairy Tail, Volume 43 by Hiro Mashima
Fisherman’s Lodge by Gengoroh Tagame
Just Around the Corner by Toko Kawai
Knights of Sidonia, Volume 12 by Tsutomu Nihei
Little Fluffy Gigolo Pelu, Volumes 1-2 by Junko Mizuno
Massive: Gay Japanese Manga and the Men Who Make It edited by Anne Ishii, Chip Kidd, Graham Kolbeins
Master Keaton, Volume 1 written by Hokusei Katsushika, Takashi Nagasaki, illustrated by Naoki Urasawa
Mobile Suit Gundam: The Origin, Volume 8: Operation Odessa by Yoshikazu Yasuhiko
More and More of You and Other Stories by Takeshi Matsu
My Love Story!!, Volume 3 written by Kazune Kawahara, illustrated by Aruko
New Lone Wolf and Cub, Volume 3 written by Kazuo Koike, illustrated by Hideki Mori
Ninth Love by Lalako Kojima
Opus by Satoshi Kon
Passionate Theory by Ayumi Kano
Renai Sample by Homunculus
Sankarea: Undying Love, Volume 9 by Mitsuru Hattori
Say I Love You, Volume 4 by Kanae Hazuki
Steppin’ Stone, Volumes 1-2 by Shiuko Kano
Stones of Power by Azumi Isora
Tokyo Babylon, Omnibuses 1-2 by CLAMP
You See, Teacher…, Volume 1 by Ei Tachibana
Warning! Whispers of Love by Puku Okuyama
Witchcraft Works, Volume 2 by Ryu Mizunagi

Manhwa!
Lie to Me by Youngran Lee

Comics!
Corto Maltese: Under the Sign of Capricorn by Hugo Pratt
Gaylord Phoenix by Edie Fake
In These Words, Chapter 12 by Guilt | Pleasure
Lucidity by Guilt | Pleasure
The P. Craig Russell Library of Opera Adaptations, Volumes 1-3 by P. Craig Russell
The Ring of the Nibelung by P. Craig Russell

Light Novels!
Gauntlet by Ellery Prime
Cold Fever by Narise Konohara
Is It Wrong to Try to Pick Up Girls in a Dungeon?, Volume 1 by Fujino Omori
Tokyo Demons, Book 2: Add a Little Chaos by Lianne Sentar

Novels!
Manazuru by Hiromi Kawakami
The Strange Library by Haruki Murakami
The Sound of the Mountain by Yasunari Kawabata

Collections!
The Great Mirror of Male Love by Ihara Saikaku

Anime!
Princess Tutu directed by Junichi Sato
Shiki directed by Tetsuro Amino

Blade of the Immortal, Vol. 30: Vigilance

January 2, 2015 by Ash Brown

Creator: Hiroaki Samura
U.S. publisher: Dark Horse
ISBN: 9781616554842
Released: October 2014
Original release: 2012
Awards: Eisner Award, Japan Media Arts Award

Vigilance is the thirtieth and penultimate volume in the English-language edition of Blade of the Immortal, the long-running and award-winning manga series by Hiroaki Samura. In Japan, the series was only thirty volumes long, but due to slight differences in how the manga was released early on in its English-language run, Dark Horse’s edition of consists of thirty-one volumes. Vigilance, published in 2014, is equivalent to the twenty-ninth volume of the series’ Japanese edition originally released in 2012. Blade of the Immortal is a series that has particular significance for me. It was one of the very first manga that I ever read and it was one of the first series that I decided to collect in its entirety. I have been reading and collecting Blade of the Immortal for years now. The previous volume, Beyond Good and Evil, marked the beginning of the series’ end and Vigilance brings it that much closer. I was very curious to see how Samura would continue to advance the series.

The final confrontation between the remnants of Anotsu Kagehisa’s Ittō-ryū and Habaki Kagimura’s Rokki-dan has begun. Numerous casualties have been incurred by each side and countless innocent lives have been caught in the fray as the two groups try to destroy each other. At one point they were fighting for their ideals–Anotsu striving to restore martial glory and the way of the sword to Japan while Habaki worked to prevent that from happening in order to maintain the dominance of the shogunate–but now they are fighting simply to survive long enough to crush the other. Even if they are successful in killing their foes they may not live to see the fruits of their victory. Habaki is challenging Anotsu head on while the Ittō-ryū’s strongest fighter, Makie, is left to face multiple opponents under Habaki’s direct command despite her failing health. And on the periphery of this all, Manji and Rin stand against one of Habaki’s most imposing men even though they, too, seek Anotsu’s demise.

