Ash Brown

Manga Giveaway: Seven Seas Sampler

November 26, 2014 by Ash Brown

The end of the month draws near, so it’s once again time for another manga giveaway at Experiments in Manga! As is tradition, November’s giveaway features multiple volumes. This month you will all have a chance to win a sampling of some of Seven Sea’s manga releases, both old and new: A Centaur’s Life, Volume 1 by Kei Murayama; Dictatorial Grimoire, Volume 1: Cinderella by Ayumi Kanou; Gakuen Polizi, Volume 1 by Milk Morinaga; and Kashimashi: Girl Meets Girl, Omnibus 1 written by Satoru Akahori and illustrated by Yukimaru Katsura. And as always, the giveaway is open worldwide!

Dictatorial Grimoire, Volume 1: Cinderella

It used to be that I didn’t pay much attention to Seven Seas. It had a smallish catalog and I wasn’t particularly interested in most of the series it was publishing at the time. But with the success of Monster Musume and the various Alice series, Seven Seas has really taken off in recent years. And increased sales mean even more manga licenses. Seven Seas has been making a particular point to diversify its offerings lately. It has helped revive interest in yuri manga in English. A range of genres are being released, including slice-of-life, comedy, fantasy, horror, mystery, and science fiction among others. There are otome manga as well as quirky shounen series. Ecchi and fanservice manga features heavily, but there are more wholesome titles, too. Seven Seas really is trying to have a little something of everything and a little something for everyone. I might not personally be interested in every license the publisher picks up, but I do like seeing the variety of works. You’ve caught my attention, Seven Seas. Now show me what you can do.

So, you may be wondering, how can you win a Seven Seas Sampler?

1) In the comments below, tell me a little about your favorite manga released or licensed by Seven Seas if you have one. (If you don’t have a favorite or haven’t read any of Seven Seas manga, just mention that.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

It’s as easy as that. Each person can earn up to two entries for this giveaway. As usual, participants will have one week to submit comments. Entries can also be sent via e-mail to phoenixterran(at)gmail(dot)com which I will then post in your name. The giveaway winner will be randomly selected and announced on December 3, 2014. Happy feasting!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: Seven Seas Sampler Winner

Pick of the Week: Opus & More

November 24, 2014 by MJ, Ash Brown and Sean Gaffney 1 Comment

MJ: My pick this week is probably pretty obvious, but I’ll put it out there anyway. Not only was I a well-documented fan of CLAMP’s xxxHolic, but I was also one of the few people who did not hate the end of the series. That xxxHolic: Rei seems to be starting off as though much of that ending didn’t happen, I admit I’m kind of hoping it’s got a lot more up its sleeve, and I’m willing to wait to find out. Meanwhile, I’m enjoying the continuing adventures of the series’ original cast. So, yeah. I’ll be buying up the second volume with no hesitation whatsoever. Bring it on.

ASH: Even though it’s a smaller shipping list this week, there are still quite a few manga in which I’m interested. But, there’s only one that stands out for me as an immediate must-buy and that’s Satoshi Kon’s Opus. I’m very happy that his works are being released in English. I enjoyed Tropic of the Sea and am looking forward to reading more of his manga a great deal.

SEAN: The obvious choice would be Opus, but Ash already got that, so instead I will go with the final Neon Genesis Evangelion volume (available 11/25). I’ve been reading this series since Viz was putting it out in flipped 32-page comic books, and am ready to see if the ending will keep the main themes but avoid some of the depressing nihilism of the TV series.

What looks good to you this week?

My Week in Manga: November 17-November 23, 2014

November 23, 2014 by Ash Brown

My News and Reviews

Two reviews were posted last week at Experiments in Manga, and a little something else as well! The first review was for the second part of Boogiepop Returns: VS Imaginator, the third volume in Kouhei Kadono’s Boogiepop light novel series. Boogiepop is a rather peculiar series, but I’ve really been enjoying it. And speaking of series that I enjoy, I also reviewed the fifth omnibus of Vinland Saga by Makoto Yukimura. Vinland Saga is an epic work of historical fiction, and one of my favorite manga series currently being released in English. And, as promised, last week I also posted a poll so that readers of Experiments in Manga can help pick my next monthly manga review project. I’ve narrowed the choices down to five horror manga options, and now it’s up to you to vote. The poll will be open through the end of November.

A few things of note that I encountered online last week: It was brought to my attention that Akino Kondoh’s collection Nothing Whatsoever All Out in the Open is now available to order. Publishers Weekly has a great list of 12 Awesome Comics about Outer Space compiled by Matt White which includes Makoto Yukimura’s Planetes, Chūya Koyama’s Space Brothers, and Yukinobu Hoshino’s 2001 Nights, which are all excellent choices. Finally, Johanna Draper Carlson has a nice recap of the recent Digtial Manga Tezuka Kickstarter debacle/failure over at Manga Worth Reading.

Quick Takes

Angel Sanctuary, Volumes 6-10 by Kaori Yuki. Halfway through the series, and I still find Angel Sanctuary a bit frustrating and confusing. It’s difficult to follow because there is so much going and and there are so many characters, with even more being introduced in these volumes Angel Sanctuary is incredibly ambitious, but I’m afraid that Yuki has bitten off too much to chew; the series would be stronger with a little more focus. Even though it seems like Yuki is making things up as she goes along, her author’s notes would seem to indicate that she actually does have a plan and even the major plot twists were developed well in advance. To the reader, though, it feels like they come out of nowhere. If anything, it should be very clear by this point in the series that you really can’t trust any of the characters. They all have their own ambitions and motivations, so it’s almost impossible for any of them to be considered allies for a long period of time. I can’t deny that Angel Sanctuary is extraordinarily dramatic, and a string of betrayals continues to up the stakes. And even though the story is all over the place, I do still really enjoy Yuki’s gothic artwork.

Barakamon, Volume 1 by Satsuki Yoshino. Seishuu Handa is a young, award-winning calligrapher who, after handling a critique of his work quite poorly, has been encouraged by his father to at least temporarily retire to the remote Gotō Island. Thus begins Barakamon, a fairly low-key comedy that’s part slice of life and part gag manga. Much of the humor either revolves around Seishuu, a city boy, being so out-of-place in the countryside, or Naru, a young, energetic troublemaker who’s grown rather attached to “Sensei.” Though generally amusing, Barakamon is never quite as funny as I actually want it to be. I’ll admit though, since I grew up in a rural village myself, I couldn’t help but feel a little bit satisfied when Seishuu gets shown up by the island’s residents, especially because he thinks so little of them to begin with. I can appreciate Seishuu’s struggles as an artist, too, though I can’t say that I like him very much as a person, yet. But, I suspect that’s what Barakamon is in part about–Seishuu becoming a better person after some much-needed self-reflection. While no means exceptional in art or story, I did largely enjoy the first volume of Barakamon and plan on continuing the series for a least another few volumes.

Smut Peddler 2014 by Various. After being revived in 2012, Smut Peddler is back again in 2014 with a second collection of short, erotic comics. Some of the contributors are new to Smut Peddler while others are returning to the series. Smut Peddler 2014 includes twenty-five comics from thirty-two artists and writers. Although some of the individual comics are phenomenal, overall I think the first collection is the stronger of the two. Even so, Smut Peddler remains one of the best series for diverse, sex-positive, lady-friendly, queer-friendly, kink-friendly erotic comics. There’s straight sex, and queer sex. There’s modest sex and flamboyant sex. Sweet sex and spicy sex. Sex with humor and sex with solemnity. And there’s everything in between, too. With the inclusion of a few science fiction and fantasy tales, there’s also alien and inter-species sex, which is always fun. I was particularly pleased to see how many transgender and/or nonbinary narratives were included in the 2014 edition of Smut Peddler. The sheer variety of genres, styles, characters, and stories found in Smut Peddler is one of the highlights of the series. The fact that the creators are just as diverse as their comics makes it even better.

Vinland Saga, Vol. 5

November 22, 2014 by Ash Brown

Creator: Makoto Yukimura
U.S. publisher: Kodansha
ISBN: 9781612624242
Released: October 2014
Original release: 2010-2011
Awards: Japan Media Arts Award, Kodansha Manga Award

Makoto Yukimura’s award-winning manga Vinland Saga, an epic and thoroughly researched work of historical fiction, has quickly become one of my favorite series currently being released in English. I was very happy when Kodansha Comics initially licensed Vinland Saga, but with each new volume that is published my excitement increases. The English-language edition of Vinland Saga is being printed as a series of hardcover omnibuses, each containing two volumes of the manga as originally released in Japan. The fifth omnibus, published by Kodansha in 2014, collects the ninth and tenth volumes of the Japanese edition of the series which were published in 2010 and 2011 respectively. It also includes a section of questions and answers exclusive to the English-language edition in which Yukimura discusses some of the inspirations for and creative processes behind Vinland Saga. I already enjoy Vinland Saga immensely, but greatly appreciate of this sort of bonus material.

Ever since his father was killed in front of his eyes, Thorfinn has devoted his life to one thing–seeking revenge against Askeladd, the man he holds responsible for his father’s death. But when Askeladd takes King Sweyn’s head and doesn’t survive the resulting skirmish, suddenly Thorfinn is left directionless and without purpose. Despondent and empty, he ends up a slave on an expansive wheat farm in Denmark. There he really only goes through the motions of living, suffering silently under the humiliation, discrimination, and torment inflicted by the farm hands and hired guards. It’s not until Einar arrives at the farm that Thorfinn is slowly drawn out of his despondency. Of the two, Einar is much more lively and still chafes at his enslavement. And, unlike Thorfinn, he actually knows a thing or two about farming. As difficult as it will be to achieve, those are skills that could conceivably help them earn back their freedom.

The amount of research and historic detail that Yukimura has put into both the artwork and the narrative of Vinland Saga has always been impressive, and that hasn’t changed with the fifth omnibus. Vinland Saga incorporates the politics and social structures of the time period directly into the story in a very engaging way, making them critical issues that the characters must deal with and which greatly impact their lives. At this point in the series, the manga has largely moved from the battlefield to the wheat field, but it still retains its intensity. Farming, like war, is also a life and death struggle which requires men and women to submit themselves to arduous and unforgiving tasks for the smallest chance of survival. The main difference is that raising crops is a creative act while battle is a destructive one. It seem appropriate then that Thorfinn’s labouring in the fields might actually help to bring him some healing, especially since in his past he was part of a force that would raze farms and villages when needed or convenient.

Much of the fifth omnibus of Vinland Saga is devoted to Thorfinn and Einar and the system of slavery that they are now a part of. A great deal of focus is given to Thorfinn and his psychological development in particular. In addition to historical accuracy, Yukimura also excels at creating realistically complex and well-defined characters in Vinland Saga who change and are affected by the events around them. And in some cases, they are the ones to bring great change to the world in which they exist. One of the characters that has transformed the most is Canute, the younger son of King Sweyn. Out of the entire omnibus, only two chapters show what has become of him, but they leave a tremendous impact. Once a seemingly weak and timid young man he has shown incredible fortitude and strength. Where Thorfinn has lost his purpose, Canute has found his. Canute’s ambitions and his willingness to do anything it takes to forge his kingdom will have far-reaching implications.

Random Musings: Picking My Next Monthly Review Project

November 21, 2014 by Ash Brown

Now that I’ve wrapped up my Year of Yuri monthly review project, it’s time for me to decide which manga I’ll focus on next. Like last time, in order to help me choose another monthly manga review project, I wanted to get some input from the readers of Experiments in Manga. So, once again, I’m putting it to a vote. Recently, I’ve been in the mood for horror manga. Using a fairly broad definition of horror, I’ve narrowed down my options to five (technically six) manga series that I would be interested in reviewing. After the fact, I noticed that the horror manga that made the final cut coincidentally all had something in common–the creators all happen to be women. (Well, except maybe for Shin Mashiba, whose gender I’m uncertain of, but whose manga has a shoujo flair to it.) For my next monthly review project, I will be tackling one of the following series:

After School Nightmare by Setona Mizushiro
Unlike the other completed options on this list, I haven’t actually finished reading After School Nightmare. I initially borrowed the first few volumes of the manga from my local library and on the strength of those volumes alone I sought out and purchased the entire series. So why did I never finish reading it? Honestly, I’m not sure, but I think I might have actually been afraid to since some of the themes are pretty hard-hitting. Published in English by Go! Comi, all ten volumes of After School Nightmare are now out of print, but fortunately they are still relatively easy to find.