At this point in Blade of the Immortal the series’ story is drawing very close to its ultimate conclusion. There is very little plot development in Vigilance, and there doesn’t need to be; the series has been building up to these final volumes. Instead, the focus of Vigilance is on the deadly battles currently in progress. Samura’s artwork has always been dynamic in Blade of the Immortal, conveying a tremendous sense of movement and drama, but the action sequences and fight choreography in Vigilance may very well be some of the series’ best. Makie’s fight against an entire team of adversaries is particularly impressive and breathtaking. Her talent is astounding and on full display. She is constantly in motion, with an acute awareness of her surroundings, using both her weapon and her body in tangent to strike and defend. While she may not have the brute strength that so many of the other fighters in Blade of the Immortal possess, her agility and martial skill far surpass any of them.

The other two battles being simultaneously waged in Vigilance are also well-developed and each has a different feel than Makie’s. Manji’s style of fighting has come to rely very heavily on his near-immortality, leading him to attempt feats that would otherwise be unthinkable. He is also able to put to good use in some rather curious ways the bizarre regenerative powers of his body. The manga’s horror elements are readily apparent in his fight. There’s even a hearkening back to the death mandalas of the early series, which is a particularly nice touch. The confrontation between Anotsu and Habaki is different still. Like all of the other fighters who have managed to survive this long they are both exceptionally skilled swordsmen, however tactics and strategy play a much more prominent role in their death match. The way they fight is both intelligent and refined. Manji, Rin, Makie, Anotsu, and Habaki are now locked into their final battles. It will be very interesting to see exactly how things will turn out in the series’ conclusion, Final Curtain.

Manga the Week of 1/7

January 1, 2015 by Sean Gaffney, Michelle Smith, Ash Brown, Anna N and MJ 4 Comments

SEAN: January is a relatively quiet month for manga, usually, and this is a quieter first week of the month, though you might not guess it by the large number of titles coming out way. It’s COMPARATIVELY smaller.

CLAMP fans have been waiting for this one forever, and it’s finally here. The first volume of Drug & Drop comes out next week. The sequel to Legal Drug, which ran in the shoujo magazine Asuka, this runs in Young Ace, a seinen title. Despite that, I suspect the audience is still the same: CLAMP fans. Expect crossovers.

MICHELLE: *Kermit flailing*

ASH: Looking forward to seeing where things go!

ANNA: Yay!

MJ: This, this, this, this, HAPPY NEW YEAR TO ME. Yes.

SEAN: There’s also a 7th omnibus of Lone Wolf & Cub.

ASH: I’m really enjoying the omnibus edition of this series.

SEAN: Digital Manga Publishing has a pile of new titles. KinokoInu – Mushroom Pup looks adorable, and its 2nd volume ships next week.

ASH: I was pleasantly surprised by the first volume of Mushroom Pup, but then I like quirky manga.

SEAN: The third volume of Lovephobia is not something I’d call adorable based on its cover, but hey, the inside might prove me wrong. (For the record, the series runs in ‘Comic B’s Log Kyun!’. I’m always wary of magazines with onomatopoeic sounds in their name.)

And A Waltz in the Clinic, which is the sequel to A Murmur of the Heart, seems to have sensuous hand-licking, judging by the cover.

Alice in the Country of Clover gives us The Lizard Aide, which I believe is the first volume in this series to have Gray as the love interest. So, Gray fans, this is for you! Sadly, the artist is the same one as the Nightmare Trilogy, so don’t read it for the prettiness.

Girls Und Panzer has taken its tankery games to much higher stakes with Volume 3, as Miho now faces expulsion from her family if she loses. How will she fare? And what will Yukari do, given she’s the ‘star’ of the manga series?

Strike Witches begins a new tie-in series with the first volume of One-Winged Witches. I’m trying not to be critical, but even its FANS say this 2-volume manga series is for lovers of panties and that’s about it.

Viz has a smaller but robust set of shonen and shoujo for us. 07-GHOST trundles along with Volume 14. There seems to be a woman on the cover! Wait, 07-GHOST has women in the cast? :)

MJ: Heh.