Dorohedoro by Q Hayashida
Dorohedoro is a very strange and weird manga, but one that I enjoy immensely. It’s a series that somehow manages to be both gruesome and charming all at the same time. Dorohedoro is violent and graphic, dark and grimy, but also incredibly goofy with an exceptionally black sense of humor and a cast of absurdly quirky characters. I’ve previously reviewed the first volume of Dorohedoro, so this option will include in-depth reviews of the remaining volumes currently available in English as well as any future volumes that are released.

Mushishi by Yuki Urushibara
Mushishi was one of the first manga series that I made a point to collect in its entirety, but because it was released before I started blogging at Experiments in Manga, I’ve never really written much about it. I love the series (the anime adaptation is a favorite, too), and find its quiet, contemplative creepiness to be especially appealing. Mushishi was initially published by Del Rey manga and is out of print (some of the volumes are now very expensive), but happily the entire series is now available digitally from Kodansha Comics.

Nightmare Inspector: Yumekui Kenbun by Shin Mashiba
Nightmare Inspector began serialization in a shoujo magazine, but when it folded the manga was moved to a shounen monthly. Initially it seems to be episodic, but by the end of the series a heartrending overarching story emerges. With its dark, melancholic atmosphere, Nightmare Inspector is a manga that I am particularly fond of. I wrote a little about the series as a whole for the Horror Manga Moveable Feast a few years ago, but I’ve always wanted to go back and revisit Nightmare Inspector again in order to really dig into the individual volumes.

Tokyo Babylon/X by CLAMP
The first time I tried reading X, I didn’t actually like it much at all and gave up after only one volume. But then I tried reading it again when the omnibus edition was released and promptly became hooked. Tokyo Babylon, to which X is a sequel of sorts, also took a while to really grow on me. So I’ve been wondering if, like X, I might appreciate Tokyo Babylon more if I gave it a second chance. This option will include in-depth reviews of the two Tokyo Babylon omnibuses from Dark Horse as well as the six X omnibuses from Viz Media.

So, what’ll it be? My fate is in your hands.

(The poll will be open through the end of November!)

Manga the Week of 11/26

November 20, 2014 by Sean Gaffney, Ash Brown, MJ, Anna N and Michelle Smith 1 Comment

SEAN: The last week of the month is usually a nice breather after the deluge of the previous three weeks, giving us a chance to catch up on the piles of manga still out there. But there are still a few tasty bits of manga for (American) Thanksgiving.

We’ll start with the tastiest, the long-awaited release from Dark Horse of Satoshi Kon’s Opus. It’s an omnibus of the original 2-volume Japanese release, and also apparently fairly metatextual. It’s also by Satoshi Kon, which is reason enough to buy it.

ASH: Oh! I knew this one was in the works, but hadn’t realized it was being released so soon!

MJ: Wow, this snuck up on me!

ANNA: This does sound interesting.

SEAN: From the sublime to the ridiculous, as Kodansha has the 2nd omnibus release of Attack on Titan Junior High. A lot of fans of the regular Titan series I think found this humor a bit too broad for their tastes, but I loved it, and appreciated the focus it gave to some of the minor characters from the main series. For anyone who likes comedy gag manga.

ASH: I agree. The first omnibus was surprisingly entertaining.

SEAN: Fairy Tail has its 44th volume, and we’re only 4 months behind Japan now!

There’s also the 2nd volume of xxxHOLIC Rei, where I keep hoping they’ll ignore that something is clearly wrong with this universe and keep giving me wonderful short unconnected supernatural stories.

MJ: I’m totally on board with whatever is wrong with this universe, and definitely looking forward to this volume! Hurray!

SEAN: If Syaoran shows up, I’m blaming you.

ANNA: I never thought the day would come when I would be very ambivalent about a CLAMP book, but here we are.

MICHELLE: I’m not exactly ambivalent about it, but I never finished the first xxxHOLiC, so Rei is sort of putting the cart before the horse for me.

SEAN: Cardfight!! Vanguard has its fourth volume come out from Vertical Comics. I hear the manga and anime are quite different.

Lastly, we have a digital only release (the physical volume is out in February), but it’s one we have been waiting almost 20 years for. The final volume of Neon Genesis Evangelion drops next week, and fans keep wondering if its finale will be slightly less apocalyptic and bleak than the anime or movies. We’ll find out soon.

Anything whet your appetite as you wait for all that turkey?

Boogiepop Returns: VS Imaginator, Part 2

November 19, 2014 by Ash Brown

Author: Kouhei Kadono
Illustrator: Kouji Ogata
Translator: Andrew Cunningham
U.S. publisher: Seven Seas
ISBN: 9781933164236
Released: October 2006
Original release: 1998

Boogiepop Returns: VS Imaginator, Part 2 is the third volume in the Boogiepop light novel series written by Kouhei Kadono and illustrated by Kouji Ogata. It is also the third out of four Boogiepop novels to have been released in English. Translated by Andrew Cunningham, the second part of Boogiepop Returns was published by Seven Seas in 2006. In Japan, the volume was released in 1998, the same year as the first two books in the series. Boogiepop Returns is actually a two-part story, and so after reading the first novel in the arc I was particularly anxious to read the second. With all of the setup and steadily increasing tension in the first part, the story needed a conclusion and the final volume of the arc promised to deliver just that. Boogiepop is kind of an odd series which freely mixes the surreal with the real, making use of multiple genres in the process. But it’s also a series that I find peculiarly appealing because of that and because of its willingness to explore the more troubling aspects of the psyche.

A year ago a young woman committed suicide under the influence of an entity known only as the Imaginator. Her life was ended when, being pursued by Boogiepop, the Imaginator failed to change the world through her. But now the Imaginator has returned to inspire yet another person, this time with much greater success. Asukai Jin, with the Imaginator as a catalyst, has begun to use his unique abilities to not only read the hearts of other people but to manipulate them as well. Meanwhile, the mysterious Towa Organization also has a vested interest in the direction humankind is taking. Spooky E, a synthetic human and one of its agents, is actively hunting Boogiepop in order to prevent the spirit’s interference with the organization’s affairs. In an effort to draw Boogiepop out, he has arranged for the love-besotted Taniguchi Masaki to serve as a decoy by impersonating Boogiepop. Masaki didn’t initially realize he was being used as a pawn, and even if he had there was very little he could do to stop the developing crisis.

Despite the title being Boogiepop Returns, the real Boogiepop actually plays a very small albeit very important role in the two novels and is mostly relegated to the edges of the narrative while the other players take center stage. Granted, when Boogiepop finally does make an entrance during the second volume’s finale, it’s pretty spectacular. But until then the story largely follows the more mundane characters, the seemingly normal teenagers who have been caught up in the battle over the fate of humanity and who frequently are the victims of the supernatural and superhuman forces at work. At the same time, they are also dealing with their own personal issues and troubled relationships. In many ways I actually found these smaller struggles to be more emotionally immediate than the novel’s grander schemes, probably because they’re more relatable and the more realistic elements help to ground the stranger aspects of the Boogiepop series.

The doomed love story between Masaki and the girl he likes, Orihata Aya, has always been an important part of Boogiepop Returns but it become especially prominent in the second volume. It is because of his love for her that he “becomes” Boogiepop, his feelings and the burgeoning romance becoming closely entwined with the larger events of the novel. The second part of Boogiepop Returns has some fantastic fights and action sequences, but the novel also has deeper contemplative and philosophical aspects to it as well. Employing the trappings of science fiction and the supernatural, the Boogiepop novels explore thought-provoking themes of free will, personal identity, the individual’s place within society, sacrifice, and what it truly means to be human. The characters are all damaged or suffering in some way but it’s how they choose to live their lives despite that pain that makes them who they are and makes Boogiepop Returns such an interesting and at times even compelling story.

Pick of the Week: So Many Books, So Little Time

November 17, 2014 by Sean Gaffney, Ash Brown, Michelle Smith, Anna N and MJ 1 Comment

SEAN: This may be the last chance I get to do it, so I apologize to all the other worthy series out this week. But my pick of the week is Higurashi: When They Cry: Dice-Killing Arc. An epilogue that delves further into the psychology of Rika Furude, it’s a lot darker than you’d expect, and while some of its motivations don’t make sense to me, it’s a fitting conclusion to the series (barring other side-stories that might get licensed in future). Also, Rika’s mom!

ASH: So many great manga are being released this week that it’s difficult to pick just one. But then I realized that the most recent volume of Takehiko Inoue’s Real was an option and that I couldn’t choose anything else. Real is a fantastic series and, in my opinion, one of the best comics currently being released in English.

MICHELLE: It is no exaggeration to say that I literally make a noise of delight upon realizing that another volume of Real is due for release, so I am going to have to go with Ash on this one.

ANNA: I knew there would be a lot of love for Real this week, which it certainly deserves. I’m going to make my pick the fourth volume of Gangsta though. This stylish seinen manga alternates between being gritty and heartwarming, and I’m looking forward to the further adventures of Worick and Nik as they navigate issues with the local mafia, the city of Ergastulum, and their own traumatic pasts.

MJ: Okay, wow, there are so many things here for me to choose from, I honestly do not know what to do. I’m always thrilled to see new volumes of Ooku and Real. They accumulate so slowly, I feel that I must carefully savor each new volume. And with both a new volume of Pandora Hearts *and* the art book Pandora Hearts Odds & Ends, I’m running the risk of fangirl overload this week. But the cover art alone has persuaded me to go with Yen Press’ new manhwa series, Milkyway Hitchhiking. I had a lot of love for the author’s earlier series One Fine Day (and I still maintain that if people aren’t actively ‘shipping No-Ah/Aileru, I don’t know what they’ve been doing with their time). The more I think about a new series from Sirial, the giddier I become. Gimme, gimme. Like. Now.

What looks good to you this week?

My Week in Manga: November 10-November 16, 2014

November 17, 2014 by Ash Brown

My News and Reviews

Last week I posted two reviews at Experiments in Manga. The first review of was of Ajin: Demi-Human, Volume 1 written by Tsuina Miura and illustrated by Gamon Sakurai. It’s a manga with a rather dark atmosphere that deals with immortals, which is right up my alley. The first volume was a good start to the series; I’m looking forward to seeing how it continues to develop. The second review was of The Legend of Bold Riley, created by Leia Weathington and illustrated by a number of different artists. The review was actually the final review in my Year of Yuri project, so over the weekend I posted a wrap-up for the project as a whole. Later this week, most likely on Friday, a poll will go live so that readers of Experiments in Manga can vote to help me select my next monthly review project.

I came across a few fun and interesting things elsewhere online last week, too. Mangabrog has a translation of a conversation between Katsuhiro Otomo and Takehiko Inoue from 2012. Kate Beaton posted the second part of her collection of comics based on Natsume Sōseki Kokoro (a novel that I’ve reviewed in the past). The Ceiling Gallery posted “Girl Talk”, an article about “the life, friends and music of manga author Okazaki Kyoko” which is well worth reading. Anna Madill, a professor at The University of Leeds, is currently conducting research into boys’ love fandom. If you’re an English-speaking boys’ love fan, please consider assisting her research by completing a brief BL Fandom Survey.

Quick Takes

Lucifer and the Biscuit Hammer, Omnibus 1 (equivalent to Volumes 1-2) by Satoshi Mizukami. I really wasn’t sure what to expect from Lucifer and the Biscuit Hammer, but I ended up enjoying the first volume immensely. One morning, college student Amamiya Yuuhi wakes up to discover a talking lizard in his bed, requesting his help to protect a princess destined to save the world from an evil mage bent on destroying Earth by using a giant hammer floating in space. Despite his initial reluctance to get involved in the whole mess, Yuuhi decides to become her knight because of one simple fact: The only reason Samidare (who need little protection) wants to save the world is so that she can destroy it herself. Much like its title, Lucifer and the Biscuit Hammer is kind of strange. Both the characters and story are quirky, a little goofy, and rather bizarre. The manga is also quite a bit darker than it first appears; the characters are all revealed to have twisted pasts and tragedies to work through. It’s particularly interesting to see protagonists who are closer to being supervillians than superheros. I’m still not entirely sure where Lucifer and Biscuit Hammer is heading, but I’m really looking forward to reading more of the series and finding out.