SEAN: Bleach and Naruto both have their 10th 3-in-1 omnibuses out next week.

Jaco the Galactic Patrolman is a one-shot manga from the creator of Dragon Ball and Dr. Slump! I’m not sure if it was always meant to be this short, but in any case, more Toriyama is always nice to see, especially when he’s funny, as he seems to be here.

MICHELLE: I have yet to read Dragon Ball, and Dr. Slump! wasn’t my thing, but I have quite enjoyed Toriyama’s one-shots (especially COWA!), so I’m looking forward to this one a lot!

ASH: Oh, COWA! That was a delightful manga.

SEAN: Kiss of the Rose Princess has a 2nd volume. I thought the first was goofy fun, but a bit slight. Can it grab me further with this one?

MICHELLE: I am wondering that myself.

ANNA: It is fun, but I agree about the first volume being on the slight side. Still, nothing wrong with shoujo brain candy!

SEAN: Viz’s new shoujo debut is Meteor Prince, by Meca Tanaka. it’s another short one, only two volumes, and is likely far more acceptable than the student/teacher romance of her more famous series Faster Than A Kiss. Old-school fans will also recognize her as the author of Omukae Desu and Pearl Pink.

MICHELLE: Wow, what a premise on this one. “It’s hardly surprising then that a naked alien prince falls from the sky to tell her that out of all the girls in the universe, he’s come to Earth to mate with her.”

ANNA: OK, that sounds hilarious.

MJ: Agreed. Like, Moon Child hilarious.

SEAN: My Love Story!! was one of the most exciting releases of 2014, and the start of 2015 sees its 3rd volume. Will our lead couple progress in their romance, or is shyness the order of the day? (I can take an educated guess…)

MICHELLE: <3 <3 <3

ASH: Love this series so much!!

ANNA: Agreed!

SEAN: Nisekoi continues to be one of the better harem series I’ve seen in ages, and I am greatly looking forward to the 7th volume (which, yes, has been out digitally since March of last year).

And there’s One Piece, with its 73rd (!) volume. The last cliffhanger promised Rebecca would have a moment of awesome, but I admit I’m skeptical. Perhaps more important to its Western fans, will Doflamingo and Law square off?

MICHELLE: In the most recent volume of Magi, there’s a scene of happy islanders feasting on a giant sea monster and man, that made me crave more One Piece like whoa. I’m glad I won’t have to wait too long.

SEAN: I tend to skip the endless Pokemon releases when I talk about manga here, so I will guiltily note that we see the 26th Pokemon Adventures ship next week, along with the 6th Black and White volume.

Lastly, there’s a 6th Ranma 1/2 omnibus, and a new semi-regular, as Kuno and Kodachi’s father returns from an extended vacation, and he’s just as bad if not worse than his offspring.

What are you starting off the year with?

Manga Giveaway: WataMote Giveaway

December 31, 2014 by Ash Brown

It may be the last day of December, but there’s still time for one more manga giveaway before the year is through. For this month’s giveaway, participants will have the opportunity to win the first volume of Nico Tanigawa’s manga series No Matter How I Look at It, It’s You Guys’ Fault I’m Not Popular! as published by Yen Press. (From here on out, I’m just going to refer to it by its Japanese abbreviation WataMote). As always, the giveaway is open worldwide!

I enjoy reading manga about otaku. It’s a term that has a slightly different meaning in English than it does in Japanese, but generally speaking otaku refers to someone with an extreme or obsessive interest in something. Often this is assumed to be an interest in anime or manga, but it can really be a specific interest in anything. I myself could probably be considered an otaku, which is probably one of the reasons I like otaku manga–it’s easy for me to identify with many of the characters and the things they enjoy. Some otaku manga though, like Watamote, do occasionally make for uncomfortable reads. Watamote can be hilarious, but it can also be a bit painful since Tomoko is so incredibly and terribly awkward. I do like her, though, and find her endearing in her odd sort of way.

So, you may be wondering, how can you win the first volume of WataMote?