My Japanese Husband Thinks I’m Crazy by Grace Buchele Mineta. A companions of sorts to her blog Texan in Tokyo, My Japanese Husband Thinks I’m Crazy! is a collection of autobiographical comics and essays about Mineta’s life in Japan, her work as a freelancer, and her intercultural marriage. I’ll admit, I haven’t actually read much of Texan in Tokyo, but the comics made me laugh, so I decided to pick up the book. Some of the material collected is new to the volume while other material comes directly from the blog. My Japanese Husband Thinks I’m Crazy! is a wonderfully amusing and at times even enlightening collection. The main “characters” are Mineta herself, her salaryman husband Ryosuke, and Marvin–a talking rabbit who’s a figment of her imagination, the result of “stress, coffee, and loneliness from being a freelancer in Tokyo.” The comics are sweet, charming, and short, generally only a single page consisting of a few panels. Many of the comics are personal in nature, but some of Minata’s experiences are certainly shared by other foreign residents and visitors to Japan. My Japanese Husband Thinks I’m Crazy! is a fun way to learn little tidbits about Japan and Japanese culture.

Yakuza in Love, Volumes 1-3 by Shiuko Kano. Despite being one of the boys’ love creators with the most manga published in English, which I assume would be an indicator of her popularity, I generally find Kano’s work to be fairly hit-or-miss with me. Sadly, Yakuza in Love largely falls into the miss category. The short series is one of Kano’s earliest works, and it shows. The pacing is all over the place and frequently rushed, the action is difficult to follow, the sex and supposed romance doesn’t always mesh with the story, the plot doesn’t distinguish itself from any other generic yakuza-themed boys’ love manga, and she can’t quite seem to decide if she’s going for comedy or drama. She probably should have stuck with the humor–as a whole, Yakuza in Love simply doesn’t work as well when it takes itself too seriously. It wasn’t all bad, though. Just perhaps a little too ambitious. The best part of Yakuza in Love is actually all of the extras at the end which take up the last half of the third volume. Kano relaxes and just has fun with her characters, actually giving them more depth while parodying her own story. As a result, the extras end up being much more enjoyable.

Monthly Girls' Nozaki-kun Monthly Girls’ Nozaki-kun directed by Mitsue Yamazaki. Based off of an ongoing yonkoma manga series by Izumi Tsubaki, Monthly Girls’ Nozaki-kun is an absolutely delightful twelve-episode anime series. The titular Nozaki is a tall, stoic, and slightly oblivious high school student who, despite what most people would assume from his appearance, also happens to be a published shoujo mangaka. Sakura has a crush on Nozaki, but when she tries to confess her love to him she somehow winds up as one of his assistants instead. Monthly Girls’ Nozaki-kun is a very funny and enjoyable series which freely plays around with shoujo manga tropes and character types. Nozaki finds inspiration for his manga from the other students at school, usually in slightly unexpected ways. He’s also amassed a handful of assistants in addition to Sakura, all with their own quirks and relationship problems which provide plenty of material for Nozaki to work with which eventually ends up in his manga. For the most part the anime tends to be fairly episodic, though there are several recurring characters and running jokes. Overall, the series is a tremendous amount of fun with a large cast of likeable characters.

Random Musings: Wrapping Up the Year of Yuri Monthly Review Project

November 15, 2014 by Ash Brown

Although I’ve continued to review the new volumes of the series as they are released, last year I wrapped up my Blade of the Immortal monthly review project. Because I enjoyed the project, which took me nearly two years to complete, I started to look for a new one to take its place. Ultimately, I decided I wanted readers of Experiments in Manga to have some input in which manga I would tackle next and so put it up for a vote. Out of the five options that I narrowed it down to, by far the most popular choice was what I called “Year of Yuri.”

Over the course of twelve months, I reviewed twelve different comics and manga with yuri and/or lesbian themes. My intention was to feature a wide variety of genres, demographics, and styles. I think I was fairly successful in that. Most of the stories were based in reality, but there was a bit of fantasy, too. Some were erotic while others were very chaste. There were first loves and failed loves, healthy relationships and relationships that did more harm than good, humor and nostalgia, lightheartedness and seriousness, stories about school girls and stories about grown women, and more.

Whereas the Blade of the Immortal project focused on a single series, the Year of Yuri project allowed me to explore a range of titles which was interesting to do. Granted, with only twelve reviews, I could only begin to scratch the surface of the entire realm of possibilities. But hopefully I featured at least one manga or comic that sparked someone’s interest. I enjoyed having a project to work on from month to month and had fun selecting the comics and manga that I would review. Now that my Year of Yuri monthly review project has concluded, I’ll once again be turning to the readers of Experiments of Manga to help choose my next project. Another poll will be opened in the very near future, so stay tuned!

The links to all of my Year of Yuri manga reviews can be found below. I have also conveniently added a Year of Yuri tag to all of the reviews to pull them all together and for even greater ease of access. While I’ll no longer be focusing on yuri and lesbian comics as part of a monthly review project, I will continue to read and review them, so expect to see more quick takes and in-depth reviews in the future. I hope you all enjoyed this project as much as I did!

Year of Yuri reviews:
12 Days by June Kim
Before You Go by Denise Schroeder
Between the Sheets by Erica Sakurazawa
Blue by Kiriko Nananan
Gakuen Polizi, Volume 1 by Milk Morinaga
Kisses, Sighs, and Cherry Blossom Pink by Milk Morinaga
The Legend of Bold Riley created by Leia Weathington
Maka-Maka: Sex, Life, and Communication, Volume 1 by Torajiro Kishi
Revolutionary Girl Utena: The Adolescence of Utena by Chiho Saito
S.S. Astro: Asashio Sogo Teachers’ Room, Volume 1 by Negi Banno
Sweat & Honey by Mari Okazaki
Whispered Words, Omnibus 1 by Takashi Ikeda

The Legend of Bold Riley

November 14, 2014 by Ash Brown

Creator: Leia Weathington
Illustrator: Vanessa Gillings, Jason Thompson, Marco Aidala, Konstantin Pogorelov, and Kelly McClellan; Chloe Dalquist and Liz Conley
Publisher: Northwest Press
ISBN: 9780984594054
Released: June 2012

The Legend of Bold Riley is writer and illustrator Leia Weathington’s first graphic novel. Published by Northwest Press in 2012, the volume is a collection of related stories, each illustrated by a different artist. In addition to Weathington, Vanessa Gillings, Jason Thompson, Marco Aidala, Konstantin Pogorelov, and Kelly McClellan contributed their artistic skills to The Legend of Bold Riley, with Chloe Dalquist and Liz Conley assisting with some of the colors. I first became aware of The Legend of Bold Riley thanks to the involvement of Thompson (to whom I give partial credit for igniting my interest in manga). And it’s thanks to The Legend of Bold Riley that I discovered Northwest Press, a publisher specializing in queer comics, graphic novels, and anthologies. The Legend of Bold Riley is a sword and sorcery adventure featuring a princess as a hero. She also happens to be a lover of women. Happily, The Legend of Bold Riley doesn’t end with this collection. The second volume, Unspun is currently being serialized and Weathington has already started working on a third book.

Rilavashana SanParite, who would come to be known as Bold Riley, is the youngest child of the king and queen of the eastern nation of Prakkalore. She and her two older brothers are heirs to the throne, groomed to be fair and just rulers of the kingdom and knowledgeable in the arts of state in addition to the fine arts, sciences, history, and swordplay. But Riley finds that her heart lies somewhere beyond the walls of the capital city of Ankahla and even beyond the borders of Prakkalore. She wants to travel the world to see the places and meet the people she’s only ever read about in her studies. And so the princess sets out with a sword strapped to her side and a horse to carry her, first to the southern kingdom of Connchenn and then further to the jungles of Ang-Warr, the distant Qeifen, and all the lands in between. Over the course of her journey Riley meets gods and battles demons, the sharpness of her mind and wits just as valuable as the sharpness of her sword. She even falls into the bed of a lovely lady or two.

Although the stories in The Legend of Bold Riley all have continuity with one another, the prologue and the five individual chapters that follow can largely stand on their own once Riley has been introduced. As already mentioned, each chapter is illustrated by a different artist. Riley is always recognizable, but otherwise there is no attempt to have uniform artwork in the volume. Instead, the artists are given free rein, resulting in a marvelous assortment of different art styles and illustration techniques and a range of color palettes. The resulting shift of mood and atmosphere is quite effective in emphasizing the changes in the setting and the type of story being told from one chapter to the next. As Riley travels, visiting different countries and kingdoms, the artwork reflects those differences. The Legend of Bold Riley is diverse, and not just in its illustrations. The volume’s sceneries and stories take inspiration from the fantasy counterparts of India, Central and South America, Southeast Asia, and other areas.

The artwork in The Legend of Bold Riley may change from story to story, but Riley is always Bold Riley. She’s a fantastic and exceptionally appealing character, a dashing and daring young woman with strengths and weaknesses, remarkable talents, and human flaws. Although Riley’s sexuality is never the focus of the comic, it’s always a part of who she is as a person and as a well-rounded character. She falls in love, she makes mistakes, and she struggles and is challenged when faced with a world that’s not always black and white or even kind. The Legend of Bold Riley, while something new and refreshing, somehow also feels very familiar. It’s a collection of heroic tales, some ending in triumph and others ending in heartbreak. Because of its episodic nature there’s not a lot of character development, but Riley is such a great character to begin with that the work is still very satisfying. I thoroughly enjoyed The Legend of Bold Riley and look forward to reading more of Riley’s adventures in the future.

Manga the Week of 11/19

November 13, 2014 by Sean Gaffney, Ash Brown, MJ, Michelle Smith and Anna N 1 Comment

SEAN: So. Many. Books.

ASH: Woo!

SEAN: Kodansha has the 5th volume of shoujo romance My Little Monster, which is still dealing with social ineptness in the best way.

MJ: I feel like I’m really missing out by not reading this. I probably have to fix that.

MICHELLE: I do honestly think that you would like it.

ASH: You should!

ANNA: Now I feel like I should be reading this! But I have far far too much manga to get caught up on.

SEAN: And the 2nd volume of Noragami, which I’m hoping kicks things into gear now that we have a 3rd cast member.

ASH: By the end, I rather enjoyed the first volume. Looking forward to seeing how the series develops.

SEAN: Seven Seas has another Devils and Realist, which I’m hoping keeps the denial in addition to all its handsome devils.

ASH: This series has actually really started to grow on me.

ANNA: I liked the first volume well enough but haven’t picked up the others for whatever reason.

SEAN: Dragonar Academy 4 has dragons and fanservice, possibly not in that order.

Kokoro Connect was surprisingly serious about its body swapping, even if at times the exposition felt a bit stilted. I look forward to seeing where the second volume goes.

Monster Musume 5 has monsters and fanservice, possibly not in that order.

ASH: Since both things are fairly constant, I’m not sure there can be much of an order…

SEAN: Prophecy is our first new title, a seinen title involving a masked man who predicts crimes… which then happen. This looks pretty grim, but is supposed to be a real page-turner.

MJ: Oooo, I like the sound of that.

MICHELLE: Me, too! Something just got added to my shopping list!

ASH: I’ll be checking it out!

ANNA: I’m intrigued but am reserving judgement until you guys check it out.

SEAN: Viz, as always in the 3rd week of the month, has its ‘Signature’ series titles. We have another volume of Gangsta, which I’m starting to like even more than Black Lagoon, its spiritual predecessor.

ASH: I think I do, too, actually.

SEAN: Ooku hasn’t come out in ages, so a 10th volume is very welcome.

MJ: Yay, yay, yay! And more yay!

MICHELLE: What she said.

ASH: And another yay for good measure!

ANNA: Yet another yay for Ooku!

SEAN: And I know the Manga Bookshelf crew will be ecstatic with a 13th volume of Real.

MJ: Truth.

MICHELLE: I am performing the Baby Groot dance as we speak.

ASH: Real is a phenomenal series. If you’re not already reading it, give it a try!

ANNA: It is really great.

SEAN: I’ve never played the games, but one can’t deny the overwhelming popularity of the Resident Evil franchise, and here we have the first volume of a manga adaptation called The Marwha Desire, which ran in Akita Shoten’s Weekly Shonen Champion.

Terra Formars 3 is also coming out.

Yen On has a 2nd volume of the light novel Accel World, whose first volume I enjoyed, and whose protagonist is intriguing, so I will see where it goes from here.

MJ: I’m on board for this, definitely!