1) In the comments below, tell me a little about your favorite otaku manga or favorite otaku from manga. (If you don’t have one, you can just mention that.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

There it is! Each person can earn up to two entries for this giveaway and has one week to submit them. If you have trouble leaving comments, or if you would prefer, entries can be sent directly to me by e-mail using the address phoenixterran(at)gmail(dot)com. The comments will then be posted here in your name. The giveaway winner will be randomly selected and announced on January 7, 2015. Happy New Year, everyone!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: WataMote Giveaway Winner

Pick of the Week: Say “I Love You” & More

December 29, 2014 by Michelle Smith, Ash Brown, Sean Gaffney, Anna N and MJ Leave a Comment

MICHELLE: I’m tempted to highlight some of the digital releases this week, but honestly, the volume I’m most excited about is volume five of Say “I Love You.” I’ve been fully won over by this series and it’s a guaranteed automatic buy every time a new volume is available.

ASH: The fifth volume of Say I Love You is definitely on my list of manga to be read, but since Michelle already picked it I’ll actually go with Stones of Power this week. It’s been a while since I read the serialization of first few chapters, but I do remember liking them. I’m curious to see if the completed volume lives up to my memory.

SEAN: Definitely Say “I Love You” for me as well. I’m hoping that 2015 might bring over a couple more licenses from Dessert Magazine.

ANNA: I’ll have to pick Say “I Love You” as well. It is certainly the most interesting manga coming out this week.

MJ: Okay, I think I need to go with one of the digital releases this week. Although I have considerable interest in Gen Manga’s Stones of Power, it’s pretty hard to resist Yen’s digital release of Nightmare Inspector: Yumekui Kenbun, after Sean described its genre as “MJ.” I mean, how can I ignore an insight such as that? I can’t. So I’m buying.

What looks good to you this week?

My Week in Manga: December 22-December 28, 2014

December 29, 2014 by Ash Brown

My News and Reviews

The end of the year is drawing near and because of the holidays I’ve been traveling quite a bit to see family. Despite being in a part of the country with less than ideal and spotty Internet access for most of the week (middle-of-nowhere Ohio), I still managed to post a few things. The honor of the final in-depth manga review of the year goes to Massive: Gay Erotic Manga and the Men Who Make It, one of my most anticipated releases of 2014. Technically it’s more than just manga–the anthology includes photography, essays, creator profiles, and more. It’s a fantastic work, and highly recommended for anyone even remotely interested in gay manga. Last week I also posted my list of notable releases from 2014. Massive is on the list, as are many other works, including comics and prose in addition to manga. It’s the second year I’ve done a list like this and I enjoyed making it, so I think it’ll probably become an annual feature.

One of the other notable manga that made my list was Makoto Yukimura’s marvelous Vinland Saga. Sadly, Kodansha Comics announced on Twitter that publication of the series has been temporarily suspended. No official explanation or reason has been given at this time (although there has been plenty of speculation), but Kodansha hopes to have more to say about the situation come the new year. Elsewhere online, Mangabrog has posted a lengthy translation of Brutus magazine’s interview with Hajime Isayama from its November 2014 Attack on Titan special issue. And although it’s not exactly manga news, the Smithsonian has begun putting the Pulverer Collection online–an impressive collection of Japanese illustrated books–along with related essays and videos. There were probably some other interesting things happening last week, but like I mentioned I’ve been traveling and visiting with family, so let me know if I missed something!

Quick Takes

Missions of Love, Volumes 7-9 by Ema Toyama. It’s been a little while since I’ve read Missions of Love, but it didn’t take me very long at all to fall back into the twisted relationship drama of the series. I’m actually glad that I had a few volumes saved up to read all at once since I tend to speed through the manga so quickly. Missions of Love is a series that has me easily turning page after page just to see how audacious the storyline can be without actually crossing the line into something blatantly indecent. The series is smutty and extremely suggestive. The characters are terrible people, selfish and manipulative. Their relationships are a twisted, tangled mess. But I can’t seem to turn away from the outrageousness of the series. Several confessions of love are made over the course of these particular volumes which only serve to complicate further an already complicated situation. And on top of that, Yukina’s preschool teacher, who unintentionally traumatized her when she was his student, is back in the picture which creates even more turmoil. Missions of Love certainly isn’t the most wholesome manga series, but it is an addicting one.