SEAN: The big light novel out next week, though, is even more well-known in the anime and manga fandom. A Certain Magical Index has become a giant franchise, whose anime is already out over here, and whose manga spinoff, A Certain Scientific Railgun, has sold quite well indeed. Now see where it all began, with this first volume.

Ani-Imo is a shoujo title from Aria, a magazine known for odd shoujo titles. Do you like bodyswapping? Do you like suggestions of incest? Then you’ll love this title, whose creator has been doing ‘saucy’ shoujo for years.

MJ: I was right there… until “incest.” Just. No.

MICHELLE: That’s an odd shoujo title for sure. Even the cover art looks like it’s meant for some other demographic.

ANNA: Yeah, I don’t think so.

SEAN: Anything I could have said about BTOOOM! I got out with the previous 7 volumes, so… 8.

Durarara!! continues adapting the third novel with the 2nd volume of the Yellow Scarves arc. (That can be confusing. Welcome to light novel adaptations, here’s your accordion.)

Another debut with Gou-dere Sora Nagihara, which ran in Hakusensha’s Young Animal Arashi. It’s pretty ecchi, and involves an otaku’s 2D fantasy girl coming to life and not being quite the shy, demure girl he was expecting.

Speaking of ecchi, another volume of High School DxD is here.

Higurashi: When They Cry ended last year, and Rika finally got her happy ending, provided she doesn’t do anything foolish like bike in front of a truck. (cough) Please enjoy Higurashi’s “epilogue”, the Dice-Killing Arc.

Jack Frost has reached its final, 11th volume! No more head-raising antics!

The Melancholy of Haruhi Suzumiya also has its 20th and final volume, though the spinoffs are still running. Forever doomed to be in the shadow of the novels and anime, it’s probably for the best it ends here as it runs out of novel to adapt.

Milkyway Hitchhiking is a new manwha from the creator of One Fine Day, and is also in full color. It seems to be episodic tales connected by a time-space cat.

MJ: Wahoo! I loved One Fine Day, so I am very enthusiastic about this.

MICHELLE: Oh! I forgot this was coming out. It looks like very much my sort of thing.

ASH: Space-time kitty!

ANNA: This does sound quite appealing.

SEAN: Pandora Hearts 22… MJ?

MJ: You know me so well. I will be eating this up with a spoon.

SEAN: As well as the Pandora Hearts artbook, Odds & Ends… MJ?

MJ: It’s beautiful! Truly. Really, truly. And I offer proof (thanks to Sean).

SEAN: Soul Eater’s covers are still nearly black, which tells me things are still not looking good for our heroes as we head towards the story’s climax.

And there’s also the 4th volume of Soul Eater NOT!, which I believe is also a final volume. Who will Tsugumi choose as her girlfr… um, partner?

Everyone’s least favorite arc of Sword Art Online, Fairy Dance, has its 2nd manga volume ship.

MJ: Heh, I haven’t enjoyed the manga as much as the novels (or the anime), but I’ll take it.

SEAN: Lastly, Triage X marches on, with its 8th volume out next week.

That’s not too much. Surely you can buy all of that in one week, right?

Ajin: Demi-Human, Vol. 1

November 12, 2014 by Ash Brown

Author: Tsuina Miura
Illustrator: Gamon Sakurai
U.S. publisher: Vertical
ISBN: 9781939130846
Released: October 2014
Original release: 2013

It was the cover art of Ajin: Demi-Human, Volume 1–a creepy image of disconcerting skeletal figure–that first sparked my interest in the series. When I learned that the manga was at least in part about immortals in addition to being fairly dark in tone, I knew that I wanted to read it. The exploration of immortality and its repercussions in fiction fascinates me. Series like Hiroaki Samura’s Blade of the Immortal and novels like Fumi Nakamura’s Enma the Immortal have actually been some of my favorite works of recent years. And so, I was very curious about Ajin. The first volume, written by Tsuina Miura and illustrated by Gamon Sakurai, was originally released n Japan in 2013. (Later volumes of the series are both written and illustrated by Sakurai.) The English-language edition of Ajin, Volume 1 was published by Vertical in 2014. The production values are particularly nice, with high-quality paper that really shows off Sakurai’s ink-heavy artwork.

Seventeen years ago, the first demi-human was discovered. Immortal, and perhaps something a little more, demi-humans are considered to be less than human–feared, despised, reviled, and subjected to horrific experiments in the name of science and for the advancement of humankind. Demi-humans seem to be rare, only forty-six have so far been identified, but that’s only because they appear to be normal humans, at least until they survive their first death. Most assumed Kei Nagai was an average high schooler, preoccupied with studying for his college entrance exams. But Kei’s hopes and dreams of becoming a successful doctor are shattered when he dies in a traffic accident, his body smashed into pieces. And then he comes back to life. Now he’s on the run, pursued by the general population, the police, the Demi-Human Control Commission, and even other demi-humans. His only ally is his friend Kai, who tries to help him escape, but that simply means that the two of them are in danger instead of Kei alone.

As in many other works about immortality, Ajin shows that living forever isn’t always something to be desired and can in fact bring a tremendous amount of pain and suffering. There’s the physical torment of death and injury in a body that revives again and again, but there’s also the mental and psychological damage to take into consideration as well. Kei has suddenly lost all of his rights as a person, he is being hunted as something not worthy of being human, his family and friends are filled with disgust towards him–of course this is going to have an impact on the young man. It would be exceedingly easy for him to lose his humanity or his sanity. Glimmers of those possibilities can be seen in the first volume of Ajin as Kei struggles to realign his worldview with his newfound reality. Granted, Ajin, Volume 1 largely focuses on the action surrounding Kei’s escape and explaining (not too subtly) the unusual abilities of the demi-humans. Not much character development has happened yet, but the potential is certainly there.

Ajin, Volume 1 is a good start to the series, though there is still room for improvement. In general, the artwork tends to be a little stronger than the writing at this point. The premise is interesting, and promising, but Sakurai’s illustrations are what really give Ajin its effectively dark atmosphere. Particularly chilling are the “black ghosts”–malignant extensions of the self capable of extreme violence which are able to be manifested and controlled by certain demi-humans. (That disconcerting figure from the cover? That’s a black ghost.) Humans are quite capable of shocking violence as well. Several examples of the gruesome experiments that have been conducted using demi-humans as test subjects are shown in Ajin, Volume 1. The methods are tortuous and the repeated deaths are cruel. So far, the only real difference between the two groups is that when bodies are mutilated or torn apart–which is not at all an uncommon occurrence in the first volume of Ajin–for better or for worse the demi-humans actually survive.

Pick of the Week: FMA, Showa, & More

November 10, 2014 by MJ, Ash Brown, Michelle Smith, Anna N and Sean Gaffney Leave a Comment

MJ: There are a number of really great choices coming our way this week, but since I’m guessing the juiciest of them will be chosen by others, I’ll allow myself the pleasure of picking the final omnibus volume of Hiromu Arakawa’s Fullmetal Alchemist. This is not only one of my favorite shounen series of all time, but also one of my favorite manga series, full stop. I’m thrilled that new readers may finally just be getting to the series’ glorious final chapters. I’m reliving my own experience vicariously through them—in my imagination at least.

ASH: Technically, the All You Need Is Kill omnibus was released last week, but because we initially forgot to mention it I’ll make a special point to pick it this week. I really enjoyed Hiroshi Sakurazaka’s original novel and I’ve been looking forward to reading the manga adaptation ever since I first learned that Takeshi Obata would be working on it.

ANNA: I know the fact that I’m so behind on 07-Ghost is a running joke, but I am really interested in finishing the series! So the latest volume is my pick of the week.

MICHELLE: I’m actually going to side with MJ on this one—Fullmetal Alchemist should be read by all manga fans!

SEAN: I kind of gave this away in my Manga the Week of post, but my pick is absolutely Showa: 1944-1953, Shigeru Mizuki’s story of WWII and its aftermath, how it impacted Japan, and how it impacted his own life. Go read this volume.

What looks good to you this week?

My Week in Manga: November 3-November 9, 2014

November 10, 2014 by Ash Brown

My News and Reviews

Last week at Experiments in Manga the winner of the Sherlock Bones manga giveaway was announced. As usual, I took the opportunity to compile a list of manga as well, in this case a list of manga available in English that feature detectives or other crime solvers. I also posted two reviews last week. The first review was of No. 6, Volume 9, the final volume of Hinoki Kino’s No. 6 manga adaptation. I’m happy to report that the manga has a much less rushed and much more complete ending than the anime adaptation had. And for something completely different, I also reviewed Ivan Morris’ translation of The Pillow Book of Sei Shōnagon last week. It may have been written in the tenth and eleventh centuries, but it’s still an engaging and enjoyable work.

Interesting reading found elsewhere online included a look at some of the most completely collected manga series in Japan, many of which have been licensed in English in whole or in part. (I was happy to see some of my personal favorites, like Parasyte and Hikaru no Go on the list.) Brigid Alverson has a nice overview of the current state of the manga industry in North America for School Library Journal. And over at A Case for Suitable for Treatment, Sean Gaffney has a roundup of some of the recent manga licenses from various publishers. There are also two surveys that are going on right now. Viz has its Fall 2014 Anime and Manga Survey and Vertical has its first ever light novel survey. Last but not least, Khursten Santos of Otaku Champloo has an excellent writeup of the Manga Futures conference recently held in Australia.

Quick Takes

Black Jack, Volumes 14-17 by Osamu Tezuka. It’s a shame that much of Black Jack has gone out of print. Fortunately, Vertical announced just last week that it will be publishing ebooks of all its Tezuka manga, so readers who missed Black Jack in print will at least be able to read it digitally. Even though Black Jack isn’t my favorite Tezuka manga, I enjoy the series immensely and Black Jack is one of my favorite Tezuka characters. He can be a bit of a bastard, but there’s usually a reason for it and it tends to mostly be a cover for his extraordinary compassion. He’s also amazingly skilled. Some of the stories in Black Jack are fairly improbable although still highly entertaining while others are actually quite realistic. (Tezuka’s medical training comes in very handy for Black Jack.) Plastic surgery, specifically surgeries that are intended to change or hide a person’s identity, are particularly prominent in these final volumes. It provides an interesting contrast to Black Jack himself who rarely denies who he is. The seventeenth volume in Vertical’s edition of Black Jack also includes a handy guide to the publication history of the individual chapters.

Black Rose Alice, Volume 2 by Setona Mizushiro. I absolutely loved the first volume of Black Rose Alice and I remained captivated by the second. It’s a strange, dark, and disconcerting series. Mizushiro’s vampires are completely different from any other type of vampire that I’ve come across in fiction. I do like that, but it’s also challenging since readers can’t rely on an already established mythos or assume what it actually means to be a vampire; Mizushiro has to explain it all. I’m not sure that I actually understand everything that is going on with the vampires yet, but I’m assuming that more will be revealed as the series progresses. One thing is certain, though: they are definitely very creepy. In exchange for the life of the young man with whom she is in love, Azusa has entered into an agreement with a nest of vampires. Out of the four vampires, she must choose one to procreate with after which they will both die. The relationship dynamics are bizarre, and honestly a little discomforting, but very compelling as the vampires vie for her affections. It’s not as simple as choosing one of the vampires; in order to fulfill her agreement, she will actually have to come to love them. I’m really looking forward to reading more of Black Rose Alice.

Same Difference by Nozomu Hiiragi. Tsuburaya and Ozaki are the elite of the elite, and both adored by the women at the company where they work. (So much so that the ladies literally swoon in their presence.) However, Ozaki isn’t used to sharing the attention, and so decides to make Tsuburaya fall in love with him, unintentionally falling for Tsuburaya in the process. Out of the two of them, Ozaki is more muscular and crude while Tsuburaya is more elegant and refined. Despite arguably being the more masculine and aggressive of the pair, Ozaki is often the one being out-maneuvered by Tsuburaya in their seemingly antagonistic relationship. It’s not that Tsuburaya dislikes Ozaki–quite the opposite, actually–it’s just that he has a sadistic streak and enjoys making the other man squirm. Same Difference is definitely played for laughs more than romance. Apparently the manga is actually an ongoing series that’s currently up to three volumes in Japan, which I hadn’t realized while reading it. Unfortunately, only the first volume has been licensed in English at this point. Honestly, I wouldn’t mind reading more of the series. It doesn’t have the most subtle, nuanced, or realistic characters or story, but it’s amusingly ridiculous and doesn’t take itself seriously at all.