Punch Up!, Volumes 1-4 by Shiuko Kano. Although Punch Up! is a technically spinoff of Play Boy Blues, which was never completely released in English, knowledge of the earlier series isn’t necessary; Punch Up! stands perfectly well on its own. Kouta is a young but skilled construction worker who, thanks to a missing cat, ends up becoming the roommate of Motoharu, a successful and sought-after architect. Eventually, and not too surprisingly since this is a boys’ love manga, the two of them hook up as well. And since they both enjoy sex, it’s a frequent occurrence in the series. (One of Motoharu’s most prominent and amusing character traits is how horny he is.) Punch Up! also features a lengthy amnesia arc. Normally this isn’t a plot device that I’m particularly fond of, but it actually does provide for some interesting character development in the manga, so I’m a little more forgiving than I might otherwise be. Punch Up! has a fair amount of humor to it and a large cast of interesting secondary characters. And cats. For the most part I enjoyed the series, but there were a few things–like the treatment of Kouta’s older transgender sibling–that left something to be desired.

Silver Spoon, Season 2 directed by Kotomi Deai. It’s unlikely that Hiromu Arakawa’s award-winning manga series Silver Spoon will ever be licensed in English (although I would love to see it released), but at least the anime adaptation is available. I thoroughly enjoyed the first season of Silver Spoon and the second season is just as good if not better. Silver Spoon is a wonderful series. For me, part of the anime’s appeal is that it actually reminds me of home–I grew up in a small, rural farming community–and I can greatly empathize with the plights of the series’ characters and their families when tough decisions must be made. The importance of family is actually one of the second season’s particular emphases. Farming is not an easy or forgiving profession and deserves much more respect than it is often given. Silver Spoon doesn’t sugarcoat the harsh realities of agricultural work, but at the same time it isn’t overly pessimistic, either. There are humorous, cheerful, heartwarming, and even inspiring elements that nicely balance out the anime’s seriousness and occasional tragedy and sadness. Silver Spoon has great characters and character growth. I only wish that there was more of the series!

Random Musings: Notable in 2014

December 26, 2014 by Ash Brown

Last December, for the very first time at Experiments in Manga, I made an end-of-the-year list of titles that were, for me, particularly notable in 2013. I enjoyed pulling the list together (which probably isn’t too surprising given my propensity for making lists), and so I’ve decided to make it an ongoing feature. It’s not exactly a “best of” list, and it’s not exactly a list of favorites either, but out of everything that I read over the last year, the following releases from 2014 particularly stood out for me in some way:

Inio Asano’s Nijigahara Holograph was the first work to really floor me in 2014. It’s a dark and disturbing manga that is both brutal and beautiful. Nijigahara Holograph isn’t an easy read, not just because of its heavy thematic content, but also because its ambiguous narrative structure is challenging and can be confusing. The manga is complex and layered. Open to multiple interpretations, Nijigahara Holograph is a work that holds up well to repeated readings.

It’s not a secret that I’m a fan of Moyoco Anno’s work but even if I wasn’t I still would have been hugely impressed by In Clothes Called Fat. In many ways the manga is an uncomfortable read, but it is also an extremely powerful examination of physical and psychological ugliness and beauty. While there is dark humor in In Clothes Called Fat, Anno doesn’t pull her punches, showing the obsessive extremes to which society and individuals subject themselves in order to obtain an arbitrary ideal.

One of my most anticipated releases for 2014 was Massive: Gay Erotic Manga and the Men Who Make It and I was not at all disappointed by the work. The groundbreaking collection is spectacular, introducing nine of the most influential creators of gay erotic manga through photography, essays, interviews, manga, and more. Anyone at all interested in the genre, its creators, or its history needs to read Massive. Fantagraphics and the team of editors did a fantastic job with the volume.

When it comes to 2014 manga with gay themes, I was also particularly pleased to see the release of the first five volumes of What Did You Eat Yesterday? by Fumi Yoshinaga which has one of the most realistic portrayals of an established contemporary queer relationship that I’ve come across in fiction. It’s also a food manga, which I love. Not everyone will appreciate the amount of attention the series devotes to very detailed food preparation, though; even I’m much more invested in the characters’ lives.

2014 was very a good year for interesting new shoujo. One of the most delightful was Kazune Kawahara and Aruko’s My Love Story!!. The series plays around with shoujo tropes and expectations and is both funny and endearing. The characters, too, are lovely and charming. I’m still not certain how long the series’ basic premise will be able to be sustained, but I’ll be following My Love Story!! until its end. Just reading the two volumes that have so far been released makes me incredibly happy.

Another shoujo that caught my attention was Setona Mizushiro’s Black Rose Alice. Now, vampires aren’t generally my thing, especially since they’ve been so overdone recently, but the vampires in Black Rose Alice really are very different from any other vampire that I’ve encountered before. After only two volumes I don’t understand everything that’s going on yet, but there is no question that the series is marvelously unsettling, creepy, and atmospheric. I desperately need to read more.

Tetsuya Tsutsui’s Prophecy was a manga that seemed to come out of nowhere for me, and I don’t think it’s on many people’s radars yet. It should be though. One volume was released in 2014, but I’m already very impressed by the series. Maybe because I work so heavily with electronic resources, I especially appreciate Prophecy‘s realistic take on information and cyber crime. The series deals with the implications of online anonymity and contemporary social issues in a very engaging way.

I have been thoroughly enjoy Makoto Yukimura’s epic Vinland Saga ever since its debut in 2013, but it wasn’t until the second omnibus was released early in 2014 that I absolutely fell in love with the manga. The second through fifth omnibuses were published over the past year which amounts to well over 1700 pages of content. Yukimura’s artwork seems to get more detailed with each passing volume and the attention given to historical detail in both the series’ art and its story is superb.

Yoshikazu Yasuhiko’s Mobile Suit Gundam: The Origin is one of two manga that appeared both on last year’s and this year’s notable list. While I don’t have a particular interest in Gundam as a whole, The Origin continues to demand my attention. And not just because it’s one of the best-looking manga releases in English. The scope of The Origin is epic, but the attention given to characterization makes it all feel very personal. Volumes five through eight were released in 2014 and its good stuff.

Takako Shimura’s Wandering Son is the second manga to make my notable list two years in a row. To be perfectly honest, it will probably appear on every list of notable manga that I make. The series is incredibly important to me on a very personal level. Only two volumes were published in 2014, the sixth and the seventh. I wish the wait between each volume coming out wasn’t as long, but really I’m just extraordinarily happy that Wandering Son is being released in English at all.

I discovered Toril Orlesky’s Hotblood!: A Centaur in the Old West while at TCAF. It was a splurge purchase of a comic I hadn’t even heard of before, but it quickly became one of my favorites. Great artwork, great characters, great worldbuilding, just a great comic. I don’t follow many webcomics as they are released online. Hotblood! is one of the few exceptions–I read each update as soon as I possibly can. So far, the first two volumes have been completed and the third is currently being serialized.

At this point, I should probably just give anything written by Gene Luen Yang a try. Boxers & Saints was included on last year’s notable list and this year his collaboration with Sonny Liew, The Shadow Hero, made the cut. I wasn’t initially even going to read The Shadow Hero since I’m not especially interested in superheros, but that would have been a mistake. It’s an excellent comic with humor, heart, and history, inspired by an obscure superhero from the 1940s.

Yu Godai’s Quantum Devil Saga: Avatar Tuner, Volume 1 was another surprise. I didn’t initially know much about the series except that it was related to the Shin Megami Tensei franchise. But then I read it and was immediately hooked, fascinated by its setting and atmosphere as well as the philosophical and psychological development of its characters. An absorbing work of science fiction, I’ll definitely be picking up the second volume of Quantum Devil Saga as soon as I can.

After two years of online serialization, 2014 saw the publication of Add a Little Chaos, the second volume of Tokyo Demons, a series of novels written by Lianne Sentar and illustrated by Rem. My obsession with all things Tokyo Demons is well-known, but the second book was phenomenal. Things get pretty dark and heavy, so the stakes for the third and final volume are incredibly high. I can’t even bring myself to wait for the last volume to be completed; I’m following the serialization this time.

Manga the Week of 12/31

December 24, 2014 by Sean Gaffney, MJ, Ash Brown, Michelle Smith and Anna N 3 Comments

SEAN: There’s still not a great deal of manga out for this final week of the year, but there’s a bit more than last week. Let’s see what we’ve got.

Gen Manga has a new title, called Stones of Power, which would appear from its cover art to star a catgirl shrine maiden.

MJ: If there’s one thing I’ve learned about Gen Manga, it’s that I should always pay more attention to it than I think I should. So I’ll be checking this out for sure.

ASH: I remember enjoying the early chapters of Stones of Power when Gen was serializing it, so I’m looking forward to reading the whole thing!

ANNA: Hmm, I look forward to reading your reviews!

SEAN: On to Kodansha. Fairy Tail 45 has a cover that makes me sigh, but ah well. I’m going to guess a lot of battles?

And Say “I Love You” is at Vol. 5, and that cover actually looks really cute? Will the inside be just as cute, or will it be more drama filled?

MICHELLE: Whatever the case, I’m sure it’ll be good!

ANNA: Such a good manga! I remember now that I haven’t read volume 4 yet. I’m going to treat myself to this!

SEAN: That doesn’t seem like a lot. Let’s do something we rarely do: what’s out digitally this month?

Dark Horse seems to have eased up on their app-only titles, as we’re seeing a pile of new digital manga this month that may have already come out earlier exclusively. Kurosagi Corpse Delivery Service, Crying Freeman, Blade of the Immortal, Oh My Goddess, and Mail all have various volumes out.

ASH: Nice to see Dark Horse making these more widely available, especially as so many of them are out of print.

SEAN: The two Kodansha titles I mentioned earlier are also available as ebooks.

Vertical has two more volumes of Black Jack, the 3rd and 4th.

MJ: Still so happy about this!

ANNA: Me too! I didn’t collect the whole series in print, so I might pick up a volume or to digitally.

SEAN: Viz has more of their ‘Viz Select’ titles, aka ‘the Kadokawa titles we can license rescue from Tokyopop’. Vol. 12 of Trinity Blood is where TP left off, and so far I don’t believe Viz has actually translated anything new for these rescues (they’re pretty low budget), so this may be it. And there’s the 2nd Mouryou Kiden volume, which is there to remind you why the title ‘ex-CLAMP artist’ is not really a compliment. And there’s a third volume of Zone-00.

MICHELLE: Man, this is like manga memory lane!

ANNA: I am feeling oddly nostalgic!

SEAN: Then we have the two debuts. Sgt. Frog is a series that I really enjoyed reading when it was first coming out, though I will admit I felt it was getting a bit long in the tooth by the end of it. It’s great to see back, though, and I am happy to see Vol. 1 digitally here.

The other series, Hands Off!, I know less about. It’s actually finished, with all 8 volumes being released over here. It seems to be an esper series, and I suspect will have hints of BL, like most esper series – and indeed a lot of Monthly Asuka series, which is where it ran.

MJ: Hmmm… maybe, maybe…

MICHELLE: That was pretty much exactly how I felt about Hands Off! when it was coming out in print. I bought volume one years and years ago and never got around to reading it.

SEAN: And just as Viz license rescues old Tokyopop titles, so Yen is license rescuing – at least digitally – some of the older titles Viz licensed via Square Enix, who now have a close working relationship with Yen. Nightmare Inspector: Yumekui Kenbun started in Stencil (sort-of shoujo) and then moved to GFantasy (sort of shonen). But the genre it really fits is ‘MJ’, I suspect.

MJ: Should I feel honored that I have become a genre? :D I think so. That said, I missed most of this series in print, so I should probably take the opportunity to pick it up now!

ASH: Nightmare Inspector is a series I’m personally very fond of. Glad it will be reaching some new readers.

MICHELLE: I was always kind of intrigued by this one, but never actually read it.

ANNA: I enjoyed the first couple volumes of this, nice to see it coming back!

SEAN: Technically the title to this next series in North America is ‘O-Parts Hunter‘, but I really hate not referring to it by its original Japanese title, 666 Satan (can’t imagine why they changed it…). If the artist’s last name sounds familiar, there’s a reason: the creator is the younger twin brother of Naruto’s creator. 666 Satan is well-told, if not particularly original.

Lastly, all 9 volumes of The Record of a Fallen Vampire are available. A Shonen Gangan series by the creator of Spiral: Bonds of Reasoning, featuring vampires, there was precisely zero chance this would not get licensed by Viz, and there was precisely zero chance that, once given the opportunity, Yen would not make it available digitally.

MJ: I’m in for this as well.

MICHELLE: MJ, would you believe I talked about this series in our very first Off the Shelf column? I did! Here’s proof.

SEAN: Do you plan to use your gift cards to get anything here?